â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘
▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞ Typeface ⎊ Typewriter 1950 Tech Mono
ḤaaaaaĹ‹Ä‘Ä&#x;Ĺ‚đ&#x;˜?�ếᚣ 0123
Designer ⎕ Manuel Viergutz  WWWTypoGraphicDesign.de
12/14 pt
14/16 pt
5 Font-Styles + DEMO
Character Set
This is the story of Paul Auster’s typewriter. The typewriter is a manual Olympia, more than 25 years old, and has been the agent of transmission for the novels, stories, collaborations, and other writings Auster has produced since the 1970s, a body of work that stands as one of the most varied, creative, and critcally acclaimed in recent American letters. It is also the story of a relationship. A relationship between Auster, his typewriter, and the artist Sam Messer, who, as Auster writes, „has turned an inanimate object into a being with a personality and a presence in the world.“ This is also a collaboration: Auster’s sto-
This is the story of Paul Auster’s typewriter. The typewriter is a manual Olympia, more than 25 years old, and has been the agent of transmission for the novels, stories, collaborations, and other writings Auster has produced since the 1970s, a body of work that stands as one of the most varied, creative, and critcally acclaimed in recent American letters. It is also the story of a relationship. A relationship between Auster, his typewriter, and the artist Sam
RegPRO BlackPRO NegPRO Icons Reg PRO Mono
ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝ ďż˝
Character Set: Latin Extended (Adobe Latin 3). 1490 glyphs with 5Ă— A–Z, 5Ă— a–z, 5Ă— 0–9 and 290+ extra icons like arrows →â&#x;śâ–¸â?ľâ–śâŻˆâ†’⎕⎊ dingbats/symbols, ďż˝ đ&#x;“Œ đ&#x;“Ž geomatric shapes ��■⏛, catchwords TO THE &, &, &, & many alternative letters ďż˝ Love ♼ ♼ ♼ ďż˝ đ&#x;˜? đ&#x;˜? đ&#x;’‹ đ&#x;’‹
â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞▞
� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
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