Portfolio Fung Chia University Innovation Design
Hung Wen Lu
HUNG-WEN LU Innovation Design
CONTECT 0978611707 haley861107@gmail.com
EXPERIENCE STUDENT ASSOCIATION Of Architecture Department Event Activities Department | 2019 - PRESENT
haley_xiao
SKILLS TECHNICAL
Adobe Illustrator Photoshop Rhino Gresshopper Lumion
1
INTERNSHIP- SU MAUBIN ARCHITECTURAL FIRM | 2019 AUG. PARTTIME JOB | 2018 - 2019 SHANGHAI ARCHITECTURE WORKSHOP | 2018 JUL DEPARTMENT JOURNAL EDITOR | 2017 - PRESENT
contents 1/
relationship between human and envornment Living On Trees P.5 Compound space P.7 SUN-FERN P.11
2/ Material properties Lattice hinges P.17 fluidity of clay P.23
3/ computational design Interactive Cubism
(in progress)
P.38
2
relationship of human and envornment
3
Living On Trees
Compound space
SUN-FERN
4
Living On Trees
Living On Trees relationship between human and nature after climate change
Taichung basin will sank under the sea when the sea level rise to 100 meters. People in that generation notice the importance of the nature. Therefore, they decide not to occupied the space that belongs to the trees, but live with them. People make good uses of the vertical space between trees. Through the Taichung basin, they can see the old cities stand on the sea. 5
Living On Trees
The living style will also be change. Differanciate the tree into two parts.The lower hlaf will be build for living units , and the upper is the public space that is a platform supported by several trees. One living units is similar to the studio apartment nowadays; the platform is a semi-open space, consist of living room, kitchen, and entertainment center. They use the hemp stairs to connect with the private space and public space. However, people live in the place sank under the sea usually use the boat as their vehicle. It will also change the lifestyle by living with sea. The project consider that the future community will be consist of Taiwan cedar and the royal palm. In the future, people make good respact of the nature. They use coconut to make ropes, zipline, and the fishing rod. in conclusion, the lifestyle after climate change a lot.
public space
construct
private space
6
Compound space
Compound space relationship of human and space This site is next to the WenXiu park. The project intend to discuss about the relation of space and human, and research people’s beh -avior in the space. It‘s a compound space wjich is consist of gallery and private house It wants to make a space where can welcome peo -ple to the park. therefore, a yard is build next to the gallery to attract people stay in the space.
portotype
7
Compound space
playing in the park
see the peple in the park
sitting on the walkway
gallery
8
Compound space
vertical flow
layout residence (private)
gallery (public)
elevator stairs parking
9
Compound space
section 1
The tard next to the gallery intend to make a welcome space for people to the yard. on the second and third floor are planted some trees.
section 2 10
SUN-FERN
SUN-FERN
Muscle sensor and Nebulzer
We found that the defenition of comfortable space is not all thesame to everyone; In a space, people have different behaviors. Sometimes, we couldn't aware of our feeling accuratly.For example, we might walk very quick and shrug our shoulders when feeling nervous. Therefore, this project intend to sense the contract of muscle to measure our mood. If we were in a bad mood,the atomizer will spray perfume. to relax our mood. On the other hand, the outlook of the system is design to put on the top of our body. One side of the system cover people's face to express the private space, and the other side is opened to convey the kindness to everyone.
11
SUN-FERN
Observation and Sensors position Furious
Chill-out Not joining
Tense
Not joining
relax Not joining
We set the range of the muscle's contraction. When people are in the bad mood,the atomizer will spray perfumeto relax our mood.(the sensor will send the signal to the atomizer)
Output / Nebulizer / Chest Input / Muscle sensor / Shoulder
atomizer musle sensor
12
SUN-FERN
case study and concept The mantis'antenna will shine when she feels human's mood. Having a kind mind, she can help people to relax their mood by touching.
light
having private space
mind
touch
MATERIAL INSPIRE
13
Open mind to others. share the happiness with others.
MATERIAL i used
SUN-FERN
conponent
circuit digram
code
14
Material properties
15
Lattice hinges
fluidity of clay
16
Lattice hinges
Lattice hinges This project keep the conpcept from case studies. The system use the destructive structure to bend the wooden. And the bounce of the bened-woodens offset the power to becoms a stable structure. This design intends to chalange the traditional characteristics of woods. And this structure can make up to pillar and walls.
case study vertical slab as the structor the width of the hinges
the length of the hinges
small crack length
rotate angle
stretch
the length of nodes
rotate can change the crack length
total rotation
small crack the density of the cracks
vertical horizon
Each hinges add up to the total ratation. The ragular crack width changes because of the torsion. After tje operation of digital computing, the wood comes into lattice hinges. 17
Living On Trees
Power Offset
Characteristic of lattice hinges
basic pattern
The House of Three Trees,three dougong -shaped roof offset the power to become to the stable roof system.
parallel the hinges
parallel : support
untortchable nodes
vertical : tension
lattice hinges under pressure
lattice hinges be tensioned
unfordable two side all be cut down
18
testing
Lattice hinges
cracks length nodes
himges
length nodes 8-32
0.2 cm
length nodes10-30
0.4 cm
length nodes11-26
5
0.6 cm
length nodes12-28
5
0.8 cm
length nodes14-26
1.0 cm
length nodes15.6-36.4
1.2 cm
length nodes16-24
測量極限(公分)
10
11
10
8
7
6
6
7
6
6
2 0
2
4
6
8
12
10
縫長
鉸鏈長度(毫米) 鉸鏈測試 1
19
2
40
線性(鉸鏈測試) 3
4
5
6
7
縫長
28
28
28
28
28
28
28
鉸鏈
0
2
4
6
8
10
12
節點
12
12
12
12
12
12
12
縫寬
5
5
5
5
5
5
5
極限值
10
7
6
7
6
11
6
(單位:mm)
6
3
7
8 7 6 5 4 3 2 1
極限值
4 0
2
cracks length nodes
himges 鉸鏈測試 10
5
0.0 cm
35
30
25
1
2
1
2
20
15
50 2
10
3
4
3 26
6
8
10
5
4
14
節點 16
6
5
28
12
26
7
6 36.4
7
縫長
32
鉸鏈
0
2
4
6
8
10
12
節點
8
10
11
12
14
15.6
16
縫寬
5
5
5
5
5
5
5
編號
1
2
3
4
5
6
7
極限值
5
2
5
5
6
3
7
(單位:mm)
30
4
24
Lattice hinges
testing cracks width
density
3 cm
0.2 cm
4.5 cm
0.3 cm
10-30 6.38 2.00
5.5 cm
0.4 cm
11-26 6.38
3.00
9 cm
0.5 cm
12-28 6.38
4.00
11 cm
0.6 cm
4-26 6.38 5.00
9.5 cm
0.7 cm
15.6-36.4 6.38 6.00
11 cm
0.8 cm
16-24
測量極限(公分)
density
cracks width
16 14 12 10 8 6 5 4
15
13
12
11 18
6
2 0
2
1
3
4
5
7
6
鉸鏈長度(毫米) 縫寬測試 密度的 縫長
1 28
2 28
3 28
4 28
鉸鏈
10
10
10
節點
12
12
12
雷切線
雷切線
1
2
縫寬
編號 極限值 (單位:mm)
3
4.5
5 28
6 28
10
10
10
10
12
12
12
12
雷切線
雷切線
雷切線
雷切線
雷切線
3
4
5
6
7
5.5
9
11
9.5
7 28
11
線性(縫寬測試)
1
2
3
4
5
6
7
縫長
33
33
33
33
33
33
33
鉸鏈
13
13
13
13
13
13
13
節點
14
14
14
14
14
14
14
1
2
3
4
5
6
縫寬
縫寬
0
編號
1
2
3
4
5
6
7
極限值
5
6
11
8
15
12
13
(單位:mm)
20
Lattice hinges
supported structure
Design
Less is density, the limit lentgh is bigger. Bigger is the bounce, the offset power is bigger. More unfoldable of the wood, the structure is stabl -er. To sum up, the space becoms bigger.
Self-supporting by the tension, and fixed by screw
one unit stretch to become a wall system.
5 mm 4 mm
it can also be a space
structure
3 mm
pattern limit testing 1
2
3
4
5
6
Limit length
the range of the limits
21
5.7 cm
6.7 cm
8.3 cm
18 cm
19.2 cm
32 cm
Lattice hinges
desing 9.5 cm
9 cm
5.5 cm 5
4
5
4
1
3
5
4
1
3
2
2
2
6
6
6
6.7 cm
30 cm
3 cm
the limit of the wood
woods lean to each other because of the bounce
19.2 cm 8.3 cm
5.7 cm
3
1
18 cm
confirm the limits of the wood
32 cm
the range of the cracks length
Basic Modle 1
2
3
4
5
6
crack lenth
49
49
49
49
49
49
hinges
19
19
19
19
19
19
nodes
21
21
21
21
21
21
crack width
3.8
3.8
3.8
3.8
3.8
3.8
density
4.5
5.9
8.2
9
11.2
12.7
1
2
3
4
5
6
(/mm)
Adjustment of lattice hinge length 26
hinges 12
nodes 10
crack width
density
Lightning line
5 (/mm)
22
fluidity of clay
fluidity of clay
The hydrostatic pressure of the liquid clay is used to rotate the ceramic slurry to form a thin shell structure to achieve the most efficient use of the least material.This casting method can use more kinds of geometric templates and provide a variety of different structural forms. In the state of a thin shell, the clay exhibits the characteristics of light transmission and presents another texture.
23
fluidity of clay
Case study and motivation
case 1
Sandra Davolio is good at making clay flakes, presenting layers of staggered visual effects, especially the wrinkles at the end, which is thinner than the inner thickness.
The moldable properties of clay make it possible to mold a variety of shapes, especially the lightness that a thin sheet can create is what attracts me, and it is inspired by the case of using gravity to make ceramic mortar seep out of cloth. This study will test the flow of ceramic mortar. Performance and adhesion, and make a thin shell structure accordingly
case 2
In this case, gravity is used to make the ceramic slurry stretch the cloth, and a layer of ceramic slurry is adsorbed on the cloth, and the excess part flows out from the opened holes. Relying on the gravity and the cloth fixing method, the ceramic slab itself is shaped.
a. Liquidity b. Adhesion c. Thin shell structure
24
fluidity of clay
Operating procedures Robotic arm value
Target result
design
robotic arms advantage
Combining the ductility and plasticity of the clay to obtain experimental data, and based on the experimental results The robot arm writes out multiple sets of paths, pours the ceramic mortar into the spherical shell, and generates multiple sets of patterns.
Precisely control the flow rate of the ceramic slurry and customize multiple paths to generate
According to the data obtained from the experiment, to understand the fluidity and adhesion of the ceramic mortar, the acrylic spherical shell is used as a mold to make a bowl-shaped ceramic slab; and the porcelain clay is used as the material to change the texture of the layer of ceramic mortar by using the adhesive properties , So that the pottery has a light-transmitting texture.
experiment process Test the fluidity of ceramic slurry with different soil-water ratios
Place the quantitative ceramic mortar on the acrylic, turn it over and record the angle of the ceramic mortar slipping, and get the ceramic mortar flow angle.
25
Decide which tool to test
First test the flow of ceramic slurry with a hemisphere, and then test with a complete
Manually test and shake out different patt -erns
The design is divided into two directions, one is to design the path and then the pattern is obtained, and the other is to
Design tool head and simulate path
Find the tool head suitable for clamping the sphere and simulate the path
operation
Actual machine operation
fluidity of clay
Application analysis diagram
Analysis conclusion of experimental results material properties
(a) White cloth voids are bigger, inflexibilitable
(b)cotton
(c)cotton
the textile is thinner, inflexibilitable
voids are smaller, flexibilitable, can absorb water
(d) linen cotten voids are smaller, inflexibilitable,can absorb water
26
fluidity of clay
material testing
contact diractly (a)
(b)
(c)
(d)
Vaseline (a)
(b)
(c)
(d)
After applying Vaseline between the cloth and the pottery, it is easy to release, but it is equiva -lent to separating the cloth from the pottery and cannot penetrate the cloth.
The clay becomes more moist and also fragile.
Vaseline with pottery (a)
(b)
(c)
(d)
(a) White cloth (b) cotton (c)Lekab(d) linen cotten
27
Lekab and white cloth are easier to take off. Fiber in Cotton and lin -en cotten may patch with the clay
fluidity of clay
experiment
Material
linen cotten
cotton
2:3
1:1
a week
3 days
cotton
Lekab
Lekab
1:2
1:2
1:1
5 days
a week
3 days
scale (clay: water)
time
process
outcome
Too long to dry The clay is too heavy
Cotton linen is easy to absorb water, successful demoulding is the beginning Wetter range
Too much water will increase the drying time, at the bottom there are much clay is deposited in the department.
28
fluidity of clay
Fluidity testing
material
Lekab
Lekab
3:2
1:1
Prototype testing
pattern scale (clay: water)
the way to flow
outcome
29
(a)
Too sticky
Make pulp flow By gravity
Difficult to control Easy to break
fullystressed
side view
outcome
(b)
(c)
fluidity of clay
pattern 1 testing
step 1
step 2
step 3
step 4
step 5
step 6
step 7
step 8
30
fluidity of clay
Demoulding test
6:6 66°
lycra
79°
fabric
98°
cotten fiber
cotton cloth
55°
Big angle Low liquidity High adhesion
31
6:7
6:8
6:9
6 : 12
48°
44°
38°
18°
25°
43°
21°
21°
28°
24°
20°
24°
63°
40°
55°
60°
38°
51°
38°
45°
6 : 15
6 : 18 15°
18°
16°
20°
Small angle High liquidity Low adhesion
fluidity of clay
Liquidity test
material clay /water
lycra
2:3
lycra
1:1
angle of the board and desk
80
cotton cloth
70
cotten fiber
60
method
fabric
50 Smooth with tools
shaking makes the slurry flow
lycra
40 30 20
result
10 Difficult to control and causing split
well-balanced shell
6:6
6:7
6:8
The soil-water ratio and the angle between the board and the table top is larger, the clay has a great influence on the adhesion of the fabric
6:9
6:12
6:15
6:18
scale
The soil-water ratio and the angle between the board and the tabletop is small, the clay has less effect on the adhesion of the cloth.
32
fluidity of clay
material and ratio test 6:9
6:12
6:15
6:18
(15ml)
Easy to demold
gauze The pores are too big, the clay wraps the gauze inside
non-woven gauze The pores are too big, the clay wraps the gauze inside
plastic wrap Easy to peel off pottery by elect -rostatic force
High liquidity
33
Low liquidity
Easy to demold
fluidity of clay
Speed test
5%
15%
Ratio test
100%
1:1
2:3
10ml pattern1 6:12
10ml
10ml pattern2 10ml
high adhesion
low adhesion
The faster the speed is, the attached area is larger and the turbidity is smaller
The ratio of 2:3 is better to shape
34
fluidity of clay
Robot arm path route1
route5
PT1
Take PT1 as the origin of the working plane, and the sub-point on the taking line as the rotation axis, and rotate forward and backw -ard 75°
3
route 2 1
2
65°
Divide the circle into three axes and go around each one Turn the working plane to the direction of 90° by 65° with the eight rotation axes.
pattern 4 testing 35°
75°
route3 step1
step2
step3
75°
35°
35°
75° 35°
30°
75°
75° and 35° take turns to turn but the flow of clay at the 35° angle is not obvious, so it only made four-dimension path of the clay.
30°
30° and 75° take turns
pattern 5 testing
route4
45°
step1
step2
35°
step3
55°
25° 15°
75° 5°
75°
65°
25°
starting from 75° and decrease by 10° for eight times
35
Decreasing from 75°, the flow of the clay length are decreas -ed gradually.
fluidity of clay
Tool introduction tool1
Flange
tool2
tool3
Flange sponge control opening
Flange
force
force Adjustment Control tightness Transparent ball Only apply force at two points, lack of support in the second dimension
Control tightness Surround buckle is stabler
use sponge increases friction force
Experimental results Model demolding step1 Wrinkles will block the flow of clay
step2 plastic wrap is easier to demold
step3
step4
The model is fragile
a.
Model demolding
b. c
→
→
+
d
Lycra is easy to demould, but it cannot be completely adhered to the spherical shell, so it is easy to make wrinkles and cause the flow path of the clay to be blocked or changed.
Thinner fabric is easier to adh -ere to the ball shell, therefo -re the plastic wrap is easier to release from the clay.
a
a. Use 40mm mold; 2:3 ceramic slurry b. Use 40mm mold; 1:1 ceramic slurry Due to the deep curvature of the mold, it is difficult to sep -arate from the shell and the 2:3 ceramic paste is too thin, which causes the model to break.
b
(a. plastic wrap b. clay c. spherical shell d. paper mold) Apply vaseline between the plast -ic wrap and the sphaverical shell to help release the mold, and af -ter the pulp inside turns into a paper shell, put it into kiln to cast.
36
fluidity of clay
Thickness influence
2:3
1:1
The sticker is the clay, the adhesion is higher.
pulp Pulp is glued on the plastic wrap
Glaze clay
the adhesion is higher, the Friction force is bigger.
plastic wrap Apply vaseline on the spherical shell
shell
Mold making
Hydrostatic effect
37
The glaze is too heavy, causing the shell to collapse
computational design
38
CUSTOMIZED CUBISM
CUSTOMIZED CUBISM
This design is aim at useing deep learning technology to produce a new type of architectural design, and provideing users with a system that they can join in the design and resolve the differences between the users and the designers. it will provide a system of space modules for customers to build up a space by themselves, so that the designers would be better to know the preferences of the owners, and the owners can also have fun by participating in the experience.
process
sketch
using partitions to create a space
39
3D
Draw a draft of the target on the tablet, and 3D rendering graphics will be generated
the generated rendering graphics will be project out
Project the graphics on the wall, allowing users to experience the space they want
CUSTOMIZED CUBISM
deep learning operations datas collecting
Rendering
Line draft
classification training
training data testing data
training & testing
validatioin
outcome
validation data classification
buttress
pinnacle
windows
40
CUSTOMIZED CUBISM
outcome
41
Portfolio Fung Chia University Innovation Design
Hung Wen Lu