PORTFOLIO / Yuya GOTO 建築作品集 / 後藤 裕也
Individual Design Works Group Works 01
Diploma Project (National Collage of Technology) p.05 - p.10
Exercise on Planning and Design III
Exercise on Planning and Design III p.11 - p.16
Internship at Team Zoo Atelier IRUKA
"City Card Battle !!" p.31 - p.32
Student Association: HOKKAIDOGUMI p.39
500m Museum Exhibition p.40
"The Blooming Instruments "
The Masterpieces of Structure p.33 - p.34
Workshop SOY 2014 p.39
Paper Space Project 2014 p.40
SUMMARY
KOSEN Competition "Overlap Folly"
Bachelor Diploma Project p.21 - p.28
Measurement Survey p.40
Mobile Tea House "KUMITATE"
Bachelor Diploma Thesis p.29 - p.30
Museum Wood Deck Project p.40
Imaginary ATSUTA -Workshop Projectp.35 - p.38
Imaginary ATSUTA -Picture Book Projectp.35 - p.38
Workshop with Children at ARCHI-DEPOT
Exhibition at ARCHI-DEPOT
SUMMARY
Laboratory Works
40th -KITASUMA- Northern Housing Design Competition p.17 - p.20
02
TIMELINE
published works 2012
Architectural and Urban Projects 01. Diploma Project (Collage of Technology) 02. Library 03. School 04. The Masterpieces of Architectural Structure 05. Apartment 06. Design Gallery 07. International Strategic Base on Campus 08. Bachelor Diploma Project 09. Sosei East District Project Laboratory Projects 10. Imaginary ATSUTA -Picture Book Project 11. Museum Wood Deck Project Laboratory Reseaches 12. Bachelor Diploma Thesis 13. Measurement Survey 14. Atsuta International Workshop 15. Biei International Workshop Competitions 16. 8th National Design Competition 17. 10th National Design Competition 18. 40th Northern Housing Design Competition 19. 5th Design Competition Reorganizing Historical Space Exhibitions 20. SOY workshop 21. 500m Museum 22. Paper Space Project 23. Model Workshop with Children at ARCHI-DEPOT Internships 24. Team Zoo Atelier IRUKA 25. Atelier BNK 26. Takenaka Corporation Design Department Others 27. Swimming Club 28. Architectural Student Assosiation : HOKKAIDOGUMI 03
2013
2014
2015
2016
2017
niv
oU
aid
kk
Ho ity
ers
Sapporo
10,18_Laboratory
＞
15_Biei Sapporo
＞
13,14_Atsuta
19_Kanazawa 23_Tokyo 17_Yonago
08_Nibutani
16_Kushiro
22 11 02-06,20_Studio
07
01_Akashi 24_Kobe
25
12_Hakodate 200km
09
13 50km
26 21
300m
TIMELINE & PLACE
04
ĺ‘źĺżœă ™ă‚‹çľ‚ă Žä˝?ĺ‡Śâ€ƒâ€•ĺœ°ĺ&#x;&#x;㠨連ć?şă —ă &#x;éŤ˜é˝˘č€…ä˝?厅㠎ć??ćĄˆâ€• Resonating Permanent Nesting Ground -Proposal of elderly housing in cooperation with the areaĺ?’ćĽç ”犜 / Diploma Project (National Collage of Technology) Apr.2013-Mar.2014 ĺ…ľĺşŤçœŒĺŠ ĺ?¤ĺˇ?市㠎ć´ĺ?˛čąŠă ‹ă Şă Œă‚‰čĄ°é€€ă —ă ¤ă ¤ă ‚ă‚‹ĺ•†ĺş—čĄ—ă Ťă€ éŤ˜é˝˘č€…ă Žă &#x;゠㠎集ĺ?ˆä˝?ĺŽ…ă‚’ćŒżĺ…Ľă ™ă‚‹č¨ˆç”ťă€‚ éŤ˜é˝˘č€…ă ŽčĄŒĺ‹•ćŹ˛ćą‚ă ¨ă —ă Śă€Œč˛ˇă „ç‰Šă€?ă€Œé€šé™˘ă€?ă‚’ć?‰ă ˆç›´ă —ă€ ĺˆŠç”¨č€…ă Œç„Ąç?†ă Şă ?自焜㠍外出㠧ă ?ă‚‹ă‚ˆă †ă Ťă€ ĺ€‹ĺŽ¤ă ‹ らä¸ĺşă‚„ĺœ&#x;間〠ă ?㠗㠌商店襗㠸㠨ĺž?ă€…ă Ťĺœ°ĺ&#x;&#x;㠸開ă ?構ćˆ?㠨㠗ă &#x;ă€‚éƒŠĺ¤–ă §ă Żă Şă ?ĺ¸‚čĄ—ĺœ°ă §ć??ćĄˆă ™ă‚‹ă “ă ¨ă §ă€ éŤ˜ é˝˘č€…ă Œç¤žäźšă ¨ă ŽćŽĽç‚šă‚’ćŒ ă Ąçśšă ‘ă‚‰ă‚Œă‚‹ĺ?Żčƒ˝ć€§ă‚’芌㠿ă &#x;。
A project to introduce collective housing for elderly people in a richly historic but declining shopping street. In order to recapture "shopping" and "hospitalization" as an action desired by the elderly, I gradually opened WR WKH DUFKLWHFWXUH IURP WKH SULYDWH URRP WR WKH FRXUW\DUG WKH GLUW À RRU DQG WKH VKRSSLQJ VWUHHW VR WKDW WKH HOGHUO\ SHRSOH FDQ PRYH DURXQG ZLWKRXW GLI¿ FXOW\ QDWXUDOO\ %\ VXJJHVWLQJ LQ XUEDQ DUHDV UDWKHU WKDQ LQ WKH suburbs, I attempted the possibility that elderly people will continue to have contact points in society.
珏 68 ĺ›žć—ĽćœŹĺťşçŻ‰ĺŚäźščż‘ç•żć”Żéƒ¨ ĺ?’ćĽč¨č¨ˆă‚łăƒłă‚Żâˆ’ăƒŤă€Šç&#x;ĺ¤§ăƒťéŤ˜ĺ°‚ăƒťĺ°‚äżŽĺŚć Ąă Žéƒ¨ă€‹ â€ƒĺ„Şç§€ 3 ä˝œĺ“ ă Ťĺ…Ľé ¸ Selected for excellent 3 works in 68th Diploma Competition, Kinki Branch, Architectural Institute of Japan
05
Diploma Project (National Collage of Technology)
GL ▼
private room
+250
+50
味が濃いものが 食べたい
うまいもんが 食べたい
薄味にしよう
よっこいしょ
階段は少し しんどいな…
±0
storeroom
restaurant
ゲートボール しましょか
private room
+200
kitchen
+400
±0
mortuary
a dirt floor
EV
一日 4000 歩
ピアノ弾いても いいですかねえ
assembly room
mortuary
花がきれいやねえ
store room +250
store room
assembly room
+100
お茶飲みますか？
worker village
storeroom
そうですねえ
かまへんのと ちゃいますか
EV
the courtyard
a dirt floor
+200
ええ天気やー
洗濯室
+200
+400
Jikemachi Shopping Street
living room 畳は落ち着く
entrance
どっこいしょ
今日は勝ちますよ
office
cooking village
+400
EV
store room
sportsman village
A
GL ▼
B
+250
+250
+250
A
06
1
+250
N
B
A-A section
10m
南側立面図 (1/100)
開いとるかな
Jikemachi Shopping Street
5
1st floor plan
+250
00. BACKGROUNDâ€ƒĺ°ŠĺŽłă ‚ă‚‹ćœ€ĺžŒă Žĺ ´ć‰€
01. SITEâ€ƒĺŽżćłŠĺŽ˘ă Œĺ¤§ĺ‹˘ă „ă &#x;ĺŽżĺ ´ç”şă€ ĺŠ ĺ?¤ĺˇ?
ĺ°?ă •ă „é ƒă Žç§ ă‚’č‚˛ă Śă Śă ?ă‚Œă &#x;编ćŻ?ă ŒäşĄă ?ă Şă Łă &#x;。 ćœ€ćœ&#x;ă‚’čżŽă ˆă &#x;ĺ ´ć‰€ă Żç‰šĺˆĽé¤Ščˇč€ äşşăƒ›ăƒźăƒ ă ă Łă &#x;。 Kyoto
ć—ĽćœŹă Żĺšłĺ?‡ĺŻżĺ‘˝ă Œä¸–ç•Œä¸€ă ŽéŤ˜é˝˘ĺŒ–ĺ…ˆé€˛ĺ›˝ă §ă ‚ă‚‹ă€‚ ă ?ă ŽčƒŒć™Żă Ťă Żĺťśĺ‘˝ĺŒťç™‚ă §ă Žč‡ŞçŤ‹ă §ă ?ă Şă „éŤ˜é˝˘č€…ă Žĺ˘—ĺŠ ă Œă ‚ă‚‹ă€‚
Kakogawa Kobe Osaka
㠤㠞り嚳ĺ?‡ĺŻżĺ‘˝ă Œé•ˇă „ă ‹ă‚‰ă ¨ă „ă Łă Śă€ ĺ Ľĺşˇă ŞéŤ˜é˝˘č€…ă Œĺ¤šă „ ă€Œé•ˇĺŻżĺ¤§ĺ›˝ă€?ă §ă ‚ă‚‹ă ¨ă Żč¨€ă „ĺˆ‡ă‚Œă Şă „ă€‚ ă —ă ‹ă —ç?žĺœ¨ă Žć—ĽćœŹă Ťă Żă€ ćťă‚’肯厚㠗〠尊厳をも㠣ă &#x;ćœ€ćœ&#x;ă‚’čżŽă ˆ 1964 ĺš´
ă‚‹ă “ă ¨ă Œă §ă ?ă‚‹ç’°ĺ˘ƒăƒťĺ ´ć‰€ă Żč‘—ă —ă ?ä¸?蜳㠗㠌㠄る。 ćťă‚’čŚ‹ĺŽˆă‚‹ă ¨ă „ă †čĄŒç‚şă ¨ă Żă Šă Žă‚ˆă †ă Ťă ‚ă‚‹ă šă ?㠪㠎㠋。 ćťă Źĺ ´ć‰€ă Žç’°ĺ˘ƒć•´ĺ‚™ă Żă Šă Žă‚ˆă †ă Ťă Şă •ă‚Œă Śă „ă ?ă šă ?㠪㠎㠋。 ă ?ă‚“ă Şç–‘ĺ•?㠋ら㠓㠎ĺ?’ćĽç ”犜㠯始㠞㠣ă &#x;。
1970 嚴 2013 嚴 Kakogawa has good transportation and has developed as a bed town in Kobe, Himeji. The Jikemachi shopping street, which is the subject site, is located along the Saigoku Kaido 5RDG DQG À RXULVKHG DV D Kakogawa post town in the Edo period. Jinnya where the Daimyo stayed for attendance on the Shogun by turns, and restaurants and seal shops founded in Meiji period are still in the town Machiya style. In recent years, as shutters have progressed, vacant lots and parking lots have increased, and the properties as shopping streets are declining.
â€ƒĺŠ ĺ?¤ĺˇ?ĺ¸‚ă Żäş¤é€šă Žäžżă Œă‚ˆă ?ă€ çĽžćˆ¸ĺ¸‚ăƒťĺ§ŤčˇŻĺ¸‚ă Žăƒ™ăƒƒăƒ‰ă‚żă‚Śăƒłă ¨ă —ă Śç™şĺą•ă —ă Ś ă ?ă &#x;ă€‚ĺŻžčąĄć•ˇĺœ°ă §ă ‚ă‚‹ĺŻşĺŽśç”şĺ•†ĺş—čĄ—ă Żć—§čĽżĺ›˝čĄ—é “ć˛żă „ă Ťä˝?罎㠗〠ćą&#x;ćˆ¸ć™‚äťŁă Ťă Ż ĺŠ ĺ?¤ĺˇ?ĺŽżă ¨ă —ă Ść „ă ˆă &#x;。ĺ?‚勤交䝣㠎大ĺ??ă ŒćłŠă žă Łă &#x;é™Łĺą‹ă‚„ă€ ć˜Žć˛ťĺ‰ľćĽă ŽéŁ˛éŁ&#x;ĺş— ă‚„ĺ?°çŤ ĺş—ă Şă Šă Œç”şĺŽśĺ˝˘ĺź?ă §ç?žĺœ¨ă‚‚掋㠣㠌㠄る。 â€ƒčż‘ĺš´ă §ă Żă‚ˇăƒŁăƒƒă‚żăƒźĺŒ–ă Œé€˛čĄŒă ™ă‚‹ă ¨ĺ?Œć™‚㠍犺ă ?ĺœ°ă‚„é§?čťŠĺ ´ă Œĺ˘—ĺŠ ă —ă€ ĺ•†ĺş—čĄ— 㠨㠗㠌㠎性質㠯変厚㠗㠤㠤㠂る。
ĺ ĽĺşˇĺŻżĺ‘˝ ( 自獋㠗㠌ç”&#x;ć´ťă §ă ?ă‚‹ćœ&#x;é–“ ) 㠨嚳ĺ?‡ĺŻżĺ‘˝ă ŽĺˇŽ
health life expectancy (time to live autonomously) and average life expectancy 60
65
70
75
80
85
90 (age)
average life expectancy _ 80.21 man
health life expectancy _ 71.19
9.02years
to Kyusyu
average life expectancy _ 86.61 woman health life expectancy _ 74.21
Saigoku Sai Sa aiig igo goku gok ku Kai Kaido id do Road d d
12.40years
My grandmother, who raised me while I was a child passed away ZKLOH VKH ZDV UHVLGLQJ LQ KHU Âż QDO SODFH L H D VSHFLDO QXUVLQJ KRPH for the elderly.
n
tio
ta
aS
w
Jikemachi Shopping Street
ga
ko
Ka
Japan is the world's leading aging society with an average age of 83.41 life expectancy; the gradual increase in elderly people who cannot stand independence by life-long medical care is becoming a concern of public welfare. In other words, Just because Japan has the long life expectancy, it doesn’t necessarily mean that a "longevity country" where is living many healthy elderly people.
SITE
,Q -DSDQ WRGD\ KRZHYHU WKH SODFH ZKHUH DIÂż UPDWLRQ RI GHDWK WR EH LQ D SRVLWLRQ WR UHDFK WKH HQG ZLWK GLJQLW\ LV UHPDUNDEO\ LQVXIÂż FLHQW What should be the act of watching death affectionately? How should we improve the conditions of the place to die? This diploma project began with such questions.
07
Diploma Project (National Collage of Technology)
to Kyoto
N
0
100 m
02. PROPOSALâ€ƒç¤žäźšă ¨é–˘ă‚?ă‚Šă‚’ćŒ ă Ąçśšă ‘ă‚‹ä˝?ă žă „ă Žć??ćĄˆ public road
public
semi-public
semi-private
private
Concept Sketch
ä¸ĺş / nakaniwa 茋世㠎間 misenoma
ďź‹
通りĺœ&#x;é–“ / toori doma
典型的㠪町厜㠎嚳é?˘ / tipical machiya plan â€ƒă€Œçľ‚ă Žä˝?凌ă€?ă ¨ă Żă€ ă€Œçľ‚ç”&#x;ä˝?ん㠧㠄る㠚ă ?㠨㠓ă‚?ă€ ćœ€ĺžŒă Ťä˝?む所〠ćťĺžŒă Ťč?˝ă Ą ç?€ă ?所ă€?㠨㠄㠆ć„?味㠧㠂る。 â€ƒă “ă Žć??ćĄˆă §ă Żă€ ĺ•†ĺş—čĄ—ă Žä¸ă Ťĺ°?čŚ?ć¨Ąă ŞéŤ˜é˝˘č€…ä˝?厅をč¨č¨ˆă —㠌㠄る。坺築㠎構 ćˆ?ă Ťă Żă “ă Žĺ ´ć‰€ă §äź?çľąçš„ă Ťç”¨ă „ă‚‰ă‚Œă Śă ?ă &#x;町厜形ĺź?ă‚’ĺ?–ă‚Šĺ…Ľă‚Œă Śă „ă‚‹ă€‚ă ?㠆㠙 る㠓㠨㠧〠集㠞㠣㠌ä˝?ă žă „ă Şă Œă‚‰ă‚‚ă€ ĺ•†ĺş—čĄ—ă ‹ă‚‰ĺ€‹ĺŽ¤ă žă §ă Žĺ?„ć‰€ă Ťă‚°ăƒŠăƒ‡ăƒźă‚ˇăƒ§ ăƒłă‚’ă‚‚ă Łă &#x;ĺą…ĺ ´ć‰€ă Œç˘şäż?ă §ă ?ă‚‹ă‚ˆă †ă Ťă —ă &#x;。
"Permanent Nesting Ground" means "to live in the end of life, the place to live last, the place to settle down after death". In this proposal, I design a small elderly housing in a shopping street. The composition of the architecture incorporates the Machiya (town house) style traditionally used in WKLV DUHD %\ GHVLJQLQJ VR WKH\ JDWKHUHG DQG OLYHG EXW , PDGH LW SRVVLEOH WR VHFXUH D graduated place in various places from shopping street to a private room.
 ä¸ĺşă Żä˝?ă žă „ă ¨ĺœ°ĺ&#x;&#x;ă Ťă ¤ă Şă Œă‚‹ĺ¤–éƒ¨ă ¨ă ŽçˇŠčĄ?é ˜ĺ&#x;&#x;㠎彚 ĺ‰˛ă‚’ćžœă &#x;㠙。四ĺŁă‚’č‚Œă §ć„&#x;ă ˜ă€ ć—Ľă€…ă Žç”&#x;洝を蹊㠋㠍㠙る。
The courtyard serves as a cushioning area between the house and the outside connected to the area. The elderly can feel the seasonal change with their skin and enrich daily life.
03. Diagram of Compositionâ€ƒć§‹ćˆ?ăƒ€ă‚¤ă‚˘ă‚°ăƒŠăƒ housing private
㠆ら (private)
neighborhood semiprivate
semipublic
public
village unit / cluster
SITE
Jikemachi shopping street
dirt oor courtyard (semi-private)
dirt oor, livingroom
ă Šă‚‚ă Ś (public ) shopping street city
ĺŻžčąĄć•ˇĺœ°ă ŻĺŒ—ĺ ´ă ŒčťŠé “ă Ťă€ ĺ?—ĺ ´ă ŒĺŻşĺŽśç”şĺ•†ĺş—čĄ—ă Ťé?˘ă —ă Śă „ă‚‹
ă Šă‚‚ă Śă Ťĺ¤–éƒ¨ă ¨é–˘ă‚?ă‚‹ĺ ´ć‰€ă‚’ă€ ă ?㠎弼㠍ä˝?ă žă „ă ¨ä¸ĺşă‚’é…?罎㠙る
The site faces the roadway on the north side and the Jikemachi shopping street on the south side
Place the space related to the outside to the front, place the house and courtyard behind it
ă€Œă‚€ă‚‰ă€?ă ‹ă‚‰ă€Œă žă Ąă€?㠸出㠌㠄ă ? ă‚ˆă †ă Ťä¸ĺżƒéƒ¨ă Ťĺ…ąç”¨çŠşé–“ă‚’č¨ă ‘ă‚‹
Shared space is set in the center so that it goes out from "Village" to "Town"
ĺ•†ĺş—čĄ—ă Žé€Łçśšć€§ă‚„ĺ‘¨čžşć•ˇĺœ°ă ¨ă Ž é–˘äż‚ć€§ă‚’č€ƒć…Žă —ă Śĺ˝˘ć…‹ă‚’ĺ†?硨㠙る
内㠨外㠎ä¸é–“çš„ă Şĺ ´ć‰€ă‚„ă€ ć§˜ă€…ă Ş čĄ¨ćƒ…ă‚’ćŒ ă Łă &#x;ĺą…ĺ ´ć‰€ă‚’ă ¤ă ?ă‚‹
Reorganize the form considering the continuity of the street and the relationship with surrounding site
Make an intermediate place between inside and outside, with various expressions
â€ƒĺ…ąç”¨çŠşé–“ă‚’äť‹ĺœ¨ă •ă ›ă€ ă ˛ă ¨ă‚Šă€ ă‚€ă‚‰ă€ ă žă Ą ă ¸ă ¨ćŽľéšŽçš„ă Ťă ¤ă Şă Œă‚‹ć§‹ćˆ?㠨㠙る㠓㠨㠧〠ゆ ă‚‹ă‚„ă ‹ă Şĺ…ąĺ?Œç”&#x;ć´ťă Œă §ă ?ă‚‹ä˝?㠞㠄㠍㠙る。
%\ PDNLQJ VKDUHG VSDFH WR LQWHUYHQH DQG connecting to one person, village, and town in a stepwise fashion, I will make a homelike where we can have a gentle and shared life. Diploma Project (National Collage of Technology)
08
この場所の性質は「商」から「住」へと 変容しつつあるため、商店街としての用途 は徐々に失われていくだろう。しかし、こ の道を介して人々は行き来を続けるため、 西国街道の軸線は残り続ける。 人の往来が絶えない道に面するこの建築 は、入居者だけでなく、周辺に住んでいる 独居の高齢者も気軽に立ち寄れるような、 生活環境のひらかれた拠点となる。 彼らは商店街での買い物だけでなく、日々 のリハビリや通院などを通じ、日常の生活 能力を維持するために積極的に街へ出て生 活する。 そして、自立した生活から終末期、さら
Jikemachi Shopping Street
には看取りまでを一貫してこの住まいの中 で過ごして行うことで、入居者は死を自然
%HFDXVH WKH FKDUDFWHU RI WKLV DUHD LV transforming from "commercial" to "residential", the use as a shopping street will gradually lost. However, because people keep coming and going through this road, the axis of the Saigoku Kaido Street will remain in service. This architecture is facing a road where people's traffic is continuous, there are not only residents but a living environment where the elderly living in the surrounding area will feel free to drop in. Through daily rehabilitation and attending a hospital as well as shopping in the street, they actively go out to the city to maintain their everyday life skills. %\ GRLQJ LW FRQVLVWHQWO\ IURP WKH VHOI sustaining life to the terminal term care, even during the living in this house, residents will live their daily lives while feeling death naturally.
09
Diploma Project (National Collage of Technology)
N
に感じながら日々の生活を送っていく。
roof plan & arrangement plan
屋根の形状には周辺の町家と家並みが連続・調和するような切妻を用いた。
In the shape of the roof, I used a gable that made continuous harmony between the neighboring town houses and the houses.
B
GL ▼
private 居室 room
underground floor plan
store room
mortuary
mortuary
store room
花が見頃だな
private room
関節が痛い…
孫の顔が 見たいなあ
artist village
絵を描こう
本棚へ行こう
本棚
暇ですねえ
A mortuary
趣味に没頭したい ですねえ
土間
何を読もうかな
booklover village
A
10
private room
private room
5
カルボナーラ 言うんですよ
2nd floor plan
1
ほー、 ハイカラやねえ
B-B section
老い先が心配だ…
これ何て言う んですか？
B
N
10m
Stratum Visionarium 計画設計演習 III：北海道大学札幌キャンパスの国際戦略拠点 Exercise on Planning and Design III : International Strategic Base of Hokkaido University Campus 2nd semester_Dec.2014-Feb.2015
北海道大学札幌キャンパスに国際戦略拠点を設計する課題。 キャンパス内に散在している映像・映画・情報系の研究施設を一か所に集め、映像芸術 文化を発信する拠点となる建築を提案した。クリエイティブな建築が求められた一方で、 大学の歴史的資産に囲まれた対象敷地との応答も重要な設計条件だった。
The exercise of designing an international strategic base in Hokkaido University campus. I proposed the architecture which plays an important role in the base to spread visual arts culture by gathering the research facilities of the movie and Media Informatics scattered on the campus. The creative architecture was required, while the response to the target site VXUURXQGHG E\ WKH XQLYHUVLW\ V KLVWRULF SURSHUWLHV ZDV DOVR DQ LQÀ XHQWLDO GHVLJQ FRQGLWLRQ
11
Exercise on Planning and Design III
パース全景
■ BACKGROUND - 創造都市の核となる札幌 / becoming the core of a creative city, Sapporo 札幌は創造都市ネットワーク・メディアアーツ部門に世界で 2 番目に選ばれ、映像の可能性を広げる場として注目されている。メ ディアアートの拠点を札幌キャンパスに置くことは北大の国際戦略 として大きな役割を果たす。精神的な充実という成熟社会の都市の 魅力を引き出す場所となる。 近年、拡張現実や 3D プリンタなどの技術により、情報と物質の 境界が曖昧に、また発信者と受信者の関係がより相互的になってい る。変容しつつある現代人の知覚を表現する場所を、北大の聖地と いわれている場所の地上と地下の境界で提案する。
Sapporo is selected the second in the world as "the creative city network" (media arts division) so that, attention is paid as a place to expand the possibilities of SURMHFWHG LPDJHV %\ SODFLQJ WKH EDVH RI PHGLD DUW RQ 6DSSRUR FDPSXV SOD\V D big role as an international strategy of Hokkaido University. It will be a place to bring out the charm of a city in a mature society of spiritual enrichment. In recent years, the boundary between information and substance is more ambiguous; also the relationship between the creator and recipient is more interactive by technology such as a 3D printer and augmented reality. I propose a place to express the perception of modern people at the boundary between the ground and underground of a place called "sacred place of the University".
VOCALOID
Rhizomatiks
team Lab
Exercise on Planning and Design III
12
■ SITE - 北大の聖地 / sacred place of the University"Visual Corridor"
School of Agriculture
対象敷地は理学部ローンにあり、キャンパスマスタープランで はビジュアルコリドールとして位置づけられている。また大学に とって重要な歴史的建造物に囲まれており、それらを尊重しつつ もキャンパスの新たな拠点となる建築の建ち方が求められた。 The site is located in the Elm Grove, which is designated as "a visual
School of Science
FRUULGRU E\ WKH FDPSXV PDVWHU SODQ %HFDXVH LW LV VXUURXQGHG E\ SITE
1936 年
Former School of Agriculture Library
historical buildings important to the university, I thought how to build a new architecture on campus while respecting historical buildings.
メインストリートからの見え方の検討 / studies of view from mainstreet
Hokkaido University Museum Elm Grove The Old School of Entomology Main Street Furukawa Hall School of Law
■ DIAGRAM - 穿つ / perforateCentral Lawn
School of Economics and Business
School of Education
arrangement plan 0
10
20m
1. 周囲の建物と同方向に軸線を設定し、 地面を引き上げたり押し下げたりする
2. ビジュアルコリドールへの視線を確保しながら、 光や風、人を取り込む新たな地形を生み出す sunlight
PULL UP
wind screen approach
view
PRESS DOWN
1. Set an axis in the same direction as the surrounding buildings and pull up and press down the ground
in summer
13
in winter
2. Create a new landform to capture light, wind, people while securing a one's eyes to the visual corridor.
8,000
A
10,000
16,000
A
8,000
Entrance 9,000 10,000
16,000
16,000
9,000
16,000
1st oor plan 14
建築的行為は、閉じた空間を穿孔することにある。 / 原広司 The architectural act is to perforate a closed space. / Hiroshi HARA
まるで洞窟のように原初的なこの建築は、最新技術を体験する場所でもある。 This primitive building like a cave is also a place to experience the latest technology.
この建築は、既存の自然環境や大学の歴史的資産を損なうことのない 建ち方をしている。 またこの建築を直接利用しない人々にとっても、この場所で新たなふ るまいを喚起する地形を生み出している。 This architecture has a way of building without ruining the existing natural environment and the historical assets of the university. Also for those who do not directly access this architecture, which creates terrain that evokes new behavior at this place.
15
Exercise on Planning and Design III
Entrance
Gallery
Storeroom
600
Editing Room / Laboratory
3600
▽FL
▽GL
8200
3600
5,000
▽CH
400
▽TL
Entrance
6000
A-A section
Gallery ▽GL
5000
Editing Room / Laboratory
5000
Storeroom Office
2000
10000
5000
6000
5000
16000
10000
underground floor plan 16
「外と中と内がある家」 "The Housing which has an Inside & a Buffer & an Outside" 第 40 回北の住まい住宅設計競技 / 40th -KITASUMA- Northern Housing Design Competition 1st semester_May-Aug.2015
この住宅は、三つの器によって入れ子状に構成されている。それぞれの器は、方角、太陽高度、積雪 などによる外的要因と、人間の知覚による内的要因によって傾きが与えられている。この傾きとずれ による三つの器の関係性により、建築の内外に新たな居場所を生み出す。 北海道住宅の歴史を参照しながらも、積雪寒冷の厳しい環境下での新たな住まい方を提案した。
This house is nested by three vessels. Each vessel is given a gradient by external factors such as direction, sun altitude, snow cover and internal factors due to human perception. The relationship between the three vessels due to this inclination and deviation creates a new place inside and outside in this architecture. While referring to the history of Hokkaido housing, we proposed a new way of living under severe conditions of snow and cold.
第 40 回北の住まい住宅設計競技 奨励賞
Won encouragement prize in 40th -KITASUMA- Northern Housing Design Competition 17
-KITASUMA- Northern Housing Design Competition
＋
＋
サンルーム / sunroom 太陽の光を享受するための装置 フレームからハンモックを吊るしたり 布をかけて日陰をつくることができる
熱源、家具としての器 / the vessel for heat and furniture 壁中に冷温水を通し温熱環境をコントロールすることで、内をつくる
sunroom
熱のための器 / the vessel for insulation 外的要因を遮断し、中をつくる
光や風のための器 / the vessel for light and wind 外的要因を積極的に享受し、外をつくる
斜めの床 / diagonal floor 知覚に働きかけるための装置 暖房器具としても機能する
diagonal floor entrance
ドライエリア / dry area
エントランス / entrance 干渉空間としての装置 冬には風除室に変わる
地階にも光と風を送り込むための装置 冬には、フレームに板をはめ込むことで 雪の吹き込みを防ぐ
living room
dry area 0
隙間 / chasm
1
2
4m
知覚的な変化だけでなく、 収納や空調設備、ワインセラーの 機能を持つ装置
■住まいという器
■ Such a Vessel as a Housing
40 回記念であったこのコンペのテーマが「住宅再考」であっ
Since the theme of this competition, which was a commemoration of 40 times, was "reconsideration of northern housing", I proposed a house with the possibility of a new way of living while referring to the avant-garde house of Hokkaido that was born in the last 40 years.
たため、この 40 年間に生まれた北海道の前衛的な住宅を参照 しながら、新たな住まい方の可能性を持つ住宅を提案した。 主に熱環境の側面から、入れ子状の空間構成をとった住宅はこ れまでも見られたが、この住宅では外部と内部の中間に対して より本州的な緩衝空間を設計している。 瓦屋根や通りのある本州とは全く異質な建築風土を持つ北海道 Anti-Dwelling Box / Kiko MOZUNA (1972)
Baachan-chi / Tatsuhiko KURAMOTO (1972)
Polyphonic / Jun IGARASHI (2012)
は、参照するものが全くない白地のキャンパスである。 こうした辺境では、異形な純粋幾何学を下敷きにする住宅があ る意味、北海道の存在証明であるといえるだろう。
Houses that have nested space structures have been seen mainly from the aspect of thermal environment, but in this house Honshu (the main island of Japan) cushioning space is designed for the middle between the outside and the inside. Hokkaido, which has a quite different architectural climate from Honshu, is a white campus with no reference. In such a remote area, it can be said that it is a proof of existence of Hokkaido in a sense that there is a house underlying a heteromorphic pure geometry.
-KITASUMA- Northern Housing Design Competition
18
â– ć–°ă &#x;㠪内外を㠤ă ?ă‚‹ / diagram 1 ä˝?ĺŽ…ć€§čƒ˝ă Żć•´ă Łă Śă „ă‚‹  ç?žäťŁă ŽĺŒ—ćľˇé “ă Žä˝?ĺŽ…â€ƒ
2 ĺ…Ľă‚Œĺ?犜㠎構ćˆ?㠍㠙る㠓㠨㠧 â€ƒĺšžé‡?も㠎内外を㠤ă ?り出㠙
3 ĺ?„ă€…ă Žĺ…Ľă‚Œĺ?㠯〠ç”&#x;洝㠎彚割  ( 比é‡? ) ă Ťă‚ˆă‚Šć˛ˆă‚“ă §ă‚†ă ?
4 ĺ‚žă ?ă Ťă‚ˆă‚Šć˜Žćš—ă€ ĺşƒç‹ă€ 寒暖を â€ƒă‚ˆă‚Šć§˜ă€…ă Şĺ ´ć‰€ă §ç&#x;ĽčŚšă ™ă‚‹
1. Contemporary hokkaido house has enough thermal performance
%\ FUHDWLQJ D QHVWHG VWUXFWXUH creates inner and outer environments
3. Each nesting sinks due to the role of OLIH OLNH D VSHFLÂż F JUDYLW\
4. Perceive light and dark, broad and narrow, cold and warm in various places by inclination
dry area
terrace
dry area
kitchen sunroom diagonal oor living room
entrance
N
0
1
oor planNorthern (GL+6000 192nd -KITASUMAHousing Design Competition
2
4
1st oor plan (GL+3000
underground oor plan (GL¹0)
children's room
第一層：熱源、家具としての器 第二層：熱のための器 第三層：光や風のための器
1st layer ：the vessel for heat and furniture 2nd layer ：the vessel for insulation 3rd layer ：the vessel for light and wind
20
ćž—ç›¸ă Žé “ â€•ă‚˘ă‚¤ăƒŒäź?羹塼芸を眙承㠙るă &#x;ă‚ ă Žĺ ´ć‰€ă Žć??ćĄˆâ€• "The Road of Forest -The Place where succeed to Traditional Ainu Folk Crafts-" ĺ?’ćĽč¨č¨ˆ / Bachelor Diploma Project 2nd semester _ Sep.2015-Mar.2016 ă‚˘ă‚¤ăƒŒć°‘ć—?ă Žäź?çľąĺˇĽčŠ¸ă Żč ˇäşşă &#x;ă Ąă Žć‰‹ă Ťă‚ˆă‚ŠćŠ€čĄ“ă Œçś™ć‰żă •ă‚Œă Śă ?ă &#x;。 äź?çľąĺˇĽčŠ¸ă Žč ˇäşşă Œé›†ă žă‚‹ă€ŒĺŒ ă Žé “ă€?ă Ťďź”ă ¤ă ŽĺťşçŻ‰ă‚’ćŒżĺ…Ľă —ă Śă€ ă‚˘ă‚¤ăƒŒäź?çľąĺˇĽčŠ¸ă Žć‹ ç‚šă ¨ ă Şă‚‹ĺ ´ć‰€ă‚’ć??ćĄˆă ™ă‚‹ă€‚ç Ťă‚’ĺ›˛ă żă€ ĺ¤§ĺœ°ă Žç†ąă §ĺŻ’ă •ă‚’ĺ‡Œă ?ă€ č„ˆă€…ă ¨ĺ?—ă ‘çś™ă Œă‚Œă Śă ?ă &#x;ä˝?ă ž ă „ć–šă‚’ĺ†?č§Łé‡ˆă —ă€ ă “ă “ă Ťă —ă ‹ă Şă „ç”&#x;ćĽă‚’眙承㠗㠌㠄ă ?。
Traditional Ainu Folk Crafts have been inherited by the hands of craftsmen. I propose four architecture in the "Road of Artisan" where craftsmen of traditional crafts gather, and propose a place to serve as a base for Traditional Ainu Folk Crafts. , UHLQWHUSUHW WKHLU ZD\ RI OLYLQJ VXUURXQG WKH ÂżUH DQG NHHS RII WKH FROG ZLWK WKH KHDW RI the earth, inherited traditionally. And we will inherit the living work which is only here.
珏 5 回 ć´ĺ?˛çš„犺間ĺ†?çˇ¨ă‚łăƒłăƒšăƒ†ă‚Łă‚ˇăƒ§ăƒł 50 é ¸ (2 揥寊ć&#x;ťé€˛ĺ‡ş ) Best 50 (elected secondary examination) in 5th Design Competition Reorganizing Historical Space for Student
21
Bachelor Diploma Project
01. SITE â€•ć˛™ćľ ĺˇ?ă ¨äşŒé˘¨č°ˇâ€•
02. BACKGROUND â€•ă‚˘ă‚¤ăƒŒäź?羹塼芸㠎襰退―
Sapporo Nibutani
â€ƒĺŒ—ćľˇé “ć˛™ćľ éƒĄĺšłĺ?–ç”şäşŒé˘¨č°ˇă€‚ă “ă “ă Żă‚˘ă‚¤ăƒŒć–‡ĺŒ– ă Žäź?ć‰żĺœ°ă §ă€ ă ‹ă ¤ă Śă Żă‚˘ă‚¤ăƒŒă Žéƒ˝ă ¨ĺ‘źă °ă‚Œă Śă „ă &#x;。 äşŒé˘¨č°ˇă‚˘ă‚¤ăƒŒć–‡ĺŒ–ĺ?šç‰Šé¤¨ă Şă Šă‚˘ă‚¤ăƒŒć°‘ć—?㠍関係㠙 ă‚‹ć–˝č¨ă‚„ĺˇĽčŠ¸ĺ“ ĺş—ă Œé›†ä¸ă —㠌㠄㠌〠äź?羹塼芸をç”&#x; ćĽă ¨ă ™ă‚‹č ˇäşşă &#x;ă Ąă Œç?žĺœ¨ă‚‚ă€ŒĺŒ ă Žé “ă€?㠍沿㠣㠌暎 ら㠗㠌㠄る。
1LEXWDQL %LUDWRUL FKR +RNNDLGR 7KLV LV WKH WUDGLWLRQDO place of the Ainu culture, once called the capital of Ainu. Ainu is the indigenous people of Hokkaido. Nibutani Ainu Cultural Museum etc. facilities and craft shops related to the Ainu are gathering, and craftsmen who traditional folk crafts as an occupation still live along the "Road of Artisan".
â€ƒă‚˘ă‚¤ăƒŒć°‘ć—?㠯襣éŁ&#x;ä˝?ă Ťĺż…čŚ ă ŞčĄŁčŁ…ă‚„é “ĺ…ˇă€ çĽĺ…ˇéĄžă‚’製 ä˝œă ™ă‚‹ćŠ€ćł•ă‚’ç?žĺœ¨ă Ťäź?ă ˆă Śă ?ă &#x;ă€‚ă “ă‚Œă‚‰ă Żç´ ć??㠎牚垴を ć´ťă ‹ă —ćŠ&#x;čƒ˝ć€§ă Ťĺ„Şă‚Œă€ ć°‘ć—?ç‹Źč‡Şă Žé€ ĺ˝˘çžŽă ŒčĄ¨ç?žă •ă‚Œă Śă „ る。2013 ĺš´ă€ äşŒé˘¨č°ˇă ŽĺˇĽčŠ¸ĺ“ ă€Œă‚¤ă‚żă€?( 盆 ) ă ¨ă€Œă‚˘ăƒƒăƒˆă‚Ľă‚ˇă€? ( 樚皎㠎ĺ??牊 ) ă Œă€ ĺŒ—ćľˇé “ă §ĺˆ?ă‚ ă Śäź?çľąĺˇĽčŠ¸ĺ“ ă ŤćŒ‡ĺŽšă •ă‚Œ ă &#x;ă€‚ă —ă ‹ă —ă€ ĺžŒçś™č€…ă Žä¸?čśłă‚„čŚłĺ…‰ĺŽ˘ă Žć¸›ĺ°‘ă Ťă‚ˆă‚Šă€ äź?çľą 塼芸㠯襰退㠎ĺ?ąćŠ&#x;㠍瀕㠗㠌㠄る。
The Ainu people has conveyed the techniques to produce costumes, tools and rituals necessary for clothing, shelter and living. These are excellent in functionality by taking advantage of the characteristics of the material, and the unique artistic beauty of the nation is expressed. In 2013, Nibutani's crafts "Ita" (tray) and "Atushi" (bark's clothing) were first designated as traditional craft items in Hokkaido. However, due to lack of successors and a decrease in tourists’ interest the traditional folk crafts are facing extinction.
03. DESIGN METHOD â€•ăƒ ă‚ťă Žĺ†?čŞâ€•
â€ƒă‚˘ă‚¤ăƒŒčŞžă §ĺŽśĺą‹ă Žă “ă ¨ă‚’ćŒ‡ă ™ă€Œăƒ ă‚ťă€?ă Ż 18 世 紀㠋ら 20 世紀㠎ĺˆ?ă‚ ă žă §ĺœ°ĺ&#x;&#x;ă Žč‡Şç„śç´ ć??を用㠄 ă Śĺťşă Śă‚‰ă‚Œă Śă „ă &#x;。ç?žĺœ¨ă §ă‚‚ĺ?šç‰Šé¤¨ă Žĺą•ç¤şă‚„ĺťşč¨ ćŠ€čĄ“çś™ć‰żă Žă &#x;ă‚ ĺžŠĺ…ƒă •ă‚Œă Śă „ă‚‹ă€‚
"Ci-set", which refers to houses in the Ainu language, was built using local materials from the 18th century until the beginning of the 20th century. It has been restored for the exhibition in Nibutani Ainu Culture museum to demonstrate the succession of construction technology.
â€ƒăƒ ă‚ťă Żä¸ĺżƒă Ťćš–ç‚‰ă‚’ć§‹ă ˆă‚‹ĺšłé?˘č¨ˆç”ťă §ă€ 厉厚㠗ă &#x;ç†ąç’°ĺ˘ƒ ă‚’ĺž—ă‚‹ă &#x;ă‚ ă Ťĺ?Šĺœ°ä¸‹ă Ťă ™ă‚‹ă‚‚ă Žă‚‚ă ‚ă Łă &#x;。㠞ă &#x;集č?˝ă Žä¸ă §ăƒ ゝ㠎镡蝸㠯ĺ?Œä¸€ć–šĺ?‘ ( äşŒé˘¨č°ˇă §ă Żĺ¤Şé™˝ă Œć˜‡ă‚‹ć?ą ) ă‚’ĺ?‘ă ?〠一 体ć„&#x;ă‚’ćŒ ă Łă Śă „ă &#x;ă€‚ă “ă Žă‚ˆă †ă ŞçŠ?é›ŞĺŻ’ĺ†ˇĺœ°ă §ĺ&#x;šă‚?ă‚Œă &#x;ä˝?ă žă „ 斚㠯〠ĺ†?č§Łé‡ˆă ™ă‚‹ă “ă ¨ă §ç?žĺœ¨ă Ťă‚‚ĺżœç”¨ă §ă ?ă‚‹ă ¨č€ƒă ˆă &#x;。
Ci-set is a plan that places a fireplace in the center, and some have been made semi-underground to obtain a stable thermal environment. Also in the settlement, the Ci-set's long axis were facing the same direction (in Nibutani, the direction is east because of the sun rise), so they had a sense of unity. I thought the way of living cultivated in such snowy cold areas can be applied to present by our reinterpretation.
Bachelor Diploma Project
22
04. ZONING DIAGRAM ―道の間― 「匠の道」に面する駐車場に、周辺施設と連携する建築を挿入していく。 駐車場を利用状況に適したボリュームにするとともに接道する建築の密
P
geo school 学び舎
P
度を増やす。 また、チセが長軸を真東に向けることを踏襲して平面計画を行うこと で、群としての一体性を持たせ、緩衝領域を生み出す。
gathering-place 会所
woodworking plant
residence with a workshop
木工所
X. Scene Sketches & Study Models
23
P
住居
Bachelor Diploma Project
Insert the buildings that cooperate with the surrounding facilities into the parking lot facing the "Road of Artisan". Improve on the density of the building that connects with the road as well as makes the parking lot the volume suitable for the usage situation. In addition, by following the feature that Ci-set directs the long axis in the east, they make the group integrity and set up a buffer area.
沙流川 Saru river
国道 237 号線 / Route 237
3m 6m
昔から残る自然環境 The natural environment remaining since long ago
9m
平取町民芸品 共同作業所
日高石がつくる ランドスケープ
沙流川歴史館 Historical Museum of Saru River
平取町アイヌ 文化情報センター Ainu Culture Center イオル事業 復元チセ群
二風谷アイヌ文化博物館 Nibutani Ainu Culture Museum
学び舎 / “geo-school”
歴史文化を学ぶ環境 Environment to study history and culture 会所 “a gathering-place” 提案する建築は４種である。 ・子供たちの学びの拠点としての「学び舎」 ・若い職人を育てるための「工房のある住居」 ・工芸品のギャラリーも併せ持つ「会所」 ・工芸の拠点となる「木工所」
博物館チセ群 Ci-set 工房のある住居 “a residence with a workshop”
There are four proposed architectures. · "geo-school" as a base for children's learning · "housing with a workshop" to bring up young artisans · "gathering-place" which holds a gallery of craft items · "woodworking plant" as a base for traditional folk crafts
二風谷生活館
「匠の
道」/ “ Road o fA
rtisan”
木工所 “woodworking plant” 伝統技術を継承する環境 Environment that inherits Traditional Folk Crafts
二風谷保育所
15m
配置図兼屋根伏図 arrangement plan
18m
0
12m 21m
30(m) 24
▼
exhibition space
book forest
GL+600
GL+0
A
A’
GL-1,000
3,640 7,280
A
GL+650
物 入
A’
workshop
living room
GL+1,000
GL+1,000
1,820
WC GL+1,000
3,640 18,200
6,370
910 1,820 1,820 910 5,460
1,820
▼
A
GL L
storespace of firewood
8,190 3,640
1,820 910 10,920
910
4,550
学び舎：主に小学生を対象としたジオスクール 周辺の博物館と連携し学びの拠点となる
工房のある住居：凍結深度よりさらに深く 地中に埋まり地熱を享受
A geo school primarily targeted at elementary school students, and it works as a base for learning in collaboration with surrounding museums.
A residence is buried in the ground deeper than the freezing depth, and acquire the geothermal.
exhibition space workshop
living room
book forest a quiet place
25
Bachelor Diploma Project
storeroom 0
5(m) “geo-school” section
0
bedroom
bedroom
5(m)
“a residence with a workshop” section
0
910 GL+0
GL-600
GL-300
A’
A
wood drying chamber
Places to work with machines
A’
15,270
L L-300
9,100 10,920
cafeteria Places to work with hands
gallery of traditional craft 910
GL+0
▼
910
3,640
3,640
▼
9,100 10,920
3,640
3,640
3,640
3,640
3,640
3,640
木工所：現在は離れた場所にある作業所の機能を担う 製材や乾燥・保管を行い、生産の流れを「匠の道」に生み出す
A place where to disseminate information, also a gallery exhibiting folk crafts that tourists can drop in.
A woodworking plant performs sawing up the lumber, drying, and storage, so WKDW FUHDWHV WKH À RZ RI SURGXFWLRQ WR URDG RI DUWLVDQ
5(m)
wood drying chamber
“a gathering-place” section
3,640
36,400
会所：観光客も立ち寄れる、情報を発信する場所 工芸品を展示するギャラリーでもある
gallery
3,640
Places to work with machines
Places to work with hands
0
5(m)
“woodworking plant” section
26
ć•°ĺ? 嚴㠍一庌㠎蹪雨㠧ĺœ&#x;ç ‚ă Ťĺ&#x;‹ă‚‚ă‚Œăƒ?ăƒŤăƒ‹ăƒŹă ŻćžŻćťă ™ă‚‹ă€‚
05. A THEORY OF FOREST PHASES
Japanese elm dies by buried in the earth and sand due to torrential rain once every several decades.
ć&#x;łéĄžă ŒčŠ˝ă‚’出㠗林床を茆㠄〠ĺ†?ç”&#x;を始゠る。
:LOORZ VSURXWV FRYHUV WKH IRUHVW À RRU DQG EHJLQV regeneration.
ă€Œăƒ˘ă‚ˇăƒŞă‚¨ăƒŤă‚Śă‚ˇă€?ă ¨ă „ă †ć˛™ćľ ĺˇ?ćľ ĺ&#x;&#x;㠍㠊㠑る狏牚㠎 飢鼉ç?žčąĄă Žç?†čŤ–ă Œă ‚ă‚‹ă€‚ć˛łĺˇ?ć˛żă „ă Žä˝Žĺšłĺœ°ă Ťă Šă „ă Ś ă‚˘ă‚¤ăƒŒćœ‰ç”¨ć¤?ç‰Šă ŒćžŻć¸‡ă —ă€ ĺ‹•ç‰Šă‚‚ă „ă Şă ?ă Şă Łă Śă‚łă‚ż ăƒłă ŽćšŽă‚‰ă —ă‚’çśćŒ ă §ă ?ă Şă ?ă Şă‚‹çŠść…‹ă‚’ĺˇŽă ™ă€‚ă‚„ă Œă Ś 揥㠎世䝣㠎ć¤?牊を育㠥始゠る。ăƒ?ăƒŤăƒ‹ăƒŹćž—ă Žă ‚ă‚‹éƒ¨ ĺˆ†ă ŒćžŻćťă —ă€ ă ‚ă‚‹éƒ¨ĺˆ†ă Œĺ†?ç”&#x;ă —ă Śă „ă‚‹ă “ă ¨ă §ćľ ĺ&#x;&#x;ă Ž ćœ‰ç”¨ă Şć¤?牊を镡ćœ&#x;ă ŤĺˆŠç”¨ă §ă ?ă‚‹çŠśćł ă‚’ä˝œă Łă Śă „ă ?。 ă “ă Žç?žčąĄă ¨ĺ?Œă ˜ă‚ˆă †ă Ťă€ ă€ŒĺŒ ă Žé “ă€?㠧も時䝣をĺ??ć˜ ă — ă Ść§˜ĺź?ă‚’ĺ¤‰ă ˆă ¤ă ¤ă‚‚ă€ äź?çľąă Œä¸–äťŁäş¤äťŁă‚’ă —ă Şă Œă‚‰ĺ?—
äşŒç™žĺš´ă ‹ă ‘ă Śă žă &#x;ĺ…ƒă Ž 30 ď˝?čż‘ă „ăƒ?ăƒŤăƒ‹ăƒŹćž—ă ¨ă Şă‚‹ă€‚
Japanese elm will be forest, which is about 30 meters of tree height, spending two hundred years.
ć&#x;łéĄžă ŻćžŻćťă —ă Śăƒ?ăƒŤăƒ‹ăƒŹă ¨ä¸–äťŁäş¤äťŁă ™ă‚‹ă€‚
Willow withers and undergoes the alternation of generations with Japanese elm.
ă ‘çś™ă Œă‚Œă Śă „ă ?äť•çľ„ă żă‚’ć??ćĄˆă —ă Śă „ă‚‹ă€‚
27
ç”&#x;ć´ťă Žä¸ĺżƒă Ťă ‚ă‚‹č–Şă‚šăƒˆăƒźăƒ– wood stove at the center of life
ĺœ°ä¸ă Ťĺ&#x;‹ă žă‚‹ĺŻ?厤 a bedroom buried underground
ăƒ‰ăƒŠă‚¤ă‚¨ăƒŞă‚˘ă Žé–‹ĺ?Ł opening of dry area
塼芸帍ĺ?ŒĺŁŤă §ă Žćƒ…ĺ ąäş¤ć?› Information exchange between craftsmen
Bachelor Diploma Project
ĺœ°ä¸Šă‚’čŚ‹ä¸Šă ’ă‚‹ä˝“é¨“ experience looking up on the ground
ćœ¨ć??を䚞燼㠕㠛るč¨ă ˆ equipment to dry wood
There is a theory of a unique famine phenomenon in the Saru River basin called "moshir eru ushi".It indicates that useful plants of Ainu are depleted in lowlands along rivers, and animals also disappear so that Kotan's life cannot be maintained.Eventually it begins to grow the next generation of plants. Some parts of the Japanese elm's forest died and some parts are regenerating so that it can create situations where useful plants in the basin can be used for a long time. Like this phenomenon, I propose a mechanism whereby tradition is inherited while shifting JHQHUDWLRQV ZLWK FKDQJLQJ WKH VW\OH UHĂ€ HFWLQJ WKH WLPH even in "Road of Artisan".
ćœŹćŁšă ŽçŞ“ă ‹ă‚‰čŚ‹ă ˆă‚‹ĺ¤–éƒ¨ see outside from the window of bookshelf
ĺ°?ă •ă Şé–‹ĺ?Łă ‹ă‚‰ć§˜ĺ?を茗ă ? look in at the small window
ćœ¨ć??を䚞燼㠕㠛るč¨ă ˆ equipment to dry wood
ä¸ĺżƒă Ťć?Žă ˆă‚‰ă‚Œă &#x;č–Şă‚šăƒˆăƒźăƒ– wood stove at the center
学び舎：レベル差のある床が屋根の下に続く
JHR VFKRRO 7KH ÀRRU ZLWK WKH GLIIHUHQFH RI WKH WDNHUV JRHV XQGHU WKH URRI
山から沙流川に向かって建築群が存在している
The building group exists from the mountain toward Saru River.
「匠の道」に一連の建築が並ぶ
A series of architecture lined up in "Road of Artisan".
住居：地熱を得ながら光も取り入れる
housing: bringing in the light and gaining geothermal energy
会所：中央の暖炉と天窓
木工所：フレーム架構による乾燥室と作業スペースが連続する
gathering-place: central fireplace and skylight
木工所：端材を使って薪ストーブを焚く
woodworking plant: burn wood stove with timber offcuts
woodworking plant: Drying chamber and working space are continuous by frame contsruction.
木工所：木材を組んで乾燥させる
学び舎：床面より高い地上が窓から見える
woodworking plant: pile up wood for drying
geo-school: The ground above the floor can be seen through the window.
28
Bachelor Diploma Thesis Apr.-Dec.2015
"Approaches to Preservation Districts for Groups of Historic Buildings by Hakodate City Government" 0. about Preservation Districts for Groups of Historic Buildings
2. Present Circumstances of the Historic Buildings the ratio of aging population in Hakodate
1975 Preservation Districts for Groups of Historic Buildings (hereafter, Preservation Districts) system has enacted by the Law for the Protection of Cultural Properties ▶preservation of historical townscape has started
Use Distribution of Historic Buildings in Preservation District Old Government offices ex) Old Public Hall
1989 Motomachi-Suehirocho was registered to Preservation District, These historic buildings are of great value as tourism resource
Commercial Facilities in Waterfront Area ex) Warehouse
Hakodate Bay
2015 the number of Preservation Districts are 110 in the whole country, and increasing
Kusakabe-ke house
■Preservation District
1. Introduction
△Mt.Hakodate
The Purpose of This Study
The method of This Study clarify the whole aspect of the management
to grasp the management method of historic buildings on Motomachi-Suehirocho
・Documents owned by Hakodate City Government
▼ Amid the increasing number of preservation districts, the approaches of Hakodate City will be useful in considering the future of the preservation districts
・Literature Research in Hakodate City Central Library
make the database of the historic buildings 基本情報
before registration 1987年
▼ The authors found that the number of operation was 184 between 1989 and 2014 contains not only basic information (name, type, structure, address, owner, etc.) of 75 incidents but also 350 maintenance records
55
名称
真壁家住宅店舗
用途
店舗併用住宅
旧名称
小久保靖一住宅・藤野社宅
旧用途
住宅
所在地
函館市元町 17 番 9 号
敷地面積
82.38 ㎡
建築年
1908 ( 明治 41)
種別
主屋
様式
折衷
構造
木造
階数
2
延床面積 96.88 ㎡
2015年
Bachelor Diploma Thesis
Table. Current Systems for Maintenance and Subsidy in Preservation District ①Subsidy System Historic Building General Building Object Establishment 1989 (Registration Year)
建物所有者 真壁 隆翁
2000年
3. The management method by Hakodate City
Basic Information
修理・変更 年月日
内容
備考
1991.11.06
屋根鉄板葺替、外壁下見板取替、 建具取付
助成
1999.10.20
防寒改修事業
基金
1999.11.09
解体復原
助成
2008.05.09
外壁下見板一部取替、 外壁・屋根塗装
助成
Maintenance Record
▶grasp the changes in facade every 15 years collating with the maintenance records
29
The historic buildings are classified broadly into 3 categories such as housing, commercial facilities, education facilities.
The method by the City has four tools ▶ Maintenance and Preservation Depending on Buildings
通し番号
土地所有者 真壁 隆翁
after registration
The increase of aging population make maintenance of historic buildings difficult
Cultural Property (8)
100m
・Interviews to the City officials and building owners
The Material for Study "Basic Ledger of Historic Buildings (owned by Hakodate City Urban Construction Department)
0 1 km ■Preservation District the ratio of aging population ■ ■30% ■35% ■ ■40% ■45%
Historic Buildings ■Housing (28) ■Commercial (29) ■Education (5)
Educational Zone ex) Church, Shrine
Authority
Agency for Cultural Affairs + Hokkaido Prefecture + the City
②Townscape ③Decrepit ④Cultural Property Fund Research Protection Historic Building
Cultural Property
1993
2015
Before the Registration
the City + Citizens
the City
same as subsidy system
Decrepit Research
Perfect Preservation
Content
Facade Maintenance
Beautication
Cold Protection Improvement
Subsidy
Less Than 6 Million
Less Than 5 Million
Less Than 1.6 Million
Depends on the Matter
「函館市による伝統的建造物群保存地区での取り組み」 4. Present Circumstances of the Management count the number of the maintenance conducted so far based on the historic building database ▼ · collate the pictures with the maintenance record · grasp tendencies with information of function and structure
Relationship between the Subsidy System and Townscape Fund
Subsidy System 145 cases Townscape Fund 27 cases Cultural Property Protection 12 cases Total 184 cases ▼ 67/75 properties of historic buildings were operated once at the least.
Japanese-Western eclectic style machiya is changing colors
ex. old Fukaya rice-merchant
21/27 cases were covered by the subsidy system
the City takes the owners burden into the account and plans to shorten the maintenance work period
Maintenance record of Kyoba Date
Content
1989.10.25 rethatch steel plate, repaint wall 1996.08.31 rethatch steel plate, repaint wall 2005.08.19
recover exterior weatherboard, fitting wooden Fixture
2005.08.19 the cold protection improvement 2006.12.29 rethatch steel plate, restoration
2001
2015
Position and shape of entrance and window, design of roof has restored
Cultural property protection is applied to cultural properties Maintenance record of Old Public Hall of Hakodate Ward (important cultural property) Date
1987
1997
2001
1980-82
disassembly & restoration
1984
replace tile roof, repainting corridor ceiling plaster
2015
facade color has been changed 4 times in about 30 years
1994-95
Subsidy System is applied repeatedly For such large historic buildings the subsidy applied repeatedly
2002
replace tile roof, repaint wall partial disassembly, removal of decay point
the target is not only facade but also interior
there is a limit on subsidy once a year, the City trying to increase the frequency to lighten the burden on everyday maintenance cost
Maintenance Record of Kanemori Warehouse no.4 Date
Content rethatching a steel plate, 1994.01.20 replacing a substrate material 2001.09.30 same as above 2003.08.26 same as above 2008.06.30 same as above
same as above & repair skylight
2013.07.19 place a ventilator
Content
the same maintenance every 5 years
5. Conclusions The City's original and positive Approaches 〇The authors evaluate the City's original and positive approaches such as the improvement of thermal insulation, deterioration survey for the historic properties and so on The big issues on the management in the future 1. the owners of historic buildings have been disappeared by depopulation 2. It might be necessary to invent the holistic management methods taking tourism as a potential source and any other possibilities into consideration
the plate of proving Historic Building
Bachelor Diploma Thesis
30
まちカードばとる！！ / City Card Battle!! ̾ ̢
ૅ
第 10 回全国高専デザインコンペティション 10th National Design Competition for Collage of Technology 2nd semester _ Aug.-Nov.2013 15
̜̱ȁȁȁȁȁ͏̲̠͠ȁȁȁȁ
͌͂ȁȁȁ ̜ͥȁ
̹̳
௷ ௷͈ະুဇ̈́૽̦༜̩੩̫ ুဇ ̱͂̀၌ဥ̳ͥȃ ͂ ȁȁȁȁȁȁȁ
̠ͤ͢
まちカードばとる！！ は小中学生対象の住環境学習ツールである。こ どもたちは絵が描かれた３種類のカードを組み合わせて、まちに潜む問題点 を発見していく。こどもたちが楽しみながら、自然に課題発見能力、コミュ ニケーション能力、想像力などが身に付くことを期待して開発した。
&LW\ &DUG %DWWOH LV D OLYLQJ HQYLURQPHQW OHDUQLQJ WRRO IRU HOHPHQWDU\ and junior high school students. Children combine the three types of cards RQ ZKLFK SLFWXUHV DUH GUDZQ DQG ¿ QG RXW WKH SUREOHPV OXUNLQJ LQ WKH WRZQ We hope that children will enjoy acquiring a task of discovering ability, communication skills and imagination naturally, while enjoying it.
第 10 回 全国高等専門学校デザインコンペティション 創造デザイン部門 最優秀賞 Won first prize (creative design section) in 10th National Design Competition for Collage of Technology 第 8 回キッズデザイン賞 奨励賞 ( キッズデザイン協議会会長賞 ) Won encouragement prize (KIDS DESIGN ASSOCIATION President prize) in 8th KIDS DESIGN AWARD
31
Design Competition for Collage of Technology
このツールは元々は「エンジニアリングデザインを学ぶための子どもワーク ショップ」のために研究室の 5 人で共同制作したものである。私はカードの 組み合わせやバリエーションの考案、ルールの検討などを担当した。
This tool was originally created by our laboratory for "Children's workshop for learning engineering design". I was in charge of devising variations, combinations of cards, examining rules, and so on.
 ĺ?ă Šă‚‚ă Žäş‹ć•…čŚ ĺ› ă‚’č€ƒă ˆă‚‹ă †ă ˆă §ă€ ç¤žäźšă §ĺ…ąćœ‰ă ™ă šă ?é‡?čŚ ă ŞčŚ–ç‚šă §ă ‚ă‚‹ ă€Œäşşă€?Ă—ă€Œăƒ˘ăƒŽă€?Ă—ă€Œç’°ĺ˘ƒă€?ă Žé–˘äż‚ć€§ă‚’ă‚˛ăƒźăƒ ĺ˝˘ĺź?ă §ĺŚă łă€ ćƒłĺƒ?力をĺƒ?ă ‹ ă ›ă‚‹ăƒ—ăƒă‚°ăƒŠăƒ 㠧〠襗㠼ă ?ă‚Šă Ťă‚‚ć´ťă ‹ă ›ă‚‹ç™şćƒłăƒ„ăƒźăƒŤă §ă ‚ă‚‹ă€‚ă‚Ťăƒźăƒ‰ă Ťă Ż ăƒ‘ăƒźă‚˝ăƒłă‚Ťăƒźăƒ‰ăƒťă‚˘ă‚¤ăƒ†ăƒ ă‚Ťăƒźăƒ‰ăƒťă‚ˇăƒźăƒłă‚Ťăƒźăƒ‰ă Ž 3 ç¨ŽéĄžă Œă ‚ă‚Šă€ ă “ă‚Œă‚‰ ă‚’ă ?ă‚Œă žă‚Œçľ„ă żĺ?ˆă‚?㠛㠌ĺ•?éĄŒç‚šă‚’ç™şčŚ‹ă ™ă‚‹ă€‚ â€ƒç§ ă &#x;㠥㠯大ă ?ă ?揥㠎 3 㠤㠎盎標を厚゠〠開発㠍ĺ?–ă‚Šçľ„ă‚“ă 。1 㠤盎㠯ĺ? ă Šă‚‚ă &#x;ă Ąă Œć™ŽćŽľć„?č˜ă —ă Śă „ă Şă „ ă žă Ąă Žĺ•?éĄŒç‚š を発茋㠙るä¸ă §č‡Şç„śă Ťä˝? ç’°ĺ˘ƒă ŽĺŚçż’ă Œă §ă ?る㠓㠨〠2 ă ¤ç›Žă Żă‚Ťăƒźăƒ‰ă Ťć??ă ‹ă‚Œă &#x;äşşç‰Šă ŽçŤ‹ĺ ´ă Ťă Şă‚Šç–‘ äźźä˝“é¨“ă ™ă‚‹ă “ă ¨ă §ĺ‰ľé€ ĺŠ›ă‚’čşŤă Ťäť˜ă ‘ă‚‹ă “ă ¨ă€ ă ?ă —ă Ś 3 㠤盎㠯発茋㠗ă &#x;ĺ•?éĄŒ ç‚šă‚’ĺŻžćˆŚç›¸ć‰‹ă Œç´?ĺž—ă ™ă‚‹ă‚ˆă †ă ŤčŞŹć˜Žă ™ă‚‹čĄ¨ç?žĺŠ›ă‚’čşŤă Ťäť˜ă ‘ă‚‹ă “ă ¨ă §ă ‚ă‚‹ă€‚ â€ƒă žă &#x;ă “ă Žăƒ„ăƒźăƒŤă Žé‡?čŚ ă Şç‰šĺž´ă ¨ă —ă Śă€ ĺ‹?č˛ ă Žĺˆ¤ć–ĺ&#x;şćş–ă Œć›–ć˜§ă §ĺ¸¸ă ŤĺŻŠĺˆ¤ ă‚’ĺż…čŚ ă ¨ă ™ă‚‹ç‚šă Œă ‚ă‚‹ă€‚č‡Şĺˆ†ă ŽçľŒé¨“ă Ťĺ&#x;şă Ľă „ă Śç›¸ć‰‹ă ŤčŞŹć˜Žă ™ă‚‹ă Žă §ă€ č§Łç” ă Żĺ¤šć§˜ă Şă‚‚ă Žă ¨ă Şă‚‹ă€‚ă ?ă Žă &#x;ă‚ çľśĺŻžçš„ă ŞăƒŤăƒźăƒŤă‚’č¨ă ‘ă‚‹ă‚ˆă‚Šă‚‚ă€ çŠśćł ă Ťĺżœ ă ˜ă &#x;ćƒłĺƒ?ăƒťç›¸ĺŻžçš„ă ŞčŞŹć˜Žă‚’ă ™ă‚‹ĺ ´ă‚’ç”¨ć„?ă ™ă‚‹ă “ă ¨ă Œé‡?čŚ ă ă ¨č€ƒă ˆă &#x;。
This tool is a program to learn the relationship between "people" Ă— "thing" Ă— HQYLURQPHQW ZLWK WKH JDPH IRUPDW DQG WR H[HUFLVH LPDJLQDWLRQ 7KLV LV D VLJQLÂżFDQW viewpoint to be shared by society in considering children's accident factors, and it is an idea tool that can be utilized for town planning. There are three type of cards: SHUVRQ FDUGV LWHP FDUGV DQG VFHQH FDUGV DQG FRPELQH WKHVH WR ÂżQG SUREOHPV We set out the following three goals and worked on for their realization. Firstly, to be able to learn about the living environment naturally in the discovery of the "problem point of the town" which children do not normally are conscious about. Secondly, to take a position of a person drawn on the card and experience a simulated experience. Thirdly, to acquire the expressive power to explain the problems you discover so that the opponent is able to comprehend. In addition, as an important feature of this tool, there is a point that the judgment FULWHULRQ RI WKH JDPH LV DPELJXRXV DQG DOZD\V QHHGV DQ XPSLUH %HFDXVH FKLOGUHQ explain to an opponent based on own experience, the answers will be diverse. Therefore we thought it was more important to prepare a place to imagine and describe relative according to the situation rather than setting absolute rules.
ă ‚ă ?ă łă ‹ă &#x; / how to play
First, a scene card is presented
Let's combine your hands and find the problem fits the scene
Even with the same thing, will problems happen if the user change?
If you find a combination, let's explain
If you can explain it well, you get points !!
under explanation
Let's find various combinations
Dangerous !
Useful !
Dangerous !
in Workshop
Design Competition for Collage of Technology
32
č¨ˆç”ťč¨č¨ˆćź”çż’ III : ć§‹é€ ă Žăƒžă‚šă‚żăƒźăƒ”ăƒźă‚šâ€ƒ1st semester _ June 2014 Exercise on Planning and Design II : The Masterpieces of Architectural Structure 自焜体ć„&#x;ĺą•ćœ›ĺ?° ĺ…甲ćž?ĺž‚ă‚Œ / RokkĹ? Shidare Observatory ĺ„Şă‚Œă &#x;果構形ĺź?ă‚’ćŒ ă ¤ĺťşçŻ‰ă ‹ă‚‰ć§‹é€ ă‚’ĺŚă śćź”çż’ă §ă€ ç§ ă &#x;ă Ąă Żä¸‰ĺˆ†ä¸€ĺ?šĺż—ć°?č¨č¨ˆ ă Žă€Œĺ…甲ćž?ĺž‚ă‚Œă€?ă Žć§‹é€ ć¨Ąĺž‹ă‚’ĺˆśä˝œă —ă &#x;。3 ćŹĄĺ…ƒçš„ă Ťéƒ¨ć??を羄㠿上㠒㠌㠄ă ?ă “ ă Žä˝œĺ“ ă Żé›Łć˜“ĺşŚă ŒéŤ˜ă ?ă€ ç§ ă &#x;ă Ąă Žă‚°ăƒŤăƒźăƒ—ă Œĺˆ?ă‚ ă Śă ŽćŒ‘ćˆŚč€…ă §ă ‚ă Łă &#x;。 ç§ ă Żć??ć–™ă Žé ¸ĺŽšă ‹ă‚‰ĺˆśä˝œć–šćł•ă Žč€ƒćĄˆă žă §ă€ ĺ…¨ä˝“ă ŽćŒ‡ć?Žă‚’ĺ&#x;ˇă Łă &#x;。
In exercise to learn the architectural structure with excellent framing IRUPV ZH FUHDWHG D VWUXFWXUDO PRGHO RI 5RNNÇ€ 6KLGDUH 2EVHUYDWRU\ GHVLJQHG E\ Hiroshi Sambuichi 7KLV ZRUN ZKLFK DVVHPEOHV PHPEHUV WKUHH GLPHQVLRQDOO\ KDV D KLJK GHJUHH RI GLIÂżFXOW\ RXU JURXS ZDV WKH ÂżUVW challenger. I took command as a whole from the selection of materials to an idea of production method.
33
Exercise on Planning and Design III : The Masterpieces of Architectural Structure
「六甲山上に立つ一本の大きな樹」がコンセプトの展望台。
「樹木」 、「枝葉」、「葉脈」というキーワードをもとに細く短い枝材を編むように
軸力が作用する部材についてはトラスが有利であるのに対し、面構造に対し
メインのフレームはステンレスで、その中にヒノキによ
重ね合わせることでお互いが支え合い、自立し、空間を生み出す。解読不可能
てはハニカムが有利である。芯をずらして重ねて組むことでトラスを形成し、
る細かいフレームが組み込まれている。
なほどの複雑なジオメトリーを有する一方で、組み方は極めてローカルである。
そのトラスを維持したままハニカムをずらすことで強度を維持している。
7KH FRQFHSW RI WKLV REVHUYDWRU\ LV D ELJ WUHH VWDQGLQJ on Rokko Mountain". The main frame is made of stainless steel, and a fine frame made of Japanese F\SUHVV LV LQFRUSRUDWHG LQ LW
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under construction
under construction
discuss with Hiroshi Sambuichi
actually visited
illuminated
Exercise on Planning and Design III : The Masterpieces of Architectural Structure
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Imaginary Atsuta -workshop + picture book project研究室プロジェクト / Laboratory Project July-, 2015 人口縮小地域・厚田において、国内外の学生 • 研究者が一緒に地域の現状を観察し、子供たちとワー クショップを行った。地域のランドスケープや建築に潜在する豊かなイメージを読みこむことによっ て創造的なファンタジーを築きあげる「ポスト・プロジェクト」を厚田に展開し、子どもたちが厚田 を舞台に描いた物語をもとに、図面や模型などの建築的な提案を行い、さらに絵本を制作した。私は このプロジェクトのリーダーとして、全体の指揮を執った。
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Imaginary Atsuta -workshop + picture book project-
In Atsuta where the population shrinking area, students and researchers both in Japan and abroad observed the current situation and conducted the workshop with children. We conducted a "post project" in Atsuta that makes creative fantasy by reading the rich images latent in the local landscape and architecture, and we made architectural offers such as drawings, models, and also the picture book based on the story by children create on Atsuta. As leader of this project, I took command of the whole.
â– small village, Atsuta
â– Post Project -Behind Snapshot-
Atsuta Sapporo
"Post Project" is a new approach of urban and architectural SERGEY ć°?ă ¨ REPINA EVGENIA ć°?ă Ťă‚ˆă‚‹éƒ˝ĺ¸‚ă ¨ĺťşçŻ‰ăƒ‡ă‚śă‚¤ăƒłă Žć–° design by MALAKHOV SERGEY and REPINA EVGENIA, ă &#x;ă Şć–šćł•ă §ă ‚ă‚‹ă€‚äşşă€…ă Œă‚‚ă Łă Śă „ă‚‹ă‚¤ăƒžă‚¸ăƒ?ăƒźă‚ˇăƒ§ăƒłă ŽĺŠ›ă‚’ĺ€&#x;ă‚Š architect/researcher. They intend to imagine another world (parallel reality) that overcomes the real world (reality), created with the ă Śă€ çœźă Žĺ‰?㠍幕開㠙るç?žĺŽ&#x;世界 ( ăƒŞă‚˘ăƒŞăƒ†ă‚Ł ) ă‚’äš—ă‚ŠčśŠă ˆă‚‹ă€ ă‚‚ă † power of imagination that people have. This design method can ă ˛ă ¨ă ¤ă Žä¸–ç•Œ ( ăƒ‘ăƒŠăƒŹăƒŤăƒťăƒŞă‚˘ăƒŞăƒ†ă‚Ł ) ă‚’ć§‹ćƒłă —ă‚ˆă †ă ¨ă ™ă‚‹ă‚‚ă Žă § be said that utilizes the world of imagination evoked by images 㠂る。写çœ&#x;ă‚„ăƒ‰ăƒăƒźă‚¤ăƒłă‚°ă Şă Šă Žă‚¤ăƒĄăƒźă‚¸ă Œĺ–ščľˇă ™ă‚‹ćƒłĺƒ?力㠎世 such as photographs and drawing, as a cultural resource given by ç•Œă‚’ă€ ĺ?˜ă Şă‚‹ăƒ•ă‚Ąăƒłă‚żă‚¸ăƒźă Ťçľ‚ă‚?ら㠛る㠓㠨㠪ă ?〠襗丌㠿や人々 townscapes and people without mere fantasy. They treat forgotten architecture as a resource of imagination ă Ťä¸Žă ˆă‚‰ă‚Œă &#x;ć–‡ĺŒ–čł‡ćş?ă ¨ă —ă Ść´ťç”¨ă ™ă‚‹ăƒ‡ă‚śă‚¤ăƒłć‰‹ćł•ă ¨ă „ă ˆă‚‹ă€‚ â€ƒĺ˝źă‚‰ă Żäşşĺ?Łć¸›ĺ°‘や人々㠎離散㠍悊むăƒă‚ˇă‚˘ă Žç¸Žĺ°?ĺœ°ĺ&#x;&#x;㠍寞㠗㠌〠and bring back it as a vivid reality against Russia's shrinking area ĺż˜ă‚ŒĺŽťă‚‰ă‚Œă &#x;ĺťşçŻ‰ă‚’ćƒłĺƒ?力㠎資ćş?㠨㠗㠌批㠄〠ç”&#x;ă ?ç”&#x;ă ?㠨㠗ă &#x;ç?ž suffering from population decrease and people's discretion. It is fantastic to suggest Japan against suffering from depopulation ĺŽ&#x;ă ¨ă —ă Śç”Śă‚‰ă ›ă Śă „ă‚‹ă€‚é Žç–Žă ¨ĺ°‘ĺ?éŤ˜é˝˘ĺŒ–ă Ťć‚Šă‚€ć—ĽćœŹă ŤĺŻžă —ă Śç¤ş and declining birthrate and aging population. 唆㠙る㠨㠓ă‚?㠯大ă ?ă „ă€‚ć™Žé€šă Žäşşă€ ć™Žé€šă Žă‚‚ă Žă Œă‚‚ă ¤ăƒ?ăƒ†ăƒłă‚ˇăƒŁ They pull out the potential of ordinary people and ordinary things ăƒŤă‚’ćœ€ĺ¤§é™?ă Ťĺź•ă ?出㠗〠漽㠗ă ?čąŠă ‹ă Şć™‚çŠşé–“ă‚’ĺ‰ľé€ ă ™ă‚‹ă€‚ to the fullest, create fun and rich time and space. â€ƒă€Œăƒ?ă‚šăƒˆăƒťăƒ—ăƒă‚¸ă‚§ă‚Żăƒˆă€?㠯坺築厜 / ç ”çŠśč€…ă §ă ‚ă‚‹ MALAKHOV
â€ƒĺŒ—ćľˇé “ĺ¤§ĺŚĺťşçŻ‰ĺ?˛ć„?ĺŒ ĺŚç ”犜厤㠯 2012 嚴㠋ら人ĺ?Łç¸Žĺ°?ĺœ°ĺ&#x;&#x;ă §ă ‚ă‚‹ĺŽšç”°ă Ťă Šă „ă Śă€ ĺœ°ĺ&#x;&#x;ă Ľă ?ă‚Š 㠍関㠙る調ć&#x;ťă‚’čĄŒă Łă Śă ?ă &#x;。2015 ĺš´ă Żĺœ°ĺ&#x;&#x;㠎大人ă 㠑㠧㠪ă ?ă€ ă žă Ąă ŽćœŞć?Ľă‚’ć‹…ă †ĺ˜ĺœ¨ă §ă ‚ă‚‹ĺ? ă Šă‚‚ă &#x;ă Ąă ¨ă ¨ă‚‚ă Ťă€ ĺœ°ĺ&#x;&#x;ă Žé…ĺŠ›ă‚’ćŽ˜ă‚Ščľˇă “ă ™ăƒŻăƒźă‚Żă‚ˇăƒ§ăƒƒăƒ—ă‚’čĄŒă Łă &#x;ă€‚ă “ă Žä¸€é€Łă Žăƒ—ăƒă‚¸ă‚§ă‚Żăƒˆ ă Żă€ č‡Şĺˆ†ă &#x;ă Ąă Žĺœ°ĺ&#x;&#x;ă Œă‚‚ă ¤é…力をĺ†?čŞ?č˜ă ™ă‚‹ă‚ăƒƒă‚Ťă‚ąă ¨ă Şă‚‹ă “ă ¨ă‚’ç›ŽćŒ‡ă —ă Śă „ă‚‹ă€‚
Our laboratory is going on a community development survey in Atsuta where the population shrinking area since 2012. We held a workshop in 2015 with not only the adults but also children ZKR DUH DQ LQYDOXDEOH DVVHW IRU WKH IXWXUH RI WKLV YLOODJH WR ÂżQG RXW WKH FKDUP RI WKH YLOODJH 7KLV series of projects aims at becoming again realize the charm of their local area.
â– Fragments of Imagination
Imaginary Atsuta -workshop + picture book project-
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workshop with children 大学生８人と小学生の子どもたち 10 人がそれぞれペアとなり、 ①子どもたちが思う " 町の魅力 " を撮影するフィールドワーク ②撮影した写真から一枚を選び、物語を構想 ③その物語の印象的なシーンのドローイングを描く という作業を行い、8 つの物語が出来上がった。
We worked together with 10 children of elementary school in Atsuta. 1. Field work to take pictures of "charm of the village" that children think 2. Select one piece from the pictures and make a story 3. Make a drawing of an impressive scene of the story So 8 stories were completed.
drawings by children
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Imaginary Atsuta -workshop + picture book project-
sketches by us
architectural offer
making picture book
子どもたちが描いた 8 つの物語をもとに、大学生と建築家 によってそれぞれの物語に対する建築を提案した。 物語に基づいて敷地や機能を設定し、厚田に実在する建物 を参照しながら図面やスケッチ、模型などを制作した。 これらの模型は後に札幌や東京でも展示を行った。
建築案で制作した 8 つの物語を１つのストーリーに統合 し、" 地域の教科書 " となる絵本を制作した。 厚田の魅力的な風景や文化資源を描きながらも、厚田の辺 境性や、制作者たち ( ロシアとフィリピン ) の異国的な表 現も取り入れている。私は脚本と絵コンテを担当した。
College students and architects proposed an architecture for eight stories based on each story which children made. We set the site and functions based on the story, then we made architectural offer such as plans, sketches, and models while referring to the existed buildings in Atsuta. Then these models were exhibited in Sapporo and Tokyo in July 2015 and Nov.2016 at Asty25 and Archi-Depot respectively.
We integrated the eight stories we made into one story and produced a picture book that will become a "regional textbook". These scenes are not only drawn attractive landscapes and cultural resources but also incorporates Atsuta's characteristics of the remote area and exotic expressions of collaborators (Russia and the Philippines). I was in charge of scripts and storyboards.
continuity of the picture book by us
㘑߇ޕ߁ߏ߁ߏޔ
㔐߇ ޕߚ߇ߚ߇ޔ߇⓹ ޕߜ߫ߜ߫ޔኅ߇ޕߒߺߒߺޔ
᳇ઃߚࠄ#ߊࠎߪᶋ߈ߩਛߦၒ߽ࠇߡ߹ߒߚޕ
A был неизвестен в плавании, когда я заметил.
ߚࠅࠍ࿁ߔߣߩ߽ߟߪߎߘޔ᷼ߢߔޕ
Есть обычный порт, когда я озираюсь.
ᦺᏒߩ߅ቴߐࠎߩਛߦ$ߜ߾ࠎ߇߹ߒߚޕ
Был B в посетителе утреннего рынка.
ɵɣ ɥɶɧ ɜɟɬɟɪ ɜɧ ɋɢ ɟɡɚ ɩ
ɧɨ
ɶ. ɧɟ ɞɭɟɬ; ɯɥɵ ɧɭɥɢɫ
トンネルは ずーーっと おくまで続いています うたは ずーーーーっと おくから聞こえてくるようです Туннель распространяется, пока я не поместил все это время. Поскольку я поместил песню все время, я, кажется, слышу его.
ߟ߽ߩᦺᏒࠍᱠߡࠆߣޔ$ߜ߾ࠎ߇ ʶ̨̐̔̌ ̨̡̪̬̱̣̐̌ ̸̨̼̦̼̜̍ ̛̱̯̬̖̦̦̜ ̨̡̬̼̦͖
ə ɡ ɚ ɛ ɵ ɥ ɜ ɪ ɟ ɦ ɹ ɜ ɧ ɨ ɜ ɨ ɣ ɫ ɟ ɤ ɪ ɟ ɬ ɧ ɨ ɣ ɨ ɫ ɧ ɨ ɜ ɟ ɢ ɢ ɝ ɪ ɚ ɥ
.
ࠄ߆ߎߎޟᭉߒ㖸ᭉ߇⡞ߎ߃ࠆߩޠ Ηˁ̣̼̹̌ ̛̪̬̯̦̱́̀ ̡̥̱̼̱̚ ̨̯̭̀̔̌Η
新 し い 秘 密 基 地 で 時 間 を 忘 れ て 遊 び ま し た␔
びゅ
まいました。 れてし ばさ な飛 ん み いて が吹 風 い 、強 然 突 ！と ！！ ！！
࠻ࡦࡀ࡞ߩࠃ߁ߥᑪ‛ࠍᜰߐߒ߹ߔޕ ˔ ̨̨̪̣̏́̀̚ ʦ̥̌ ̡̱̼̯̌̏̌̽̚ ̦̌ ̛̦̖͕̔̌̚ ̡̨̯̖̌ ̡̡̌ ̯̱̦̦̖̣̽͘
࠾ࠪࡦߩᄢ⟲ߪᄢ߈ߥ㝼ߺߚߦߥߞߡޔⓨߦ㘧߮ߒߡ߈߹ߒߚޕ Ʉɪɭɩɧɚɹ ɫɬɚɹ ɫɟɥɶɞɟɣ ɫɬɚɥɚ ɤɚɤ ɜɚɠɧɚɹ ɩɟɪɫɨɧɚ ɢ ɜɵɫɤɨɱɢɥɚ ɜ ɧɟɛɟ
illustrations of the picture book Imaginary Atsuta Imaginary Atsuta -workshop + picture book project-
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坺築ĺŚç”&#x;ĺ?Œç›&#x; ĺŒ—ćľˇé “çľ„â€ƒHokkaido Architecture Student Association : HOKKAIDOGUMI (2014-2015) ĺŒ—ćľˇé “ă ŽĺťşçŻ‰ĺŚç”&#x;ă ŒĺŒ—ćľˇé “ĺ†…ĺ¤–ă Žĺ¤§ĺŚă ¨ă ŽĺŻžćŻ”ă Ťă‚ˆă‚Šč‡ŞčşŤ 㠎獋㠥ä˝?罎㠎確čŞ?ă —ă€ ĺ¤šć§˜ă ŞčŚ–ĺş§ă ¸ă Žć°—ă Ľă ?㠨発茋を垗る ă &#x;゠㠍洝動㠗㠌㠄る団体。丝㠪洝動㠯〠国内外㠧洝čş?㠙る ĺťşçŻ‰ĺŽśă ŽăƒŹă‚Żăƒ ăƒŁăƒźă‚„ă€ ĺ?’ćĽč¨č¨ˆĺ?ˆĺ?ŒčŹ›čŠ•äźšă Žäź ç”ťé ‹ĺ–śă Ş ă Šă §ă ‚ă‚‹ă€‚ç§ ă Żăƒ•ăƒŠă‚¤ăƒ¤ăƒź Äş ĺˆśä˝œă Şă Šă‚’ć‹…ĺ˝“ă —ă &#x;。 "Hokkaidogumi" is the student association that architectural VWXGHQWV DFW WR FRQÂżUP WKHLU RZQ VWDQGLQJ SRVLWLRQ LQ FRPSDULVRQ with universities inside and outside of Hokkaido and to acquire awareness and discovery of various perspectives. The main activities are planning for the lectures by architect and the diploma GHVLJQ UHYLHZ , ZDV LQ FKDUJH RI WKH Ă€\HU ULJKW GHVLJQ DQG VR RQ
500m Museum " çžŽčĄ“ă ¨ĺťşçŻ‰ă€ ă “ă‚Œă ‹ă‚‰ă ŽćœĺšŒ / Art and Architecture, Future Sapporo" (2014) 500m 瞎襓館㠯ćœĺšŒĺ¸‚ĺ–śĺœ°ä¸‹é‰„ă Žĺœ°ä¸‹ă‚łăƒłă‚łăƒźă‚šă Ťč¨ç˝Žă •ă‚Œ ă Śă „ă‚‹ă‚˘ăƒźăƒˆă‚ŽăƒŁăƒŠăƒŞăƒźă §ă ‚ă‚Šă€ ç§ ă &#x;ă Ąă ŻĺŒ—ćľˇé “çľ„ă ¨ă —ă Ś ĺ?‚ĺŠ ă —ă &#x;。開拓㠋らç?žĺœ¨ă žă §ă‚’㠤㠎ćœ&#x;ă Ťĺˆ†ă ‘ă€ ĺ?„ćœ&#x;を䝣 襨㠙る坺築㠨当時㠎ćœĺšŒä¸ĺżƒéƒ¨ă Žĺœ°ĺ›łă‚’幕示㠗ă &#x;ă€‚ç§ ă Żĺą• ç¤şć–šćł•ă‚„ăƒŹă‚¤ă‚˘ă‚Śăƒˆă‚’č€ƒćĄˆă —ă€ ĺ…¨ä˝“ă ŽćŒ‡ć?Žă‚’ĺ&#x;ˇă Łă &#x;。 "The 500m Museum" is an art gallery located in the underground concourse of the Sapporo municipal subway, and we participated as a Hokkaidogumi. We divided the period from the settlement to WKH SUHVHQW LQWR ÂżYH SKDVHV H[KLELWLQJ WKH DUFKLWHFWXUH UHSUHVHQWLQJ each period and the map of the center of Sapporo at that time. I devised how to exhibit and layout and took command of the whole.
workshop SOY 2014 " é‡?力㠎鎖 / a chain of gravity" SOY ă Żă ˛ă ¨ă ¤ă Žăƒ†ăƒźăƒžă Ťĺ&#x;şă Ľă ?ç?žĺŻ¸ă Žä˝œĺ“ ă‚’ĺˆśä˝œă ™ă‚‹ĺťşçŻ‰ ĺŚç”&#x;ăƒŻăƒźă‚Żă‚ˇăƒ§ăƒƒăƒ—ă §ă ‚ă‚‹ă€‚2014 ĺš´ă Żă€Œé‡?力ă€?ă Œăƒ†ăƒźăƒžă §ă€ ç§ ă &#x;ă Ąă Żćœ‰ĺż— 4 äşşă §ĺˆśä˝œă‚’čĄŒă Łă &#x;ă€‚çŠşć°—ă ¨ăƒ˜ăƒŞă‚Śăƒ ă‚’ćˇˇĺ…Ľ ă —ă &#x;é˘¨čˆšă ¨ă‚šăƒ†ăƒłăƒŹă‚šé?Ąć?żă Žă żă‚’使㠄〠é‡?ĺŠ›ă Ťă‚ˆă‚‹č?˝ä¸‹ă ¨ ă „ă † " ç?žčąĄ " ă‚’ă „ă ‹ă Ťă‚ˇăƒłăƒ—ăƒŤă Ťäź?ă ˆă‚‰ă‚Œă‚‹ă ‹ă‚’čŠŚă żă &#x;。
SOY is just an architectural student workshop that produces natural size works based on one theme. In 2014 the theme was "gravity", I produced the work with three interested students. We tried just how to express the phenomenon of falling by gravity using only a balloon mixed with air and helium, and stainless steel specular plate.
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Other Works
Paper Space Project 2014 「北海道大学サスティナビリティウィーク」の一環として実 施されたプロジェクト。大学からの大量の廃紙を問題意識 として、建築学科の学生有志約 20 人でキャンパス内にパブ リックアートを制作した。シュレッダーにかけられた紙の 根っこが木を侵食し、自然を埋め尽くす様をイメージした。 The project implemented as part of "Hokkaido University Sustainability Week". With a problem consciousness of a large amount of waste paper by the university, about 20 interested students of the Department of Architecture created public arts on campus. We imagined that scraps of paper by a shredder erode the trees like cover on nature.
実測調査 Measurement Survey (2015-) 研究室活動のひとつとして実測調査があり、これまでに大 学内の文化財建造物や北海道内の社寺建築の実測を行った。 図面が現存していない建築を実測し図面を作成することで、 その価値を評価できる状態にすることが大きな目的である。 私は主に小屋裏を担当し、構造や構法を記録している。 We have conducted measurement surveys as one of the laboratory activities and have measured the cultural property buildings in the university and the shrines in Hokkaido so far. These surveys are intended to make it possible to evaluate their value by measuring a historic building whose drawing does not exist and making a drawing. I am primarily responsible for the attic space, and I records structure and construction method.
博物館ウッドデッキプロジェクト Wood Deck Project 2016 北海道大学総合博物館のバリアフリー化の一環として、車 椅子専用昇降機とともにウッドデッキを設置するプロジェ クト。さまざまな居場所とともに博物館の「第２の玄関」 を計画した私たちの提案は、最終審査で敗れて惜しくも実 現されなかったが、その後の施工にも関わり無事竣工した。 The project to set up a wood deck and an elevator dedicated a wheelchair as part of barrier-freeing of the Hokkaido University Museum. Our proposal that planned the "second entrance" of the museum and the various places for visitors was not successfully LPSOHPHQWHG E\ ORVLQJ LQ WKH ILQDO H[DPLQDWLRQ %XW ZH ZHUH completed successfully in the construction.
our proposal
Other Works
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ABOUT ME
Yuya GOTO 後藤 裕也
a0919gotou@gmail.com
PHONE
+81(0)80-2416-7971
DAY OF BIRTH
June/28/1993
BIRTH PLACE
Hyogo, Japan
EDUCATION
Apr.2016-
I have practiced architecture and urbanism between the historical contexts and the emerging conditions through a site-specific approach. In addition to the historical perspective, in today’s mature society filled with diversity and an increasing elderly population, I strongly believe that it is necessary to have the knowledge to coexist with the flow of the future dynamic world. My professional goal is to construct a theory of architecture from welfare state in a mature society. To realize this, I will carry out activities across countries as an architect in the sustainable development of the built environment.
AWARDS
Hokkaido University, Graduate School of Engineering, Division of Architectural and Structural Design, Master Degree (Laboratory of Architectural History & Design) Apr.2014-Mar.2016 Hokkaido University, Faculty of Engineering, Department of Socio-Environmental Engineering, Course of Architecture Apr.2009-Mar.2014 Akashi National Collage of Technology, Department of Architecture LANGUAGES
Japanese…native English…intermediate
INTERNSHIPS
PRESENTATION
SKILLS
"Approaches to Preservation Districts for Groups of Historic Buildings by Hakodate City Government" (Hokkaido University Diploma Thesis, 2015) July.2016
21th Inter-University Seminar on Asian Megacities "Atsuta Project in 2015"
Sep.2016
11th International Symposium on Architectural Interchanges in Asia "Approaches to Preservation Districts for Groups of Historic Buildings by Hakodate City Government" INTEREST
QUALIFICATION
Nov.2016
Best 50 (elected secondary examination) 5th Design Competition Reorganizing Historical Space for Student
Sep.2015
Won the encouragement prize 40th Northern Housing Design Competition, Hokkaido Branch, The Japan Institute of Architects
Apr.2014
Selected for excellent 3 works 68th Diploma Competition, Kinki Branch, Architectural Institute of Japan
Mar.2014
Won the encouragement prize (KIDS DESIGN Associaiton President prize) 8th KIDS DESIGN AWARD, KIDS DESIGN Association
Nov.2013
Won the first prize (creative design section) 10th National Design Competition for Collage of Technology
Nov.2011
Won excellent award (creative product section) 8th National Design Competition for Collage of Technology
Sep.-Nov.2012 Team Zoo Atelier IRUKA Sep.-Oct.2014 Atelier BNK (model assistant)
THESIS
I belong to the Architectural History and Design Laboratory of Hokkaido University, conducting my research activities based on investigating and analyzing the historical background of an area, mainly in the cold regions.
Second-Class Registered Architect (in Japan)
Adobe Illustrator
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Adobe Photoshop
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Adobe InDesign
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Microsoft Office
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Vector Works
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Google SketchUp
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Hand Drawing
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Model making
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swimming listening music photography
MEMBERSHIP
41
Curriculum Vitae
Architectural Institute of Japan
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Maison HERMES / Renzo Piano
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Takarazuka Catholic Church / Togo MURANO
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Church of the Light / Tadao ANDO
Photography
42