Industrial / Yacht Design Portfolio

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YU LUNG KAO PORTFOLIO 2017


Hello, I am

Yu Lung , Kao Industrial Designer A Taipei City Taiwan (R.O.C.) M 886 931 256 126 E nissan1112@gmail.com

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Education Chang Gung University Master , Industrial Design

Awards GOLDEN PIN DESIGN AWARD 2014

Work Experience Taipei Base Design Center Industrial Designer Hyperlien Yacht Yacht Designer

iF DESIGN AWARD 2015

iF DESIGN AWARD 2015

Professional Skills Adobe: Photoshop Illustrator InDesign CAD: AutoCAD 2D/3D Pro/Engineer Creo Rhinoceros Keyshot V-Ray

A ’ DESIGN AWARD 2015

Architizer A+ DESIGN AEARD 2015

German DESIGN AWARD 2016 Millennium Yacht DESIGN AWARD 2016


Yacht Design Cost Estimate Conceptual design Project development Architecture and naval engineering Exterior design Interior design Interior decoration ,and material selection 2D CAD interior and exterior blue prints 3D interior and exterior rendering 3D animations 3D CAM modelling for CNC

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Modern Vintage 28

Modern Vintage 28 II

Shark Line 46

Shark Line 46 II

Gran Torino 46


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Modern Vintage 28 Inspired by the 1960s and 1970s line feature, Modern Vintage chooses to present the classical and elegant image which could link to the relaxed and comfortable sea activity. The arc of the boat body line with high waist design, and applied the large glass, has created another maritime fashion classic style. Due to the original hull beam width limitation, we added two stainless steel wings on the both side of yacht which replaced the original aisle, lead to maximized upper cabin, and provide better balance of the hull. Thus it is very easy to control for the yacht players who just getting started.


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Modern Vintage 28 Technical Specification Length overall : Hull Beam : Draft : Displacement : Fuel Capacity : Water Capacity : Cabins : Engine :

8.6 m / 28” 3.1 m/ 10” 0.75 m / 2” 3.9 t / 8598 lbs 350 L / 92 GAL 135 L / 36 GAL 2 1 x Mercury Verado 250 HP


Modern Vintage 28 Exploded View Radar

Roof

Glass / Aluminum

Center console Interior

Deck

Anchor Hull

Engine

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Modern Vintage 28 II This 28ft motor yacht maximizes usable space within its space limitations, and employs a systemized interior layout in the design process to minimize loss incurred using traditional manufacturing methods and eliminate excess manpower. The generous use of glass increases the feeling of spaciousness and alleviates the cramped feeling characteristic of normal, small-sized yachts, allowing for a carefree and enjoyable time on the seas.


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Modern Vintage 28 II Technical Specification Length overall : Hull Beam : Draft : Displacement : Fuel Capacity : Water Capacity : Cabins : Engine :

8.6 m / 28” 2.85m/ 9” 0.75 m / 2” 3.9 t / 8598 lbs 350 L / 92 GAL 135 L / 36 GAL 2 2 x Yamaha 150


Modern Vintage 28 II Exploded View

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Roof

Mould parts A-E

Center console Deck Mould parts F-N

Hull

Mould parts O-P


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Shark Line 46 Shark Line 46 is a medium-sized leisure yacht. The use of streamlined and sharp lines, matched with a metallic, silver-black color combination, gives the whole yacht a cool and fashionable appearance whether moored or whilst sailing. Just like the process by which a shark hunts for its prey, the yacht exudes an air of silent mystery while exhibiting power and speed as it moves in for the kill.


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Shark Line 46 Technical Specification Length Overall : 14.03 m / 46 ft Hull Beam : 4.3 m / 14.1 ft Draft : 1.1 m / 3.7 ft Displacement : 1.1 t / 24251 lbs Fuel Capacity : 1200 L / 317 GAL Water Capacity : 500 L / 132 GAL Cabins : 2 Berths : 6 Engine : 2 x 400 mHP (294 kW) Volvo Penta D6 Stern


Shark Line 46 Exploded View

Master room Guest room

Salon

Deck

Hull

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Bathroom



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Shark Line 46 II The clean design is inspired by nature and more precisely the shark. By using an abstract concept, the slim outline between the fin and body of shark guided us through the whole yacht design. Comparing to the traditional bionic design skills, Shark Line 46 evaded the over-concretized design language. Shark’s hunting process, killed-speed and the mystery of waiting its prey, transparency to the sharp line and matched to the metal silver and black. Shark Line 46 represented a cool and fashion image whether it is sailing or at anchor.


A

A

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C

B

D

E

Shark Line 46 II Technical Specification

A

C B E

D

Length Overall : 14.03 m / 46 ft Hull Beam : 4.3 m / 14.1 ft Draft : 1.1 m / 3.7 ft Displacement : 1.1 t / 24251 lbs Fuel Capacity : 1200 L / 317 GAL Water Capacity : 500 L / 132 GAL Cabins : 3 Berths : 6 Engine : 2 x 400 mHP (294 kW) Volvo Penta D6 Stern IPS 500 : 2 x 370 HP / 545 Kw IPS 600 : 2 x 435 HP / 640 Kw


Shark Line 46 II Exploded View

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Roof

Center console

Deck

Structure

Hull


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Gran Torino 46 Design inspired by the traditional sports car series in the 1970s. Rough but also elegant lines of the hull and the large area of wood veneer on the ship-side show a classic and retro image, which shows a highlights of the owner’s unique taste. Spacious sun deck, open windows and large areas of the salon allow people to fully enjoy the sunlight; the kitchen set which is located at the poop provides a smooth and comfortable circulation just like at home.


In response to Southeast Asia's unstable climate, the flybridge adopts a convertible storage design concept, making the pilot's seat, guest sofas, and radar mount both foldable and retractable; this design not only adds beauty and protects the yacht's hull, it also reduces the amount of time taken for post-docking work.

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Gran Torino 46 Technical Specification Length Overall : Hull Beam : Draft : Displacement : Fuel Capacity : Water Capacity : Cabins : Berths : Engine :

14.03 m / 46 ft 4.3 m / 14.1 ft 1.1 m / 3.7 ft 1.1 t / 24251 lbs 1200 L / 317 GAL 520 L / 137 GAL 2 6 IPS 500 : 2 x 370 HP / 545 Kw IPS 600 : 2 x 435 HP / 640 Kw


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Prototype / Scale Model 1:15


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Nulla Knife-Holders Nulla means ‘transparent’ in Latin. Most knife-holders in the market clash with the appearance of knives. Even knife-holders with very high functionality conceal part of or even all of the exterior design of knives. Nulla’s design is simplistic and straightforward. It is still able to attract attention even when no knives are placed in the holder. But Nulla steps into the background when knives are placed inside. Nulla is mainly made of colorless or transparent materials, striving for simplicity as much as possible in its exterior lines to avoid visual clutter, appropriately highlighting only the design of the knives, becoming an artistic display in dining and kitchen spaces. Glass and acrylic are used. Screw fastening is used partly to display the aesthetics of the structure. The cement column at the base balances the visual effect, absorbs water and stabilizes the entire holder. The various materials are combined mainly by the latching method, creating a pleasing visual effect. The metal columns between the glass and the acrylic can appropriately prevent knives from coming into contact with each other when placed in the display. A metal structure is arranged in between the glass and the acrylic, extending from the cement column. Besides providing a balanced visual effect, it is also responsible for supporting the space between the glass and the acrylic, thereby enhancing the richness of the materials. Every detail in the workmanship of Nulla and every quality material used strive for both aesthetics and functionality, to avoid producing a design that only looks good but does not function well. We think that designs in all fields should be like this.


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SUEN SUEN comes from the Chinese pronunciation of ‘Tenon’. It combines bonded plate-shapes with the cutting of geometric lines, outlining its beauty with a hint of sturdiness. Its irregular appearance is not only a visual effect. More accurately, these lines are the result of functionality, achieving a perfect balance between function and visual aesthetics. The seemingly irregular cutting surface hides a functionality that has been achieved by adhering to the curvature of the human body and for the storage of bathroom equipment. On its side, the word S-U-E-N has been intentionally displayed in Morse code between the spaces of the plates, making the product more interesting. Cypress, commonly seen in oriental designs, was chosen for the main body. Moisture-resistant and water-absorbent, it is said that its aroma helps in relaxation and is suitable for both the outdoors and for shower areas. During production, materials needed were cut from a specific area using a method resembling a jigsaw puzzle, minimizing material wastage. The materials were then combined using the standard method. The plate bonding method was used to improve the water permeability of the SUEN and to cut down on its weight. The SUEN series consists of two single chairs, respectively showing the difference between traditional tenon and modern technology.


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THANK YOU Yu Lung , Kao A Taipei City Taiwan (R.O.C.) M 886 931 256 126 E nissan1112@gmail.com


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