動勢 CHANG YEH
藝術薪火相傳
第 屆臺中市美術家接力展 ─ 4
The Fourth Art Inheritance Taichung Artist's Relay Exhibition
雕塑 創作集
您 在 雕 塑 領 域 累 積 多 年 之 經 驗 與 技 巧， 仍 堅 持 創 新 不
張也老師惠存：
第四屆臺中市美 —
輟。以多元形式切入，表現瞬間極限動勢；凝結時間於空間， 術家接力展】因您的參與，備增光彩。
展 現 雕 塑 藝 術 剎 那 美 感。【 藝 術 薪 火 相 傳
臺中市長 胡 志 強 敬贈 中華民國一 ○ 三年六月廿八日
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Contents 目 錄
編輯的話 ··········································· 4
自由··············································· 42
作者簡介 ··········································· 8
叮嚀·················································44
飛行機 ·············································10
摯愛·················································45
夜未眠 ·············································12
放肆·················································46
小勇士 ·············································14
家當·················································48
夢飛翔 ·············································16
福到·················································50
小泰山 ·············································18
富貴·················································52
威震·················································20
福星·················································54
撼天·················································22
貓來了 ! ···········································56
大器·················································24
風中之羽 ··········································58
城市交響曲 ······································26
慈悲·················································60
向米開朗基羅致敬 ····························28
大無畏 ·············································61
挑荳·················································30
愛轉動 ·············································62
音樂‧性 ··········································32
逆光飛嚮 ··········································63
獨奏·················································33
動念·················································64
愛貓的女人 ······································34
叮嚀·················································66
輕盈·················································36
吵架·················································67
有妳真好 ··········································38
城市交響曲 ······································68
狗來了 ! ·········································· 40
超越極限 ··········································70
貓來了 ! ···········································41
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編輯的話 文化臺中，這個城市因為藝術而美麗… 全國首創的美術家接力展，在大臺中縣市合
心澄明的東方人文思維。
併之際，參展藝術家日益踴躍，迄今堂堂邁入第
第 192 棒接連展出者為油畫家吳文寬。創作
4 年。第 191 至 196 棒次，分別由李翠婷、吳文寬、
以「古意新境」的心靈劇場為主題，起源於生活
張也、郭心漪、雷安平，與劉明凱等 6 位藝術家
所思所感，從向日葵、靜物、提琴、八佾舞、貓
接棒展出，涵蓋膠彩、油畫、雕塑、水彩、陶雕、
的故事等日常萬物洞察生命奧秘，以貓咪性格隱
篆刻等類別。感謝參展藝術家提供畢生心血，讓
喻人生林林總總，捕捉人性內在多變與性格莫測，
大臺中的藝術文化發熱發光、萌發燦爛，市民們
動物靈性道盡凡世間七情六慾。並透過藉物喻情、
的精神文化更臻豐潤圓滿。
重疊拼貼、營造肌理、簡化的繪畫語言，詮釋個
第 191 棒由膠彩畫家李翠婷揭開序幕。自云
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細膩的情感及直觀幽微的內心世界，更呈現出初
人獨特的美感經驗，呈現多重詮釋的空間結構。
藝術是在對所有傳統、歷史、時代之妥協與不妥
第 193 棒係本屆首位邀請展藝術家—雕塑家
協間完成。致力於開拓中國傳統繪畫新語言，對
張也。其擅長凝結時間於空間，表現瞬間動態之
提昇藝術淨化努力不懈。「光音系列」透過女性
美，動勢風格潛於內在，多變形式顯於外相之。
觀點詮釋中國傳統山水既有文本，凝煉成個人特
認為自然萬物，可以從不同角度切入，卻有著相
有的造型語彙；「存在主義發條玩具系列」聚焦
同令人感動之處。創作的主軸，由內在反應出瞬
嚴肅的人生境遇與抉擇議題，以舉重若輕的幽默
間動態，讓觀者感受剎那美感，外在形體以細膩
態度揶揄人性。由心性到入世，李翠婷作品中充
寫實刻畫或具象寫意手法表現，作品的多元化題
滿愛與光明的正向力量，詩意般的繪畫傳達敏銳
材，記錄作者對自然界主觀的視覺感官。
本屆另位邀請展藝術家，為第 194 棒—水彩
方寸間。作品集結歷代文字風貌，自甲骨文、鐘
畫家郭心漪，水彩非凡的表現力與多變的不確定
鼎金文、帛書楚簡、秦漢、魏晉唐宋、明清鳥蟲
性，讓郭心漪有一探究竟的創作熱情。作畫動機
書、草篆乃至於大陸及日本當代圖案肖形。流風
多緣於自己深受感動、亦讓觀者易親近體會的事
餘韻，遍及溫潤良石美玉與渾厚陶刻，展現書法
物，平凡人家與日常事物在畫中躍升為主角，紀
藝術之美及俐落雕刻刀法，展現篆刻家獨具匠心
錄貼近生活周遭最簡單純樸的美麗事物與剎那間
的藝術巧思。
的觸動。近期更著迷於在池塘印象中發現感動。 摹寫靜止川流的池水，發現生靈氣息與生命竄流 的痕跡，與藝術家心靈對話所生發的共感能量， 帶給觀者怡然又深層的反思。
臺中市美術家接力展將繼續秉持薪火相傳的 使命，期盼藝術火種燃燒傳承，綿延不盡，更多 藝術家接手藝文之棒，為大臺中美術史寫下另一 頁美好篇章。
第 195 棒為甫獲 102 年大墩工藝師殊榮的陶 雕家雷安平。雷安平自研紙浮雕創作，從傳統雕 刻出發，推陳出新。作品色調古雅，造型簡潔、
臺中市政府文化局葫蘆墩文化中心 謹誌
浮雕質感細緻寫實，層次豐富靈活多變，搭配吉 祥花草紋飾，整幅造景造化生香。茶具作品更可 作為品茗使用，呈現陶刻工藝極致美感。 第 196 棒為篆刻家劉明凱，自許為鑿渾沌者， 聚樂於刀與石的邂逅，游藝於刻畫，神遊在純然
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Editors’ Remarks “Cultural Taichung”– this is a city that has been made beautiful by art. The Art Inheritance Taichung Artists’ Relay Exhibition was the first exhibition of its kind to be established in Taiwan. Following the merger of Taichung City and Taichung County to create an enlarged Taichung City, the number of artists seeking to take part in the Exhibition has grown dramatically. This year, the Exhibition is being held for the fourth time, with the 191st to 196th places being filled by Li Ts’ui-t’ing, Wu Wen-k’uan, Chang Yeh, Kuo Hsin-yi, Lei An-p’ing and Liu Ming-k’ai, with works that include distemper paintings, oil paintings, sculptures, watercolors, ceramic carvings, seal carving, etc. We would like to take this opportunity to thank the artists for their hard work and dedication, thanks to which culture and the arts continue to thrive in Taichung, providing spiritual nourishment for Taichung’s citizens. Taking the 191 st spot this year was distemper painter Li Ts’ui-t’ing. As Li sees it, art is created by a constant, ongoing process of deciding whether to strive for compromise, or reject compromise, in the relationship between tradition, history and the changing times. Li has worked to develop a new artistic lexicon for traditional Chinese painting, and has striven tirelessly to raise art to a higher, purer level. In the “Sound of Light” series, Li reinterprets the existing “texts” of traditional Chinese landscape painting from a female perspective, and in doing so refines her own individual “language of form.” Li’s “Existentialist Clockwork Spring Toy Series” adopts a humorous approach towards some of the serious issues that people face in their lives. Moving from the personal to the universal in the themes that they address, Li’s works are imbued with the positive forces of love and light, portraying complex emotional states in an intensely poetic way and presenting a direct, unaffected
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view of the artist’s own inner world, while at the same time embodying an untrammeled East Asian humanist philosophy. This year, 192nd place in the Exhibition went to the oil painter Wu Wen-k’uan. The subject matter for Wu’s paintings is taken mainly from the “psychological theatre” of “Old Essence, New Vistas” Taking as his starting point the different thoughts and emotions that we experience during our daily lives, Wu uses everyday objects such as sunflowers, still lifes, violins, traditional ceremonial dances, and cats, to explore the mysteries of existence. For Wu, a cat’s personality symbolizes the complexity of human life, capturing the internal changes that people undergo and the difficulty of pinning down the character of any given individual, while at the same time the animal’s air of mystery embodies the complex range of emotions and desires that animate our lives. By using objects as metaphors for feelings, and then piecing these objects together in layers to create a textured, streamlined artistic lexicon, Wu is able to express his own unique aesthetic experience, in the form of spatial structures that permit multiple interpretations. This year, an installation artist has been invited to take part in the Exhibition, for the first time ever. Sculptor Chang Yeh, in the 193rd spot, excels at fusing together the spatial and temporal dimensions to portray the beauty of the individual moment; his work combines a latent internal dynamism with external expression that features pronounced variation in form. Chang believes that, while different natural phenomena can be approached from different perspectives, they all share a common characteristic in their ability to move people. The main thrust of Chang’s work involves internal reactions leading to sudden change, giving the viewer a sense of the beauty of the moment, together with detailed, realistic or expressionist depiction of external forms. The wide range
of subject matter tackled in Chang’s work constitutes a record of the artist’s subjective visual perception of the natural world. Another artist being invited to take part in the Exhibition for the first time, in the 194th spot, is the watercolor painter Kuo Hsin-yi. Exploiting both the expressive power of watercolors as an art form and its constant variation and uncertainty, Kuo’s work displays a passionate creative and exploratory enthusiasm. Kuo’s motivation for undertaking a painting usually derives from his having been deeply moved by something and wanting to share it with the viewer. Ordinary people and everyday events become the main characters in Kuo’s paintings, recording simple yet beautiful events and moments from our surroundings. Kuo’s recent work reflects his fascination with ponds and pools. In seeking to depict how water flowing into a pond becomes stilled, Kuo has discovered the signs of spiritual life force and of the motion of life; there is a sympathetic response with the artist’s own internal dialog, creating works that give the viewer a sense of peace while also inspiring deep reflection. In the 195th spot this year is ceramic sculptor Lei An-p’ing, who has recently been awarded the 2013 TaTun Master Craftsperson Award. Lei has taught himself the paper-cast sculpting technique, taking traditional sculpture methods as the basis for developing something innovative and new. His sculptures are characterized by their classical, refined color tones, streamlined shapes, and detailed, realistic textures. These multi-layered works are lively and varied, and are decorated with auspicious flower and plant motifs that seem almost to add a floral fragrance to the work as a whole. Lei’s tea service works are ideally suited for use in a refined, elegant tea ceremony, and represent the apogee of aesthetic sensibility in the ceramic arts.
The 196th place in this year’s Exhibition went to seal carver Liu Ming-k’ai. Describing himself as a “wild and unconstrained wielder of the seal-carver’s knife,” Liu revels in the interplay between sculpting knife and stone, exploiting the artistic potential to the full and allowing his spirit to fly free in the purity of the moment. Liu’s works incorporate a wide range of calligraphic styles from different periods of history, from the Oracle Bone Script of ancient China down through the style used in inscriptions on bronze vessels, the Chu script as used on bamboo slips and for writing on silk, the Qin and Han Dynasty styles, the styles favored in the Wei, Jin, Tang and Song Dynasties, the “Bird and Insect Script” of the Ming and Qing Dynasties, and the cursive seal script, right through to contemporary Chinese and Japanese graphic styles. With his smooth, flowing style, and showing himself equally adept at carving on stone, jade or ceramic material, Liu combines calligraphic beauty with the expertise of an expert sculptor, embodying the unique artistic approach of the master seal carver. The Art Inheritance Taichung Artists’ Relay Exhibition will continue to fulfill its mission of keeping the flame of art alive, in the hope that the sparks from this flame can ensure its continuation as an eternal fire. It is our earnest hope that, in the future, even more artists will take up the baton by participating in the Exhibition, helping to write glorious new chapters in the history of the arts in Taichung.
Taichung City Huludun Cultural Center
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張 也
簡 介 學歷 國立大甲高中美術工藝科 雕塑組 國立臺中科技大學 商業設計系 國立臺中教育大學 美術研究所
經歷 1995-1996 受邀設計製作全國模範母親雕塑獎座 1996-1998 中部雕塑學會理事 1997 臺中市立文化中心一、二展覽室首次雕塑個展【觀世間之音】 1998-2000 中部雕塑學會理事兼總幹事 2002-2004 中部雕塑學會理事 2004-2006 中部雕塑學會總幹事 2007 臺中大都會歌劇院興建公共藝術執行小組顧問 2012 廈門美術館 海峽兩岸廈門文博展 2013 中國北京海峽兩岸文化藝術交流活動 2013 臺中市大墩文化中心【動勢 - 張也雕塑個展】 2014 受邀臺中市政府文化局設計文學獎獎座 2014 臺中市葫蘆墩文化中心 【藝術薪火相傳─第 4 屆臺中市美術家接力展】邀請展
得獎作品 1990 第四十四屆全省美展雕塑類 教育廳獎【破繭】 1990 第二屆台北縣美展雕塑類 優選【六四告白】 1991 第一屆竹東大聖御花園雕塑大展優選典藏獎【備戰】 1992 第四十六屆全省美展雕塑類 優選【蓄勢待發】 1993 第七屆南瀛美展雕塑類 第一名【晚風】 1993 第四十七屆全省美展雕塑類 省政府獎 【家當】 1993 第一屆臺中市露天雕塑大展 優選典藏獎【耀武揚威】 1995 第三屆全國露天雕塑大展 優選典藏獎【樂自心中來】 1996 高雄市立美術館年度邀請作品典藏【愛貓的女人】 1997 第二屆埔里牛耳石雕公園名人雕塑創作 優選典藏獎【宗流砥柱】
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公共藝術作品 1994 臺中市祖聖公園委託製作【天堂樂園】 1996 國立苗栗高中委託製作【樂自心中來】 2003 建國科技大學委託製作【家】【一馬當先】【舞姿】【蛻變】 2006 臺中縣大肚鄉親子圖書館委託製作【大肚之美】 2007 南投縣名間鄉公所中山堂委託製作【出動】 2007 臺中市警察局第五分局東山派出所委託製作【守護天將】 2008 臺中縣消防局第四大隊暨沙鹿分隊委託製作【英雄之愛】 2009 南投縣名間鄉第一公墓第二納骨堂委託製作【愛發聲】 2012 臺中市神岡區豐洲國民小學邀請比件【威震豐洲】
建築公共空間專案 2009 新竹縣竹北市建案 - 科大將 ( 椰寶建設股份有限公司 ) 2009 新竹縣竹北市建案 - 太睿觀 ( 太睿建設股份有限公司 ) 2010 新竹縣竹北市建案 - 科大頌 ( 椰寶建設股份有限公司 ) 2010 新竹縣竹北市建案 - 科大湛 ( 椰寶建設股份有限公司 ) 2010 新竹縣竹北市建案 - 科大賀 ( 椰林建設股份有限公司 ) 2010 新竹縣竹北市建案 - 太睿吉祥 ( 太睿建設股份有限公司 ) 2010 臺中市建案 - 全球運籌中心 ( 弘勝興業股份有限公司 ) 2011 臺中市建案 - 東方帝國 ( 總太建設開發股份有限公司 ) 2012 新竹縣竹北市建案 - 豐邑大炁 ( 豐邑建設股份有限公司 ) 2012 臺中市建案 - 觀景 ( 總太建設開發股份有限公司 ) 2013 臺中市建案 - 喜全真鑄大廈 ( 喜全國際股份有限公司 ) 2013 新竹市建案 - 雲鼎 ( 富宇建設股份有限公司 ) 2014 臺中市建案 - 朝陽一品 ( 朝陽人壽保險股份有限公司 ) 2014 臺中市建案 - 昂峰詠青 ( 昂峰建設有限公司 ) 2014 臺中市建案 ( 國唐建設股份有限公司 )
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飛行機 Aircraft 阿爸親像飛行機，遮飛遐飛真趣味， 飛去天頂坐雲邊，飛入厝內趁大錢。
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雲動‧念動
雲動隨念動 心念塑型體 夢境 隨風飄 一覺行千里
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夜未眠 Sleepless 兩眼惺忪熊貓眼，左思右想夜未眠， 學習放下敞開心，有如赤子睡的甜。
雲動‧念動
雲動隨念動 心念塑型體 夢境 隨風飄 一覺行千里
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小勇士 Little Warrior 不要笑我沒膽識，其實也很有 guts， 駕馭山豬狂奔馳，天下無敵小勇士。
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雲動‧念動
雲動隨念動 心念塑型體 夢境 隨風飄 一覺行千里
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夢飛翔 Dreams Take Wing 堅持理想袂放棄，有夢就愛飛出去， 腳踏實地來打拼，青春一去不再回。
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雲動‧念動
雲動隨念動 心念塑型體 夢境 隨風飄 一覺行千里
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小泰山 Little Tarzan 我是森林小泰山，叢林動物皆我管， 只要朋友有災難，隨時喚我解困難。
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雲動‧念動
雲動隨念動 心念塑型體 夢境隨 風飄 一覺行千里
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威震 Resounding Fame 威震八方響雲霄，敲鑼打鼓樣樣好， 年紀雖小志氣高，排除萬難達目標。 21
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撼天 Shaking the Heavens 撼天震地狂風起，戰不旋踵展實力， 氣士激昂不畏懼，橫掃千軍握先機。 23
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大器 Great Vessel 天下宇宙聚能量，沉著穩健稟氣長， 一鼓作氣勢如虹，鼓震撼天展大器。
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城市交響曲 Urban Symphony 宏偉氣派的建築，佇立在繁榮都市， 彷彿交響樂團之成員。 車水馬龍人來人往，就如同交響樂章中跳躍的音符。 隨著低沉渾厚的大提琴聲，與鋼琴師流暢之演藝， 帶領這個城市合奏出美麗的樂章。
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向 米開朗基羅 致敬 Homage to Michelangelo 解放石頭裡面的 靈魂 ， 看見軀體 氣脈的跳動 ， 至真、至美、而無言 ，令人嘆為觀止。 讚嘆矣！ 獻與優美的樂聲 ， 向 一代雕刻大師－米開朗基羅－致敬！
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挑荳 Bean Selecting 沁涼的微風，輕撫柔順的秀髮… 隨著飛舞的荳芽符號， 挑動低音提琴的沉瑟優美… 讓旋律溶入風裡，傳達… 分享… 情竇初開的忐忑…
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音樂‧性 Music and Sex 精神層面的需求，美妙的旋律讓人陶醉。 肉體層面的需求，愛情極致忘我的境界。 看似兩面，實為一體，密不可分的關係。
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獨奏 Solo Performance 做好準備，因為焦點，可能隨時落在自己的身上。 「獨奏」是一種榮耀，也是一種毀滅！ 全看自己用何種態度面對。 33
愛貓的女人 The Woman Who Loved Cats 現代女人就像貓，獨立自主能力竅， 時髦打扮學歷高，社交活躍人際好。
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輕盈 Sense of Lightness 一個人的生活也不錯，何必煩事想太多… 舒展身心，全身放空，豐腴的體態，既輕盈又輕鬆。
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有妳真好 It's Good to Have You 貓兒伺機而動，小鳥 有你真好； 鳧趨雀躍而無憂，主人，有妳真好。 貓兒撒嬌玩耍，鳥兒歌唱悅耳， 獨自生活的日子，有妳，真好。
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狗來了 ! The Dog is Here 時髦打扮有魅力，愛貓隨身帶出去。 悠閒坐在街上椅，狗來貓嚇頭上去。
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貓來了 ! The Cat is Here 誰說人小不夠力，遛狗慢跑上街去。 原本神氣變霹靂，貓來狗吠撲追去。
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自由 Freedom 翱翔在無垠的蒼穹中，海天成一色， 無盡寬廣的視野，沉溺自由的可貴。
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叮嚀 Reminder 初次展翅高飛…… 母鳥守護在旁細心教導雛鳥… 啾啾…… 急促的叫聲，母鳥聽出雛鳥的畏懼… 不怕不怕 ! 用力揮動雙翅往前飛… 啾啾… 謹記母鳥的叮嚀，飛出自己的一片天…
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摯愛 Beloved Devoted 一生一世的摯愛，那怕撒野或耍賴， 依然疼妳送關懷，親親寶貝我的愛。
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放肆 Laxity 讀冊無幾冬，放牛攏逐工， 笑阮無歹才，感情沒人知。
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家當 Household Goods 養雞養鴨一世人，風颱若來心擔寒， 掃到雞牢無采工，因為這是阮家產。
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福到 Blessed 調皮搗蛋靠邊站，嘻皮笑臉面和善， 天天開心來報到，手持蟠桃慶福到。
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富貴 Wealth and Prestige 初生之犢不畏虎，從小到大沒吃苦， 富貴之命真羨慕，手捧金沙分幸福。 53
福星 Lucky Star 笑臉迎賓領進門，金桃銀桃慶喜訊， 朝陽歡樂到黎明，一品護衛叫福星。
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貓來了 ! The Cat is Here 誰說人小不夠力，遛狗慢跑上街去。 原本神氣變霹靂，貓來狗吠撲追去。
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風中之羽 Wings on the Wind 風雨不畏，勢必達；中庸處世，剛柔摩； 之才八斗，世代忠；羽翮已就，執大任。
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慈悲 Charity
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大無畏 Big and Fearless
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愛轉動 Revolving Love 讓愛動起來，把心門打開， 形成一個圓，延續萬萬年。
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逆光飛嚮 Flying Against the Light 父母像太陽，逆著光飛翔， 放手莫牽掛，開創我嚮往。
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動念 Motivation 湖面靜如鏡，人來瘋如風，三步一步行，擲石起漣漪。 相招來去溪仔墘，走揣石頭形較扁， 看啥水波丟尚媠，載伊廟口看歌仔戲。 64
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叮嚀 Reminder 初次展翅高飛…… 母鳥守護在旁細心教導雛鳥… 啾啾…… 急促的叫聲，母鳥聽出雛鳥的畏懼… 不怕不怕 ! 用力揮動雙翅往前飛… 啾啾… 謹記母鳥的叮嚀，飛出自己的一片天…
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吵架 Quarrel 昨晚沒回家，跑去那裏花， 看來要吵架，來狻喀捂影。
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城市交響曲 Urban Symphony 宏偉氣派的建築，佇立在繁榮都市， 彷彿交響樂團之成員。 車水馬龍人來人往，就如同交響樂章中跳躍的音符。 隨著低沉渾厚的大提琴聲，與鋼琴師流暢之演藝， 帶領這個城市合奏出美麗的樂章。
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超越極限 Surpass 在有形有相的事物中，都有所極限，或許竭盡所能嘗試 達 到 自 我 的 極 限。 但 在 這 過 程 中， 總 會 遇 到 挫 折 與 打 擊。在最艱困的逆境中，更需自我放慢步伐，整理思緒， 解開束縛的枷鎖，跳離無形的框架外，才能有清楚的思 路，創造無限的可能，唯有「無限」才能超越極限。
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國家圖書館出版品預行編目 (CIP) 資料 動勢 : 張也雕塑創作集 / 張也作 . -- 臺中市 : 中市葫蘆墩文化中心 , 2014.06 面 ; 公分 . -- ( 藝術薪火相傳 : 臺中市美 術家接力展 . 第 4 屆 ) ISBN 978-986-04-1490-5( 平裝 )
1. 雕塑 2. 作品集 930
103010848
CHANG YEH
動勢 藝術薪火相傳 第 ─ 屆臺中市美術家接力展
The Fourth Art Inheritance Taichung Artist's Relay Exhibition
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雕塑 創作集 發 行 人： 胡志強 總 編 輯： 葉樹姍 作 者： 張 也 主 編： 林長源 編輯委員： 蕭淑君、魏美玉、陳富滿 執行編輯： 陳香吟 出 版： 臺中市政府文化局葫蘆墩文化中心 臺中市豐原區圓環東路 782 號 電話：04-25260136 網 址： http://www.huludun.taichung.gov.tw 印 刷： 興台彩色印刷股份有限公司 電話：04-22871181 定 價： 350 元 出版日期： 2014 年 6 月 GPN：1010301044 ISBN：978-986-04-1490-5（平裝） 版權所有 翻印必究
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