Undergraduate Architecture Portfolio/ Selected Works EA1-EA4 Studio B.Arch Undergraduate Degree Program. From the summer of 2015 to the end of 2019, a little more than four years. Select eight from eighteen design projects as a selected works portfolio. Designer: Wei-Je, Kung #Mobile:+886937364170 #Email:404360249@gms.tku.edu.tw #Adress:11F, 242-14,Anle Road, Yonghe, New Taipei City, Taiwan #IG:weijekung0717 #ISSUU:issuu.com/571085 Directors: Chen-Cheng, Chen/ Chia-Hui, Lin/ Ching-Huang, Ju/ Deng-Guei, Yang/ Guo-Hsin, Wang/ Isaac, Huang/ Jau-Wen, Chen/ Jenny, Ling/ Neil, Lin/ Shaw-Bing, Chen/ Wen-An, Wang
TKUA 52th/2015-2019
This is a portfolio of selected works from knowing nothing to being able to complete architectural projects. I am willing to ask modestly for your advice. Personally, it is a great time to review how much I have grown in the past four years of studying architecture and also a starting point for the graduation design. To be honest, the studying process is pretty hard, but the sense of accomplishment is irreplaceable. After all, architectural knowledge needs to be accumulated all the time and learning through doing. Never be afraid to try something new and being wrong, the most important thing is to having curiosity and always keeping it. Also, I believe that design would make life better. I must express my very profound gratitude to my parents, teachers, friends, and people all around me for their love, support, and encouragement, without whom I would never have enjoyed so many opportunities. Breathe in deep. Hold it. Relax. Let it go. 07.2019
WeiJe Kung 11F, 242-14, Anle Road, Yonghe, New Taipei City, Taiwan (+886)937364170 / vigerboy07444@gmail.com
EDUCATION Zhong Zheng Senior High School, Taipei, Taiwan ZZESEC (Environmental Science Course)
TamKang University, Taipei, Taiwan
Bachelor of Architecture Degree (Department of Architecture)
2012-2015 2015-2020
PROFESSIONAL EXPERIENCE YES Design Office, Taipei, Taiwan Intern
Team20 Student Competition, 2017 Staff Member
Summer, 2017 AUG, 2017
LDS (Laboratory for Diverse Status), Beijing, China Intern Participated in “Project - Atman and Art, Beijing, China” (WAF 2018, Shortlist-Culture Future Project)
KRIS YAO | ARTECH, Taipei, Taiwan Part-time
Summer, 2018 Irregular
HONORS & AWARDS Taipei Student Competition of Music (Erhu Individual Events) 1st place， Cum Laude
National Student Competition of Music (Erhu Individual Events) Cum Laude
Taipei Science Fairs (Physical) Culture Award
HKADA Competition (HongKong International Desinger Association) Silver Award
TINTA Competition (Taiwan Interior New Talent Award) Finalist
The Far Eastern Architectural Young Talent Award Honorable Mention
iF Design Talent Award 2019 Participation
EC-SOS National Climate Change Design Competition Honorable Mention (Top 8)
Digital FUTURES International Competition for College Students Honorable Mention
Yang Jui Chen Architects Memorial Design Award
Participation
2013 2014 2015 2017 2018 2018 2018 2018-2019 2019 2019
WORKSHOP & EXTRACURRICULAR ACTIVITIES Student Exchange|HCI, Singapore
Summer Program
Future Living Forum|SWUST, Chengdu, China Creative and Entrepreneurial / Future Aquatic Life
MAS Biennial (Post-Nature)|Taipei Fine Arts Museum, Taiwan Cooperated with MAS Studio
Digital FUTURES Shanghai 2019 Workshop|TJU, Shanghai, China Group4 Augmented Timber Assembly / Instructor:Gilles Rstsin
Destination Conservation Experience | Victoria, Australia Conservation Volunteers
2014 2017 2018 2019 2019
SOFTWARE SKILLS
Adobe Photoshop, Illustrator, Indesign, Premiere AutoCAD Sketch Up / Rhino / Grasshopper KeyShot / Artlantis / Lumion Microsoft Office, Movie Maker
Fall, 2019
CONTENTS
Selected Works 2015-2019
06
EA1 / 30, 30, 60
10
EA1 / Reorganization
14
EA2 / The Exhibition of The Village
22
EA3 / The Garden Hostel
34
EA3 / K6, Welfare & Community
46
EA3 / The Interlance Village EA4 / Intertwining Field and the Body
68 80 114
Gestaltung Fabrication City Drma
EA4 / DongMenDaTong 130 155
Scene and Virtual Architecture Fictions Scripts
30, 30, 60 EA1 / 05 Cubic Materiality, Workshop, Exhibition EA1 Studio Director : Guo-Hsin, Wang
FALL 2015
Architecture Portfolio 2015-2019
Select a corner in the room and convert it into a conceptual model (boundingbox: 30 x 30 x 60 cm). First, deconstructing spatial elements through sketching; and further, using the characteristics of the interleaved materials in the selected site to complete the design. The final model is composed of three parts with different materials. a / Setting immovable objects (wooden bars of different sizes) on a solid board. 06
b / The slide rails would create different staggered spaces to have visual changes. c / The cross-stacked wood foundation which holding up the model.
Architecture Portfolio 2015-2019
Exploded
Elevations Metal Frame / Cement Board / Wood Foundation
08
30,30,60
09
Reorganization EA1 / 07 Object, Graphic, Modeling EA1 Studio Director : Jau-Wen, Chen
SPRING 2016
Architecture Portfolio 2015-2019
Object : wine opener. Space (site) : staircase in the building. Design process : Dismantling the relations between objects and the site (space) to create a conceptual space. / Reorganize the spaces by drawing sections. / Creating spatial models from 2D to 3D. / 10
Design details : Analyze the notation of the wine opener by observing triggers and the dynamic trajectories. / Deconstruct the spatial structure of the steel staircase. / Reorganize the results and make rules with new spatial logic.
Reorganization
11
Details
Reorganization
13
The Exhibition of The Village EA2 / 11 Visitor Center, Exhibition Space JianGuo Village, Yunlin, Taiwan Director : Neil, Lin
FALL 2016
Architecture Portfolio 2015-2019
JianGuo Village is located in HuWei Town, Yunlin. It is the only agricultural village in Taiwan and has an affiliated military airport. Due to the reconstruction of the old army, the residents were forced to move out after 2005. The village is like a ruin that has been idle for many years. Many houses were destroyed, let alone a fire disaster... Without proper preservation or restoration, the memories and cultural resources of the village may disappear. Therefore, the government plans to build a cultural park by combining history and landscape with the agricultural village, simultaneously, it would be an important node of Yunlin county. 14
As a visitor center design project, the first phase of the master planning tries to accommodate tourists in the small information and exhibition space. Thinking about the landscape, historical building (the Japanese colonial period, early years of R.O.C., and current conditions), and the characteristics of agriculture and military village, these are all amazing elements in the design.
The Exhibition of The Village
The JianGuo Village originated from the Japanese Army’s selection of the Air Force’s military base during the Second World War in 1938. Later Japan's defeat, the KMT government moved to Taiwan, it still places as a military fortress. JianGuo Village was once the largest village in Taiwan and composed of four small villages with their own entrances and passages, as time passes, the glory of the village was no longer exists. According to the statement, the life of the villagers was very poor, and lack of supplies, but everyone was content.
15
Master Planning
Architecture Portfolio 2015-2019
Imagining that the information center and the exhibition space as a microcosm of the village. The exhibition space is designed as a box by walls, creating a different experience. Using bricks from the village to replace ordinary building materials, so that the whole design would generally become a part of the village.
16
Architecture Drawings
Site Plan 17
Architecture Portfolio 2015-2019
18
Elevations / Sections
Plan 19
Architecture Portfolio 2015-2019
20
Exploded
The Exhibition of The Village
The spaces are connected with the wooden platform and greens, which closes the relations between boxes (indoors) and the site. The landscape and scaffolding (roof) conform to the order of the site, softening the confliction caused by the scattered spaces.
21
The Garden Hostel EA3 / 16 Hostel, Visitor Center, Reprogramming Tamsui Riverside, Taipei, Taiwan Director : Jenny, Ling
FALL 2017
Architecture Portfolio 2015-2019
Following the end of World War II in 1945, Tamsui reverted to being a small fishing town as a township of Taipei County. With the expansion of nearby the city, Tamsui slowly became a center for tourism along the northwest coast. After the completion of the Taipei Metro's Tamsui Line in 1997, the town experienced a 22
sharp increase in tourist traffic, reflected in the completion of several riverside parks, the growth of open-air markets specializing in traditional handicrafts and street-stall snacks, the construction of a fisherman's wharf, and the increase in passenger ferries traversing across and along the river.
Reprogramming - Time of Tamsui / Activity Level (Intensity) Sun & Moon 00
Night
1 2
Late Night
3
Sleep
Passing by Parking
Sleep Sleep
4
Sleep
5
Early Morning
6
Commuting Having breakfast
7 8
Commuting
Commuting
Commuting
Morning
9
Working
Commuting
Noon
Having meal
Having meal
Afternoon
Working
10
Working
11 12
Having meal
Having meal
Passing by Touring Parking
13 14 16 15 18
Commuting Having dinner
21 23
Having meal
Commuting
Commuting
Sleep
Passing by Parking
Commuting
20 22
Working
Shopping
Evening Sunset
Daily excercise Talk a walk
Night
Off shop Sleep
00
Sleep
Sleep
Normal time period
Residents
Visitors
Business people
Government
Vehicles
Define the time with sun (moon) less and more.
Sleep
Using toilet
Sleep
Using toilet
Take a rest / Massage
Check in
Take a rest / Massage
Check in
Read
Dining
Read
Dining
Movie / TV
Working
Movie / TV
Working
View scenery
Creating
View scenery
Creating
Watch the show
Meeting
Watch the show
Meeting
Take pictures
Take shower
Take pictures
Take shower
Chat
Cook
Chat
Cook
Walking
Cleaning
Walking
Cleaning
Laundry
Performing
Laundry
Performing
Weekdays
Weekends
Behavior and time are two main concepts in the research. The design takes the user (backpackers) as the starting point, trying to analyze the relations between the users and activities.
tions, and various CHATs (service boxes) are set in public space to reach the goal of communing and sharing.
In the beginning, reorganize the space by activities, and redefine the GARDEN as the topic of the design. Thus it could be seen, breaking the traditional architecture design and creating unusual forms through the process.
The Garden Hostel
19
Working
Walking Touring
17
The purpose of this design is to attempt a new architectural design method from analysis, programming to design experimentally.
At the phase of programming, try to break the concept of spaces and functions in traditional. For example, when the room only for sleeping, other activities would be carried out outdoors or semi-outdoor. The GARDEN creates interac23
Activities Slice Hobby activityies
Leisure activities
Ma ssa Tak ge ea Vie wa ws Tak lk c e e Sle ne ar ep ry est
Art activity
Re ad
Wa tc
Tak ep ictu ht res he sho he w mo vie /tv
Wa tc
ht
Architecture Portfolio 2015-2019
Social activities
Work activities
Diet activities
Cre atin g orm ing
Din ing
Per f
Co
Private activities
Time
Activities
Cle an Wo ing rkin eck g in
Ch
Me
etin
g
Tak es Lau ho nd we ry ing r toil et
Ch
Activity level (intensity)
Us
at
Interactive Activities
12
1
20
9
5
8
6
4
11
3
10
7
21
2
17
19
15
18
16
Stability / Instability 1 Sleep 5 Massage 7 Cook 9 Watch the movie / television 10 Watch the show 12 Performing 15 Using toilet
16 Laundry 17 Take shower 18 Working 19 Cleaning 20 Meeting 21 Check in
14
13
24
ok
2 Take a rest 3 View scenery 4 Take a walk 6 Dining 8 Read 11 Take pictures
13 Creating 14 Chat
View scenery
Take pictures
Shower
Chat
View scenery
Diagrams Watch the movie
rest Sleep Take aRead Chat ReadSleep Toilet View scenery Read Chat Chat Toilet
Cleaning Watch the television
Meeting
Cleaning Take shower
Laundry
Take a rest
Dining
Take a rest Massage
Toilet
Check in Working
Take a walk Read
Creating Chat
Read Take a rest Watch the show Cleaning Massage Take a walk PerformingChat
Take a rest
Chamber
Garden
Meeting
Service
Service
Garden Staff
The Garden Hostel
Chamber
Garden
Service
Program consolidation
Art room
Program reshuffle
Traditional
Remodeled 25
Program Diagram
Architecture Portfolio 2015-2019
26
Garden
Circulations
Activities
The Garden Hostel
Programs
Chats
Cook
Take a Shower
Laundry
Take a Walk
Meeting
Show on Screen Dining
Using toilet
View scenery
Read
27
28
Garden Above Grades
The Garden Hostel
SITE PLAN
-230 UP
+0
UP
-260
+0
-300 UP -240
UP
UP
+0
SUNKEN GARDEN (-150)
29
-110
+0
-230 UP
-300
+80 DN
UP
+60
+0 DN
DN
UP +60
UP
UP
UP
COMMUNITY / GARDEN (+150)
+80
+380
+330
UP UP
+60
+360
UP
UP
DN
+330 UP
+0 UP
+380
ART / COMMUNITY / CHATS / GARDEN (+450) UP
30
+600
UP +700 UP
+520
UP
+730 UP
UP +680
UP
UP
The Garden Hostel
+330 UP DN +470
UP UP
+380
+500
CHAMBERS / CHATS / GARDEN (+750) UP
+1000
+960
+1020 UP
+840
+680 UP DN
+1080
UP
+1030
UP
UP
+960
UP
+1000
CHAMBERS / CHATS / GARDEN (+1050)
31
Architecture Portfolio 2015-2019
32
The Garden Hostel
33
Community, Welfare Center & K6 EA3 / 17 Elementary School, Welfare Center, Community Space Wanhua NanJiChang, Taipei, Taiwan Director : Ching-Huang, Ju
Architecture Portfolio 2015-2019
NanJiChang, as its name suggested, this place was a military airport long ago, when under the Japanese colonial rule. It is nested within the Babacho area as this place as once known, a military training ground. When the Japanese retreated after 1949, this place became a dumping ground for rubbish and a slum for shady folk who spilled over from nearby. In an effort to clean up the area, the government cleared the slums and old infrastructure left behind by the Japanese, and in its place built the very first government public housing program here, which is what we see today as Nanjichang Apartments which still stands.
34
NanJiChang is famous for the night market nowadays.
FALL 2017
Between neighbors
Alleys between buildings. / There are not just passageways. / They are wonderful communication spaces.
Community, Welfare Center & K6
Between buildings
The most direct place for activities and interactions. / Adults and children can be in the hallway. / Chatting，relaxing and playing.
Between communities The night market replaced the daytime. / Business and crowd drowned the quiet neighborhood. / Bustling night market light up the night.
Between the lanes Alleys are separated. / They seem to have nothing to do with each other. / However, they are closely connected by passers-by.
Between the backs
Between the front and back
Between the backs of the buildings. / There have traces of everyday life. / Residents would casual encounter.
There is a small atrium. / Where the residents plant flowers and plants, and chat. 35
Legibility
Architecture Portfolio 2015-2019
The urban texture is created by regional position and identity. While the site is located in the Zhongzheng district, the texture is more similar to the Wanhua district. Historically, the Wanhua district was very prosperous, as time passed, the expansion of the modern Taipei city, it gradually declined. The site located in the most disadvantaged old community which led to many social problems, such as elders living alone, denizened brides, and the physically challenged people. Although there is a well-known night market in the community, the residents laugh at themselves living in the most prosperous "slum" in the city.
36
Programming
Exchange
Reading Parking
Visit
Eating
Visit Pick up
Learning Working
Exchange
Visit
Eating
Walking
Exchange
Pick up
Exercise
Reading
Residents/Visitors/Vehicles
Walking
Walking
Elder/Vulnerable Groups
Exchange
Reading
Working
Student/Parents/Teacher
Do Homework
Parking
Reading
Exchange
Playing
Pick up
Having Dinner
Having Lunch
Commuting
Working
Reading
Parents (Baby's)/Administration Staff 0530
0730
1200
1600
2200
1730
Welfare Center
School
Garden
Multi-functional Center
Community Kitchen Restaurant
Baby Care Center
Community, Welfare Center & K6
Morning exercise
Learning By Doing
Getting up
Eating Teaching
Sleep
Exchange
Playing
Pick up
Eating Area
Public Space
Playground
Public Space
Meeting space
Elementary School
Office
Parent-child Space
Sportscenter
Kindergarten
Learning By Doing
Classroom
Exhibition space
Reading Space
Public Service Center
Parking
Library Study Room
Space Interactive / Spirit Minior Adjacency Major Adjacency Entry
37
Site Plan
38
Elevations / Section
Community, Welfare Center & K6
39
Architecture Portfolio 2015-2019
40
Community, Welfare Center & K6
41
GROUND FLOOR PLAN 0 MRT Station Entrance 1 Parking Lot Entrance 2 Public Service Lobby 3 Day Care Center (Baby) 4 Multi-Functional Center
5 Library 6 Study Room 7 Kindergarten 8 Office 9 Public Square
0
Architecture Portfolio 2015-2019
UP
2 9
3 5 1 4
6
+0
8
UP
8
DN
+0 DN UP
42
7
UP
Community, Welfare Center & K6
43
Architecture Student Forum TKU X PCCU X NTUT
/Zhongyi Elementary School/
The Interlance Village EA3 / 18 Urban, Future Living, Social Housing Datong Di Hua, Taipei, Taiwan Director : Shaw-Bing, Chen
Architecture Portfolio 2015-2019
It's like a container filled with all kinds of people. Children, teenagers, elders, and office workers, accompanied by the time in this container. Consciously or unconsciously intertwining with each other ... 46
SPRING 2018
The Interlance Village
Is a house a machine for living in ?
2050 ???
47
About The Site
Secondary
URBAN
GREEN
oad Main R
Architecture Portfolio 2015-2019
RIVERSIDE
TRADITION Road
SITE
TRADITION
N ( 300m x 300m )
Different from other areas in Taipei, the site is located in the old and complex residential area, with the Tamsui River to the west and the flourishing New Year Avenue - Dihua Street to the south. There are schools, parks, historical monuments, and temples in the surrounding, which could be described as rich in culture and life functions. It could be seen that compared to other modern residential in Taipei City, the site has a unique characteristic. Hence how to design a social housing in the site and connect to the surroundings would an attractive part of the project.
Strategy The Operating System
Demand Nearby Residents / Visitors
System
Provide Life Functions Residents : Consumption / Use
Urban Renewal
Tenant Income
Renewed HOUSING
ge s Mana Space Living rovide
P
Single Parents *20
Single Family *10
Senior Inhabitant *15
Young Single Adult *15
Partic i
patio n
Planning / Life Functions Programs / Community Spaces
Residential Space
Resident
Employment Opportunities
Public Facility
Employment Opportunities
Circular Economy
Lobby / Security / Circulation, Nursery, Kindergarten, WeWork Coworking Space,
Day Care (Elderly)
Share Kitchen, Social Space, Nursing Station, Laundry Room
FINANCE HOUSING Tenant Income
Loss (Housing) Provide Living Spaces
Subsidies
Living Assistance
Consumption
Profit From Programs
Servic / MEP
Social Housing
Consumption (Nonresidents)
Electrical Room, Garbage Disposal / Recycle, Power Switch Room, Emergency Generator, Telecommunication, Fire Pump
Construction Cost
Loan, Tax
Software Service
Income Cost
Dailylife / Programs
Common Equipment Housing Maintenance Hardware Serrvice
Government Subsidies
Rent Allowance Scheme
Rent
Car Parking*48, Locking Dock*1, Motorcycle*60,
Others
Rent Reduction / Reward Mixed / Other Profit
48
Parking
Tenant Restrictions / Vacancy Rate
Bicycle*20, Charging Station*10
Environmental Strategy
Sustainable Development
Environmentally Friendly
Temperature(℃)
Construction
Low-carbon emission building materials Low-pollution building materials Reusable building materials
Building
Wind influence, Light reflection (glass) Noises
Solar Height & Azimuth analysis
Biodiversity
Native species
Animals, Plants
Air Quality
Carbon dioxide / Carbon monoxide PM10 / PM2.5
AQI air quality indicator monitoring
Comfort
Temperature Humidity Wind speed
Rainfall
Humidity
JUN-DEC, Taipei (2017)
JUN-DEC, Taipei (2017)
JUN-DEC, Taipei (2017)
Highest
Average
41.1
Lowest
41.9
43.1
42.9
41.7
(mm)
(%)
20
100
36.8 33.3
32.6
31.9
35.8 30.7 27.5
25 23.4
20
29.4
34.7
Average 97
93
Lowest
95
80.5
75.4
79.2
97
81.2 72.5
70.9
74.9
96
79.7
97
95
85.1 79.2
70% 53
48
45
41
38
45
48 40
40%
30
5.2
5
6
7
8
9
10
11
12
0 Month
4.9
3.7
3.2
2.7
3.8 2.7
25 3.1 1
0.6
1
Dry
4
96
45
17℃
3.1
3
74.6
50
5
2
94
59
10
22.8 17.9
17.2
75
5
1
96
54
10
0
96
28℃
27.3 23.3
79.2
15
31.0
28.6
21.1 16.9
15.4
16.4
30.7
30.8
27.1 25.0
23.2
22.1
17.3
15
36.4
33.3
30
Highest
94
38.9
Wet
39.3
35
Shading, Ventilation Environmental afforestation
24~26°C 40~70% 0.5m/s or less
Temperature
45 40
Temperature control system Water recovery Energy management Renewable energy
The Interlance Village
Comfortable & Health
Shade, Ventilation, Afforestation Rainwater recovery Air conditioning / Lighting control Solar energy (240m²/household) Wind energy (∮1.3m*6/household)
Energy Saving
2
3
4
5
6
7
8
9
10 11 12
0
Month
1
2
3
4
5
6
7
8
9
10
11
12
Month
Wind JUN-DEC, Taipei (2017)
Monthly Average, Taipei (2014)
23.2
CALM 1.6 %
CALM 4.9 %
TAIPEI 2014．1
CALM 4.0 %
13.3
CALM 2.2 %
TAIPEI 2014．5
CALM 0.6 %
20.6
TAIPEI 2014．9
22.0
27.8
CALM 2.3 %
TAIPEI 2014．2
15.0
CALM 1.3 %
TAIPEI 2014．6
CALM 1.1 %
25.7
TAIPEI 2014．10
CALM 1.4 %
TAIPEI 2014．3
9.5
28.0
TAIPEI 2014．4
CALM 1.5 %
TAIPEI 2014．7
7.5
TAIPEI 2014．8
32.6
30.4 CALM 2.3 %
CALM 2.4 %
TAIPEI 2014．11
TAIPEI 2014．12
49
Nodes
Architecture Portfolio 2015-2019
Pavilion
Riverbank Bicycle Lane Courts Library Bookstore Temple Cafe Ubike Community Backyard Community Nursing Market Park / Ubike Activity Center
Temple / Park Market
SITE Cross-embankment Viewing Platform Workshop Community Backyard Cultural & Creative Temple Story House
50
Bicycle Lane (Entrance) Traffic Node Temple
Planning
N
The Interlance Village
( 125m x 225m )
Community / Public Space
WeWork Coworking Space
Entrance / Lobby
Nursing Station
Library Community Public Space
Car Parking Entrance
51
Finding out two important axes on the site. North-south (cultural assets route). Through the reconstruction and demolition in the old house area (1b、2b), design some related local projects to revive the surrounding. East-west (traffic artery). Planning bicycle lanes and well-thought-out sidewalk design to become the pedestrian-friendly demonstration area in the city.
Spatial Concept
Garden
WeWork Coworking Space
Single Parents * 4 Single Family * 2 Senior Inhabitant * 3 Young Single Adult * 3
Laundry
Reading Space
Exchange Space
Share Kitchen
Nursing Station
Bicycle Lane
Exchange Space
Security
Dinning Area
Social Space
Lobby
Circulations
Single Parents * 4 Single Family * 2 Senior Inhabitant * 3 Young Single Adult * 3
Park
Social Space
Architecture Portfolio 2015-2019
Parent-child Space
Nursery
Entry
Circulations
Exchange Space
Parking
MEP
pace
Laundry
A Village e
Single Parents Single Family Young Single Adult Senior Inhabitant
WeWork Coworking Space
Garbage Disposal Charging Station
Lobby
n
Nursery
A Village
de ar
en d r a G Kindergarten Nursing Station
Laundry
Single Family Single Parents Young Single Adult Senior Inhabitant
G
A Village Share Kitchen
Single Family Single Parents Senior Inhabitant Young Single Adult
Single Family Young Single Adult Senior Inhabitant
Read ing
Social
Laundry
A Village
pace Single Parents
Social S
ge S
A Village
Single Family Senior Inhabitant Young Single Adult
Space
Din nin g A Circulation rea
en Gard Single Parents
Charging Station
Garbage Disposal
chan
Exchange Spa ce
Minior Adjacency
Spac
Garden
Circulation Ex
Reading Space
Single Parents * 4 Single Family * 2 Senior Inhabitant * 3 Young Single Adult * 3
Major Adjacency
Single Parents * 4 Single Family * 2 Senior Inhabitant * 3 Young Single Adult * 3
Kindergarten
Parent-child Space
Servic / Public Facility
Circulation
Single Parents * 4 Single Family * 2 Senior Inhabitant * 3 Young Single Adult * 3
Security
Car Parking
1 Village = 20% 5 Villages = 100%
Single Parents
54
Single Family
Senior Inhabitant
Young Single Adult
Divide the demands of residential units then define it as a "Village". Next, setting a variety of activities in the open spaces in the process of programming. In the case of maintaining a certain level of privacy, the residence connects with the community in an indirect way.
Floor Plans
UP
+0
1 +0
2
4
DN
1
UP
UP
3
DN
UP UP
1 Lobby (for residential)
Architecture Portfolio 2015-2019
2 WeWork (coworking space) 3 Reading Room (for community) N
4 Nursing Station
GROUND FLOOR PLAN
DN
5 +400
UP
+400
6 DN
2
UP UP
DN
DN
UP
DN
+280
2 WeWork (exhibition space) 5 Share Kitchen N
6 Kindergarten
A
2F
A
D +760
UP UP DN
B
+760 DN
UP
UP
B
DN
B
A Single Parents B Senior Inhabitant C Single Family D Young Single Adult
56
N
3F
UP
+1100
UP UP
DN
D C 7 D
DN
D
D C
C D +1100
DN
A UP
C
B C
UP
B
DN
7 Social Space (for residential) A Single Parents B Senior Inhabitant
N
4F
D Young Single Adult
The Interlance Village
C Single Family
DN
DN
UP
DN
B
C
+1440 DN
8
A UP
C UP
C
DN
+1440
8 Drive-In Theater (for community) A Single Parents B Senior Inhabitant
N
C Single Family
5F
D Young Single Adult
DN
A
A D
D
+1780
UP
+1780
DN
UP
B UP
B
B
DN
9
UP
9 Gym (for residential) A Single Parents B Senior Inhabitant C Single Family
N
6F
D Young Single Adult
57
UP
C
C
B
C
B D
D UP
DN
+2120 DN
UP
C UP
A
+2120
DN
C
DN
C
UP
A Single Parents
Architecture Portfolio 2015-2019
B Senior Inhabitant N
C Single Family D Young Single Adult
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C C
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7F
DN
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DN
UP
A UP
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UP
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D +2460
DN
A Single Parents B Senior Inhabitant N
C Single Family D Young Single Adult
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C
B
8F
C
B +2800
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UP
DN
A Single Parents B Senior Inhabitant C Single Family D Young Single Adult
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N
9F
- 320 UP
UP
N
Study Models
The Interlance Village
BASEMENT FLOOR PLAN
Studying the relations by planning and the focus is on the connection of open spaces. (between units / between residentials and open spaces) Volume Study
Study Model 03
Structure Model
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The Interlance Village
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In the unforced situations, the residents have opportunities for communication. In addition to space transparency (even vertical relations), residents would have more chances of encounters. The public spaces between villages provide some SOFT UNITS (indoor/outdoor), increase opportunities for activity and interaction.
The Interlance Village 63
Activity Slices
Architecture Portfolio 2015-2019
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The Interlance Village
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Detail Elevations
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Facade
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Intertwining Field and the Body EA4 / 19 Digital Design, Diagrams, Form-Finding LabCCC / ZhongXing Bridge, Taipei, Taiwan Director : Chen-Cheng, Chen
FALL 2018
Architecture Portfolio 2015-2019
Research on a configuration (Gestaltung) as the design concept. First of all, we know that all configurations are made up of surfaces, which are composed of many curves. (Mesh: In 3D computer graphics and solid modeling, a polygon mesh is a collection of vertices, edges, and faces that defines the shape of a polyhedral object.) When the planes are no longer flat, spaces are created, then coming out the perspective view, which has infinite ways to express space. At the beginning of this design, studying the "Bauhaus Dance"(Oskar Schlemmer - The Theater of the Bauhaus 1923), and developing the configuration on the "human" scale. There are two main concepts When The Body Draws the Abstract Space. / Man as Dancer. Then, Oskar Schlemmer divided the Bauhaus Dance into the following four configurations for people in the stage space - The laws of the surrounding cubic spaceman. / The functional laws of the human body in their relationship to space. / The laws of motion of the human body in space. / The meta-physical forms of expression. Design started with the geometric transformations (2D / 2.5D / 3D) of these four rules, then proceed with single objects and "interactive" experiments. As could be seen that "interactions" in Bauhaus Dance, increases the potential of spatial configuration, whether it’s the same man or bodies met each other, that show many opportunities to create space in dynamic performances. In the analysis phase, drawing collages to perceive the relations between all elements of the stage. Most important of all, converting four types of man and setting up dynamic performances with corresponding geometric shapes. The study includes a variety of body movements, also known as body language, standing, bending, spinning, kicking, waving, squatting, stepping, jumping, kneeling, etc. Pole Dance / Schwarz / Gelb - These three clips staged by Oskar Schlemmer in Bauhaus. Learning from keyframes of the dance, spaces would be changed by interactions in the stage. At this time, "periods" would be another significant elements in the configuration.
68
Interestingly, there is a short stage, ''Human
Space Machine - Stage Experiments'' as an experiment during the design process. Capture dynamics into images and organize them into a script, which was virtually created by periods and spaces. However, these elements such as trajectories and paths have countless definitions and results, therefore, the project would lead by the designer with computer-assisted.
Intertwining Field and Body with Digital | Gestaltung
Later, convert the selected segments to spatial prototypes by deconstructing the 2d elements of characters, fields, and periods, then make the plane into 2.5d models to increase the level. As a result, there are some prototypes with time and space significance as the preliminary database. After completing the concept transformation, proceed to space and architectural design.
The phase is like a rehearsal, explaining the purpose of the Gestaltung.
69
A 100 YEARS OF BAUHAS
Gestaltung | 01 / The Theater of the Bauhaus /
Bauhaus Dance
The Theater of the Bauhaus (1923) - Oskar Schlemmer
Architecture Portfolio 2015-2019
Prototype Study
Ⅰ. Ambulant Architecture The laws of the surrounding cubic space man. Ⅱ. Technical Organism The functional laws of the human body in their relationship to space. 72
Ⅲ. Marionette The laws of motion of the human body in space. Ⅳ. Dematerialization The metaphysical forms of expression.
Keyframes - Bauhaus Dance
Pole Dance (Single) / Schwarz (Single) / Schwarz (Twin) / Gelb (Twin) / Schwarz (Triple)
Intertwining Field and Body with Digital | Gestaltung
Diagrams
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Human-Space-Machine Stage Experiments
Intertwining Field and Body with Digital | Gestaltung
Through the simple dynamic experiment, assuming the space development of the Human-Space-Machine. 75
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Turn the plane (2D) into a 2.5D model to create the spatial level. Deconstructing character, location, and period, then define the relations.
Convert the selected segments to specific spatial models as the primitive configuration. 78
Rehearsal
Model of Scenes
Intertwining Field and Body with Digital | Gestaltung
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Fabrication | 02
Completing the phased target, and begins to develop from the previous diagrams into conceptual models. The individual shapes are extracted from the previous four scenes, and models are created based on the point, line, and plane through geometry and fragmentation. 81
Intertwining Field and Body with Digital | Gestaltung
Create some parts of negative and positive by extracting the elements and converting 2d into 2.5d. The computer would simulate the result of these various units with superimposed so that the internal shattered parts are possible for the space design. 83
Transforming & Developing Process
Architecture Portfolio 2015-2019
Curves Create each unit by cutting a plane (square) with closed curves.
Grasshopper components
Puzzling 84
Intertwining Field and Body with Digital | Gestaltung
Cascading
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Intertwining Field and Body with Digital | Gestaltung
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Architecture Portfolio 2015-2019
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Intertwining Field and Body with Digital | Gestaltung
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Intertwining Field and Body with Digital | Gestaltung
Recording and transforming dynamic behaviors, then try to figure out some fuzzy spaces affected by time factors. The fusion of the same substance with different states to present the concept of this scene. The liquid-like metaballs and gradient of thresholds by parametric design, to develop the scene design. 91
Transforming & Developing Process
Architecture Portfolio 2015-2019
Origimal Points
Grasshopper components
The gradient of thresholds 92
Spheres
Metaball A
Metaball B
Intertwining Field and Body with Digital | Gestaltung
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Intertwining Field and Body with Digital | Gestaltung
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Intertwining Field and Body with Digital | Gestaltung
Each unit is created by smooth curves of edges or endpoints in a cubic bounding. By computing various combinations, different combinations would lead to different spaces and forms. Characters setting for this scene with organic textures to highlight the dynamics and uncertainties of the action. 99
Transforming & Developing Process
Architecture Portfolio 2015-2019
Curves Each unit is created by smooth curves of edges or endpoints in a cubic bounding.
Pipe Transform the curves to pipe. 100
Intertwining Field and Body with Digital | Gestaltung
Extending
00
Grasshopper components Architecture Portfolio 2015-2019
Curves
Mesh
Offest Mesh
Curves in three-dimension.
Transform the curves to mesh by gh-Millipede.
Make the mesh to solid.
Combinations Different combinations lead to different spaces and forms. 102
Intertwining Field and Body with Digital | Gestaltung
Mirror
Bounding Box
Carry out a cubic unit.
Piling up in the bounding.
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Intertwining Field and Body with Digital | Gestaltung
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Intertwining Field and Body with Digital | Gestaltung
Simplify and reorganize the tattered surfaces, but keep then abstract. Through the geometric characteristic, the minimal surface is created by points, lines, and surfaces in a bounding box. As a result, the combinations would show the mystery of the surfaces in the three-dimensional space. 107
Transforming & Developing Process
Architecture Portfolio 2015-2019
Curves
Patch
Minimal Surface
Offest Surface
Setting 3D closed curves in a cube bounding.
Create surfaces from curves.
Carry out a minimal surface unit.
Make the surface to solid.
Smash The minimal surface is disassembled into multiple surfaces (2d) through computer for the fabrication.
Combinations Different combinations lead to different spaces and forms. 108
Intertwining Field and Body with Digital | Gestaltung
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Architecture Portfolio 2015-2019
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Intertwining Field and Body with Digital | Gestaltung
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Critic Review in Taipei Fine Arts Museum
December 15 2018
CITY DRAMA | 03 / TAIPEI ISLAND /
Owning a Utopia is the dream of many people living in the metropolitan. The site is on the sandbank between Taipei City and New Taipei City. Try to take advantage of the unique location of Taipei Island as a stage for the city and setting up a theme park with art, performance, and exhibition, then name it as City Drama. There are only a few residents on the island, and the only way to enter it is to take the stairs from the Zhongxing Bridge. Attempt to redefine the role of Taipei Island in the urban space and show the publicity through the design.
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Taipei Island would become a relay space for bicycles. In the name of the theater, people can have a restful place when crossing the Tamsui River. The functions include a small exhibition space, an open theater, leisure platforms, activity squares, and landmarks (pavilions).
Returning to the original concept of "Gestaltung" and responding on urban scales at the end of the project. The notations, such as various users, activities, and traffics will be represented in the park.
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Exhibition Space
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Stage I Theater
03 | City Drama
Pavilion | Landmark
Entrance I Pavilion
121
Developing Process & Diagrams
Space A
Top layer
From main circulation
Architecture Portfolio 2015-2019
Upper layer
Space C
Space B Structure / Ground floor
Exploded
Pattern
Dome
Upper layer / Form Ⅱ
Thesholds Form Ⅰ
Main structure / Main circulation
Ground floor
Grasshopper components 122
Exploded
03 | City Drama
Pattern
Development Process
Pavilion
Main structure / circulation
Entrance / Bike lane
Development Process Main structure / circulation
Ground floor
Grasshopper components
Exploded 123
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03 | City Drama
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Dancing people and the stage. 126
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Architecture Portfolio 2015-2019
Sight from the bridge to the park.
Aerial photography. 128
03 | City Drama
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DongMenDaTong 東門大通 EA4 / 18 Entropy, Scenes,Events V-Studio 6 / Taipei, Taiwan Director : Isaac, Huang
SPRING 2019
Architecture Portfolio 2015-2019
There stories between the Roundabout and the Double-cross. About records from 40 years ago to today in Taipei. This is a chapter fictions (traditional Chinese novel with each chapter headed by a couplet giving the gist of its content). Each chapter describes a different story, but it is at the same time and site. The overall structure of the fiction is composed of multiple fragmentary stories. Having different perspectives to piece together a contemporary Taipei, if someone wants to understand the whole picture. ''The novelist describes the time and space 130
background, the architect creates spaces, and the experiencer thinking about issues.'' But the three are still interlocking, trying to discuss and study issues at the same time. These three roles are always in dialogue with each other, discussing and studying various issues at the same time. Exaggerated or satirical descriptions are not just criticisms but hope that through these impacts, we could be positively inspired. Found out the Taipei that we had never seen before.
DongMenDaTong
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台北有兩座城。 There are two Taipei cities.
Architecture Portfolio 2015-2019 132
清朝光緒年間，18世紀中後期，台北建府之議欽準不久，一面面堅
民國六十年代，1970年間，台北東邊有一座城以紐約曼哈頓金融區
實的板石建材築起了台北城。在這艋舺與大稻埕之間的未開墾荒地
林立的圖像來作為新城所欲建構的目標與藍圖。十年間，城內以超
，歷經多個朝代、政府構築興建，城內儼然成為了台北的市中心，
大街廓、高聳入雲的摩天大樓、酒店、百貨、影城及百家企業總部
多數政府機關用地，也有部份商業區域。城牆雖已不在，城內、城
，取代了曾被視為荒地的未開發平地上的農田、工廠，以極高的密
外，依舊遷引著台北人與台北城。
度滋養這塊土地。這座二十四小時的不夜城，信義計畫區。
During the Guangxu period of the Qing Dynasty (late 18th century), the
In 1970, there is a new city built in Taipei, with New York Manhattan as the
ancient Taipei city was built. After dynasties and governments, there has
target of the design. Over the past decade, skyscrapers, hotels, department
become the center of Taipei. Although the circumvallations have been
stores, and headquarters have replaced the wilderness. On top of that,
demolished, it still exists in the memories of Taipei people.
covering the land with extremely high density, the ever-bright city, Xinyi.
Chapter Fictions
章回小說分章、分回敘事。 正文之前或有楔子。
Traditional Chinese Novel with Each Chapter. Headed by a Couplet Giving the Gist of Its Content.
曼哈頓台北
Taipei Manhattan
圈地 · 迎賓大道
RenAi Avenue 1975
天坑
Crisis
鐵窗鐵橋
Grillpass
瓜樹田頂
Treetop
無所謂紀念
Life Sculpture
山牆非牆
Immigrants
雜魚投票所
Democratic Trivias
起居工事
Rusty Parlor
踩街與自卑
Pilgrimage
DongMenDaTong
章回
133
曼哈頓台北
Taipei Manhattan
An ironic plan, a ridiculous age.
一個諷刺的計畫，一個荒謬的時代。
圈地·迎賓大道
RenAi Avenue 1975
However, how would the town change after such a huge impact?
change their living.
When the town was forcibly developed by the rulers, residents were forced to
生,形同生態學上的二次自然。
｡即便快速引渡，棲息地依就不復過去，城市面臨計畫後的未知再
然而短暫時間足以讓外來物以迅雷不及掩耳的速度推進到這個空間
在棲息地上被迫改變居住以及生活方式｡
當新興的城市藉由都市計畫如圈地般地進行著，居民有如一原生物
天坑 Crisis
Perhaps, that is the real livelihood.
heading for a new life. People can freely use spaces to live with their desires.
When the dominator is unable to control the area, it means that survivors are
地過日子，發現真正民生。
模式。人們也可以更自由地創造自己的空間，跟隨自己的慾望有機
當掌權者無力控制一個地區，意味著地方上的生存者邁向新的生活
鐵窗鐵橋 Grillpass
lotus stems.
directly so that the relations between buildings are no longer a U or H, but like
branches, because of desires. People can move quickly between buildings
Here is an exaggerated story to illustrate that windows could grow like
expanded.
Residents always cravings to have more spaces, just like the window
樓關係不再是個U或H，而像荷莖般藕斷又絲連。
當鐵窗如植物的枝枒般生長，在垂直的建築物間快速移動，兩憧大
得到了空間，又在一次地想像一同藉由擴張取得時間。
居民對空間的渴望，哪怕是一盞延伸、擴張的窗台，都視如珍寶。
瓜樹田頂
Treetop
crowded city.
The Treetop is an impression that seems to be a paradise for farmers in the
the city.
survive in the cracks and compete for the sun. Greens are hard to survive in
There are some residents eager to farm in the city. Plants in the city have to
堂。
都市中卻生存地有些破碎。印象中的樹頂彷彿成了城市中的農人天
得照到珍貴陽光的建築立面上種上些花草樹木。生意盎然的自然在
農業一向都如同夾縫中的一顆草，在那擴張出去的陽台種菜或在難
高樓林立的街道上，總有那麼一群渴望農耕生活的居民。城市中的
無所謂紀念
Life Sculpture
乘涼
喝酒
誼
博物館
讀書會 討論
打麻將 交 社區會議 誼
寒 踢毽子 暄 跳格子
玩耍 散步
戲台
寒暄
辦桌 交
抽菸
泡茶 下棋 聊天
觀天
memorial spaces commemorating?
However, when the city is all dominated by common people, what are the
humorous.
declaring authoritarianism vaguely. This scene is contradictory but
There is a statue standing in the center of the romantic Baroque roundabout
紀念什麼?
這般場景矛盾又不失幽默。當城市以由民眾做主，紀念性空間還該
浪漫的巴洛克式圓環中心佇立著一個象徵法西斯主義的威權銅像，
山牆非牆
Immigrants
However, if there are refugees in Taipei?
take away? Does livelihood become the luxury of those people?
but staying at a temporary habitation. Moreover, what should they leave or
Disaster forces people to leave their homes. Losing the qualifications of living
樂業於是成了那些被選中人們的奢侈?因此，當台北有了難民?
去了原來居住空間的權力，人們該留下什麼、又該帶走什麼?安居
一場災難、一場人禍，皆可能迫使一群手無寸鐵居民離開住所。失
雜魚投票所
Democratic Trivias
consciousness. Irrelevant democracy is everywhere in our daily life.
pursuit, not a real life. Everything is no longer focused on efficiency, but
Assuming that all decisions are made through voting, then the result is only a
obligation and right under a democratic system.
It is proud of having democratic rights. However, the election would be the
民主。
背景下追求的不再是效益，而是意識。生活將充斥著，無關緊要的
，都將以集體主觀所創造的客觀來執行，也許能將其解讀為，當代
、投其所好都是民主制度下的義務與權利。倘若生活中所有的決策
民主像件大衣，讓人民無時無刻披在身上，引以為傲著。選賢與能
起居工事
Rusty Parlor
represents the sacrifice for a better life.
Exchanging labor for money is a symbol of economic progress, but it also
functions in the same space were destroying ''home''.
lack of feeling, but always seeking efficiency. Two completely different
room is the warmest space in the world. However, the factory is a place that
There was a period in Taiwan's history, "living room as the factory." The living
某種犧牲。
型態。這段勞力換取經濟的歷史，是經濟進步的象徵，卻也表現了
即工廠"，同一個空間，兩個南轅北轍的機能，改變也破壞了家的
品，為求效率，冰冷、缺乏情感。而歷史上曾有一段時期，"客廳
溫馨。工廠，負責生產各種工業化的產品，形同資本主義下的附屬
家中的客廳是一個凝聚著親屬們的空間，所謂避風港，具向心力且
踩街與自卑
Pilgrimage
should have tolerance and respect.
Perhaps some way of conveying art may cause inconvenience, all of us
enriches the creativity of civil society.
residents through the selfless efforts of the community. Besides, diverse art
The valuable part of folk activities is active participation, which uniting the
正更需要改正？
有些粗魯，但這種把地方的美意與熱情毫不留情予以訕笑的惡俗不
元更象徵了民間社會勃發的生命力與創意。或許它很違和、或許也
付出，團結地方也凝聚了地方的共同體想像，藝陣類型的豐富與多
民俗活動可貴的地方在於其主動與積極參與，透過鄰里社區的無私
Perspectives
Architecture Portfolio 2015-2019
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2
3
4
1 Grillpass in the sky. 2 Path of religious encirclement. 3 Farmers and sunshine in the city. 4 A monumental tower (space) for nothing.
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6
7
8
5 Living or manufacturing? 6 Immigrants and the Avenue. 7 Order and Chaos. 8 Break the rules.
147
Master Plan Find out the homogeneity of the epoch.
Architecture Portfolio 2015-2019 148
Inbetweens
DongMenDaTong 149
Architecture Portfolio 2015-2019
An Epoch-making ______ ? The epoch that inhabitants can arbitrarily arrange places by their demands in the city. 150
DongMenDaTong
151
Architecture Portfolio 2015-2019
圓環與雙十字間之事 Between the Roundabout and the Double-cross.
152
DongMenDaTong
計劃之外 計畫之外
Outside the Plan Out of the Plan
台北·東門大通 DongMenDaTong·Taipei
153
154
東
門
通
Dong Men Da Tong 大
台北有兩座城。
清朝光緒年間，18世紀中後期，台北建府之議欽准不久，一面面堅實的板石建 材築起了台北城。在這艋舺與大稻埕之間的未開墾荒地，歷經多個朝代、政府 構築興建，城內儼然成為了台北的市中心，多數政府機關用地，也有部份商業 區域。城牆雖已不在，城內、城外，依舊遷引著台北人與台北城。
民國六十年代，1970年間，台北東邊有一座城以紐約曼哈頓金融區林立的圖像 來作為新城所欲建構的目標與藍圖。十年間，城內以超大街廓、高聳入雲的摩 天大樓、酒店、百貨、影城及百家企業總部，取代了曾被視為荒地的未開發平 地上的農田、工廠，以極高的密度滋養這塊土地。這座二十四小時的不夜城， 信義計畫區。 然而，計劃之外，計畫之外。
零零
章回 曼哈頓台北 圈地·迎賓大道 天坑 鐵窗鐵橋 瓜樹田頂 無所謂紀念 山牆非牆 雜魚投票所 起居工事 踩街與自卑
零壹
0 曼哈頓台北
民國六十七年，1978，台北東一處農家
「這就要跟美國斷交了!」 「共產黨吧」 那人不自覺地瞥了客廳那尊佛像一眼，兩人不以為意的應答著。同時持續忙著手邊單調乏 味的繁雜工事。
這是一個令人感受氣氛緊繃的年代，人聲鼎沸，一場暴風雨正要開始。
「對了，最近有個信義計劃，知道嗎?」 「要把家裡旁邊這些田變成什麼副都心的那個?」 「聽說要從四四兵工廠那邊開始。」 「啊...」 頓時兩人沉默不語。
客廳茶几上的報紙，斗大的頭版標題寫著「中山高速公路全線通車」。望向窗外，映入眼 簾的是一片還算開闊原野，偶有幾條水泥道路劃過，沒有柏油。住家、建築物更是寥寥無 幾。這裡正是政府口中所謂的百頃荒地。
「好難想像啊。」眼前的風景，緊扣著腦中的的思緒，難以預料的即將改變，一幕幕畫面 誘著牙關不自覺地低聲嚷著。
零貳
1 圈地·迎賓大道
民國七十五年，1986，仁愛路
當新興的城市藉由都市計畫如圈地般地進行著，居民有如一原生物在棲息地上被迫改變居 住以及生活方式。 然而短暫時間足以讓外來物以迅雷不及掩耳的速度推進到這個空間。即便快速引渡，棲息 地依就不復過去，城市面臨計畫後的未知再生,形同生態學上的二次自然。
外頭的工地持續喧囂著。 百頃的原野中，工地一塊塊地被台北曼哈頓計畫圈劃。以四四兵工廠為中心，台北的東邊 正面臨一場難以想像的改變。
政府徵收了不少的地，但並沒有太多的抗爭。軍、農眷村的居民反倒期待將來能住進仁愛 路上堪稱台北最現代、最摩登的住宅大樓。
「明天仁愛路要封欸，我們家馬上要被拆了。」 「這個政府真是個天才，雖然大部分時候比較接近瘋子。」 「不用幾個月，我們家要改頭換面了呢!」
一九八零年代的台灣，是一個產業升級與邁向國際化的時期。在經濟起飛的條件下，人民 生活水準也隨之提升。但部分民眾普遍患得一種了症狀。 崇洋媚外。且有不少重症患者。
同一時期的美利堅剛走出不景氣，新興都會區中一群年輕的族群，造就了一股雅痞文化 /Yuppies，一種急欲擺脫農村低俗、少知識、少文藝、非時尚氣息，憑自己的能力賺得了 一些溫飽之外的財富，盡可能打造一種迷你版名流生活。
突破性的當代社會觀在電影《華爾街》中被深刻描繪，致富後的藍領，生活只是為了賺錢 和花錢，賺更多的錢和花更多的錢。 同時新的電視文化、流行音樂形式顛覆大眾。即便隱含暴力、違法，甚至有損人文精神， 仍在當時的美國盛行著。
解嚴後的台灣，迎接等待了三十八年的自由風氣。赤裸裸地面對國際，對外來的事與物似
零叁
乎一時之間難以招架。
「美式生活風格」、「曼哈頓式時尚」或甚至是「歐洲文藝風」、「日式極致美學」等虛 幻並且不見得符合事實的包裝，似乎才能得到社會的尊敬，民眾也願意付出更高的代價， 獲得那種所謂高尚、奢華。
「你知道嗎，市長說，仁愛路要變成台北的迎賓大道」 「有聽說，從圓環到市政府」 「要有巴黎香榭大道的氣質、紐約第五大道的奢華。好難想像」 「我們會搬進去住，更難想像」
民國七十九年，1990，一棟棟的大樓拔地而起，個個披紅掛綠，巍然屹立。
「仁愛路再也不是仁愛路了。」 「你感慨什麼啊。你看這些質感造型優越，典雅不失氣派，高貴豪氣的歐風設計，勾勒與 眾不同經典圖騰，別出心裁的堆砌，各個品味卓越，與時下建築風格更盡細膩。這裡的台 北真的不同凡響呀！」
窗外的大樓，也許一般氣派，視線卻始終離不開那八個高掛在塔的正中央巨大的標楷字體 。
《巴黎臻品•三民建設》
「都是這麼缺乏在地文化的標籤!又是一個複製移植的產物」 然而大部分人並不這麼覺得。心裡普遍想著台北東將來的不同凡響。
零肆
1.5 天坑
民國八十七年，1998，市府廣場
當掌權者無力控制一個地區，意味著地方上的生存者邁向新的生活模式。人們也可以更自 由地創造自己的空間，跟隨自己的慾望有機地過日子，發現真正民生。
暮冬將盡，即將迎來的是正陽之月。 市政府趕在農曆新年前忙著發送免費春聯給民眾。
仁愛路，理所當然的充滿年味。 家家戶戶貼春聯，雙雙對對地傳統大紅燈籠在大街上出現，張燈結彩。好不喜氣。
這些理應不受歡迎，甚至不該出現的傳統中華文化，卻是大力地侵蝕了這條貴氣典雅的迎 賓大道。
《首都門面崩壞?》《台北第五大道去哪了?》 這類標題陸續成為媒體焦點、各大報社頭版標題。
大道開通邁入第十二個年頭，批判聲浪在這個年前一發不可收拾。 居民紛紛質疑路權問題、管理維護計畫更是不周全，空屋量逐年上升也是政府沒有預料到 的。 街道、建築陸續破損、雜草重生。更有一群人更無法接受政府如封建帝王炫耀武功，如此 鋪張浪費。勞民傷財。
同年，農曆新年後，台北政府宣布還路於民。 這意味著仁愛路即將失控。市府前的仁愛迎賓景象即將上演一齣諷刺大劇。
零伍
「最後還是撐不下去了」 「終於可以在仁愛路上遛狗了!」 「好像又有點可惜...」 「拜託政府不要再亂花納稅錢了」
消息來的意外卻不麼震驚。市民們很難不對這消息做出些許評論。
確實如此，這十年以來，這條仁愛迎賓，不論是街道或樓房的修建確確實實地壓垮了市府 ，後續的管理維護更如火燒般消耗資源，也難以想像這一筆筆龐大的費用，如牙蛀般持續 侵蝕掏空財政。
聽起來也許有些誇張，但正是不錯的事實。
零陸
2 鐵窗鐵橋
民國九十一年，2002，一家四口
居民對空間的渴望，哪怕是一盞延伸、擴張的窗台，都視如珍寶。得到了空間，又在一次 地想像一同藉由擴張取得時間。 當鐵窗如植物的枝枒般生長，在垂直的建築物間快速移動，兩憧大樓關係不再是個U或H， 而像荷莖般藕斷又絲連。
這個夏天的太陽像個大火爐，把大地烤得發燙。空氣也是熱烘烘的，人一動就渾身冒汗。
「媽媽，我出門囉!咿咿哎哎!」小女兒雀躍的喊著。 「記得帶水壺，記得喝水，不要熱壞了!」
小女兒是仁愛國小二年三班的班長，也是模範生。 這天他約好和班上同學們午後一起到家附近的翠湖玩耍。
一會兒，母親走到窗邊，伸了個懶腰，看著女兒在鐵橋上手舞足蹈地跑著，跑向對面大樓 。 「真是的，這孩子又把水壺忘在門口」皺著眉低聲碎唸著，語氣則滿是疼愛。
這是仁愛路失控後的第五十六個月。
這裡開始不只有住戶，商業和一些輕工業一併進入了大樓。除了使用機能更多元，更不用 說那被人性的主宰的大樓外觀了。 由住家開始，努力地向外爭取一些空間。鐵窗、鋁窗玲瑯滿目。這也許是另一種秩序，也 可能是一種生活的證據。
鐵橋，據說是一對住在仁愛大馬路兩側大樓的戀人，因為渴望能更快地見到彼此和擁有更 長的相處時間。他們每天的許願感動了神明，於是鐵窗一天一天地，越長越長，越靠越近 ，忽然有一天就連在了一起。 鐵窗於是成了鐵橋。而這段愛情故事像神話般流傳著。沒有人知道真正的原因。只知道通 勤、移動方便了許多。
零柒
半年來，鐵橋越長越多。不只有跨越仁愛路，也有只是同側串接的，個個從大樓樓梯間、 公共走廊等穿牆鑿壁而出。有長有短、有高有低、有寬有窄，近日甚至出現了鐵橋在半空 中彼此相接的奇景。微妙的社區，微妙的現象。
居民們逐漸習慣這種更有效率的交通設施。 不過也有民眾開玩笑說，「仁愛路離天空更近了」
「我下課了」「媽媽我也回來了!」女兒們後接著喊道。 姊姊回家路上遇到在外頭玩耍的妹妹。 她放下背包倒臥在沙發上一語不發，接著閉上雙眼，打算在晚餐前閉目養神一會兒。能看 見的是一臉的倦容。
聯考倒數 183天
四個字大喇喇地刻在冰箱的磁鐵白板上。姊姊知道接下來半年的周末都要在補習班度過了 。唯一能讓他慶幸的是，家和補習班的距離是兩分鐘，只要走過一座鐵橋，下一層樓，轉 兩個彎就到了。即使如此，此時此刻只希望趕快了結這半年。
「媽媽我今天在大飛盤上遇到一個大哥哥，他教我放風箏!咿咿哎哎!」 「大飛盤?哪裡是大飛盤?」 「那個圓圓高高的地板啊。媽媽我也想買一個風箏。咿咿哎哎!」 母親思索了一下。原來大飛盤是一個從鐵橋長出來的圓形小廣場。 「你等等乖乖吃飯媽媽明天就買給你」
母親順應回了一下。看了一眼沙發上已經躺平的姊姊，眼裡滿是心疼與慈愛。 「等爸爸回家，再把姊姊叫醒，一起吃晚餐吧!」母親輕聲地說。
零捌
3 瓜樹田頂
民國九十三年，2004，外省夫婦
高樓林立的街道上，總有那麼一群渴望農耕生活的居民。城市中的農業一向都如同夾縫中 的一顆草，在那擴張出去的陽台種菜或在難得照到珍貴陽光的建築立面上種上些花草樹木 。生意盎然的自然在都市中卻生存地有些破碎。印象中的樹頂彷彿成了城市中的農人天堂 。
甲申仲春，得黃瓜兩根。 老先生得意地在小黃瓜田，採著黃瓜。
「老頭子，你又在哼什麼」 「等等準備醃咱們的黃瓜囉，我已經準備好黃酒、醬油在家了」 「老頭子又是滿腦只有吃」 老夫婦是一對外省夫婦，當年來到台北時還只是一對青澀的戀人。
「嘿!老李不要來一顆白菜!剛採下來的嘿!」同鄉老吳在對面溫室棚下喊道。 「行啊老吳，我這黃瓜又肥又美，等會兒自個兒來兩根吧!」 這是仁愛路上農區的日常。
「老頭子你手破皮了，你都沒感覺嗎?」 「啊又被次給扎傷了，不過沒事兒!」 看來採摘的時候花還沒有謝去，小刺還是有的。當天採摘當天醃製的黃瓜就像哺乳期的嬰 兒一樣，非常的脆嫩，而且營養豐富。
「來啦，我先來洗，你去清理一下傷口，我可不相吃你的血黃瓜」老太太是數落著，掩飾 不住夫妻的好感情。
在老先生來台北前，家族就是種瓜的，各種瓜。 李先生也在小眷村旁，步行約十分鐘的路程找了一塊地，種了幾株瓜，當作自己的孩子一 樣照料著。誰也沒想到那個光鮮亮的計畫把當時老劉的小情趣給吞食了。
失控後的仁愛，民眾在其中找回了自己和彼此的生活與記憶。老李也是。遠遠看，仁愛路
零玖
上的農區，就像一顆顆綠囊，不僅綠意盎然，還十分夢幻，也荒謬。
在空中種田聽起來、看起來不可思議，但意外的是，這個被迫離開地面卻讓農田更接近所 有的居民。孩子們在其中奔跑玩耍、在青壯年社群中，種植更成為一種可以放鬆、陶冶性 情的新流行。更別說對那些搬自農村的老人，這可是一種找回記憶的特效藥。
「看上去可美味了。這就是安徽醬菜乳黃瓜!」 老先生得意地看著罐中的醃黃瓜，得意的說。
壹拾
4 無所謂紀念
民國九十三年，2004，大洪
浪漫的巴洛克式圓環中心佇立著一個象徵法西斯主義的威權銅像，這般場景矛盾又不失幽 默。當城市以由民眾做主，紀念性空間還該紀念什麼?
晚上九點四十五分 大洪一如往常地再就寢前寫著日記。孤獨一人。而窗外的世界平靜地向極限不斷挑戰著。
「明天是媽媽生日，老爸你應該會帶著媽媽一起去慶祝吧。這可是你們相聚後得第一個大 日子呢!現在每天上班都會經過信義小學，雖然現在被改建成一坐大塔，但俯瞰地面時， 小學的輪廓還算有些清晰，好想你們喔。台北真的變好多，尤其是我們家附近，不知道媽 媽有沒有告訴你，你的老同學老吳還在仁愛路上開了間時蔬串烤店，食材都是自產自銷， 而且是真的在仁愛路上喔!
對了，管委會下周又要開會了。叔叔阿姨們都對我很客氣，但一直問我要不要加入，真是 煩死了。老爸你當年怎麼會自告奮勇跑去當主委啊?而且聽說今年如果天氣好的話，會在 天橋上的圓形廣場上舉行，那平常都會有人在放風箏，雖然我感覺這次開會根本只是個下 午茶。不過也好，現在仁愛路上的所有人幾乎都互相認識了，像一個大家庭一樣。爸，想 不到你當時的願望真的實現了。只可惜你沒能看到。
這次的會議終於要投票拆不拆路口的那座銅像。我記得老爸說過，這個社會已經不是過去 的威權了，人民需要被解放。雖然還是有堅持歷史必需留下的那群人，但這次大家一面倒 看好會拆，圓環馬上就會有新的設施出現。很難想像坐在圓環上，望向仁愛路，整個畫面 有多瘋狂。不過老爸心中的石頭可以放下了，也期待一下吧!
93.02.03
」
拾壹
5 山牆非牆
民國九十五年，2006，閩南餐廳
一場災難、一場人禍，皆可能迫使一群手無寸鐵居民離開住所。失去了原來居住空間的權 力，人們該留下什麼、又該帶走什麼?安居樂業於是成了那些被選中人們的奢侈?因此，當 台北有了難民?
秋風是一位調色大師，重新為仁愛路上了顏色。
「要幫你帶晚餐嗎?」 「好啊，你多久後回來?」 「頂多頂多一個小時吧。吃福州菜好嗎?最近新區開了一間閩南餐廳，大家都說好吃」 「好」 這是一項日常周日下午的放風箏行程。
一個大男孩和大平台上也正在玩耍的孩子們玩了起來。線放地很高很長、很長很高。風箏 在空中翩飛著。
天黑地很快。健步如飛地往新區走去。手中還邊捲著風箏線。
福州小館店門口大排長龍，也有些客人在店門口就嗑起了招牌閩南芋頭飯。看著讓人垂涎 欲滴。 恨在欲食不成於是決定先回家在解決枵腹的問題。但童心未泯臨時起意，回家先到新區參 觀參觀。
「新區」是大約在半年前在仁愛路安頓下來的一群閩南人。他們過去住在基隆河岸的小眷 村，自福建遷來台北以來。由於近年基隆河鬧水患過於頻繁，政府決定修築堤防，這群人 被迫離開了原本的生活空間。 新區其實一點也不新，多數是居民自原居住地搬來，從生活用品、家具甚至是建材。也許 是因為這些熟悉的物件，讓這些新住民對新環境感到不這麼陌生，融入的超越預期的快。
拾貳
「小兄弟，吃飽飯沒?」一位年約六十多歲的爺爺問道。 「還沒。老爺，您住這邊嗎?」 「對啊，我們村人把這弄得挺美的吧!」 「是啊!老爺，那您們住在這邊都還習慣嗎?」 「過得去吧，雖然還是以前的地方好。以前住在河邊，現在不只像住在山裡，更像在天空 中，誰知道呢!」老爺小小抱怨了一下。
這裡的房子起落落，真的有點像老爺口中的山城，也許這就是所謂的夾縫中求生存吧。阿 興心想。
「有吃過巷口那家福州小館了嗎，小兄弟?」 「剛剛正打算呢!」 「那是我姪子開的，從小就喜歡料理東西，現在可以說是全村裡廚藝最好的年輕人，記得 要去捧場!小夥子快去吃飯吧，看你餓地臉色蒼白。」老爺揮揮手道別。
走進新區繞了個圈。村子其實不大，大約十戶人家。傳統的閩南房屋在這信義大怪物上確 實有些突兀，各個錯落有機地長在空中。這些居民歷經一番努力和道不盡的委屈才能在此 安居樂業，這也是為什麼仁愛路上的居民總是以包容力為傲。
最讓人興奮的是新區正坐落在市政府前，中間僅隔著一個廣場，彷彿被害著與加害者沒有 阻隔地面對面相望，但彼此卻安靜和平的不發一語，荒謬又和諧。
路口的福州餐館，依舊人滿為患。仔細打量了一下，這也棟閩南建築。屋頂與外牆前間還 有著鍋耳形的山牆，想必家族過去肯定有親人當官。一夕之間意外覺得閩式建築線條很優 美的很。
「外帶一份沙茶麵和梅菜扣肉的好了喔!」聲音從餐館內傳來。
忽然想起在家嗷嗷待哺的哥哥，三步併作兩步跑了起來。
拾叁
6 雜魚投票所
民國九十六年，2007，中山公園
民主像件大衣，讓人民無時無刻披在身上，引以為傲著。選賢與能、投其所好都是民主制 度下的義務與權利。倘若生活中所有的決策，都將以集體主觀所創造的客觀來執行，也許 能將其解讀為，當代背景下追求的不再是效益，而是意識。生活將充斥著，無關緊要的民 主。
「各位居民午安。下午兩點三十分於中山公園投票所將進行本日第九場投票會，請居民攜 帶相關證件與印鑑於會場投票。」
仁愛這條路上，由於政府長久的暫時不干涉，這裡彷彿像個自治區，又或是一個迷你烏托 邦，以一個單位彼此生活緊密聯繫著。 在沒有所謂領導者情況下，人民迷戀上一種極致民主的生活態度，投票彷彿像宗教般變成 人民的新信仰。進而也使安居樂業的居民們，接近了馬克思主義中的唯物主義，那般理想 生活。
自從前6世紀古希臘的雅典民主以來，投票一直是民主的必要特色。文獻記載中最早的雅 典投票屬於多數決的陶片放逐制，只不過這種投票的「當選」是負面性的，因為市民要投 票決定驅逐哪個市民離開。 。 如今投票是決策的一種方法，典型的手法是群體經過討論或辯論後，在特定紙張上標示出 投票者的立場，然後投交大會點算、公布結果、結束流程。
這裡的投票則有所不同，圖書館的營業時間、路燈的顏色、地磚的樣式等，過去都成為過 投票的項目，居民可以自由決定參加。甚至一些家庭、個人的疑難雜症，都可以成為一次 的選舉。這之中有許多題目確實微不足道，但居民卻很享受參與的過程。
投票所如同教會、法庭、議場，甚至是賭場的意義與形式存在著。
「我覺得還是種杜鵑好」 「櫻花比較美」 「這些都太麻煩了啦，酢漿草簡單有力又不花錢」
拾肆
「開賭盤囉!」 下一個題目是中山公園後廣場花卉植栽的選擇。 居民在投票所前議論紛紛著。有說有笑。
投票所內有多個單獨的投票空間，不同於過往預先擇期、架設一次性的臨時選空間，投票 形式顛覆了傳統。因此一個票匭就是一個如方盒般的單獨空間，投票者需走進指定的小盒 內，進行投票。不用多久，也能完成開票，嘗試效率地完成一次投票流程。
然而實際上這並不是一個效率的決策行為，但居民在認同地意識與過程中，選擇犧牲了大 生態中的效率，創造出無關緊要的民主儼然直接挑戰著擁有民主的價值。
而廣場上、國父紀念館前的投票所，正是一個混亂與秩序的抗爭，各種尺度下不停地打破 規矩，看似在宣示著什麼，而演繹著內與外的超現實關係。
曾經有位外國記者很直接地向居民問道 「請問你會覺得一天有十幾場的投票過於氾濫了嗎?」 「我不覺得氾濫啊，有時晚上從窗外望去，看著一個個亮著的票匭，和排隊進出的人，真 的會感覺到它凝聚了這裡所有的人，我也都會出門參與」 居民是這麼回答道。
答非所問，但正面明顯多於負面。
拾伍
7 起居工事
民國九十八年，2009，仁愛延吉
家中的客廳是一個凝聚著親屬們的空間，所謂避風港，具向心力且溫馨。工廠，負責生產 各種工業化的產品，形同資本主義下的附屬品，為求效率，冰冷、缺乏情感。而歷史上曾 有一段時期，"客廳即工廠"，同一個空間，兩個南轅北轍的機能，改變也破壞了家的型態 。這段勞力換取經濟的歷史，經濟進步的象徵，卻也表現了某種犧牲。
「你脫褲子要幹什麼？」 聲音是從走廊盡頭那扇鐵門後方傳來的。
房間內簡陋的可憐，空氣中漫著一絲霉味，空蕩蕩的室內左側牆邊倚著張八十五公分寬的 方桌和兩張普通的木頭椅子。深褐色胡桃實木的英倫木桌，對比室內四處因濕氣而斑駁的 牆壁，顯得格外正氣。但卻比不上窗外街道的燈紅和酒綠。
這是一處在延吉和仁愛路口的小工廠。而大樓內充滿一堆這樣的工廠，隨心所欲地堆疊生 長著。
民國七十年代，家庭代工盛行，又稱家庭工廠。客廳即工廠，透過勞力換取經濟，家庭空 間地犧牲，似乎沒什麼大不了的。這是當代時空背景下的一種工業型態，家中成員在客廳 等空間中布建小型工具機，進行簡單的工業加工賺取額外的利潤。
然而，又隨著工業社會的發展，大型工廠的生產力與成本優勢等逐漸彰顯，從而消滅了家 庭代工的利基點，由於單一工廠能放置大型精密機具做到高階加工。這是家庭代工所無法 達成的領域，因而也加速了其消失。
因此過去被「輔導遷移」的一些工廠因緣際會聚集到了仁愛延吉上。即使有短暫復甦的跡 象，但說白了就是一群失業人的互助工會。 這裡雖然沒有高聳的煙囪，倉庫、磚窯、拱洞，卻都是產業活動的見證物。
「你來燒一些磚吧!」 「我手邊還有一些鐵件要處理」
拾陸
裝忙的對話不絕於耳。
由於僅短暫的起死回生，這裡的工廠不冒煙。僅偶有敲打，切割的聲響，反而像是仁愛路 上的異類建築地標，龐然的建築結構，孤立又成群地落於街口大樓中，乍看之下，有如核 子戰爭的蒼涼場景。若能幫大樓照X光，這內部的空間必定能成為一世界奇觀。 人們很難不注意到那幾顆超除外牆的工廠單元，一些停止作業的廠房，徒留破碎的空間。 然而許多孩子喜歡在其中享受童年，玩起了尋寶遊戲和捉迷藏。孩子們的嬉笑聲迴盪在錯 落的工廠中空間中，間接奏出了一章章幽淒神秘樂曲。
又作，客廳即工廠，工廠及樂園。
即使其中有些工廠作業停止，一停便停了多個年頭，存在了看似令人擔心的公共安全問題 。手無寸鐵的居民，並沒有隨時緊拉著神經，深怕隨時會出現意想不到得危機。反而自發 在其中交談、聊天、下棋。或許是懷念吧，又或許是為了遮陽。
遍野鐵皮工廠自然散發出的孤寂滄桑感，一股股非典型的開放空間品味。因此有人說，延 吉街口的倉庫就像生鏽的鐵庫寶盒一樣﹐靦腆地典藏了居民的生活與回憶。
「快點!我們去尋寶!我哥哥剛剛給我一張藏寶圖!」 「走!」
拾柒
8 踩街與自卑
民國九十九年，2010，仁愛路
民俗活動可貴的地方在於其主動與積極參與，透過鄰里社區的無私付出，團結地方也凝聚 了地方的共同體想像，藝陣類型的豐富與多元更象徵了民間社會勃發的生命力與創意。或 許它很違和、或許也有些粗魯，但這種把地方的美意與熱情毫不留情予以訕笑的惡俗不正 更需要改正？
鞭炮身響起，神明起駕時間到了。丑時就會進入大道中。 過了二十三年，神明再度回到仁愛路。
自從仁愛路搖身成為台北的迎賓大道後，每年的元宵或特殊節慶日子，各宮廟舉行遶境或 進香活動，已經多年不以傳統路關的方式在這舉行。過去仁愛路上大大小小的廟宇也搬遷 近兩甲子了。
約二十年前，台北東邊的一場宗教革命，扼殺了仁愛路周圍的傳統廟宇空間，兇手正是仁 愛迎賓。遶境、陣頭等相對大動作的祈福儀式與活動更是被趕盡殺絕。
執政者獨到的品味經營了貴氣典雅的迎賓大道，這種傳統宗教活動又怎能出現在這之中呢 ?低俗的空間氣質、粗魯的遶境活動，完全是在城市美學的大衣上割了一刀，慘忍至極。
遶境，代表神明巡視轄區，驅逐邪煞、安定人心，這是神明的「例行性任務」。近年來， 有許多離開多年的廟宇，希望能在每年繞境之日回到仁愛路上，讓這裡的居民還願、贖罪 、祈求平安、答謝神恩。也讓神明能回故居巡視。
然而曾在此被批鬥地一無是處的宗教文化，哪來勇氣面對如此潰爛的傷口?正是因為有傷 。在身，仁愛的遶境也別有特色。信眾決定側視這道傷疤，他們認為「看不見醜的東西， 東西就不醜了」每當遶境，信徒們便會把整支隊伍隱藏起來，所有人扛著花錢買的宗教聖 光擋板，床上疊床，屋下架屋，步行一哩路。俯瞰如舞龍舞獅般在大道空中遨遊，也像蚯 蚓乳動，低調又威風。
拾捌
「快來了!快來了!」許多人倚在家中窗邊探出頭喊著。 鼓陣聲音越顯越近，隊伍即將計入仁愛大道。
大道中的遶境路線，與鐵橋是互相支應的，平時作為居民交通動線，此刻透過「封路」成 為繞境隊伍的動線。 曲曲折折的路線，拉長了時間與空間，甚至有一些高高低低的駕點，被燈火、被喧囂深深 刻畫著，頗有溫度。 最後來到廟宇的重生之地，回流的廟宇空間如展示品般被放置在如展櫃的大樓空間，信眾 在展櫃中上上下下，亦如同會動的展品一樣被外頭世界觀看打量著，前後心態確實矛盾， 也許這就是宗教的力量。誑時惑眾。
「媽祖婆啊!請讓我今年能再升職」 「求賜我一個孩子!」 遶境路上傳來許多人的願望，此起彼落。
隊伍先是經過圓環上空無一物的紀念空間、走上鐵橋、過穿一球球的空中農園、錯落有致 的新區、癌細胞般的工業區和廣場下的投票所...
這回的遶境十分平淡順利，華麗卻又不鋪張。也許是因為走在鐵橋上，讓兩側居民覺得十 分親近與靠近。空中徒步遶境，就像翱翔一般，更接近上天，給所有人帶來無限的希望， 也為仁愛路祈福著。煞費苦心。
拾玖
因此，計劃之外，計畫之外。也許小說情節如腐樹空心子，空洞尷尬。內裡卻 依稀有個信念迴盪，千萬不能被擊垮，而等著看笑話的正等著呢。
這也不正是這個時代的品味氣質，拼拼湊湊，湊湊拼拼，如同這些文字正在為 設計優柔寡斷地自圓其說。
當代訊息之下的當代與訊息告訴我們，多關心生活，也許你又能發現，物質價 值都因時空在吹氣膨脹，簡單來說就是人越來越犯賤。究竟為何賤?哪裡賤?如 何賤?哪種賤?我們心裡有數。痛苦嗎?傷心。但好像也不需要。
看這部小說之前，想想， 往往閉上眼睛，看見的才是最乾淨的世界。幹他媽的光明面。
201906
貳拾
15 /19
Undergraduate Architecture Portfolio/Selected Works EA1-EA4 Studio Wei-Je, Kung/+886937364170/404360249@gms.tku.edu.tw/TKUA 52th/2015-2019