Siyao Zheng Portfolio, 2019

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Portfolio SIYAO ZHENG Selected Works from 2012 to 2019


Design Studios 2019. Playful Objects

SCI-Arc Graduate Thesis + Gehry Prize

2018. Introverted vs. Extroverted

SCI-Arc 2GBX Design Studio: Man Made Nature

2016. Photosynthesis

Tongji University Vertical Studio: Thermodynamic Prototype

2017. Yin and Yang

Tongji University Bachelor Thesis

2014. City Projection

Tongji University Computational Design Studio

Applied Studies 2018. Design Development SCI-Arc 3GAX Applied Studies

2019. Glass Mass

SCI-Arc 3GBX Applied Studies

2017. Envelope Transformation SCI-Arc 2GAX Applied Studies

2016. Enframed Nature

LOUNA International University Construction Design Competition

Professional Works 2019. The Sunset Theater

8844-30 Sunset Boulevard Billboard Competition

2018. Karma Kandara Phase VI Karma Developments

2018. The White Album

An Art Performance Space for Lars Jan

Other Works 2015. Swarm Fabrication

"Digital Factory" Shanghai Summer Workshop

2013. Paper Dome

Tongji International Construction Competition

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Portfolio SIYAO ZHENG Selected Works from 2012 to 2019

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Content

Design Studios Graduate Thesis

Developing bold and innovative design approaches with a fearless attitude to explore the limits of architecture.

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Establishing proficient skills in modeling, rendering, and graphic design to fulfill creative architectural solutions.


Applied Studies

Showcasing good knowledge of materials, building details, design development, and real fabrication.

Professional Works

Experiencing teamwork with architecture practice as a young designer, a hard-working person, and a faster learner.

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Graduate Thesis

Playful Objects 2019 SCI-Arc Graduate Thesis SCI-Arc Gehry Prize Advisor: Hernan Diaz Alonso Individual Work This thesis explores what architecture and playfulness can do together. People tend to like things that allow them to play with and arouse their playful memories. Artists imbue playful culture, color, and personality into installations that change the way we experience the space and its context. By transforming familiar playful ready-mades into something imprecise and formless, and recomposing them in a very precise way, we can create architecture with new aesthetics, having people to perceive it and want to behave playfully around it spontaneously. In architecture, there has been a long discussion about manipulating familiar objects and defamiliarizing them at the same time to go from the literal to the abstract. However, when it comes to the composition, especially between different objects, it is not easy to escape from collaging. Getting inspirations from playful objects like toys or cartoon figures, this thesis will take a step further to focus on the transitions. The strategies of transitions include: fusing and smoothing the intersection and sharp edges; permeating the patterns from one object to another and from two-dimensional figures to three-dimensional shapes; constructing simple, round-shape, toy-like joint connections. In this thesis, a formal tool-kit will be built up through manipulating online 3d print toys, taking out parts that have the quality of the original but no longer recognizable. Then, to examine and develop the methodology, these abstract playful shapes will be used to remake canonical architecture projects within the same dimension and location, considering adding bold colors, plastic materiality, the possibility to be interactive, and most importantly, the precise transitions. Lastly, by adding up more and more things and locating in a conventional site, the project will go extreme to the next level. The project is designed to be enjoyable, to reshape the context and to let people find their own way to play with it.

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Playful Objects | Deformed Playful Ready-Made

Playful Objects | Abstract Compositions

To begin with, a series of online 3d print toys were collected and manipulated. The deformed playful shapes build up a formal tool kit. The first test is using these deformed objects to make abstract compositions.

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Playful Objects | Three Method of Transitions

Playful Objects | Remake of Canonical Architecture

To escape from the collage a bit and take a step further to focus on the transitions between objects, three methods of transitions were developed. To examine the methodology, they are used to remake canonical architecture within the same dimension and location.

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Playful Objects | Remake of Ronchamp Chapel

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Playful Objects | Remake of Ronchamp Chapel Overview with Site

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Playful Objects | Ronchamp Chapel Interior

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Playful Objects | Remake of Disney Concert Hall

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Playful Objects | Playful Objects Accumulation

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Playful Objects | Handpainted Physical Model

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Playful Objects | Graduate Thesis Exhibition

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Design Studios

Introverted vs. Extroverted 2018 SCI-Arc 2GBX Design Studio: Man Made Nature Location: Los Angeles, CA, USA Instructor: Kristy Balliet Team: Siyao Zheng, Gun Srisawat Downtown LA is an area where events and activities happen just inside the building and veiled from the city. Therefore in this project, we create moments of punctuation to expose the vibrancy of the interiors to the city and break down the entire space into many different spaces so that people can get many parts of the building at one time and experience the building as a series of stories. In general, for the market area, we maintain the existing flower market as a plinth and we insert new market pavilions with spherical volumes into the plinth, breaking down the perimeter walls, creating a sequence of experiences for people inside the building, and a series of deep views for people walking by on the outside. For the residential tower, we wrapped different volumes into one integral mass, creating introverted event space for the residential. At some moments, the elevated event spaces are open to create views connecting to the adjacent city. Each exposed volume contains a different artificial texture with the undefinable edge, which represents the real quality of nature, such as decay, over-growth, and abundance of texture.

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Introverted vs. Extroverted | Rooftop Level Plan

Introverted vs. Extroverted | Typical Floor Plan

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Inside Volume Overview

Inside Volume

Outside Volume Overview

Outside Volume

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A

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B

B

A

Introverted vs. Extroverted | Ground Floor Plan

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Introverted vs. Extroverted | Section AA

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Introverted vs. Extroverted | Elevation Rendering

Introverted vs. Extroverted | Elevation Oblique

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Introverted vs. Extroverted | Elevation

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Introverted vs. Extroverted | Physical Model

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Introverted vs. Extroverted | Rendering and Model Closeup

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Photosynthesis 2016 Tongji University Vertical Studio: Thermodynamic Prototype Shanghai Pudong Library Competition, 2nd Place Location: Shanghai, China Instructors: Linxue Li, Jianjia Zhou Team: Siyao Zheng, Xin Zheng, Xinxin Lyu Plants capture and deliver energy in a highly efficient way because of their intellectual structural and mechanical systems. Current environmental buildings, however, mostly depend on machines instead of the form itself to save energy. In this project, we are looking for the possibility of architecture to operate a similar system and principles of capturing and recycling the energy as plants. In comparison, we find that the processes of energy recycling in the current architecture are inadequate or partly missing. Solar panels and HVAC equipment is not the best way to capture and transfer energy. Therefore, by studying the inner mechanism of vegetation, this project intends to create a logical architectural form. The proposed geometry is a combination of porosities, layers, and channels. This calibrated composition will be able to keep the energy flowing and cycling from inside of the building to the outside urban environment autonomously, making architecture itself become a “Thermodynamic Machine�.

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Photosynthesis | Energy Input/Transfer/Output Principles in Plants

Photosynthesis | Analogy of Plant and Architecture

Designing architectural prototypes based on studying the plant's formal components and mechanical systems.

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Photosynthesis | Energy Input/Transfer/Output Principles in Architecture

Photosynthesis | Sunlight Laboratory Simulation and Urban Wind Flow Simulation

Optimizing the massing through sunlight and wind simulations to prototype combinations and variations.

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Photosynthesis | Physical Model Elevation

Photosynthesis | Longitudinal Section

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Pudong Branch of SMPSU Prevailing Wind comes from southeast in most seasons. Northwest Wind comes in winter.

Shanghai Pudong Government

Shanghai Pudong

Science and Technology Museum

Shanghai Century Park As in a new developing area, the site is surrounded by large-scale buildings and ecological virescence.

Photosynthesis | An “Thermodynamic Machine� in Urban Environment.

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g Expo

Photosynthesis | Urban Park Level Rendering

Sunlight comes from South and Southeast.

Photosynthesis | Wind Corridor Rendering

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Photosynthesis | Computational Simulations to Facade Components Step1. Fill

Step2. Dry

Step3. Pour

Step 4. Seal up

Step5. Finish

Summer solstice

08:00

10:00

12:00

14:00

16:00

Winter solstice

08:00

10:00

12:00

14:00

16:00

Photosynthesis | Real Production and Laboratory Examinations to Facade Components

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Photosynthesis | Facade Detail Model

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Photosynthesis | Pudong Library Overview Rendering

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Yin and Yang 2017 Tongji University Bachelor Thesis Exchange Program in TUM, Germany Location: Stuttgart, Germany Instructors: Jianlong Zhang Individual Work In two weeks, the studio visited eighteen Confucius Institutes around Germany. Based on a large amount of research, we found two major drawbacks in those conventional cultural communication institutes: the teaching space is monotonous, and the institution itself is introverted to the context. They are usually lacking public space and are difficult to be seen from outside. This project intends to design a new typology of cultural communication and consider it as an agent to reactivate the site, a historic block in Stuttgart. By slightly shifting the existing urban grid and creating stepping open space above the ground, the new culture center improves the visual and spatial connection between the site and its context. Getting inspiration from the traditional Chinese philosophy of Yin and Yang, the new Sino-German Culture Center has two major layers intertwining with each other. The under layer serves as many small teaching units with monolithic concrete structure, providing interior alleys for citizens and functional space for faculties. The upper layer is a larger open space to the public, with a visually floating round-shape wood structure. The stepping open area is the public event generator, providing space for activities such as lectures, exhibitions, and flea markets. There is a Yin Yang relationship between public and private, between wood and stone, between western culture and eastern spirits.

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Yin and Yang | Urban Grid and Iconic Cultural Buildings in Center of Stuttgart

Design and Information Patent Center Style: Neo-Baroque Program: Exhibition & Office 1889-1896 State commercial museum and patent center 1952 Baden-Wuerttemberg regional trade building 1986-1990 Renovated and rebuilt

Hospitalhof Style: Modern + Neo-Baroque Program: Office & Education 1938 Destroyed in war 1952 Erected in the old site 1960 Reconstructed

Economy and Trade Building Style: Modern Program: Office

Stuttgart Trade Union Style: Neo-Baroque Program: Office

Yin and Yang | Historical Urban Fabric and Facade Collage

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Filling refill the massing to maintain the urban context and create an integral volume

Shifting shift the urban grid to create a visual connection to the distant historic church

Slicing slice the massing with the old urban grid to create openings for pedestrian

Rising rise the volume up and down to create two layers of space

Modulus project the modulus of surrounding buildings to the side to divide the volume

Unit break the massing down into smaller functional units and stepping space

Spirit erect a series of round-shape wood columns to bring in eastern spirit to the public space

Context wrap a transparent shell to create iconic appearance and reflect the surrounding historic elements

Yin and Yang | Reactivating the Urban Grid and Slicing the Massing

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A

A

Yin and Yang | Ground Floor Plan

Yin and Yang | Sectional Perspective AA


B

B

Yin and Yang | Second Floor Plan

Yin and Yang | Sectional Perspective BB


Transparent Envelope the curtain wall is divided by modulus of surrounding historic building Wood Structure two-directional crossing wood structures work together to support the main open space

Upper Layer the undulating open area serves as exhibition, lecture, and special events

Under Layer concrete structure and Brick walls form the underlayer space which serves as offices, meeting rooms, and classrooms

Public Circulation the massing is split by the historic urban grid to create connections to the pedestrian area

Yin and Yang | Exploded Isometric

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Yin and Yang | Interior Open Space Rendering

Yin and Yang | Interior Atrium Rendering

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Yin and Yang | Interior Open Space Rendering

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City Projection 2014 Tongji University Computational Design Studio Tongji University Academy Award for Best Studio Project Location: Shanghai, China Instructors: Philip F. Yuan, Lyla Wu Individual Work In many films and cartoons, future human beings were assumed to live underground where the sky can never be seen due to the overgrowth of the city and technology. Ironically, people are facing the same problem nowadays with the process of urbanization. Overcrowded urban density and the excess amount of high-rises destruct the historic skyline matured over time. In the coming future, people might have to strive for their rights to see the sky. Located in an old but prosperous Xujiahui District in shanghai, the site is surrounded by buildings with various histories and styles. When seen from different viewpoints, these buildings show different facades to the community, composing an interesting skyline system of the district. This project intends to draw people’s attention to urbanization and their changing living surroundings, by creating a museum, an iconic form, in the community. By projecting the moments of the existing skyline to the massing, a series of geometries is generated. While walking around the stony massing, people could see the different moments of current skylines and surrounding neighborhoods through different viewpoints. The iconic form thus memorizes the current moment of urban appearance and calls attention to people’s right to sharing the sky-scape.

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City Projection | Site Study and Skyline Projection

City Projection | Visual Connection with Residential Towers

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City Projection | Cutting Massing by Different Skyline Projection

City Projection | Visual Connection with Landmarks

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Rebuild the shell

Before Analysis - 1

Before Analysis - 2

Tessellate the shell

Rebuild the Shell - 1

Rebuild the Shell - 2

Project main structural barrels

Project Main Walls -1

Project Main Walls -2

Project subsidiary walls

Project Sub Walls - 1

Project Sub Walls - 2

Structure Analysis and Secondary Projection To increase structural stability, the structural performance of the selected massing shell is analyzed in Grasshopper Millipede. By projecting the structural lines in unstable areas of the shell, several canted structural walls are created. Three main structural cores serve as vertical transportation and divide the space.

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1. Main Entrance 2. Secondary Entrance 3. Loading Entrance 4. Lobby 5. Atrium 6. Museum Store 7. Cafe 8. Bathroom 9. Storage 10. Office

3.

10.

1.

9. 6.

7. 5.

4. 8. 2.

City Projection | Ground Floor Plan

11. Lecture Hall 12. Meeting Room 13. Gallery 14. Permanent Exhibition 15. Temporary Exhibition 16. Openings to City 17. Courtyard 18. Staircase

16. 14.

12. 15. 17.

13.

8.

18.

5.

5.

City Projection | Second Floor Plan

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11.


Louvers the horizontal patterns are the projection of surrounding urban patterns.

Glass Panels increase the transparancy of the iconic massing

Main Canted Walls served as structure and vertical trasportation cores Temporary Exhibition Media Room

Permanent Exhibition Public Area

Lecture Hall

Permanent Exhibition

Office

Public Area

Storage

Museum Store

Subsidiary Walls divide the indoor and outdoor area

Lobby Coffee House

Stuff Entrance

The Musuem It has 4000 square meters area with 4 floors, covers an area of 1600 square meters.

Secondary Entrance

Main Entrance

City Projection | Exploded Axonometric

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City Projection | Physical Model

City Projection | Longitudinal Section

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Applied Studies

Design Development 2018 SCI-Arc 3GAX Applied Studies Location: Los Angeles, CA, USA Instructors: Herwig Baumgartner, Brian Zamora Team: Siyao Zheng, Weitse Yuan, Chengxi Hou, Liang Yu, Xiaogang Shen

This course investigates issues related to the implementation of design: technology, the use of materials, systems integration, and the archetypal analytical strategies of force, order, and character. The course includes a review of basic and advanced construction methods, analysis of building codes, the design of structural and mechanical systems, Environmental systems, Buildings service systems, the development of building materials and the integration of building components and systems. This course intends to develop a cohesive understanding of how architects communicate complex building systems for the built environment and to demonstrate the ability to document a comprehensive architectural project and Stewardship of the Environment.

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Insulated Aluminum Closure Panel at Corner Aluminum Mullion at edge Aluminum Mullion Colored Glass Panels with Metal Mesh

2 foot Round Pipe : Primary Structure 10 inch Square Pipe : Secondary Structure Colored Glass Panel 2 foot Round Pipe : Primary Structure

Floor Finish Insulation and Waterproof

Aluminum Mullion at edge

Metal Deck Slab Steel I Beam Drop Ceiling

Gutter

Aluminum Mullion Colored Glass Panels with metal mesh Insulated Aluminum Panel Suspension for Metal Bars

Bar Truss Structure Framing Drop Ceiling

Colored Glass Panel Metal Bars for Glass Panels Connection for Glass Panel and Metal Bar

Connection for Glass Panel and Metal Bar Metal Bars for Glass Panels Colored Glass Panel

Gypsum Board Suspension for Metal Bars

Framing

Insulated Aluminum Panel at corner

Colored Glass Panel FRP with Marble Texture Aluminum Mullion Edge Beam

Steel Pane

Framing Insulation 2 foot Round Pipe : Primary Structure 10 inch Square Pipe : Secondary Structure

Colored Glass Panel FRP with Marble Texture

Aluminum Mullion

Steel Panel

Ground Concrete Slab Slope and Waterproof

Design Development | 3D Wall Section Chunk

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Glass Mass 2019 SCI-Arc 3GBX Applied Studies Instructor: Marcelo Spina Team: Siyao Zheng, Mahyar Naghshvar The dichotomy between Transparency and Opacity has long haunted architectural history and theory. Mies Van der Rohe photomontages for Berlin’s Friedrichstrasse Skyscraper depict precisely the ambivalence of the architect towards these seemingly oppositional notions of describing mass. When surfaces are opaque, mass is readable but relations between interior and exterior are very much discontinuous. On the contrary, transparency implies the partial erasure of mass, in pursuit of clarity of vision as well as views. This dichotomy is still very much present nowadays. In this course, we design a new semi-transparent glass envelope as a small prototype, taking visual ambivalence (transparency, translucency, and opacity) as the basis for their formal, material and constructive investigations. As our concept, we overlay the image of the Doric column and Mies Van der Rohe’s skyscraper drawing and project them onto three layers of glasses. The new frit patterns enhance the vertical lines while the mullions are delicately hidden in the darker area. When walking around the envelope, the perspective of the image will keep changing and people will feel the depth of the space in-between layers of glass panels.

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Glass Mass | Axonometric Rendering

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Glass Mass | Axonometric Rendering

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Glass Mass | Chunk Model Closeup

Glass Mass | 1 : 2 Chunk Model

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Glass Mass | Chunk Model Closeup

Glass Mass | 1 : 2 Chunk Model

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Envelope Transformation 2017 SCI-Arc 2GAX Applied Studies Instructor: Maxi Spina Team: Siyao Zheng, Chengxi Hou, Jiekai Yi, Yue Qi The assignment of this course is to reformulate the initial tectonic conjectures to adapt to a slightly altered design scenario, constrained by assigned performance criteria. Each group is asked to transform their selected precedent by transforming the existing shading system into a new one. To improve the shading and ventilation performance of the precedent, International Baroque Museum designed by Toyo Ito, our group reorganized different orientation and curvature of pre-fabricated sandwich concrete wall panels of the south and west facades. We play with different angles of twisting, different opening directions and different sizes of apertures. Finally, we have one solution that has the best-optimized lighting effect. At the same time, we adjust the original L-shape rebar connection with the curved concrete wall panels, to follow the original structural system of the precedent.

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Double white pre-fabricated concrete wall

L-shape rebar hooks Rebar rings Vertical rebar connection

Low sloped roof comprised of waterproofing panel tapered

Sandwich wall with gray concrete in between

Pre-cast concrete panel

Pre-cast holes for connection between walls and floor panels

Slots for connection between walls and foundation

Envelope Transformation | Precedent (IBM) Envelope Overview

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2x2 Floor Finish Panels Floor Panel Mount Reinforced concrete slab

Recycled plasic balls for reducing among of concrete

Rebar for holding bubbles

Rebar cage system

Solid concrete wall for supporting other panels

Pre-cast concrete panel walls

Reinforced concrete slab with polished finish

Reinforced steel casted with concrete

Pre-cast concrete wall with holes which are used for connection between walls and floor panels

Rebar Cage for Bubbles

Recycled plasic balls for reducing among of concrete

Concrete cast in site

Drop Ceilings

Envelope Transformation | Precedent (IBM) Envelope Overview

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Low sloped roof comprised of waterproofing panel tapered

Interior Structral Concrete Wall Sanwish wall with gray concrete in between

Pre-fab Reinforcement Pre-cast concrete curving panel walls

Aluminium window frame

Double glazed window

Envelope Transformation | Transformed Envelope Overview

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Redesign option 1

Redesign option 2

Interior lighting effect

Shadow simulation

Radiation for summer

Radiation for winter

Interior lighting effect

Shadow simulation

Radiation for summer

Radiation for winter

Interior lighting effect

Redesign option 3

Radiation for summer

Shadow simulation

Radiation for winter

Envelope Transformation | Precedent (IBM) Envelope Transformation Optimization

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2x2 floor finish panels

Mount for floor panels

Reinforced concrete slab with polished finish

Recycled plasic balls for reducing among of concrete

Rebar cage for reinforcing connection between walls and slabs

Aluminum drop ceiling panels for holding lights

Rebars with curving reinforced steel

Double white pre-fabricated curving concrete wall

Slot for window Frame

Horizontal aluminum window frame

Rebar ring L-shape rebar

Connect rebar Vertical aluminum window frame

Bolts for connection

Curved reinforcement

Double glazed glass

Envelope Transformation | Transformed Envelope Details

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Envelope Transformation | Physical Model Closeup

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Enframed Nature 2016 LOUNA International University Construction Design Competition, 3rd Place Location: Louna Village, Guizhou, China Instructor: Linxue Li Team: Siyao Zheng, Even He, Miya He, Zhaohua Zheng, Yoki Wang, Jian Rao, Weijun Tang, Kevin Tang Individual Drawings In traditional Chinese painting, people pursue the connection between living space and the natural environment. Nature inspires people by its splendid landscape, changing weather and daylight. Compared with the urban environment, the natural elements have more powerful effects on people’s perception. This project is the construction and design competition that requires participants to design a bamboo shelter for travelers in the Louna valley in Guizhou. When considering the building that is located far from civilizations and surrounded by the smell of paddy and sound of frogs, everything seems to be so minute which raises the sense of poetic. Considering the landscape and local culture, a densely arranged bamboo frame with inner curved surfaces is proposed. The frame serves as the container of not only the beautiful view of nature but also the lights, wind, rainfall and water vapor. It is also the container of local events and a temporary shelter for hikers. The bamboo frame provides structural stability reinforced by the curved surfaces and log-cabin base with effective joints. The shape of curved surfaces is optimized by wind flow simulation so that the wind and water vapor will be unhindered when passing through.

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Roof Platform Bamboo Roof Raft 3300 x φ60 U Direction Beam 5500 x φ80 V Direction Beam 5500 x φ60

1

Bamboo P

Double Bamboo Beam 1200 x φ80 F

Curved Surface B a m b o o Surface With angled-cut

3

Rope Keep the surface as a whole

2

4

Bamboo Wall Rotproof Bamboo Adjusting Natural Thickness and Curvature (φ80 ) Log Cabin Base Bamboo Column U Direction Beam Connecting the Base (φ80) 6250 x φ80 Bamboo Column Wraping the Piles (φ80)

V Direction Beam 3300 x φ80

Enframed Nature | Fabrication Details

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Tap Bolt M8 x 20 / 30


1 Screw Bolt and Rope Connected Surface to Beam

2 Angled-Cut Bamboo Jointed with Bamboo Wall

Bamboo Roof Tile Wood Strips Connect the tiles together Width 40mm Top Bamboo Tiles Allow rainfall to slip away 5500 x φ80 Buttom Bamboo Tiles Cover the gap between tiles 5500 x φ80

3 Double Beams Holded Bamboo Plate

4 Log-Cabin Base Firmed Bamboo Frame

Platform

Bamboo Raft For resting and sleeping 3300 x φ80

Enframed Nature | Fabrication Details

Foundation Steel Piles Reinforce bamboo wall piling 500mm into ground Brick Foundation Made in local clay material

Stepping Stone Bamboo Strip Width 40mm Wood Panel 450mm x 900mm Brick Foundationg 240mm x 120mm x 5mm

Enframed Nature | Section with Landscape

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Fabrication Schedule | A Brochure for Real Construction

Discussing feasibility of details with construction engineers

Selecting bamboo which has natural caliber and curvature

Cutting and marking the bamboo

Spreading bamboo in fabrication order on the ground

Grafting the bamboo to reach needed length

Transfering pre-cutting bamboo to site with local trucks

Drilling through the bamboo joints at its ends

Fixing bamboo column into the steel piles

Pushing the bamboo wall tighter by an traditional but effective

Binding curved surface into an intergral raft with hemp rope.

Fixing curved surfaces and other component

Fixing platform and adjusting the level.

Nailing bamboo chips to make stepping boards.

Sawing bamboo of curved surface with certain angle

Filing the bamboo wall and pull it straight to right position

Fixing the beams and roof with the help of scaffords

The fabrication process of bamboo camping installation last for 12 days and was completed by a group of 8 students by hands.

Enframed Nature | Real Construction Process

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Classifying and stacking all of the materials


Enframed Nature | Final Installation Photo Day 01

Day 01

Day 02

Day 02

Day 03

Day 03

Day 04

Day 04

Day 05

Day 05

Day 06

Day 06

Day 07

Day 07

Day 08

Day 08

Day 09

Day 09

Day 10

Day 10

Day 11

Day 11

Day 12

Day 12

Enframed Nature | Time-lapse Photography of Construction Process

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Enframed Nature | Rendering of Sunny Scene

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Enframed Nature | Rendering of Rainy Scene

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Professional Works

The Sunset Theater 2019 Design Intern at P-A-T-T-E-R-N-S 8844-30 Sunset Boulevard Billboard Competition Client: City of West Hollywood Location: Los Angeles, CA, USA Supervisors: Marcelo Spina, Georgina Huljich Design Team: ​Adin Rimnland, Siyao Zheng, Wangyu Yang, Jinyi Jiang Role: Completed diagrams and isometric drawings; Produced an animation

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Karma Kandara Phase VI 2018 Design Intern at P-A-T-T-E-R-N-S Client: Karma Developments Location: Bali, Indonesia Supervisors: Marcelo Spina, Georgina Huljich, Daniela Atencio Design Team: ​Adin Rimnland, Adrian Wong, Siyao Zheng, Diastika Lokesworo Role: Completed the site plans

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The Mute Icon (Book) Ongoing Design Intern at P-A-T-T-E-R-N-S Office Portfolio Location: Los Angeles, CA, USA Supervisors: Marcelo Spina, Georgina Huljich Role: Completed modeling for some precedents; Remade the renderings and isometric drawings for some of the past projects

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The White Album 2018 Design Intern at P-A-T-T-E-R-N-S Client: Artist Lars Jan Location: The Pittsburgh International Festival of Firsts, The Wexner Center for the Arts, BAM’s Next Wave Festival at the Harvey Theatre, CAP UCLA Supervisors: Marcelo Spina, Georgina Huljich, Daniela Atencio Design Team: ​Fatma Gonca Tunc, Siyao Zheng, Yosephine Anglingdarma, Zhang Avon Role: Completed the physical model

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Other Works

Swarm Fabrication 2015 "Digital Factory" Shanghai Summer Workshop Instructors: Roland Snooks, Cameron Newnham, Hao Meng Construction Team: Yujun Mao, Bin Sheng, Jing Qian, Ye Yuan, Fan Jin, Jiazhen Chen, Zini Wang, Jinze Liu, Hao Zheng, Honghao Deng

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Paper Dome 2013 Tongji International Construction Competition, 3rd Place Instructors: Guangping Qi, Yi Dong Design Team: Siyao Zheng, Min Wang Construction Team: All Students at Architecture 4, Class of 2017

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CV

Education Southern California Institute of Architecture (SCI-Arc)

Master of Architecture | Los Angeles, United States | 09/2017 - 09/2019

Tongji University

Bachelor of Architecture | Shanghai, China | 09/2012 - 07/2017

Technical University of Munich (TUM)

Exchange Program | Munich, Germany | 02/2017 - 05/2017

Software 2D Graphic:

Adobe Creative Suites, AutoCAD 3D Modeling:

Rhino, Revit, Maya, ZBrush, Cinema4D, Unity3D Rendering and Animation:

V-ray, Enscape, Maxwell, Octane, Substance Painter, Keyshot Programming:

Grasshopper, Processing

Certification LEED Green Associate Issued 11/2019

Language English Mandarin Chinese Japanese (Limited)

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Professional Experience P-A-T-T-E-R-N-S

Design Intern | Los Angeles, California | 05/2018 - 08/2018 • completed renderings and diagrams for multiple practical competitions, including Sunset Urban Theater, CEFE Chapinero, Karma Kandara Phase VI; • produced animation for Sunset Urban Theater billboard competition; • assisted with drawings for the Mute Icon portfolio; • made physical model for The White Album.

Reference: Marcelo Spina | Mspina@patterns.work

Anti-Gone, Slimetech LLC.

Designer | Los Angeles, California | 10/2019 - 11/2019

• assisted with 3d modeling and urban scene assembly for Anti-Gone, a mixed-reality performance by Theo Triantafyllidis.

NIKE + SCI-Arc Design Workshop

Student Designer | Portland, Oregon | 09/2018 - 12/2018

• due to a confidential agreement, the project cannot be shown.

“Digital Factory” Building Workshop

Student Designer | Shanghai, China | 06/2015 - 07/2015

• participated in Roland Snooks Swarm Fabrication group and assisted with robotic bending and installation construction

Archi-Union Architects

Design Intern | Shanghai, China | 12/2016 - 01/2017

• completed research and structure model for Shanghai Tian Chan Theater renovation

YeArch Atelier

Design Intern | Shanghai, China | 09/2016 - 12/2016

• completed renderings for Shanghai Feng Xian High School competition and Shanghai San Ling urban design; • produced a stop-motion animation for NextMixing Art Institute

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Siyao Zheng Master of Architecture, SCI-Arc, Los Angeles Bachelor of Architecture, Tongji University, Shanghai Website: www.siyaozheng.com Email: Siyaozheng233@gmail.com


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