01 COMBINE Individual design Tutor: Junjie Guo Time : Summer 2020 (8 weeks) Project type: Art Museum Design Site: Chen Clan Academy, Guangzhou City, Guangdong Province, China
City Scene in Guangzhou
modern buildings
How to combine old and new ？
ancient buildings
Thinking: How to combine the old with the new is a topic of daily discussion in design and art. Under different perspectives and different starting points, the combination of old and new will produce different design ideas and results. When I was investigating ancient buildings, I was deeply attracted by the decoration on the beams of ancient buildings, which recorded the daily life and beliefs of ancient people. Compared with the way we record our lives today, not only can we use electronic devices to record every moment of our lives, it can also be a dynamic segment. Therefore, I began to reflect on how to translate the characteristics of traditional elements and modern recording methods into space design. 1
INSPIRATION
VISTUAL ART
THE ANCIENT WAY OF RECORDING People are accustomed to transforming daily life and beliefs into paintings and sculptures, which are recorded on building walls and structures.
MODERN WAY OF RECORDING People are accustomed to using electronic equipment to record the moments of movement, and most of the recorded information is based on the pixel grid on the screen，
CONCEPT Inspired by the difference between the ancient and modern recorded lifestyles, I used the elements of the ancient records on the architecture as design materials, and the characteristics of the modern recorded events are mapped to these pattern elements. Finally I translated them into a folk art Museum space. Before officially launching the design, I created the visual art on the right to express my vision of the design concept.
PAT T E R N S I N ANCIENT TIMES
sculpture on roof beam
CHARACTERISTICS OF MODERN RECORDED EVENTS
based on pixel grid
movement
BUILDING FUNCTION
Folk Art Museum 2
WORK FLOW
STEP 4. HOW THE PATTERN GENERATES SPACE
STEP 1. PATTERN SELECTION
First of all, I use pixel motion (a commonly used video editing special effect) method to present the movement in the contemporary way of recording events in the design.
I collected design materials through field inspections. Among the patterns with complete borders, patterns with spatial potential are screened out according to their contours.
Then, the pattern of each frame obtained after pixel movement is converted into pixel squares and then superimposed to obtain a threedimensional space prototype.
STEP 2. PATTERN COMBINATION 1.PATTERN PROTOTYPE
2.SUBTRACTION
3.REORGANIZATION
4.MULTIPLE PATTERNS
STEP 3. PATTERN CHANGE MODE 1.A → A-
5. A- → B-
2.A - → A-‘
6.A- & B- → C- & D-
3.A → a
7.MULTIPLE PATTERNS-1
4.A → B
8.MULTIPLE PATTERNS-2（）
STEP 5. SELECTION OF PIXEL BLOCK SIZE 1. PIXEL BLOCK SIZE ANALOGY
2.SPATIAL PERCEPTION AND BREADTH OF PERSPECTIVE
300*300*300mm 3
final choice
500*500*500mm
1000*1000*1000mm
1500*1500*1500mm
STEP 6. THREE-DIMENSIONAL SPACE EXPERIMENT In order to explore the characteristics of the space obtained from STEP 4, I used the pattern obtained in STEP 2 as experimental materials, and found the potential possibilities of the space by analyzing the rationality of the three-dimensional space. I have selected 5 representative models from many model tests, and drawn the necessary experimental conclusions from them.
According to the experimental conclusions, I selected the E model in the experiment as the basic prototype for readjustment.
PATTERN GENERATION
A
B
C
D
E
3D MODEL
FACADE
I evaluate the structural stability of different spatial models by observing their facade outlines.
CONCLUSION 1 :By comparing their facade outlines, I can know from this that the movement of the pattern position will affect the three-dimensional form. Compared with the three modes of A, B and C, the D and E modes with outer frame control are easier to achieve the stability of the building. SECTION
S T E P 6 . A D J U S T T H E PAT T E R N COMBINATION STRATEGY
1.PATTERN PLACEMENT: I regard patterns of different colors as blocks with different functions. Then by opening the distance between the patterns, the skylight i s i n t ro d u c e d i n t o t h e building.
2.PATTERN COMBINATION: According to the function of the building, I cut the volume to create a semioutdoor gray space as a public activity space in response to the subtropical climate.
I observe the richness and rationality of space through two vertical sections.
X-AXIS SECTION
3.PATTERN CHANGE MODE：
CONCLUSION 2: The richness of the space produced by multiple patterns (C ,D , E ) is stronger than that produced by a single pattern (A, B) Y-AXIS SECTION
By changing the cutting position of the pattern and slightly changing the position of the pattern, I draw different patterns as the raw material for pixel motion.
CONCLUSION 3: I found that because the stacking direction of the volume is parallel to this section direction, it can be considered as a section when placing the pattern position. PLAN
Finally, I once again confirmed the above conclusion on the spatial richness judgment from the plane. 4.FINAL FORM: F i n a l l y, I a p p l i e d t h e mechanism described in STEP 4 (pattern pixelation, pixel motion, layer stacking) to get the basic shape of the building.
FINAL CONCLUSION:Through the above three-dimensional model experiment and comparative analysis, I can know that the space generated by the mechanism of STEP 4 can indeed greatly increase the richness of space. I choose the best model in the experiment, and adjust the model again according to the space function according to the principle of pattern placement (CONCLUSION 3:it can be considered as a section when placing the pattern position). 4
SECTION
3
12
10
11
9
9
7
7
5
4 8 3
2
4
1
PLAN
1.warehouse 2.sunken square
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3.office 4.temporary exhibition hall
5. comprehensive art exhibition hall 6. transit warehouse
7. outdoor resting platform 8. courtyard
9. small craft exhibition hall 10.temporary storage of exhibits
11. sculpture exhibition hall 12.painting exhibition hall
Ve r t i c a l transport
TRAFFIC STREAMLINE
RENDINGS
Bridge: I directly added bridge connections to the building blocks to enhance the horizontal connection between the blocks
Structure: I use a frame structure and add a tenon and tenon structure to enhance structural stability
Structure: I use the structure of the ceiling to enhance the structural stability of the cantilever here.
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02 REINCARNATE Individual project Time : Winter 2020 Project type: Landscape architecture Location: Pearl River, Guangzhou City, Guangdong Province, China
INSPIRATION
How to explore the development of architecture?
TAN
KA
In the past, there lived a group of people called Tanka on the water of the Pearl River. They were restricted from the right to move on the shore and could only make a living by fishing on the water. They had no chance to go to school to learn knowledge like the people on the land, and they were always oppressed by the people on the land. 7
Thinking: Though now the scene of tens of thousands of Tanka people living on the waters of the Pearl River no longer exists. However, if the Tanka culture could be spread and grown in history, the development of landscape architecture on the Pearl River may change drastically from what we see now. Therefore, I conceived a background that is contrary to the past history: if the Tanka culture could be spread, how will the water landscape architecture of the Pearl River change from then on? How will architecture go through the process of reincarnate in this story ?
MIND MAP After sorting out the information about the development of the Pearl River along the timeline, I fabricated a story about the development of water landscape architecture along different periods.
STORY DEVELOPMENT
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1.LIFE SCENE ON THE PEARL RIVER （1930）
2.FLOURISHING AGE: BUILD A FLOATING SCHOOL （1950）
HISTORY: In the past, there were many people living on boats on the Pearl River. They were called Tanka people or Boat Dwellers. Apart from fishing for a living, they also had many other activities on the boat.
IMAGINARY：In order to spread the marine culture of the Tankas, people built a school for children living on the water. The children here can not only learn the same general classroom knowledge as children living on land, but also learn marine knowledge and practice here.
DECONSTRUCTION OF THE SHIP
STRATEGY
1.composition
2.divide
Possibility in space construction 1. Enclosure
2. Extension
1. Based on Tanka people lived in a boat, the ship components are deconstructed and integrated into space.
2. Refer to the way that the ship relies on ramp when docking, and cantilevered members are added so that the space can be connected to other spaces when docked on the water.
FUNCTION In addition to learning basic skills such as fishing and swimming, children studying in floating school also need to learn to exchange goods and cultural propaganda with people living on land, and ultimately achieve the purpose of inheriting and spreading marine culture.
Carry goods
Restanrant
Fishing
Carry goods
Fishing Sell rice Carry passengers
Fishing
Ducking 9
Tanka children was so happy and proud to say that they can also go to school~
3. Based on the need to adapt to unstable weather, adding a shrinkable canvas can not only enhance the adaptability to the weather, but also play a role in cultural propaganda.
BIRDVIEW OF THE FLOATING SCHOOL
ENCLOSURE: Unlike traditional land-based schools, floating schools need flexible enclosure methods to cope with various environmental changes. For example, in the children's pick-up platform, use canvas to enclose the top surface. The stretchable canvas can not only flexibly enclose a semiopen space, but also correspond to different weather environments.
PICK-UP PLATFORM
BOUNDARY：With the strength of Tanka culture, demand for commodity transactions between land and water has increased. In order to facilitate commodity trading, structures on land began to stretch out to the water, and the straight forbidden line between land and water began to be broken. There are many interactions between Tanka people and the people on the land on the border. For example, the floating market, the cultural promotion of Danjia, etc.
MARKET
HALL 10
3.COLLAPSE （2050）
4.REBUILD: MARINE RESEARCH AND EDUCATION BASE （2030）
PREDICTION: Due to the limited construction technology at that time, the floating school could not withstand the impact of sea level rise and collapsed.
IMAGINARY：In the later generations, a group of marine culture researchers felt it was a pity that they organized a group of people with lofty ideals to rebuild an water research and learning base. They study oceanography here, and at the same time, the public can also visit and learn marine culture here.
SEA-LEVEL RISE
RESEARCHERS
VISITORS
Researchers need to study on the water without interference
Visitors can see how researchers study oceanography
THE BOUNDARY BETWEEN LAND AND WATER 1.Blurring the boundary between water and land through space superposition. STAGE 1
OCEAN POLLUTION
STAGE 2
2.Make the water indoor. STAGE 4
STRATEGIES TO REINCARNATE IMAGINARY：In the later generations, a group of marine culture researchers felt it was a pity that they organized a group of people with lofty ideals to rebuild an water research and learning base. They study oceanography here, and at the same time, the public can also visit and learn marine culture here.
DECLINE OF MARINE SPECIES
11 11
BIRDVIEW OF MARINE RESEARCH AND EDUCATION BASE
STREAMLINE: Marine researchers do research in the laboratory unit, and tourists observe their research life on the skywalk. They interact with each other but the streamline do not interfere.
LABORATORY UNIT
ENCLOSURE : The outdoor river is enclosed by the swimming pool and leads vertically to the lecture hall. People can feel the impact of water on different activities in space.
SWIMMING POOL
BOUNDARY：The structures on the water and on the land have been integrated. The boundary between water and land has been blurred, so that people will inadvertently wander in the water and land space.
GRANDSTAND 12
03 TALK Individual design Time : Fall 2019 (6 weeks) Course:< Epidermis and Texture> Tutor: Xuan Xie, Yanrui Yu Project type: Art Museum Site: Yiyuan Road, Guangzhou City, Guangdong Province, China
THE ROLE OF SECTION FOR ARCHITECTS
How we design from section?
As architects, in the process of space derivation, we can intuitively observe the relationship between people, people and space, and space and space in different spaces in the section.
I think it needs to be adjusted here…
Thinking: In real buildings, there is actually no perspective from which we usually draw annotated views. Sections are the wisdom of architects to transform three-dimensional problems into more intuitive twodimensional problems. When we design space, we often examine the richness of space and its interrelationship by observing the profile of the building. I tried to think in the opposite direction: can the section plane be the starting point of our design? Project type selection: I chose to discuss how to design from the section in a course at a design art museum. The art gallery has a large degree of freedom in the design of the richness of the space, so we can freely display the design in the section. Workflow :Before preparing to design from the section, I first divided the building blocks according to the site conditions. Then, I set up a set of workflow as an attempt to design space from the section
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SITE STRATEGY
SPATIAL STRATEGY
1.According to the outline of the site, cut the building block and leave the entrance and exit of the building.
After dividing the building's functional blocks, I tried to design the space from the section. First of all, I divide the functional blocks of the building into two categories: spaces with strong publicity and spaces with strong privacy. Most public spaces need to induce interaction. Therefore, I screened out the more public space as the follow-up research object.
1. Screen out blocks with strong publicity
2 . T h e i n t e r i o r of t h e volume is hollowed out as an internal garden.
Exhibition
Rest
Shop
Exhibition
Restaurant
Restaurant
Studio
2.Conceiving prototype that can trigger interaction
3.Imagine the effect of natural light in different directions
A
B
C
J
K
L
D
E
F
M
N
O
G
H
I
P
Q
R
3.According to the ring shape, the function of the building block is divided vertically.
4.Subdivide the functional blocks in the horizontal direction of the building.
4.Generate combined results according to different spatial functional requirements for shop
for exhibition
for rest
for rest
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STREAMLINE ANALYSIS
PLAN -1F
SITE ROOF
Wow, look at that light !
5 2
1F
3F
1 BUILDING FUNCTION
2F
1. The hall 2. Cafe 3. Luggage storage 4. Atrium 5. Toliet 6. Exhibit unloading hall 7. Training classroom 8. VIP room 9. Restaurant 10. Volunteer Service Room 11. Meeting room 12. Interactive area 13. Lecture hall
14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26.
Office Shop Souvenir gift shop Commodity warehouse Exhibit Warehouse Exit Kitchen logistics area Exhibits area Lounge Creative room Artist studio Parking lot Equipment room
1 Guys,follow me~
1F
SECTION
-1F
1
15
RENDING 2F
Vision: I hope this art museum can become a container for communication between people, people and nature, and people and space.Here, people can communicate freely in space. The art museum will be redefined. It is not only a space container for exhibits, it is also a space for people's emotional communication. 3
4 Who would that person be?
2
3F
4
T h o s e c h i l d re n are really happy~!
We are coming! W o w, t h e r e a r e other activities here!
Hurry up! 3
5
2
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11:00a.m. _ _ Parents can look after their children while working.
08:00a.m. _ _ In the morning, the children start a new day of work and life together under the guidance of their parents.
04 BALANCE Individual design Time : Spring 2020 (6 weeks) Tutor: Qiping Chen Project type: Residential Design Site: Daling Village, Panyu District, G u a n g z h o u C i t y, G u a n g d o n g Province, China
05:00p.m. _ _ Parents spend leisure time with their children, and at the same time they can interact with their grandparents.
CHANGE IN WORKING MODE
How to balance work and life ？
Traditional feudal period Male farming and female weaving, producing at home
Thinking: In ancient times, most people formed a self-sufficient lifestyle based on agricultural production, and family members were partners in work. With the outbreak of the Industrial Revolution, people began to leave their homes to work in factories, using machines as new production tools. Now, offices in high-rise buildings are the main working environment for most people. With the development of network technology, using the Internet for office work at home will become a new trend in the future. Compared with ancient people, our work partners will still be our colleagues in the future, rather than family members. So I want to explore how should we rebalance work and life at home?
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1860 People went to work in factories
Now People working with colleagues in office building
Future People will work from home.
FAMILY MEMBER NEEDS ANALYSIS EVOLUTION OF FAMILY STRUCTURE IN MODERN CHINA
TRANSFORMATION FUTURE FAMILY STRUCTURE
Cantonese traditional houses
Transform 1.Linear distribution
bedroom
Grandparents mainly work: exercise; chat with neighbourhood; do their interest, play with children
Children's mainly work: study online ; discussion; practise their interest; play happily
Parents' mainly work: work with their workmates online; discussion;relax;play with children
2.Symmetrical distribution
study room
3.Diagonal distribution
living room
patio
GEOGRAPHIC ANALYSIS
A:temple
C: under the tree
B:coupled roof
D: stream
DESIGN EVOLUTION 1.Site boundary.
2.Put the main and sub function blocks, layered up and down.
3. Place function blocks diagonally.
4.Insert green plants between function blocks.
5.Determine entrance, increase greening, and connect entrance
6.Refining the roof, the final shape is generated.
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ANALYSIS The relationship between working space and living space.
1.The relationship between adult's working space and elder's working space.
2.The relationship between working space and living space.
3.The relationship between children's living space and elder's living space.
work life relax plant
SECTION
PLAN
19 19
1. hall 2. dining room 3. rest space 4. Grandparents' living room 5. Grandparents bedroom 6. Grandparents' hobby room 7. bathroom 8. kitchen 9. green plants 10.parents and children's living room 11.children's study room 12.parent's studio 13.children's bedroom 14.parents' bedroom
ANALYSIS
1.Separate the living space from the working space.
2.Add green plants between space.
3.Make people look at each other up and down in space
PARENTS: T h e y c a n w o r k independently without being separated from their families, and can also be with their families at any time
CHILDREN: They can concentrate on their studies, or interact with their family members after playing .
GRANDPARENTS: They do not need to live alone, and can be accompanied by family and neighbors.
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05 REBORN Individual design
Site: Future city Time : Fall 2020(4 weeks) Tutor: Qiping Chen Project type: Vertical graveyard
PHENOMENON
How we handle with death today?
The tombstones of the dead are constantly stacking up, and at the same time, the living people are generating more and more data in the world. After the death of a person, his body and data disappeared immediately. The traces of most people's existence in the world can only be pinned on the tombstone.
Thinking:Today, we are all based on data. Mobile phones and computers seem to have become our organs, and we generate data through them, and data is also a mark of our existence.After the death, only the tombstone remains as a memorial.Relatives and friends can only mourn the dead at the cold tombstone.The data generated before the dead life has nowhere to go.I think, can we compress the data of the past life to the place of sacrifice, so that when people mourn their dead relatives in front of the tombstone, they will no longer face the cold tombstone to remember the dead alone. 21
PROBLEMS & IMPACTS By enumerating the environmental problems of current tombs and the solutions under current technology, I screened out the most environmentally friendly solutions and combined them into a new tomb system. 1.Harmful to environmental sustainability.
A STORY ABOUT A SAD MAN 1.Hold a funeral.
IMPACT OF EXISTING FUNERARY PRACTICES
Today is the day when the dead are buried. All relatives and friends mourned the data of the dead.
EARTHEN BURIAL 2. Tombs occupy a lot of land resources.
ALKALINE HYDROLYSIS
PROMESSION
EXISTING METHOD AND AREA
SEA BURIAL 3. Data storage time is limited.
CREMATION
EARTHEN BURIAL
The dead are turned into ashes through ice burial in chemical equipment. The living can mourn him.
COLUMBARIUM
DIAMOND
DATA STORAGE METHOD AND AGE
BOOK
DATABASE
2.Burial.
3.Watch the diamond making process. Along the ramp, one can watch the data of the deceased being compressed, and the ashes of the deceased are being transformed into diamonds step by step.
GLASS
DIAMOND
4.Receive diamonds. The surviving people are happy to receive diamonds that can last forever the data of the deceased.
NEW TOMB SYSTEM
5.Place the diamond on the skin. New burial system system: Based on the environmental problems found in the above survey, I compared their environmental impact data and first selected ice burials with the best environmental sustainability to convert corpses into ashes. Then select the diamond that can transfer the data to the ashes as the final carrier.
People place diamonds on the surface of the building, and a specific display device c a n s h o w t h e d a t a of t h e deceased through holographic projection.
Reference:1. GSAPP death lab: http://deathlab.org/ 2. Recent studies lead by Siddharth Dhomkar, a physicist at the City College of New York
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SPACE GENERATION
FUNCTION
EQUIPMENT Nitrogen collection tube
Funeral area
1.Liquid nitrogen collector It is converted into liquid nitrogen by absorbing nitrogen in the air and pressurized, which is used as raw material for ice burial.
Ice burial area
Ash purifier
2.Diamond Loader It can carry these diamonds transformed from ashes, and display the data carried inside through holographic projection.
Diamond production and data compression
Receive diamonds Public memorial square
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3.ASH PURIFIER Purify the ashes obtained after ice burial to obtain pure carbon element compounds for subsequent conversion into diamonds
STREAMLINE ANALYSIS
RENDINGS
Connect with the city
Expressway
Sacrificial path
Transport corpses
People look at the shining diamonds on the surface of the building: Friends who have passed away, how are you doing in heaven?
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06 BUBBLE BOOKSHOP Collaborative project
How the function of space affects form ?
Time : Spring 2019 (4 weeks) Project type: Bookshop Design Location: The original site of Fangsuo Bookstore, Tianhe District, Guangzhou, Guangdong , China CONTRIBUTION: Concept, 3D Model, Plan design and drawing, Diagram design and drawing RESPONSIBILITY: TEAMLEADER WORKMATE: Wu XinTong, Ge Qing
Thinking: I try to use the function of space as the starting point of design, and try to explore how architectural space affects its form. I believe that the function of space is based on the needs of people. We can consider the needs of people from different perspectives, and analyze the functional needs of buildings in different spatial states, and finally generate different forms of space based on this. Therefore, in this bookstore design project, I first divide the functional blocks on the architectural plan.Then, in order to weaken the existence of the pillars in the space, I chose the spherical shape as the basic form of the space. I create spheres of different sizes according to people's public needs for different functional spaces. I imagine different spatial states based on human activities, and then adjust the height and position of the ball in the section.I use the metaball algorithm to fuse all the spheres. Finally, we can get a spatial form derived from the function.
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PLAN
ANALYSIS 1. Divide functional blocks according to needs, and the negative space is the book gallery.
2. According to the function, generate balls of different sizes and adjust the density.
3. By adjusting the height of the ball and cutting part of the ball according to the function, the final shape is produced.
SECTION
SPATIAL FORM AND FUNCTION 1.EXHIBITION AREA
1.Having a show
2.Displaying the booklist
3.Exhibition
4.LECTURE AREA
1.Reading
2.Listening to lecture
3.Talking with others
2.CLOTHING STORE
1.Dressing
2.Shopping
3.Taking a rest
5.READING AREA
1.Reading alone
2.Talking
3.Discussing
3.COFFEE SHOP
1.Thinking
2.Talking with friends
3.Drinking the coffee
6.CHILDREN'S AREA
1.Reading
2.Playing with others
3.Reading with parents
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OTHER WORKS AWARD:<TIANHUA CUP BAMBOO STRUCTURE CONSTRUCTION COMPETITION>--2nd Prize Collaborative project Time: Autumn 2017 (1 week for construction) Project type: Pavilion construction and design Responsibility: Team member Contribution: Concept, 3d model, Construction Brief: We were asked to use bamboo to build a pavilion at a scale of 1:1 within a 3m*3m*3m site. In the process of construction, we encountered many difficulties. For example, we need to bend the bamboo to a predetermined shape according to the style of the three-dimensional model we designed. In the actual construction process, the pouring of the foundation and the erection of the main structure are also a difficult process.Finally, we woven the skin with bamboo strips, and the pavilion was finally completed.
COURSE: <CONCEPT AND SPACE
COURSE：<PLACE AND SPACE> Collaborative project Time: Summer 2018 (6 weeks) Project type: Kindergarten design Responsibility: Teamleader 27
Contribution: Concept, Pre-phase analysis, 3d model, model making ,reporting works Brief: The organ-shaped origami roof is the highlight of the project.
Collaborative project Time: Winter 2019 (6 weeks) Project type: Space installation Responsibility: Team leader Contribution:Concept, Pre-phase analysis, 3d model, model making ,reporting works Brief: After reading the novel "Worry-Relief Grocery Store", we concluded the four-dimensional spatial relationship in the novel: a reversed time zone.Based on a twist strip space, we translate the plot of the novel into the space.Finally, the model is divided into segments, and the solid model is obtained by three dimensional printing.
XIE ENCI
HONORS:<ARCHITECTURE MODEL WORKSHOP> ----held by Chinesisch-Deutscher Architektur Austuasch & School of Architecture in South China University of Technology
1152165132@qq.com +86 18620866679 No. 168 Waihuan Road, Education Mega City, Panyu District, Guangzhou, 510006
Collaborative project Time: Spring 2020 (1 week) Project type: Node model construction Responsibility: Team leader Contribution: Concept, 3d model, model making Brief: In the workshop, we were asked to read the map of the nodes of the Loughsburg Museum, and then select the nodes that we thought best represented the construction method of this building and make the model. In order to show the construction method of the building more clearly, we decided to adopt a model display method of the building under construction. We used multiple materials to complete the final model.
E>
EDUCATION · Guangzhou Academy of Fine Arts Bachelor of Engineering（5 year )
TIME 09/2016-07/2021
· Major: Architecture · GPA: 89/100
AWARDS / HONORS · Tianhua Cup Bamboo Structure Construction Competition - Second Class Award
10/2017
· T i a n h u a C u p T i m b e r St r u c t u r e Construction Competition -Excellence Award
12/2016
· Second class scholarship · Third class scholarship · Second class scholarship
2016---2017 2017---2018 2018---2019
EXPERIENCE · Architecture Model Workshop
(held by Chinesisch-Deutscher Architektur Austuasch
12/2019-01/2020
& School of Architecture in South China University of Technology)
ted
COURSE: <NODES AND DETAILS>
d e-
Collaborative project Time: Spring 2020 (6 weeks) Project type: Hotel design Responsibility: Team leader
· Architural Intern
09/2021-
MAD Architects
Contribution:Concept, Pre-phase analysis, 3d model, model making ,reporting works Brief: We use metal as the main material to create a new industrial style hotel interior design.
· Intern
07/2018-08/2017
Atelier cnS
· Intern
07/2017-08/2017
Guangzhou Lianzhu Creative Design Co., Ltd. 28