P20
開幕片 Opening Film
P22
閉幕片 Closing Film
P02
市長序 Preface by Mayor
P24
觀摩長片 Feature Films
P03
節目總監序 Preface by Program Director
P34
短片競賽：評審與獎項 Film Competition: Juries and Awards
P04
售票資訊 Ticket Information
P38
短片競賽 Short Films in Competition
P08
活動資訊 Events
P48
學生短片競賽 Student Short Films in Competition
P16
場地資訊 Venues
P56
焦點導演：跨域鬼才 麥斯海德勒 Director in Focus: Max Hattler
P17
場次表 Screening Schedule
P68
焦點導演：玩轉極線 海蒙庫莫 Director in Focus: Raimund Krumme
P73
角色方程式：卡通也瘋狂 Character Formula: Cartoon Frenzy
P80
發現新視角：音像流轉 New Angle : Music & Animation
P85
發現新視角：聲音遊戲 New Angle: Sound & Animation
P88
發現新視角：感官啟動 New Angle : Synesthesia & Animation
P93
TIAF 觀察站：敘事變奏曲 TIAF Observatory : Harmony & Disharmony of Narrative
P98
TIAF 觀察站 : 波蘭圓舞曲 TIAF Observatory: Polish Animated Film and Visual Surroundings - Best of Anima PL
P104
寶貝小宇宙 Baby Universe
市長序 Preface by Mayor
邁入第五屆的臺中國際動畫影展，在動畫領域已逐 漸站穩腳步，不僅是動畫創作者一年一度的文化盛 事，更是讓臺灣動畫的軟實力走上國際舞台，與世 界各地的優秀動畫創作者交流與競爭的閃亮平臺。 這一年，我們很開心迎來許多的好消息！首先是 TIAF 臺中國際動畫影展與法國 NEF 新書寫動畫協會 共同合作的「2019 TIAF X NEF 法國楓德浮修道院動 畫駐村計畫」正式啟動，經過公開徵選及評審後， 我們遴選出一名優秀的臺灣動畫創作者，於今年 10 月前往當地駐村創作一個月，在駐村交流期間獲得 更多創作能量與養分，繼續為臺灣動畫界創作出更 多精彩作品，也更期待 TIAF 與 NEF 雙方可以有更 多密切的合作機會。 臺中國際動畫影展向來深受觀眾期待的「短片競賽」 單元，今年報名件數達到 2,201 件，再創歷年新高。 經過激烈的評審過程後，最後選出來自全球 28 個國 家的 60 部入圍作品，更不乏在國際動畫影壇屢屢獲 獎的精彩佳作。這些優秀的動畫短片都將在影展期 間呈現在觀眾眼前，也期待國際影人們來臺交流互 動。
2 Preface by Mayor
市長序
臺中市除了擁有悠久的影視產業發展歷史和豐富的 產業資源，更已躍升為全臺第二大電影票房市場， 市府除了與本市影視發展基金會共同合作，務實推 動影視產業補助、協拍服務和推廣各種影視活動之 外，隨著費時多年新建完成的霧峰「中臺灣影視基 地」在今年 7 月正式開始試營運，包括 3 座傲視全 臺的攝影棚，還有當年李安導演於臺中拍攝電影《少 年 PI 的奇幻漂流》使用的造浪池，也在專業團隊努 力下再度啟動，成為目前亞洲唯一拍攝用的專業造 浪池，逐步將臺中打造成為國際級的影視重鎮。 感謝歷年來的策展執行團隊不懈的努力，以及國內 外影人及動畫創作者的支持和參與，讓「臺中國際 動畫影展」年年都有令人期待的亮點。最後，我要 藉著這項一年一度的國際動畫饗宴，歡迎來自國內 外的動畫創作者齊聚臺中，更希望市民朋友們踴躍 參與，一起為辛勤創作的動畫工作者們給予掌聲與 喝采！期待年年臺中見！
For the fifth year running, the Taichung International Animation Festival (TIAF) now plays a crucial role in animation and has become an important annual gathering for animators. Moreover, the TIAF not only helps the Taiwanese animation leap onto the world stage but also provides a cultural exchange platform for the outstanding filmmakers from all over the world. In 2019, we received several pieces of fantastic news. First of all, the NEF Animation residency at Fontevraud Abbey on which the TIAF collaborates with the NEF was announced, and by a process of open call, a brilliant Taiwanese animator was selected and would spend a month at Fontevraud Abbey in October this year. During the period, the artist is expected to gain creative energy and inspiration through the cultural exchange while creating excellent works for the Taiwanese animation. Furthermore, we look forward to further collaboration between the TIAF and the NEF. The TIAF Short Film Competition, which has always been the most popular category, received the record-breaking number of 2,201 submissions this year. After the heated debates between the judges, sixty films from twenty-eight countries were chosen for the final. Amongst the nominees are many award-winning films selected for the major international animation festivals. All these outstanding short films are included in the 2019 TIAF program, and the directors are invited to come to share their experience with the audience in Taiwan. In addition to the long history of the local film and television industry and the rich industry resources, the box-office receipts in Taichung are the second highest in Taiwan. On top of working with the Taichung Film Development Foundation, the Taichung City Governments offer film and television subsidies and assistance in shooting in the city, promoting a wide range of film and television activities. The Central Taiwan Film Studio in the Wufeng District, which opened in July this year, has the three largest sound stages in Taiwan and the Life of Pi Wave Tank in Asia, the only tank tailor-made for shooting and constructed by Ang Lee and his crew. With its state-of-art facilities, the Central Taiwan Film Studio turns Taichung into an important base in the film and television industry. On behalf of the Taichung City Government, I would like to thank the TIAF team for their hard work and the animators' support and participation, which make the TIAF a highly anticipated annual event. Lastly, by hosting this international animation festival, we welcome all the animators from Taiwan and abroad to Taichung and hope that the local residents would take part in the festival with great enthusiasm, applauding these outstanding filmmakers. We look forward to meeting you every year in Taichung! 臺中市長 Mayor of Taichung City
節目總監序 Preface by Program Director
臺中國際動畫影展奠基於城市影展規模，已經發展 成為國際觀摩與競賽的平台；今年的競賽單元有 2,201 件的作品報名，在競爭激烈的狀況下，挑選 出 60 部的入圍短片，部部精彩！從中，我們看到國 內外獨立動畫創作者們，令人讚嘆的創作才華與視 覺表現！今年的開幕影片，特別邀請到導演吉特保 羅迪斯一人獨立完成的動畫長片《衝出迷境》，彰 顯寶貴的獨立創作精神與傲人成績！ 作為城市影展本身，我們也不忘初衷，持續替市民 帶來親子與闔家歡的觀摩單元，今年更增設了最佳 兒童短片獎，鼓勵親子動畫作品與創作者。此外， 動畫長片也成為我們邀約的重點，在類型與內容上 更多元。其中，除了奇幻冒險、熱鬧歡樂的影片類 型之外，也有以毛小孩為核心角色的關懷之作；更 有多部在藝術性上拔尖，或者自我表達上動人的作 品！ 今年影展的特別企劃主題則選定了「音樂與聲音」 為主軸，首度邀集多位客座策展人，共同呈現兼具 傳統經典與新潮前衛的影音盛宴，以饗所有市民與 觀眾！年度觀察站則邀請到波蘭克拉科夫 Etiuda & Anima 影展的藝術總監博古斯勞姆津斯基，所特別 推薦的波蘭新生代動畫得獎專輯。讓我們一窺波蘭 動畫學派在動畫圖像藝術與音樂上的傳承與創新！ 從今年兩位焦點導演麥斯海德勒和海蒙庫莫的作品 中，我們也能「看」到音樂和聲音如何與動畫表現 相互作用。兩位導演在畫面構圖與動態上的精彩表 現，自不在話下；然而透過精心設計的音樂或者聲 音，更是相互輝映，令人眼界大開！
As a city film festival, we never forget our initiative and therefore we maintain the categories for family and children. In addition, the Children's Choice Award is set up this year, aiming to encourage the animations made for family and children. Moreover, feature-length animation becomes one of this year's focuses a greater diversity in genre and subject is seen. Amongst them, apart from fantastic adventure and joyful entertainment, there are films, which have animals as protagonists, raising the awareness of animal welfare and also works showing amazing artistic merits or moving self-expression. "Music and sound" are chosen as this year's special theme. For the first time, we invite several guest programmers to put together an audio-visual feast that combines traditional classics with new avant-garde experiments for the Taichung residents and the audience. In Polish Animated Film and Visual Surroundings - Best of Anima PL, we invite the award-winning animations made by the promising young polish filmmakers recommended by Bogusław Zmudziński, the artistic director of the International Film Festival Etiuda & Anima. Through these films, we get to see the traditions and innovation in the animation art and music of the Polish School.
Here I would like to express my gratitude to the Taichung Film Development Foundation, the guest programmers, the jury and the TIAF team!
臺中國際動畫影展 節目總監 Program Director of Taichung International Animation Festival
3 Preface by Program Director
When we watch the films by Max Hattler and Raimund Krummer, the directors in focus, we can also "see" music and sound and how they interact with animation. In addition to the incredible composition and movement shown in the images, the carefully designed interaction between music, sound and animation truly takes the audience's breath away.
節目總監序
謹此感謝市府團隊、臺中市影視發展基金會、客座 策展人、評審和影展工作團隊！
Starting as a city film festival, the Taichung International Animation Festival (TIAF) has evolved into an international platform for animation screening and competition. Amongst the 2,201 short films submitted to this year's competition, 60 of them are selected for the final. The fierce competition undoubtedly guarantees the high quality of the nominees as these works demonstrate such amazing creative energy and visual presentation. In order to promote the spirit of independent filmmaking and its brilliant performance, Away, an animation feature completed solely by its director, Gints Zilbalodis, is invited to open the 2019 TIAF.
售票資訊
單場票
預售票
NT $
100
銷售時間
9/13（五）12:00 - 10/10（四）23:59
全票
NT $
160
銷售時間
10/11（五）- 10/20（日）
愛心 / 敬老 / 學生票
NT $
80
銷售時間
9/13（五）- 10/20（日）
* 入場須出示相關證件
戲院內服務台現場購票僅收取現金。
團體票
預售期間開放團體訂票，單一場次購買 10 張以上即享團體優惠，單張 70 元。 意者請於週一至週五 14:00 -18:00 洽詢，團票服務專線：04-2323-6100 #42 陳小姐。 限量 100 張 !!
上班也要看 週間五日通行證
NT $
449
銷售時間
9/13（五） - 10/3（四）
可觀賞 10/14 -10/18 各場次
週一至週五上班日
* 詳細規則請見動畫影展官網購票資訊頁面 twtiaf.com
10:00 -12:30、14:00- 18:00
特別販售
於臺中市影視發展基金會辦公室販售 通行證好禮三重奏 ．
一日茶道 潔顏皂系列
* 購買時需出示身分證件登記證號 於影展現場憑證取票
．影展主視覺海報一張 ．影迷一番賞抽獎券一張（於影展期間，現場出示通行證領取）
4 Ticket Information
售票資訊
菊花普洱 蜂蜜烏龍 檸檬綠茶，共 3 款，隨機贈送 價值 280 元｜限量 100 份
退票方式 1. 票券退票最遲須於該場次前一天 23:00 前辦理，且每張需酌收 10% 手續費，逾時皆不受理。 2. 退票地點： 全臺 7-ELEVEN 門市 ibon 機台皆可辦理退票（9/13（五）- 10/19（六），每日 7:00 - 23:00），若為網 路訂票，須取出票券後才可操作退票。 影展期間 10/11（五） - 10/19（六）亦可於戲院現場影展售票服務處退票〈開放時間為每日首場電影放 映前 30 分鐘，至當日末場電影開演後 20 分鐘。〉 3. 「換票」視同「退票」，請依上述方式辦理退票後另行購票。
購票說明
＊ 每場限購 6 張；無跨場次結帳，若購買不同場次者，須分批結帳。
ibon 機臺 購票流程
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2019 臺中國際動畫影展
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點選線上購票
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ibon WEB 購票流程
持繳費單至櫃台繳費後取得購買的場次票券。
ibon 售票系統網 ticket.ibon.com.tw 網路購票須至 7-ELEVEN 超商印出實體票券，影展現場不提供取票服務。
訂購方式
ibon 售票系統網
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2019 臺中國際動畫影展
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完成訂購後， 憑「取票序號」 至 7-ELEVEN 門市 ibon 機台取票。
取票方式
輸入「取票序號」
持繳費單至櫃台繳費後取得購買的場次電影票券。
5 Ticket Information
1. 影展配合電影分級制度，請家長留意影片分級進行購票。 2. 兒童如未滿 2 歲，無須購票即可入場觀賞【普遍級】影片，每位購買者限免費攜帶一名未滿 2 歲不佔位 兒童入場。（未購票之兒童恕不提供座位） 3. 票券為唯一入場憑證，請妥善保存票券，如發生遺失、毀損或無法辨識等情形，恕無法入場。 4. 影廳內無障礙座位有限，如有需求，自 9/13（五）起，請於週一至週五 10:00-12:30，14:00-18:00 來電 洽詢 (04)2323-6100 #42 陳小姐。 5. 為維護觀影品質，影片映演 20 分鐘後不再開放入場，敬請準時入場。 6. 請遵守影城攜帶外食之相關規定入場。 7. 影片之權利屬於版權所有者，任何攝影、錄影、錄音行為皆屬違法，可能招致法律訴訟，主辦單位保留 要求觀眾刪除檔案之權利。 8. 主辦單位保有更動節目之權利；如遇天災或不可抗力因素，主辦單位將依據臺中市政府頒佈之命令，決 定是否取消映演，並於官網公佈。 9. 上述事項若有未盡事宜，依影展主辦單位公告為主。
售票資訊
注意事項
Ticket Information Individual Tickets Presale Ticket
NT $
100
Available from
Regular Ticket
NT $
160
Available from
Oct. 11 to Oct. 20
Disabled/ Elderly/ Student
NT $
80
Available from
Sep. 13 to Oct. 20
Sep. 13 12:00 to Oct. 10 23:59
Please present a valid ID at entrance
On-site ticket purchase can only be paid by cash.
Group Tickets Group Tickets can be purchased from Sep. 13 14:00 to Oct. 10 17:00. Discounts are offered for each single purchase of more than 10 tickets per screening (NT$70 each ticket.) Please contact 04-2323-6100 #42 (Miss Chen) for details during office hours: 14:00 - 18:00 on weekdays.
Weekday Pass Go to the Movies during the Week!
NT $
Valid for screenings between Oct. 14 - 18.
6 Ticket Information
售票資訊
*For details, please go to the ticket information on the TIAF official website: twtiaf.com
449
Available from
Sep. 13 to Oct. 3 at the Taichung Film Development Foundation during office hours: 10:00-12:30, 14:00-18:00
Free gifts for pre-sold Weekday Passes 1. TEAORY Soap Series (one each) (Chrysanthemums Pu-erh/Honey Oolong Tea/Lemon Green Tea, three fragrances, randomly selected) (RRP NT$280/Limited to 100) 2. Official TIAF Poster 3. One Raffle Ticket
Ticket instructions 1. ibon provides online service and 7-11 ibon machine purchase. 2. Each order is limited to 6 tickets, but there is no multiple-screening checkout. If you need to purchase different films, you need to check out each time.
Refund 1. Ticket refund must be claimed at least 1 day before the scheduled screening and a 10% handling fee will be charged per refunded ticket. 2. Refund location: 7-11 ibon system is available for refunding only when the ticket has been collected. On-site ticket refund is also available at the venue during the festival. Festival ticket booth opens 30 minutes before the first screening of the day and closes 20 minutes after the last screening starts. 3. Ticket exchange is deemed as ticket refund. Patrons who would like to exchange the tickets must follow the refund rules.
Terms and Conditions
7 Ticket Information
售票資訊
1. The film festival will cooperate with the national film classification. Parents are advised to pay attention to the rating. 2. Children under the age of 2 are free of admission but no seat is provided. Please present a valid ID at the entrance. One adult with one regular ticket can bring only 1 child under the age of 2. 3. Tickets are only valid for the designated seat shown on the ticket. Please reserve a seat when making the purchase, and any lost or damaged of the tickets will NOT be refunded or re-issued. 4. Barrier-free seat availability is limited. Please make a reservation by phone in advance at (04)2323-6100 #42 (Miss Chen), from 13th September, each day between 14:00-18:00. 5. In order to keep screening quality and show respect to other audiences, latecomers will NOT be admitted to the screening 20 minutes after the film begins, and the ticket is thus NON-REFUNDABLE. 6. Please follow the eating/drinking regulations issued by the venue. 7. All rights of the films belong to the copyright holders. Photography or video/audio recording during the screening is strictly prohibited. The festival reserves the right to delete such illegal files. 8. The festival reserves the right to change the program.
我要我的世界口味最特別 感動加上調味就會很完美 –––––《C 大調》 臺中國際動畫影展今年五歲囉！ TIAF 已經決定今年的派對主題是「音樂與聲音」， 用心規劃了一連串動畫 X 音樂的精采演出， 邀請大家動起來暖暖身，共譜一幕幕音像光景，喧鬧迎接 10 月動畫嘉年華！
夏日螢光動畫 MV 演唱會 9/21（六）19:30 臺中舊火車站前廣場（建國路及臺灣大道交叉口） 音樂錄影帶絢爛而光彩，你可曾注意那些用動畫呈現的 MV ？動畫作品其實就在你我身邊，其中創造 力和深深的涵義用大螢幕綻放時，是不是讓人期待呢？多首 MV 現場放映，由歌手與樂隊重新編曲現 場演出，跨界的創作力、雙倍的感官刺激！在 KTV 唱歌不過癮，就要到演唱會現場一同歡唱享受！ 演出團體｜柯智棠、Crispy 脆樂團、林瑪黛 ◎ 演唱會全程站席，恕不提供座位。 ◎ 凡當日衣著上有音樂符號，現場可免費兌換「彩色絢爛螢光棒」乙隻，數量有限換完為止。 ◎ 活動詳情請鎖定臺中國際動畫影展官網。
林瑪黛
8 Events
活動資訊
柯智棠
Crispy 脆樂團
《冰雪奇緣》歌舞互動大聲唱 9/28（六）19:30 臺中舊火車站前廣場（建國路及臺灣大道交叉口） 世界名曲放開手，Let It Go 琅琅上口，沒有人不會、沒有人不愛 Let it go, let it go. Can't hold it back anymore Let it go, let it go. Turn away and slam the door 全新女性自主意識抬頭，擁有魔法的 Elsa 公主歷經折磨蛻變成 女王。讓我們沐浴在歡快的氛圍中，跟著現場的歌舞、泡泡、 沉煙，再一次沉浸在冰雪的魔幻世界裡，一起共舞、大聲唱出 Let it go 吧！ 放映電影：《冰雪奇緣》英文發音
中文字幕
◎ 放映時提供限量地墊，歡迎闔家前來，越早到者可以先進入搖滾區。 ◎ 凡扮裝者亦或是衣著水藍色者，現場可免費兌換「冰雪搖滾螢光棒」乙隻， 數量有限換完為止。 ◎ 活動詳情請鎖定臺中國際動畫影展官網。
冰雪搖滾 螢光棒
焦點影人 Max Hattler VJ Show 10/13（日）17:30 凱擘影城 3 廳
9 Events
TIAF 焦點導演麥斯海德勒 Max Hattler 將帶來他的最新表演「Hattlerizer 4.D」，結合立體視覺和光 學聲音，戴上 3D 眼鏡，配合 Max 的現場聲音演出，將自己融入有機形體間的相互作用，從柔軟到模 糊而漸漸狂熱，迷幻且和諧。這是一場向即興爵士樂、前衛動畫和 VJ 文化致敬的演出，錯過可惜喔！ 入場方式｜ 1. 購票：同一般電影場次，購票入場。 2. 兌換：凡購買《焦點導演：跨域鬼才 麥斯海德勒（一）》及《焦點導演：跨域鬼才 麥斯海德勒（二）》 各一張，於櫃檯出示立即免費兌換入場。已兌換之票券不可退票。
活動資訊
© Anifilm 2019
影人 講座 Master's Talk
妳是大藝術家 妳真心創作的愛無價 –––––《大藝術家》
進入抽象聯覺的世界 好前衛
Max Hattler on Synesthetic Abstractions 10/12（六）19:15 Kbro 凱擘影城 3 廳 焦點導演 : 麥斯海德勒
現居香港的麥斯海德勒，是德國知名的錄像藝術家、實驗動畫導演，今年受邀擔任 TIAF 焦點導演， 將暢聊他的動畫、錄像裝置、現場音像表演，帶領觀眾穿梭具象 影像、美學
抽象、影像運動
意義生成、聲音
政治之間的辯證關係。
◎ 講座於《焦點導演：跨域鬼才 麥斯海德勒（二）》放映後開始。 ◎ 購買該場次觀眾優先參與，現場視空位安排候補排隊入場，額滿為止。
動畫影像的空間與聲音 Raimund Krumme on Sound, Space & Animation 10/13( 日 ) 20:15 Kbro 凱擘影城 3 廳
很神！
焦點導演：海蒙庫莫 德國知名動畫大師，早期作品以簡單的線條和人物，玩轉影像空間及人物的權力關係，晚期雖多著墨 角色動作與舞蹈表演層次，人物與空間的政治譬喻仍若隱若現！導演將首度來臺中分享他的創作歷程 與思維，也將暢聊作品中的聲音建構。 ◎ 講座於《焦點導演：玩轉極線 海蒙庫莫》放映後開始。 ◎ 購買該場次觀眾優先參與，現場視空位安排候補排隊入場，額滿為止。
10 Events
活動資訊
太狂了
耗時 6 年製作《海獸之子》經驗甘苦談
Eiko Tanaka on Making-of "Children of the Sea" 10/19（六）14:05 Kbro 凱擘影城 3 廳 Studio 4° C 製片田中榮子 TIAF 首度邀請曾製作《龍貓》、《魔女宅急便》、《心靈遊戲》等強片的日本金牌製片田中榮子來臺。 想知道最初在動畫工作室 Studio 4° C 角落一隅誕生的企劃《海獸之子》，如何茁壯成動畫長片，又如 何掌握高度的表現力？想一窺作品箇中奧秘的觀眾千萬不能錯過！ ◎ 講座於《海獸之子》放映後開始。 ◎ 購買該場次觀眾優先參與，現場視空位安排候補排隊入場，額滿為止。
音樂與聲音的碰撞——現場擬音表演對談 10/13（日）14:30 Kbro 凱擘影城 3 廳 大家有沒有曾經好奇過，拍攝電影可以現場收音，那麼製作動畫呢？少了真人演出，除了最基本的臺 詞配音外，那角色的腳步聲、吃東西的聲音、水聲都是如何錄製的呢？過程可能會超乎你的想像！ 這次邀請專業擬音師王文星，使用抽象動畫導演陳彥良和金馬獎最佳動畫短片得主黃勻弦的作品現場 配音，讓觀眾一睹平常看不見的擬音過程，並於三人的對談間，透露動畫與聲音間的合作關係。 ◎ 活動免費入場，請掃描 QRcode 報名，現場視空位安排候補排隊入場，額滿為止。 ◎ 更多活動詳情，請密切鎖定臺中國際動畫影展官網。
報名去
FOCUS 動畫沙龍：臺灣動畫的生存之道 10/19（六）15:20 Kbro 凱擘影城 2 廳 臺灣動畫悄悄地在你不注意時蓬勃發展著，內容包羅萬象天馬行空，並在其中注入原創動畫的璀璨篇 章。你會不會好奇，臺灣的影像工作室在業界是如何揮灑他們動畫筆觸，讓影像更吸引人又繼續保有
的影像工作室：MixCode、仙草影像及提摩西影像，來一場動畫沙龍，細說臺灣動畫串聯各個產業的 無限空間。 ◎ 活動免費入場，請掃描 QRcode 報名，現場視空位安排候補排隊入場，額滿為止。 ◎ 更多活動詳情，請密切鎖定臺中國際動畫影展官網。
報名去
Events
我們邀請參與製作過五月天、蘇打綠、紅衣小女孩 MV、王菲演唱會視效、金曲獎影像等等前途看好
11 活動資訊
創作活力呢？
我的寶貝 寶貝 給你一點甜甜 –––––《寶貝》
「寶貝小宇宙」延伸導讀 feat. 10/12（六）10:20、10/19（六）10:10 單元播映後 Kbro 凱擘影城 3 廳 孩子的觀影角度與大人不同，藉由親子之間的討論，可以激發雙方對於相同議題的不同見解，並讓父 母發現孩子解決問題的能力。 今年動畫影展在寶貝小宇宙單元放映後，邀請從事藝術教學 30 年的橘子布著色負責人江希宜老師， 針對單元中部分影片帶領討論，深入挖掘對議題的邏輯思考，期許給予孩子思考的時間，而非直接給 出答案。讓寶貝小宇宙的觀賞經驗不僅僅是娛樂，還有故事背後的親子引導，期待觀賞本單元的大人 小孩們，都能用不同的角度發現世界的美好！ ◎ 延伸導讀於「寶貝小宇宙」單元播映後開始，購買該場次的觀眾優先參與。
小小影評員 feat. 將於下列場次進行採訪： 10/12（六）「寶貝小宇宙」單元、「兒童評審你來當」活動場、《汪汪出任務》 10/13（日）《貓日子 ＆ 小小英雄：螃蟹、蛋與透明人》 為了讓觀影的溫度延續並更有教育意義，挑選數部適合兒童觀賞的影片，放映結束後工作人員將隨機 邀請爸爸媽媽和小朋友留下來，在鏡頭面前討論電影觀後感。由「橘子布著色」帶領拍攝，讓看完電 12
影的你還能透過網路做更深入地二度交流。
Events
活動資訊
看完影片別急著走喔，留下來面對攝影機、緊握麥克風，化身最知性的小小影評員吧！
歡迎 6-12 歲的國小學童，主動向工作人員報名採訪，接受訪問者就 有小小驚喜禮物喔！ ◎ 影片觀賞請至臺中國際動畫影展官網或
Youtube 頻道
你朝我的方向走來 我心裡充滿了期待 –––––《你朝我的方向走來》
兒童評審你來當 10/12（六）12:30、10/13（日）10:20 Kbro 凱擘影城 3 廳 今年競賽單元新增設「最佳兒童短片獎」，期待小朋友用自己的角 度選出世代觀點。我們將播放競賽單元中同時報名「最佳兒童短片 獎」的 6 部影片，並邀請 2017 年獲得 TIAF「最佳臺灣短片」及「觀 眾人氣票選獎」的楊詠亘導演，引導參與的小朋友們學習如何欣賞
簡單科學 自動充氣氣球
動畫，做一個稱職的評審！兩場兒童評審場也將進行投票，選出今 年的「最佳兒童短片獎」！ ◎ 活動免費參加，開放 9-13 歲學童與其家長入場，為讓更多兒童 參與，一位孩童至多一名家長陪同。請掃描下方 QRcode 報名。 ◎ 入場就送「簡單科學自動充氣氣球」，大人小孩都輕鬆上手，可 以掛在包包上或是裝飾家裡。
報名去
觀眾票選獎鎖定你 誰說只有評審可以決定作品喜好，你也可以！ 10/15（二）前的競賽影片場次皆將發放票選單，該場
頒獎典禮 10/16（三）16:30 Kbro 凱擘影城 2 廳 TIAF 競賽素有風向球之稱，今天就讓我們公佈下一個動畫界的閃亮之星是誰吧！摩拳擦掌看看 120 萬 總獎金到底獎落誰家？ ◎ 免費場次，16:00 開放現場排隊，開演前入場，額滿為止。
Events
眾票選獎」。
13 活動資訊
次結束後，請選擇心目中最優秀的影片並投下神聖的一票。票數最高的短片，將獲得「2019 TIAF 觀
每個夢都得到祝福 每顆淚都變成珍珠 每盞燈都像許願的蠟燭 每一天都值得慶祝 –––––《慶祝》 影迷一番賞 周邊紀念品各個精緻又漂亮，要如何才能拿到呢？凡集滿 5 張影展有價票券，即可抽一次影迷一 番賞！只送不賣的紀念品，你會抽到幾種呢？ 數量有限，換完為止（已兌換之票券，不可退票。）
一日茶道｜超音波香氛機
Intuos Comfort Small 繪圖板 （藍芽版）
feat.
feat.
影展主題 T 恤 feat.
頭頂好壯壯 安全帽
柔軟親膚 潮襪
feat. www.woawoa.com.tw
聲音好好玩 卡祖笛
14 Events
活動資訊
森永多樂福水果糖
專業認證徽章
中山 73 特製水瓶
率性單肩托特包
映前遊戲送好禮 每日隨機挑選 2 個場次突襲，在放映前和觀眾玩遊戲送驚
謎
答
喜影展周邊好禮，只要提早進場就有機會獲得！今年影展 主軸鎖定在「聲音」上，最適合這個主題的遊戲是什麼？
噓！ ASMR 聲音猜謎
「發現新視角」入場禮 音樂萬花筒，用動畫呈現不同音樂表現；處處是驚喜，就讓甜甜的牛奶糖慶祝自己 發現了新視角吧！凡入場觀賞「發現新視角」單元者，即可獲得森永牛奶糖一盒。 森永牛奶糖
數量有限，送完為止。
影展專屬 GIF 動態貼紙 TIAF 擁有自己的 GIF 貼紙囉！只要在 FB、IG 限時動態 GIF 圖庫搜尋「TIAF」，就可以來張最有梗 的打卡囉！影展期間到櫃檯出示使用 TIAF 動態貼紙打卡照片，標記「臺中國際動畫影展」(@ tiaf. taichung) 並填寫問券，就送小禮物喔！
大魯閣新時代櫃位一同歡度 TIAF 五歲生日快樂！
藍象廷 憑當日觀影票根，雙人同行消費送 5 隻 白蝦，四人同行消費送 10 隻白蝦，以此 類推。
莫凡彼
天蔥
勝博殿
憑當日觀影票根，至新時代店購買雙球冰 淇淋（小，售價 160 元），即贈送莫凡彼 冰淇淋乙球（小球，售價 90 元）。 ＊服務費10%另計，每張票根限兌換乙份。
凡點 500 元以上套餐可享單點義大利麵半 價優惠（優惠不可合併使用、以低價位半 價計算）。炸物分享盤（炸牡蠣、炸魚排、 蝴蝶蝦、德國香腸、炸中卷）優惠價388元。
憑當日觀影票根，享點套餐贈冷飲一杯 （紅茶 可爾必思 可樂） ＊此優惠不與其他活動優惠合併使用，限 店內享用。
麻膳堂
春水堂
卡司 KATZ
憑當日觀影票根，享套餐優惠價 200 元 （含珍珠丸、蝦仁燒賣、奶黃流沙包各乙 份，原價 240 元）。
憑當日觀影票根，享套餐優惠價 210 元 （含小杯冰珍珠奶茶、黃金脆皮薯條、黃 金香酥雞各乙份，原價 230 元）。
憑當日觀影票根，來店消費可兌換小份炸 年糕乙份（需個人低消，每張票根限兌換 乙份）。
15 Events
成真咖啡 憑當日觀影票根，享義式咖啡、非咖啡 類（精品手沖、創意咖啡除外）買一送 一。
活動資訊
空中飛梯 憑當日票根可享空中飛梯免費體驗乙次 （不限樓層，但須以當日現場開放樓層為 主）。
場地資訊 Venues
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16 Venue
場地資訊
凱擘影城 Kbro Cinemas 04-3608-0900 臺中市東區復興路四段 186 號 4 樓（大魯閣新時代購物中心） 4F., No.186, Sec. 4, Fuxing Rd., East Dist., Taichung City (Taroko Mall)
火車｜臺中車站 走復興路四段，步行約 5 分鐘。
Train ｜ Taichung Station Take Fuxing Rd. and walk for approximately 5 mins.
公車｜新時代購物中心站 搭乘 18、51、60、89 號公車。
Bus ｜ Taroko Mall Stop By Bus No. 18, 51, 60, 89.
場次表 Screening Schedule 14:30
學生短片競賽 1 我願意付出所有換一個時光機 Student Short Films in Competition 1
78 min
6+
P.48
16:30
學生短片競賽 2 不一樣又怎樣 Student Short Films in Competition 2
63 min
12+
P.50
18:30
衝出迷境 Away
75 min
0+
P.20
★
2
20:40
搖滾吧！中二樂團 ON-GAKU: Our Sound
68 min
0+
P.32
★
10/12
10:30
學生短片競賽 3 有一種風景 Student Short Films in Competition 3
66 min
0+
P.53
12:20
短片競賽 3 我怪美的 Short Films in Competition 3
75 min
12+
P.44
★
14:30
短片競賽 2 我的身體有了政治的形狀 Short Films in Competition 2
74 min
6+
P.42
★
16:40
角色方程式：卡通也瘋狂 Character Formula: Cartoon Frenzy
66 min
6+
P.75
18:30
布紐爾 超現實人生 Buñuel in the Labyrinth of the Turtles
80 min
6+
P.27
20:30
王子的時空旅程 The Prince's Voyage
77 min
0+
P.28
凱擘 3 廳
10:20
55 min
0+
P.108
Kbro Cinemas
寶貝小宇宙 Baby Universe
12:30
兒童評審你來當 Children's Short Films in Competition
100 min
0+
P.13
14:50
汪汪出任務 Jacob, Mimmi and the Talking Dogs
72 min
0+
P.29
16:50
焦點導演：跨域鬼才 麥斯海德勒（一） Director in Focus: Max Hattler 1
50 min
0+
P.60
18:20
焦點導演：跨域鬼才 麥斯海德勒（二） Director in Focus: Max Hattler 2
54 min
0+
P.64
★
19:15
影人講座：進入抽象聯覺的世界 Master's Talk: Synaesthetic Abstractions
60 min
P.10
◎
21:00
勿忘我 & 超棒蛋糕！ Memorable & This Magnificent Cake!
56 min
0+
P.25
10:30
短片競賽 4 他的創作始終沒有極限 Short Films in Competition 4
70 min
6+
P.46
★
12:40
短片競賽 1 堆積所有對你的思念 Short Films in Competition 1
73 min
6+
P.40
★
14:50
貓日子＆小小英雄：螃蟹、蛋與透明人
64 min
0+
P.24
16:30
搖滾吧！中二樂團 ON-GAKU: Our Sound
68 min
0+
P.32
★
18:30
學生短片競賽 1 我願意付出所有換一個時光機 Student Short Films in Competition 1
78 min
6+
P.48
★
20:40
學生短片競賽 2 不一樣又怎樣 Student Short Films in Competition 2
63 min
12+
P.50
★
凱擘 3 廳
10:20
100 min
0+
P.13
◎
Kbro Cinemas
兒童評審你來當 Children's Short Films in Competition
14:30
音樂與聲音的碰撞：現場擬音表演對談
80 min
P.11
◎
17:30
焦點影人 Max Hattler VJ Show
60 min
P.9
◎
19:30
焦點導演：玩轉極線 海蒙庫莫 Director in Focus: Raimund Krumme
42 min
P.71
★
20:15
影人講座：動畫影像的空間與聲音 Master's Talk: Sound, Space & Animation
60 min
P.10
◎
10/11 FRI 凱擘 2 廳 Kbro Cinemas
SAT 凱擘 2 廳 Kbro Cinemas
2
3
10/13 SUN 凱擘 2 廳
3
0+
◎
17 Screening Schedule
2
Cat Days & Modest Heroes: Ponoc Short Films Theatre, Volume 1
★ 延伸導讀
場次表
Kbro Cinemas
▲
場次表 Screening Schedule 12:00
短片競賽 1 堆積所有對你的思念 Short Films in Competition 1
73 min
6+
P.40
★
14:10
短片競賽 4 他的創作始終沒有極限 Short Films in Competition 4
70 min
6+
P.46
★
16:20
短片競賽 3 我怪美的 Short Films in Competition 3
75 min
12+
P.44
★
18:30
學生短片競賽 3 有一種風景 Student Short Films in Competition 3
66 min
0+
P.53
★
20:30
短片競賽 2 我的身體有了政治的形狀 Short Films in Competition 2
74 min
6+
P.42
★
14:00
TIAF 觀察站：波蘭圓舞曲 TIAF Observatory: Polish Animated Film and Visual Surroundings - Best of Anima PL
71 min
12+
P.102
16:00
焦點導演：玩轉極線 海蒙庫莫 Director in Focus: Raimund Krumme
42 min
0+
P.71
18:00
發現新視角：音像流轉 New Angle : Music & Animation
84 min
12+
P.81
2
20:00
焦點導演：跨域鬼才 麥斯海德勒（一） Director in Focus: Max Hattler 1
50 min
0+
P.60
10/16
12:00
發現新視角：聲音遊戲 New Angle: Sound & Animation
81 min
12+
P.86
16:30
頒獎典禮 Award Ceremony
90 min
18:40
TIAF 觀察站：敘事變奏曲 TIAF Observatory: Harmony & Disharmony of Narrative
87 min
12+
P.96
2
20:30
衝出迷境 Away
75 min
0+
P.20
10/17
13:00
短片競賽 4 他的創作始終沒有極限 Short Films in Competition 4
70 min
6+
P.46
14:40
汪星人的奇幻漂流 Marona's Fantastic Tale
92 min
0+
P.26
16:40
漂向北方的藍 North of Blue
60 min
0+
P.30
18:20
發現新視角：感官啟動 New Angle: Synesthesia & Animation
73 min
6+
P.89
20:10
短片競賽 3 我怪美的 Short Films in Competition 3
75 min
12+
P.44
13:30
短片競賽 2 我的身體有了政治的形狀 Short Films in Competition 2
74 min
6+
P.42
15:20
焦點導演：跨域鬼才 麥斯海德勒（二） Director in Focus: Max Hattler 2
54 min
0+
P.64
16:50
勿忘我 & 超棒蛋糕！ Memorable & This Magnificent Cake!
56 min
0+
P.25
18:30
布紐爾 超現實人生 Buñuel in the Labyrinth of the Turtles
80 min
6+
P.27
▲
20:20
阿拉涅的蟲籠 Aragne: Sign of Vermillion
73 min
15+
P.31
★
10/14 MON 凱擘 2 廳 Kbro Cinemas
2
10/15 TUE 凱擘 2 廳 Kbro Cinemas
WED 凱擘 2 廳 Kbro Cinemas
THU 凱擘 2 廳 Kbro Cinemas
2
18 Screening Schedule
場次表
10/18 FRI 凱擘 2 廳 Kbro Cinemas
2
影片級數、場次及活動異動訊息請以網站及現場公佈為準。 單場次含多部影片者，依最高審議分級為入場級別。 Please refer to the announcement on website and venue for changes of ratings, screenings and events. The screening containing more than one film will be rated with highest classification rating of the films.
P.13
★ ★ 映前導讀
★
★ 映前導讀
◎ ★ 映前導讀
▲
★ 映前導讀
★
場次表 Screening Schedule 10:20
汪星人的奇幻漂流 Marona's Fantastic Tale
92 min
0+
P.26
▲
12:20
短片競賽 1 堆積所有對你的思念 Short Films in Competition 1
73 min
6+
P.40
★
15:20
FOCUS 動畫沙龍：臺灣動畫的生存之道
90 min
P.11
◎
17:20
TIAF 觀察站：波蘭圓舞曲 TIAF Observatory: Polish Animated Film and Visual Surroundings - Best of Anima PL
71 min
12+
P.102
19:00
王子的時空旅程 The Prince's Voyage
77 min
0+
P.28
20:50
漂向北方的藍 North of Blue
60 min
0+
P.30
凱擘 3 廳
10:10
55 min
0+
P.108
Kbro Cinemas
寶貝小宇宙 Baby Universe
12:10
海獸之子 Children of the Sea
111 min
0+
P.33
★▲
14:05
耗時 6 年製作《海獸之子》經驗甘苦談 Eiko Tanaka on Making-of "Children of the Sea"
60 min
0+
P.10
◎
15:40
學生短片競賽 1 我願意付出所有換一個時光機 Student Short Films in Competition 1
78 min
6+
P.48
★
18:00
TIAF 觀察站：敘事變奏曲 TIAF Observatory : Harmony & Disharmony of Narrative
87 min
12+
P.96
20:00
學生短片競賽 2 不一樣又怎樣 Student Short Films in Competition 2
63 min
12+
P.50
11:00
貓日子＆小小英雄：螃蟹、蛋與透明人
64 min
0+
P.24
12:50
發現新視角：音像流轉 New Angle: Music & Animation
84 min
12+
P.81
15:00
發現新視角：聲音遊戲 New Angle: Sound & Animation
81 min
12+
P.86
17:00
發現新視角：感官啟動 New Angle: Synesthesia & Animation
73 min
6+
P.89
19:00
喀布爾之燕 The Swallows of Kabul
81 min
6+
P.22
凱擘 3 廳
10:40
66 min
6+
P.75
Kbro Cinemas
角色方程式：卡通也瘋狂 Character Formula: Cartoon Frenzy
12:30
汪汪出任務 Jacob, Mimmi and the Talking Dogs
72 min
0+
P.29
14:10
學生短片競賽 3 有一種風景 Student Short Films in Competition 3
66 min
0+
P.53
★
16:20
阿拉涅的蟲籠 Aragne: Sign of Vermillion
73 min
15+
P.31
★
19:00
喀布爾之燕 The Swallows of Kabul
81 min
6+
P.22
10/19 SAT 凱擘 2 廳 Kbro Cinemas
2
3
10/20 SUN 凱擘 2 廳 Kbro Cinemas
2
3
Cat Days & Modest Heroes: Ponoc Short Films Theatre, Volume 1
★ 延伸導讀
★ 映前導讀
★ 映前導讀
★ 映前導讀
★ 映前導讀
19 Screening Schedule
場次表
★
影人出席或導讀
Q&A
▲
影片拷貝非英語發音且無英文字幕
Non-English Language Films without English Subtitles
◎
活動場次
Festival Event
需配戴 3D 眼鏡
Wearing 3D glasses
0+
普遍級｜一般觀眾皆可觀賞
General audience.
6+
保護級｜未滿六歲不得觀賞，六歲以上未滿十二歲須由成人陪伴輔導觀賞
No children under 6 allowed. Children aged 6 to 12 must be accompanied by an adult.
12+
輔 12 級｜未滿十二歲不得觀賞
No one under 12 allowed.
15+
輔 15 級｜未滿十五歲不得觀賞
No one under 15 allowed.
18+
限制級｜未滿十八歲不得觀賞
No one under 18 allowed
R18
超限制級｜未滿十八歲不得觀賞，入場前須簽觀影同意書
The audience will be required to sign "Letter of Declaration" before entrance.
開幕片 20
OPENING FILM
Opening Film
開幕片
衝出迷境 Away 吉特保羅迪斯 Gints ZILBALODIS ｜拉脫維亞 Latvia ｜ 2019 ｜ 3D ｜ DCP ｜ Color ｜ 75min
2019 安錫動畫影展另類長片競賽首獎
10/11（五）18:30 Kbro 凱擘 2 廳 ★ 10/16（三）20:30 Kbro 凱擘 2 廳
21
堅定找到回家的路。 全片分成〈禁忌綠洲〉、〈鏡湖〉、〈夢泉〉、〈雲港〉四個章節，作為初試啼聲的第一部動畫長片， 導演花費 3 年半的時間，獨立進行編劇、動畫製作、作曲與錄音，才完成這部嘔心瀝血之作；片中虛 實交錯的旅程，不只反映了導演獨力完成長片的心路歷程，還有他面對人生突破困境的勇氣與反思。 Away tells a story about a boy traveling across an island on a motorcycle, trying to escape a dark spirit and get back home. Along the way he makes a series of connections with different animals and reflects on the possible ways he ends up on the island. Part dream, part reality, and in a way, the story-line/narrative is a reflection of the creative process of the making of this film.
Opening Film
及一隻小澄鳥的陪伴，克服心中恐懼，展開冒險。沿途奇特的風景、際遇與珍貴的友情，都讓他更加
開幕片
少年揹著降落傘在陌生異地醒來，黑色靈魂緊隨在側試圖吞蝕他，他只能憑一台摩托車、一只背包，
22
閉幕片
亞洲首映
CLOSING FILM
ASIA PREMIERE
Closing Film
閉幕片
喀布爾之燕 The Swallows of Kabul 莎寶布里曼、伊莉雅葛培梅微克 Zabou BREITMAN, Eléa GOBBÉ-MÉVELLEC ｜法國 France ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 81 min
10/20（日）19:00 Kbro 凱擘 2 ＋ 3 廳
23
由牽手、擁抱。身為塔利班女子監獄牢頭的他，與得了絕症的妻子漸行漸遠，意外驚覺罩袍外的自由 都只是假象，如果能再愛一次，他願像飛蛾撲火一樣去追求。 本片改編自阿爾及利亞裔作家雅斯米娜卡黛哈的同名小說，並以樸素的水彩質地襯托沉重的人權議題。 Summer 1998 - Kabul under Taliban rule. Zunaira and Mohsen are young and in love. Despite the daily violence and misery, they hope for a better future. One day, a foolish gesture causes life to take an irrevocable turn.
Closing Film
卻因一場意外讓生命有了改變。身為藝術家的她雖然穿著罩袍，但內心卻渴望與心愛的丈夫在街上自
閉幕片
1998 年，阿富汗首都喀布爾受塔利班組織無情摧殘，在歧視女性的政權下，兩對原本無交集的夫妻，
觀摩長片 FEATURE FILMS
小小英雄：螃蟹、蛋與透明人 Modest Heroes: Ponoc Short Films Theatre, Volume 1 米林宏昌、百瀨義行、山下明彥 Hiromasa YONEBAYASHI, Yoshiyuki MOMOSE, Akihiko YAMASHITA ｜日本 Japan ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 53 min
金牌動畫製作人西村義明在離開吉卜力之後，獨自成立 Studio Ponoc，找來三位大咖導演完成劇場版 《小小英雄》。影片由 3 部充滿溫度的短片集結而成：《卡尼尼與卡尼諾》是螃蟹兄弟尋找爸爸的冒 險故事，他們該如何找回被急流沖走的螃蟹爸爸？《武士蛋》中，熱愛棒球的男孩天生對雞蛋過敏， 在一次練習結束後，不小心吃到雞蛋做的冰淇淋，他的身體出現嚴重的過敏反應，他是否能度過難關？ 《透明人》是被人忽略、沒有存在感的人，他究竟該如何找到堅定的信心活下去？ Ponoc Short Films Theatre is a celebration of short animations from Japan. Modest Heroes, the first volume, consists of animation veterans portraying the modest heroes of today. Kanini & Kanino is an adventure fantasy of two crab brothers; Life Ain't Gonna Lose is a moving human drama of the love between a mother and her boy; Invisible is the action spectacle of the lonely solitary fight of a man who has become invisible.
貓日子 Cat Days 喬恩弗萊基 Jon FRICKEY ｜德國、日本 Germany, Japan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 11 min
同場加映 Screening With
24 Feature Films
觀摩長片
小男孩次郎生病了，爸爸帶他去看醫生，但診斷結果卻顯示次郎得了只有貓才有的「貓流感」…… When Jiro feels sick, his father takes him to see a doctor. Jiro is then diagnosed with a harmless condition, but it shakes the boy's identity.
2018 斯圖加特動畫影展首獎
10/13（日）14:50 Kbro 凱擘 2 廳
10/20（日）11:00 Kbro 凱擘 2 廳
觀摩長片 FEATURE FILMS
超棒蛋糕！ This Magnificent Cake! 馬克詹姆斯羅斯、艾瑪德絲瓦夫 Marc James ROELS, Emma De SWAEF ｜比利時、法國、盧森堡、荷蘭 Belgium, France, Luxembourg, Netherlands ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 44 min
19 世紀末，歐洲列強正貪得無厭地在非洲大陸擴張殖民版圖。亟欲揮軍南進一展拳腳的霸道國王，正 苦於難以治癒的打嗝宿疾；天生五短身材的非裔矮人，受僱於白種人的高級飯店，擔任人形菸灰缸； 來歷不明的暴躁商人，賭上身家在未知叢林中展開孤注一擲的絕命探險；意外落水的搬運工，獨自一 人在險惡的非洲河灣中甦醒過來；單純的農家子弟為了逃避兵役，身不由己被迫流浪千里。橫跨地中 海兩岸的 5 人，將展開一場精彩交織的命運冒險！ This Magnificent Cake! is an anthology film set in colonial Africa in the late 19th century. It tells the stories of five different characters, namely a troubled king, a middle-aged pygmy working in a luxury hotel, a failed businessman on an expedition, a lost porter and a young army deserter. 2018 薩格勒布動畫影展長片競賽首獎｜ 2018 法國安錫動畫影展 André Martin 獎
勿忘我 Memorable 布魯諾柯雷 Bruno COLLET ｜法國 France ｜ 2019 ｜偶動畫｜ DCP ｜ Color ｜ 12 min
同場加映 Screening With
25 Feature Films
Louis, an artist, and his wife Michelle have been experiencing strange events for a little while by now. The world around them seems to be changing. Slowly, the furniture, the objects and the people become less real as they deconstruct and disintegrate. 2019 安錫動畫影展短片水晶獎、觀眾票選獎、青少年評審團獎
10/12（六）21:00 Kbro 凱擘 3 廳
10/18（五）16:50 Kbro 凱擘 2 廳
觀摩長片
藝術家路易最近開始忘記許多事情，他試著用便利貼提醒自己，但一切卻像梵谷的畫逐漸扭曲、變形。 帶有油畫的質地，導演運用多種隱喻與象徵，呈現回憶珍貴之處。
觀摩長片 FEATURE FILMS
汪星人的奇幻漂流 Marona's Fantastic Tale 安加戴文娜 Anca DAMIAN ｜法國、羅馬尼亞、比利時 France, Romania, Belgium ｜ 2019 ｜ 2D、3D ｜ DCP ｜ Color ｜ 92 min
26
一隻黑白相間的混種小狗在不同的屋簷下，有過不同的名字：毛毛、莎拉、安娜，而不變的是牠對主
Feature Films
觀摩長片
人無邪的忠實、熱切的盼望，以及無私的體貼。陪伴懷才不遇的特技演員築夢踏實，替家計沈重的苦 力工人卸除辛勞，伴隨純真可愛的單親女孩共同成長；牠享受過溺愛的甜蜜，也體會過現實的苦澀。 牠的身世、牠認識過的世界與曾經擁有過的名字，在這小小生命的奇幻漂流間，牠如何回望這一切？ Victim of an accident, a small female dog remembers her different masters that she has unconditionally loved. Due to her unfailing empathy, her life becomes a lesson about love.
10/17（四）14:40 Kbro 凱擘 2 廳 ▲
10/19（六）10:20 Kbro 凱擘 2 廳 ▲
觀摩長片 FEATURE FILMS
布紐爾 超現實人生 Buñuel in the Labyrinth of the Turtles 薩爾瓦多西莫 Salvador SIMÓ ｜西班牙、荷蘭、德國 Spain, Netherlands, Germany ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 80 min
1930 年，史上最挑釁的西班牙導演布紐爾與超現實主義藝術家達利合作推出電影《黃金年代》，狠
到竟一語成真！ 1932 年，布紐爾一行人啟程至西班牙偏遠山區拍攝《無糧的土地》，記錄未開化的 悲慘景象，詭異如夢的現實刺激著布紐爾，更反映了他違逆倫常的創作行徑，甚至撼動他與拉蒙的友 誼，而這一切都將化為一部空前絕後的傑作！ Paris, 1930, and the scandal surrounding the release of Luis Buñuel's film, L’Age d’Or, has left him penniless. His luck changes suddenly when a friend wins the lottery and he can now start working on his next film, Las Hurdes, a documentary set in Extremadura, Spain. So begins this beautifully animated feature; part road movie and part making-of documentary.
2019 安錫動畫影展評審團特別獎、最佳原創音樂獎
10/12（六）18:30 Kbro 凱擘 2 廳 ▲
10/18（五）18:30 Kbro 凱擘 2 廳 ▲
Feature Films
新片的想法，也苦無資金而難以啟動。布紐爾的好友拉蒙打趣提議，如果中樂透就資助他拍片，想不
27 觀摩長片
狠針砭了教會和中產階級，雖然引起軒然大波，但影片隨即遭禁演，布紐爾也被封殺。儘管他有拍攝
觀摩長片 FEATURE FILMS
王子的時空旅程 The Prince's Voyage
亞洲 Asia Premiere 首映
尚弗朗索瓦拉吉奧、薩維耶皮卡 Jean-Francois LAGUIONIE, Xavier PICARD ｜法國、盧森堡 France, Luxembourg ｜ 2019 ｜ 2D 手繪、3D ｜ DCP ｜ Color ｜ 77 min
28
來自不知名年代的猴親王，因為一場意外被浪潮沖上岸，名叫湯姆的猴男孩發現了他，帶著這名身穿
Feature Films
觀摩長片
破損華服、說著奇特語言的男子去見從事科學研究的阿貝法克教授夫婦。得知親王來自不同時空的教 授夫婦驚訝之餘，計畫以他作為證明，翻轉掌權者對世界的刻板想像。曾推出《嚕嚕米漫遊蔚藍海岸》 與《海邊的露易絲》的雙導演聯手打造夢幻國度，巧妙的寓言見證王子與男孩動人的忘年友誼。 An old monkey prince runs around on an unknown shore. Injured and lost, he is found by 12-year-old Tom and taken in by his parents, a couple of scientists who were banished from their community because they believe in the existence of other monkey civilizations. With Tom's help, the Prince discovers a society he knows nothing about, while Tom's parents decide to use him to prove that their theory was indeed correct...
10/12（六）20:30 Kbro 凱擘 2 廳
10/19（六）19:00 Kbro 凱擘 2 廳
觀摩長片 FEATURE FILMS
汪汪出任務 Jacob, Mimmi and the Talking Dogs 艾德蒙楊頌斯 Edmunds JANSONS ｜拉脫維亞、波蘭 Latvia, Poland ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 72 min
夢想成為和爸爸一樣的建築師，來自城市的小男孩雅各，前往郊外一座歷史古鎮的表姐家度假。小鎮
建案，而他們唯一能仰賴的後援大隊，就是公園裡一群會說話的狗兒們！ Jacob dreams of becoming an architect. One day as his dad is going on a business trip, Jacob has to stay with his cousin Mimmi and her father. When Jacob arrives, the local park is about to be transformed into new skyscrapers. Jacob and Mimmi decide to stop the development, and it turns out that they can only do it with the help of a pack of local dogs that... can talk!
10/12（六）14:50 Kbro 凱擘 3 廳
10/20（日）12:30 Kbro 凱擘 3 廳
Feature Films
商人夷為平地，改建成高聳入雲的摩天大樓時，雅各與他的「萬事通」表姐決定挺身而出，阻止這個
29 觀摩長片
的建築對他而言雖說是前所未見，可也不如都市裡的時髦與氣派。然而，當鄰近的公園即將被貪婪的
觀摩長片 FEATURE FILMS
漂向北方的藍 North of Blue
亞洲 Asia Premiere 首映
喬安娜普利斯特雷 Joanna PRIESTLEY ｜美國 USA ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 60 min
30
你能想像，藍色有多少種溫度？一顆球又會幻化成多少種不同樣貌？
Feature Films
觀摩長片
靈感來自加拿大育空地區神秘寒冷的冬季景觀，美國資深動畫導演喬安娜普利斯特雷以藍色為基底， 玩轉抽象幾何圖形，天馬行空地將點線面圖像變成絕美圖騰花紋，令人目不暇給；揉合蒙德里安式的 色塊構圖，佐以流暢線條、尖銳形狀與逐格頓點，將聲音圖像化，探索凜冽北方的人類共同歷史與記 憶，創造出一部猶如《2001 太空漫遊》般的史詩動畫奇片。 North of Blue is an abstract animated feature film that began in the mysterious winter landscape of the far north, where director Joanna Priestley was a fellow at the Klondike Institute of Art and Culture in Dawson City, Yukon. The film grew into an exploration of the non-objective idiom that it plays with shifting focal points, suspension and tension of two-dimensional patterning and trance.
2018 洛杉磯動畫影展最佳動畫長片
10/17（四）16:40 Kbro 凱擘 2 廳
10/19（六）20:50 Kbro 凱擘 2 廳
觀摩長片 FEATURE FILMS
阿拉涅的蟲籠 Aragne: Sign of Vermillion 坂本朔 Saku SAKAMOTO ｜日本 Japan ｜ 2018 ｜ 2D、3D ｜ DCP ｜ Color ｜ 73 min
18 歲的女大學生凜，新搬到以靈異詭譎著稱的集合式住宅區，竟被捲入超出想像的恐怖之中。上個世
本朔獨自包辦劇本、音樂、導演及動畫製作的恐怖電影，成就日本動畫界前無古人的精彩創舉！ In a decaying apartment complex, Rin, a college girl, finds herself seeing worms and moths everywhere, bursting out of beetles, animals and people. Subsequently, she sets out to investigate how this is related to a rash of murders across the city.
10/18（五）20:20 Kbro 凱擘 2 廳 ★
10/20（日）16:20 Kbro 凱擘 3 廳 ★
Feature Films
暗處的惡意向凜襲擊而來，迫使她在追尋真相的同時，也逼近掩埋在內心最深處的秘密。動畫鬼才坂
31 觀摩長片
紀的不死士兵、自人體竄出的巨大蟲子，以及在河堤跳著詭異舞蹈的神祕少女，這一切都化作深藏在
觀摩長片 FEATURE FILMS
搖滾吧！中二樂團 ON-GAKU: Our Sound
亞洲 Asia Premiere 首映
岩井澤健治 Kenji IWAISAWA ｜日本 Japan ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 68 min
32
成天遊手好閒的高中生三人組研二、太田與朝倉，在學校不是打電動，就是與隔壁學校幫派釘孤枝。
Feature Films
觀摩長片
一天晚上，研二意外受一位搖滾樂手的義行感召，下定決心獻身音樂界，於是召集太田和朝倉組了搖 滾樂團。三人對音樂一竅不通，也沒有玩過樂器，卻搖滾魂上身，找來貝斯與大鼓，開始熱血樂團人 生，更想不到他們竟還受邀前進音樂祭！三個中二的搖滾處男能不能迎接這個大挑戰？改編自大橋裕 之漫畫《音樂和漫畫》，歷時七年製作，甚至實地前往音樂祭現場拍攝取材，以獨特的幽默感呈現身 懷熱血的搖滾魂！ A day in summer. Feeling rejected by society, three high school students, who haven't touched a musical instrument in their lives, decide to form a band, and therefore they start to compose the offbeat rhapsody of their youth.
10/11（五）20:40 Kbro 凱擘 2 廳★
10/13（日）16:30 Kbro 凱擘 2 廳★
觀摩長片 FEATURE FILMS
海獸之子 Children of the Sea
特別 Special screening 放映
渡邊步 Ayumu WATANABE ｜日本 Japan ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 111 min
性格率直火爆的中學生琉花，在社團活動中與隊友發生爭執，在少了容身之處的漫長暑假中，琉花遇
的水族館魚群頻頻消失，海和空所在的海邊也不斷出現各種稀有的魚類，一切都帶領著琉花一步一步 接觸她從沒看到過的、不可思議的世界。 Ruka is a school girl who lives with her mother. She is passionate about handball, and on the first day of the holidays she is excluded from her team. Furious, she decides to go and visit her father at the aquarium where he works. There she meets Umi, who appears to have a gift for communicating with marine animals. Ruka is fascinated and then one evening, supernatural events occur...
10/19（六）12:10 Kbro 凱擘 3 廳 ★▲
Feature Films
適逢三人的相遇時，地球上同時出現了各式各樣的異變，夜空中閃爍的流星突然墜落大海，世界各地
33 觀摩長片
見了海和空，一對據說是被儒艮養大的兄弟，他們似乎能接收到常人接收不到的、來自大海的訊息。
短片競賽：評審與獎項 Film Competition: Juries and Awards
決審委員 Award Jury
德國資深動畫導演及作家，曾任教於美國加州藝術大學、德國科隆媒體藝術 學院，2019 年起受臺北藝術大學動畫學系邀請擔任客座教授。作品擅長運 用線條探索平面上的空間感，以呈現角色身體運動見長，利用低限繪畫風格 傳達創作觀念，其短片作品曾被選為世界百大重要動畫影片。除了動畫影片 製作之外，近年更受邀至各地舉辦個展。
海蒙庫莫 Raimund KRUMME
Raimund Krumme is a veteran German animation director and writer, who had taught in the California Institute of the Arts and the Academy for Media Arts Cologne. Since 2019, Krumme has been a guest professor in the Department of Animation at the Taipei National University of the Arts. Krumme's short films have been selected for the major international animation festivals, and in addition to making animation, he has held solo exhibitions all over the world.
香港資深動畫人，早期於香港電視台擔任動畫設計及電影特效製作，1977 年 起開始創作獨立動畫，並至海外多國影展放映。曾任香港藝術中心及大學之 動畫課程導師，主持各類動畫講座、研討會及展覽。2012 年擔任「香港動畫 60 年」展覽策展人，現為香港動畫製作人協會及香港粵語片研究會名譽會員， 亦擔任香港動畫產業及文化協會秘書。
34 Film Competition: Juries and Awards
短片競賽：評審與獎項
盧子英 LO Che-Ying
Lo Che-Ying is a veteran animator and animation critic, who started as animation designer at Radio Television Hong Kong. He began producing independent animations in 1977 and won the gold awards at the Hong Kong Independent Short Film Festival in four consecutive years. He is currently the SecretaryGeneral of the Hong Kong Animation Association and an honorary member of the Cantonese Cinema Study Association and Hong Kong Animation Filmmaker Society.
陰托邦 Entropia
德國抽象與實驗動畫導演、跨域藝術家，擅長視覺音樂創作，以揉合動態影 像與聲音設計見長，不斷於音像作品中實驗各種感官聯覺，獨具前衛與跨領 域特性，廣獲世界各大影展肯定，經常受邀至各地演出，現於香港城市大學 創意媒體學院任教。
麥斯海德勒 Max HATTLER
Max Hattler is an artist and academic who works in abstract animation, video installation and audiovisual performance. He holds an MA from the Royal College of Art and a Doctorate in Fine Art from the University of East London. Hattler has performed live around the world, and his video work has been shown at numerous international festivals and won many awards. Hattler lives in Hong Kong, where he is an assistant professor in the School of Creative Media at City University of Hong Kong.
臺灣著名動畫導演。作品擅以手繪動畫探討人性陰暗面，並以獨特驚悚異色 風格屢獲國際影展注目。2008 年《肉蛾天》入圍廣島動畫影展競賽單元， 2012 年《禮物》入圍日舞影展，荷蘭動畫影展競賽單元，並二度獲得聖地牙 哥亞洲影展最佳動畫片。2019 年參與香港楊凡導演動畫長片《繼園台 7 號》 入圍威尼斯影展主競賽單元。
謝文明 Joe HSIEH
Joe Hsieh is a renowned Taiwanese animation director. In 2008, Meat Days was in competition at the International Animation Festival Hiroshima. In 2012, The Present was in competition at the Sundance Film Festival and the Holland Animation Film Festival, winning Best Animation at the San Diego Asian Film Festival. Moreover, Hsieh participated in No. 7 Cherry Lane directed by Yon Fan, which was in competition at the 2019 Venice International Film Festival.
拉脫維亞新銳動畫導演，自年少時即熱愛欣賞經典電影，並開始拍攝短片及 商業案。至今已用手繪、3D、實拍等創作了 7 部動畫短片，混合多種技術為
35
吉特保羅迪斯 Gint ZILBALODIS
Gint Zilbalodis is a Latvian filmmaker and animator. His fascination for filmmaking began at an early age. He has made seven short films in a wide range of mediums, including hand-drawn animation, 3D animation and live-action and often mixes their characteristic aesthetics. In 2019, he single-handedly finished Away, an animation feature, which won the top prize in the new Annecy selection Contrechamp.
Film Competition: Juries and Awards
隊製作的傳統，獲得安錫動畫影展另類長片競賽首獎。
短片競賽：評審與獎項
其美學特色。2019 獨自完成首部長片《衝出迷境》，顛覆以往動畫長片需團
初選評審 Preliminary Selection Committee
任教於國立臺南藝術大學動畫藝術與影像美學研究所，近年關注獨立動畫美 學的創造力表現與多元觀點的詮釋，策劃 2014-2016 東歐動畫藝術創作實務 工作坊。發表動畫短片《Slow Return》、《I see You》、《日日月月》、《紅 花開》、《大熊想家》等，藉由動畫創作實現內在詩意的風景與精神層面的 真實，並探索潛藏影像背後的力量。
林巧芳 LIN Chiao-Fang
Lin Chiao-Fang currently teaches at the Graduate Institute of Animation and Film Art at the Tainan National University of the Arts. In recent years, she focuses on the creativity demonstrated in the independent animation aesthetics and the interpretation from the multiple points of view. From 2014 to 2016, she organized the Eastern European Animation Art Workshop. The animation shorts she has made include Slow Return, I See You, Sun and Moon, The Red Bloom and Homesick.
畢業於芝加哥哥倫比亞藝術學院電影研究所，曾擔任國中美術教師、遊戲美術 設計師、傳播公司動畫導演。曾為文化部、中央研究院、臺灣福斯汽車等製作 虛擬 擴增實境動畫，創作經歷十餘載，作品入選超過 50 項國際影展，包括 芝加哥、蒙特婁、洛杉磯、北卡羅萊納、聖路易、東京等奧斯卡等級國際影展。 現任教於中國文化大學、臺北藝術大學，並持續個人獨立動畫與委託創作。
薛佑廷 HSUEH Yu-Ting
Hsueh Yu-Ting is a Taiwanese award-winning filmmaker with more than fifty film festivals records. He obtained an MFA in Cinema and Television Arts from Columbia College Chicago and a BFA in Fine Arts from the National Taiwan Normal University. Having worked as video game artist, commercial animator and AR/VR animation director, Hsueh is an assistant professor at the Chinese Culture University and the Taipei National University of the Arts.
畢業於國立臺北藝術大學新媒體藝術研究所。作品常見荒謬、怪誕的影像擴 36
展，內容擅於結合隨手可得的當代生活經驗，近期著重於個人之於社會經驗
Film Competition: Juries and Awards
短片競賽：評審與獎項
的謬察，以及家族紙紮記憶與技藝呈現在文化流動中的狀態思考。作品曾展 出於國內外知名美術館與國際短片影展，2018 年以錄像動畫《Si So Mi》受 邀上海雙年展，並提名金馬獎最佳動畫短片、榮獲臺中國際動畫影展臺灣短 片競賽首獎。2019 年受邀法國里昂雙年展國際年輕藝術家項目，於法國維 勒班當代藝術中心展出。
張徐展 ZHANG Xu-Zhan
Zhang Xu-Zhan graduated from the School of Film and New Media at the Taipei National University of the Arts. His works are known for the seemingly strange and ridiculous images and the content often centers around his observation on society and his memories. In 2018, his Si So Mi was presented at the 2018 Shanghai Biennale. Moreover, it was nominated for Best Animated Short Film at the 2018 Golden Horse Awards and won the Grand Prix of Taiwanese Short Film Competition at the 2018 TIAF. In 2019, Zhang was invited to take part in the Lyon Biennale.
靜物的呢喃 Still Lives
競賽獎項 Competition Categories & Awards
短片競賽
學生短片競賽
SHORT FILMS
STUDENT SHORT FILMS
首獎
首獎
Grand Prix
Grand Prix
評審團獎
評審團獎
Jury Distinction
Jury Distinction
傑出創作獎
傑出創作獎
Outstanding Work
Outstanding Work
臺灣學生短片競賽
臺灣短片競賽
TAIWANESE STUDENT SHORT FILMS
TAIWANESE SHORT FILMS
首獎
首獎
Grand Prix
Grand Prix
37
觀眾人氣票選獎 Audience Award
Film Competition: Juries and Awards
最佳兒童短片獎 Children's Choice Award
短片競賽：評審與獎項
票選獎 POPULAR AWARDS
短片競賽 Short Films in Competition
如 品 嚐 來自世界各地的不同咖 啡 ， 各 種 生 猛給力的滋味在腦海裡 撞 擊 林巧芳、薛佑廷、張徐展 初選評審
競賽本是一個殘酷的舞台，本次從報名件數 2,000 多件中選出各 30 部的國際短片與學生短片，並摻 入臺灣作品一起競賽，其中不乏影展獲獎的知名作品與大師導演皆參與其中，使得競爭尤其激烈。對 今年初選評審團而言，我們在將近兩個月如馬拉松式的評選過程，就像是短時間內品嚐來自世界各地 的不同咖啡，各種苦澀的滋味在腦海裡撞擊。 身為競賽初選的評審，每部精選的佳片，都是經歷天人交戰後的抉擇。所有的作品都具有獨特的觀點 去捕捉或展現事物，而競賽評審的獨立位置，是在各自經歷劇烈、熱情的觀影之後，最終以不同角度 的見解展現其自身對影片高度的敏感性。 這次能脫穎而出的各類別創作，不論手繪、電腦動畫、複合媒材、偶動畫皆有傑出之作，尤其是來自 中國、韓國、東歐國家的作品，在質與量上都令人驚艷、印象深刻。其中，這些作品展現在角色、美 38
術設計風格上重新定義一般人對於美醜的標準；而強調觀念、形式、非敘事類作品的表現更勝於傳統
Short Films in Competition
短片競賽
的敘事作品；同時對於主題、故事內容的多元前衛，更大膽挑戰社會大眾認知的道德「恥」度邊緣。 今年臺灣短片有多部劇情式的動畫製作皆已具有發展成長片資格的高端水準，而本屆國際短片裡的偶 動畫更是精彩連連，寫實與風格化的作品各有特色，表現內容涵蓋對白劇情式的敘事手法、抽象意境 般的敘事、甚至包含抽象動畫、數位實驗、觀念實驗動畫、新媒體混合動畫等，各方皆有表現出色的 代表作品，在議題上近年常見的跨性別議題好片也不缺席，還有不少以醜怪風格揉合社會議題的動畫， 使嚴肅的議題在觀影上更增添了閱讀的趣味性。 而今年學生短片有著更為大膽與魔幻寫實的嶄新表現手法，水準直逼專業，議題也更為多元。相較之 下，臺灣學生質量的爆發力更不容小覷，有不少作品以動畫詮釋以往少見的女性深刻議題，亦有對白 嫻熟的劇情動畫，以及探索空間的實驗動畫，臺灣學生單元競爭激烈，不少遺珠仍值得鼓勵，如具有 水墨藝術性內容關於臺灣喪葬文化、跨動物與人議題的手繪實驗片，期望能持續努力，相信在未來會 有亮眼的發展。今天在這場誰也不讓誰的競技舞台上，對於今年入選的作品，在其各自獨特的豐富表 述下，還要讓臺灣的觀眾經驗另一種動畫創作的可能性。
轉身之後 Per Tutta la Vita
Like tasting coffee from all over the world, the strong tastes clash in our minds LIN Chiao-Fang, HSUEH Yu-Ting, ZHANG Xu-Zhan Preliminary Selection Committee
Competition is a cruel stage; out of more than 2,000 submissions from Taiwan and abroad, thirty films are selected for the International Short Film Competition and another thirty for the Student Short Film Competition. Amongst them, there are well-known award-winning films and the works of renowned filmmakers. As the first-round judges, we spent two months watching and judging these films, and it feels as if we had tasted coffee from all over the world with the strong tastes clashing in our minds. For the preliminary selection, every finalist is chosen after the heated debate. All the finalists capture or express things from their unique viewpoints. After having watched all the films and debated with strong passion, we eventually demonstrated our hyper-sensitivity to film and expressed our opinions from different points of view.
This year, we see more innovative daring approaches in magic realism taken in the student films. and the explosive quantity and quality of the Taiwanese student films cannot be ignored. Many of them deal with the issues that deeply affect women. Also, there are narrative films with great dialogues and experimental animation that explores space. It is such a fierce competition for the Taiwanese student short films, and many works, which failed to make to the final, deserve encouragement. In addition to the unique and diverse narratives, these works lead the Taiwanese audience to experience another possibility of animation production.
Short Films in Competition
Among the Taiwanese shorts, there are several narrative films that demonstrate such high quality that they could potentially be turned into features. This year, we see so many brilliant puppet animations, and the content ranges from dialogue-based to abstract narrative. We even get to see abstract animation, digital experiment, conceptual experimental animation and new multi-media animation. In terms of issues raised, there are quite a number of excellent works that tackle the popular transgender-related topics and some blend the social issues into the weird ugly style, which adds a comic touch to the serious subjects.
39 短片競賽
Whether they are hand-drawn, computer, multi-media or puppet animation, all the nominees show outstanding artistic merits; the large number and the high quality of the submissions from China, Korea and eastern Europe are especially impressive. The character and visual design seen in these works redefine the standards of beauty and ugliness; those in which concepts and forms are emphasized or the nonnarrative films fare better those told in the traditional narrative. Furthermore, the subject matters show a wider diversity.
短片競賽 1
10/13（日）12:40 Kbro 凱擘 2 廳 ★ 10/14（一）12:00 Kbro 凱擘 2 廳 ★ 10/19（六）12:20 Kbro 凱擘 2 廳 ★
堆積所有對你的思念 Short Films in Competition 1
讓愛轉動 La Noria 卡洛司巴耶納 Carlos BAENA ｜西班牙 Spain ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 13 min
小男孩熱愛畫圖與建造摩天輪，這是他與父親的共同回 憶。突然一隻奇怪的恐怖生物憑空出世，將他的世界搞 得天翻地覆。 La Noria tells the story of a young boy, who loves drawing and building ferry wheels, encounters the strange creatures that turn his life upside down.
2019 上海電影節最佳動畫短片
安樂鳥世界 Nest 桑妮雅霍莉德 Sonja ROHLEDER ｜德國 Germany ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 4 min
亞洲 Asia Premiere 首映
天真無邪的天堂鳥，成日使盡渾身解數搭建愛的小巢， 希望有朝一日能吸引屬於自己的人生伴侶。 A slightly naive paradise bird is on his way to attract a mate.
好時光 A Blissful Moment 廖士涵 LIAO Shih-Han ｜臺灣 Taiwan ｜ 2018 ｜ 2D 手繪、3D ｜ DCP ｜ Color ｜ 16 min
在遊樂園工作的魯蛇阿源，負責扮怪獸狗在鬼屋嚇人。 這一天，他做了隻怪獸吊飾，希望能趕在午夜前回家為 女兒慶生。 A middle-aged widower is on his way home after finishing his work in a haunted house at an amusement park. It is his daughter's birthday, and he hopes that he could make home before midnight.
40 Short Films in Competition 1
短片競賽
1
彼岸的孩子 Son of the Sea 阿巴斯加列里葉塔 Abbas JALALI YEKTA ｜伊朗 Iran ｜ 2018 ｜ 2D、複合媒材｜ DCP ｜ Color ｜ 11 min
失去兒子後，夫妻就過著鬱鬱寡歡的生活，直到某天， 牆上竟出現兒子的身影。 A man lives in a house with his wife and the illusion of their son on the wall! This hallucination gradually creates some complications in their life.
2019 安錫動畫影展安錫城市獎 2019 首爾動畫影展 SICAF 亞洲獎
轉身之後 Per Tutta la Vita 羅伯多卡塔尼 Roberto CATANI ｜義大利、法國 Italy, France ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 5 min
一對愛侶在充滿魔幻色彩的追憶旅程中，逐漸找回他們 相愛過程中，曾無比重要的心動時刻。 Through a journey back in memory, a woman and a man retrace the important moments in their love story.
與托馬叔叔的那些日子 Uncle Thomas, Accounting for the Days 雷吉娜佩索亞 Regina PESSOA ｜葡萄牙、加拿大、法國 Portugal, Canada, France ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 13 min
亞洲 Asia Premiere 首映
再平凡的人，也能成為某人心中「非凡」的存在。透過 導演的回憶脈絡，一窺托馬叔叔與他的平凡日常。 Based on Regina's personal memories, this is a tribute to her uncle, Thomas, a humble man with a simple and anonymous life, showing how one does not have to be "somebody" to be exceptional.
2019 安錫動畫影展評審團獎 2019 巴西 Anima Mundi 動畫影展首獎
可樂狂 Colaholic 馬辛波多列茲 Marcin PODOLEC ｜波蘭 Poland ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 11 min
亞洲 Asia Premiere 首映
愛喝可樂的馬辛，已經到了成癮的境界；導演以浪漫幽 默的手法，記下一段可樂癮君子的瘋狂人生。 Colaholic is a documentary, a romantic comedy and a memoir of a person who drinks way too much soda.
41 Short Films in Competition 1
短片競賽
2019 雅典動畫影展教育短片獎
1
短片競賽 2
我的身體有了政治的形狀 Short Films in Competition 2
10/12（六）14:30 Kbro 凱擘 2 廳 ★ 10/14（一）20:30 Kbro 凱擘 2 廳 ★ 10/18（五）13:30 Kbro 凱擘 2 廳
熊怪傳說 Giant Bear 奈爾克里斯多福、丹尼爾吉斯 Neil CHRISTOPHER, Daniel GIES ｜加拿大 Canada ｜ 2018 ｜ 2D、3D ｜ DCP ｜ Color ｜ 12 min
來自因紐特人的永恆傳說：孤獨的獵人遇上巨大的北極 熊，一人一熊對峙在這一望無際的雪地中，成為彼此敬 畏的對手。 Giant Bear follows a lone Inuit hunter as he uses his wisdom, courage and experience to find and confront his terrifying adversary - a nanurluk (a huge polar bear) in an epic battle for survival. 2019 雅典動畫影展短片觀眾獎 2019 加拿大奇幻電影節最佳動畫特別提及
孩子們 Kids 麥克菲 Michael FREI ｜瑞士 Switzerland ｜ 2019 ｜ 2D ｜ DCP ｜ B&W ｜ 9 min
要想生存在這個社會，就得融入群體，讓自己毫無差別； 而當一切都被視為平等之際，我們又該如何定義自己？ Kids is an animated short film that explores group dynamics. How do we define ourselves when we are all equal?
2019 薩格勒布動畫影展金獎
害群之狼 Am I a Wolf? 艾米爾豪森摩伊 Amir Houshang MOEIN ｜伊朗 Iran ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 8 min
一齣通俗的偶戲正在學校裡上演，故事關於一隻悲痛萬 分、失去小山羊的母山羊，以及一匹憤怒的大野狼。 Am I a Wolf? is about the children who perform the story of the wolf and the yearlings in a school puppet show. The nanny goat grieving its yearlings and the angry wolf in its solitude face each other.
42 Short Films in Competition 2
短片競賽
2
2019 黎巴嫩的黎波里影展最佳動畫
旅行的禁義 Untravel 安娜納達爾柯維齊、尼可拉瑪達克二世 Ana NEDELJKOVIĆ, Nikola MAJDAK JR. ｜塞爾維亞、斯洛伐克 Serbia, Slovakia ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 9 min
高牆孤立的小鎮裡，少女一個人生活著，成日想像外面 的世界有多美好。這一天，她終於下定決心，要出去看 看牆外的世界…… The girl lives in a gray isolated country enclosed by a huge wall. She has never travelled anywhere, but all her life she has dreamt of leaving forever for a perfect world called "Abroad". 2018 塞爾維亞奇幻影展最佳影片
吉祥物輓歌 Mascot 金度亨 Dohyung KIM ｜南韓 South Korea ｜ 2019 ｜ 3D ｜ DCP ｜ Color ｜ 7 min
狐狸住在一間窄小房子裡，瘋狂打工存錢、參加訓練 班，只為了達成畢生最大的心願——成為城市吉祥物。 The fox, who wants to be a mascot for the city, goes to a mascot training academy. He lives in a very tiny house and works many part-time jobs.
寒露 A Fly in the Restaurant 陳蓮華、安旭 CHEN Xi, AN Xu ｜中國 China ｜ 2018 ｜ 2D、剪紙｜ DCP ｜ Color ｜ 6 min
在一間中國餐廳裡，一群客人正在享用美味大餐，服務 生們卻拿著蒼蠅拍，奮力阻止蒼蠅的靠近。 In a restaurant in China, the waiters try to swat a fly while a number of diners eat their food.
末日風暴 Windshriek 菲德列克杜贊 Frédéric DOAZAN ｜法國 France ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 6 min
一陣風吹過，書中的文字動了起來，在空氣中隨風飄 揚。 The wind blows and browses through the book of the alphabet creatures.
43
隨著周遭的人接連失去夢想，男孩發現了自己永遠長不 大的秘密。原來是世界的統治者，正貪婪地吞食人類的 夢與青春。 A boy discovers a secret - the reason why he'll never grow up and all people have lost their dreams is because the greedy rulers have been devouring their youth and dreams.
Short Films in Competition 2
王登鈺 Fish WANG ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 17 min
短片競賽
金魚 Gold Fish
2
短片競賽 3
10/12（六）12:20 Kbro 凱擘 2 廳 ★ 10/14（一）16:20 Kbro 凱擘 2 廳 ★ 10/17（四）20:10 Kbro 凱擘 2 廳 ★
我怪美的 Short Films in Competition 3
標本人生 Imbued Life 伊凡娜波士亞克、托馬強森 Ivana BOŠNJAK, Thomas JOHNSON ｜克羅埃西亞 Croatia ｜ 2019 ｜偶動畫｜ DCP ｜ Color ｜ 12 min
亞洲 Asia Premiere 首映
女子將動物製作成標本，「歸還」給自然棲息地。在待 處理的動物中，她意外發現未沖洗的底片，進一步從中 找到真相…… A skillful taxidermist, the heroine "returns" the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats. 2019 薩格勒布動畫影展短片特別提及
狐狸男孩 Fox Boy 卓到衍 Doyeon TAK ｜南韓 South Korea ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 12 min
被囚禁的男孩意外在房裡找到一扇門，門後有片神秘的 森林，在那裡，他遇見了另一個戴著狐狸面具的男孩。 A little boy confined to his room meets another boy wearing a fox mask and follows him outside into a deep forest full of secrets.
靜物的呢喃 Still Lives 艾莉鄔里恩 Elli VUORINEN ｜芬蘭 Finland ｜ 2019 ｜停格動畫｜ DCP ｜ Color ｜ 6 min
亞洲 Asia Premiere 首映
數到三，陷入最深層的意識裡，陳列在博物館的展覽品 便「活」了過來，將人們的日常煩惱與困境演繹得栩栩 如生。 In Still Lives, the concept of busy stillness is explored from various standpoints as the museum artefacts from all over the world reflect on the mundane challenges in the modern life.
44 Short Films in Competition 3
短片競賽
3
蛻變 Metamorphosis 璜凡哈辛多、卡拉佩雷拉 Juan Fran JACINTO, Carla PEREIRA ｜法國、西班牙 France, Spain ｜ 2019 ｜偶動畫｜ DCP ｜ Color ｜ 11 min
男人年過 30，卻仍與母親住在一起。一天，他決定將 心中的魔鬼釋放出來…… In his thirties and still living with his mother, a man decides to break free from his inner demons.
藍色獨白 Inside Blue 陳宜謙 CHEN Yi-Chien ｜臺灣 Taiwan ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 6 min
世界 World Premiere 首映
一名男子成日攜帶一捲藍色膠帶，如強迫症般地框住家 中所有的物品，也包括在廁所裡…… This is a story about a man who needs to carry a tape all the time just in case something happens.
土狼復仇聯盟 Coyote 羅倫茲溫德勒 Lorenz WUNDERLE ｜瑞士 Switzerland ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 10 min
土狼在群狼的攻擊下失去了妻小，傷心欲絕的牠，甚至 出現幻覺，任由仇恨漸漸佔據牠的心。 A coyote loses his wife and children to an attack from the wolves. In anguish, he is trying to process the experience. Besides grief and delusion, evil takes up more and more space.
塑膠袋驚魂夜 The Night of the Plastic Bags 蓋貝葉哈瑞爾 Gabriel HAREL ｜法國 France ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 18 min
邁入中年的未婚女子阿嘉特，試圖與 DJ 前男友復合， 共同擁有一個孩子，卻在過程遇上惱人的塑膠袋襲擊。 Agathe will be thirty-nine soon and is still childless. She goes to her ex-boyfriend. While she is trying a move to have a child with him, the plastic bags come to life and attack.
45 Short Films in Competition 3
短片競賽
2019 里爾歐洲影展最佳動畫
3
短片競賽 4
10/13（日）10:30 Kbro 凱擘 2 廳 ★ 10/14（一）14:10 Kbro 凱擘 2 廳 ★ 10/17（四）13:00 Kbro 凱擘 2 廳
他的創作始終沒有極限 Short Films in Competition 4
遠端速寫 Remote Life Drawings 鍾承旭 CHUNG Cheng-Hsu ｜臺灣 Taiwan ｜ 2019 ｜ 2D 手繪｜ DCP ｜ B&W ｜ 4 min
取材自台北國際藝術村周圍景緻，透過抽象、變形的手 繪圖像，呈現其特有的微妙複雜氛圍及速寫風景。 Remote Life Drawings is an animated collage of abstract images that illustrate the neighborhood of Taipei Artist Village in Taiwan. By using morphing animation, it presents the atmosphere around the village.
流 Flow 亞德里安洛克曼 Adriaan LOKMAN ｜荷蘭、法國 Netherlands, France ｜ 2019 ｜ 3D ｜ DCP ｜ Color ｜ 14 min
亞洲 Asia Premiere 首映
空氣，是圍繞在我們身邊最重要的元素。導演運用動畫 擬仿筆觸效果，描繪空氣於日常裡無法預期的蹤跡，勾 勒出人類脆弱的存在。 Floating like leaves, we witness a turbulent day in life through the most vital elements that surround us and paint our fragile existence in the most unpredictable and stormy way. 2019 安錫動畫影展 André-Martin 法國短片特別提及
動徑之間 Movements 鄭多喜 Dahee JEONG ｜南韓 South Korea ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 10 min
每 10 分鐘，猴麵包樹就長高 0.008 公分，格雷伊獵犬 可以跑 12 公里，地球也運行了 18,000 公里。每天畫 2 秒鐘，要多久才能畫出這部 10 分鐘的影片？
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For 10 minutes, the baobab tree grows 0.008 mm, the greyhound can run 12 km, and the Earth travels 18,000 km. Movements is a 10-minute film, which I drew at a rate of 2 seconds of animation per day.
Short Films in Competition 4
短片競賽
4
冬日雨林 Winter in the Rainforest
亞洲 Asia Premiere 首映
安努羅拉圖特堡 Anu-Laura TUTTELBERG ｜愛沙尼亞、立陶宛、墨西哥 Estonia, Lithuania, Mexico ｜ 2019 ｜偶動畫｜ DCP ｜ Color ｜ 9 min
想像世界裡的魔法生物們，終日在熱帶雨林中跳著舞， 日復一日、年復一年，跳著生命與死亡之舞。 In the film, we see the dance of life and death in the lush tropical nature as it is lived day by day, year by year and by the magical creatures that inhabit the wilderness in our dreams.
狂愛烏克蘭 Deep Love 麥奇塔里斯考 Mykyta LYSKOV ｜烏克蘭 Ukraine ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 14 min
亞洲 Asia Premiere 首映
濃烈的愛現身烏克蘭，流動充斥在城市的各個角落。 Deep love has finally happened in Ukraine
2019 烏克蘭基輔短片影展觀眾票選獎
指尖上的愛戀 Tututú 羅莎佩里斯 Rosa PERIS ｜西班牙 Spain ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 14 min
亞洲 Asia Premiere 首映
芭蕾女伶沈浸在想像中的美好世界裡，然而回到現實世 界的她，能找到真正的幸福嗎？ A ballerina practices the dance while imagining an idyllic world, where she is happy dancing and floating in her own fantasies. Will she be able to find happiness in the real world?
王國 Kingdom 陳威強 TAN Wei-Keong ｜新加坡 Singapore ｜ 2018 ｜ 2D 手繪、複合媒材｜ DCP ｜ B&W ｜ 5 min
森林裡，迷失的人在未知的空間中觀察與探索、找尋與 解析，然而一切一切都漸漸分崩離析。 A lost man falls apart in a forest.
47 Short Films in Competition 4
短片競賽
4
學生短片競賽 1
我願意付出所有換一個時光機 Student Short Films in Competition 1
10/11（五）14:30 Kbro 凱擘 2 廳 10/13（日）18:30 Kbro 凱擘 2 廳 ★ 10/19（六）15:40 Kbro 凱擘 3 廳 ★
妹妹 Sister 宋思琪 SONG Siqi ｜美國、中國 USA, China ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 8 min
男子回憶過往，想像長大的過程有個妹妹陪伴，成天在 身邊打轉，煩人又可愛，這樣的人生會不會不一樣？ A man reminisces about growing up with an annoying little sister in China in the 1990s. How would his life have been if things had gone differently?
2018 美國奧斯汀影展動畫短片類評審團特別獎
房裡的海 The Sea within the Room 薛芳沂 HSUEH Fang-Yi ｜臺灣 Taiwan ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 4 min
宛如靈魂被抽離般，性侵受害者在事發當下往往僵硬無 法動彈，儘管隔著一層動畫，恐懼感依舊叫人心寒。 Rape victims sometimes freeze during the assault as if the soul left the body, witnessing what's happening but failing to will the body to resist. The film aims to help the viewers understand the victims.
風起的幸福 The Kite 馬汀史瑪塔納 Martin SMATANA ｜捷克、斯洛伐克、波蘭 Czech Republic, Slovakia, Poland ｜ 2019 ｜偶動畫｜ DCP ｜ Color ｜ 13 min
山坡上，男孩快樂地玩耍，導演藉著風箏的隱喻，輕飄 地托起沈重的死亡議題，繫起真摯的祖孫情。 The Kite deals with the issue of death but does so in a metaphorical and symbolic way on the relationship between the little boy and his grandpa.
48 Student Short Films in Competition 1
學生短片競賽
1
2019 安錫動畫影展青少年觀眾票選獎 2019 斯圖加特動畫影展最佳兒童短片
來不及說再見 Apart 黛安娜坎凡蓋恩 Diana CAM VAN NGUYEN ｜捷克 Czech Republic ｜ 2018 ｜ 2D 手繪、複合媒材｜ DCP ｜ Color ｜ 10 min
亞洲 Asia Premiere 首映
透過轉描及多種動畫技巧，深刻記錄下 3 名年輕人在失 去摯愛後，如何整理自己，面對往後的人生。 A story of about how people cope with their lives after losing their loved ones. In live-action and animation and based on the real experience, the narrator looks into the thoughts of three young people.
2019 首爾動畫影展 SICAF 評審團特別獎 2019 捷克茲林電影節最佳紀錄片
嘆息之城 Sigh of Sighs 金甫城 Boseong GIM ｜南韓 South Korea ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 6 min
黯黑的霧霾籠罩整座城市。鯨魚擱淺於漢江，吐出神秘 的球體，引來無數隻烏鴉掠食。無人關切此景，只有一 隻狗吠出不祥的預兆。 A whale has been neglected and left to decay since it appeared floating along the shore of the Han River. But no one in the city cares, except a dog and a flock of birds.
女兒 Daughter 達利亞科謝娃 Daria KASHCHEEVA ｜捷克 Czech Republic ｜ 2019 ｜偶動畫｜ DCP ｜ Color ｜ 15 min
亞洲 Asia Premiere 首映
站在醫院的病床前，女兒憶起過往，年幼的她試圖與父 親分享些什麼，然而該是美好的記憶，卻被痛苦和誤解 的烏雲籠罩，蔓延至今。 In a hospital room, the daughter recalls childhood moment when as a little girl she tried to share her experience with her father. A moment of misunderstanding and a lost embrace has stretched into many years all the way to this hospital room. 2019 安錫動畫影展學生畢業製作水晶獎
我不認識你但我肝謝你 Patchwork 瑪莉亞慕羅 María Manero MURO ｜西班牙 Spain ｜ 2018 ｜ 2D 手繪、複合媒材｜ DCP ｜ Color ｜ 8 min
洛麗來自西班牙北部的小鎮，是一位母親，也是一位刺 繡藝術家。某天，她的肚子突然劇烈疼痛，極需替換一 顆新的肝臟。 Patchwork is the story of Loly, a woman who needs a new liver since hers has got broken.
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年輕女子駕車肇事逃逸，隨著怪事接連發生，不安與罪 惡感開始衝著她來。 After a young woman has committed a hit-and-run, strange and spooky things start to happen... A thriller about people who are not always the best at making decisions.
Student Short Films in Competition 1
安娜曼莎瑞絲 Anna MANTZARIS ｜英國 UK ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 9 min
學生短片競賽
壞的好人 Good Intentions
1
山雞 Suann Ke 周子羣 CHOU Tzu-Chun ｜臺灣 Taiwan ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 5 min
曾經的我們如此要好，成日形影不離，卻不知道從何時 開始，漸行漸遠，直到再也看不見彼此身影。 Two boys used to be so close that they were inseparable from each other, but neither of them can remember since when they began drifting further and further apart until they no longer see each other.
學生短片競賽 2
10/11（五）16:30 Kbro 凱擘 2 廳 10/13（日）20:40 Kbro 凱擘 2 廳 ★ 10/19（六）20:00 Kbro 凱擘 3 廳
不一樣又怎樣 Student Short Films in Competition 2
愛恨假面 Love Me, Fear Me 維若尼卡索羅門 Veronica SOLOMON ｜德國 Germany ｜ 2018 ｜黏土動畫｜ DCP ｜ Color ｜ 6 min
藍色的小丑、火紅的妖豔舞者、俐落的刀鋒戰士、象牙 白的居士，我願獲得眾人的掌聲而轉變成多樣的化身。 'What would you be willing to do for them to love you?' Love Me, Fear Me is a dance metaphor about the roles we play, the stages we choose and the audience we try to impress.
50 Student Short Films in Competition 2
學生短片競賽
2
2018 里斯本動畫影展觀眾票選獎
大男孩獨白 Big Boy 強納森凡賽察森 Jonathan PHANHSAY-CHAMSON ｜法國 France ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 5 min
一曲詩歌速寫了男孩的成長，解構他與世界初次見面的 第一印象。 A poem, which portrays how a boy grows up, deconstructs his first impression of the world and redeems his sin.
愛汁深 澤之切 It's Wet 亞歷克西高達、黃楠 Alexis GODARD, HUANG Nan ｜法國 France ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 7 min
亞洲 Asia Premiere 首映
一位自戀女子在自己的小宇宙裡無憂地生活，卻突然被 迫重尋和世界共生的方法，以解決自己造成的危機。 A narcissistic woman lives without worrying about the world around her. It is by pushing the limits of her selfesteem that she has to find a solution to the malfunctions she has caused.
2019 斯圖加特動畫影展特別提及
可愛 Adorable 鍾承旭 CHUNG Cheng-Hsu ｜臺灣、英國 Taiwan, UK ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 6 min
酷男踏上探索性別及酷兒社群的旅程，徜徉在自由的性 別流動間，呈現當代酷兒綺想及觀察。 Adorable is an animated film that presents a journey of a queer person, on which he explores his sexuality, reflecting the real situation of the community where discrimination, freedom and love coexist.
成嫉思汗 Sweet Sweat 金政炫 Junghyun KIM ｜愛沙尼亞 Estonia ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 6 min
意外撞見父母親熱的模樣，孩子試圖用他的小腦袋瓜理 解這一切，卻是越想越困惑、想破頭也找不到答案。 A child recognizes the erotic relationship between the parents. Curious but overwhelmed, the child takes control.
51
芙羅拉安娜布達 Flóra Anna BUDA ｜匈牙利 Hungary ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 10 min
活在平行世界的三個女人從未相會，直到一隻小蟲意外 摧毀系統設定，突然使她們走向前所未有的交集。 Entropia is a container of three parallel universes, where three girls live in different circumstances. When a bug appears, the three universes start collapsing and the girls are able to move towards each other.
2019 柏林影展短片競賽泰迪熊獎
Student Short Films in Competition 2
陰托邦 Entropia
學生短片競賽
2018 韓國獨立動畫影展最佳學生影片
2
有事嗎 I Have Problems 蘇珊娜黛布列札尼 Zsuzsanna DEBRECZENI ｜匈牙利 Hungary ｜ 2018 ｜ 2D 手繪、複合媒材｜ DCP ｜ Color ｜ 7 min
亞洲 Asia Premiere 首映
導演凝視自身生命經驗，結合多種動畫技法，描摹充滿 負面情緒的人際關係與惡劣的生活環境。 Based on the filmmaker's own experience, the film is about the bad relationships and the terrible environment.
內心有小騷動的一定不是我 The Inner Turmoils of Someone Who'se Definitely Not Me 詹姆士奇桑 James CHEETHAM ｜英國 UK ｜ 2019 ｜ 2D 手繪、3D ｜ DCP ｜ Color ｜ 4 min
瘋癲的酒鬼深陷在憂鬱裡，無法自拔，卻也在墜落的同 時，深刻探索了內心的真實。 Jimmy, a manic depressed alcoholic, explores his own mind as he spirals into depression and ends up in an Alice Coltrane record.
肥皂男孩 Soapboy 艾格尼杰肯奈、安娜施莫諾娃、丹尼爾歐康納 Agne JURKENAITE, Anna SMIRNOVA, Daniel O'CONNOR ｜英國 UK ｜ 2018 ｜複合媒材｜ DCP ｜ Color ｜ 7 min
亞洲 Asia Premiere 首映
昏暗的公寓裡，詭譎的慾望與執念在空氣中蔓延，母子 的關係產生難以預期的劇變，也改寫了他們的命運。 Dark closed-up spaces create an atmosphere in which peculiar obsessions bubble up. A mother-and-son relationship takes an unexpected turn, which leads to a dramatic change in their fates.
52 Student Short Films in Competition 2
學生短片競賽
2
和你在一起 Bear with Me 達芙娜阿瓦帝 Daphna AWADISH ｜荷蘭 Netherlands ｜ 2019 ｜ 2D 手繪、複合媒材｜ DCP ｜ Color ｜ 5 min
亞洲 Asia Premiere 首映
破除語言、時空、種族的藩籬，一群移民為了愛離開家 鄉，踏上跨越邊境的漫長旅程。 Bear with Me is a short animated documentary on the immigrants who have left their home and crossed the borders for love.
2019 斯圖加特動畫影展奇幻獎 2019 雅典動畫影展特別提及
學生短片競賽 3
10/12（六）10:30 Kbro 凱擘 2 廳 10/14（一）18:30 Kbro 凱擘 2 廳 ★ 10/20（日）14:10 Kbro 凱擘 3 廳 ★
有一種風景 Student Short Films in Competition 3
風不太冷 In Passing 張樂容 Esther CHEUNG ｜加拿大 Canada ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 4 min
啟發自導演父母的兒時記憶，隨著旺角密集公屋的鄰居 們回到七〇年代的香港日常，捕捉舊時代的歷史與文化 軌跡。 In Passing is a portrait of Hong Kong in the 1970s as the director's parents remember it.
多幾咧？ Do-ji-le ? 楊子新 YANG Tzu-Hsin ｜臺灣、美國 Taiwan, USA ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 6 min
人們面對選擇總是猶豫不決，不安使我們躊躇不前。不 妨試著踏出那一步，迎向充滿未知卻豐饒的盛宴。 We constantly face different choices in life. But often the anxiety of making a choice gets the better of us. What if we just take a leap of faith and embrace the uncertainty?
我和吸鐵石和一個死去的朋友 Me and My Magnet and My Dead Friend 劉毛寧 LIU Maoning ｜中國 China ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 13 min
毛寧的童年有兩個重要回憶：一塊綁在褲頭上、拖在街 上的吸鐵石，以及一起夢想飛上太空的好朋友小明。 Two most important things in Maoning's childhood - a magnet tied to his waist that he dragged behind him and his best friend, Xiaoming, with whom he dreamed of going to the space together.
53
母親忙著烹煮祭品，父親透過視訊、指導女兒如何主持 祭祖儀式。正當父親解釋儀式的緣由，供桌上的食物默 默地被吃光。 "Jesa" is a Korean tradition of honoring the ancestors. The director talks to her parents about this Korean ritual and gets a totally unexpected result.
Student Short Films in Competition 3
宋景媛 Kyungwon SONG ｜南韓、美國 South Korea, USA ｜ 2019 ｜停格動畫、實拍｜ DCP ｜ Color ｜ 6min
學生短片競賽
祭祀 Jesa
3
城市樂園 I am Twisq 王鎧鴻、莫進輝 Red WONG, Ray MOK ｜香港 Hong Kong ｜ 2018 ｜ 2D、實驗技法｜ DCP ｜ Color ｜ 3 min
取材自真實樓房建築及運動場地，導演嘗試從不同角度 鳥瞰香港這座水泥叢林，搭配歌曲〈I am Twisq〉，建 構獨一無二的視聽饗宴。 From a bird's eye view, I am Twisq recreates an urban playground by animating shapes, forms and colors extracted from the original buildings in Hong Kong.
失速裂車 Locomotor 金子勲矩 Isaku KANEKO ｜日本 Japan ｜ 2019 ｜ 2D ｜ DCP ｜ B&W ｜ 3 min
蒸汽火車先生仰賴雙腳驅動車體，他愈跑愈快直到失 速，一頭栽進了前方烏黑的油田。 The Human Steam Train starts running with his legs but cannot stop himself before diving into a pond of oil.
隱匿的方寸空間 Hidden Zone 黃志聰 NG Chee-Chong ｜臺灣、馬來西亞 Taiwan, Malaysia ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 9 min
在反思自我的過程中，男孩跌入了心中的秘密空間，並 在其中見到自己的多重面向。他感到迷失，進而決定活 出真我。 Hidden Zone is about the self-presentation manners of an individual in a group. The animation ends with the protagonist opening up his heart to deliver the core of this creation - show your true self.
54 Student Short Films in Competition 3
學生短片競賽
3
好聲音 Sounds Good 桑德尚 Sander JOON ｜愛沙尼亞、丹麥 Estonia, Denmark ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 10 min
亞洲 Asia Premiere 首映
收音師使出渾身解數、四處奔波，錄下神奇蘑菇在各角 落生長時，充滿生命力的蓬勃聲響。 A boom operator is trying to record the sound of mushrooms.
2018 斯洛維尼亞動畫影展評審特別提及 2019 斯圖加特動畫影展最佳學生短片
他們把自己交給漫長的沉默 When the Silence Comes 黃亮昕 HUANG Liang-Hsin ｜臺灣、英國 Taiwan, UK ｜ 2018 ｜ 2D 手繪｜ DCP ｜ B&W ｜ 3 min
我們總會遇到一些特別的時刻。世界靜默，而你也跟著 不發一語。 There are always moments at which you don't want to say a word. The world suddenly turns silent and you follow suit.
飢餓幻境 Hunger 古康庫勒 Gürkan GÜRLER ｜土耳其 Turkey ｜ 2019 ｜ 2D 手繪｜ DCP ｜ Color ｜ 3 min
一段心理疾病患者結合用藥經驗的超現實故事。在這個 抽象的幻想世界裡，困惑的主人翁正遊蕩於迷離之中。 Hunger is an animated film that aims to tell a surrealistic story about mental illnesses and drug effects in the world of abstract imagery.
重磅紙 300g/m2 卡蜜拉庫奇可瓦 Kamila KUČÍKOVÁ ｜愛沙尼亞、斯洛伐克 Estonia, Slovakia ｜ 2018 ｜停格動畫｜ DCP ｜ Color ｜ 6 min
亞洲 Asia Premiere 首映
白紙上浮現一黑一白的人影，重疊又分裂，相應或對 照，追趕跑跳碰！ It's a monodrama of a white-white paper.
55 Student Short Films in Competition 3
學生短片競賽
3
56
Director in Focus: Max Hattler
焦點導演：跨域鬼才 麥斯海德勒
物質和運動 Matter and Motion
焦點導演
跨域鬼才 麥斯海德勒 Director in Focus
Max Hattler 57 Director in Focus: Max Hattler
焦點導演：跨域鬼才 麥斯海德勒
抽 象 敘 事與視覺音樂的碰撞 余紫詠 獨立動畫創作者
來自德國的藝術家麥斯海德勒，現任教於香港城市大學，長期以動畫作為創作主體，呈現出實驗影像、 錄像藝術、裝置新媒體等作品型態，在一系列看似精簡單一造型、複雜整體結構的動態圖像中蘊含著 美學與政治、聲音與影像、精準與即興的思辨關係。此次臺中國際動畫影展呈現麥斯長期關注的兩大 創作主題：抽象敘述和視覺音樂。 抽象敘述—— 麥斯的動畫敘事著重於不同圖像隱喻的象徵寓意和影像背後的文化連結關係，而非傳統的影片敘事結 構。這次展出的 14 部抽象敘述作品，觀者在這些看似熟悉的圖像中，透過不同角度再次思考影像所 指意義，麥斯擅長使物件跳脫原本的具象屬性，透過不同的構成方式呈現新的敘事語彙，藉由士兵、 國旗、文化圖騰、幽浮、密集高樓等影像元素的錯綜組合和重新排列，探討跨越不同種族、感受不同 文化國度的人類生存處境。在麥斯的抽象敘事中，觀者閱讀不到故事的起承轉合、高潮結局，卻確確 實實地感受到影像造成的感官衝擊和心理觸動，在影像當下帶給觀者的感受，已遠遠大於影片前後敘 事的關係意義。 視覺音樂—— 早期視覺音樂創作理念可追溯至二〇年代的奧斯卡費辛格、列恩雷、諾曼麥勞倫等人音樂繪畫的概念， 但在麥斯這次展出的 12 部視覺音樂作品中，觀者感受到的不僅僅是單純圖像與音樂的呼應關係，而 是對多元圖像的思考選擇。麥斯不拘泥單一創作媒材，在這一系列電子音樂動畫，看似平凡的身體毛 髮、電子影像、實體空間、光線、顏色、液體、舞台等都可轉化成為視覺構造中的奇幻元素，多年來 麥斯和不同樂團、音樂家合作，呈現出當代音樂 MV 中，迷離、魔幻、重複、對稱、切割、幾何、繽 58
紛如萬花筒的人造影像特質。
Director in Focus: Max Hattler
焦點導演：跨域鬼才 麥斯海德勒
此次焦點導演麥斯海德勒單元，讓觀者重新去體驗影像和聲音的關係，跳脫單一的動畫敘事面貌，感 受跨學科、跨型態、跨領域的當代動態影像視野和美學衝擊。
五號：忿忿之舞 Five: Moving Stormily
A Clash between Abstract Narrative and Visual Music YU Tzu-Yung Independent Animation Filmmaker
German artist Max Hattler currently teaches at the City University of Hong Kong. For years, Hattler has worked on animation and extended to experimental video, video art and new installation media. In a series of moving images constructed in a complicated structure and yet seemingly simple shape, it conveys the dialectic relations between aesthetics and politics, sound and image as well as between precision and improvisation. At the 2019 TIAF, films made with the two major themes, abstract narrative and visual music, which Hattler has been working on, are included in the program. Abstract Narrative Instead of the traditional film narrative, Hattler's animation focuses on the symbolic meaning of different images and the cultural association behind them. The fourteen films in abstract narrative screened at the 2019 TIAF prompt the viewers to ponder over the meaning of the images from different angles by showing them the familiar pictures. Hattler is an expert in detaching ordinary objects from their concrete quality and the meaning they signify, and through different ways of construction, a new narrative is presented. By juxtaposing and re-arranging elements such as soldier, national flag, cultural totem, UFO and congregated skyscrapers, Hattler looks into the situations human beings face when different ethnicities and cultures meet. In the abstract narrative in Hattler's films, the audience do not get to see a story unfolding from beginning to end or any climax, but nevertheless, they would be moved and feel the impact of the images on their senses. The feeling that the viewers have at the moment they perceive the image is more important than the narrative of the film. Visual Music
Director in Focus: Max Hattler
The selection of Max Hattler's films allows the viewers to re-experience the relation between image and sound and to detach from the single animation narrative as they feel the impact of the aesthetics and the vision expressed in the interdisciplinary, cross-genre contemporary moving image.
59 焦點導演：跨域鬼才 麥斯海德勒
The early ideas of visualizing music could be traced back to the music painting of Oksar Fischinger, Len Lye and Norman McLaren in the 1920s. Nonetheless, in the twelve films selected in the series of "visual music", the viewers feel not only the relation between image and music but the different responses to multi-images. Hattler is never confined to a single medium; in the electronic music animation, the ordinary things such as hair, electronic images, concrete space, light, color, liquid and stage could be turned into surreal elements in the visual construction. For years, Hattler has collaborated with various bands and musicians to create the kaleidoscopic visual effects such as the mysterious, magic, repetitive, symmetrical, fragmental and geometric feels in the contemporary music videos.
焦點導演
跨域鬼才 麥斯海德勒（一） Director in Focus: Max Hattler 1
10/12（六）16:50 Kbro 凱擘 3 廳 10/15（二）20:00 Kbro 凱擘 2 廳 ★
變形星艦現身 Model Starship 麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2012 ｜停格動畫｜ DCP ｜ Color ｜ 1 min
不斷形變的化妝品幻化成飛往星際的航艦，帶領我們與 另一個世界短暫相遇。 Very brief encounter with another world.
紅點 All Rot 麥斯海德勒 Max HATTLER ｜英國、德國、香港 UK, Germany, Hong Kong ｜ 2015 ｜實驗技法｜ DCP ｜ Color ｜ 3 min
利用攝影技術再現廢棄的高爾夫球場，刺激的感官體 驗、抽象表現主義式的構圖和美學，猶如一場狂歡的影 像實驗。 Responding to the compositional and aesthetic qualities of abstract expressionism and cameraless animation, All Rot uses photographic reanimation to render a decaying crazy golf course into a split-screen experiment in synesthetic cinema.
衝突 Collision 麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2005 ｜ 2D ｜ DCP ｜ Color ｜ 2 min
解構再融合伊斯蘭及美國的視覺及聽覺元素，呈現美麗 卻隱約不安的萬花筒場景，創造出令人屏息的張力。 Islamic patterns and American quilts and the colors and geometry of flags as an abstract field of reflection.
60 Director in Focus: Max Hattler 1
焦點導演：跨域鬼才 麥斯海德勒︵一︶
2006 倫敦短片影展最佳實驗電影
序列平行 Serial Parallels 麥斯海德勒 Max HATTLER ｜香港、德國 Hong Kong, Germany ｜ 2019 ｜實驗技法｜ DCP ｜ Color ｜ 9 min
以照片作為媒材，透過膠卷播放的平行捲動、機械式的 聲響，呈現香港這座城市中獨特的密集住宅建築風貌。 Serial Parallels approaches Hong Kong's built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. Its signature architecture is reimagined as parallel rows of film strips.
轉換 Shift 麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2012 ｜停格動畫｜ DCP ｜ Color ｜ 3 min
以新時代的「維度轉換」為靈感，透過物件及色彩的移 動，結合科幻主題，在抽象概念的運動和瞬間，視覺化 肉眼不可見之物。 Using the New Age idea of a 'dimensional shift' as inspiration, Shift combines science fiction themes through abstract, stop motion animation of objects and color. It is an attempt to visualize higher dimensions and unearthliness.
形轉物移 Everything Turns 麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2004 ｜ 2D 手繪｜ DCP ｜ Color ｜ 1 min
生死和時間，談論這些深奧的命題只需要一分鐘，導演 以童趣的影像語言、從容流轉的線條，講述關於時間及 生命的故事。 Life makes your head spin, and before you know it, it's over. A very short film about time, life and death.
同步 Sync 麥斯海德勒 Max HATTLER ｜荷蘭、丹麥、英國、德國 Netherlands, Denmark, UK, Germany ｜ 2010 ｜ 3D ｜ DCP ｜ Color ｜ 9 min
以曼陀羅圖案為中心高速旋轉的影像，搭配機械頻率的 聲響形成奇妙的和諧，催眠般營造出幻覺十足的感官饗 宴。 Animated film as a never-ending mandala pattern rotating around its central axis: A quest to discover the unchanging origin of all things.
61
Amount, or Importance of Something Over a Very Short Period of Time
麥斯海德勒 Max HATTLER ｜俄羅斯、英國、德國 Russia, UK, Germany ｜ 2013 ｜ 2D、3D ｜ DCP ｜ Color ｜ 2 min
起源於一次大爆炸，各種原子、分子及電子的運動，展 現一系列詩意的圖像分合。 An explosive animation inspired by fractals and chaos theory, A Very Large Increase tells the story of a miniature Big Bang and an iridescent bubble that bifurcates until it becomes a whole population.
2014 德國視覺音樂獎首獎 2015 倫敦動畫影展特別提及
Director in Focus: Max Hattler 1
短時間內，體積、數量或重要性的急速增加 A Very Large Increase in the Size,
焦點導演：跨域鬼才 麥斯海德勒︵一︶
2011 德國視覺音樂獎特別獎
變形體 Shapeshifter 麥斯海德勒 Max HATTLER ｜香港、德國 Hong Kong, Germany ｜ 2016 ｜實驗技法｜ DCP ｜ Color ｜ 1 min
數位檔案壓縮引起的影像雜訊，改變紋理、顏色與質 地，受到干擾卻不被削弱，改變形式還能繼續擴張。 Shapeshifter explores video glitches induced by digital signal processing compression artefacts, which have given rise to a whole genre of YouTube videos dedicated to exposing shapeshifting reptilians.
道路三聯畫 Concrete Abstraction: Road Triptych 麥斯海德勒 Max HATTLER ｜香港、德國 Hong Kong, Germany ｜ 2019 ｜實驗技法｜ DCP ｜ Color ｜ 5 min
城市地景彷彿畫布，以道路標誌突顯城市的街道，佐以 無法被人察覺的油漆和污漬，作為空間的裝飾。 A motion painting that takes urban topography as its canvas. Road signage explodes and contracts in this portrait of the otherwise unnoticeable paints and stains that adorn the city's streets.
武裝綜藝 Spin 麥斯海德勒 Max HATTLER ｜法國、英國、德國 France, UK, Germany ｜ 2010 ｜ 2D、3D ｜ DCP ｜ Color ｜ 4 min
玩具士兵和諧前進，一、二、一、二，軍樂、隊形變換、 馬戲團，當衝突成為奇觀，模糊了暴力和娛樂的界線。 Toy soldiers marching and moving in harmony, spinning and rotating, erupting and exploding. When conflict becomes a spectacle, the lines between destruction and entertainment get blurred.
62 Director in Focus: Max Hattler 1
焦點導演：跨域鬼才 麥斯海德勒︵一︶
2010 阿姆斯特丹 KLIK! 動畫影展政治動畫獎
干戈 RE:AX 麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2011 ｜ 2D ｜ DCP ｜ Color ｜ 2 min
幾何形狀和抽象圖像相互碰撞、穿越彼此，透過相遇創 造新生，搭配詭異迷人的配樂，展開一段行動和回應的 旅程。 RE:AX invites the viewer on a journey of action and reaction, through the abstract interplay of geometric shapes and patterns, using references to modern warfare in an exploration of the biblical theme of an eye for an eye.
X 麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2012 ｜實驗技法｜ DCP ｜ Color ｜ 7 min
獨立卻互相牽引的幾何形狀，集體譜出動感的交響樂， 投影在運河上以水幕做成的影像裝置，產生立體幻象的 效果，令人難忘。 The unknown X becomes a whole symphony of shapes. In a kinetic energetic otherworld, where everything is by itself yet can intersect with each other, cross-action seems the best way to solve an unknown equation. 2013 布達佩斯 Anilogue 動畫影展特別獎
不明飛行物 Unclear Proof 麥斯海德勒 Max HATTLER ｜義大利、英國、德國 Italy, UK, Germany ｜ 2013 ｜停格動畫｜ DCP ｜ Color ｜ 1 min
你還需要更多幽浮的存在證據嗎？清晰的錄像畫面，幽 浮的真相即將現身！ Do you need more proof? Sensational crystal-clear footage of shape-shifting UFOs recorded under the influence in Farra di Soligo, Veneto, Italy.
63 Director in Focus: Max Hattler 1
焦點導演：跨域鬼才 麥斯海德勒︵一︶
焦點導演
跨域鬼才 麥斯海德勒（二） Director in Focus: Max Hattler 2
10/12（六）18:20 Kbro 凱擘 3 廳 ★ 10/18（五）15:20 Kbro 凱擘 2 廳
天堂 1923 aka Heaven 麥斯海德勒 Max HATTLER ｜丹麥、英國、德國 Denmark, UK, Germany ｜ 2010 ｜ 3D ｜ DCP ｜ Color ｜ 2 min
受到法國藝術家奧古斯丁萊薩奇作品的啟發，曼陀羅般 的複雜圖騰不斷輪迴，帶著觀眾的視覺與心靈逐步深 陷，無法自拔。 Animation loop inspired by the work of French outsider artist Augustin Lesage.
無常 AANAATT 麥斯海德勒 Max HATTLER ｜英國、德國、日本 UK, Germany, Japan ｜ 2008 ｜停格動畫｜ DCP ｜ Color ｜ 5 min
在這電腦影像當道的時代，麥斯海德勒以完全零數位特 效的實體畫面，帶領觀眾一探類比時代的美感。 The ever-shifting shape of Analogue Futurism: an endlessly mobile sequence of animated Bauhaus-style shapes and compositions. 100% digital-effects free. Collaboration with Japanese music producer Jemapur.
2010 德國視覺音樂獎首獎
分區運動 Divisional Articulations 麥斯海德勒 Max HATTLER ｜香港、德國、英國 Hong Kong, Germany, UK ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 5 min
源自導演與作曲家樂斯普里瑪的合作，以不斷變化的幾 何圖形搭配類比配樂，營造出奇異的氛圍，引人迷失在 時間與空間之中。 Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop.
64 Director in Focus: Max Hattler 2
焦點導演：跨域鬼才 麥斯海德勒︵二︶
物質和運動 Matter and Motion 麥斯海德勒 Max HATTLER ｜香港、德國、英國 Hong Kong, Germany, UK ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 2 min
導演與作曲家樂斯普里瑪再度合作，黑暗中隨著重低音 起舞，讓無形能量的傳遞與爆發有了形體。 Motion creation, energy transmission, kinetic combustion. Audiovisual collaboration between composer Lux Prima, director Max Hattler, and a group of animators from the School of Creative Media at City University of Hong Kong.
靡靡之光 Nachtmaschine 麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2005 ｜實驗技法｜ DCP ｜ Color ｜ 3 min
導演與作曲家父親合作，用影像與音樂的結合呈現出黑 暗與光明、音樂與動感、形體與抽象的強烈對比。 Night vs. light, music vs. motion, figuration vs. abstraction. A hypnotic dance of simple forms interpreting the ordinary world that surrounds us. Collaboration with Max Hattler's father, German composer Hellmut Hattler.
五號：忿忿之舞 Five: Moving Stormily 麥斯海德勒、Team Five Max HATTLER, Team Five ｜香港、德國 Hong Kong, Germany ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 15 min
將馬勒第 5 號交響曲視覺化，透過光影與線條交錯，賦 予曲子全新的生命。 An abstract animation visualization of the second movement of Gustav Mahler's Symphony No. 5, created by Max Hattler with student animators at School of Creative Media, City University of Hong Kong.
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麥斯海德勒 Max HATTLER ｜丹麥、英國、香港、德國 Denmark, UK, Hong Kong, Germany ｜ 2019 ｜實驗技法｜ DCP ｜ Color ｜ 2 min
宛如有了自主意識，各種雜訊與線條不斷增生，不同的 頻率與強度互相衝撞，交織成獨一無二的感官體驗。 A symmetrical matrix of generative synthetic growth iterations of varying frequency intensities.
65
為英國電音團體「地下室混音小子」量身打造的視覺遊 樂園，各種視覺元素隨著音樂盡情躍動。 Connect four on the disco dance floor. Light, liquid, shape and color locked into a pixel playground. Official tour visuals for Basement Jaxx.
Director in Focus: Max Hattler 2
麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2009 ｜ 2D、3D ｜ DCP ｜ Color ｜ 6 min
焦點導演：跨域鬼才 麥斯海德勒︵二︶
拼貼電音 Where's Your Head At
繾綣 Drift 麥斯海德勒 Max HATTLER ｜英國、德國 UK, Germany ｜ 2007 ｜實驗技法｜ DCP ｜ Color ｜ 4 min
你認真觀察過自己的身體嗎？當人體被極度放大後，所 呈現的一切是如此熟悉又陌生、噁心又美妙。 Drift is a collaboration between Max Hattler and composer Mark Bowden that considers the body as landscape. Extreme close-ups create a foreign yet familiar world, removed from reality, yet sometimes almost too close.
綠動 Catch 麥斯海德勒、尾角典子 Max HATTLER, Noriko OKAKU ｜英國、德國 UK, Germany ｜ 2012 ｜ 2D ｜ DCP ｜ Color ｜ 4 min
為英國電音團體製作的音樂錄影帶，在螢光綠的光影變 化下，幻化出醉人的迷幻感。 Official music video for The Egg's song Catch, from their 2012 album Something to Do.
舞棍阿哥 Mount Allen 麥斯海德勒 Max HATTLER ｜德國、英國 Germany, UK ｜ 2007 ｜停格、真人動畫｜ DCP ｜ Color ｜ 4 min
取材自 1984 年電影《渾身是勁》中凱文貝肯的帥氣倉 庫獨舞，導演重新打造成樂團的音樂錄影帶，然而當肢 體隨著畫面影格不自然地運動，場面似乎有點不對勁？ We went down, we went down – how far who knows. Foot loose meets head loose, one frame at a time. Official music video for former British band Economy Wolf.
66 Director in Focus: Max Hattler 2
焦點導演：跨域鬼才 麥斯海德勒︵二︶
地獄 1925 aka Hell 麥斯海德勒 Max HATTLER ｜丹麥、英國、德國 Denmark, UK, Germany ｜ 2010 ｜ 3D ｜ DCP ｜ Color ｜ 2 min
穿越層層厚重的地獄之門、深入沒有盡頭的黑暗，取材 自法國藝術家奧古斯丁萊薩奇的延伸創作。 Animation loop inspired by the work of French outsider artist Augustin Lesage.
序列平行 Serial Parallels
67
Director in Focus: Max Hattler 2
焦點導演：跨域鬼才 麥斯海德勒︵二︶
焦點導演
玩轉極線 海蒙庫莫
Raimund Krumme Director in Focus
68
Director in Focus: Raimund Krumme
焦點導演：玩轉極線 海蒙庫莫
訊息 The Message
舞 動 線條空間的哲思者 王綺穗 臺北藝術大學動畫學系副教授
海蒙庫莫教授生於 1950 年德國，是當代最重要的動畫藝術家、導演、劇作家之一。年輕時就以撰寫 廣播兒童戲劇劇本出身，並將其作品轉譯成視覺圖像，後來更繪製成動畫作品獲得肯定，80 年代他開 始使用動畫作為創作媒材，至今已有 10 多部獨立動畫短片作品。這些作品也在世界各地的影展獲得 相當好的成績，囊括了不少獎項，奠定了庫莫在國際動畫獨立製作的地位。從 1994 年開始，庫莫更 與美國製作公司 ACME 與日本 pHstudio 合作，參與廣告創意及導演工作，製作出不少經典且膾炙人 口的廣告動畫。 庫莫一直以來的創作無論是在動畫影像作品或空間展示中，均探討著線條與空間、線條的運動空間等 哲理性的本質命題，利用低限的表現形式，彰顯了他最核心的觀念表達，在動畫藝術界極具特殊性。 1986 年創作的《走繩索的人》一片在國際間獲得無數重要獎項，成了他早期的代表作，此片也被選 為世界百大重要動畫片之一。片中藉由兩個人物角色以及一條彼此之間的紅線，時鬆弛時緊繃、或延 展或縮短，就像兩個人之間的關係牽扯與對話，既富含情感卻也嚴厲批判，利用極簡的白色背景與一 個虛擬的黑框作為不同對話情景空間透視的指涉，人物造型猶如變形的書法筆觸，恣意且流暢，將極 富寓意的情節用最精準簡潔的視覺語言表演出來，其他作品例如《交叉口》、《通道》、《訊息》等 片也是如此。 庫莫教授對於東方筆墨有著一種特別的情感，尤其是書法中行書的風格，因此在日常的創作研究中，
添視覺上的節奏感與強烈的情感，也因此與舞蹈或戲劇合作一直是他很有興趣的主題，如在《囚犯合 唱團》、《觀者》與最近創作的新作等片，都有與舞者一同合作的軌跡可循。 2016 年從科隆媒體藝術學院退休至今，庫莫教授仍是一位創作力豐沛的動畫藝術家，也持續指導並 影響年輕的動畫藝術家，他的新作 The Lost One 可望在明年完成。
Director in Focus: Raimund Krumme
各種動態表現，有時運用乾筆的粗線來呈現進行中的動態，有時利用潑灑的墨點恣意將筆下的人物增
69 焦點導演：玩轉極線 海蒙庫莫
常使用中國墨水與毛筆，以近乎畫水墨的方式，充分利用筆墨的優點、決定性的下筆，描繪出人體的
訊息 The Message
A Philosopher on Movement of Lines and Space Dr. WANG Chi-Sui Associate Professor, Department of Animation, Taipei National University of the Arts
Born in the 1950s in Germany, Prof. Raimund Krumme is one of the most important contemporary animation artists, directors and scriptwriters. Starting his career as a scriptwriter, he first wrote radio dramas for children and transformed the writing into drawings. Later he turned his works into animations and received critical acclaim. Since the 1980s, Krumme has been working on animation and made more than ten independent short films. His works are very popular with the international film festivals and won numerous awards, establishing Krumme's reputation in the international independent animation production. Since 1994, Krumme has collaborated with American production house ACME and Japanese company pHstudio, making commercials as director, and to date, many of the animated adverts he made have become classics.
70 Director in Focus: Raimund Krumme
焦點導演：玩轉極線 海蒙庫莫
Both in his animations and exhibitions, Krumme explores the philosophical relation between lines, movement and space. In the Minimalist style, he demonstrates the core concept of his works, and that proves to be a very unique feature in animation art. In 1986, he made Rope Dance, which won countless awards around the world, and it not only became one of his best-known early films but was voted as one of the 100 most important animations of all time. Through the two characters and the red rope tied between them, which sometimes gets tightened or loosened or extended or shortened, it conveys the relationship and the dialogue between the pair; it is full of emotion and yet a sharp critique. The plain white background and the virtual black frame are used to imply the space in which different conversations take place. Moreover, the characters seem to emerge from calligraphy; they flow freely and smoothly, unveiling the metaphorical plot in the most precise and concise visual language. Apart from Rope Dance, Krumme adopts the same method in Crossroads, Passage and The Message. Prof. Krumme is partial to the oriental ink and brush, especially the semi-cursive script of the Chinese calligraphy, and therefore he often uses the Chinese ink and brush in his works; almost like the ink washing painting, Krumme fully utilizes the advantage of ink and brush to depict human body movements. Sometimes, he uses a dry brush to create thick lines to portray the movement; sometimes he splashes the ink, visually highlighting the rhythm and the strong emotions. Furthermore, Krumme is inclined to work in dance and theatre, and therefore he collaborates with dancers in Choir of the Prisoners, Spectator and other recent films. Since he retired from the Academy for Media Arts Cologne in 2016, Prof. Krumme has remained an active animation artist; he not only continues teaching but has a strong influence on the young animators. His latest work, The Lost One, is expected to be completed next year.
焦點導演
玩轉極線 海蒙庫莫
10/13（日）19:30 Kbro 凱擘 3 廳 ★ 10/15（二）16:00 Kbro 凱擘 2 廳 ★
Director in Focus: Raimund Krumme
走繩索的人 Rope Dance 海蒙庫莫 Raimund KRUMME ｜德國 Germany ｜ 1986 ｜ 2D 手繪｜ DCP ｜ Color ｜ 10 min
一老一少在矩形空間中，憑著繩索展現彼此的依附糾 結。隨著視角改變，兩人的姿態也牽引觀眾的認知變 動。 Two figures, one old and one young, tied with a rope, move in a space defined by a square. It is a game of power and dependence, where the special position of the two men depicts the state of their relationship. 1987 德國電影獎最佳短片
觀者 Spectators 海蒙庫莫 Raimund KRUMME ｜德國 Germany ｜ 1989 ｜ 2D 手繪｜ DCP ｜ Color ｜ 6 min
在漆黑的電影院中，觀眾隨著影片起舞、匯聚成一道吞 噬世界的人浪。 We see the different reactions of the audience to a film but can only hear what happens on the screen. The crowd swings to the same rhythm and turns into a mob that doesn't leave any space for individual reaction.
交叉口 Crossroads 海蒙庫莫 Raimund KRUMME ｜德國 Germany ｜ 1991 ｜ 2D 手繪｜ DCP ｜ B&W ｜ 10 min
駐足於十字路口的男子陷入迷惘、找不到方向，他試圖 向旁人問路，卻被他們給的矛盾建議弄得更加徬徨。 A person comes to a crossroads and cannot decide which way to go. People he asks confuse him more, and thus he stays on that crossroads, contemplating different possibilities and unable to leave.
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主僕二人帶著一卡皮箱經過結冰的湖面，不願涉險的他 們各懷鬼胎，展開一場巧妙的攻防戰。 A cold winter day. A porter and his master arrive at a frozen lake which they need to cross. During their struggle to stay behind the other, they forget the fact that they belong to different classes.
1994 渥太華動畫影展最佳動畫
Director in Focus: Raimund Krumme
海蒙庫莫 Raimund KRUMME ｜德國 Germany ｜ 1994 ｜ 2D 手繪｜ DCP ｜ B&W ｜ 7 min
焦點導演：玩轉極線 海蒙庫莫
通道 Passage
訊息 The Message 海蒙庫莫 Raimund KRUMME ｜德國 Germany ｜ 2000 ｜ 2D 手繪｜ DCP ｜ B&W ｜ 6 min
「他回來了！」神祕的訊息讓整個小鎮陷入驚惶，每位 居民都試圖用自己的方式，去面對這深刻在心底的恐 懼。 "He is back again" is the simple message, which is circulated in a town. We see the reaction of people confronted with the news. Their fears and denial, and everyone has their own interpretation. 2000 德國短片獎金獎
囚犯合唱團 Choir of the Prisoners 海蒙庫莫 Raimund KRUMME ｜德國 Germany ｜ 2004 ｜ 3D、實拍｜ DCP ｜ Color ｜ 3 min
改編自貝多芬的歌劇《費黛里歐》，描繪監獄中不見天 日的囚犯，在多年的監禁後終於再次看見耀眼的陽光。 Based on a scene in Beethoven's opera Fidelio, the prisoners are kept in dark cells without daylight. Now, for the first time in years, they are allowed to see the sun, a metaphor for freedom.
72 Director in Focus: Raimund Krumme
焦點導演：玩轉極線 海蒙庫莫
欸我去抽根菸 I'm Going Out for Cigarettes
角色方程式
卡通也瘋狂 Character Formula
石昌杰 影展節目總監
Cartoon Frenzy
早期的動畫在形式發展之初，取材與借鏡俗稱「卡通」的漫畫，因此被稱為「活動的卡通」！有趣的 是這時期的卡通角色，除了造型上借取了漫畫的簡化與誇張特質，在角色表演上更大量挪用了馬戲雜 耍、默片喜劇動作精髓，製造歡笑與娛樂大眾，甚至形塑了大眾對於動畫的既定印象！
值得注意的是，有些當代動畫創作者，反其道，青睞起卡通角色的設計感、詼諧和無厘頭表演方式， 注入了令人驚喜的創意和新意！有的作者刻意營造舊片卡通的影像風格，再現了早期卡通的滑稽幽默 與懷舊趣味；更多的作者則是注入了當代的時代議題，與人際關係的觀照。前者像《街頭小霸王》， 活生生就是默片卡通的復刻版，卻多了貧富懸殊的時代背景；《邪惡快樂島》則是對於美國卡通工業 巨擘華特迪士尼，最直接嚴厲的批判。後者，像是《下班後的魯蛇人生》以卡通角色帶出上班族工作 週而復始的乏味、焦慮和痛苦；也有《瘋狂諮商室》卡通角色尋求群體心理諮商，卻情緒大暴走的喜 鬧劇。美國獨立動畫代表作者比爾普林頓的近期動畫短片《川普內心小劇場》，更是延續了諷刺漫畫 的精髓，大肆諷刺美國川普總統，砲火猛烈！ 不可否認，當代卡通角色也瘋狂的表層底下，暗藏著諧仿、諷刺、批判與發人深思的現代藍調！
Character Formula: Cartoon Frenzy
太過誇張的卡通角色與動作表演，幾乎快等同於幼稚、搞笑，不登大雅之堂的代名詞了。
角色方程式：卡通也瘋狂
然而，近年來隨著電腦動畫的興起和皮克斯動畫的影響，角色形象和表演趨近相對「寫實」的表現，
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川普內心小劇場 Trump Bites
C. Jay SHIH Program Director of TIAF
In the early development of animation, it borrowed the content from the so-called "cartoon", and as a result, it became known as "animated cartoon". What is interesting is that during that period, the animation not only borrowed the simplified and exaggerated looks of cartoon characters but also adopted the signature movements seen in circus performance and silent film comedies in order to entertain the pubic, and hence it formed such an impression on the audience.
74 Character Formula: Cartoon Frenzy
角色方程式：卡通也瘋狂
Nevertheless, in recent years, due to the rise of computer animation and the influence from Pixar, the image and the performance of the characters in animation are getting more and more "realistic", and consequently, the exaggerated characters and performance have almost become the byword for being childish, comical or even vulgar. It is worth noting that a group of contemporary animators are working against the trend as they not only favor the humorous design and the slapstick seen in the cartoon but also bring innovation into it. Some of the filmmakers deliberately create the retro visual style and reenact the comic, humorous and nostalgic feel in the old cartoon while more filmmakers raise issues of the current time and the reflection on the relationships between people. For example, Flea & Fly looks exactly like a remake of a silent cartoon but set in a time when the gap between the rich and the poor is getting wider than ever; Waldo's Dream is a direct and harsh critique of Walt Disney, the giant in the American animation industry. Afterwork conveys the boredom, anxiety and pain the office workers suffer from the repetitive routine at work. In Animal Behavior, we see that the cartoon characters seek group therapy but end up losing control over their emotions in a comic farce. Trump Bites by American independent animator Bill Plymton continues the essence of the satirical cartoon as he relentlessly criticizes the US President Donald Trump. It cannot be denied that what often hide underneath the crazy appearance of the contemporary cartoon characters are irony, satire, critique and the contemporary blues that prompt people to think.
角色方程式
卡通也瘋狂
10/12（六）16:40 Kbro 凱擘 2 廳 10/20（日）10:40 Kbro 凱擘 3 廳
Character Formula: Cartoon Frenzy
街頭小霸王 Flea and Fly 費南多米勒 Fernando MILLER ｜巴西 Brazil ｜ 2011 ｜ 2D 手繪｜ DCP ｜ B&W ｜ 7 min
亞洲 Taiwan Premiere 首映
里約兩個無家可歸的城市麻煩鬼在街頭冒險，吸膠取代 喝酒、大搖大擺抽煙、行竊，還在公共場所亂小便！ Kids. (That's right. It's the whole synopsis)
2011 義大利阿奎拉影展最佳動畫短片
邪惡快樂島 Waldo's Dream 荷西納瓦合、喬吉坎普沙諾、聖提亞戈歐來恩 José NAVARRO, Jorge CAMPUSANO, Santiago O'RYAN ｜智利 Chile ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 3 min
沃多的寶貝獨子生下來就是個畸形，悲痛萬分的他，決 定打造一個名為「快樂島」的巨型遊樂園，在這個烏托 邦裡，只有美與秩序，再無憂傷。 This is a story of Waldo Joy, a man tormented by the horrible birth malformation of his son. He tries to leave the grief behind by constructing a huge amusement park named "Happyland".
欸我去抽根菸 I'm Going Out for Cigarettes 奧斯曼賽凡 Osman CERFON ｜法國 France ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 14 min
12 歲的男孩和姊姊、媽媽與一群長得一模一樣的男人 們住在一起。他們躲在衣櫥、抽屜，甚至電視櫃裡…… Twelve-year-old Jonathan lives with his sister, his mother and also some men. They all have the same face and nest in closets, drawers and TV set...
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西拉維休曼 Sylvain CHOMET ｜英國 UK ｜ 2015 ｜ 2D 手繪｜ DCP ｜ Color ｜ 4 min
人類過度沉迷於社交軟體的互動，產生了各種荒謬情 境，推特的藍鳥標誌如同怪物般吞噬著人們的生活。 Recognizing the absurdity of human interaction and applying this to excessive, often obsessive Twitter use.
Character Formula: Cartoon Frenzy
卡門推特鳥 Carmen
角色方程式：卡通也瘋狂
2019 斯圖加特動畫影展評審團特別提及
神經水電工 Electrician's Day 弗拉迪雷秋夫 Vladimir LESCHIOV ｜拉脫維亞 Latvia ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 9 min
在精神病院附近修電線桿的水電工意外觸電暈厥，導致 醫院大停電，等他醒來後，發現自己被關進了杜鵑窩。 As a result of an accident during the repair work next to a psychiatric hospital, the electrician loses his consciousness and finds himself behind the wall.
下班後的魯蛇人生 Afterwork 路易烏森、安德烈阿基拉 Luis USON, Adres AGUILAR ｜厄瓜多、西班牙、秘魯 Ecuador, Spain, Peru ｜ 2017 ｜ 2D、3D ｜ DCP ｜ Color ｜ 6 min
亞洲 Taiwan Premiere 首映
生活總是被工作與不斷重複的空洞日常填滿，就像掛在 兔子眼前的紅蘿蔔，無法停止追逐，卻怎麼也無法抓 住。 We are all condemned to work and repeat the same empty routines. Can we reach that carrot with which they want to keep us forever occupied, eternally chasing after something we do not need?
瘋狂諮商室 Animal Behaviour 艾莉森斯諾登、大衛費恩 Alison SNOWDEN, David FINE ｜加拿大 Canada ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 14 min
在動物行為治療師的帶領下，5 隻動物定期進行團體治 療，討論牠們內心的焦慮，直到不速之客突然闖入，一 切開始天翻地覆。 Dealing with what comes naturally isn't easy, especially for animals. In Animal Behavior, five animals meet regularly to discuss their inner angst in a group therapy session led by Dr. Clement, a canine psychotherapist.
76 Character Formula: Cartoon Frenzy
角色方程式：卡通也瘋狂
2019 加拿大影視學院獎最佳動畫短片
川普內心小劇場 Trump Bites 比爾普林頓 Bill PLYMPTON ｜美國 USA ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 4 min
亞洲 Taiwan Premiere 首映
全球焦點川普化身卡通人物，在他那狂熱的大腦裡，究 竟發生了什麼事？ Ever y day, Donald Trump unleashes a torrent of exaggerations, insults, threats and self-pity. Bill Plympton uses actual audio clips of Donald Trump as the basis for surreal animations depicting the president's tumultuous inner life.
超人很茫 The Rain 彼得特米查雷克 Piotr MILCZAREK ｜波蘭 Poland ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 5 min
亞洲 Taiwan Premiere 首映
當個人的意外遊戲，成了眾人朝聖的潮流，瘋狂的集體 意識將導致何種悲劇呢？ The Rain is an animation on collective consciousness that depicts a struggle of an individual with collective hypnosis and its consequences for both the individual and the crowd.
2019 安錫動畫影展首部作品 Jean-Luc Xiberras 獎
77 Character Formula: Cartoon Frenzy
角色方程式：卡通也瘋狂
發現新視角 New Angle
看 見 音 符、旋律、聲音和感情 ！ 石昌杰 影展節目總監
聲音技術在電影上的運用，登場於 1927 年；隔年迪士尼立即使用在米老鼠的動畫短片創作上，並 78
且獲得了巨大的成功！有趣的是，音樂與動畫的關係，卻早在有聲電影出現時，就已經被探索了！
New Angle
發現新視角
1920 年代初期，德國奧斯卡費辛格等動畫藝術家以先驅者的姿態，投入了當時以「純粹電影」為名， 當代以「視覺音樂」通稱的抽象動畫創作，試圖讓抽象的音樂與律動，透過動畫畫面被看見，真的是 非常前衛與創新的動畫藝術創作理念！ 隨著影視歷史的演進，音樂與聲音設計，絕妙成為電影工業配樂、配音的重要環節；也造就了美國動 畫歌舞類型，和動畫 MV 等商業市場。然而，許多繼往開來的動畫藝術家深諳，透過音樂與動畫的共 感創作，才可以超越動畫敘事與角色的框架，大膽展現出語彙無法描述的心靈語境；讓不可看見的悲 傷、歡樂、恐懼、喜悅躍然於銀幕之上，直搗觀眾的眼耳和心靈！ 今年以音樂與聲音為主題的 3 個單元，邀請到客座策展人珍琵琳和節目組團隊共同合作，多方邀集了 30 多部運用音樂和聲音設計，精彩至極的動畫作品齊聚一堂！節目片單中，除了囊括不少已經成為教 科書等級的經典動畫大師之作；更多的是當代新秀在國際競賽中嶄露頭角的優異作品，有的典雅優美， 有的前衛而爆裂，有的情感澎湃，有的則是詼諧幽默，真的是一場無以言傳的音畫饗宴 !
厭世歡樂頌 The Burden
See the Notes, Melody, Sound and Emotion! C. Jay SHIH Program Director of TIAF
This year, we invite Jayne Pilling as guest programmer to collaborate with the TIAF on the three categories which share the theme of "music and sound". As a result, more than thirty outstanding animated films featuring great music and sound design are included in this year's program. Among them, many are classics of the great masters and more are the award-winning works by the rising talents; some of them are classical and elegant, some avant-garde and explosive, some highly emotionally charged and some humorous and funny. In short, this program is an amazing display of music and animation.
New Angle
As cinema developed, music and sound design began to play an important role in the film industry and even resulted in genres such as American animated musical and animated music video. Nonetheless, many great animation artists understand that only when music and animation work in harmony can they be freed from the constraint imposed by the narrative and the characters and be able to daringly show the mental context that language cannot describe. Furthermore, by doing so, it allows the invisible emotions such as sadness, happiness, fear and joy to be seen on the screen, capturing the hearts and minds of the audience.
79 發現新視角
The sound technology was first applied to film in 1927. In 1928, Disney applied music to the Mickey Mouse short film, which turned out to be a big success. What is interesting is that the relation between music and animation was explored before the sound cinema was invented. In the early 1920s, German animation artist Oskar Fischinger was a pioneer in the Absolute Film and the abstract animation known as "Visual Music"; he tried to visualize the abstract music and rhythm in animation, and it was a truly avant-garde and innovative concept of animation art.
女王的修道院 The Queen's Monastery
發現新視角 : 音像流轉 New Angle: Music & Animation
從 抽 象 幾何到扣入人心 From Abstract Geometric to Moving People’s Hearts
石昌杰 影展節目總監 C. Jay SHIH Program Director of TIAF
音樂與動畫的關係，從抽象的幾何圖形開始；1934 年《圓的交響曲》以圖形等，表現氣勢磅礡的古 典樂，2005 年《構成之塔》則以更繁複的結構主義圖形變換，演繹出浪漫主義樂章一樣的震撼！ 1949 年《色彩幻想》仍然抽象，卻走向了色彩顏料在底片上揮灑的自由，正如即興曲風的爵士樂。 然而，2018 年同樣黑白風格的《不唱歌的鳥》和《從他們爬出來的石頭下面》創作理路明顯不同； 前者隨筆凌亂的線條搭配弦樂，似乎是向加拿大國家電影局的經典之作致敬，後者毫不避諱具體圖像 的運用，內容的語境卻依然抽象，明顯讓音樂被看見不再是重點！終究，音樂的優美與抒情性，還是 最能陶冶人心，1985 年《78 轉》和 2006 年《迴旋遊戲》，以歐洲日常生活和演奏盛會為記事，編 織成音樂和繪畫的鏡頭快板，繞樑三日！ 2017 年《恐黃症》和 1998 年《女王的修道院》，音樂則 絕對精妙地烘托出女主角的心情寫照！ 2017 年《厭世歡樂頌》進一步在動畫音樂劇的形式下，幽默 80
點出現代都會人心的疏離與寂寞！當代動畫的音樂表現性，真的相當精彩而多元！
New Angle : Music & Animation
發現新視角：音像流轉
The relation between music and animation began with the abstract geometric shapes; Circles (1934) demonstrates the pompous classical music, and Tower Bawher (2005) interprets the romantic music with changes in the even more complicated structuralist patterns to convey the same strong impact. Also an abstract film, Begone Dull Care (1949), in which colorful paint spray freely on the film, feels like improvised Jazz music. Nonetheless, in 2018, But One Bird Sang Not and From Under Which Rock Did They Crawl Out, both in black and white, show clearly different creative ideas; the random messy lines accompanied by the string music in the former seem to be a homage to the NFB classics (National Film Board of Canada), and in the latter, concrete images are used without hesitation but the context remains abstract, and this signifies that visualizing music is no longer the focus. After all, the beautiful and soothing nature of music is the greatest comfort to our minds. Based on the daily lives in Europe and a number of concerts, 78 Tours (1985) and Play (2006) show the great fast-paced camerawork composed of music and painting. The music in Yellow (2017) and The Queens Monastery (1998) perfectly reflects the heroine's mood in the film. In the form of animated musical, The Burden portrays the sense of isolation and loneliness people feel in a contemporary metropolis with a humorous approach. Looking at these animated films, one would be amazed by how brilliantly and in such diverse ways that music is presented in contemporary animation!
發現新視角
音像流轉
10/15（二）18:00 Kbro 凱擘 2 廳 ★映前導讀 10/20（日）12:50 Kbro 凱擘 2 廳 ★映前導讀
New Angle: Music & Animation
圓的交響曲 Circles 奧斯卡費辛格 Oskar FISCHINGER ｜德國 Germany ｜ 1934 ｜ 2D 手繪｜ DCP ｜ Color ｜ 2 min
作為歐洲最早的彩色影片之一，本片使用了導演參與研 發的賈斯柏彩色沖印技術，具有高度歷史意義。 Circles was one of the first European color films. It was an ad film commissioned by the Tolirag agency. Various product shots were later added on in the end to advertise chocolate and other items.
© Center for Visual Music
迴旋遊戲 Play 喬治史威茲貝爾 Georges SCHWIZGEBEL ｜瑞士、加拿大 Switzerland, Canada ｜ 2006 ｜ 2D 手繪｜ DCP ｜ Color ｜ 4 min
以普羅高菲夫第 2 號鋼琴協奏曲的旋律為配樂，帶來一 場充滿視覺與聽覺享受、生滅不斷的遊戲。 Play is a visual and musical game, which builds and destroys itself on the rhythm of Sergei Prokofiev's Piano Concerto No. 2, Op. 16.
2006 廣島動畫影展特別評審團獎 2006 渥太華動畫影展最佳實驗抽象動畫
78 轉 78 Tours 喬治史威茲貝爾 Georges SCHWIZGEBEL ｜瑞士 Switzerland ｜ 1985 ｜ 2D 手繪｜ DCP ｜ Color ｜ 4 min
客觀視角與停格拍攝手法，在手風琴伴奏的華爾滋舞曲 中不斷轉換畫面，緩緩形成時光流逝的故事。 A subjective camera view and a fixed-frame alternate on a waltz played by an accordion, triggering a short story that evokes the passing of time.
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彩繪在底片上的顏色與線條，隨著音樂翩然起舞，為著 名爵士樂手奧斯卡彼得森的鋼琴三重奏賦予了煥然一新 的生命力！ As the Oscar Peterson Trio play three pieces from their repertoire, Norman McLaren and Evelyn Lambart use their talent and imagination to create a visual composition by painting and engraving directly on film. 1951 柏林影展紀錄短片類銀熊獎
New Angle: Music & Animation
諾曼麥勞倫、伊芙琳蘭巴特 Norman MCLAREN, Evelyn LAMBART ｜加拿大 Canada ｜ 1949 ｜底片刮畫｜ DCP ｜ Color ｜ 8 min
發現新視角：音像流轉
色彩幻想 Begone Dull Care
不唱歌的鳥 But One Bird Sang Not 皮耶赫伯 Pierre HÉBERT ｜加拿大 Canada ｜ 2018 ｜底片刮畫｜ DCP ｜ Color ｜ 6 min
亞洲 Asia Premiere 首映
躍動的光線將加拿大作曲家戈爾茨坦為祖國祈求和平的 小提琴獨奏作品幻化成一席絕美的視覺饗宴。 This film is a visual interpretation of a Malcolm Goldstein piece for solo violin based on a popular song from BosniaHerzegovina and a gesture of hope for peace in that land ravaged by war during the 1990s.
2018 蒙特婁動畫影展評審團特別提及
構成之塔 Tower Bawher 迪奧多亞瑟 Theodore USHEV ｜加拿大 Canada ｜ 2005 ｜ 2D ｜ DCP ｜ Color ｜ 4 min
揉合多位藝術家的作品風格，導演加入自己的創作理 念，寫下一紙向結構主義致敬的情書。 This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitzky and Popova.
從他們爬出來的石頭下面 From Under Which Rock Did They Crawl Out 丹尼爾蘇吉 Daniel ŠULJIĆ ｜克羅埃西亞 Croatia ｜ 2018 ｜實驗技法｜ DCP ｜ Color ｜ 6 min
以咖啡粉在透明玻璃上作畫，千奇百怪的黑暗生物自邊 角爬出、霸佔視野、吞噬一切光明。 Darkness is coming, and soon it will fill up the whole room.
82 New Angle: Music & Animation
發現新視角：音像流轉
火力展示 Gun Shop 派翠克史密斯 Patrick SMITH ｜美國 USA ｜ 2019 ｜實體動畫｜ DCP ｜ Color ｜ 2 min
亞洲 Asia Premiere 首映
美 國 登 記 在 案 的 槍 械 有 3 億 9 千 3 百 萬 支， 其 中 的 2328 支成了本片的主角，爵士鼓擔任配樂，擊奏當代 文化特有的荒謬。 There are currently 393 million firearms in the US. This film shows 2328 of them. Gun Shop juxtaposes the frightening visual power of guns with whimsy of Jazz percussion, and a dose of cultural irony. 2019 佛羅里達動畫影展榮譽獎
跳藥 Candy Shop 派翠克史密斯 Patrick SMITH ｜美國 USA ｜ 2019 ｜實體動畫｜ DCP ｜ Color ｜ 3 min
全球市面流通的藥丸與膠囊翩然起舞，這還只是一部分 而已呢！現代人對藥物的依賴就在這舞步中全然展現。 11,926 pharmaceutical drugs are available worldwide, and this film shows 2863 of them. Thousands of pills are choreographed into a cacophony, resulting in a satirical comment on our infatuation with prescription drugs.
聲之影 String of Sound 約翰莫瑞納 John MORENA ｜美國 USA ｜ 2018 ｜複合媒材｜ DCP ｜ B&W ｜ 1 min
本片為導演自 2017 年起拍攝的系列實驗短片之一，將 人聲與單一弦線的動畫結合，賦予聲音和影像別出心裁 的樣貌。 John Morena strung together human mouth noises and paired them with animation of a single piece of string. This film is the first of 52 experimental animation films Morena made in 2017.
女王的修道院 The Queen's Monastery 艾瑪卡爾德 Emma CALDER ｜英國 UK ｜ 1998 ｜ 2D 手繪｜ DCP ｜ Color ｜ 6 min
極具特色的水彩畫風，透過一名女子迎接自戰場歸來的 愛人，講述關於愛與逃避、執著與罪惡感的故事。 Inspired by Leos Janacek's Sinfonietta, The Queen's Monastery is about a woman whose lover, a former acrobat, has returned to her from war a changed man, exploring themes of love, escapist fantasy, obsession and guilt.
賽巴斯蒂安勞登巴 Sébastien LAUDENBACH ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 7 min
跟著導演的腳步，穿越時光回到金碧輝煌的巴黎歌劇 院，跟著主建築師遺孀的獨家導覽，重溫各角落暗藏的 香豔秘辛。 In this animation film, Sébastien Laudenbach revisits the Palais Garnier guided by the architect Charles Garnier's widow as she talks about her past on the backstage at that golden velvet palace.
New Angle: Music & Animation
顫音魅影 Vibrato
83 發現新視角：音像流轉
1998 芝加哥國際影展銀雨果獎 2000 薩格勒布動畫影展特殊貢獻獎
恐黃症 Yellow 伊凡納賽比托娃 Ivana ŠEBESTOVÁ ｜斯洛伐克 Slovakia ｜ 2017 ｜ 2D 手繪｜ DCP ｜ Color ｜ 7 min
亞洲 Asia Premiere 首映
歌劇名伶為了事業前途，捨棄慾望、歡樂與生命活力， 卻差點窒息在自身的糾結與矛盾中。 Yellow is a metaphoric story of a woman, struggling between self-control and spontaneity, sorrow and joy. An opera singer, she loves music but for the sake of her career, she sacrifices her desires and joy.
厭世歡樂頌 The Burden 妮基林多斯馮巴 Niki Lindroth VON BAHR ｜瑞典 Sweden ｜ 2017 ｜偶動畫｜ DCP ｜ Color ｜ 14 min
化身動物的人們在充滿現代感的超市中，以輕快樂曲排 解無聊與存在焦慮，交織成一席風格獨特的音樂劇。 A dark musical enacted in a modern market place. The employees of the various commercial venues, portrayed as animals, deal with boredom and existential anxiety by performing cheerful musical tunes. The apocalypse is a tempting liberator.
2017 安錫動畫影展短片水晶獎
84 New Angle : Music & Animation
發現新視角：音像流轉
紅粉小黃瓜 Pink Komkommer
特別感謝
發現新視角：聲音遊戲 New Angle: Sound & Animation
聲 音 與動畫 Sound & Animation
珍琵琳 影展客座策展人 Jayne PILLING Guest Programmer of TIAF
本單元選片聚焦於聲音，強調音樂和音效等整體設計不僅創造氛圍，在動畫短片敘事中更是揮灑創意的 重要元素，片單涵蓋多部特色佳作，例如《紅粉小黃瓜》邀請動畫師詮釋同段音樂，或是《氣泡紙的生 存之道》在極簡動畫之中，透過對話創造詼諧效果。導演麥可杜德威曾以《父與女》榮獲奧斯卡獎，此 次以古典樂的拍號結構變化創作《和尚與魚》，而《時機歹歹》藉由單一音樂主題變化結合音效，更善
愛》故事圍繞著主題曲，也由樂曲提供解開敘事結構謎團的關鍵。 This programme's focus is on how sound – the overall sound design, including music and sound effects – can play a highly creative and integral role in telling a story in short film animation, going far beyond the mere creation of atmosphere or mood. The films range from one extreme – in Pink Komkommer, the exact same soundtrack was given to several different animators to interpret – to another – where dialogue is used to comic effect over very minimal animation in Fantaisie in Bubblewrap. Oscar-winner Michael Dudok de Wit (Father and Daughter) used variations on a classical musical theme's strict time signatures to structure The Monk and The Fish, whilst in Mauvais Temps variations on a single musical motif combine with sound effects – and effective use of silence – to ratchet up the suspense. Secret Joy's vocalisations give embodiment to a meditation on abstraction and figuration, whereas in A Chairy Tale sound endows a chair with personality and performance. Laughing Moon cleverly demonstrates how much we need sound to make sense of what we are seeing, and Dying of Love is built around its central song, which also provides the key to an intricately conceived narrative puzzle.
New Angle: Sound & Animation
為椅子賦予個性和表現；《形變之月》以機智方式反映，人們多麼倚賴聲響理解眼前所見，《死了都要
85 發現新視角：聲音遊戲
用靜默增添懸疑感。《墮落天使的私密歡愉》以人聲體現抽象和具象的思維，《椅子的故事》則用聲響
發現新視角
聲音遊戲 New Angle: Sound & Animation
10/16（三）12:00 Kbro 凱擘 2 廳 ★映前導讀 10/20（日）15:00 Kbro 凱擘 2 廳 ★映前導讀
墮落天使的私密歡愉 Secret Joy of Falling Angels 賽門龐梅爾 Simon PUMMELL ｜英國 UK ｜ 1990 ｜ 2D 手繪、複合媒材｜ DCP ｜ Color ｜ 11min
混融多種膠卷技法呈現人體線條，宛如米老鼠遇見米開 朗基羅，模糊神聖與凡俗界線，打造一則雋永天諭。 A re-telling of the annunciation story in which blurs the sacred and the profane. The film combines many different optical film techniques with an exploration of drawing the human body, which breeds Mickey Mouse with Michelangelo.
1992 斯圖加特動畫影展最佳實驗影片
椅子的故事 A Chairy Tale 諾曼麥勞倫、克勞德朱特拉 Norman MCLAREN, Claude JUTRA ｜加拿大 Canada ｜ 1957 ｜真人動畫｜ DCP ｜ B&W ｜ 10 min
人與椅的關係，在兩位導演的編導下成了反剝削的荒誕 奇想。物的反抗，能否帶來人與物之間平等的新秩序？ In this short film, a chair, animated by Evelyn Lambart, refuses to be sat upon, forcing a young man to perform a sort of dance with the chair. The music is by Ravi Shankar and Chatur Lai.
1958 英國 BAFTA 英國影藝學院特別獎
形變之月 Laughing Moon 西本企良 Kiyoshi NISHIMOTO ｜日本 Japan ｜ 2000 ｜ 2D ｜ DCP ｜ Color ｜ 6 min
方或圓的十二塊圖形分分合合，將極簡的形狀、動作及 聲音元素化為動畫，演出逗趣的笑鬧劇。 Twelve pieces separated from a circle and a square combine together and shape into various figures, chasing each other. Laughing Moon is an attempt at a minimal animation transforming images into simple figures, movements and sounds.
86 New Angle: Sound & Animation
發現新視角：聲音遊戲
2002 首爾動畫影展最佳短片獎 2002 巴西 Anima Mundi 動畫影展最佳兒童動畫優選獎
紅粉小黃瓜 Pink Komkommer 馬弗紐蘭德 Marv NEWLAND ｜加拿大 Canada ｜ 1991 ｜複合媒材｜ DCP ｜ Color ｜ 11 min
集結了 9 位世界知名的動畫家，分別為同一段性感的音 效演繹影像。一起跟著這位造夢者，進入香豔刺激又幽 默的八重夢境。 An elderly woman naps and has seven erotic dreams. Each dream sounds the same. "Dreamers" are Craig Bartlett, Alison Snowden and David Fine, Janet Perlman, Sara Petty, Stoyan Dukov, Paul Driessen and Marv Newland. 1991 西北影展評審團獎
時機歹歹 Mauvais Temps 亞蘭加尼爾、尚盧費里丘里 Alain GAGNOL, Jean-Loup FELICIOLI ｜法國 France ｜ 2006 ｜ 2D 手繪｜ DCP ｜ B&W ｜ 5 min
汽車意外爆胎，不幸的駕駛為了躲避追殺，闖進了一棟 公寓。他挨家挨戶地敲門，希望有人能伸出援手。 A driver gets a flat tire in a weird neighborhood. When getting out of his car, he is approached by some fellows threatening him with knives. Luckily, he manages to escape into a building.
和尚與魚 The Monk and the Fish 麥可杜德威 Michaël DUDOK DE WIT ｜法國 France ｜ 1994 ｜ 2D 手繪｜ DCP ｜ Color ｜ 7 min
修道院附近的水庫中，一名修士為了抓魚用盡了千方百 計，逐漸演變成一場形而上的求道之旅。 A monk discovers a fish in a reservoir near a monastery. He becomes obsessed with the fish and tries every means to catch it. Gradually, the story becomes symbolic.
1994 凱撒獎最佳短片獎 1996 廣島動畫影展廣島獎
氣泡紙的生存之道 Fantaisie in Bubblewrap 亞瑟麥凱 Arthur METCALF ｜美國 USA ｜ 2007 ｜ 2D 手繪、複合媒材｜ DCP ｜ Color ｜ 4 min
居住在氣泡紙世界中的泡泡們，即將面臨無情的毀滅倒 數，以及對他們的終極審判。 The film shows the final moments of a society of bubblewrap as it faces its apocalypse.
87
吉爾阿卡貝茲 Gil ALKABETZ ｜德國 Germany ｜ 2004 ｜ 2D 手繪｜ DCP ｜ Color ｜ 12 min
看著正在做白日夢的主人，兩隻籠中鸚鵡開始回憶過去 自由的日子，卻導致兩鳥一人走向意料之外的結局。 While their owner is having his siesta, two old caged parrots rake up the memories from the past, and this leads to unexpected consequences for the three of them.
2004 葡萄牙動畫影展最佳短片獎 2005 捷克 Anifest 動畫影展首獎及觀眾票選獎
New Angle: Sound & Animation
死了都要愛 Dying of Love
發現新視角：聲音遊戲
2007 紐約 ASIFA-EAST 獨立影片首獎
哇啊啊啊 Waaah
發現新視角：感官啟動 New Angle: Synesthesia & Animation
激 發 你 感官跳動的視覺化音／ 樂 The Visualized Sound and Music that Stimulate Your Senses
黃聖閎 影展節目統籌 Alexandre HUANG Program Manager of TIAF
視覺化是當代盛行的溝通與藝術表現形式，除了將抽象的音 實驗動畫透過視覺化音
樂轉化成具體的動態圖像之外，有不少
樂有意無意啟動觀眾的感官聯覺。比方《關鍵圖層》透過聽覺讓畫面建立空
間感；《哇啊啊啊》透過嬰兒的哭聲引起無能為力的沮喪感；《III》與《幕》以聲音設計引發身體的 觸覺聯想；《交響水墨》結合水墨渲染與交響樂，讓原本無敘事結構的墨水染跡產生類敘事般的戲劇 張力；《哩共蝦毀》甚至翻轉大眾對實驗動畫的刻板印象，透過重覆剪接，將原本連續的影像與人聲 88
組成不連續、口吃般的跳針畫音，都讓人不禁莞爾一笑，達成導演調侃藝術與娛樂之間的對立關係。
New Angle : Synesthesia & Animation
發現新視角：感官啟動
這個單元 13 部短片，從抽象到具象，甚至玩弄抽象與具象的界線，箇中趣味就等你來自行詮釋！ Currently, visualization is a popular form of communication and art. In addition to transforming abstract music or sound into concrete images, many experimental animators try to intentionally or unintentionally stimulate the viewers' synesthesia through visualized sound and music. For example, in Layers Act, through hearing, it allows the sense of space to be built on the screen. In Waaah, the baby's crying triggers one's sense of helplessness and frustration. In III and Veil, the sound design prompts the audience to associate it with the sense of touch. Virtuoso Virtual is a combination of ink wash painting and symphony, which brings a dramatic tension that usually exists in a story into the non-narrative ink wash pictures. Don't Know What overthrows the stereotype of the experimental animation that the public have in mind; by repetitively editing the images, the continuous image and sound in the original clip become jumpy, sounding like stuttering or record player jumping, and that not only makes the audience laugh but creates a confrontational relation between art and entertainment, which the director aims to make fun of. The thirteen short films selected in this category range from abstract to concrete, and even include those that blur the boundary between the abstract and the concrete, and whatever they try to convey is open to the viewers' interpretation.
發現新視角
感官啟動
10/17（四）18:20 Kbro 凱擘 2 廳 ★映前導讀 10/20（日）17:00 Kbro 凱擘 2 廳 ★映前導讀
New Angle : Synesthesia & Animation
猩猩好喜翻 The Dawn of Ape 水江未來 Mirai MIZUE ｜日本 Japan ｜ 2019 ｜ 2D ｜ DCP ｜ Color ｜ 4 min
世界上第一部做給黑猩猩看的動畫，這一次、也是第一 次，我們要放映給人類看！ Here is the world's first animation made to be watched by chimpanzees. Just for this once, we will show it to you humans.
咚咚嘟嘟蹦 Dum Dum (De De Bom) 班傑明霍爾、羅賓霍爾 Benjamin HALL, Robin HALL ｜英國 UK ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 2 min
亞洲 Asia Premiere 首映
為了增進孩子的創作力，動畫師與 6 歲兒子一起做了一 部動畫，交織成一曲充滿童趣創意的留聲機音樂派對。 In order to hand over the creative responsibility, a reluctant animator introduces his six-year-old son to the boiling line. The result is a cacophonograph!
關鍵圖層 Layers Act 石川將也、阿部舜 Masaya ISHIKAWA, Shun ABE ｜日本 Japan ｜ 2018 ｜實拍｜ DCP ｜ Color ｜ 5 min
紙張與膠片疊合成簡單的圖案，隨著音樂移動膠片，圖 案產生多元形狀變化，幻化成美妙舒服的視覺樂章。 This video was created by layering two transparent films drawn with simple patterns to give a multifaceted visual effect. Developing the video involved research on special effect animation methods used before the advent of computer graphics.
亞洲 Asia Premiere 首映
運用針幕動畫技術，以 20 世紀上半的各種圖像運動為 創作元素，打造一場音樂探索的動人實驗。 Made with the technique of pinscreen animation, Jim Zipper is a musical exploration inspired by various pictorial movements of the first half of the 20th century.
New Angle : Synesthesia & Animation
亞歷山大羅伊 Alexandre ROY ｜加拿大 Canada ｜ 2018 ｜實驗技法｜ DCP ｜ Color ｜ 2 min
發現新視角：感官啟動
爵士針幕 Jim Zipper
89
刮畫音樂盒 Organic 史蒂芬沃羅森 Steven WOLOSHEN ｜加拿大 Canada ｜ 2019 ｜底片刮畫｜ DCP ｜ Color ｜ 3 min
亞洲 Asia Premiere 首映
以古代航海水手雕刻貝殼的技術，融合歡樂、活力與蒸 汽龐克風格，組成直接電影的最完美配方！ Joy, vitality and a steampunk organ. A perfect recipe for direct cinema. Organic was created with an ancient mariner's technique called "scrimshaw".
零物體 No Objects 莫雅喬班巴雷 Moïa JOBIN-PARÉ ｜加拿大 Canada ｜ 2019 ｜底片刮畫｜ DCP ｜ Color ｜ 7 min
底片刮擦出層層疊疊的形貌，人的輪廓蝕刻其上，上演 著重複與擺動的行為。影像是物質與動作的混合體，姿 態與手勢是一切。 Filmmaker Moïa Jobin-Paré immerses viewers in a sensory exploration of the nature of the gesture in an experimental work that brings together photography, scratching and a soundtrack composed from original recordings. 2019 薩格勒布動畫影展短片特別提及
交響水墨 Virtuoso Virtual 湯瑪士史戴馬克、瑪雅歐斯曼 Thomas STELLMACH, Maja OSCHMANN ｜德國 Germany ｜ 2013 ｜複合媒材｜ DCP ｜ B&W ｜ 7 min
水墨隨著音樂節奏蔓延成抽象動畫，畫面強烈，訴說著 關於羞怯與活力、輕盈與緊湊的相互作用，喚起對花、 鳥、水底世界的聯想，刺激各種感官與情感印象。 Abstract ink drawings seem to come out of nowhere. F o l l o w i n g a s e c r e t c h o r e o g r a p hy, t h e y t a ke o n characteristics and moods of the music and narrate a story that appears to be laid out in the music.
90 New Angle : Synesthesia & Animation
發現新視角：感官啟動
2014 薩格勒布動畫影展兒童評審團特別提及
卡農樂園 Pachelbel's Canon 大西景太 Keita ONISHI ｜日本 Japan ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 5 min
以積木為拍點，搭建三條旋律線的軌跡，在樂音循環 間，視覺化經典神曲卡農。 A visual representation of the canon form in which three violins trace exactly the same melody at two bar intervals. The sound shape, which changes every 4-bars, is regarded as ten kinds of stages.
哇啊啊啊 Waaah 冠木佐和子 Sawako KABUKI ｜日本 Japan ｜ 2018 ｜ 2D、轉描｜ DCP ｜ Color ｜ 1 min
每個人都是哭著出生與成長。導演融合了嬰兒的哭泣與 曾經歷的挫折，敘述自己儘管已成為大人，卻依然想再 當一次嬰兒的心情。 The filmmaker synchronized the irritation of baby's crying with the frustration she experienced. Everyone cried when they were born and keep crying while growing up. As an adult, the filmmaker longs to be a baby again. 2018 蒙特婁動畫高峰會最佳短片文化獎
III 瑪塔帕耶克 Marta PAJEK ｜波蘭 Poland ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 12 min
一個女人與一個男人相遇，展開既殘忍又迷人的遊戲， 寫實描繪精疲力盡的男女關係。 III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the Impossible Figures and other Stories trilogy.
2018 渥太華動畫影展最佳設計獎
幕 Veil 水尻自子 Yoriko MIZUSHIRI ｜日本 Japan ｜ 2014 ｜ 2D 手繪｜ DCP ｜ Color ｜ 5 min
舞台、檢測室與壽司吧，每組空間裡的人從保持些微距 離，到發覺與碰觸彼此。感覺，是擁有身體感官者最大 的幸福。 Flowing lines and muted colors hint at physical bodies, while slow, lascivious movements seduce heavy-lidded eyes. Two pairs of knees that almost touch and the sensuous tension makes the air feel electrically charged.
森林深處，一隻松鼠指揮家召集隱藏於林間的野生動物 們，合力演出一場精彩的夜間歌劇秀。 Deep into a forest, a gathering of wild animals starts a nocturnal opera conducted by a squirrel.
New Angle : Synesthesia & Animation
凡安巴比肯、文森貝葉、維多卡赫、泰奧飛杜佛、加布里蓋柏隆、盧卡斯納瓦羅 Florian BABIKIAN, Vincent BAYOUX, Victor CAIRE, Thēophile DUFRESNE, Gabriel GRAPPERON, Lucas NAVARRO ｜法國 France ｜ 2019 ｜ 3D ｜ DCP ｜ Color ｜ 2 min
發現新視角：感官啟動
松鼠指揮家與他的合唱團 Maestro
91
哩共蝦毀 Don't Know What 湯瑪士雷諾納 Thomas RENOLDNER ｜奧地利 Austria ｜ 2019 ｜實驗技法｜ DCP ｜ B&W ｜ 8 min
亞洲 Asia Premiere 首映
你不知道自己在看什麼，但人聲和語言卻變成聲響和樂 曲，現實影像成為超現實的抽象電影，都是為了與你嬉 戲，擴展你對影像的預期。 The idea of the film is to combine entertainment cinema with avant-garde film/video art and to play with the expectations of different audiences, even if they Don't Know What they are watching at first. 2019 安錫動畫影展 Off-Limits 獎 2019 捷克動畫影展評審團特別提及
92 New Angle : Synesthesia & Animation
發現新視角：感官啟動
寂寞浪子魂 Lonely Bones
TIAF 觀察站
敘事變奏曲 TIAF Observatory
Harmony & Disharmony of Narrative 93 TIA觀 F 察站：敘事變奏曲 TIAF Observatory : Harmony & Disharmony of Narrative
卵巢物語 Las Del Diente
張晏榕 影展客座策展人 國立臺灣師範大學圖文傳播學系助理教授 Dr. CHANG Yen-Jung Guest Programmer of TIAF Assistant Professor, Department of Graphic Arts and Communications, National Normal University
動 靜 之 間的節奏 節奏對於動態影像的表現極為關鍵，這裡所指的不僅是配樂的音符節拍，或是旁白與對話的快慢節奏， 更讓人心醉神馳或是坐立難安的是敘事的節奏。本單元蒐羅呈現動畫影片主要的兩種敘事節奏導向，一 種透過流暢的節奏表現歡樂跳躍或是平靜雋永的內容，另一種則透過突兀的節奏，呈現動畫的滑稽突梯 或是荒謬異想的主題，在節目中交錯放映。 《心弦》是奧斯卡金像獎最佳動畫短片得主，加拿大動畫導演托里爾科夫的新作，延續同樣是自身的人 生體會，以平和的語調娓娓道來父母對孩童成長過程的心態變化。相對於這樣的溫潤深情，愛沙尼亞的 94
動畫大師皮特帕恩在 1982 年的成名經典《美味三角情》，以一段一女二男的三角關係，透過角色臉部 形貌和影片音像的時常嘎然變化，傳遞當時女性在社會規訓和自身慾望的搖擺，甚或藉此隱喻當時國族
TIA觀 F 察站：敘事變奏曲 TIAF Observatory : Harmony & Disharmony of Narrative
政治。《當黑暗來臨》是英國動畫導演班史提爾以電腦動畫製作的角色影片，投影於保麗龍製的想像空 間，創造一種前所未見的魅麗影像，配合時而低吟、時而激昂的流暢音符，隱喻一對難民母女在巨大城 市空間的無助感受。同樣勇於實驗，英國動畫導演威爾安德森於 2011 年一鳴驚人的作品《長頸鳥製作 花絮》使用各種媒材創作出內容形式獨一無二的動畫偽紀錄片，以刻意的影音片段衝突，剪接拼貼出偽 造的真實感。同樣有動畫紀錄意味的是拉丁裔美籍動畫導演安娜洛佩茲，作品《卵巢物語》相反的運用 了當前流行的動態圖像平面視覺風格和流暢的轉場，呈現片中三位女性叨叨絮絮地從討論個人身體特質 到生兒育女的社會與自我期待。《寂寞浪子魂》是 2019 年初過世的荷蘭藝術家和動畫導演羅斯托《Thee Wreckers》三部曲的第一部短片，以個人風格獨具的奇異影像和強烈變奏的音樂，表現虛實交錯的幻境 內容。以滑稽有趣的《Log Jam》系列成名的法國導演艾雷歇阿雷謝新作《傻眼獵人》承續自我風格， 用歡樂明快的節奏呈現人和動物角色間的幽默事件。同樣是人與動物角色，西班牙導演阿爾貝托瓦茲奎 茲作品《佈景人生》則刻意使用突兀的影音節奏轉變，表現難以理解，但又同樣滑稽詭異的瘋狂世界。 從本單元的 8 部短片動靜相異的影片節奏，我們又再次看見動畫媒材的無限可能。
Between Stillness and Movement: The Rhythm of Animation Rhythm is extremely crucial to the image movement in a film. The rhythm referred here means more than that of the music, the dialogue or the narration; what is more important is the rhythm of the narrative that either draws us into the story or irritates us. In this category, we select a number of films that demonstrate two different rhythms adapted in animation narrative; one of them is the smooth flowing rhythm in which a happy joyful story is unfolded and the other is the abrupt rhythm in which a comic plot and a bizarre fantasy are intercut with each other.
Known for his humorous and funny Jog Jam series, French director Alexey Alekseev continues the style and portrays a funny incident between humans and animals in a happy light-hearted pace in The Hunt. Also with human and animal characters, Spanish director Alberto Vázquez deliberately uses the abrupt changes in rhythm to convey an incomprehensible, comical and weird world in Scenery. Once again, from the different rhythms seen in the eight short films selected in this category we witness the unlimited possibilities of animation media.
95 TIA觀 F 察站：敘事變奏曲 TIAF Observatory : Harmony & Disharmony of Narrative
Threads is the latest work of the Academy Award-winning Canadian director Torill Kove; based on her own life experience, the film portrays the parents' influence on a child while it is growing up in a calm and peaceful narrative. A contrast to the tender tone adopted in Threads, the renowned Estonian animator Priit Pärn conveys how a woman swings between her desire and the social conventions in The Triangle; through the protagonists' faces and abrupt changes in the images and music, the film tells the love affair between two men and one woman. Moreover, it could be seen as a metaphor for the nationalism and the politics in Estonia at that time. In Mamoon, British animation director Ben Steer projects the computergenerated characters onto the imagined space made of polystyrene, creating such ghostly and yet stunning images never seen before; accompanied by the sometimes quiet and sometimes passionate music, it conveys the sense of helplessness the mother and daughter feel as refugees in a big city. The Making of Longbird, a critically acclaimed pseudo animated documentary, is made by British animation director Will Anderson; using different media, Anderson creates a unique sense of pseudo reality with a collage of video clips that deliberately clash with each other. Las Del Diente can also be regarded as animated documentary, however, Latino American director Ana Pérez López adopts the popular motion graphic, which makes smooth transits between the scenes to depict the three heroines as they talk about the features of their bodies, the society that expects them to give birth and raise children and what they aim to achieve in life. Lonely Bones is the first of the Thee Wreckers trilogy made by Dutch artist and animation director Rosto A. D. who passed away earlier this year; the hallucination that combines reality with illusion seen in the film is presented in Rosto's distinctive style and accompanied by music in strong variation.
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敘事變奏曲 TIAF Observatory : Harmony & Disharmony of Narrative
10/16（三）18:40 Kbro 凱擘 2 廳 ★映前導讀 10/19（六）18:00 Kbro 凱擘 3 廳 ★映前導讀
心弦 Threads 托里爾科夫 Torill KOVE ｜加拿大 Canada ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 9 min
描述父母的愛、親子間的羈絆，以及這些濃烈的情感如 何牽引、影響著我們。 In Threads, director Torill Kove explores the beauty and complexity of parental love, the bonds that we form over time and the ways in which they stretch and shape us.
2018 廣島動畫影展特獎
美味三角情 The Triangle 皮特帕恩 Priit PÄRN ｜愛沙尼亞 Estonia ｜ 1982 ｜ 2D 手繪、複合媒材｜ DCP ｜ Color ｜ 15 min
動畫大師皮特帕恩改編家鄉耳熟能詳的鄉野傳奇，以充 滿食慾與肉慾的三角關係，呈現當時蘇維埃社會僵化的 男女原型。 When Eduard becomes involved in Julia and Victor's loveless relationship, a sensual triangle is created which...well, you'll have to watch it to see.
1983 蘇維埃社會主義共和國影展最佳動畫片、最佳動畫導演
當黑暗來臨 Mamoon 班史提爾 Ben STEER ｜英國 UK ｜ 2018 ｜ 2D、3D、實體動畫｜ DCP ｜ Color ｜ 6 min
亞洲 Asia Premiere 首映
一股神祕暗影襲捲而來，母親被迫抱著嬰兒逃離家鄉， 一路上吞噬啃食著指引他們的那道光…… Mamoon follows the story of a mother and her infant child, who are forced to leave their home when the mysterious, dark shadows envelop the light in which they exist.
96 TIA觀 F 察站：敘事變奏曲 TIAF Observatory : Harmony & Disharmony of Narrative
長頸鳥製作花絮 The Making of Longbird 威爾安德森 Will ANDERSON ｜蘇格蘭、英國 Scotland, UK ｜ 2011 ｜ 2D、實拍｜ DCP ｜ Color ｜ 16 min
做動畫，可是一點也不輕鬆。越過動畫導演的肩膀，我 們得以一窺動畫製作幕後的辛勞、糾結與衝突。 A 'behind-the-scenes' look at an animator/filmmaker as he struggles with his character.
2012 安錫動畫影展最佳畢業作品獎 2013 英國影藝學院電影獎動畫短片獎
卵巢物語 Las Del Diente 安娜洛佩茲 Ana Pérez LÓPEZ ｜西班牙、美國 Spain, USA ｜ 2018 ｜ 2D 手繪｜ DCP ｜ Color ｜ 7 min
早已厭倦被迫在生兒育女及事業之間作抉擇，現代女性 聚在一起，頌揚著她們身體異於常人的構造。 Girls are weird. Babies are weird. Bodies are extra weird. Las Del Diente is a film about now, a time when women are tired of choosing between having kids and the career.
寂寞浪子魂 Lonely Bones 羅斯托 Rosto ｜法國、荷蘭 France, Netherlands ｜ 2013 ｜ 2D、3D、真人實拍｜ DCP ｜ Color ｜ 10 min
離奇迷幻的場景、誇張扭曲的人物，配上詭譎又充滿張 力的配樂，隱藏一個關於夢與犧牲的神秘故事。 Lonely Bones is a hallucinogenic film about dreams and making sacrifices. 'Hail! To all the souls-oh. Hiding on rotting floors. Little did they know that they would make today.'
2014 廣島動畫影展國際評審團特別獎
傻眼獵人 The Hunt 艾雷歇阿雷謝 Alexey ALEKSEEV ｜法國 France ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 6 min
一位近視的獵人，異想天開把自己的獵犬換成了兔子， 就這樣浩浩蕩蕩出發去打獵！他能一如往常滿載而歸 嗎？ The Hunt portrays the disappointments of a near-sighted hunter who takes by mistake with him a rabbit in place of his dog to go hunting. In the end, no animal suffers.
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阿爾貝托瓦茲奎茲 Alberto VÁZQUEZ ｜西班牙、法國 Spain, France ｜ 2016 ｜ 2D ｜ DCP ｜ B&W ｜ 11 min
在這瘋狂無比的世界裡，大自然是如此幽靜與美麗，唯 獨居民都太過醜陋，不堪入目。 The world is a wonderful stage, but its characters are disgraceful.
2017 捷克動畫影展國際短片首獎
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佈景人生 Scenery
狗日子 Schroedinger's Dog
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Polish Animated Film and Visual Surroundings Best of Anima PL
TIA觀 F 察站：波蘭圓舞曲 TIAF Observatory: Polish Animated Film and Visual Surroundings - Best of Anima PL
新 世 代的波蘭動畫學派 博古斯勞姆津斯基 克拉科夫 Etiuda & Anima 影展藝術總監
二次大戰後數十年間，藝術電影持續發展，各國在 1950 年代中期提出「波蘭動畫學派」一詞，儘管 這詞在波蘭不太常見，但因應戰後文化的推波助瀾，造就了波蘭電影藝術的百花齊放。 儘管「波蘭動畫學派」難以被精確描述和定義，但基本特質顯而易見。畢竟 200 多年來，波蘭都在爭 取自由、守護國家認同，以及為社會、政治、文化獨立而努力。在揚列尼卡與博羅夫奇克，及其後輩 的動畫作品中，都瀰漫著悲觀（義大利動畫權威吉安納柏托班塔希認為是悲傷創造作品的深度）。悲 觀伴隨著哲學反思，是當時波蘭動畫的共通特質，丹尼爾史基契佐拉、維多吉爾茲、米羅斯洛基約維 奇、卡齊米烏爾班斯基及後繼者，都善於運用寓言語彙，表達政治傾向和論點，而當時最重要的主題 莫過於社會與政治自由，以及波蘭及全球藝術文化在 20 世紀爭取的想像自由。 揚列尼卡和博羅夫奇克創作之初，非常重視實驗精神，不斷尋找新語彙和動畫技巧，也承繼前輩藝術 家留在「波蘭學派」的拼貼動畫等技巧。在波蘭動畫公認的藝術源起中，聞名世界的「波蘭海報學派」 發展較早，並連結動畫及國家傳統，揚列尼卡和博羅夫奇克在投身電影之前，均已在波蘭海報學派卓 然有成。「波蘭動畫學派」在最輝煌的時期，常有人稱之為「動畫藝術」，也確實能反映當時的成就。 波蘭動畫的反文學特質，並對敘事保持距離，皆源自藝術電影承繼的書寫傳統，也展現在其藝術傾向 中，並歸功於潘德瑞茨基、柯梅達等知名作曲家的音樂，為波蘭學派樹立獨到之處。在 20 世紀許多 藝術和動畫之中，也常藉由音樂達到更容易理解和溝通的效果，波蘭導演瑞比克金斯基就曾以動畫短 片《探戈》獲得奧斯卡獎，他將音樂稱之為「心理圖像」。 「波蘭學派」的藝術成果、美學成就，以及獨特的電影風格，都因為備受全球好評的波蘭電影教育而 得以代代相傳；克拉科夫、華沙、羅茲、波茲南等地的動畫工作室持續運作，影響了波蘭動畫在 21 續推動波蘭經典動畫的價值。
克拉科夫 Etiuda & Anima 影展 創立於 1994 年，是波蘭歷史最悠久的影展之一，匯聚了世界各地的電影學校傑出作品，與專業 創作人、學生與獨立製作人的動畫作品。影展每年也舉辦學生與動畫競賽，鼓勵傑出的電影作 品、電影學校，與兼具教學和創作的傑出藝術家。
99 TIA觀 F 察站：波蘭圓舞曲 TIAF Observatory: Polish Animated Film and Visual Surroundings - Best of Anima PL
世紀的面貌。而「波蘭學派」成員所帶領的研究，也因應新的經濟、社會、政治、文化條件，得以持
小先生找大鯨魚 Mr. Miniscule and the Whale
Polish School of Animation – Next Generations Bogusław Zmudziński Artistic Director of IFF Etiuda & Anima
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The decades after the end of the WWII it was time of the development in art cinema in different countries. The mid-1950s was time of birth of another phenomenon called, more often abroad than in Poland, the "Polish school of animation". Probably, it was the most diverse film artistic movement, which was born as the result of the Polish after-war culture.
TIA觀 F 察站：波蘭圓舞曲 TIAF Observatory: Polish Animated Film and Visual Surroundings - Best of Anima PL
Although, it is difficult to grasp a precise description of the "Polish school of animation" phenomenon, it is simple to point its basic feature, so characteristic for the culture of the nation, which fought for freedom, observing national identity, social, political and cultural independence for nearly two hundreds years. In Lenica and Borowczyk's films, as well as in the animations of their followers of the first and the second generation, it is pessimism (or sadness, as it is described by Italian pundit in animation, Giannalberto Bendazzi, who understands it as the attribute of depth) that can be noticed in the foreground. Pessimism accompanies a philosophical reflection, so characteristic for Polish animation of those years. In this connection, films of Daniel Szczechura, Witold Giersz, Mirosław Kijowicz, Kazimierz Urbański, and their successors often manifested political inclination and comments expressed in an allegorical language. Social and political liberty issues, as well as freedom of imagination characteristic for Polish and world art culture of the 20th century were the most important themes. When Lenica and Borowczyk started their career, the spirit of experiments, searching for new languages and animation techniques, including possibilities given by cutout animation and other techniques developed by the aforementioned artists have never left Polish "school". It was the result of the familiar and recognized
International Film Festival Etiuda & Anima
Since 1994, the International Film Festival Etiuda & Anima is one of the oldest film festivals in Poland. It juxtaposes the achievements of students' film and art schools from all over the world, as well as works of fine-art animation films creators. The main events of every annual festival are student competition and anima contest, which encourage the best feature and documentary, as well as best film school and an outstanding pedagogue who is at the same time an active artist.
An anti-literary character of Polish animation and its distance to narration, inherited by art cinema from written culture, was linked to its "artistic inclination". Polish animation had stronger bonds with music than literature. It was music thanks to world-famous composers like Krzysztof Penderecki, Krzysztof Komeda, and many others that established an individual character of "Polish school" achievements. Finally, it was music that made artistic animated films more understandable and communicative in a way characteristic for fine arts and artistic animation of the 20th century, which Zbigniew Rybczyński, Polish Oscar winner for Tango, described as "mental images". Artistic results that made "Polish school" so famous, its aesthetic accomplishments, and fulfilment of its individual way of filmmaking were continued by next generations thanks to the, highly valued in the world, Polish film education. Activities of animated film studios in Krakow, Warszawa, Łódź or Poznań have influenced the image of Polish animation at the turn of the century. Studies supervised by the members of the "Polish school" have contributed to moving values of classic Polish animation towards new economic, social, political, and cultural conditions.
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artistic origin of Polish animation. The world-famous "Polish school of posters" was a predecessor and a link at the same time between animation and national tradition. Lenica, as well as Borowczyk had their share in the achievements of the Polish school of posters before they decided on entering the path of film career. The epithet "animated fine arts" that was commonly used in times of the greatest achievements of the "Polish school of animation", still expressed very well the nature of the phenomenon.
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10/15（二）14:00 Kbro 凱擘 2 廳 10/19（六）17:20 Kbro 凱擘 2 廳
噢母親！ Oh Mother! 寶琳娜佐柯斯卡 Paulina ZIÓŁKOWSKA ｜波蘭 Poland ｜ 2017 ｜ 2D 手繪｜ DCP ｜ Color ｜ 13 min
母親總是細心呵護她的孩子，孩子也懂得貼心照料孩子 氣的母親，一切的互補彷彿完美無瑕，直到孩子決定離 開母親過度保護的羽翼，開始獨立生活。 Oh Mother! is a story of a relationship between an overprotective mother and her son. It is a playful game of constant changes in social and family roles, age and sizes.
II 瑪塔帕耶克 Marta PAJEK ｜波蘭 Poland ｜ 2016 ｜ 2D 手繪｜ DCP ｜ Color ｜ 15 min
女孩跌倒再爬起，轉身一看，發現家中擺設變得很不尋 常，幻象與令人眼花撩亂的圖騰，如泡沫般不斷湧冒。 The woman trips and falls while rushing around the house. She gets up and only to discover that her home has unusual features – it's built from paradoxes, filled with illusions and covered with patterns.
怪事回憶錄 Strange Case 茲畢涅查普拉 Zbigniew CZAPLA ｜波蘭 Poland ｜ 2017 ｜ 2D 手繪｜ DCP ｜ Color ｜ 14 min
無法擺脫的記憶、無可避免的挫敗，在一成不變的生活 中形成張牙舞爪的瘋狂。生命的渺小，包覆著無限的可 能性。
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The film as a metaphor of life, the last surrealistic journey into consciousness. Stream of images, thoughts and memories. The sequence of protagonist's personal experiences and collective memory.
TIA觀 F 察站：波蘭圓舞曲 TIAF Observatory: Polish Animated Film and Visual Surroundings - Best of Anima PL
小先生找大鯨魚 Mr. Miniscule and the Whale 安德魯戈謝奈奇 Andrzej GOSIENIECKI ｜波蘭 Poland ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 9 min
小小先生的浩瀚夢想，是找尋大藍鯨的蹤影。他在茫茫 大海中漂流數月，前方突然出現一座深藍色的荒島…… This is an original animated film based on a poem by Julian Tuwim. An expedition of Mr. Miniscule becomes an excuse for a philosophical tale about a little man who wants to defy a great challenge.
狗日子 Schroedinger's Dog 娜塔莉亞克勞楚 Natalia KRAWCZUK ｜波蘭 Poland ｜ 2016 ｜ 2D 手繪｜ DCP ｜ Color ｜ 9 min
相依為命的兩人一狗，成日窩在家中；一張沙發的距 離，心卻相隔十萬八千里。若是有一天，其中之一消失 了…… A man, a woman and a dog live together. They spend most of the time sitting lazily on a couch. So close and yet the distance between them begins to grow. What will happen when one of them disappears?
超級強檔 Super Film 彼得卡巴特 Piotr KABAT ｜波蘭 Poland ｜ 2016 ｜ 2D 手繪｜ DCP ｜ Color ｜ 6 min
一隻鉛筆創造經典！？當太空異種遇上警匪槍戰，駭人 怪物遇上火爆大車拼，宇宙是否會大爆炸？ The artist's notebook is a clash of careless drawings, special-effects and Hollywood movies - all of it is headed for self-destruction while exposing a new and more powerful reality.
那一夜我們吵架後 Evening 伊莎貝拉普魯金斯卡 Izabela PLUCIŃSKA ｜波蘭、德國 Poland, Germany ｜ 2016 ｜黏土動畫｜ DCP ｜ Color ｜ 3 min
動口不如動手，夫妻倆將對方心愛的物品往窗外丟，把 家裡弄得天翻地覆直到深夜，這場戰爭誰能勝出？ A man and a woman have obviously run out of words to say to each other. He throws her favorite dinnerware out of the window; she smashes his hunting trophy... nothing is safe from them.
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蓓蒂娜柏薩克 Betina BOŻEK ｜波蘭 Poland ｜ 2017 ｜ 2D 手繪｜ DCP ｜ Color ｜ 4 min
緊鄰絕望的邊緣，空間流淌著混沌的細胞，流動的筆觸 描繪著失去形體與自我的人間，各種嘆息、呢喃終歸化 為一聲「天吶！」。 The author portrays a world that has lost its original shapes and identity. The groan "Oh God" becomes the main theme that combines it all, expressing grimace, sigh and a quiet whisper of despair.
TIA觀 F 察站：波蘭圓舞曲 TIAF Observatory: Polish Animated Film and Visual Surroundings - Best of Anima PL
天吶！ Oh Jesus!
寶貝小宇宙 Baby Universe
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寶貝小宇宙
我家 KTV It's All Family
繽 紛 多元的視覺點心 張淑滿 阿尼瑪動畫工作室導演
適合兒童欣賞的《寶貝小宇宙》單元，精選了各式創作媒材：《黏土百變怪》運用油土創作，時而變 成小狗、時而變身小貓，與真人的手互動，宛如變魔術般的情節在桌子上演；《鱷魚》使用層次豐富 的紙張拼貼，迷人的色彩將夜晚的野外世界精彩呈現；《我家 KTV》用玩具般的可愛動畫偶講述多元 可能的家庭。 《老小孩小大人》手繪線條與彩色筆般的色彩充滿童趣，劇中反轉了孩子與父母的角色，孩子推著在 娃娃車上呼呼大睡的父親、牽著不聽使喚的母親出門、指導父母如何游泳、在公園追著失控的家長們， 照顧哇哇大哭的爸爸、陪媽媽溜滑板車、爬上梯子幫爸媽刷牙、推他們上床睡覺……角色互換的情節 充滿驚喜與趣味，透過動畫提供兒童另一個觀看視界。 《誰怕誰！》中動物合力對抗獵人，動物與動物相挺，使得原本打算狩獵的獵人不敢再欺負野生動物 們；《小蝌蚪歷險記》裡舞動的小蝌蚪、《注意，地球只有一個》不小心誤食輪胎的蛇、吃到口香糖 的鴿子、被垃圾套住的火鶴們、受到核能影響而異變的長頸鹿、髒亂的大海中被垃圾袋罩住的水母， 簡短而充滿趣味的情節，告訴孩子動物如何被人類汙染的環境所困擾，輕鬆探討保護環境的重要。 歡迎親子一同進入動畫的故事中，看毛線編織的小恐龍如何在《小恐龍的情誼》中為了搶救狐狸朋友 而犧牲自己，當小恐龍為了友誼變成混亂的毛線團，狐狸如何挽回？看看從小利用紙箱玩著太空船遊
與《狐狸與他的小小鳥》裡的狐狸一同在森林冒險；透過想像力與幻想力，一起暢遊動畫的異想世界。
Baby Universe
們跟著《浣熊和他的手電筒》裡可愛的浣熊，一起撿起人類遺落的手電筒，探索黑暗而多元的森林；
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戲，夢想成為太空人的主角透過《衝破天際》告訴我們「想像力」與父母的支持是追夢的開始；讓我
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Baby Universe
寶貝小宇宙
老小孩小大人 Flipped
A Plate of Diverse and Colorful Visual Snacks CHANG Shu-Man Director of Anima Animation Group
In Baby Universe, films made from a wide range of media and suitable for children are selected. In Claypet, the pet made of clay sometimes appears a puppy and sometimes a kitten plays with the live-action characters as if they were performing a magic show on the table. In Crocodiles, the filmmaker makes the collages from multi-layer paper, vividly depicting the wilds at night. In It’s All Family, cute toy-like puppets tell the story of diversified families. The hand-drawn colorful lines in Flipped give the film a childlike feel. In the film, the roles of parents and children are reversed; we see the child pushing its father fast asleep in a stroller, going out with the unruly mother, teaching its parents swimming or chasing after them in the park, taking care of the crying father, riding the scooter with the mother, climbing onto a chair to brush its parents' teeth for them and putting them to sleep. The reversed roles are full of surprise and fun, and through animation, it shows children another angle to view the world. In Hunt, the animals unite in fighting against the hunter and successfully deter him from hunting. The tadpole in Kuap, the snake which swallows a tire by accident in Look, the pigeon who eats chewing gum, the flamingos stranded by trash, the giraffe that mutates after the nuclear exposure, the jellyfish trapped in the plastic bag in the sea... All these short funny stories tell children how animals are badly affected by the environment polluted by human beings and how important it is to protect the environment.
107 Baby Universe
寶貝小宇宙
We welcome parents to watch these films with their children. In Lost & Found, we see how a knitted dinosaur sacrifices himself to save his friend, the fox, and when the dinosaur turns into a ball of tangled wool, how the fox tries to bring him back. In One Small Step, we see how the protagonist, who played the space shuttle game with cardboard boxes when she was little, dreams of becoming an astronaut and learns that "imagination" and the parents' support are what initiate a dream. Let us pick up the flashlight with the cute raccoon in Raccoon and the Light and explore the dark and yet exciting forest together. Let us join the fox in The Fox and the Bird in his adventure in the woods; through imagination and fantasy, we explore the fantastic animation world.
寶貝小宇宙
10/12（六）10:20 Kbro 凱擘 3 廳 ★延伸導讀 10/19（六）10:10 Kbro 凱擘 3 廳 ★延伸導讀
Baby Universe
浣熊和他的手電筒 Raccoon and the Light 金漢娜 Hanna KIM ｜美國 USA ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 4 min
小浣熊在森林裡發現了一支手電筒，會發生什麼事呢？ A raccoon finds a flashlight in the woods.
2018 學生奧斯卡最佳動畫
鱷魚 Crocodiles 卡蜜兒奧索艾、梅莉亞吉爾森 Camille AUTHOUART, Mélia GILSON ｜葡萄牙、法國 Portugal, France ｜ 2019 ｜剪紙｜ DCP ｜ Color ｜ 2 min
亞洲 Asia Premiere 首映
鱷魚寶寶在池塘裡隨著水生昆蟲與青蛙游來游去，突然 一道巨大陰影劃過，小鱷魚們紛紛爬上鱷魚媽媽的背， 沒有什麼比在媽媽身邊更安全了！ A few baby crocodiles are swimming in the water, searching for chewable aquatic insects or little frogs. Suddenly, a huge silhouette of a Goliath heron appears as it lands on the riverbank...
黏土百變怪 Claypet 阿部靖子 Yasuko ABE ｜日本 Japan ｜ 2019 ｜黏土動畫｜ DCP ｜ Color ｜ 2 min
黏土寵物隨心所欲變化成各種動物， 與主人快樂地遊 玩嬉戲。 The clay pet changes into various animals and plays happily with his owner.
108 Baby Universe
寶貝小宇宙
小恐龍的情誼 Lost & Found 安德魯高史密斯、布萊德利史雷比 Andrew GOLDSMITH, Bradley SLABE ｜澳洲 Australia ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 8 min
住在壽司店彼此相愛的毛線玩偶面臨到此生最大劫難， 笨拙的鉤針恐龍必須突破萬難，拯救此生摯愛！ A clumsy crochet dinosaur must unravel itself to save the love of its life.
2018 澳洲影藝學院最佳動畫短片獎 2018 雪梨影展最佳動畫短片獎
誰怕誰！ Hunt 麥納達凡可維奇、西吉塔米庫塔 Meinardas VALKEVIČIUS, Sigitas MIKŪTA ｜立陶宛 Lithuania ｜ 2015 ｜ 2D ｜ DCP ｜ Color ｜ 1 min
打獵季節到了！但是到頭來是誰在獵誰呢？大自然的力 量如此巨大！ Hunt is an animated short film with a strong message against hunting. The story is told in only one minute. It's time to HUNT but who HUNTS whom? STOP hunting!
小蝌蚪歷險記 Kuap 尼爾海丁格 Nils HEDINGER ｜瑞士 Switzerland ｜ 2018 ｜ 2D、實拍｜ DCP ｜ Color ｜ 8 min
小蝌蚪錯過了成為青蛙的那一步，被遺忘在池塘裡。在 明年春天來臨之前，池塘裡面還有好多值得期待的新發 現喔！ A story about growing up. A tadpole somehow misses out on becoming a frog and is left behind, alone. But there is much to discover in the pond, and spring is sure to come again next year. 2019 美國 GLAS 動畫影展最佳親子影片
注意，地球只有一個 Look 麥納達凡可維奇 Meinardas VALKEVIČIUS ｜立陶宛 Lithuania ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 4 min
人類活動不一定會對地球帶來好處，當大自然的循環改 變了人類與動物時，你敢好好地看看世界，並且去改變 些什麼嗎？ Human activity does not always have a positive effect on our planet. Look is a short animated film that explores the natural cycles of exchange between humans and animals.
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菡德伊斯瑪、拉米雅迪亞 Hend ESMAT, Lamiaa DIAB ｜英國 UK ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 5 min
亞洲 Asia Premiere 首映
小孩與大人的角色對調，爸媽哇哇大哭、孩子忙著塞奶 瓶拍拍。當孩子們面臨「大尺寸」的麻煩、父母回歸「小 純真」的童稚，世界會變得更荒謬還是更美好呢？ Flipped explores the absurdity of a world where the roles of kids and adults are switched. The story follows a day full of bizarrely reversed interactions, tackling topics about maturity and parenting in a comic way.
Baby Universe
老小孩小大人 Flipped
寶貝小宇宙
2018 義大利地中海影展最佳動畫獎
衝破天際 One Small Step 安德魯查斯沃、巴比龐提拉 Andrew CHESWORTH, Bobby PONTILLAS ｜美國、中國 USA, China ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 8 min
打從在電視上目睹火箭發射成功的那一刻起，小璐娜就 下定決心成為太空人。在修鞋匠父親的無私關照下，無 畏地邁向星際追夢之路！ Bolstered by the unwavering support of her devoted father, Luna grows up determined to become an astronaut. Although she is sometimes daunted by the obstacles she faces, Luna always shoots for the stars. 2018 芝加哥兒童影展最佳動畫短片
狐狸與他的小小鳥 The Fox and the Bird 山謬吉恩、菲德列克吉恩 Samuel GUILLAUME, Frédéric GUILLAUME ｜比利時、瑞士 Belgium, Switzerland ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 12min
亞洲 Asia Premiere 首映
孤獨的狐狸發現自己竟然對新孵出的鳥寶寶產生父親般 的情感，彼此命運交錯，建立起獨一無二的另類家庭。 然而命運提醒了牠們，生命各有不同歸宿…… A solitary fox finds itself improvising fatherhood for a freshly hatched baby bird. Two paths cross, and a family is formed, until fate reminds each of the life it is meant to lead.
我家 KTV It's All Family 強尼凱利 Johnny KELLY ｜英國、美國 UK, USA ｜ 2019 ｜偶動畫｜ DCP ｜ Color ｜ 1 min
每個人的家庭都不一樣，但那又怎麼樣？《犬之島》木 偶大師安迪根特精心設計，現代家庭組成的多元面貌， 只要有愛驅動，大家都是一家人。
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Featuring a total of 98 puppets with buckets of personality, the film is meant to open kids' eyes to other family dynamics, reiterating that every family is different and that's okay.
Baby Universe
寶貝小宇宙
from 1st September 2019 submit your films or games! by: 10 th January 2020
MAY 5 – 10 2020
Czech Republic w w w. a n i f i l m . c z
COMPETITION CATEGORIES
International Animated Film Festival
2.–8. ljubljana december 2019
DEADLINE FOR SUBMISSIONS: 15. SEPTEMBER 2019
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諮詢委員 Committee Board 王君琦 WANG Chun-Chi ｜史明輝 Jack SHIH ｜宋欣穎 SUNG Hsin-Yin ｜余為政 YU Wei-Cheng ｜孫松榮 SING Song-Yong ｜張維忠 CHANG Wei-Chung 張杏如 CHANG Sing-Ju ｜曹文傑 TSAO Wen-Chieh ｜黃文浩 HUANG Wen-Hao ｜黃茂昌 Patrick Mao HUANG ｜蘇微希 SU Wei-Hsi ｜謝春未 Sanvy HSIEH 手冊撰稿 Contributors
影展執行團隊 Executive Team 節目總監
Program Director
石昌杰 C. Jay SHIH
朱孟瑾、李志宜、林 昱、林庭安、徐硯怡、陳永融、黃瑋儒、謝 璇
客座策展人
Guest Programmer
珍琵琳 Jayne Pilling
羅心彤、蘇逸華
客座策展人
Guest Programmer
張晏榕 CHANG Yen-Jung
影展總執行
Executive Director
賴欣儀 Fay, Hsin-I LAI
節目統籌
Program Manager
行政統籌
Administrative Manager
國際聯絡
Program Coordinator
陳曼嘉 CHEN Man-Chia
競賽專員
Competition Coordinator
王正穎 WANG Cheng-Ying
行政票務
Administrative Coordinator
陳妤芳 CHEN Yu-Fang
行銷活動
Event Coordinator
莊庭瑜 CHUANG Ting-Yu
行銷活動
Event Coordinator
陳欣佑 CHEN Shin-Yo
網站製作 Webpage Design 瓜口瓜設計工作室 Quack Website
行銷異業
Marketing Coordinator
戲院經理
Theatre Manager
劉姿青 LIU Tzu-Ching
主視覺與形象廣告 Promotional Animated Film
媒體宣傳
Press Manager
林姸嫻 LIN Yen-Hsien
媒體宣傳
Press Manager
羅令杰 LO Ling-Chieh
字幕放映
Screening Manager
蔡雨庭 TSAI Yu-Ting
接待統籌
Hospitality Manager
馬巧音 Veronica MA
刊物編輯
Executive Editor
蔡瑞伶 Stella TSAI
英文編輯
English Editor
何美瑜 Isabella HO
美術設計
Art Design
陳安如 Chen An-Ju
片花預告 Teaser
美術設計
Art Design
劉丁菱 Orange LIU
黃靖閔 Kassey C.M. HUANG
節目助理
Program Assistant
羅舒眉 LO Shu-Mei
影展實習
Assistant
吳宜芸 WU Yi-Yun
活動側拍 Photographer
影展實習
Assistant
林怡靚 LIN I-Ching
旭昶影像設計工作室 S.H.B Studio
黃聖閎 Alexandre HUANG
財團法人臺中市影視發展基金會 Taichung Film Development Foundation President
盧秀燕 LU Shiow-Yen
執行長
Director
林盈志 LIN Ying-Chih
副執行長
Deputy Director
吳蓓琳 Beline WU
組長
Cinema Promotion Division Head 黃聖閎 Alexandre HUANG
組員
Program Officer
劉姿青 LIU Tzu-Ching
組員
Program Officer
王正穎 WANG Cheng-Ying
組員
Program Officer
陳曼嘉 CHEN Man-Chia
組員
Program Officer
楊子宜 Jili YANG
助理
Program assistant
羅舒眉 LO Shu-Mei
協拍組 組長
Production Support Division Head 游雅鈞 YOU Ya-Chun
組員
Coordinator
吳翔傑 WU Hsiang-Chieh
組員
Coordinator
黃瑾佩 HUANG Chin-Pei
組員
Coordinator
王靖儀 Mifen WANG
管理組 組長
Management Division Head
簡嘉瑱 CHIEN Chia-Chen
組員
Coordinator
許馨元 HSU Hsin-Yuan
組員
Coordinator
賴柏欣 LAI Bo-Shin
組員
Coordinator
張文珊 CHANG Wen-Shan
法律顧問
Legal Advisor
典範法律事務所 張桂真 CHANG Kui-Chen
吳奕倫、吳貞儀、李佳純、李金寶、林佳妮、徐硯怡、陳俊蓉、黃堯音 黃瓊慧、楊舒帆、雍志中、潘信宏、鄭伊婷、鍾展文、董承平 手冊印刷 Printed by 晶華彩色印刷有限公司
導演、動畫 Director & Cel Animator ∣ 盤思妤 PAN Sz-Yu 製片 Producer ｜胡薽勻 HU Jen-Yun 動態設計、合成 Motion Design & Compositing ∣ 陳昭名 CHEN Zhao-Ming 美術設計 Art Design ∣ 陳聖勛 CHEN Sheng-Hsun 配樂 Music ∣ 劉昱夆 LIU Yu-Feng 聲音設計 Sound Design ∣ 歐千綺 OU Chien-Chi
臺中市政府 Taichung City Government
董事長
推廣組
字幕翻譯 Subtitling Translation
市長
Mayor
盧秀燕 LU Shiow-Yen
新聞局 局長
Information Bureau Director-General
黃國瑋 HUANG Kuo-Wei
主任秘書
Chief Secretary
陳 瑜 CHEN Yu
專門委員
Assistant Director-General
王玲惠 WANG Ling-Huei
影視發展科 Film Development Division 科長 劉仲偉 LIU Chung-Wei Chief 股長
Head
林依融 LIN Yi-Jung
股長
Head
何虹毅 HO Hung-I
科員
Officer
陳采欣 CHEN Tsai-Hsin
行銷企劃科 Marketing and Planning Division 林碧芬 LIN Pi-Fen Chief 科長 股長
Head
張淑君 CHANG Shu-Chun
股長
Head
吳蕙芬 WU Hui-Fen
會計室 主任
Accounting Office Chief
陳淑媛 CHEN Shu-Yuan