Bibliography

68

[1] John Clarke. Style [J]. in Resistance through rituals :youth subcultures in post-war ， 1976 :179

[2] Paul Willis. Profane Culture[M]. London & Boston :Routledge & Kegan Paul ， 1978 :77.

[3] Stuart Hall. Signification ， representation ， ideology :Althusser and the post-structuralist debates[J]. Critical Studies in Media Communication ， 1985(02):112.

[4] Hebdige Dick. Subculture :The Meaning of Style[M] ， London :Routledge ， 1979 :125-126

[5] Stephen Readhead. Subcultures to Clubcultures[M]. New Jersey:Blackwell ， 1997:95.

[6] Dick Hebdige. (1979) Subcultures: the meaning of style.London:Routledge. [7] Kevin Tallon. (2009) Fashion tribes : China. London : Batsford

[8] Kathleen Armour.(2002) Media and health. London Thousand Oaks, Calif. : SAGE.

[9] Juliane Furst .(2010)Stalin's Last Generation: Souiet Post-War Youth and the Emergence of Mature Socialism,Oxford:Oxford University Press .

[10] Sidney David Gamble. (2010-1) Peking,A social survey. China bookstore

[11] Liu Chunling , Analysis of the Subculture Form behind the Street Graffiti Art[J] , Consumer Guide 2016 (4):266-267.

[12] Goodlad, Lauren M. E. (2007) Goth : undead subculture.London : Duke University Press .

[13] Juliane Furst .(2010)Stalin's Last Generation: Souiet Post-War Youth and the Emergence of Mature Socialism,Oxford:Oxford University Press . [14] Roger Gastman. (2007) Street world : urban culture from five continents.London : Thames & Hudson.

[15] Liu Chunling , Analysis of the Subculture Form behind the Street Graffiti Art[J] , Consumer Guide ， 2016 ，（ 4 ）： 266-267.

[16] Lu Bowem ， The application of graffiti art elements in commercial products [D], Harbin: Harbin Normal University School of Communication

[17]Meng Jin ， Graffiti Urban Wallpaper （ China ： Youth Publishing House ）， 20

[18] Zhang Panpan ， Study on the Aesthetic Value of Graffiti Art in Urban Public Space [D] , Hefei: Hefei University of Technology

[19] Wang Shaoqiang Freestyle Illustrating Urban Fashion ChinaThird Degree Culture Publishing House 2017

[20] Zhan Ya , Application and Management of Graffiti Art in Urban Commercial Living Streets [J] ,Journal of Puer University , 2018 , (32) : 107- 108.

[21] Dick Hebdige. (1979) Subcultures: the meaning of style. London:Routledge.

[22] Banksy. (2006) Banksy: Wall and Piece. Century.

[23] Banksy. (2002) Banksy Existencilism Book. Weapons of Mass Distraction.

[24] Daunton, Martin. London's 'Great Stink' and Victorian Urban Planning. BBC News. 4 November 2004 [26 January 2009].

[25] British History Timeline —Roman Britain. BBC. [2008-06-07].

[26] Lewisohn, Cedar. (2011) Abstract graffiti. London : Merrell.

[27] Kevin Tallon. (2009) Fashion tribes : China. London : Batsford

[28] Shilpa Dave. (2005) East Main Street : Asian American popular culture.New York University Press.

[29] Lachlan MacDowall. (2019) Instafame : Graffiti and street art in the Instagram era. Bristol, UK [30] Sidney David Gamble. (2010-1) Peking,A social survey. China bookstore

[31] Scott Hocking. (2012) Bad graffiti. London : Black Dog

[32] MacNaughton, Alex. (2006) London street art. Munich : Prestel.

[33] Manco, Tristan.(2007) Street sketchbook. London : Thames & Hudson.

[35] Frank Lmmer and R.K.D.U. (2008) We come at night : a corporate street art attack.Berlin : Gestalten.

[36] MacNaughton, Alex. (2009) London street art anthology. Munich ; London : Prestel.