1
PROLOGUE
建築也可以見證記憶的力量，建築是不同世代跨越時光展開的對話，雖說種種藝術和文化的形式 無不如此，但建築的對話最為明顯與突出。 建築對我而言非常重要，但我無意宣稱建築可以拯救 世界，偉大的建築不是桌上的麵包，也不是法庭裡的正義。建築會改變生活品質，而且影響往往 十分驚人，然而建築無法醫治病人、教化無知，光憑建築也無法維持生命，建築充其量不過就是 提供一個情緒、氛圍的環境，讓上述事情得以發生。 建築除了明顯具有遮風擋雨的功能之外，其 重要之處和任何藝術一樣，都是為了讓生命更加美好。 節錄《建築為何重要》
2
陳思安 SZU - AN, CHEN
Educational Background Sep. 2013 - Jun. 2018 銘傳大學建築系
Experience Nov. 2019 - Now CM STUDIO- 設計助理 Sep. 2017 - Jun 2018 銘傳大學建築系第十五屆畢籌會 - 會長 Jun. 2016 - Sep. 2016 立聯合建築師事務所 - 實習
Workshops July. 2019 - Aug. 2019 中興紙廠國際建築設計工作營與展覽 Dec. 2017 廈門理工大社文化區工作營 Feb. 2017 大地的織衣微創聚落產學計畫部落建築營 Mar. 2016 - Jun. 2016 竹編泥屋工作營
Awards 2018 第七屆 IEAGD 建築系畢業設計國際特展 - 參展 2018 第七屆松山文創園區學園祭創作青年交流計畫「空間與景觀設計類」- 入選 2015 臺北市公共住宅規劃設計、公辦都更策略規劃徵求創意方案 - 決選 2014 明道大學築夢之塔全國競圖案 - 佳作
3
4
CONTENTS
06
01 身分裁判所 法院建築與身分定位之關係 Graduation Project Bachelor V 2018
02 RE-Envisioning 1935 Chung Hsing Paper Factory
32
時間複寫 Workshop 2019
40
03 韌性城市 自給自足的海上社區 Bachelor IV, Semester II 2017
50
04 INSPIRATION HOSTEL 2016 冥想發生於流動的凝視 Competition Project Bachelor IV, Semester I 2016
62
05 生態美術館設計 關渡自然公園 Bachelor III, Semester II 2016
68
06 巷弄集合拼貼 背包客旅店 Bachelor II, Semester II 2015
5
6
01
身份裁判所 法院建築與身分定位之關係 Sep. 2017 - May 2018
Graduation Project
Bachelor V Individual Work Site: Zhongzheng Dist., Taipei Instructor: 呂兆民
法院──人類以自身靈魂在此碰撞並企圖主持公平正義，它可被視為公民實踐及政治、藝術、歷史和信仰的 總和，是包含所有社會文化的載體。從法院歷程來看，其具備了議會、劇場、圖書館、救贖空間等原型，因 此我設計一座能讓這些行為重新發生的法院，並期望吸引更多民眾的參與，我以近年將會實施的「國民法官」 制度為依據，設計了一座實驗法院。
基地
基地位於台北市華光社區舊址，外觀紅色厚重實牆象徵法院權力的穩重，量體半崁入地面與周圍高聳的大樓 形成對比，同時屋頂成為民眾聚集並議論的廣場空間。
身分空間 把具有「身分意義」的審判空間 ( 法官、被告、陪審團 ) 量體化，使這些空間在被觀看的過程擁有自明性。 我認為以「第三者」的觀看方式能讓民眾更無情緒壓力的進入法院空間，因此藉由一條斜向貫穿平面的開放 路徑，民眾可以了解法院中的空間及其對應的行為，試圖以此加強法院與民眾的連結，同時此路徑也劃分出 公共空間與審判空間的配置關係。 法官、陪審團和被告在進入法庭前會經過一個弧形天井空間，被告與其他人的路徑位在不同的高度，此間接 交集欲闡述其身分雖具有差異，但之於審判仍起始於同一點，在此天井空間被告能享有片刻的自由活動、感 受陽光與雨水。
身分與自我 四座法庭的下方，一半是被告的候審室，一半是圖書館的延伸，兩空間的座位區由一扇落地玻璃隔開，處在 地下空間人們無法第一時間判讀出對面空間就是即將受審的被告，此處是設計中唯一削弱身分關係的空間， 這裡人們不是由法庭位置給與此人身為被告的第一印象，而是憑藉他個人的舉止給予其一個屬於「自我」的 第一印象，進一步 啟發人反思關於「身分與自我」的價質。
“我知道這世界我無處容身，只是，你憑什麼審判我的靈魂 ？” ──卡繆《異鄉人》
7
Imperfect Justice
Unfamiliar Court
Culture Container
The protagonist of the book “The Stranger” is held in custody on charges of homicide, which describes the passage of the court, the darkness and loneliness of the court compared with the detention center, and from the standpoint of the detention of the defendant, One of the places, at the same time describes the court atmosphere, temperature, light, can be said that the court is the place where human rule of law collides with the human soul.
Most people's impression of the court is mostly the more authoritative and the place where the prisoners are tried. Most people always think: "The best idea is not to go to court, so the stereotype that when I actually visit the court, I find it common The people in the courts are still quite unfamiliar with the law, and this directly affects all kinds of rights and interests as members of society and even violates the rights and interests of others without their knowledge.
Courts are places where justice is conducted. Behind them is a symbol of state power. It is also considered as a combination of civil practice and politics, art, history and religion. It is a container that mixes all social cultures. From the standpoint, we can see that the views of the courts in various times, both thick and transparent, reflect the social ideology of different regimes and times.What is the contemporary cultural practice?
Criminal Procedure INVESTIGATE，INDICTMENT: Investigate, Indictment Judge
PRELIMINARY PROCEEDING:
Documents
Judge Path
After the prosecutor finds that the defendant has committed the crime, the prosecutor filed a lawsuit in the court.
Preliminary Proceeding
In the Preliminary Proceeding, the judge should, in addition to arranging the issue of dispute, investigate and prosecute the evidence presented by the two parties and examine the contents and sequence of the evidence investigation. The most important task is to produce a "trial plan". ELECTION JURY PROCESS:
Defendant
Defense Attorney
first select the jury candidate, the Election Jury so-called candidate jury, that is, to Proceeding determine the implementation of jury tasks, and random selection of personnel combinations. (Such as taxpayers roster, water supply or power user roster, etc.) and then select nine jurors and prepare jury. JUDICIARY PROCEEDINGS: Judiciary Proceedings In order to guarantee the defendants' design of defensive powers, there shall be a procedure for investigating the evidence of the existence of the crime, the procedure for debating the existence of the criminal facts, And the debate process, the defendant finally stated.
Prosecutor
Witness
Jury JURY COMMENTARY: Commentary Nine jurors went to the review room for comment, a majority vote must be reached, or a trial run.
Defendant Path Jury
Trial
TRIAL: everyone back to court, the judge sentenced.
8
COURT TYPE Gatmere's idea: "Types express rules and ideas rather than images that are to be imitated or reproduced."public meaning. It can be regarded as a combination of civic practices and politics, art, history and religion, a container that mixes all social cultures.
Athens-600 BC Heliaia Democracy
Rome-350 AD Basilica of Maxentius Despotism
Heliaia
City level
U.K.-1910 Central Criminal Court Democracy
Basilica of Maxentius
U.S.A..-1964 the D.F. Building Democracy
the Dirksen Federal Building
Court level
Courtroom level
Internal circulation system
Parliament:
Church:
Theater:
Library:
It is used as a place for people to discuss, speak and work together to solve problems.
Christianity has far-reaching effects. The concept of sin and redemption is even more relevant to the church. Its conception and atonement are also kept in court. According to Christian doctrine, the salvation of Jesus Christ is related to all mankind. From the past until the future.
Courts can be analogous to theaters, all of which are spaces between reality and idealism that are not disturbed by the outside world and where everyone has a role to play.
Courts are based on precedent, in the form of books and documents accumulated in the case, which record the sum of social history, so that both the present case and the events recorded in the past contribute to better law formation, public awareness Record.
Sacred - the ceiling Western courts have been greatly influenced by Christianity. Therefore, the strong belief spirit can be felt in the space. However, in modern times, the law is more believed to be a symbol of reason, objectivity and fairness. As a result, faith gradually disappears, and I deduce here The form of smallpox can affect the strength of faith. 9
COURTROOM Courts provide the trial, which is the core space of the court. It is the result of boycotts of different identities. The ideology of that era affected the influence of various factors. After cutting constantly, it divided the space of several identities. Courts are given the power of coercion so there is no need for an actual wall to exist in such a division.
Spatial power relations How and why tribunals should be zoned? In the process of drawing points, the struggle between the various regions means that one can properly participate in the trial. I categorized it as a private sphere which I represent as a symbol of power for individual status. Therefore, I can separate the relative relations of space by defining the supremacy of human rights through the means of space allocation.
Height
Symbol
Visual and invisible
Oppression
Secure Dock
Light
Focus
Marginalization
The current criminal court
Identity Segmentation
Struggles for Territory 10
Public / Private Domain
WAITING SPACE Feeling is disturbing when awaiting judgment. Therefore, the atmosphere of the waiting space is very important. I think the most basic element of waiting space is rest and safety. In addition to meditation, space discussions should be provided by the user, so the waiting space of the court may lead to the possibility of separating the public domain from the private domain.
Chicago Federal Center / Mies Van Der Rohe
Associates Kait Workshop / Junya Ishigami
Collage by me
Path
Private /Public Domain
Light and Shadow
Waiting for the space to be placed at the beginning of a path will not begin to move to court until the notifying office registers a message. By lengthening the walking distance, users will be prepared to enter the courtroom in a dynamic manner.
In the public area, draw a space that belongs to the individual, in order to achieve a sense of rest and security, and provide a private space to discuss with the defender.
Louis Kahn said: Natural light gives the spatial character and gives architectural life because the life of the building is created by the illumination of light, and based on this, no space is real unless architectural life is given.Natural light with its unique and ethereal life almost presented in the face of the world, it uses the spirit of the human living space to engrave the trajectory of the soul.
Meditation Path
Private /Public Domain 11
PARLIAMENT FEATURES As civic awareness rises, the number of people protesting on the streets has increased. Courts as a venue for trial, a symbol of national justice, and protest groups have often gathered in front of the courts to protest. Since the assembly and procession are the rights of the people, I They think that the door of the court should be widened and the rally of the people be regarded as a necessary act while providing them the necessary space to meet the contemporary social awareness and thereby increase the chances of more people to communicate with law enforcement officials so that the court may weigh Parliamentary space function.
PLACE SPIRIT To re-examine the current configuration of the courts, the court today places considerable emphasis on efficiency. However, I think that focusing on efficiency, the court must find the place where the court should be. Therefore, I will re-disassemble the office now equipped with offices to increase the space required Improve space quality.
12
13
IDENTITY JUDICATORY The court is the collision between man and soul, the place where man presides over justice, the sum of citizen practice, politics, art, history and belief, and the carrier of all social culture. From the palace's history, it has archetypes such as a parliament, theatre, library and redemption space. So I designed a court that would allow these behaviors to be replicated, hoping that more people would participate. The site is located in the former HuaGuang community in Taipei city. The red solid wall symbolizes the stability of the court's power. The solid wall is embedded in the ground to form a contrast with the surrounding high-rise buildings. 14
15
Square Park
Jury's Entrance
Deliberation Room Judge and Jury's Domain
Public Corridor
the Courts
Defendant's Entrance Police Van Parking
Judge's Entrance
EXPLODING Jury's Path Judge's Path
Library & Trial Waiting Room
16
Defentant's Path the Destination
EN Entrance Jury Entrance
Defendant Entrance
W Entrance
SW Entrance
Law Enforcement Officer Entrance
IDENTITY SPACE The "status" of the trial space (judge, defendant, jury) has been quantified, so that these Spaces in the process of being watched with self-knowledge. I think in the "third party" watch way can make people more space to enter the court without emotional stress, so by an oblique plane open path, the public can understand space and their corresponding behaviors in the court, in an attempt to strengthen the links to the court and the people, at the same time, this path is divided into space configuration of the relationship between public space and judgment. 17
N
MASTER PLAN
18
1
8 13 10
11
9 12
1
14
5
7
6
4
3 1
2
N
1F PLAN
1. 2. 3. 4. 5. 6. 7.
Entrance Marshal room Service center Joint office Marshal's lounge The judge’s office Certificate keeping office
19
8. 9. 10. 11. 12. 13. 14.
Jury entrance Jury waiting area Jury room The court The jury and the judge move Waiting space Police cars parking
4 3
5
12
6
7
8
9
11
2
10
1
N
B1 PLAN
1. 2. 3. 4. 5. 6.
Mediation Consultation Room The mediation court Legal classroom Canteen Witness lounge Lawyer's Lounge
20
7. 8. 9. 10. 11. 12.
Defendant entrance Outset space The judicial police room Joint Office Waiting for space Library
3
4
1
2 5 6
N
B2 PLAN
1. 2. 3. 4. 5. 6.
Library Case area Storage room Moot court The defendant waited for space The judicial police room
SECTION
21
22
Southeast perspective
23
the Court Outset Space
Judge Office
Jury Waiting Space
Dynamic chart
Outset Space
the Court
Outset Space
Int
erf
ace Defendant Waiting space
Moot Court
Defendant Waiting space Outse space & the court section Jury Room
Library
the Court Reserved Area Library
Unrestricted area restricted area
Library Judge
Jury room & library section
B2 plan - intersection space
Jury Defendant Populace
INTERSECTION SPACE - OUTSET SPACE Before entering the court will judge, jury and the accused through a curved patio Space, I call for "Outset Space", but the path of the defendant with others in different altitude, the indirect intersection to expound its identity, though has difference, but still to the trial began in the same point, the defendant in the atrium Space to enjoy a moment of freedom activity, feel the sunshine and rain.
24
Outset space
Jury room
Outset space section
Jury and judge Move
the Court
Jury room
IDENTITY AND SELF Four of the court below, half of the defendant's pending trial chamber, half is an extension of the library, two dimensional seating area separated by a door be born glass, people can't the first time in underground space of the space is the trial of the accused, here is the only weaken the identity relationship in the design of space, here people not by the court position to give the person a first impression of the defendant, but through his personal manner given the one belongs to the first impression of "self", further inspire people rethink about identity and "self" quality.
25
Public corridor
View from entrance
Public corridor section
THIRD PERSON PERSPECTIVE
 Film, "Rear Window", the actor through binoculars to spy out the outside events. This let me have an inspired, the court usually has a strong atmosphere, will surround people, so I will be by the court , outset space, jury room, such as the release on the line of sight, can let people to the viewer's point of view, to watch the court activities, without having to directly enter it, I want to borrow this technique can improve the will of the people into court to watch.
26
The tower dosen't reach the bottom
TOWER- monument -identity The whole body sinks into the earth, making the sense of authority decline. A tower, perched on Square Park, gives the court a monumental focus. People can enter the tower from the square park and descend the stairs to the observation tower, which floats above the atrium. Again, it limits people's activities and reflects the difference of identity. The tower is a space that can only be seen and seen.
Skylights upon public corridor
Square park and the tower
Outset space
The modle without half roof
27
CIRCLE A circle that covers all identities.Â
28
29
30
CIRCLE A circle that contains all spaceÂ
31
32
02
RE-Envisioning 1935 Chung Hsing Paper Factory 時間的複寫 July 31, 2019 - Aug. 09, 2019
International Workshop and Exhibition Site: Chung Hsing Paper Factory, Yilan
Instructors: 呂兆民、陳為寧、翁振瑋 Team Member: 陳思安、賴冠妤、吳侑蓉、楊鎮羽、簡均安、陳信宇、林詩雅、徐敏碩 Role In Team: 抄紙室設計 , concept development, drawings, models, 3D models
「設計以三個條件執行：一條路徑、一處場所、一種對紙的想像。」— 呂兆民
歷史的複寫成立沒有機能的存在 機能而生的紙廠，作為一台巨型生產機器，時空背景下的運作成就一段產業輝煌的歷史，機具被掏空後，人 們不再為了生產而來；完全沒有機能的事實構成探索空間的絕佳條件，有別於一般空間，沒有機能的空間奠 基於歷史的累積，日後，廠房人員走後，探索者將接續到訪。
紙廠轉型成紙場 我們發題目制定了一條如隧道般的建築想像，建築需與舊廠房地面及牆面脫開的獨立方式建構，方向是從逝 去機具的連續洞口中，以廊道連結起原廠房的八個造紙空間序列，這新的路徑置入方式有如一道建築剖面展 開了製造的過程，對我來說更像是將“紙”變成“人”投入到機具裡頭經驗一次原料在巨大機器、弧形槽體、 微小管道、上下流動變化成紙的動線，以「擬仿」作為空間的操作去對應、觀看被保留的八個區域的原貌與 現況，試圖讓生產紙張的工廠在未來轉型成生產生活的紙場。
抄紙室 我負責抄紙室區域的設計，新置入一座小型展覽空間，外型由原本抄紙機轉化而成，設計位置旁有個中庭， 現已充滿植物，想要透過新量體，將原本屬於機械的廠房與廢棄後重生的自然產生新的連結，一個轉化的載 體，如抄紙本身即是將紙漿轉變成紙一般，因此這個設計，將面向中庭的牆面包圍住，讓人進入這座小型展 覽室時，可以自然地將方向轉向充滿自然的植栽，完成新的空間複寫。
33
TIME OVERWRITINGÂ
 Keeping the structure into the spiritual environment of the paper mill, the performance space of the paper making process developed in 1935 transformed perception and perception, even if the future paper mill operation remanufacturing recycling or conversion use, can be used to maintain the existence of the paper mill represents the beginning of a mechanical age.
Photos and drawings 34
Chung Hsing paper factory 35
Papermaking room, 2019
N
1F PLAN
02
03
01 36
04
01. Tracing paper 02. West view 03. Curved roof 04. Barrel gallery
37
02
01
03
NON-FUNCTION The paper mill with this function is a huge production machine. Operating in the context of time and space, has created a brilliant history of the industry. When machines and tools are hollowed out, people no longer come to produce. The fact that there is no function at all constitutes the optimal condition for exploring space. Unlike ordinary Spaces, Spaces without functions are built on the basis of historical accumulation. THE ALTERNATION OF NATURE AND MAN Mill the ruins of the rear wheel silence, random modern mainstream value, artificial space function, function, however, is not at the mercy of the nature of space and time, artificial and natural assimilation, create natural melting into a new, and nature has become a kind of form, in the future, will also be the ruins of The Times, we will again put people in nature.
01. Top view 02. Plant area 03. Sketch 04. Design for the whole
04 38
39
40
03
韌性城市 自給自足的海上社區 Mar. 2017 - May. 2017
Bachelor IV, Semester II Teamwork Site: Kaohsiung
Instructor: 王价巨 Team Member: 陳思安、賴冠妤 Role In Team: concept development, models, 3D image
環境變遷 全球暖化加速了冰層融化，導致海平面不斷上升，並引發海水倒灌、沿海地區土壤鹽鹼化、土地面積變少等 問題，再加上人口上升導致糧食短缺，因此為了在未來能緩和糧食問題，我們希望能設計一個在海上自給自 足的社區，以便增加糧食產量。
SMART FLOATING FARMS 這個項目是由 Javier F. Ponce 和 Jakub Dycha 設計，其作為一個海上農場，目的便是透過增加種植面積來增加 糧食產量，同時透過海上交通，可以達到快速移動的功能，因此我們參考了這個案子用到的技術 : 魚菜共生、 水耕法、海水淡化以及海洋熱能發電等。
凝聚力 我們認為一個優良的社區除了提供最基本的生存外，還需要有社區認同，因此我們認為凝聚力是不可忽視的 要素，發展配置圖時，創造住宅間的交流空間便成為我們的第一個要素，滿足這要素後，才開始演化不同的 組合方式。整個社區可以分成四個區域，商業區、漁業區以及兩個農業區，位於中間的商業區也是整個社區 的行政中心，同時提供大型的公共設施，如百貨公司、展覽廳、圖書館、電影院，同時恩為交通便利，各個 重要設施也設立於此，如中控中心、醫院、郵局、消防單位。在農業區每個溫室之間有小型的交流空間，在 工作之餘便能增加更多的互動，而每一區中間也都有中型的社區中心及小型商店，同時在農業區的中央公園 處還提供學校，滿足教育功能。
41
Kaohsiung Harbor
SITE CONDITIONS 1. It should be close to economic, social and economic areas. 2. An area more than 300 feet deep. 3. Seas with moderate tidal waves and few typhoons and tropical depressions prevailing over the western Indian Ocean islands. 4. With stable climate and little rainfall. 5. The sea surrounded by a long and narrow terrain can be transported, moved and expanded freely, and has a very wide sea area.
SELF-SUFFICIENT GRAIN ESTIMATION METHOD A smart floating farm can produce 8,152 tons of vegetables and 1,703 tons of fish per year, assuming that the average amount of grain eaten per person per year is about 547 kilograms. Agriculture Dependability (8152000/547)= 14,903 persons On average, there are (14903/70000=0.21 persons per 1sqm Approximately 1 person per 5sqm 1 household for every 15sqm (3 persons) 25000sqm provides 5000 people Fishery Can provide for (1703000/547) = 3113 The average feeding per 1sqm =0.045 people Approximately 1 person per 22sqm
BASIC UNIT - FLOATING HOUSE This floating house can accommodate four people and is the basic unit we designed.
42
PROTOTYPE "Cohesion" is the focus of our community, so we took three floating homes (with their respective inland seas) as our basic prototype and began to work out the following four combinations.
A
B
C
Group A
Group B
Group C+D
Agriculture
Fishery
Commerce
Configuration Process 43
D
Deep Sea Fish Farm
Fishery Area
Commercial Area Mobile function
04
Agricultural Area
01
05
02
06
03
Port Transfer station Sea bus (hull 15m) Large ship channel (hull 40m) Civil vessel channel (hull 6m-15m)
CONFIGURATION The whole community can be divided into four districts, commercial district and two farming and fishing areas, located in the administrative center of the whole community - the central business district, and provide large public facilities. At the same time, due to convenient transportation, various important facilities are set up here. 44
01. Regional figure 02. Explodinf 03. Basal layer 04. Commercial area 05. Road systems and public Spaces 06. Traffic node
MASTER PLAN N
18
17 15 23
22
16
12
24 14 25
10
3 2 20 1
5
19
11 7 8
20 4 4
6
21
COMERCIAL AREA
AGRICULTURAL AREA
FISHERY AREA
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
12. 13. 14. 15. 16. 17. 18. 19. 20. 21.
22. 23. 24. 25.
Gallery Department store Cinema Library Central control center Hospital Post office Port authority Fire protection unit Transfer station Shop street 45
Greenhouse Farmland Communication space Community center Store Diving platform Pool area Central park School Water theatre
Fish farm Deep sea fish farm Community center Store
AGRICULTURAL AREA PLAN
FISHERY AREA PLAN
WATER THEATRE PLAN
46
Agricultural area
Fishery Area
Water theatre
47
SWIMMING POOL AREA PLAN
Swimming pool
Swimming pool & Deep sea fish farm
48
COMERCIAL AREA PLAN
Comercial area
Park & Shop street
49
50
04
INSPIRATION HOSTEL 2016 冥想發生於流動的凝視 Oct. 2016 - Dec. 2016
Bachelor IV, Semester I Competition Project Site: None
Instructor: 李芝瑜 Team Member: 陳思安、許登凱 Role In Team: concept development, drawings, models, 3D image
「這是個累贅、蠢動、消費的年代，許多人身不由己地過著這種生活，迫切需要一方寂靜的空間，讓我們紮 根、成長，我們得抱著一定能找到希望的信念活下去。」—Marl Rothko
INSPIRATION HOSTEL OPENGAP 組織舉辦每年一次的思想競賽，以尋求有關藝術靈感空間的獨特概念，競圖設定為一個旅店機 能，並要求需具備三種類型的工作室，藝術工作室 (Art studio)、文學工作室 (Literature studio) 以及音樂工作 室 (Music studio)。
如何產生靈感空間 ? 在資訊過剩的年代，人們無時無刻都在吸收資訊，這些資訊會慢慢在我們腦中發芽，但真正要讓這些資訊成 為創作上的靈感，我們需要一個足夠讓人沉靜思考的空間，以此讓潛藏於腦中的資訊蛻變成靈感，因此對於 我們來說，能有助於產生靈感的空間是需要能讓人冥想的空間。
MARK ROTHKO 的畫作 Mark Rothko 以一種精神的體驗，通過題材的超越，接近意識本身，藉由精神個體沉浸、融合於畫面之中， 在他的繪畫中有兩個特徵，「畫面擴張並向四方湧出；畫面緊縮而吸入內心深處」，在此兩極之間，觀者可 以找到我想要說的沉浸感。
流動中的凝視 我們嘗試將畫作中的兩極轉譯成空間，根據空間的緊縮及擴張，將空間分成兩部分，南側為行政機能、工作 室空間，這裡的空間密度是較高的，另一部分，北側為一個大庭院，包含了圖書館以及一座冥想室，整個 旅店透過一條可以循環的動線，在緊縮封閉的空間以及廣闊擴張的空間中交替，希望藉由空間感受的交替作 用，以及遊走於其中，達到流動中的凝視，引領人陷入源源不絕的沉思，進而激發靈感。
51
Painting 01, Chen, Szu-An
Painting 02, Chen, Szu-An
Painting 01 Through the water interspersed in the indoor and outdoor, to achieve a kind of spatial flow, enhance the space of the lively.
HOW DOES SPACE ASSIST INSPIRATION?
 In full of excess information s, people all the time to absorb information, these information will slowly sprout in our mind, but really want the information to be creative inspiration, we need a enough space, let a person calm thinking to lurk in the brain's information into inspiration, so for us, can help to create inspiration of space is the need to be able to make room for meditation.
Painting 02 We believe that the atmosphere of space can infect users, so we try to connect the sense of space so that the spirit of people's efforts to create can infect each other. 52
"This is an age of burdensome, imbecile, consumerism, which many of us cannot help living. We desperately need a quiet space where we can take root and grow." -Mark Rothko
ANALYSIS OF MARK ROTHKO'S PAINTINGS
Mark Rothko's pursuit of a spiritual experience, through the transcendence of subject matter and access to consciousness itself, through the immersion and integration of spiritual individuals into the picture, is entirely achieved through a highly sensitive -- if not supernatural -mastery of color. Collection, Mark Rothko
Retrenchment and Expansion In the picture, there is always a soft edge like the horizon. However, the expansion from darkness to light color edges or walls can bring people's thoughts out of the picture and make it easier to listen to the inner voice, so that the viewers are immersed in their own deep thinking and get to see the extreme outside the picture frame.
Brightness and Color
We think of bright/pale painting as unfolding from the inside out, and dark/rich painting as inhaling and immersing, a state of infinite movement and meditation when both colors are present. Rothko chapel, Philip Johnson 53
Compressed space models
The compressed space is made through white and black cardboard respectively.
Plaster models The plaster is stirred with hot water. When the ink made of ice is poured, the ice is cast with the plaster, and the ice rises and melts.
Dynamic gaze
TRANSLATION PAINTINGS TO SPACE
 We tried to turn Mark Rothko's paintings into space, and we tried two ways, one to achieve the effect of flow through the contraction and expansion of space, and the other to simulate chaos by watering the plaster.A meditation is achieved by walking through the space between these two poles.
54
Concept models
Rudiment section
SPACE OF SILENCE - THE WALL
 Finally, we decided to make the high wall one of the key points of the design. The high wall is sacred, and the two walls cancel each other out to achieve the effect of contraction. To the right is the hotel's main living area and public space, while to the left is the meditation space and courtyard.
Concept section 55
Dynamic activity (spreading) Calm and deep thinking (convergemce) The road under ground which could make people more calm after the circulation of spreading and convergence.
Library 56
The trail
1F PLAN
N
2F PLAN
3F PLAN
1. 2. 3. 4. 5. 6. 7.
8. 9. 10. 11. 12. 13. 14.
Lobby Literature studio Art studio Music studio Group room Room of silence Gallery
Living room Library Courtyard Factory Space of silence Garden Discussion space
FLOWING SPACEÂ
 Create a race figure requested the inspiration of the hotel, and provide different Room of the three types of creators, we are going to the hotel is divided into two areas, one is the housing area (spreading) people inspiration here to discuss, share information, belong to the area of dynamic, another garden district (convergemce) with library, Room of silence and the vast courtyard, let people immersed in it, belong to the static region.
At the bottom of the Room of silence, there is an underground trail that connects the housing area, making the two areas of silence become a cycle.
57
01
02 01. Room of silence 02. Space of silence (under the literature studios)
AA' SECTION
03 05 01
02
58
04
07
THE STUDIOSÂ
 The music and literature studios are on the same side, except the art studios are on the other side of the wall. Located on the third floor, the music studio has a unique skylight that allows music to spread to other Spaces. The second floor has a discussion square where creators can gather again to share and even host exhibitions.
03
05
06
04 03. Discussion space 04. Space of silence (between the walls) 05. Art studio 06. Music studio 07. Literature studio
BB' SECTION
06 03
59
07
01
02
03 60
01. North view 02. Space of silence (under the literature studios) 03. Library 04. West view 05. South facade 06. Discussion space 07. Space of silence (between the walls)
04
05
06
07 61
62
05
生態美術館設計 關渡自然公園 Jan. 2016 - June. 2016
Bachelor III, Semester II Individual Work Site: Beitou Dist., Taipei Instructor: 陳彥豪
關渡自然公園 位處淡水河及基隆河的交會口，自古以來，即是重要的候鳥棲地。近年來對於環境變遷的影響，人民的環保 意識需要提升，因此重新規劃關渡自然公園，並改建遊客中心使之「成為生態美術館」，以環境題材之藝術 推廣環保意識、藉此吸引更多民眾來認識這塊地。
濕地 濕地是位於陸生生態系統和水生生態系統之間的過渡性地帶，在土壤浸泡在水中的特定環境下，擁有眾多野 生動植物資源，是重要的生態系統。很多珍稀水禽的繁殖和遷徙離不開濕地，因此濕地被稱為「鳥類的樂 園」，濕地強大的生態淨化作用，又有「地球之腎」的美名。
種子 濕地擁有自然生態豐富的物種，象徵著生命，因此從孕育生命的起點 - 種子為發想，將這顆種子埋在關渡平 原之上，接著發芽長出向土裡穩固的根 ( 服務空間 )，接著再隨著莖部向上性、向陽性的莖葉 ( 特展區 )， 在此我們可以如同枝上葉子一般遠望關渡自然保留區，最後我們可以環繞在這一切生命的源頭種子 ( 常設展 區 )，並從此空間學習濕地生態的一切。
63
Traffic channel
Entrace Bird watching trails
Ecological park
N
Site plan
GUANDU NATURE PARK
 Located at the confluence of danshui river and keelung river, it has been an important habitat for migratory birds since ancient times. In recent years, due to the impact of environmental change, people's awareness of environmental protection needs to be improved. Therefore, the guandu nature park was replanned and the visitor center was transformed into an "ecological museum" to promote environmental awareness with environmental art and attract more people to know about the land.
SEED
 Wetland is rich in natural ecological species, a symbol of life, so from the beginning of life, thought of seed, the seed is buried in guandu plain, grows and solid root in the soil space (services), and then with the stem and leaf (area) the positive, where we can look like the branches leaves guandu nature reserve, finally we can surround in all life the source of the seed (permanent exhibition), from the wetland ecosystem and to learn.
01 ROOT
02 SEED
sinking the entrance service line
around Semi-outdoor space pool
02 01
03 LEAF 03
raise the observatory bending Exploded view 64
Entrance hall (root)
Gallery corridor (seed)
Bird-watching platform (leaf) 65
1
4
2
5
10 6
8
3
7
1F PLAN
1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
8
Entrance Front desk Coffee shop Office Storeroom Exhibition hall A Exhibition hall B Special exhibition area Ecological pond Restroom
N
5 1
2
3
4
B1 PLAN
66
1. 2. 3. 4. 5.
Lecture hall Workshop Warehouse Exhibition hall C Restroom
N
01
02
03
04
01. South view 02. Overview 03. North view 04. Top view
AA' SECTION
BB' SECTION
67
68
06
巷弄集合拼貼 背包客旅店 Oct. 2015 - Dec. 2015
Bachelor II, Semester II
Individual Work Site: Zhongshan Dist., Taipei Instructor: 李湘亭
康樂里 十四 . 十五號公園的位置曾經是一座大型眷村 - 康樂里，眷村為台灣特有的居住型態，其中含有豐富的文化 精神，人們離開原本家鄉，因緣際會之下聚在一起的人們組成了新的聚落，在大台北城中流浪的旅行者，若 有緣分也能在此停留片刻。
巷弄空間 巷弄的空間非常有趣，低矮的房子、蜿蜒的小徑，以及不規則的開窗等 ...... 眷村中的鄰里間的熱絡互動，平 凡與今日城市居民成對照，因此我想藉由交錯平台和公共廣場等設計，增加人與人的互動可能性以及空間的 變化及趣味。
拼貼 我收集許多巷弄圖像，將其進行拼貼，再藉由描圖紙反覆描繪，得出一個集合空間，以此畫面做為空間發想 的原型。這座旅店由不同高層的兩區域合併在一起，期望透過錯落的空間，創造巷弄間的穿梭感，並將小型 集會空間配置在各機能之間，讓每個住房外都有交流空間，以此呈現一種小型聚落。
69
01
02
03
COLLAGEÂ Â I collect many lanes, collage, tracing paper describes a set of back into space, as I think the space of the prototype of the hair, the hotel is made up of two pieces of different, fuses in together, so each layer has different elevation difference, the feeling of want to create tourism, and the matching between scattered in the small conference room, make each room has a common communication space, just like a small town.
01. Picture collage 02. Repeatedly tracing 03. Hatching 70
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15.
14
10
15 9 5F PLAN
13
10
15
Gallery Coffee shop Storeroom Outdoor seating Entrance Lobby Dining room Companionship Communication space Restroom Public bathroom Eight people room Double room Quad room Single room
N
10 1
9
3 4
13 2 13 4F PLAN
11
B1 PLAN
12
9
10
6
3F PLAN 5 4 10
2 7
9
8
2F PLAN
1F PLAN
71
02
01
03 01. Communication space 02. Terrace 03. West view
AA' SECTION
BB' SECTION
72
73