YANG XU PORTFOLIO
xu3@kth.se
YANG XU APPLICANT FOR POSITION IN ARCHITECTURE xu3@kth.se
GRADUATE EDUCATION
EXPERIENCE
NOTABLE PROJECTS:
KTH ROYAL INSTITUTE OF TECHNOLOGY
VALODE & PISTRE ARCHITECTES
BST Industrial Park, Anhui, China
09/2021-01/2024 (expected) MSc in Architecture Candidate School of Architecture and Built Environment
Architectural Intern http://www.v-p.com/en 2 months, 2023
ACTIVITY
Significant concept development and production for architecture design packages on two over 200,000 sqm projects Prequalification documents, bidding deliveries, presentation documents, digital building and site models
Student Editor for the Studio Catalogue ‘Answer is Mass Housing, What is the Question?’, 2022 Layout design, proofreading and editing, managing the publication timeline
International Student Ambassador of MSc Architecture, 2022 Contacting, tours leading, meeting sessions and webinars arranging, presentations
NOTABLE PROJECTS:
performing
Chengdu Tianfu Headquarter and Twin Towers, Sichuan, China
UNDERGRADUATE EDUCATION
Preliminary study, façade design and modelling, landscape design and modelling, diagramming, section drawing
TONGJI UNIVERSITY
Wuhan Expo, Hubei, China
06/2021-09/2015 Bachelor of Architecture School of Architecture and Urban Planning
Concept developing, modelling, diagramming
HONOR Third Prize, Excellence Scholarship of Tongji University, 2018 in recognition of excellent academic performance
Second Prize, Excellence Scholarship of Tongji University, 2017 in recognition of excellent academic performance
Preliminary study, planning and drawing, modelling
Electric Power Industrial Park of Provincial Electric Power Research Institute, Anhui, China Planning and drawing, modelling, diagramming
SHANGHAI JOIN ARCHITECTURE & DESIGN Architectural Intern http://shjoin-design.com 3 months, 2018 Critical participation in concept and production on various projects including commercial architecture and housing Presentation documents, technical drawings, physical and digital models NOTABLE PROJECTS:
ARCHITECTURAL DESIGN & RESEARCH INSTITUTE of ANHUI JI-
Apartments in Fangshan Higher Education Park, Beijing, China
ANZHU UNIVERSITY
Concept developing, Plan design and drawing, diagramming
Architectural Intern 6 months, 2020
Façade design, modeling, rendering
Considerable contribution in concept and schematic design development on large-scale industrial projects
Suojie Community Centre and Plaza design, Shandong, China
PROFESSIONAL CHENGDU TIANFU HEADQUARTER AND TWIN TOWERS Tianfu new district, Chengdu
GRADUATE EXPANSION FOR RESIDENTIAL BUILDINGS ON VALTHORNSVÄGEN Gottsunda, Uppsala
GALLERY FOR HILMA AF KLINT Blå Lagunen, Munsö, Ekerö, Stockholm
UNDERGRADUATE HOUSE FOR GREEN SLOPE Jiangjun Mountain, Nanjing
PUBLIC HOUSING FOR STREET ARTISTS Jiuxianqiao Street, Chaoyang District, Beijing
CHENGDU TIANFU HEADQUARTER AND TWIN TOWERS NEW ERA OF A TRADITIONAL WINERY | professional project | competition VALODE & PISTRE ARCHITECTES INTERNSHIP POSITION DIRECTED UNDER LEONARDO MARIANI, SUN LU
The project is 200,000 m2 and embodies a hybrid complex, integrating offices, a conference center, an exhibition hall, a hotel, apartments, sports amenities, and a shopping center.
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CONCEPT DEVELOPMENT
GREEN AND COMFORT - SUN AND WIND
In designing this contemporary vessel for our
The upward contraction of the building reduces the exposure to
client, Luzhoulaojiao, a winery with rich history,
sunlight and the chance of overheating, while the sloping north
we distilled the essence of ‘water’ from their
and south façades provide excellent exposure to sunlight.
liquor products, meanwhile from the Chinese basic volume
horizontal movement
vertical movement
philosophy that “Great Virtue Is Like Water.”
The overlapping and staggered movement of the form effectively attenuates the wind tunnel effect, making the wind speed
We created a sense of ‘movement’ within the
at the ground level, the podium roof, the sky corridor and the
twin towers by subdividing them into four seg-
roof more pleasant.
north façade
south façade
ments and adjusting their heights, achieving a design reminiscent of water gracefully descending from a great height. Meanwhile, the podium portion emulates the solid foundation beneath the cascading water, with green roofs detail movement
façade
greenery
resembling moss-covered rocks, collectively crafting an immersive depiction of a waterfall.
360O
270O
The functional programming integrates with the building’s geometric design, strategically estab-
180O
lishing optimal view points and essential spatial 60O
view
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nodes and creating a rhythm in the space. nodes
function
sky corridor level
podium garden level
ground level
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FAÇADE STUDY Façade is a critical issue in the design of this project. By analyzing and studying the different forms of water, we managed to find different geometric elements and combining them organically through various techniques so that the curtain walls could be constructed to be dynamic and supple.
‘ripple’
‘wave’
‘running water’
‘water curtain’
‘still water’
east-west section
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north elevation
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EXPANSION FOR RESIDENTIAL BUILDINGS ON VALTHORNSVÄGEN NEW HOMES FOR SHAPING TOMORROW | academic project HOUSING STUDIO, KTH INDIVIDUAL WORK DIRECTED UNDER ERIK STENBERG, JELENA MIJANOVIC 8 10 6 12
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NEW HOMES IN GOTTSUNDA This project is part of the ongoing urban renewal efforts in Gottsunda, Uppsala, which has been approved by previous floor plan devision
Uppsala Kommun. The primary objective is to provide a variety of housing options beyond rentals and build additional new homes.
Valthornvägen 2-66, which was built by HSB in 1960s
new floor plan
new floor plan devision for more diversity
and owned by the cooperative, was chosen for the expansion. Through continuous renovation and maintenance, a devoted and positive community has been
concept - expansion on top
formed in the area, making it a good choice for new homes to be located.
The proposal is to build an extra floor on the top of the existing buildings which are two-storey and lowest. The new homes will be a compensation for the existing housing types and in this way improve the diversity of this area. 5RUM apartments, which are missing in the area, and 2RUM with improved space utilization will be the added housing units. CLT wood panels will be adopted as the load bearing material for the expansion part in the consideration of both weight and sustainability.
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ROOF DETAIL
The roof design draws inspiration from a prevalent architectural approach of the 1960s.
Rheinzink roof sheeting
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Wood truss
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Wood particle board
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Ventilation cavity
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Wood fiber insulation
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Waterproofing
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Wood slab
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Ceiling joints
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Painted plaster dropped ceiling
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elevation
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GALLERY FOR HILMA AF KLINT MYSTIC ARTWORLD HIDDEN IN NATURE | academic project FUNDAMENTALS STUDIO, KTH INDIVIDUAL WORK DIRECTED UNDER LEIF BRODERSEN, KONRAD KRUPINSKI
GALLERY
SITE 59° 22'25.3"N 17° 37'28.8" Blå Lagunen
group i, no 7 primordial chaos
no 3d the teachings of buddhism
swan no 9
the mahatmas present standing point series ii no 2a
swan
the swan no 18
the swan nr 16
untitled 17
untitled 19
untitled 14
untitled 26
untitled 2
Munsö, Ekerö
a segmented circle, a helix bisected and divided into a spectrum of lightly painted colours, symmetrical dualities, or reciprocities: up and down, in and out, earthly and esoteric, male and female, good and evil
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DIAGRAM STRATEGY
INTEGRATION INTO NATURE
The curved space is used as the place to display works of Hilma af Klint. The spiral shape itself has a strong direc-
The skylights are all circular, and their diameter is one-third of the width of the corridor where they are located, bringing
tionality, guiding visitors from the bright surface into the mysterious and beautiful underground art world, and finally
natural light to the interior orderly. The roof is covered with soil and grass, in order to make the white concrete building
returning to the ground after all experiences.
blend into the natural surrounding environment. 1. foyer 2. café 3. locker room 4. restroom 6
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5. storage 6. exhibition 7. storage 10
8. office 9. restroom
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10. workshop 11. library
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ground floor plan
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basement floor plan
skylights
green roof
The main body of the building is composed of two descending spirals which are connected end to end.
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PUBLIC ARTSPACE All space in the spirals serves as the exhibition hall. When visitors finish walking through the downward part, they will get to a large and open area where the library and workshop lie. The upward part becomes stairs instead of slope, so various experience in this visiting trip can be created. In this pure and simple spiral space exhibit sophisticated, colorful and vibrant paintings by Hilma af Klint. The roof of the building is designed as a lively plaza, creating a vibrant space for various activities to take place.
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HOUSE FOR GREEN SLOPE LIVING ALONG LANDSCAPE | academic project TONGJI UNIVERSITY INDIVIDUAL WORK DIRECTED UNDER HU BIN
The spatial circulation of this tea merchant’s residence follows the steep contour lines, with functions arranged in ascending order of privacy.
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A 10 8
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basement 5 3
elevation 6
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ground floor 6 tearoom 7 couryard of teabush 8 bedroom 9 bedroom 10 back courtyard
1 entrance hall 2 dining room 3 kitchen 4 restroom 5 living room
section A-A
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1. plaster 2. 150mm cast-in-place concrete 3. 30mm 1:6 cement cinder with 2% slope 4. 20mm 1:2.5 cement mortar screed-coat
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5. 40mm EPS foamed plastic insulating layer 6. PVC waterproof roll 7. 20mm cement mortar protective layer 8. 40mm fine aggregate concrete
10. backfilling soil 11. 20mm cement mortar protective layer 12. PVC waterproof roll 13. 150mm cast-in-place concrete 14. 20mm cement mortar bonding layer 15. 40mm EPS foamed plastic insulating layer
16. 20mm 1:2.5 cement mortar screed-coat 17. PE groundsheet 18. 45mm×60mm willow corner plate 100×100×10mm rubber pad 19. 20mm waterproof plywood 20. 25mm cherry wood matchboard
21. 6 inch downlight 22. 20x20mm white steel square cube 23. hidden T5 fluorescent tube 24. fireproof gypsum board 25. main keel 26. expansion screw 27. 150mm cast-in-place concrete 28. 20mm 1:2.5 cement mortar screed-coat
29. 40mm EPS foamed plastic insulating layer 1.5mm polymer paint 30. LC7.5 light-weight concrete filling layer 31. Φ6@150 metal net (σbc ≥ 3kg/cm2) 32. 40mm fine aggregate concrete 33. 15mm 1:3 cement mortar screed-coat 34. PVC waterproof roll 35. 12mm 1:4 dry cement mortar bonding layer 36. 10mm anti-slip tile
37. brick baffle 38. 150mm cast-in-place concrete 39. 30mm 1:6 cement cinder with 2% slope 40. 20mm 1:2.5 cement mortar screed-coat 41. PVC waterproof roll 42. root-resistent waterproof roll 43. polyester non-woven fabrics isolating layer 44. 20mm cement mortar protective layer 45. polyester non-woven fabrics filter layer 46. cobblestone water drainage/retain layer 47. green foliage layer
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PUBLIC HOUSING FOR STREET ARTISTS EMPOWERING THE MARGINALIZED ARTIST GROUP IN JIUXIANQIAO, BEIJING | diploma thesis TONGJI UNIVERSITY INDIVIDUAL WORK DIRECTED UNDER WANG YI
section I
section II
the sunset seen from the top of the opposite building The project focused on the living conditions of marginalized artist groups in metroplitan areas, designing public housing which is set against the backdrop of Beijing's industrial parks constructed in the 1960s and built upon the research in the urban environments and the industrial heritage.
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JIUXIANQIAO AREA: HISTORY AND CONTEXT
URBAN STUDY: BUILDING ENVIRONMENT AND RENEWAL STRATEGY
Jiuxianqiao is a subdistrict within Chaoyang District, Beijing. This area is located in an urban-rural transitional zone. According to the 2020 statistics, it had a resident population of 70,000 and a floating population of 50,000.
The Jiuxianqiao area experienced a large-scale transformation from singlestory houses to multi-story buildings in the 1980s, but since then, there hasn’t been any planned comprehensive renovation and maintenance.
on-site photos
site map: Jiuxianqiao area summary of buildings to be renovated
rise and fall and once again In 1950, the Jiuxianqiao area established a village government. Starting from 1952, with the assistance of the Soviet Union and East Germany, the Jiuxianqiao Electronic Industrial Zone began to take shape. However, as China’s cities entered the era of market economy, the region experienced a decline due to economic transformation and the marginalization of industries. From the early 1990s to 2008, there was an increase in the influx of migrant populations, and some artists were attracted to this area due to the low cost of living, leading to a vibrant cultural scene. However, after the Beijing Olympics, changes in policies, and rising property prices, many of these“street artists” were forced to leave.
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According to the construction time, on-site surveys, and the urban renewal plan of Chaoyang District, the summary of all buildings awaiting renovation in this area is as above. Next, the first step is to classify the buildings to be renovated into three levels based on their size: large, medium, and small. The second step is to further categorize the buildings to be renovated based on their location. This categorization will yield the table below. According to the functional recommendations in the urban renewal plan of Chaoyang District, the planned functions for building renovations are summarized into categories such as education, art, exhibitions, entertainment, open-air gatherings, commerce, and community services. These are then filled into the table to determine the recommended functions for each building awaiting renovation. Based on their location and preservation status, design guidelines and renovation strategies are determined as follows: 1. Along streets, dilapidated buildings: Partial preservation of the interior, main structure rebuilt, with the updated function being related to urban art practices, exhibitions, or open-air gathering points. 2. Along streets, temporary buildings: Demolition and reconstruction as urban public activity spaces. 3. Along streets, well-preserved buildings: Preservation of the building’s main structure and original function, supplemented with new functions to develop commercial value. 4. Within residential areas, dilapidated buildings: Partial facade preservation, main structure rebuilt, with an updated function that enhances openness and accessibility. 5. Within residential areas, temporary buildings: Demolition and reconstruction as small-scale public buildings 6. Within residential areas, well-preserved buildings: Preservation of the building’s main structure and original function, supplemented with new functions to enhance openness, accessibility, and public space. 7. Within industrial zones, dilapidated buildings: Partial facade preservation, main structure rebuilt, with an updated function that focuses on restoring the facade in harmony with the surrounding urban fabric. 8. Within industrial zones, well-preserved buildings: Preservation of the building’s main structure and original function, supplemented with new functions that integrate with the surrounding environment.
classified by scale
SITE SELECTION FOR PUBLIC HOUSING PROJECT
classified by location and status
Based on the previous analysis, Building 4, which is within a residential area and considered dilapidated, is recommended for renovation with the following approach: “Partial facade preservation, main structure rebuilt, with an updated function that enhances openness and accessibility.” The planned functions for this renovation include art, education, or learning. The reasons for choosing this location as a site for public housing are as follows: 1. Utilization of existing residential area facilities can save on reconstruction costs. 2. Promotes integration between the marginalized population and the original residents, preventing issues of segregation. 3. The planned open public space allows original residents to experience, visit, and participate in artistic activities. It can also provide an audience and market for artists’ works. 4. The site is located near the main road in Jiuxianqiao, and initiating experimental renovations here can help activate the urban environment. So, this building is selected for its potential to not only provide housing but also serve as a catalyst for community integration and cultural enrichment within the neighborhood.
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PROGRAM STRATEGY The public housing complex will encompass both residential and artistic creation and exhibition functions. To address the issue of unaffordable high rent, the paid residential spaces will be minimized in size and cost. In contrast, there will be vast public spaces that do not require payment but hold significant commercial and societal value.
PRIVATE SPACE
PUBLIC SPACE
9-11 square meters Extremely small living unit addressing the most basic residential and hygiene needs.
Extremely vast, open public activity space Meeting the needs of artists for work, production, creation, and
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social interaction.
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ENORMOUS OPEN PUBLIC SPACE: ‘ART SPACE’ The ‘Art Space’ in the center is the key area. A large number of art activity units are placed here, embedded in the building at different sizes and levels, forming a complex and diverse public activity system, providing sufficient supplies for artists, and strengthening social interactions among residents. People living here could gain their happiness and dignity in the public life.
public housing complex
In an effort to keep rents affordable for street artists in Beijing, where housing prices are staggeringly high, the living units are designed to be extremely small: the interior contains only a bedroom and a private bathroom, two adjoining rooms share the kitchen. There are a total of 99 of these units, with 33 on each floor, arranged around the central courtyard, facing the rich and spacious public space. Cost: 1219.28 yuan/m2, including: Construction:
681.99 yuan/m2
Decoration:
264.56 yuan/m2
Electrical:
101.69 yuan/m2
Pipeline:
164.5 yuan/m2
Ventilation:
6.53 yuan/m2
Reference rent:
700 yuan
private living unit and its price
YSIZE XSIZE
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Performing Art I
public housing complex
PRIVATE LIVING UNIT OF TEN SQUARE METERS EACH
YSIZE XSIZE
Multifunctional Studio Communication
YSIZE XSIZE
In a beautifully orchestrated manner, we explored the possibilities of spatial prototypes to accommodate various dynamics of artistic activities and human-scale requirements. These generated prototype units have been placed within the “Art Space.” They encompass various levels of performing arts units, interactive units, painting units, sculpture units, exhibition units, and versatile studio units. By considering the area of each unit and the number of people that can work simultaneously within them, the quantity of each unit was estimated and strategically integrated into the building. All units possess a remarkable degree of openness, serving the dual purpose of facilitating communication and showcasing the artistic creative process to the public and residents. This approach not only amplifies the social impact of art creation but also promotes understanding and integration between marginalized groups and the general public. In a interconnected fashion, these units share a strong spatial bond with each other. While creative activities maintain their independence, they also have the potential to influence one another, allowing inspiration to flow through the space. Ideas are born and transmitted within the building through visual cues, language, and atmosphere, fostering a dynamic environment of creativity. The central courtyard of the entire building opens unobstructed towards the residential buildings on the northeast side, creating a visually intricate, vibrant, and lively panorama.
Performing Art II
Painting
Plastic Art
Exhibition
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THANK YOU FOR READING.