Architecture intrigues me because of the two sides of the space it exhibits, one is the image that exists in the drawing, and the other is the image that is a combination of space and human activity in reality.
合流 [Confluence] XIRUI YANG'S PORTFOLIO SELECTED WORKS. 2015-2019 FOR THE APPLICATION TO DESIGN FOR PERFORMANCE & INTERACTION MARCH, UCL APPLICANT NUMBER 20107746
Photographed at North Korea subway station ( by myself)
WOREKS VOLUME 2015-2019
I
合流 [Confluence] There is an old saying in China that ‘故海以合流为大，君子以博识为弘’ （the sea is based on confluence, and gentlemen are based on knowledge). The effective integration of different things always has great results. Architecture is not only an artistic writer of the building environment, but also a river where different things can confluent. Architecture is an induction of the external world, and space comes from the intersection of non-spatial elements. The expression of space is constantly updated, and new media and dance elements are constantly being added to the expression of space. Modern architectural spaces are becoming more diverse. Apart from a student of architecture, I am a girl who loves fashion and ballet, so I am very interested in the relationship between space and people, events and space, and I also hope to use the knowledge of architecture to write the interactive relationship of space in the new era. I hope I can continue to use this ‘river’ to perceive the connection between different things and continue to explore the possibilities of space.
360 DEGREE ROTATING SPACE Rotating Housing Project in Hongkong /Rotating Lion Dance Stage
II BEYOND THE REALITY New media + New culture+ New politics...
III TWO AXES Commerce + Campus High-rise Building Design Project
IV THE SIEGE & THE DREAM Installation Art Project
V THE INVERTED CITY City Map Design Project
VI OTHER WORKS Other architectural design project Space exploration in fashion
I [360 DEGREE ROTATING SPACE]
Design Research Unit/ University of Dundee Individual work Tutor: Cameron Wilson, Jane Burridge Time: 09/19-12/19
Rotating space appeals that space elements can be fragmented and diversified through disassembly, similar to the montage of space. 01 Rotating house in Hongkong This project solves the problem of housing tension of the bottom class people in Hong Kong by rotating the space. How the furniture is used in rotating conditions and how the building environment is composed of different rotating spaces are carefully considered. ROTATING SPACE
OVERPOPULATION
02 Rotating lion dance stage This project continues to provide a new performance mode for the traditional Chinese performance ‘Lion Dance’ by rotating the space and improving the interactivity of the stage space and the visual interaction of the audience. ROTATING STAGE
LION DANCING
01 ROTATING HOUSE IN HONGKONG ROTATING HOUSE IN HONGKONG/Resolving housing tensions in Hong Kong Hong Kong’s continuous population growth and the control of funds by people above the middle class have led to the majority of people in the lower classes living in high-rent, low-quality houses, including cage rooms and subdivided units.
Housing needs of lower-class people
Cage room
Cage room
[0°]
Source of inspiration: Escher’s spatial dislocation/ montage of spatial elements.
Subdivided unit
[45°]
[60°]
[90°]
[135°]
[180°]
ROTATING HOUSE IN HONGKONG/Form
& system development Under the bridge
[0°] Storage table
[90°] Seat with backrest
[180°] Bed
[270°] Sheltered space In the gaps of buildings
[0°] Storage table
[0°] Sleep space/ Reading room
[90°] Seat with backrest
[90°] Cafe space
[180°] Bed
[270°] Sheltered space
[180°] Studio space
Image of City Facade
ROTATING HOUSE IN HONGKONG/Transformation mode
[0°] [90°] Bedroom + Rest + Storage Studio + Rest + Storage
[180°] Tea room + Storage
[270°] Dining room + Storage
[270°]
[270°] + [0°] Party space 1
[0°]
[180°] + [90°] Party space 2
Floorplan 1: [180°] + [0°] + [90°]; [270°] Corridor space
[90°] + [180°] Transformable part
Non-transformable part ① ② ③
⑩
④ ⑧
⑤
⑦
Floorplan 2: [0°] + [270°] + [90°] + [270°] ⑥
⑨
12
11
Floorplan 3: [180°] + [90°] ; [0°] + [270°]
Unit Construction Diagram
① Corrugated ms sheet ② Rock wool insulation ③ Box section frame with truss ④ Steel frame ⑤ Ceiling with waterproof MDF board ⑥ Toughened glass ⑦ Rotary supporting steel frame ⑧ Concrete floor / wall ⑨ Shaft ⑩ Kitchen 11 Toilet 12 Wooden table and chair as structure
New living space for lower class people/Rotating houses in the gaps of the city
02 ROTATING LION DANCE STAGE ROTATING LION DANCE STAGE/ Action selection and analysis Lion dance is an excellent folk art in China. Every time the festival or rally is celebrated, folks use lion dance to help. Under the gong and drum music, the two performers danced head and tail respectively. In China, there are differences between the north and the south. Lion dance in the south takes Guangdong as the main development place and combines martial art elements in dance. This project uses the movements of the classic performance "Caiqing" in the form of a southern lion to design a combination of traditional lion dance and a new rotatable stage.
[青] Qing
Auspicious symbol. The lion picks up the 'Qing', meaning good luck for the new year.
[南狮]
A performing lion that originated in Guangdong, southern China.
PERFORMANCE PROCESS OF ‘ CAIQING’ & DANCE MOVES IN EVERY PROCESS [出洞] After the lion woke up, he went out to play from the hole. [跃]/[卧]
[探青] T h e p ro c e s s o f l i o n looking for food.
[跃]/[卧]
[惊青]
[弄青]
[食青]
[醉青]
[吐青]
The lion found food, but was afraid that eating was dangerous, and he dared not rush forward. [跳]/[腾]
Lions remove obstacles to their surroundings and tease food before eating. [滚]/[扑]
The process of eating a 'Qing'.
The state of joy of a lion after it is full.
The lion spit out 'Qing and also conveyed luck to its owner.
[卧]/[扑]
[卧]/[跳]
[卧]/[扑]
ROTATING LION DANCE STAGE/ Symbolize the classic lion dance action Analysis of dance support points
or
Classic lion dance moves
In the lion dance performance, most forms are developed from the following movements, including ' Caiqing'.
[卧]
[闪]
[跳]
[滚]
[扑]
[翻]
[腾]
[跃]
or
or
ROTATING LION DANCE STAGE/Visual interaction with audience & Dance fragment Two rotating stages interaction
Dance steps design in ‘Caiqing’
[采青] [出洞] [探青]
[跃]
[卧]
[惊青]
[弄青] [跳]
[腾]
[滚]
[扑]
[食青] Lighting
Rotation form
[卧]
[醉青]
[扑]
[卧]
[跳]
[吐青]
[翻]
[扑]
SHEET MUSIC
ROTATING LION DANCE STAGE/Stages in the city
II [Beyond the Reality]
Collaboration Project with Shiqi Zhang My Role : Nodes Design, Concept Design Graphic & Technical Consultant: Bofan Tao Site: Ningbo, Zhejiang China Time: 07/19-09/19
This project is to explore the practical significance of new technology media. Through the three possible nodes from politic, psychological, and cultural aspects, augmented reality technology is used as a bridge connecting public art and the general public. This project is our response to the ongoing technological revolution and our prediction of how technology will affect urban life in the future.
EMERGING TECHNOLOGY
SOCIAL CONFLICT
BEYOND THE REALITY/ Reconstructing public art IDEOLOGY ONE
IDEOLOGY TWO
The Call for Fluid Spectacle - Augmented Reality Public Art
Dispel the Monopoly of Capital and Authorities
In urban planning, street planning follows the principle of efficiency, which is conducive to the circulation of capital and goods. For people, their existence in the city streets is only at the level of “display” and “expression”. However, according to Michel De Certeau in The Practice of Everyday Life, urban streets are supposed to be places where speech evolves into writing. Speech is expression, writing means production.
Self-Presence
To Write
Ownership of Capitals
Art Forms
5. Cloud Gate, Anish Kapoor, 2006
Origin
Renaissance Public Art
Baroque Public Art
Public Art
New Age Public Art
Ancient Greece
( c.1400-1600 )
( c.1600-1700 )
( c.1700-1900 )
20th Century
Social Hierarchy
Ruling Class
5
Constitutional monarchy was established
Industrial Revolution
World Wars
Exploited Class
Fade Away
To Be New Way
4
Analysis of Public Art History
1
Evolve
Intervention of Augmented Reality Technology
AR Public Art
Get Rid of Control
Before
2 City
Political Force
To Speak
Media Container
Public Art
Civilians Force
?
1. Parthenon, 438 BC 2. Pietà, Michelangelo, 1498–1499 3. Ecstasy of Saint Teresa, Gian Lorenzo Bernini, 1647–1652 4. Eiffel Tower, Stephen Sauvestre, 1889
The production mentioned above does not refer to social production, but the trace left by human existence in space. These traces can be related to personal preferences as well as our dissatisfaction with various kinds of controls, from business to politics.
Citizens
Religious Religious Force Force
Mind Control (Active Process) Art Resource
Affect, Constitute
Ruling Class
Reference: Certeau, M. de., Mayol, P., & Giard, L. (1998). The Practice of Everyday Life. Minneapolis, MN: University of Minnesota Press.
Money
Generate
Public Art
Digitalize
Real Capitals
3
Exploited Class
Active Viewing Process Generate
After
Passive Viewing Forced to Accept
Little Capitals
Land
Public art has undertaken part of the media responsibility of carrying the public’s traces. Graffiti is a typical example. With advances in technology, augmented reality has created a gray space between the reality and the digital world due to its physical properties. This space meets people’s creative needs for urban space, and because of the fluidity of digital objects, it can also greatly meet the needs of the most people in a limited physical space.
Owns
Public Participation in Artistic Creation
Change the Form
Augmented Reality
Without Considering Capitals Controls
With the change of social right structure and the development of production mode, the owner of public art is constantly changing and its form is also growing. However, public art can never leave the control of capital. Sadly, as capitalism has strengthened, the chances of capitalist capital being handed down to ordinary people have diminished. Fortunately, however, augmented reality can change the way capital markets work, allowing ordinary people to access art controlled by capital in entirely new ways.
BEYOND THE REALITY/ Site & Nodes Introduction Ningbo is one of the most representative cities in modern China because its historical culture and development mode are less impacted by global capital and culture. San Jiang Kou is the birthplace of Ningbo, and its history can be traced back to the Tang Dynasty. San Jiang Kou has been a city center in Ningbo for more than a thousand years. Maritime Silk Road Inspired by the events happening around the world, we selected three nodes that AR public art might invade from different perspectives.
NODE DESIGN
Urban Tissue Underground Gathering Places
NOSOCOMEPHOBIA [no-so-comb-phobia]
NODE TWO - Mental Support
Water System Rivers Green Park
CHURCH FIRE!!!
Shanghai
Pacific Ocean
NODE ONE - Political Expression
NODE THREE - Cultural Discussion
Site Location
NODE ONE/ New political voice PUBLIC EXPRESSION DEMAND
San Jiang Kou
Protesters
Node one envisions a protest in a urban space of Ningbo. The purpose of the protest is to publicize citizens’ dissatisfaction with the repressive regime and their pursuit of freedom of speech and the press. In order to avoid unnecessary violent conflicts and the destruction of urban order, citizens choose to use AR public art to express their political views and appeals. Photograph by Stuart Franklin/Magnum Photos
History Reference: a student-made statue of the goddess of democracy faces a portrait of MAO Zedong in Tiananmen square on May 28, 1989.
Form Exploration | City Elements & Self-Creation Architecture
2D - Fold into a paper
=
+ Nature
3D - Trace the
Mani-
Form 2
=
+ Original
Form 3
=
+ Use AR!
Form 1
Don’t Destroy the City! Art Creations
Original
Form 4
Our Voice Must Be Heard!
+
=
Statue of Liberty National Monument by Frédéric Auguste Bartholdi
NODE TWO/ New psychotherapy PUBLIC NEGATIVE SENTIMENTS
Ningbo No.1 Hospital
Children & People afraid of hospitals
NOSOCOMEPHOBIA [no-so-comb-phobia] Nosocomephobia is defined as the excessive fear of hospitals.
History Reference: Tommy was diagnosed with dementia in 2011. He isn’t scared to die – but he’s terrified of going into hospital. (Interview from BBC, Apr. 22, 2018) Traumatic Stimulus INFLUENCE
AR Public Art DISSOLVE
Node two discusses how public art can be combined with the architectural sites of urban space, so as to dissolve or amplify urban functions. The public place selected by this node is hospital. Through AR public art, children’s stereotyped images of hospitals are intervened to prevent their instinctive resistance to hospitals in old age.
Trauma
CONDENSE
Traumatic Memories MERGE
Childhood
Adulthood
AR SELECTION: Nature + Visual Form
AR Public Art OFFSET
Elderhood
SCENARIO SEQUENCE
[Chapter 1] The front Door
Animals
[Chapter 2] Injection
[Chapter 3] The Hallway
Floating Objects [Chapter 4] The Ward
Visual-Catching Objects
NODE THREE/ New public culture PUBLIC CULTURAL AWARENESS
Sacred Heart Cathedral
Believers & Citizens
Node three is a response to the 2014 Ningbo Catholic church fire. Located in Sanjiangkou, the church is not only the center of the Catholic church in Ningbo, but also one of the city’s landmarks. On the day of the fire, many citizens expressed their grief and came to pray spontaneously. The purpose of this node is to alleviate the public’s bad feelings and provide a social platform to encourage and strengthen the social discussion of a radical urban event. History Reference: In the early morning of July 28, 2014, a fire broke out in the church. The main roof of the building collapsed and the bell tower was destroyed.
In this node, the widespread popularity and strong mobility of AR enable the public to express their views on the same public event and realize their views on the actual site. Therefore, AR public art can not only be culturally inclusive, but also enable citizens to achieve the effect of “writing” the city.
Urban Sphere
Public event
Mental Activity Translate in AR
Writing the City
Idea 1
Response 1
Idea 2
Response 2
.............
.............
Idea N
Response N Form1: Original Ruins Left by Fire
INTERVIEWERS
COMMENTS On The FIRE I grew up around here when I was a kid. This church is my childhood memory. I’m so sad without it now. I feel like I can’t go back to my childhood. DING Shunyi, 22 STUDENT, Citizen in Ningbo For cultural relics, we should follow the trend of historical development. Any reconstruction and reconstruction is disrespectful to the development of history. Perhaps staying destroyed is the best way to show history. WU Lishan, 38 HISTORIAN, Professor in Ningbo University
Form 2: AR Art Projection
We should convene some scholars to discuss on this issue. It would be great to combine modern elements and remnants. It can develop the modern image of Ningbo while preserving the culture. KE Jianhua, 51 DEPUTY MAYOR, Ningbo Municipal Government
My god! This is unbelievable. Where should I go to church? My god! Save this place! LI Cuihua, 34 STAFF, Roman Catholic Diocese of Ningbo Image Reference: The Last Judgment, Michelangelo, 1536–1541 | The Creation of Adam, Michelangelo, 1508–1512
Form 3: AR Building Restoration Form 4...5.....6.......7.........
FINAL PRESENTATION/ Future Augmented Reality City
80m
50m
40m
20m
0m
Imaginary AR Cityscape
III [TWO AXES]
Architecture Design Studio: Intergrated/ Wuhan University My Role : Team Leader, Architectural concept and scheme design, Diagram drawing Tutor: Penny Lewis, Joseph Thurrott Collaborators: Jieping Zhuang Site: Wuhan, China Time: 04/19-06/19
This project is located in Wuhan University, near the boundary between campus and society. The characteristic of the site is complex because people who go into this site can have diverse purposes. Landscape exists in the north of the site with campus on the west and business area in the south, making the site become a node for this specific area. The commercial axis and the landscape axis converge here to form a high-rise office building with a continuous urban function on the facade.
CAMPUS LANDSCAPE
BUSINESS ATMOSPHERE
TWO AXES/ Two axes & form Existing Site and Two axes LABORATORY BUILDING
TEACHING BUILDING
RESIDENTIAL BUILDING
LANDSCAPE COMMERCIAL
STADIUM
OFFICE BUILDING
OFFICE BUILDING
Hubei
Wuhan
WHU CITY & COMMERCIAL
LANSCAPE & UNIVERSITY
Site
Convergence: a gradual transition from landscape to business Policy for university students to stay in Wuhan
University students
LANSCAPE & UNIVERSITY
Wuhan innovation enterprise resources
CITY & COMMERCIAL Innovative companies
Professional laboratory Academic research Office space besides campus servicing university and innovative companies
Wuhan is the city with the largest number of college students in the world, with more than one million. The project envisages the establishment of a younger office space next to Wuhan University, which will reshape the high-rise offices by taking advantage of the landscape and business changes. ablishment of a younger office space next to Wuhan University, which will reshape the high-rise offices by taking advantage of the landscape and business changes.
TWO AXES/ Converge the city context City
Commercial Work Public Schools space plaza
Learning Landscape Campus center
1. Oritation
2. Massing
3. Entrance/ geometry
Generation model practice
Continue landscape axis
Continue business axis
In this project two paths, commercial and landscape, go up along with the tower, creating voids along their paths. Voids become function combined with each characteristic. Paths come together on the top floor.
TWO AXES/ Space atmosphere 1
High-rise facade
Ground floor commercial space/ public learning space
Office space
Commercial/ Landscape
Connection
Top floor exhibition space
TWO AXES/ Space atmosphere 2
Milk Tea Shop Vertical Garden
Up
Individual Studio Down
Office Down
Office
Gallery
Up Down
Plan 1 : Office + Gallery
Up Down
Offfice
Offfice
Rendering of commercial entrance Up Down
Individual Studio Garden Coffee Bar
Sky bar Up
Plan 2 : Office + Relaxation Area
Water Bar
Storage
Water Bar
Exhibition
Meeting Exhibition Library
Top floor plan: Exhibition
IV [THE SIEGE & THE DREAM]
Installation Art / In Progress Individual Work First exhibition time: 02/04/20 First exhibition address: Tentsmuir National Nature Reserve, Tayport, Fife
“People around the city want to escape; people outside the city want to rush in.”——<Fortress Besieged>, Zhongshu Qian This project is an installation art combining performance, placing the installation in the natural landscape and reshaping the six sides of the space with different materials and media. In the installation space, performers complete multiple siege in a dream.
CUBE SURFACE
DIFFERENT MATERIALS
THE SIEGE & THE DREAM/ Future Augmented Reality City Inspiration
Site selection Tentsmuir National Nature Reserve
HOW IS PEOPLE TRAPPED？
SITE SELECTION：THE SIEGE + THE LANDCAPE + THE WEATHER
Physical effect + psychological effect “People around the city want to escape; people outside the city want to rush in.” ——<Fortress Besieged>, Zhongshu Qian
Diverse landscapes and weather can work together; A landscape that changes almost as what you watch, Tentsmuir exhibits a rich variety of nature's wonders, from the constantly changing sands at the edge of the sea, to the colourful dune heathland. Fabrics /media selection
Enclosure Degree
Transparent
Slightly closed
Heavily closed
Etaminet Voile
Mirror
Black-out Soft
Screen
Totally closed
Reconstruct the five surfaces of the space, and use different materials and new media to shape different degrees of enclosure, including light transmission and content. View Scale Material analysis Performer’s perspective range varies with different materials and media of five surfaces.
Reduced light transmission and increased enclosure
THE SIEGE & THE DREAM/ Scene design Scene 1: The Dream
Scene 2: Stuck in the Bazaar
Video Selection Collect scenes of people trapped in their daily lives, including dreams, stories and video materials and organize them into related videos placing them on four mirrors.
Scene 4: Empty and full for siege
Scene 3: Stuck in the Bazaar
Scene 5: Dark box
Scene 6 : Back to the dream
Material 1
Material 2
Material 3
Material 4
THE SIEGE & THE DREAM/ Scene 1,6
Performance recording/Act 1
THE SIEGE & THE DREAM/Scene 2
Performance recording/Act 2
THE SIEGE & THE DREAM/ Scene 3,4,5
Performance recording/Act 2
COMMENTS/EXPERIENCE FROM AUDIENCES AND FRIENDS
HOPE REALITY
SEIGE LANDSCAPE
NATURE
SAD
TRAPPED HELPLESS
DARK
DESPAIR
...... Installation process
FUTURE
FLOAT
MAGIC SPECULAR VIRTUAL
V [THE INVERTED CITY]
Urban Theory, Analysis and Strategy, Semester 1/ University of Dundee Collaboration Project with Studio F Tutor: Colin Baillie Site: Inverness, UK Time: 09/19-12/19
New Urbanist satellite towns tend to detach themselves from existing cities entirely, often conflating their ambitions with a highly differentiated architectural vocabulary and promoting an idealised exclusive enclave. This project aims to unmask the seductive promotional imagery of the New Urbanist movement, raising crucial questions about this new mode of urbanisation. At the same time, the city map is a work of art. This project intends to propose a new city suitable for inverness through the interpretation and transformation of the city map, replacing the satellite city under the new urbanism.
FIGURE GROUND DRAWING
POPULATION GROWTH
THE INVERTED CITY/ Breaking the neo-urbanist bubble/ Potantial site 1. Unmask the seductive promotional imagery of the New Urbanist movement
2. Potantial site: industrial areas in Inverness
Tornagrain—— Not antidote for dealing urban expansion in Inverness
Analysis of contexts of Inverness
Satellite townTornagrain
Inverness
[Satellite Town]: Higher density, people-centric, eco-friendly, street-based town near big cities which is proposed by ‘New Urbanist’ Edge of town development, and the resultant suburban sprawl, is ubiquitous in the UK. The land area claimed by low-density, car-centric, large-volume housing estates is substantial, these communuties called satellite town. Over the past two decades, Inverness has experienced continual population growth. According to the Highland Council’s head of planning and development, the annual growth over the past decade has been between 7 and 10 percent, Tornagrain——the satellite town of Inverness was born. While these qualities appear to be desirable, in their antagonism toward the suburb and the mess of everyday life, New Urbanist satellite towns tend to detach themselves from existing cities entirely, often conflating their ambitions with a highly differentiated architectural vocabulary and promoting an idealised exclusive enclave.
Reality of Tornagrain b. House prices for upper-middle class-- a gated community TORNAGRAIN FAR: 0.23
( Average: £ 150,000) Housing in Inverness
£380,000
£194,000
Housing in Tornagrain
INVERNESS CROWN INVERNESS CITY CENTER EDINBURGH NEW TOWN GLASGOW BUCHANAN FAR: 0.86 FAR: 1.07 FAR: 1.18 FAR: 2.23
LONDON CITY CENTER FAR: 3.6
Inverness's industrial areas has the potential to be developed into a community, with low usage, excellent location.
C. Isolated in geography - Limited amenties a. Image- homogenization
Typology comparison
THE INVERTED CITY/ Hypothesis: Invert figure ground plan NOLLI MAP CITY & FIGURE-GROUND PLAN
HYPOTHESIS: INVERT THE FIGURE-GROUND MAP
-Explore the relationship between public and private in the city
Nolli map, Roman, by Giambattista Nolli
1784 Giambattista Nolli drew a map of the city of Rome that was revealing. Nolli map redefines public space in the city. Black is used to represent closed public spaces, while white is used to allow more people to pass through.
a. Increase the density of community design in inverness b. Redefine figure ground and rearrange public space sharing methods, which can weaken the boundary isolation of public space in figure ground, making public space appear white in concept.
RESHAPE MAP IN INVERNESS
FACTORY REUSE AFTER INVERSION
Rethink the relationship between public and private in an inverted form.
INVERT
Method 1: Transformed into Outdoor space
Roman
Most factories in I nvern ess a re cl ose d and poorly public. The display of nolli map and figure-ground plan is the same.
Fig u re - g rou n d m ap inversion for industrial area.
Satellite imagery
Figure-ground plan
Nolli map
Satellite imagery
Figure-ground plan
Nolli map
An inverted factory
Inversion vision
Add connection
Method 2: Transformed into glass courtyard space
Method 3: Functional transformation combined with surrounding buildings
THE INVERTED CITY/ Hypothesis tesing Potential site 3- final selection Potential site 2
Potential site 1
Potential: low utilization and low density in the factory area, isolated from other areas
MULTIFUNCTIONAL REUSE AFTER INVERSION
House + Retail+ Community FAR: 1.6
Culture + Retail FAR: 2.8
House + Mixed Commercial+ Community FAR: 2.5
House + Retail FAR: 4.1
House + Culture+Mixed Commercial FAR: 1.6
House + Mixed Commercial+ Community FAR: 1.4
Office+ Transportation+ Retail FAR: 4.5
House+ Retail+ Community FAR: 2.2
House + Community FAR: 1.1
Inverness Transction Model
THE INVERTED CITY/ City frame image
CIRCULATION CHANGE AFTER INVERTING THE CITY The city's original cirlulation is isolated by closed factories. After the factory was reverted and changed, the circulation became multi-level and rich.
Factory ... Factory ...
Factory 7
SECTIONAL DRAWING
Factory 4 Factory 3
Factory 2
Section b
Section a
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Inverted city model test
OTHER WORKS SPACE EXPLORATION IN FASHION
Work experience/2019.04 Participated in the catwalk stage design of Shanghai Fashion Weekend
Fashion brand research and strategic design /2018.07- 2018.09 Research and design for Chinese brand - ZUCZUG
OTHER WORKS OTHER ARCHITECTURAL DESIGN
Academic urban design project/2018.11- 2018.12 Reconstruction of Hanyang ironworks industrial district
Field research on ancient Chinese architecture/2018.07 Study on a ancient residential building in Fujian and redraw architectural drawings
THANKS FOR WATCHING.