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Editor-In-Chief ALEKSEY DOROZHKIN Art Director ANASTASIA CHURS INA Deputy Ed itors-In-Chief EKATERINA WAGN ER POLI NA CHESOVA News Editor TATIANA PARFEN OVA Architecture, Interior Editor ELEN A KANANYKINA Editor DARIA KR IVOLAPOVA Editor LARISSA MIROSHNIK Senior stylist MARINA BESSONOVA Stylist ALISA EMELYANOVA Designers MIKHAIL ZAKHAROV ELEN A POGODINA Picture Editor DARIA ISHKARAEVA Junior Picture Editor EKATERINA YAKOVLEVA Executive Editor ANASTASIA TKACH EVA Sub-Editor VERA MONAKHOVA Editorial Assistant ALENA MURKES Proof-Reader SOFIA SHENDEROVA

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ELENA SOTNIKOVA PED.AKL.lVI~ : Pocc""· I 15162, MocKBO, yn. Wa6onoBKO, 31, CTp. 5, 6-fi noAbe3A, XEPCT WKYnEB MEDVIA T.: 17 495) 981 3910,633 5757 (call center); cpaKc981 3911. E-mail: elledecor@hsmediaru np" o6Hapy>KeH"" 3K3eMnnopa >K)'pHOna Cnon"rpacp""eCK"MAecpeKTOM npoC"M o6pOU10TbCO no TenecpoHy (495) 633 5732 1.1n1-1 3neKTpOHHOI71 no4re replacement@hsmedia.ru

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ELLE DECORATION INTERNATIONAL EDITIONS CEO Lagardere Active: Denis OLIVENNES; CEO French & International Magazine Publishing Divisions· Bruno LESOUEF; Executive Vice President International· Francois CORUZZI; Brand Management of ELLE DECORATION Sylvie DE CHIREE, Philippe KHYR; International Director of ELLE DECORATION Cristina ROMERO; Director of International Publishing Licenses & Syndication: Mickael BERRET; Print Syndication team Manager: Mathilde DES NOES; Coordinator: Julie CARON INTERNATIONAL EDITIONS: <!>PAHI..(VI~: 149, rue Anatole France, 92534 Levallais-Perret; ABCTPAilVI~: 54-58 Park Street, Sydney NSW 2000; 5PA3VIIlVI~: Editara Abril, Rua G. Flausina Games 61 , 04575 Sao Paola; BEnVIK05PVITAHVI~: 20 Orange Street, Landon, WC2H 7ED; KVITAf1: 14/955 Yonan Road, Shanghai 200040; rEPMAHVI~: Elle Verlag, GMBH, Arabellastrasse 23, 8000 Munich B I ; rPEl..(VI~ HacheHe Rizzoli Magazines, Hersilranas 20/22, Pangrati, 116/36, Athens; rOilllAH)lVI~: HacheHe VDB Magazine BY, Singel466 468, 1017 AW Amsterdam; rOHKOHr: Shop, A6-A7, 18 HangOn-Street, Kornhill Ouarry Bay; V1TAJl\11Sl: EDIF, Via Angelo Rizzoli 2, 20132 Milano; 5lnOHV151: Sendagayo Takemuro Building, 2-36-8 Sendagaya, Shibuya-ku, Tokyo 151; KOPE51: Hankook Mass Media Co. Ltd., 4F Kiphun Building 200, Naeja-Dong, Chongroku, Seoul, Korea, 110-053; nOPlYrAJlV151: Rua fi lippe Folque 40-A, 1()(() Lisboa; KBE5EK: Telemedia Hachette Inc., 2001, rue University, Montreal, Ouebec H3A-2A6; VICnAHVI~ Luchana, 23, 5th Floor, 28018 Madrid; WBEUVI~: Saltmatargatan 7, 113 59 Stockholm; TAf1BAHb 4th Floor, No. 232 Tun Hwa North Road, Taipei; YKPAVIHA: KHeB, 01133, yn.lL\apca, 31; CWA: 1633 Broadway, New York, NY I 0019.

HEAAST • SHKULEV

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Senior Vice President, Group Publisher Hearst Shkulev Media/IMG JEAN DE WITT ELLE Group Publisher NATALIA SHKULEVA

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Advertising Sales Director lor ELLE Editions OLGA STARILOVA Advertising Sales Director LYUDMILA STEGNIY Senior Advertising Soles Manager NATALIA DROZDOVA Advertising Sales Managers ELENA KALINKINA, LARISA KOSTYUNINA Senior Brand Manager EUGENY BUNTOVSKIH

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Jl"peKTop ¢"n"ono HA)lE>K,QA KO>KEBHVIKOBA Director NADEZHDA KOZHEVNIKOVA MeHeA>Kep no peKnaMe OflbiA COKOilOBA Advertising Sales Manager OLGA SOKOLOVA Pace""· 191186, CaHKr-nerep6ypr, Ha6epe>KHO" peK" Moi'iK" 37, o¢. 10-H, T. (7 812) 570 5596, 321 6749, r/¢. (7 812) 324 6726. E-mail: letter@spb.hsmedia.ru PEKilAMHblill OT,QEil: r/¢. (7 812) 324 6726. E-mail osokolova@spb.hsmedia.ru XEPCT WKYilEB ME)lVIA/VIHTEPMEJlVIAIPYn Pace""· 115162, MocKBO, yn. Wa6onoBKO, 31, crp. 5, T. (7 495) 981 3910, ¢. 981 3911 E-mail: info@hsmedia.ru PEKilAMHblill OTJlEil r. (7 495) 633 5621/22/20/19, ¢. 981 3911. E-mail: adv@hsmedia.ru Advertising telephone: (7 495) 981 3910 OTJlEil PACnPOCTPAHEHVI~: r. (7 495) 981 391 0; cpaKc 981 391 I. E-mail: distribution@hsmedia.ru HEARST MAGAZINES INTERNATIONAL President, CEO DUNCAN EDWARDS Senior Vice President, CFO and General Manager SIMON HORNE Senior Vice President, Business Development JAY MCGILL Senior Vice President, International Publishing Director JEANNETTE CHANG Senior Vice President, Editorial Director KIM ST. CLAIR BODDEN Executive Director, Editorial ASTRID 0 BERTONCINI

LAGARDERE GLOBAL ADVERTISING Office: 124, rue Danton, 92300 Levallois-Perret, France INTERNATIONAL COMMERCIAL DIRECTOR: Nelly STREICHENBERGER, E-mail: nelly.streichenberger@lagardere-active.cam Brazil: Olivier CAPOULADE, E-mail: ocapoulade@altinamedia.com Canada: Dana FRANCOZ, E-mail: dana.francoz@publicitas.com China: Wendy LIN, E-mail: wendy.lin@publicitas.com.cn France-Belgium: Philippe LEONARD, E-mail: philippe.leonard@lagardere-active.com Germany Julia MEINHOLD, E-mail: Julia.Meinhold@burda com Greece: Costis FRONIMOS, E-mail: c.fronimos@global·media.gr Holland: Peter LANDSHEERE, E-mail: pete r.londsheere@publicitas.com Hong Kong: Mariam WANG, E-mail: moriom.wang@publicitas.com India: Rachna

GULATI, E-mail: rachna.gulati@publicitas.com Italy: Alessandro BAN DIN I, E-mail: abandini@hearst.it Japan: Mayumi KAI, E-mail: kai-pbi@gal.cam Korea : Jun-Wan SUH, E-mail: sinsegi-2@sinsegimedia .info Malasia: Audrey CHEONG, E-mail: audrey.cheong@publicitas.com Mexico: Amelie FERRO, E-mail: amelie.ferro@publicitas.com Middle East: Ivan

MONTANARI E-mail: ivanmantanari@hotmail.cam Scandinavia: Karin SODERSTEN, E-mail: karin.sodersten@aller.se Singapore: Peggy THAY, E-mail: peggy.thay@publicitas.com Spain: Melinda SNIDER, E-mail: msnider@h achette.es Switzerland: Philippe GIRARDOT, E-mail: philippe.girardot@adnative.net Thailand: Steven FONG, E-mail: sleven.fong@publicitas.com Turkey: Emin Tan BI LGE, E-mail: tanbilge@medialdt.com United Kingdom: Amandine DUFOUR, E-mail: amandine.dufour@hearst.co.uk United States: Jeffrey MOLINARO, E-mail: jeffrey.molinaro@publicitas.cam

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ApMaHI1 ( CI1JibBecTp11H OTBe'!aeT

CTHryT H WKDny apxH-

3a 11HTepbepbl 6YT11KOB ero MO,l\HO-

reKTypHoH

ro ,UoMa no BCeMY MHpy), KenbBHH

OCCOLJ,J.10li,J.1H

B noHAOH€.

M.HHH 11 AH11III Kanyp. Ero C'li1-

• B 1986-M ocHosan apXHTe<rypHyiO CTy.AHIO BM8CT8 CO CBQI.1M ApyroM

TaiOT CaMbiM 6eCKOMnpOMI1CCHbiM anonoreToM MI1HI1MaJTI13Ma: Knay-

,[\>KOHOM n oycaHOM.

,1\HO paryeT 3a '!11CTbJe cpopMbl H He

• B l 9 8 9 -M or<pbm co6-

np113HaeT

crseHHoe 610pa C laudio Silvestrin Architects

<<JlHIIIHeH!> ,l(eTaJTbiO MO)J(eT CTaTb

B flaHAaHe.

• CpeAl-1 caMbtx l.13BecrHbiX npoeKTOB -

My-

,11~e

HaMeKa Ha ,1\eKop.

,1\a)J(e nposo,11 OT cseTI1JibH11Ka. TaJ<, B C03,1(aHHOH apXHTeKTOpOM KpOBaTI1 Le

N otti

,1\JI.H Mobileffe co

Jell! coapeMeHHOro

CBeT5Ill(I1MC51 113fOJIOBbeM HeB03-

Hc<yccrsa • TypH He. Co-

MO)J(HO OTbiCKaTb CaM 11CTO'!H11K

rpyAHH"aer c 6peHAaMH Cappellini, Paltrana

Frau, Minotti, Venini.

cseTa. I1n11 ,11pyroi1 npHMep -

Kyx-

H.H Terra ,1\JI.H KOMnaHI111 Minotti Cucine. KoHCTPYKU1151npe,llcTaBJI51eT co6oi1 naKOHI1'!HbiH naparrnenenl1ne,l( 6e3 e,l(HHOH BbiCTynaJOll(ei1

,1\eTaJTI1 BpO,l\e py'leK 11Jll1 HO)J(eJ< (OHI1, no MHeHHIO apX11TeKTOpa, CO BpeMeHeM MOryT Bb!HT11 113 MO,l\bi) -

JIHIIIb «Be'!Ha51!> reo-

MeTpH'!eCKa51 cj:>opMa 113 KaMH.H. CI1JibBe CTp11H pa6oTaeT TOJ!bKO C HaTypaJibHbTMI1 MaTep11arraMH, omasa.H npe,llnO'!TeHHe rpy6oi1, ecTeCTBeHHOH cpaKType. «KOr,l\a MeH.H cnpaiiii1BaJOT, B '!eM CYTb MHHI1MaJTI13Ma H 3a '!TO 5I ero TaJ< mo6n10, 5I scer,11a np11BO)J(y B np11Mep iPad -

npe,l\MeT, npe,lleJ!bHO npo-

CToi1 no cpOpMe, HO O'!eHb cpyHKU110HaJibHblH, -

rosop11T CHJibBecTp11H. -

TeJibHO, '!TO :no np11,11yMaJT He 51!> .•

KyxH• Terra, M inoHicucine. KaMeHHbte ¢acQAbt BbmonHeHbl H3 na6paAOpHTO. 4 oyTHK Armani B JloHAOHe. KnaYA"a CHnbsecrpHH o<j>opMHn An• MOAHOrD ,[\oMa 26 6yTlo1KOB no BCeMy MHpy, B TOM Y14Cile OAI-1H a MocKse.

Y,l\HBI1-

~ II

1 Kpecno, Massoni, w~y-pyM Decoconcept. 2 , 3 , 5 OAYWK~, Kenzo Maison, canOHbl <<Tp~<o>>. noAywKa Scribble, AH3a"H B~BbeH BecrsyA An• The Rug Company, canoH The Rug Company. 6 nneA, KaweMHp, Frette, 6yYI<KI1 Frette. 7 06oH Catwalk, AH3a~H BHsbeH BecrsyA An• Cole & Son, cry0-Design. 8 Ko<j>e""b'" croJH1K Navarre, Andrew Martin,

A""

woy-pyMbl Andrew Martin,

77 395 py6.

)f(ypuaA ELLE DECORATION 6AazoiJapum Ja noMOUj~ B-nfJoeeiJeuuur,: ....,:-;~~~~~~ rjiomoC'liCM1CU o6oeiJuueuue , £ oAW1e8U1C" u Auuy ,!{o6poeoAbC1CY1DMuumc. AiJpeca u me;wrjiouu ua cmpanu7J,ax 198-199.

ELL EDECORATION

PEWEHV1ll1 )J.n>l MAnEHbKV1X nPOCTPAHCTB KBapTMpbi OT

35 RB. MeTpoB,

paii;MOHaJibHbie IIJiaHMpOBRM M ROMIIaRTHaJI Me6eJib

MHEHHSI ELLE DECORATION

CKOJlbKO KBO,D,pOTHbiX MeTpos BOM HY>KHO ,D,Jl71 CYOCTb71? noKO Bbl nposo,o,vne nO,D,CYeTbl,

HOC eCTb peweHV171 ,D,Jl71 TeX, KTO IOTOB HOYOTb C MOJlOIO:

npoeKTbl KBOpTV1p OT 68

35 ,0,0 60 KBO,D,pOTHbiX MeTpOB .

!5 e

35M

AM30MHep MapKyc X3ti:

~Mo.H HhJO - H:opKcKa.H KBapmpa

Hbf0-li10PK

paCITOJIO)!(eHa B Oil,HOM 113 CaMbiX KpaCI1BbiX il,OMOB B paHOHe 1JeJicl1. Ero Kpbnua HarroMI1HaeT rraJiy6y oKeaHcKoro Jiai1:Hepa. A 113 OKOH OTKpb!BaeTC.ll 3aXBaTbiBaJOIIU1H B11A Ha Kpai1:cJiep-611Jiil,I1Hf. EA11HCTBeHHbiH MI1HYC -

(35

CKpOMHbie pa3Mepbl

KB. M). IlocJie 6oJibiiiOrO il,OMa, B KOTOpOM .ll )!(11JI B ABCTpa-

JII111, il,JI.ll MeH.H 3TO 6biJI IIIOK 11 HaCTO.Hll1ee 11Cllb!TaHI1e.

He JII0-

6JIJO 3aMKHYTbTe rrpoCTp aHCTBa, l103TOMY 6bTJI KaTerop11'1eCKI1

1 roCTHHO •. AHBOH, Norman+ Quaine, xo3""" npHBe3 c co6o" H3 AscrpanHH. npo3pO "iHbli1

CTHKO

KO¢ei1Hbli1

Panier, A1-130i1H

nna3pao-

CT0fli-1K 1113

PoHOHO H

Ha EiypynneK An" Kartell. Aepes•HHbl" >t<ypHOJlbHbllil CTOJ11.1K, MOrQ31-1H

lllums

Bolighus. Kpecno B CTHne JliOAOBH-

XV,

OHTII!Kaap~t~ar.

Koaep

J.13 KOnneK-

'~"" Denims MaAneH Ba.,HpH6.

2 Kyx-

Hs:t. 3aKpb1TbiM WKO¢'-iiiiKOM AH30i1Hep

npeAnO'-tltiTO€T OTKpb1Tbli1 CT€J1Jl0)f(.

Ha HeM BblcraaneHa npaKTV!YecKH scs:~ nocyAa MapKyca - OT cynHHLI AO KOcJ>eHHbiX 40W€K.

MHEH~SI

ELLE DECORATION

rrponm op11nmaJTbHbiX pew eHI1H co crraJTbHei1 rp,e - 11116yp,b rrop, IIOTOJTKOM 11JTI1 B Y3KOM 3aKyTKe 6e3 OKOH. Tbipe OCHOBHbie 30HbJ: :amJTyiO -

B 11TOfe 5! BbiP,eJTI1JT '!e-

OHa CaMaH rrpOCTOpHaH 11 COBMe-

II]aeT B ce6e f0CTI1HYIO , CIIaJTbHIO 11 CTOJTOBYIO, pa60'IYIO (Ka611H eT) , X035l.HCTBeHHYIO (KyXHH, IIOCT11pO<JHa5!) 11 BaHHYIO KOMHaTy. l.ho KacaeTCH 11HTepbepa, CHa'laJT 5! pernHJT, 'ITO MaJTeHbKOH KBapT11pe TTOP,OHP,eT TOJTbKO 1135lii]Ha5! 11JTI1 KOMTTaKTHaH Me6eJTb. Ho BCKOpe IIOHHJT, 'ITO 3a6JTyJKp,aJTC5!. Ha rrpaKTI1Ke KpyiiHb!e o6beKTbl B OrpaHI1'leHHOM rrpOCTpaHCTBe CMOTpHTCH 6oJTee Bb111fpbiilJHO. C611saeTCH MacwTa6 11 B03HHKaeT 11JTJTI03 11H rrpoCTopa. TaK 'ITO ecJTI1 Bbl pa3P,YMbiBaeTe, IIOCTaBI1Tb B fOCTI1HOH rrapy paCKJTatJ,b!Ba1011]11XC5! KpeCeJT 11JTJ1 OP,I1H 60JTbliiOH P,HBaH, Bbi611paJ1Te BTOpOe1> .

HA 3TO!i1 CTPAHI'Il.IE 1 ct>parMeHr roCn1HO!il. Y CT8Hbl, 0TA8muow,eli! rQCTI-1HYIO

or KYXHH, ABe crapble ABe pH, HaH-

A8H Hble Ha 6.nowi-1HOM pbiHKe. OHI-1 30AOIOT 60J1bWI-111 MOCWT06 nOM8W,8HI-110.

Cron Tulip, A1130"H 3po CaapHHeHa, Knoll. C-ryn c Meranm14ecKoi1 pewerYaroH c m1HKDI1 (cnpasa), AJ.1 3aH H

4apnb30 H P3" VIMc. 2 CnanbHO. nocrenbHOe 6en•e, Garnet Hill. CKoMe"Ka s J.13HO)f(be Kposan1,

1960-e rDAbl.

KospHK, Anthropologie. KoMOA, Aa-

Hl-1~ , BI-1HTO>K.

3 <l>parMeHT rOCTJ.1HOi1.

BI-1HTO>KHOM KOMOAe, BblnOnHeH-

HOM no AH30""Y ,[i,>KoHa Cnoapra, 1960-e rDAbl, BbiCTasneHbl 6e3AenywKH, KynneHHble MapKycoM HO 6nowHHbiX pbiHKax Esponbl. HA CTPAHI-1l.IE PABA Ka6HHeT. Pa60YH" CTOn, Crate & Barrel. C ryn Series 7, AH30"H ApHe $1Ko6ceHa, Fritz Hansen . ne'-IOTHOO MOWHHKO, 1960-e rDAbl. Hacronb-

HOSI naMna,

West Elm. Ha creHe-

I-1TOilbSIHCKJ.1Ci K0118HAOpb,

1960-e rQAbl.

MHEH~SI HA 3TOii1 CTPAHiill..lE 1 Xonn,

KO-

HHTerp1-1poeaHa e rocn1 Hy10. Wt<acf:>bl, Varenna, Poliform. BbmDKKa, eapo'-IHOSI noHenb, AYXOBKO co acrpoeHHoi:i LEDnoACBeTKoi:i, Ai'1 30i1 H Kap~t~Ma PawH-

CTeKnSIHHOSI KOHCOflb,

Eicholtz.

Jl04Hble csen1nbHHKH,

Modular.

M8 UJ,8HitiSL KoHconb, cronbHOSJ JlOM na,

Rimadesio. Ho-

Artemide.

nycp,

Poliform. BbiCT)'nOtOll.(O" "ocr• creHbl OTA8JlOHO AepeBSIHHbiM H naHeJlSIMitl

c noACBeTKoCi.

AO AfiSI

ocpopMJieHI111 3Toi1:

MOCKOBCKOH KBapn!pbl 5I C.[(eJ!aJia CTaBKy Ha 6eJ!biH UBeT 11 JiaKOHWIHYJO .[(113ai1:H epcKyJO Me6eJib.

B HTore rrpoCTpaHCTBO rroJiy•m-

JIOCb O'-feHb B03.LIYlllHb!M 11 K TOMY :>Ke rr eperopO.[(KaM 11 !llKacpaM Hb!M . Ha

KOMHaTa

6Jiaro.nap5! MO.LIYJibHbiM

HCKJIIO'-fJo!TeJJbHO cpyHKUHOHaJJb-

12 KB . M), fOCTI1 (7 KB. M) 11 BaHHa.H

KB. M pa3MeCTI1JII1Cb CTTaJibH5! (

Ha51, COBMell]eHJ-Ia5! C KYXHeH

(21

KB. M), XOJIJI

KB. M). KsapT11pa BblfJJ5i.[(Jo!T rrpOCTOpHee ell]e 11 3a

C'-feT 3epKaJI, KOTOpb!X 3.[(eCb MHO:>KeCTBO.

TTp11XO:>KeH O.[(Ha 113

CTeH TTOJIHOCTb!O 3epKaJibHa5!, B HeH OTpa:>KaJOTC5! 60Jibllll1e OKR a fOCTHHOH , 6JJaro.nap 5! '-feMy XOJIJI Ka:>KeTC5! lllHpe 11 CBeTJJee.

B CTTaJibHe 3epKaJibHa5! BCTaBKa Ha O.[(HOH 113 CTeH C03.[(aeT 3cp -

cpeKT CKB03HOfO KOp11.[(0pa. EII]e 0.[(11H cpoKyc: .[(BepUbl !llKacpoB Bb! KpallleHbl B TOR CTeHaM 11 TTO'-fTH He BH.[(Hbl.

H a CJJy'-faH, eCJIH

X035!Jo!H ycTaH eT OT <i6eJJOfO 6e3MOJIBI15Ii>, B I<Bapn-Ipe rrpe.nycMOTpeHa UBeTHa.H TTO.[(CBeTKai>.

OAHOH H3 ABepeu,. KHH>KHbiH crennmK

Flat C, B&B ltalia. 3 BaHHO" KOMHOra. CaHrexHHKO, Agape. CeeTI-1JlbHJ.1KH, Flas. 4 CnanbH•. CreHa s H3ranasbe Kpasam OKneeHa a6a.MH, Cole & San. Kpoearb, wKacf>, npHKpoeaTHbli1 crom1K, see - Poliform. 5pa, Fabiano. L\sepb, Rimadesio. HA CTPAHiill..lE CJlEBA cDparMeHT roCTJ.1HoH. D~ttaaH, Maxalto. Poliform. Topwep, Artemide.

roporo OTKpb1B08TCSI AOCTyn BO BCe no-

AeKopaTop HaTamtR A6AypaaaKoaa: <~B

ELLE DECORATION

2 Kyx HSH<HeBHAI-1MKO»

Goren je.

PaKOBI-1 HO npSI'-I eTcSI 30

nyq,,

n oTO-

MHEH~SI

ELLE DECORATION

ApxtneKTOpbl AHApea MapKOHTe M AAenaMAe TecTa, CTYAMH UdA: <~HaM srrepBbTe rrpHIIIJJOCb wMeTb p,eJJo c TaKHM He6oJJbiiiHM rroMem eHI1eM (40 KB . M ). PaHbiiie 3P,eCb paCITOJJafaJJOCb 'ITO-TO Bpop,e CKJJap,a 11JII1 o¢wca.

Eme op,Ha CJJO/KHOCTb -

BbiTHHYTa.H ¢opMa rrpoCTpaHCTBa. Mbr p,oJJ-

ro JIOMaJJI1 fOJIOBy, pa3Mb!IIIJIHJI, KaK rrpespaTI1Tb 3TO Heyp,o6Hoe P,JJH /KI13HI1 rrpoCTpaHCTBO B YIOTHOe fHe3P,b!IIIKO, 11 Tlp11P,yMaJJI1 TaKOH XOP,: Bb!CTp011Tb <j:JyHK!JI10HaJJbHbre 30Hbr B pHp,, op,Hy 3a p,pyroi1. Il1a.H CTeHa C BaHHOH, y BaHHOH -

wTore y crraJJbHI1 eCTb o6 -

C TlOCTHpO'!HOH, y TlOCTHpO'IHOH -

C Kyx -

HeH, 06beP,11HeHHOH CO CTOJJOBOH 11 f0CTI1HOH. KOMHaTbl CBH3biBaeT KOp11P,Op. OH sa/KeH

eme

w P,JJH Toro, '!T06bT so see rroMemeHHH cso6op,Ho rrpoHHKaJJ

COJJHe'!HbiH CBeT. 06paTI1Te BHI1Mat111e: OTP,eJJO'IHbie MaTe p11 aJJbl MeHHIOTCJI OT KOMHaTbl K KOMHaTe. }IJ-3a 3TOfO 11HTepbep He BblfJIJIP,I1T CKY'IHb!M~ .

HA 3TOii1 CTPAHIIIL\E 1 rocr~Ha• .

sa• q,~ryp•a 6eno ro MeAB8ASI, Willy

A~aaH, Ligne Rosel. Topwep, A~3ai1H

& Billy. CaeT~nbHHKH, AH3ai1H illeH-

JltOKa reHcconeHa A"" Square. n po6KOBble ra6ypeTbl, Gruppo d i lnstallazione.

Cron

2 KyxH5\l-13roroa.neHa HO 3 0K03 a KOMnaH~~ Materia Design. <llacQAbl w Ko<t>-

ca <llarepa A"" Zero.

4 Cranoaa•. CrynbSI, Altl-

~13roroaneH HO 30K03.

3ai1H IOH" V1wHraMH A"" living Divani. CaemnbHHK, Ligne Rosel. HA CTPAHI-1L\E CJlEBA <llyHKL(HOHanbHbli16noK,

Y~KOB BblnOnHeHbl ~3 Ay6a ~ MpaMopa, cronewH~t~u,a- 1-13 KOp~t~aHa. 3 BaH HOst

Bb1CTp08HHbll:i BAOJlb CT8H bl, BKIIIO"i08T

KOMHOTO. WKa¢~t~KJ.1, nOACTOnbe paKo-

BJ.1Hbl lt1 n OTO.nOK OTA8fl0Hbl Ap8B8C J.1HO~

~ nocr~poYHyta. KopHAOP aeAeT

q,paKe *. PaKOa~Ha, Anton io Lupi. CMec~Tenb, Zucchetti Kos. <llap4>opo-

ce6sr cnOJlbHIO,

BOHHY IO KOMHOT}'

B rOCn1Hy tO, o6beAJ.1H8HHYIO C t<yXHei1 J.1 CTOJlOBOi1.

MHEH~SI

ELLE DECORATION

ApxMTeKTOp Onbra AKynoaa:

~5I Bcema Me'-na.Jia o6 ymmepca.JibHoi1

KBapnrpe, B KOTOpOH 6b!JJO 6bT y.n:o6HO 11 JKI1Tb, 11 pa6oTaTb. HaKOHeU ~1He JTOBe3JJO. IIepBoe, '-ITO rroHpaBI1JJOCb, -

apx11TeKrypa AOMa. KBapT11pa pacrroJJo-

JKeHa B KpaCI1BOM KOHCTPYKT11BI1CTCKOM 3.l(aHI111 1930-x ro.n:oB c y3K11MI1 OK-

Ha~m- 6oi1H11UaMI1 . Bo- BTOpbiX, Ha MOMeHT TTOI<YTTI<I1 B JKI1JJ11IUe yJKe 6biJJI1 CHeCeHbl BCe CTeHbl, I<pOMe HeCyiU11X, '-ITO JT03BOJII1JIO MHe rrepei<p011Tb rrpoCTpaHCTBO Ha CBOH Jla.l(. fiJIO!llaJib I<BapT11pbl COCTaBJl5!JJa 50 I<B. M, HO MHe y.n:aJJOCb yBeJJI1'-111Tb ee Ha 10 KB. M. L(eJJO B TOM, '-ITO JIOMeiUeH11e paCJTOJJafa.JIOCb B TTOJIYTTOABa.JibHOM :'l TaJKe .1\0Ma C 6yTOBbiM cpyHAaMeHTOM: «3apb!Bllli1Cbi> B Hero, .H CMOrJJa TTOHI1311Tb ypoBeHb TTOJJa Ha 60 CM B KYXOHHOH 30He 11 Ha 80 CM B rocTI1Hoi1. EJiaroAap.H :'lTOMY BbiCOTa rroTOJIKOB YBeJI11'-111Jiacb AO

4 M , '-ITO rro-

3BOJJI1JJO TTOCTp011Tb aHTpeCOJJbHbiH :'lTaJK 11 BbiHeCTI1 Ha Hero CTTaJJbHJO. Ilo.n: HeM pa3MeCTI1JIC.H pa60'-111H Ka611HeT. ,[(JJ.H paCIIl11peHI1.H rrpoCTpaHCTBa 11CTTOJJb30Ba.JII1Cb 11 .n:pyr11e HeCTaH.l(apTHbre pellleHI1.H. K rrp11Mepy, .l(JJ.H o6orpeBa BMeCTO pa.n:11aTOpOB rrp11MeH.HeTC.H CI1CTeMa «TeTTJib!H JTOJ!i>, BCTpOeHHa.H ... B CTeHbi!i>

HA 3TO!il CTPAHI'II..IE 1 Bb1com noro.nt<os s Kaapn1pe- 4 M. Ha OHrpe-

co.nbHOM 3TO>Ke HSL noA

""s3 3

":;;

2 0 l5 e

H€~ -

pacnonmK~t~.nacb

cno.nb-

K06J.1H€T, J.1M€10W,J.11i!

o6111y10 CTeHy c roCT~Hoi1. 2 cDparMeHT rocr~t~Hoii. ll1-1saH, Vibieffe, a o6!-1sKe or Kvadrat. Meranm1LJeCKJ.1ail crenna>K l-13rDTOBJ1€H no 3CKJ.130M apXHTeKTOpO Onbrl-1 AKynosoC1. Csen1.nbHI-1K, Flos. KpeC!lo, A~ 30i1 H >KaH-Map~ Macco A"" Viccarbe. 3 BaHHao. CaHrexH~-

Kq Gessi. CreHa HOA BOHHOH A €KOpHposaHa nn~KOi1, Villeroy & Boch. Pon•

n OACTOJ1b~ Aflfl paKOBJ.1Hbl HrpaeT nOJ1bli:1 CTBOJ1 OKOU,J.1J.1, nOKpb1Tbli1 BOA00TTOJ1KJ.1-

BOIOW,J.1M cocraaoM.

CnanbHSI.

Kpo-

BOTb Ghost, A~ 30i1 H naonbl HaBOHe An" Gervasoni. HA CTPAHI'II..IE CJlEBA

np~t~xo>Kei1 MO)f(HO nonacrb s rocri-1-

HYIO 1-1 HO KYXHIO. KepoMJ.1'-IeCKI-1i1 cryn,

Gervasoni. BewanKa, VIKEA. Ha 3aAHeM nnaHe- <yxHo, Boffi K4.

,[J,o>Ke

COMO~ CKpOMHO~ no p03Mepy KBOpH•1pO TOV1T B ce6e Macey CKpbiTbiX

B03MO>KHOCTei:1 . CoBeTbl ,£J,eKopoTopoB V1 Howo no,£J,6opKo KOMnOKTHOi:1 Me6eJlV1 -

,[J,Jl~ TeX, KTO >KV1BeT nOJlHOi:1 >KV13Hbl0 HO He60JlbWOM npocTpOHCTBe.

HAW VI 3KCnEPTbl MAPiiiHA Cl>li!JllilnnOBA, li!Pii!HA KOBbiJlliiHA, HATAJlbSI nSITHiill.IKASI

PEWEHII1SI ELLE DECORATION

1 ny<j>br lnsieme, Pianca, canoH Interior Market, OT 585 y.e. KQJKAbiH. 2 KpeCllo Satellite, KOnneKLI~" Lofi, Jab Furniture, www.jab-furniture.de 3 >KypHOnbHbiH cronHK Orbit, AHJaiiH Po6epm naonH, Fiam , canoH Interior Market, 1386 y.e. 4 KpeClloJaan living, AH JaiiH Eoos Design, Walter Knoll, ranepe" Neuhaus, OT 3977 y.e. 5 MogynbHbiH AHBQH DS-1 025, AH 3QHH Y6anbg Knyr, De Sede, ranepe" Neuhaus, OT 26 7 60 y.e. 6 HanonbHbiH CBeTHnbHHK Orb is SL, AH3QHH rep6epTO W ynb[\Q, ClassiCon, canoH <<Hoaao CTYA""''· 7 ,QHBQH Plura, AH3QHH Hop6epro oeKa, Rolf Benz, ranepe" Neuhaus, OT 8766 y.e.

FocmuHaR e

n oKy n a~ Me6enb gn~ MOneHbK"X nO-

Mell(eH"i'i, 6yAbTe oCTopo>KHbl. KoMnaH" "-n POAOB L\bl 06brY HO Bbi CTOBn~IOT CBO" 3KC n 03"l.\"" B orpOMHbiX 30nax: HO cpoHe 3T" X np OCTOpOB np egMeTbl

KO>KYTC~

KOM-

n OKTH biM " , HO, nepeexas s KOMHOTY sen"Y"H oi'i

18-20 KB.M,

npeBpOll(OIOTC~

B MOHCTpOB. Bbr 6"pOi1Te A"BOH" Kpecna rn y6 "H Oi1 He 6onb w e

90 CM. (M.C!J.)

• A BOT cseT"n bH "K snon He MO>KeT 6brTb Bbr3brBOIOll(e 6onbw"M. TaKOi'i n pegMeT c n oco6eH CTO Tb "PK"M OKL.(eHTOM B "HTepbepe He60nb WOi1 KOMHOTbl. Ty >Ke pOn b MO>KeT CblrpOTb "PKO" o6"BKO HO OAHOM CTyne

"n"

Kpecne

n"6o cj:>oTorpacj:>"" 6om w oro

cj:>opMaTa, naHH O

"n" KOPT"Ha. Ho TOnbKO

He OrpOMHO" M~rKO" "'PYWKO!

::'h" M"nbre

X" lllH" K" 6e3>KOnOCTHO CbeAOIOT BO WY none3HYIO nnOll(Ogb.

(M.C!J.)

-------

PEWEH~SI

ELLE DECORATION

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179

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4 Mo30HKO Talho Da Mango, 30 x 30 CM, Aepeao, Dune, canoH Konzept. 5 KepaMorpaHHT, KOnneK~H" Lace Story, AH30i1H ):\HMbl JlorHHOBO, VitrA, canoHbl VitrA, 1378 py6. KOJKAa•. 6 .QeKOp H3 M030HKH c aaaHroopHHOM Steps Rose, AH3ai1H Kapno .Qanb 5b.HKO, 5 x 5 MM, Bisazza, canoH Bisazza, 234 y.e. 30 M/Ka.

7 nnHTKO, KepaMHKO, KonneK~H· Vintage, 20 X 20 CM, Ceramiche Grazia, canoH Konzept, 97 y.e. 30 M/KB. 8 nnHTKO, KonneK~H· Tribute, 30 X 30 CM, Villeroy & Boch, canoH Konzept, 3051 py6. 30 M/KB. 9 nnHTKH Mapple H Light Oak, KepOMHKO, KonneK~H· Woodstock, VitrA, canOHbl VitrA, 1127 py6. 30 M/KB.

10 nnHTKO Optical 8 Iondo, MpaMop Nero Marquina, 30 X 30 CM, Petra Antique, woy-pyMbl RIM.ru, 1 39 y.e. KOJKAO•. 11 HanonbHOe noKpbiTHe Bursa Brown Pul Rossone, KepaMorpOHHT c COTHHHpOBOHHOii noaepxHOCTbiO, KOnneK~H· Bursa, 59,55 X 59,55 CM, Aparici, MaraJ .. Hbl «Ton nn .. TKC>>, 3000 py6. 30 M/KB. 12 Mo30HKO, Mosaico mix 3D, KepaMorpaHHT, KonneK~H" I marmi di Rex, 30 x 30 CM, Rex, canoH Konzept, 50 y.e. KOJKAa•.

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ENGLISH SUMMARY ELLE DECORATION

JUNE 2012 EditorJs letter,

page Everyo ne ca n ag ree that o ne roam in a home is always mi ssing. If we're talking abou t an apartmen t w ith an area of 40 squa re meters, then it's obv ious w hy. But why isn't th e ex istin g space enough in a Aat of 200 square meters, eve n if its density of population is like that of the Gobi desert? You'd still want to add a few more meters and, at last, bu ild you r own kin gdom there. And it doesn't matter that beyond its boundaries the squa re meters you ow n number in th e tens o r even hun d reds. A pearl may be small, but if you approach the matter wise ly, th en at least fo r a time you can avo id the hustl e and bustl e associated w ith adding a missing room. The proper layout, modern sto rage systems, and folding furniture work wonders: a dining room th at combines w ith a bedroom or a n o ffi ce in a ki tchen peacefully coex ist in limited space, a nd the rooms don't lose their professiona l expe rti se. Th ese se ri ous, thoughtful so lu tio ns for smal l apartments are cove red in this issue. But don't forg et about lu ck: some fri ends of mine found the "m issing room" while they we re renovating. It was hiding in a niche, boarded up and pasted w ith old newspapers, and was th e size of a decent fourdoor refrigerator. Bu t, if we're keeping stri ctl y to the th eme of this issue, its d im ensions don't matter. Th ey we re thrilled to build a wa lk-in closet there, and now their small apartm ent has room for every thin g. W hile they're see ing the wo rld through rose -colo red glasses, the main color of th e seaso n is bl ue. On the brink of su mm er vacation, designers seem to have consp ired to use a Mediterranean palette fo r their furniture designs. Choose the hu e o f your own dream! Aleksey Dorozhkin , Editor-in-Chief

Keeping for Good)

page Text by Ekaterina Wagner Th e Bi sazza factory became wo rld famous for erasing the boundary between the ancient craft of th e mosaic and co ntempora ry art. N ow all th e art objects th at artists and designers created for the b rand have been co ll ected in one place: Th e Bi sazza Fou ndation. When Bisazza was found ed in 1956, it d id not stand o ut among Italy's many mosaic makers. But w hen Piero Bi sazza succeeded his fath er at the head of the compa ny he hired a series of eccen tri c art d irecto rs and designers. Rad ica l designer A lessa ndro Mendini crea ted a giant mosaic armcha ir and Marcel Wanders inven ted a car covere d w ith colored glass that stil l ran. Th ese ob jects and others are on permanen t display in the foundat ion's 6,000 square-meter gallery, w hich w ill also featu re temporary exhibitions, startin g w ith a retrospective o f Ame ri can architect John Pawson.

196

Absolute Minimum)

page Text by Daria Krivolapova A rchitect Claudio Silvestrin 's most famous projects include th e Museum of Modern Art in Turin a nd col laborations w ith brands Cappelini, Poltrona Frau, Minotti and Veni ni. "Th e objects I create are a head of their lim e," he says w itho ut fal se modesty. One of minimalism's stri ctest ad herents, Silvestrin designs bu ildin gs withou t eve n a hi nt of decoration. Even a lamp's cord is offensively superAuous to him. "When people ask me w hat th e esse nce of minimalism is and why I like it so much, I bring up th e iPad- an object extremely simp le in form yet highly functional," he says. " It's amazing I didn't think of it fi rst."

Blue Period)

page Styled by Marina Bessonova Ph otog ra phy by Sergey Kopytin Produced by Daria Krivolapova Furniture designers aren't afra id to let their blue Aags Ay. Thi s seaso n is trending toward al l shad es of blue: from soft pe ri win kl e to vibran t turquoise.

Plenty ofRoomJ

page How much room do you need to be happy? We have so lutions for apartments w ith areas of 35 to 60 square meters. Whe n decorating his Chelsea apartm ent, designer Marcus Hay fou nd that, cou nterintuitive ly, big things loo k good in smal l spaces: they create scale and an illu sion of space. Decorator Natalia Abduraza kova decid ed to go with an all-wh ite co lor scheme in Moscow Aat she designed, so that cab in et doors cou ld blend eas ily with the wa ll s and mirrors and visual ly expan d the space. Colored lighting helps relieve the monotony. Architects Andrea Marcante and Adelaide Testa of UdA stud io in Turin managed to turn an elongated, na rrow space into a cozy nest by settin g up a row of functional spaces linked by a corrid or, with va rying trims and colors in each one. In Kiev, architect Olga A kulova renovated an apartm ent in a 19 30s Constructivist relic. Building-wide reconstruction gave her a chance to raise th e cei lin gs and make a kind of loft.

Past Regards)

page Text by Ekaterina Wagner Th e avant-garde miniature home designed by Charlotte Perriand and Pierre Jean neret in 1936 was ahead of its time. Contemporaries did not appreciate it, but visitors of April's iSaloni expo in Milan chee red it. Inspired by a childre n's fairgrou nd ride in Croatia, it has

a metal frame with a ce ntra l pale that unfolds at the top in twe lve spokes, like an umbrella. Its pa nels are aluminum: light and easy to assemble and disassemble. The pinewood interior is minima list but imparts a natural, welcomi ng feel. Cassino carried out passionate and meticu lous research to restore th e vision of two ce ntra l fig ures of the modernist movement.

Whatever the Weathe0

page Text by Annie Kelly Ph otograp hy by Tim Street-Porter Molly Duffy and Hugh Bu rn s invited Muriel Brandolini to decorate their summer home in South hampton, and she gave them a beach house that they visit year rou nd. You mig ht expect a pretty sh ingled beach house in Southampton to be ve ry predictably decorated, neat and trim -but inside, the 1910 two -storied cottage is a sophisticated pastel su rprise. Bra ndolini introd uced a modern interior, without taking away th e pe riod charm of the house. Th e long icy blue ground fi oor living room runs the width of the house; th is potentia lly awkward space is bisected by a sectiona l seating piece by Pierre Charpin, each piece a different shade of pale green or blue, rather like a pastel sushi cut-ro ll. The owners come on most wee kends, even in the middle of winte r. "Even then we always walk on the beach almost every day- you see no one!" laug hs Duffy.

Island on the Eve~

page1 0 2 Text by Ekaterina Wagner Photography by Massimo Listri Throughout the twentieth ce ntury the Li Ga lli archipelago bathed in the fame of its owners, Russia n dancers Leon id Myosin and Rud olf N ureyev. After pu rchasing th e three steep-faced islets off the Ama lfi Coast in 1924, Myosin, a dancer in Diaghil ev's troupe, bega n building a villa there and invited guests to stay. One of them was Le Courbusier, who offered to help with the co nstru ction. After Myosin's death the te rritory was bought by his disciple N ureyev, who brought tons of mosaics and ceram ic ti les. Giovanni Russo, a hotel mag nate from Sorrento, took the archipelago ove r from the previous owne r's heirs in 1993 and cared for th e villas. Rece ntly he gave up on his plans to make a reso rt and offered the islands for sa le. N o one knows what wil l come of them next.

Empty Niche~

112

page Text by lan Phillips Photography by Stephan Julliard

French interior designer Do mien Langlois-Meurinne likes a cha ll enge. "I prefer to sta rt out with the most crook, dilapidated space possible," he decl ares. " I always find it excitin g to be ab le to enhance a place." His own apartment in the chic Parisian suburb of Neuilly-sur-Seine gave him the cha nce to do just that. O n fi rst visit he was struck by the strange and incongruous layout. You had to wa lk through one bedroom to reach another. He turned a fo rmer w indowless kitchen into an en su ite ba throom and created a spacious new eat-in kitchen in what had previously been that thoroug hfare bedroom. In the sitting room, he masked the unsightly diagonal chimneybreast behind a wall of storage cabinets. What is particul arly striking about th e home is the number of his own creatio ns. "''m a little bit autocratic in th at way," he admits.

A New Lease on Life~

page12 0 Text by Daria Krivolapova Photography by Sergey Ananyev N oth in g is more permane nt than ephe merality. Tha t 's w hy deco rator N ata lya Shestak took the desig n of her re ntal apar tment very serious ly. W hen she moved in to the 1930s buil d ing, desig ned by the great Soviet arch itect Alexey Schusev, Shestak fel l in love wi th the hig h ce ili ngs a nd huge windows, wit h stunnin g views in two d irec ti ons. But she ha d to reun ite a ll the former reception rooms to restore t he o rigina l gra ndiose layout. In choos ing a pa lette, Shestak st uck to muted to nes. "The architec ture of a famous master," she said, "dema nds respect, so I didn't want a nyt hing a li en." H er home abounds w it h flea -market finds, and the slipcovers o n th e furnitu re reca ll old-fas hi oned Russian cou ntry homes.

Plants~ page Text by Vera Monakhova Photography by Andrey Avdeyenko Noth in g b locks t he view of t he city sky li ne in the house des ig ned by O leg D rozdov and Se rgey Bo risen ko, even th oug h it sits am id a fl owe rin g garde n. Kharkov, Ukrai ne, is a hill y city, a nd Dr ozdov laments t hat his b ureau has little experience bui lding o n flat territory. H is la test house li es beau t iful ly across two natu ra l ter races. A ce ntra l colum n unites t he two parts and hid es a ll the wiring, co nn ectin g a console kitc hen and a mu ltimedia ce nter. Th e owne rs wa nted to maxi mize t he ir home's integratio n w ith nature. "Jus t open the windows, and t he house is f il led wi t h th e sce nt of bloomi ng ap ricots," says D rozd ov. " N ot eve ry city house can boast t hat!"

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