YICHI ZHANG Selected Works 2016-2019
Portfolio Applying for M.Arch Program Georgia Institute of Technology zyichi805@gmail.com | +86 13233740778
Outline I'd like to fathom the true nature of beauty, When I come across something aesthetic, I would unconsciously explore what it is inspired from and how it is created. By pushing my limits in the artistic design of architecture, I want to live my life as Ludwig Mies Van der Rohe once put it: I don't want to be interesting. I want to be good.
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CONTENT
Neo-Daoism Refamiliarizing the "Unfamiliar" Religious Temple | ChongQing, China | HUUC Studio V 2019.6
Solo Project | 6 weeks | Instructor: Lei Jiao | +86 185 3759 8963
Duality Gallery Fluctuate Between Order and Chaos Public Gallery | Henan,China | SA Open Project 87 | 2018.8 Chapter I : Symmetry Chapter II : Unpredictable
Solo Project | 8 weeks | Instructor: Baoyue Wang | Brucewby@gmail.com
Com-position Villa& Studio Designed for Music Producer House | Torrance, CA | HUUC Studio III 2017.12
Solo Project | 6 weeks | Instructor: Yuantao Wang | +86 138 3757 9528
Other Works
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[Neo-Daoism] Refamiliarizing the "Unfamiliar" Religious Temple | ChongQing, China | HUUC Studio V 2019.6
Today's Taijitu between citizen and daoists is more like a incomplete one - Only two conflicting parts against each other , there is no such thing as harmony in there anymore. This project focused on how to allow two groups of people (Daoists live in this temple and its Visitors) who
were originally separated from each other to contact each other again and regain harmony from each other's ideology . Expected to bring the traditional philosophy of Daoism into the modern society again. And make the Taiji whole again through letting the two parts interact.
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Transformation of Belief of Chinese Citizen -The Decline of Religion
1907 AD. The cultural Revolution
624 AD Religion's Heyday
www
Main Belief
”儒 · 釋 · 道“ ”Daoism · Buddhism · Confucianism“
“一定要将破四 ”Defeat all 'Ghosts
Om Mani Padme Hum,doing good and cultivating myself is the only way that lead me to the Nirvana.
People's Attitude
Reverence For God
Contempt
Cultural Rev
Pre Cultural Revolution Era
1907 AD-
179 BC- 1907 AD
94%
93% 91%
90%
89%
New Culture Movement
43% Tang Dynasty
Amendm
170 BC
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620 AD
950
1240
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40
12
4.8
4.7
4.4
1540
1907
19%
1922
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1978 AD Reform and Open Up Policy
? ”一切向錢看“ ”Money · Power · Fame“
四旧进行到底!“ s' and 'Monsters'!“
we have to Abolish feudal superstition , fight against all ghosts and false gods!
Build you a brand new Buddha Hall so you better bless me ture glory for life.
?
Trade With God
t For God
Post Cultural Revolution Era
evolution Era
1978 AD- NOW
- 1976 AD
9147
Religious Influence among citizen Cultural awareness GDP per capita 4438
874
ment to the Consititution
131
59
38%
211
181
26%
7%
1978 1950
1960
1970
1981
1999
2019
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Establishment of ShenZhen
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Refamiliarize the "Unfamiliarity"- NeoDaoism
Among Nature
Among concrete
Tranquil
Hustle
Passive
Competetive Current State
Daoists 阴
Citizen 阳
Stillness
Stillness
Openness
Openness
Awareness
Awareness Neo-Daoism
Today's Taijitu between citizen and daoists is more like a incomplete one, -Only two opposing parts against each other , there is no such thing as harmony in there anymore.
STILLNESS
Sitll Mind Get Better Result
OPENNESS
Broadened View
AWARENESS
Discovering True Self
After transformation, the two groups met in a subtle opposite state at the congregation hall to reconsider their behavior and make the change.
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Site Plan & Programs
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15
30m
City
Nature
N
Legend
Among with the transformation of mind state, the religious experience can be sensed through the changing process of connection between religious believers and visitors, they begin their connection at the
waterfall, which can be sensed as metaphor connection. The central idea of Daoism is the passive temperament of water - It benefits all things when passing through and does not compete with them.
1. Daoists' Living Section / 2. Visitor Entrance Section / 3. Watefall / 4. Pond / 5. Corridor connection / 6. Cloister / 7. Congregation Hall / 8. Individual Function Module ( Recitation room; Taiji Studying Room; Choir Practice Room; Prayers' Assembly; )
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SITE PLAN
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Functionalized Partitions | Model& Section Diagram
PHYSICA CHAPTER 3
CHAP
low
or F Visit
AWARENESS
(SENSE THE POWER AND MAKE THE CHANGE)
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or Visit
OPEN
(EXPERIENCE THE MAGIC
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AL MODEL
PTER 2
NNESS
C OF SANDBOX WORLD)
low
or F Visit
STILLNESS
(REGAIN THE LOST MEMORIES)
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Flow
CHAPTER 1
CHAP
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CHAPTER 1
To the mind that is still, the whole universe surrenders You wanna explore more, right? But I let you hold still for a second. It's sort of purposeful acceptance of the way of the Dao, follow where the water goes. We spend so much time rushing from one place to the next in life, being preoccupied with anxiety and ambition, it's time to slow down and regain moments of the human experience that in our nuture. 12
Strength of the mountains, cheerfulnes
Experiences reconnect us to parts of ourselves, of birds in the morning, the way other people wind against our experience
PTER 2
we better need to be awakened by the sounds e look when they are laughing, the feeling of face, and simply the world.
When I Let go of who I am, I become Who I might be This is where you could sense the sacraedness of the religious power and get the first glance of Daoism's Philosophy. We spend great deal of time worrying about who we outght to become, but we should be instead take time to be who we already are at heart.
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, the resilience of trees, the ss of flowers
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The Changing Connection Between Two Social Groups
Congregation Hall
Individual Cell
Corridor Strat Point
Back Entrance (to pulpit) Outer Loop Bookshelves
GROUND LEVEL PLAN
The corridor in the middle is divided into three parts according to the height direction, and their positions leading to the different part of congregation hall.
INTERACTION
( RECITATING | TAIJI STUDYING )
VISUAL & SOUN
5
4
1-1 SEC
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Vertical Transportation
Daoists' Living Cell Prayers' assembly
Recitation room
SECOND LEVEL PLAN
Visitors move forward in an ascending manner in the road, and their potential energy increases. The Daoists, on the other hand, have increased their kinetic energy, which results
ND CONNECTION
( BY WATERFALL )
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3
2
0
Legend
1 Daoists' Living Section / 2 Visitor Entrance Section / 3 Watefall / 4 Book Storage / 5 Individual Function Cells
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CTION
METAPHOR CONNECTION
24m
n
er
th
or
rn
te
N
s Ea
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So u
th e
rn
rn te es W
CONNECTION
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Physical Model
View Above Congregation Volume to Cloister
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View From Down Hill
02 [Duality] Gallery Fluctuate Between Order and Chaos
Public Gallery | Henan, CN | Academic Project | 2017.11
Geometry order & chaos have always existed in the architectural and urban sturcture together. But they are never two separate states. Reanalyse order and chaos After taking The Fourth Dimension in architecture - " TIME " into consideration, the perception of these two states is more like a changing process,
the influence of self-organization process, means that the architectur al space in the long run is unforeseable and still changing. in this project i intend to stress the changing process and manipulate the space into moving in N dimensions and surprising the visitors, in other words it should not be predictable.
View From Yuejin Road
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Case Study
Rome, Italy / 1656 Front Square of St. Peter's babasilica
Siena , Italy / 1289 Public Piazza del Campo
Geometric Shape
Natural Shape
Rhythm
Entropy
Symmetric
unpredictable
Order
Chaos
Transformation Between Two States Urban Structure of a Region in Barcelona, Spain
Aerial Photograph
Planning Frame
Analysis Photograph
Planning Frame
Analysis Photograph
A Five Store Tenement's Elevation in Spain
Aerial Photograph
Space in the Long Run is Unpredictable and Still Changing
The evidence of self-organization in the urban structure of Barcelona is visible. Since the 19th century, the new part of the city was composed in identical blocks, but after taking the Fourth Dimension TIME into consideration, that is, after the whole areas were completely developed, all the blocks were developed in their individual ways. Similiarly, The photo of an elevation of tenement in China shows that one state could transform to its opposite state.
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Experiment - Part I
In this part, the embodiment of self-selection& self-influence in this Gallery setting woulds be discussed. The whole visiting process is no longer linear, but full of unpredictability. With the unpredictability, visitors' self-selection disrupts the original planning in the whole process.
Experiment - Part II
Perpendicular
Rotate Tilted
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Project area -Site with homogeneous surroundings
about 480 square meter each 1450 people Per block
about 45 square meter each 1182 people Per block
HIGH RISE APARTMENT
SINGLE HOUSE
about 256 square meter each 1340 people Per block
FIVE STORIED APARTMENT
N
Site Plan
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0
25
75
150m
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Shape Generation -recess & rotate
The Site is surrounded by housing apartments and single houses facing North, the entrance of the gallery are designed to fit for the equal access of the surrounding dwellers. They could get into
the gallery from each direction and even just walk pass through the building to the other side. The Inner core of the gallery can be seen as a rotate result of its outter space, it serves as a barrier
City Context
wall to the vision of the visitors who walk into the outer space and divide them to each entrance of the inner core.
Recess
centralization
Rotate volume
Entrance& transportation
Rotate the gallery volume to fit into the surroundings, forming a welcome gesture to the neighbours
The four entrance of inner core against each corner of the gallery
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Equal Entrance
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Polarities of Shape | Program organization
Stairs
OUITER ENVELOPE - PART I
INNER CORE - PART II
Vertical Transportation
Truss with Glass Panel
Double-Height Gallery
Entrance Cutout Part
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25 25
DECONSTRUCT
Entrance to Inner Core
Inner Core
Inner Entrance
Outer Gallery
Entrance
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The Influentce of Self-Organization process, means that the Architectural Space in the Long Run is Unforeseable and still Changing. In this project I intend to address the changing process and Manipulate the space into Moving in N dimensions and Surprising the visitors, in other Words it Should not be Predictable.
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Outter Space | Order Part Plans& Renderings
Entrance at four Corners
Outter Gallery
VERTICAL VIEW
DILEMMA In such a completely symmetrical space, visitors could choose the direction of exploration according to their intuition. The identical entrance brings different internal spaces for visitors to explore. Perspective 1 - Entrance Lobby View
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+18.900 12.400
+5.430
+0.000 2
SOUTH-EAST FACADE
1
18.900 12.600 +6.100 02 X
+0.000 -3.850
1 0
2
5
10
20m
OUTER - BOTTOM
underground gallery
WEST FACADE
INNER - BOTTOM
Storage
OUTER - GROUND
Entrance
In the corner area of the exhibition hall, this is where the combination of art with symmetrical beauty or groups of art in symmetrical space shine. Perspective 2 - Outer Gallery & Core Entrance View
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SYMMETRY
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Inner Core | Chaos Part Plan& Renderings
Stairs to 2F B1
Openings as Connection
GROUND FLOOR PLAN
INTERSECT
Perspective 3 - Inner View From B1 F
The inclined vertical transportation tube links the internal floors, which are intersected to manipulate the possibility of space formation and the staggered floors cut each other to form traffic passages. 28
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INNER CORE SECTION COLLAGE
Perspective 4 - Inner Congregate Venue View
The holes in the floor can be used to enhance privacy for certain cases, also a new home for artifact, and as a place for children's entertainment in the community.
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OPENINGS
03 [Com-position] Villa & Studio Designed For a Music Producer
House | Torrance, CA | HUUC Studio III | 2017.12
This project tries to find the balance point between function needed for a house and the ultimate goal of this project music production by studying the whole music production process, which is conducive to musicians' complete music production in the single space. Discuss the possibility of
dwellers' creative mind get inspired by factors of both the external environment and internal space arrangement of music producer's houses, the villa's three parts of the villa respectively serve for the inspiration of music, the creation and the public part needed for cooperation with artists.
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The Whole Process of Music Production
Clap
Melody
Sound Wave
40.0 %
VERSE 1
20.0 %
00.0 %
INTRO
HOOK
Producer Artists Nature Family WRITING
INSPIRATION
COLLABORATION
Program Deduction | inpiration, collaboration& producing
Public Area Activity Room Private Area
The Three Parts that needed in the pro family& nature, the reception area for composing studio
Garden Studio
Family&Friends
Activity Room Public Area Private Area
Studio
Waves
Garden
Collaboration
(Use of Public Space)
Artists along with producer, that is the way the song being made.
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Sound In
(Nature&
The outdoor environm to get in
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OUTRO
80.0 %
RECORDING
80.0 %
60.0 %
VERSE 2
MASTERING& PRODUCING
Stidio Pit
Ground
oducer's home: the inspiration area with collaborating with other artists and the o underground.
& Motion)
ment is the best place nspiraed.
Recording&Mastering (Underground)
With the state of mind given by the hidden place, the producing process are enhanced.
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nspiration
Trees at Garden
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Building& Rhythm | Integrate Cadence of Music into Architecture
Integrate Building with the code of 4 & 8 Bars in muisc
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3
4
Keys
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2
3
4
Chord
1
2
3
4
Bars
House With Rhythm
Each part of the house have its Own Melody, and every Cadence of the house can be experienced through Visual and physical interaction.
Visual Inspiration & Programs
House Intro
Upward View (sky& bird)
(Public with Friends)
Forward View (Ocean)
Downward View (Beach & Tree)
Close Oneself for Creation (Underground part)
Open Oneself for inspiration (Private part)
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Axonmetric Drawing
Universial Beam 30A:297*126*9 mm *9 Per Side
Batter Brace Beam 12mm *16
Lumber Panel 120*18000*25mm *15
Tempering Glass 10100*6040*30mm
The Half Buried L-Shape forms a entrance at high level used for reception space, and a public space visually oriented at the horizon and the private space with the view toward down to the beach.
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Three Function Levels
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Public Level | Daily Living& Collaboration
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4
1
2
2
3
1. Garden 2. Patio 3. Roof Pool 4. Living Room 5. Kitchen 6. Lavatory 7. Platform
Ground Floor Plan The lower private space is hidden under the first floor of the public reception area, the two are separated by a Garden. The pool, the piano platform, and the bedroom are at the same point with different altitude.
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Semi Private Studio& Private Space | Bedroom& Living space A
5
4
2 1 1
2 6
7
3
A
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Undergound Floor Plan
1. Garden 2. Corridor 3. Piano Platform 4. Producing Studio 5. Recording Room 6. Living Room 7 Badroom Satirs
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Posture of Dependence | Section& Plans
A-A SEC
Private Living Room
Garden
Attic
PLANS & RE
40
7m 3 1 0
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Public Living Room
Bedroom
Tower
ENDERINGS
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CTION
7m
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RECEIVING
Where The Sea Meets The Sky , is Where The Music is Inspired The muted palette of materials is a Canvas for outside-greenery and ocean to be displayed, encouraging life and character within. The three lever- Pool, Bedroom, Platfrom can Simultaneously Take Advantage of this wonderful view.
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PRODUCING
The Darker the Environment, the More Focused the Mind Select 4 works + other works / ZhangYiChi
Inspired by nature, at the semi underground studio, this is where Music deing Composed, Sound being Recorded and Achievements being Celebrated.
YICHI ZHANG zyichi805@gmail.com Portfolio Applying for M.Arch Program, School of Architecture,Georgia Institute of Technology