TKU ARCH 52TH EA1 LIN JIAN YU SPRING

Page 1

portfolio



tku arch ea1 lin jain-yu group 1 404360397



content reorganization

2

case study first stage

16

second stage

32

final stage

42

material combination& concept conversion

56


1


reorganization

2


3

object section


object analysis

4


5

base drawing


base analysis

6


7

mapping 1


mapping 2

8


9

mapping 3


final model

10


11


12


13


14


15


case study first stage

16


17

case introduction Saltzman House / Richard Meier & Partners Architects Introduction: Richard Meier, the Pritzker Prize and AIA Gold Medal winning architect, is well known for his abstracted, often white, buildings and unrelenting personal design philosophy. Citing Bernini and Borromini as influences as well as Le Corbusier and Louis Kahn, Meier received his Bachelor in Architecture from Cornell University in 1957 and took jobs with Skidmore Owings and Merrill and Marcel Breuer soon after his graduation. He began his own private practice in New York in 1963 and rocketed to architectural fame in the early 1970s, after being named as one of the "New York Five."

absolute whiteness, geometric composition, and the prominence of light. With a heavy early-Modernist influence, the Saltzman House captures the purity of form and space seen in the projects of Le Corbusier.

from a distance, the cubic composition appears to flatten into a two-dimensional shape against the background of land and sky.

Slightly inland from the Atlantic Ocean on three acres of flat land near the tip of Long Island, the site for the Saltzman House has some distinguishing characteristics: a windmill by the shore, an adjoining potato field, and the shoreline itself, not visible at ground level. The parallel relationship between the front edge of the property and the shoreline determined the siting of the house, which is elevated to permit views of the sea, the open coast, and Montauk Point. From a distance, the cubic composition appears to flatten into a two-dimensional shape against the background of land and sky. As in the Smith House, the organization of the plan is based on a programmatic separation of public and private areas. Here, however, the two zones interpenetrate to a greater degree. The public space opens up like a funnel as the structure rises, so that the integrity of the closed private zone, located along two adjacent sides of the house, is partially eroded on the second level, then disappears entirely on the third. The view to the ocean is dramatically revealed as one moves upward. Two circulation systems pass up and through the building. Originating in an outside stair attached to a small guesthouse, the first system leads to a bridge linking the guesthouse to the main house. At the second level, it continues via interior stairs along the side of the house connecting the second level to the third. The second circulation system, serving the upper level, rises diagonally across the center of the house, the seam between the public and private zones. Both systems connect to an exterior spiral stair at the corner diagonally opposite the entry.

clad with vertical, white-painted wood siding and perforated with ribbon windows.


site plan

18


19

second floor plan

first floor plan


west elevation

third floor plan 20


21

section


elevation

22


23


case model

24


25


26


27


28


29


30


31


case study second stage

32


33

diagram


34


35

concept model

proportion

gradual change

cut


space model-combine three concepts

36


37


stage 2 final model

38


39


40


41


case study third stage

42


43

diagram


44


45

space model-combine all concepts


46


47


stage 3 final model

48


49


50


51


detail

52


53


54


55


material combination& concept conversion

56


57

design concept


unit changing-research the materil and design the unit

second

first

final

58


59

unit arrangement 64mm

40mm

138mm

1:10

由最初始的單元以短邊相接,排列出空隙較大的牆面,讓牆面密度降低 空隙利用兩種波型交疊,一個波幅大一個波幅小,波長較長 像是一首慢板的樂章


30mm

40mm

80mm

1:10

由最初始單元以長邊相接,排列出空隙較小的牆面,讓牆面密度提升 空隙也是利用兩種波幅一高一低的波交疊,波長較短 像是一首稍快版的樂章

60


61

40mm 80mm

138mm 1:10

從最初始的單元以短邊相接,抽取幾個單元,再加長鄰近單元 讓空隙越多,牆的密度再降低 此空隙較凌亂,由四個波交疊,綠色的宛如一首小插曲,穿梭在此樂章


40mm

17mm

20mm

20mm

23mm

80mm

1:10

此單元改變了骨架的位子.想做出能夠把聲音留住的牆面 空隙由前往後縮小,讓聲音留在牆內 空隙由兩個相同的波相交

62


63

more pictures


64


65

diagram


66


67

1:50 model


68



thanks for watching


group 1

404360397

lin jian-yu


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.