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********************************* "...5In "The Tell-Tale Heart," a careful reader can observe Poe's skillful manipulation of the senses. The sense of sight, the primary sense, is particularly susceptible to manipulation. 2In "The Tell-Tale Heart," Poe uses the following image to describe a static scene: "His room was as black as pitch with the thick darkness . ." Poe used the words "black," "pitch," and "thick darkness" not only to show the reader the condition of the old man's room, but also to make the reader feel the darkness." 3"Thick" is a word that is not usually associated with color (darkness), yet in using it, Poe stimulates the reader's sense of feeling as well as his sense of sight. 1Further on in the story, Poe uses a couple of words that cross not only the sense of sight but also the sense of feeling to describe a dynamic scene. 2The youth in the story has been standing in the open doorway of the old man's room for a long time, waiting for just the right moment to reveal himself to the old man in order to frighten him. 3Poe writes: "So I opened it [the lantern opening]--you cannot imagine how stealthily, stealthily--until, at length, a single
dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye." 4By using the metaphor of the thread of the spider (which we all know is a creepy creature) and the word "shot," Poe almost makes the reader gasp, as surely did the old man whose one blind eye the young man describes as "the vulture eye." The reader does not know much about what the old man in this story looks like except that he has one blind eye. 2In the second paragraph of "The Tell-Tale Heart," Poe establishes the young man's obsession with that blind eye when he writes: "He had the eye of the vulture--a pale blue eye, with a film over it." 3This "vulture eye" is evoked over and over again in the story until the reader becomes as obsessed with it as does the young man. 4His use of the vivid, concrete word "vulture" establishes a specific image in the mind of the reader that is inescapable. ..." "..."Thick darkness," "thread of the spider," and "vulture eye" are three images that Poe used in "The Tell-Tale Heart" to stimulate a reader's senses. 3He used concrete imagery rather than vague abstract words to describe settings and people. 4If Edgar Allan Poe was one of Stephen King's teachers, then readers of King owe a debt of gratitude to that nineteenth-century creator of horror stories. A classic format for compositions is the five-paragraph essay. It is not the only format for writing an essay, of course, but it is a useful model for you to keep in mind, especially as you begin to develop your composition skills. ..." "...The following material is adapted from a handout prepared by Harry Livermore for his high school English classes at Cook High School in Adel, Georgia. Many writing instructors use a freewriting exercise at the beginning of each class. It's a way of getting the brain in gear, and it's an exercise you can do on your own, safe to try in your own home. (We provide an interactive page for this exercise, see below.) Write down a topic at the top of that empty page. It can be either a one-word topic — like "Dentists," for example — or a brief statement of the topic you've chosen or been given to write about. Set the clock for five to ten minutes and put pen to paper or fingers to keyboard and go at it. If you can't think of anything to say, write down that you can't think of anything to say, something like: "I'm stuck but I'll think of something soon." Don't stop. Don't worry about transitions or connecting the ideas or paragraphing or subject-verb agreement or even commas. ..." "...And form absolutely no judgment about what you write. Your writing may take you in some really weird directions, but don't stop and never think to yourself, "Oh, this is dumb!" If you get off the subject, that's all right. Do not criticize yourself and do not cut or scratch out or revise in any way. Many instructors suggest that at the end of the timed period, you should write one sentence IN ALL CAPS that takes you back to where you started — something to do with dentists. ..."