Portfolio_William_Landscape

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PORTFOLIO

GONGQI WEI

Architecture - 2024 Summer

3 - 4

PLANNING

HKU Thesis - 2020 Spring

5 - 9

GARDEN

GSD MLA - 2024 Fall

10 - 13

INFRASTRUCTURE

GSD MLA - 2024 Spring

14 - 19

METABOLISM

GSD MLA - 2023 Fall

20 - 23

HOUSING

HKU MArch Thesis - 2023 Spring

24 - 27

MUSEUM

HKU MArch - 2022 Spring

28 - 30 HOTEL

HKU MArch - 2021 Fall 31 - 33

Generative Design of Modular Housing

Professional Project (2024 Summer): Real Estate Development Software

Generating different housing typologies

Fitting to irregularly shaped site boundary

Maximizing building coverage

Automatically distribute unit types

Generate Site Boundary Zoning Parcel Analysis Generate

Program Structure

1_Automatic site preparation

2_Computing 2D CAD layouts

3_Generating detailed 3D models

Generating facade model

Automatically Assign materials

Caculating construction cost

Generating detailed 3D structure grid

Exporting building specifications

Distribute Apartment Typology

Norman Foster Foundation Kharkiv Housing Challenge

Shortlisted winner in the international competition by Buildner, 2024

Expanding balcony space with mass timber modular exoskeleton
Supportive landscape strategies reframing damaged residential blocks for the vulnerable people during the war
Proposing extensional low-rise blocks according to different remedial functions
Revitalizing internal
exoskeleton

Negotiating With Ethno-Ecology:

Landscape Management Strategies for Northern Laos’s Ecotourism Boom

Precision is the conformity to certain rules and can only exist in the hegemonism of a singular worldview.

- PLANNING -

Lu, Xiaoxuan & Kelly, Ashley Scott

Landscape Thesis 2020 Spring

The University of Hong Kong

Lao People’s Democratic Republic

Author: Wei, Gongqi William

Award: HKU Public Review 2020

Publication: Kelly, A. S., & Lu, X. (2021). Critical Landscape Planning during the Belt and Road Initiative. Singapore: Springer.

Today’s cultural tourism is a fragmented display of signifiers, a discriminating break of the indigenous, and an indifferent journey for tourists. Behind all these homogenized culture representations, we are aware of a larger system imposed on a larger geography that constantly sustains the cultural landscape and it is greater than any tourism developers want to provide. The territory of culture is much larger than what we designers are aware of.

This project redefines the culture territory and proposing a landscape management system based on different ground conditions and simultaneously maximizing the tourism capacity, translating the introverts’ perception of their land to the extrovert view of culture landscape by revealing the capacity and expanding the territory that challenges the predominant value system of the landscape.

Cultural Tourism Development of the Belt and Road Initiative in South East Asia
History of Cultural Tourism Development at the Frontier between Laos and China
Sampling of Four Villages of Ethnic Minorities across the Cultural Tourism Framework

Ethno-Ecological Landscape Structure of Mandan Village Worshipping Water

Material and Energy Exchange between Water and Dai People’s Livelihood

Foodshed & Culturalshed Derived from the Ethno-Ecological Activities of Dai People

Predicting the Deviation of Nam Ha National Protected Area in Laos from the Cultureshed Derived from Khmu People’s Dependence on Shifting Cultivation of Rice

Negotiating for An Alternative Development Strategy between Calculated Tourism Capacity and Respect of Khmu’s Rice Culture and Landscape

Tourism Capacity Limited by Lodging Space
Tourism Capacity Limited by Waste Disposal System
Tourism Capacity Limited by Labor Force

Archipelago of Archaeology

What if we re-use idle excavation sites by creating temporary moving gardens?

- GARDEN -

Bas Smets

Landscape Studio 2024 Fall

Harvard GSD

Athens, Greece

Author: Wei, Gongqi

The New Domestic Sewerscape

Who are going to be responsible for the exceeding limits of centralized sewer treatment system that shaped the urban fabrics of the New England nowadays ?

- INFRASTRUCTURE -

Benedetto, Francesca

Landscape Studio 2024 Spring Harvard GSD

Charlestown, MA, USA

Author: Wei, Gongqi William

Mycelial Metamorphosis

What would the world be like after the depletion of petroleum?

- METABOLISM -

Mark, Heller

Landscape Studio 2023 Fall Harvard GSD Saugus, MA, USA

Author: Wei, Gongqi William

Frustrations of existing petroleum economy and oil-eating fungi as the trigger of system transformation

Mapping the geography of Underground Storage Tank (UST) facilities and vulnerable ecological hotspots Landscape material exchanges between the mycoremediation park and gasoline stations

Dwelling with Precarity

What do we have to build when preponderant nature overthrow anything trying to be stronger than it?

- HOUSING -

Holohan, Donn

MArch Thesis 2023 Spring

The University of Hong Kong

Davao City, Philippines

Author: Wei, Gongqi William

Dezeen School Shows 2023

https://www.dezeen. com/2023/11/24/university-ofhong-kong-architecture-dezeenschoolshows/

Soft, Sacrificial, and Design-to-Break System that Enables the Building to Take Over, Absorb, and Survive from Preponderant Natural Forces

Settling the Drifted

A misconception of precisely selecting the site as a necessity of design and planning narrows down the potential of a project.

MUSEUM -

-
Cianchetta, Alessandra Architecture Studio 2022 Spring
The University of Hong Kong Victoria Harbor, Hong Kong
Author: Wei, Gongqi William

Floating Ateliers to Reuse, Mobilize, and Reproduce the Non-Places at the Waterfront as A Community of Hong Kong’s Native Art

Six piers along the Victoria Harbor plays their respective roles in the native art community. Rigid infrastructures, or to say the “non-places”, like pier, typhoon shelter, and overpass, are colonized as spatial prototypes. The floating atelier, taking advantage of the MOBILIT Y in the oceanic territory as a freedom-land, fuses the community by metamorphosing with the piers when it duplicates, disperses, and transplant s.

The Floating Atelier Transforms Derelict Structures into New Functional Spaces for the Native Art Community

Four fundamental spaces: foyer, cloister, workshop, and lodge are embedded in the floating atelier. It is AFFORDABLE for local artists to rent the ferry built by a native material system including bamboo, iron sheet, fabric, and batten. The stage receives eight ferries at the Central Pier 9 & 10, where 2 empty piers are often visited by tourists for a grand view of the harbor. This stage publicizes the local community who are usually unable to join large public art events like the art Basel due to organizational or economic reasons. Native artists can hold ART FESTIVALS on the rooftop and organize the event in the foyer of the ferry.

Bamboo Bathhouse

A will to pursue a precise form as a solution kills the humbleness of adaptation, whereas a generative prototype yield the possibility of negotiation.

- HOTEL -
Bolchover, Joshua & Holohan, Donn
Architecture Studio 2021 Fall
The University of Hong Kong
Kathmandu, Nepal
The University of Hong Kong
Author: Wei, Gongqi William
Constructing A Reformative Battleground in the Form of A Bamboo Bathhouse Assembling
Housing Demand, Religious Ritual, and Water Pollution in Kathmandu
Border-less Pavilion. Landscape Design for Feng Chia University. 2021. Instructor: Holohan, Donn. Arkology. Art Installation. 2022. Instructor: Wu, Kaicong.
Weaving the Ground. Installation. 2018. Instructor: Echeverri, Natalia.

A Human-Ecological Reaction to WWF’s Use of Ecosystem Services Prediction of Infrastructure Planning in Myanmar.

Foreign Domestic Workers, Public Space, and the Negotiation of the Commons. Community Design Project. 2019. Instructor: Xiao, P at.

"Water Fusion" Gathering
“Water Fusion” Design for Participation in the Central, Hong Kong (Spring 2019)
Powder 3D Print with Used Coffee Ground. Material Exploration. 2022. Instructor: Trumpf, Susanne Elisabeth.
Illustrations in Thinking and Building on Shaky Ground: On Architecture in Seismic Regions. Fu, Yun, 2023.
Critical Mapping. 2021. Instructor: Kelly, Ashley Scott

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