Yinan Luo
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Curriculum Vitae
Yi Nan,Luo About me Born in 3.31,1996,Hangzhou. Good at history and geography. Fascinated in Football, cooking and photographing. The project explore a range of skills from conceptual and ideas to design,hand drawing and use of computer aided design.
selected work from 2014-2018
phone:+886 0975849528 mail: crispin7luo@gmail.com facebook: crispin luo
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public library p1-6
gallery p7-10
urban design p11-14
hotel p15-16
personalhousing
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competition p18
other p19-20
painting & photograph
Tracing Public library in Beitou, Taipei “Whether people will read from the heart. ”
Site: Beitou, Taipei Time: 2-4, 2017 Instructor: HanJu,Chen Program: 2400m² library &2000m² gallery
I have traced the footprint of several different people, including backpackers, travellers, old men doing exercises, residents, etc. And I come up with a average footprint of each type of people. 4 footprints around the site backpackers
my library
residents
travellers
trainers
attracting point Because there are 4 types of movements in the site, so I want my library can integrate all the movements and transfer into one continuous and changeable sequence.
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integrated sequence Public EXTERNAL SPACE
Leisure
GalleryA
STAYING PLACE
GalleryB GalleryC GalleryD GalleryE
Library
MOVING SPACE
Cafe
NORMAL READING
Library FAST READING
Restaurant Grass Resting Exhibition Show
STAYING PLACE
Library SILENT READING
Reception
Leisure STAYING PLACE
ReadingA Outdoor gallery
ReadingB
MOVING SPACE
ReadingC READING SPACE Public EXTERNAL SPACE
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In this project, I want to diffentiate two routes, one as a normal entrance to library, the other is a continuous sequence. In this sequence, people could feel a transition from a public environment to a library. This sequence can help them to adjust their rhythm from a lively pace to a silent condition, until down to a quite peaceful condition to read.
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As for environment , this site has a narrow hinderland, back
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towards a four-storey mountain and is squeezed by a road. Thus, I put the entrance and the biggest open space at the third floor, as to buffer the flow and link the mountain. Follow the filament line of this site, I put all the library space at the narrow hinderland and place several free gallery at the end of
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1F Floor Plan
16m
this filament line. Those free gallerys, corresponding to the rhythm of public, is the start of the sequence mentioned.
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2F Floor Plan
16m
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16m
3F Floor Plan
1 silent reading place
4 rest area
2 outdoor gallery
5 reception hall
3 normal reading place
6 outdoor reading space
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Overcrowded Art center in Shilin, Taipei “Art is from over-crowded. ”
leisure
select
modern gallery
Site: Shilin, Taipei
market
Time: 9-11, 2016 Instructor: Chuanchin, Chang
interact
Program: 4000m² gallery, 2000m² mall & 1000m² classroom
What is art?
This project is located on an over-crowded market. As we known, art is an open interactive activity in current. So, I want to argue whether public space such as market could have a possiblity to turn an
Before 19 century, works of art were highly centralized by aristocrats and
artistic aspect.
wealthy merchants in someplace like palace. With the industial revolution, Market has its own activity sequence for people to select, watch, wait, hang out and interact. I regard
art was decentralized with the distribution of power. Finally, modern
the sequence as similar as the activity in a modern gallery. So I imagine there is a special market
gallery centralized the works of art and brought back to the public. palace
which provides with a free space to enable people seeing the aspect of artistic.
overlapped over-crowded market
gallery
passage couverts
market
art in market
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I divide this project with two spaces; one is market base and another is a platform to create the chance of events. This yellow platform is a space where matketing events like displaying, bargaining will happen. And 1
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through this platform, people will have more possibility to see the aspect of art.
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16m
1F Plan
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16m
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3F Plan perspective: wait for shopping store to enter
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16m
food market
shifting the merchandise 6F Plan natural space 1 information center 2 commercial space 1 uints of market 3 rest space 2 gallery 3 square 4 rest space 5 corridor 6 experience pavilion
clothing market
4 toilet 5 multiple classroom 6 air corridor
displaying space
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Intense land overthrows of Taipei during the past 100 years
Nature in the nature -----A passive mechanism in suburban “Anarchy is here occuring. � suburban of Taipei
Site: Taipei basin
1900
1930
1960
1990
2020
Time: 3-6, 2018 Instructor: Shiyen, Chiang Program: a urban mechanism
In the past 100 years, Taiwan was more regarded as a place of strategic importance. Thus the spaces was made for some special purpose, especially in the suburban of Taipei.
QIng Dynasty 1683-1895
Every changes derived different types of urbanism, and produced different spaces. However, these harshly changeable urbanism left all the negative effect in the suburban.
Chinesization and Gain manpower
mixture of industry, agriculture, residence, incinerator, viaduct, waterway Japenese rule 1895-1945
Agridculture in Taiwan
Re-chinesization
End of World War II 1945-1949 Back to Mainland
In the suburban of Taipei, all the spaces is facing a extreme mix-used prolem, as if filling a plate with all kinds of fruits.
End of Chinese Civil War 1949-1970 Economics Economic development 1970-1990
The suburban was cut by urbanisms in many ways: 1 farming land was leaved unused after world war. 2 extrenme high density of residense were built in disorder for large amounts of immigrants as a temperory use after 1945. 3 factorys, storages occupy the argriculture land in illegal. 4 infrastructure for center of Taipei, like viaduct, dam, incinerator, garbage plant take up the place and cut the suburban.
Provide surose and campho to Qing.
Indigenous people were learning skills from Qing,
Regarded as a agriculture center of Japan.
Infrastructure to transport.
Tea trade Chineses element
Architecture for military use.
Chinese city as road name
A temporary base for counterattack.
Fordism and factory
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fast transportation&low cost&local market&cheap energy
output:energy storage&goods transpotation
community 1 typeA
input:residential&travellors&consumers
energy&goods input:travellors&consumers&energy&goods
logistic center
output:small amount food&small amount co-work place
community 2
typeA
input:workers&food input:cheap energy&fast transpotation
flexible food &industry abandoned place&co-work place output:heavy industrial product
community 3 typeA heavy industry
input:cheap transpatation%cheap energy input:travellors
input:workers&residents
output:residential&cheap simple co-work place
community 6
community 5
output:clean water way&natural forest
community 4
high density&
water way&
open co-work
natural forest
place
Nature in the nature a new reference related to nature
community 7 energy&food supply
typeA
typeA
output:clean energy(solar&wind)&food supply
output:light industrial product
typeA
typeA solar power
small industry&
&residential
residential
typeB wind power typeC farmhouse
Nature in the nature
a living habit in suburban
My argument is we need urbanism, but a more important thing we need is a resistance to urbansim. This resistance is a passive mechanism, when there is no direction of development it provide with a
waste disposal
reference and when a new urbanism emerge it protect the territory from transforming totally.
waste from food/downtown/highway highway downtown
And this passive mechanism is nature in the nature. The latter nature is a nature reference. One hundred
1 fertilizer/water food
years ago, territory has a strong relationship to nature factor like geography. The influence of this
food co-work space
relationship is remained as many different settlement related to geography emerged. The former nature
2 collect food waste/downtown waste
is living habit, as spaces in suburban of Taipei are easily to transform. From abandoned industry to
3 back to waste disposal
fertilizer/agriculture water/electricity
parks, from fragmented agriculture land to markets, from the negative space under the viaduct to storage spaces, the nature enables spaces being utilized flexible. Thus, in this mechanism, there will be a system to maintain the’nature in the nature’. As the spaces in suburban is fragmented, so there are different types of spaced unused . This system enables these unused spaces forming a overall relationship. This is a way to excite the negative spaces and perserve the culture of original settlements. energy storage
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Separation
Site: ZhongShan, Taipei
Hotel in ZhongShan, Taipei
Instructor: HanJu,Chen
“Aggregation to sepration is irreversible. ”
space& 290m² public space
Concept
Time: 4-7, 2017 Program: 10*26m² private
old structure
demand
more demand
new hotel
B’
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A
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A’
3
AA’
B 1 lobby 0
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16m
BB’
3 cafe
2 book store 4 room
Walkups apartment Budeng Apartment, which has a meaning for the apartment with foot (no lift) in Chinese, created back to 1949 to settle a large amount of refugees from mainland China to Taiwan, is the main component of the site. What surprises me is during the past 60 years, this compact standardized apartment has developed into an unconsolidated multiple commercial street. More and more indigenous people are leaving this temporary low-grade apartment, and a new and lively group reshape the site. Currently, many interesting shops inset in the apartment and make it a wonderful place for people to date and travel. Under this circumstance, I argue that this tranformation from aggregation to sepretion is irreversible, and I will follow this logic to finish this design.
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Wind housing-
Competition: Social housing
Site: Phnom Pehn, Combodia Time: 7-8, 2018
personal housing in Taitung
Instructor: Formless Architects, Shanghai
in Phnom Pehu, Combodia
Partner: Shiyen, Huang Program: 3000*36m² living space
Site: Phnom Pehn, Combodia Time: 7-8, 2018 Instructor: Formless Architects, Shanghai Partner: ShiYen, Huang Program: 3000*36m² living space & 1000m² public space
& 1000m² public space
This project is a personal housing aimed at environment, as the site is
This project is a team work with another partner
fronting water and with hills on the back.
Shiyen, Huang, under the instruction of Formless Architects, Shanghai. I participate all the process
Wind is the key factor in my design, as the local’s daily life has a strong
of this project, from the site analysis to the
relationship with wind. My project follows this logic and creates space
presentation of this project.
incorporation with the flow of wind. I thik about the wind in two aspects: weather and living habits.
This is a very practical work aimed at those working in the factoriesnearby so we started at three
weather, as it is hot,stuffy, humid in Taitung, is the first factor. My
aspects: support facility, anti-disaster ability and
strategy is using wind to solve the problem. So the shape of this project
living condition. Thus we provide a series of
is like a box in the box, using a interval spaces between boxes to guide
functional spaces and an environment system to
the wind.
resist flood and drought and three types of living units as well.
As for the living habits, people using wind to do the cloth drying and they use wind to cool down the indoor temperature. Besides, all the spaces like kitchen, living are tend to be a natural condition, like they tend to eat in a outdoor space and chat in the grassland. So, my another strategy is guide the landform into indoor space and reshape the landform to a ladder, people could eat, chat in this ladder. And this ladder could guide the wind from the sea to the mountain.
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Other work
Page 1 is about a photography competition in Bamboo Architecture biennial exhibition in Longquan, China. I was impressed by the structure and many of my photographs were adopt by local media. Page 2 is nominated an excellent work of photo exhibition of Chung-yuan university. It records a subway system which was reconstructed on the basis of an abri after the World War II. I am pretty interested in recording the change
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of shadow in the architecture. Page 3 is a work mainly to describe the different shadows in still life, like the camera and shoes. I am leaning to record the soft change like light, humidity and age by drawing or photographing to aid my design. Page 4 is a pravtice in renovating the old housings to a exhibition place for our
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thesis design. We organizes a five people’s team including me to design the new exhibition place with selecting the recycled materials and constructing the structure. This new exhibiton is till under construction. Page 5 is a work about units. I need create one simple unit and think about the compoung mode. We use parametrization design to aid us present this shape.
Page 6 is a record of field research and participate design in Yilan. I spent three p2
months to do this research about how to construct a better education space with a team. And we arranged a number of activities to interact with children to gain that data. Page 7 is a work of participatory design. After the long-term acitivity and discussion between designer and local people, I need design a garden meeting the demands of local citizens by hand-drawn presentation. Page 8 is a mapping work from the thinking ‘How about a urbanism only related
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to geography’. I use different patterns to simulate the settelements which could emerge only related to geography factors. I want to show an overall ralationship between geography-driven city. Page 9 is picture of westlake in Hangzhou, China, my hometown.
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