PORTFOLIO
THE UNIVERSITY OF TEXAS AT AUSTIN
SCHOOL OF ARCHITECTURE
SHEUNG YUK LIU
ARCHITECTURE ACADEMIC PORTFOLIO 2018 - 2022
CONTENTS
02 01
ONE HOUSE, TWO HOUSES, THREE HOUSES.
04 03
FALL 2019
SPRING 2020
GRIDS, ROOMS, MAZES.
ILLUMINATION BEAT
SPRING 2020
FALL 2020
14
4
2|
THE BOTANICAL CENTER
36
22
06 05
BODY, LANDSCAPE, ARCHITECTURE.
08 07
FALL 2018
FALL 2021
FLOATING SETTLEMENT
CONSTRUCTED NATURE
MICROHOME 2020
SPRING 2022
46
42
REGENERATION OF RAILROAD SEGREGATION
60
52
|3
01
GRIDS, ROOMS, MAZES. This assignment requires a system of rooms that can be used as desired – yet the program is not determined. The resulting system allows the construction of a maze-like space with domestic qualities, where the specificity of each room is not defined by its content but by the contingent shell. A labyrinthine perception arises here by employing a strict repetition of rationality and modularity. A 50x50x50’ cube will be removed 50% of the original volume by creating 3 units composed of 5 rooms. All units have similar relationships with each other and the cube, which establishes a clear part-to-whole reading. The project is about setting up a simple ordering system to generate a complicated spacial sequence. In other words, the usage of simple regular geometries to subdivide a square into irregular geometries that are extruded and intersected to developed three-dimensional spacial arrangements.
The square is divided into four quadrants and two quarter-circles and two diagonal lines will subdivide each one respectively to create a secondary pattern system which will be extruded to be the negative space the volume that will be excavated from the 50x50x50’ solid cube to create rooms. The system can generate numerous random pattern combinations, but only those able to fulfill the required rules are selected. In Plan
Ordering System Study Projected Patterns In Plan
6|
The 4x4 grid is applied to create a secondary ordering system on the elevation/facade. The same geometric language is used in the secondary quadrants. However, horizontally extrusions of these patterns only occur where there are openings on facade, then intersect with vertical extrusions to finally define the form of rooms. In Elevation/Facade
Projected Patterns In Elevation
|7
Negative Void Space Demonstration of the negative volumes, including rooms, stairways and connections/doors between rooms, that will be excavated to create rooms in the generic cube.
Northwest View
Southeast View
Northwest View
Southeast View
Positive Solid Volume Black poche highlights the opening and the interior surfaces that are excavated from the negative void.
8|
Pull-apart Isometric Diagram
|9
Backward Pull-Apart Sections
Forward Pull-Apart Sections
Backward Sections
Forward Sections
Both pull-apart isometric sections and perspective sections show the shape and distribution of the solid volume. With the help of black poche, these sections demonstrate a gradient depth of rooms and the connection and relationship between rooms in each units, which emphasize the pattern ordering system.
Gradient of Sections
10 |
Leftward Pull-Apart Sections
Rightward Pull-Apart Sections
Leftward Sections
Rightward Sections
| 11
Collector of Daylight Even though this schematic design does not require specific programs of each rooms, the domestic quality of space is require. The larger openings created by the elevation pattern ordering system guarantee sufficient daylight for each unit.
Look Down
Prospective Plans And Reflected Ceiling Plans Of Level 1 &2
Photos of 3D-printed models of each floor
12 |
Look Up
Look Down
Prospective Plans And Reflected Ceiling Plans Of Level 3 &4
Look Up
Photos Of Assembled 3d-Printed Model
| 13
02 ONE HOUSE, TWO HOUSES, THREE HOUSES. LOCATION: AUSTIN, TX
The project is to design a building that hosts three residential units. The re-imagining of domestic space through a reconceptualization of comfort challenges our preconceptions when addressing the design of a house. This way of operating puts into question issues of standardization, social conventions, and preexisting notions of what a comfortable dwelling is. Therefore, the design must negotiate questions of housing and context to deliver a project that speculates on the evolution of future dwelling. In this project, the rectangle is challenged by triangle and quadrant. In this way, comfort and discomfort are tested by the somewhat compact space, which is a triangular prism or quadrant cylinder formed by equilateral triangular and curved walls or ceilings. The scale of the room is another parameter tested in the design process. Exploration of changing scales helps to deliver an expression of domestic privacy and provide a measurement of comfort and discomfort as well.
Residential Ordering System Instead of either vertically or horizontally set up 3 units, the conventional configuration of apartment units is broken down. These units spread out the footprint both vertically and horizontally to intertwine with each other. Therefore, each apartment with a linear, extended floor plan and multi-stories could contain some features of a single-family house and occupy an approximate floor area. The plan is divided by 20’ x 20’ grids and 10’ x 10‘ grids. Large grids for public space and half-scale grids for private space because smaller separated rooms, in my opinion, provide a better sense of intimacy. Most of the lot is occupied by the house, and the rest of it is a backyard and an unconditional communal open space. Within each unit, the atrium is the threshold of privacy. When you enter one of the units, you encounter the public space first, such as a living room, dining room, and kitchen. Then you walk up the atrium to enter private space like bedrooms, bathrooms, and study rooms. Solid volume left by extrusion in public space is critical in reality because this building is made of concrete, and it is not economical to left it completely solid in modern architecture. So how to utilize them is an issue. The solution is to excavate stairways, toilets and storage rooms from them. These secondary programs are embedded and hidden in poche so that the main interior form remains intact.
The Gradient of Privacy Unit 1
The Gradient of Privacy Unit 2
The configuration of furniture and fixtures also plays a vital role in domestic comfort. They respond to the unusual spatial condition to mitigate the strangeness and discomfort generated by the nonrectangular rooms, or they could serve as a partition or wall to indicate different areas and create an unfamiliar experience.
The Gradient of Privacy Unit 3
16 |
Shared Outdoor Space Floor Plan - Ground Level
Floor Plan - Second Level
Balcony at Unit 1 Floor Plan - Third Level
Balcony at Unit 3
Balcony at Unit 2 Floor Plan - Fourth Level
| 17
Gradient of Privacy The longitudinal section and a series of perspective cross sections clearly demonstrate the gradient of privacy. Larger public space on lower stories, the atrium as the threshold, and smaller private space on higher stories. They show the two scales of rooms and the irregular forms that are contained in rectangular envelopes. Doors are either triangular or quadrant shape, are part of them. The small symbols at the bottom of cross sections represents the locations of these section cuts.
Longitudinal Perspective Section
Cross Perspective Section - Rightward
Cross Perspective Section - Leftward
18 |
Living Room
Light Corridor
Bedroom
Bedroom
Bedroom
| 19
Perspective - Front Facade
20 |
Perspective - Back Facade
| 21
03 ILLUMINATION BEAT LOCATION: AUSTIN, TX
TEAM: LIU, SHEUNG YUK (Diagrams + Structural Detail Drawings) WANG, HAN (Rendering + Interior Design)
The proposal of this project is an Illumination visual art center. The site is located on 4th street in downtown Austin, the densest public transportation area and bicycle and pedestrian-friendly zone of Austin. The site between Waller Creek and Shoal Creek is independent and disconnected for now. In terms of urban scale, we propose three lightshow corridors across the downtown area to connect them and make our project the heart of city activation. And the design will explore the interactions between light and humans and buildings. The building could be a container or be a performing device as well.
Day & Night of Main Facade
By Wang, Han
WAL
13TH
T WATERLOO GREENWAY PARK
TEXAS CAPITOL
12TH
The proposal is a LIGHT ART CENTER to expand and preserve the influence of LIGHT-RELEVANT ART & INSTALLATIONS, and concentrate the essence of CREEK SHOW. 11TH
STREE
STREE
T
T
K
CREEK SHOW has been one of the most attractive annual events in Austin. However, it only holds for ten days every year, and all the art installations are to be uninstalled after the event.
STREE
WAL L E R C REEK
CREEK SHOW
STREE
WAL L E R C
RE E
10TH
T
ER C
EK RE
9TH S TREET
Parabolus
BY AOD
T
Photo: Leonid Furmansky
6TH S TREE
T
BY Drophouse Design
Photo: Leonid Furmansky
TENTSION
BY Perkins + Will
Photo: Leonid Furmansky
2ND S TREET
1ST ST REE
RE
EK
T AUS T CON IN CEN VENTIO TER N
T
W
La Noria
T
WA LLE RC
3RD S TREE
WALLER CR
4TH S TREE
EEK
5TH S TREET
CR LER AL
EEK
PALM PARK
WAY
Photo: Leonid Furmansky
HIG H
BY Campbell Landscape
I-35
Light Lines
REEK RC LE WA L
7TH S TREE
W ALL
8TH S TREET
AL
LE RC RE EK
ER WA LL
CREE K
Ambedo ßeta
24 |
BY Polis
Photo: Leonid Furmansky
fotän FABLE
BY HA Architecture
Photo: Leonid Furmansky
W
TOWN LAKE METROPOLITAN PARK
Phase 1 Phase 2 Phase 3
R CR WALLE
THE LIGHT SHOW CORRIDORS
SH
TEX
AS C
APIT OL
K
EEK L CR OA SH
• From 2rd STREET to 5th STREET • Between SHOAL CREEK and WALLER CREEK
WAL L E R C REEK
LC OA REE
K
URBAN CONCRETE PROPOSAL
RE E OA LC REE K
LOCATED AT THE DOWNTOWN AUSTIN AREA DENSEST PUBLIC TRANSPORTATION AREA BICYCLE-FRIENDLY AREA 5X5 BLOCKS OF DIRECT-INFLUENCED AREA
W ALL
REEK LC
EK RE ER C
H
S
SHOA
EEK WALLER CR EK
RE
UPE ST
ST
ST B
ULDIN CREE K E A ST BO
W ER WA LL
WALLER C REEK
WALLER CREEK
SH
WALL ER C R E E K
EEK L CR OA SH
K EE
SHO AL CR EE K
ER C R
W ALL CR LER EEK AL W
WAL L
E R C R E EK
SHOAL C RE E K
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W AL EK
CR E
LLER WA
EEK L ER CR
AL CR EEK
ER LL
K
MetroRapid Bus Routes
IN
E AS
O ULDIN CREE K R EE K
EA
IN C ULD BO
EAST
IN
CREE
IN
K R EE K
EAST
K
SHOAL C R
CR EEK LL
ER
CR EEK
ER LL
T
High-Frequency Metro Bus Routes
EK
IN C ULD BO
D
E CR
R EE K
W
IN LD
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O ULDIN CREE K ULDIN CREE K E A ST BO
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ST B
RE
EAST BO U E CR
EA
UL BO
RC
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A W
IN LD
EAST
CR EEK OA L
SH EEK L ER
CR E
EEK L ER CR
AL
AL
EEK L ER CR
WA
LLER WA
LLER
CR E
EK
W AL EK
W AL
L ER
CR
EEK CR
CR
L ER
W AL EK
WA
EEK L ER CR AL
CR EEK ER
LL
LE WAL
W
Regular Metro Bus Routes
EK
T
RE
EAST BO U E CR
IN C ULD BO
RC
EK
A W
IN LD
EK
E AS
O ULDIN CREE K
REEK
WALLER C REEK
WALLER CREEK WALL ER C R E E K K EE ER C R
W ALL WAL L
E R C R E EK
SHOAL C RE E K
CR EEK OA L
OA L EEK
SH
SH
SH
OA L C RE K E
CR E
LE WAL
W
D UL BO
K EE
CR LER EEK AL W
SHOAL C R
ER C R
W ALL CR LER EEK AL W E R C R E EK
CR EEK
WAL L
SH
E R C R E EK
SHOAL C RE E K
CR LER EEK AL W
OA L C RE K E
WAL L
SH
EEK L CR OA SH
SHO AL CR EE K
WALL ER C R E E K K EE
SHO AL CR EE K SHOAL C R
ER C R W ALL
REEK
WALLER CREEK
SH
EEK L CR OA SH
WALLER CREEK WALL ER C R E E K
K EE
SHO AL CR EE K
WALLER C REEK
REEK
WALLER C REEK
REEK SH EEK L CR OA SH
C
LLER
RE
CREE
AL
SHOAL C RE E K
SH
O
CR EEK
OA L C RE K E
RC
CREE
C
OA L
K EE
SH
AL
SHOAL C R
W
EK
EAST BO U
E CR
K
CREE K
Single function buildings as parking garages are inefficent
A W
Current Bicycle Lanes
CREE
IN
ER
OA L C RE K E
O
LE WAL
IN LD
R EE K
C
RE
EAST BO U
EAST
EEK
SH
AL
RC
EK
W
ULDIN CREE K E A ST BO
CR LER AL
RIV
O
K EE
A W
ST B
DO
C
K EE
EA
RA
LIGHT SHOW CORRIDOR Proposal Diagram
LE WAL
IN C ULD BO
LO
AL
LIGHT SHOW CORRIDOR PRECEDENTS
CO
AUST CON IN CEN VENTIO TER N
AL
Low land use rate Surface Parking Lots in Downtown Austin
D
MOO THEA DY TER
LE RC RE EK
Site Educational Group E Mercantile Group M Business Group B Assembly Group A-1 Assembly Group A-2 Assembly Group A-3 Residential Group R Mixed Use Building under Construction Parking Garage Surface Parking
UL BO
T
LIGHT SHOW CORRI DORS
WA LLE RC
OA LC
SH
2ND ST REE
T
LAVACA
RE
EK
3RD ST REE
SHO AL C REE K
The project can radiate the energy of light art and public space.
T E AS
4TH ST REET
SITE
GUADAL
ST TONIO SAN AN
NUECES
ST
SH OA L C
EK
The proposal is three LIGHT SHOW CORRIDORS across the downtown which aim to connect two creeks and make the project the HEART of city activation.
REEK RC LE WA L
5TH ST REET
RE
The site is located on the 4th street in downtown Austin, and between WALLER CREEK & SHOAL CREEK. Downtown area is a high-dense public transportation area and a bicyclefriendly and pedestrian-friendly area.
O
• • • •
WAL L E R C
THE HEART OF CITY ACTIVATION
T
D UL BO
EA
ST B
O ULDIN CREE K ULDIN CREE K E A ST BO
| 25
RELATIONSHIP BETWEEN LIGHT AND HUMANS
LIGHT SOURCES
RECEIVER
• Daylight • Illuminating Installations • Digital Screens
• Human Eyes
REFLECTORS • Specular Reflection • Diffuse Reflection
RELATIONSHIP BETWEEN LIGHT AND STRUCTURE
CONTAINER OF LIGHT SOURCE
LIGHT SOURCE (SELF-ILLUMINATION)
OPACITY/TRANSPARENCY OF SPACE AND MATERIALS
OPAQUE
TRANSLUCENT
TRANSPARENT INTERIOR LIGHT EFFECT PRECEDENTS
26 |
AREA SPECULATION AND PROGRAMS ACADEMY MEZZANINE SITE
REPUBLIC SQUARE
RESIDENTIAL TOWER
PROPOSED PROJECT
LOT AREA
300 FT X 300 FT = 90,000 SF
APPROX. 95,000 SF
125 FT X 65 FT = 8,125 SF
81,875 SF
FLOOR AREA
300 FT X 300 FT = 90,000 SF
APPROX. 95,000 SF
8,125 FT X 25 FLOORS = 2,046,875 SF
APPROX. 60,000 SF
ACADEMY CLASSROOM ACADEMY LECTURE HALL
RESIDENTIAL TOWER
CORE
SERVICE ZONE STEP-UP ROOFTOP TERRACE FRONT STAIRS, RAMPS, SLOPES SUBTRACTION
SUBTRACTION
300 FT X 300 FT = 90,000 SF
SOLID LOT AREA 300 FT X 225 FT = 67,500 SF SLOPE: PUBLIC OPEN SPACE INTERACTS WITH REPUBLIC SQUARE PUBLIC LOT AREA 300 FT X 75 FT = 22,500 SF
COURTYARD + MAIN ENTRANCES: PROVIDE MOVEMENT THROUGH THE BUILDING FROM REPUBLIC SQUARE
SITE LOT
MAIN PROGRAM DIVISIONS
NORTH OPEN SPACE
GET THROUGH SOUTH-NORTH
SUBTRACTION
SUBTRACTION
ADDICTION
SUBTRACTION
SLOPE: PUBLIC OPEN SPACE INTERACTS WITH REPUBLIC SQUARE
SUSPENSION: STEP-UP RAMP FORM
EAST PORTION: BALANCE THE WHOLE STRUCTURE
SUSPENDED EAST PORTION: UNIFY CONCEPT FORM
ROOFTOP TERRACE
SUSPENDED NORTH PORTION
ADD EAST PORTION
SUSPENDED EAST PORTION
FLEXIBLE EXHIBITION SPACE
SOUTH ENTRANCE SUNKEN COURTYARD MOVEMENT FLOWS
NORTH MAIN ENTRANCE
OPEN TIME SCHEDULE
VISITORS
9:00 AM - 10:00 PM
EGRESS
12:00 PM - 8:00 PM
ELEVATORS
ALL DAY
PROGRAMS AND MOVEMENT DIAGRAM
| 27
2 3
1
A 209 301
A 301
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2
3
30' - 0"
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30' - 0"
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2 3
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A 209 301
A 301
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30' - 0"
1 A
A
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C
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D
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10 A
25' - 0"
A
15' - 0"
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B 29' - 4 1/2"
2
4
A 302
A 209
2
4
A 302
A 209
LECTURE HALL 2149 SF
C
15' - 0"
C
E F
1
F
15' - 0"
A 302
G H
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15' - 0"
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I
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15' - 0"
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J
G
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29' - 4 1/2" GALLARY 2979 SF
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30' - 0"
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E
1
A 302
G
15' - 0"
G
451 W 4TH ST PARKING, AUSTIN, TEXAS, UNITED STATES
F
D 29' - 4 1/2" STORAGE 1041 SF
E
15' - 0"
E
ILLUMINATION BEAT
15' - 0"
D
Design Team SHEUNG YUK LIU
K
K
K
K
HAN WANG
Consultant 30' - 0"
MATT FAJKUS RESIDENTIAL TOWER 4518 SF
MARLA SMITH
L
L
Date
L
L
09/19/2020 Scale 1/16" = 1'-0"
1
1
2
3
4
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FLOOR PLAN - LEVEL -3 BASEMENT
10
FLOOR PLAN - LEVEL -1 - FOUNDATION
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FLOOR PLAN - LEVEL 3 - LECTURE HALL 1
LEVEL -3 - BASEMENT 1/16" = 1'-0"
LEVEL 3 - LECTURE HALL 1/16" = 1'-0"
A 202
1 A 301
2 3 A 209 301
1
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30' - 0"
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1 A 301
2 3 A 209 301 0' - 0"
0' - 3"
A
A
A
-7' - 6"
-0' - 1 7/8"
0' - 3"
3' - 6"
A
3' - 6"
-5' - 0" UNDERWATER RESTAURANT (UNDERNEATH RAMP AREA) 3278 SF
SMALL EXHIB. 807 SF
SMALL EXHIB. 725 SF
SMALL EXHIB. 718 SF
25' - 0"
25' - 0"
KITCHEN 272 SF
-2' - 10 1/2"
B -7' - 1 1/4"
D
ILLUMINATION EXHIBITION 5959 SF
-6' - 1"
RESTROOM 306 SF
D
E
E
15' - 0"
-7' - 6"
15' - 0"
SMALL EXHIB. 217 SF
-5' - 7" -5' - 0"
F
1 VISITOR SERVICES 341 SF
-5' - 0 3/4"
EGRESS 225 SF
15' - 0"
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G
G
-5' - 0"
-5' - 0" MECHANICAL ROOM 613 SF
F
SMALL EXHIB. 218 SF
15' - 0"
EGRESS 263 SF
15' - 0"
A 302
SOUVENIR STORE 473 SF
H RESTROOM 218 SF
DIGITAL EXHIBITION 1276 SF
COURTYARD 6754 SF
15' - 0"
H
15' - 0"
RESTROOM 286 SF
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I
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J
12' - 6"
D E F
1
A 302
12' - 6"
G H RESTROOM 286 SF
I
15' - 0"
-5' - 0" STORAGE ROOM 1309 SF
C 12' - 6"
15' - 0"
15' - 0"
H
30' - 0" 15' - 0"
MECH. 50 SF
SMALL EXHIB. 217 SF
-5' - 0"
A 209 302
451 W 4TH ST PARKING, AUSTIN, TEXAS, UNITED STATES
15' - 0"
SLOPE CREEK SHOW EXHIBITION 9015 SF
15' - 0"
C
RESTROOM 306 SF
-6' - 7 1/8"
E
15' - 0"
2 4
C SMALL EXHIB. 217 SF
D
F
B
SMALL EXHIB. 205 SF
2 4 A 209 302
C
B
ILLUMINATION BEAT
15' - 0"
B
-5' - 0"
J
J
Design Team
J
SHEUNG YUK LIU
LOADING ZONE 962 SF
-2' - 6"
LOADING DOCK 1641 SF
DIGITAL EXHIBITION 1248 SF
-5' - 0"
RESTROOM 319 SF
DIGITAL EXHIBITION 1251 SF
DIGITAL EXHIBITION 3142 SF
Consultant 30' - 0"
30' - 0"
HAN WANG
0' - 0"
-5' - 0"
MATT FAJKUS DIGITAL EXHIBITION 1265 SF
K
20' - 0"
K Date 09/19/2020
20' - 0"
30' - 0"
30' - 0"
22' - 6"
K
RESTROOM 318 SF
EGRESS 165 SF
17' - 6"
Scale DIGITAL EXHIBITION 1280 SF
MECH. ROOM 319 SF
L
24' - 6"
MARLA SMITH
K
RAMP
0' - 0"
RESIDENTIAL TOWER 3817 SF
1/16" = 1'-0"
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L FLOOR PLAN - LEVEL -1 EXHIBITIOIN
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DIGITAL FAB. LAB 695 SF
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STUDIO 1210 SF
STORAGE 569 SF
DIGITAL FAB. LAB 679 SF COMPUTER LAB 697 SF
CLASSROOM 603 SF
STORAGE 569 SF
E
RESTROOM 297 SF
RESTROOM 305 SF
1 A 302
15' - 0"
EGRESS 262 SF
15' - 0"
G 15' - 0"
MECH. 608 SF
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H I 15' - 0"
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G H I J
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RESIDENTIAL TOWER 7131 SF
Design Team 30' - 0"
30' - 0"
K
F
1
A 302
451 W 4TH ST PARKING, AUSTIN, TEXAS, UNITED STATES
15' - 0"
15' - 0"
CLASSROOM 603 SF
C
CAFE/LOUNGE 432 SF
LIGHT LAB 987 SF
15' - 0"
35' - 0" DIGITAL FAB. LAB 679 SF
15' - 0"
2
15' - 0"
15' - 0"
STUDIO 915 SF
25' - 0"
7
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29' - 4 1/2"
COMPUTER LAB 697 SF
6
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LECTURE HALL 2149 SF
40' - 0"
E
15' - 0"
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DIGITAL FAB. LAB 695 SF
30' - 0"
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F
A
15' - 0"
RAMP
CAFE/LOUNGE 432 SF
LIGHT LAB 987 SF
5
25' - 0"
25' - 0" 15' - 0"
37' - 2 1/8" RAMP
2 4 A 209 302
4
A 301
30' - 0"
A 1
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RAMP
C
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A 209 301
27' - 6"
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FLOOR PLAN - LEVEL 2 - ROOF TERRACE
A 301
2 3
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LEVEL 1 - ROOF TERRACE 1/16" = 1'-0"
30' - 0"
A
B
1
A 203 1
FLOOR PLAN - LEVEL 1 - EXHIBITION
LEVEL -1 - EXHIBITION 1/16" = 1'-0"
ILLUMINATION BEAT
1
RESIDENTIAL TOWER 4518 SF
SHEUNG YUK LIU HAN WANG
L
L
L
Consultant
L
MATT FAJKUS MARLA SMITH
Date 09/19/2020
1
SITE PLAN, By Wang, Han
28 |
1
LEVEL 2.3 - ACADEMY 1/16" = 1'-0"
2
3
4
5
FLOOR PLAN - LEVEL 4 - ACADEMY
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Scale
10
1/16" = 1'-0"
LEVEL 4 - ACADEMY 1/16" = 1'-0"
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FLOOR PLAN - LEVEL 5 - ACADEMY 1
FLOOR PLAN - LEVEL 2 ACADEMY
A 205
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10
PRELIMINARY STRUCTURES AND MATERIALS The pursuit of the structural expression is light and yet solid. The seemingly controversial characteristics are extracted from the massing concept and light art. Therefore, the main structure is the concrete plate and column with secondary steel framing to reduce the dead load and increase span. STEEL FRAMING STRUCTURE
STRUCTURAL CORE FOR RESIDENTIAL TOWER DOUBLE-GLAZED CURTAIN WALLS
ALUMINUM STRIPE FACADE W/. LED
STEEL FRAMING STRUCTURE
DOUBLE-GLAZED CURTAIN WALLS
REINFORCED CONCRETE FLAT PLATE SUSPENDED CEILING SYSTEMS
REINFORCED CONCRETE COLUMNS
SUSPENSION CEILING
CONCRETE WALLS
POLISHED STONE FLOOR
CONCRETE FOUNDATION
CONCRETE FOUNDATION REINFORCED CONCRETE COLUMNS
AXON EXPLOSION - STRUCTURES
PERSPECTIVE SECTION - STRUCTURES
| 29
2 4
1
A 209 302
A 302
2 4
1
A 209 302
A 302
LEVEL 5 - ROOF
55' - 6"
LEVEL 5 - ROOF
55' - 6"
LEVEL 2.4 - ACADEMY
40' - 0"
LEVEL 2.3 - ACADEMY
35' - 0"
LEVEL 2.4 - ACADEMY
40' - 0"
LEVEL 2.3 - ACADEMY
35' - 0"
LEVEL 1 - ROOF TERRACE
12' - 6"
LEVEL 1 - ROOF TERRACE 12' - 6" LEVEL 0 - GROUND 0' - 0"
LEVEL -1 - EXHIBITION
-5' - 0"
LEVEL - GROUND LEVEL -3 -0BASEMENT
0' -- 0" -11' 0"
LEVEL -1 - EXHIBITION
-5' - 0"
LEVEL -3 - BASEMENT
-11' - 0"
SECTION - MAIN ENTRANCE 1
SECTION - MAIN ENTRANCE 3/32" = 1'-0"
1
SECTION - MAIN ENTRANCE 3/32" = 1'-0"
1 A 303
1 A 303
2 4
1
A 209 302
A 302
2 4
1
A 209 302
A 302
LEVEL 5 - ROOF
55' - 6"
LEVEL 5 - ROOF
55' - 6"
LEVEL 4 - ACADEMY
41' - 0"
LEVEL 4 - ACADEMY
41' - 0"
LEVEL 2.1 - ACADEMY
25' - 0"
LEVEL 1 - ROOF
TERRACE LEVEL 2.1 - ACADEMY 12' - 6"
25' - 0"
Design
SHEUNG Y
HAN WAN
LEVEL 1 - ROOF TERRACE 12' - 6" LEVEL 0 - GROUND
0' - 0"
LEVEL -1 - EXHIBITION
-5' - 0"
- GROUND LEVEL LEVEL -3 -0BASEMENT
0' -- 0" 0" -11'
LEVEL -1 - EXHIBITION
-5' - 0"
LEVEL -3 - BASEMENT
-11' - 0"
Consul Design
SHEUNG MATT FAJY
HAN WAN MARLA SM
Consul
MATT FAJ
Date
MARLA SM
09/19/2 Scale
3/32" = Date
09/19/2
Scale TRANS 3/32" =
2
SECTION - WEST PORTION 3/32" = 1'-0"
SECTION - WEST PORTION SECTION - WEST PORTION 2 3/32" = 1'-0"
30 |
TRANS
A3
A3
1 A 301
2 3 A 209 301
1 A 301
2 3 A 209 301
LEVEL 5 - ROOF
55' - 6"
LEVEL 5 - ROOF
55' - 6"
LEVEL 2.4 - ACADEMY
40' - 0"
LEVEL 3 - LECTURE HALL LEVEL 2.4 - ACADEMY 29' - 4 1/2"
1 A 305
40' - 0"
LEVEL 3 - LECTURE HALL
1 A 305
29' - 4 1/2"
LEVEL 1 - ROOF TERRACE
12' - 6"
LEVEL 1 - ROOF LEVEL 0 - TERRACE GROUND 12' - 6"
0' - 0"
LEVEL -1 - EXHIBITION
-5' - 0"
LEVEL -3 -0BASEMENT LEVEL - GROUND -11' - 0"
0' - 0"
LEVEL -1 - EXHIBITION
-5' - 0"
LEVEL -3 - BASEMENT
-11' - 0"
1
SECTION - COURTYARD SECTION - COURTYARD 3/32" = 1'-0"
1
SECTION - COURTYARD 3/32" = 1'-0"
1 A 301
2 3 A 209 301
1 A 301
2 3 A 209 301
LEVEL 5 - ROOF
55' - 6"
LEVEL 5 - ROOF LEVEL 4 - ACADEMY
55' 41' - 6" 0"
LEVEL 2.4 - ACADEMY
40' - 0"
LEVEL 2.3 - ACADEMY LEVEL 3 - LECTURE HALL
29' - 4 1/2"
35' - 0"
LEVEL 4 - ACADEMY 41' - 0" LEVEL 2.2 - ACADEMY 30' - 0" LEVEL 2.4 - ACADEMY
Design
40' - 0"
LEVEL 2.1 - ACADEMY 25' - 0" LEVEL 2.3 - ACADEMY LEVEL 3 - LECTURE HALL
29' - 4 1/2"
SHEUNG Y
HAN WAN
35' - 0"
LEVEL 2.2 - ACADEMY
Consul Design
30' - 0"
LEVEL 1 - ROOF LEVEL 2.1 - ACADEMY TERRACE
MATT FAJ SHEUNG Y
25' - 0" 12' - 6"
MARLA SM HAN WAN
Consul LEVEL 1 - ROOF LEVEL 0 - TERRACE GROUND 12' - 6"
MATT FAJ
Date
MARLA SM
09/19/2
0' - 0"
Scale
LEVEL -1 - EXHIBITION LEVEL - 2 EXHIBITION
-7' - 6"
-5' - 0"
3/32" = Date
LEVEL -3 -0BASEMENT - GROUND LEVEL -11' - 0"
09/19/2
0' - 0"
Scale LONGIT 3/32" =
LEVEL -1 - EXHIBITION LEVEL - 2 EXHIBITION
-7' - 6"
-5' - 0"
LEVEL -3 - BASEMENT
-11' - 0"
LONGIT
2
SECTION - NORTH PORTION 3/32" = 1'-0"
2
SECTION - NORTH PORTION 3/32" = 1'-0"
A3
SECTION - NORTH PORTION
A3 | 31
3/8" PLYWOOD WOOD CAP PLATE
ALUMINUM COPING W/. FLASHING BASE FLASHING CONTINUOUS RUNNER CHANNEL
3/8" PLYWOOD 1 - 1/2" GYPSUM FINISHING
ALUMINUM PATTERN PANEL
WOOD PLATE 3" RIGIDCAP INSULATION
LED PANEL UNITS
1
1/2" VAPOR RETARDER
LED PANEL GUIDE UNITS
1" ROOF MEMBRANE
4" LIGHT WEIGHT CONCRETE ON METAL DECK BASE FLASHING CONTINUOUS RUNNER FINISHING CHANNEL 1" THICK WHITE CONCRETE
1 - 1/2" GYPSUM FINISHING
ALUMINUMVAPOR PATTERN PANEL RETARDER
1/2" VAPOR RETARDER
LED PANEL3/8" GUIDE UNITS PLYWOOD 1" AIR CAVITY
S.S. GUARD RAIL W/. GLASS PANEL
1" ROOF MEMBRANE
WOOD CAP PLATE 3/4" PLYWOOD SHEATHING
ANGLE-BOLTED CONNECTION
1" THICK WHITE CONCRETE FINISHING
STEEL W BEAMS
VAPOR RETARDER
DOUBLE ANGLES
BASE FLASHING 3" THICK RIGID INSULATION
GUARDSYSTEM RAIL W/. GLASS PANEL COMPOSITE S.S. ROOF L 2X2X1/8
BATT INSULATION
1/2" VAPOR RETARDER 4 - 1/4" METAL STUDS @ 16" O.C.
STEEL W BEAMS
4" LIGHT WEIGHT CONCRETE ON METAL DECK
DOUBLE ANGLES
L 2X2X1/8
1/2" THICK LIGHT-WEIGHT CONCRETE FLOORING PANEL ON METAL DECKING
L 3X3X3/16 L 2X2X1/8
E CONCRETE FINISHING
WINDOW TOP FRAME
S.S. GUARD RAIL W/. GLASS PANEL
3/8"∅ HANGER RODS @ 32" O.C.E.W
VAPOR RETARDER
WATER TEXTURE GLASS PANEL
CHANNEL CLAMPS
ICK RIGID INSULATION 1" AIR CAVITY
S.S. GUARD RAIL W/. GLASS PANEL
CONTINUOUS RUNNER CHANNEL BATT INSULATION
PLYWOOD SHEATHING
HSS 4X4X1/8 ROUND HSSSYSTEM 4X4X1/8 COLUMN INTERIOR CURTAIN WALL
FINISHING PANEL
LIGHT-GAUGE STEEL STUDS @ 36" O.C. CONNECTION ANGLE-BOLTED
ETAL STUDS @ 16" O.C.
WINDOW BOTTOM FRAME
CONTINUOUS LIGHT GAUGE ANGLE
1/2" THICK LIGHT-WEIGHT CONCRETE HSSDECKING 2X1X1/8 FLOORING PANEL ON METAL
METAL CHANNELS @ 32" O.C. L 2X2X1/8 METAL FURRING CHANNELS @ 16" O.C.
STEEL BEAMS CURTAIN WALL TOPWFRAME
7
3/8"∅ HANGER RODS @ 32" O.C.E.W 5/8" GYPSUM BOARD
DOUBLE ANGLES DOUBLE-GLAZED CURTAIN WALL L 3X3X3/16
WINDOW TOP FRAME
DETAIL - RAMP & ROOFTOP TRANSITION 1 1/2" = 1'-0"
INTERIOR STEEL FLOOR SYSTEM WATER TEXTURE GLASS PANEL
L 2X2X1/8
CHANNEL CLAMPS
WINDOW BOTTOM FRAME
CONTINUOUS LIGHT GAUGE ANGLE
HSS 4X4X1/8
DETAIL CONTINUOUS - PARAPET RUNNER WALL CHANNEL 1 1 1/2" = 1'-0"
1
DOUBLE-GLAZED CURTAIN WALL
CURTAIN WALL TOP FRAME TRANSLUCENT GLASS PANEL ON STEEL STRUCTURE
OUS RUNNER CHANNEL
1/2" THICK LIGHT-WEIGHT CONCRETE FLOORING PANEL ON METAL DECKING
L 2X2X1/8 DETAIL - PARAPET WALL 3/8"∅ HANGER RODS @ 32" O.C.E.W 1 1/2" = 1'-0" ALUMINUM PATTERN PANEL CHANNEL CLAMPS LED PANEL UNITS
5/8" GYPSUM CURTAIN WALL BOTTOM FRAMEBOARD 4" LIGHT GAUGE STEEL STUDS @ 24" O.C. 4" HORIZONTAL LIGHT GAUGE STEEL STUDS
HSS 2-1/2X2-1/2X1/4
TAIN WALL TOP FRAME
5/8" GYPSUM ALUMINUM PATTERN PANELBOARD LIGHT GAUGE STEEL STUDS 14"4"CONCRETE FOUNDATION WALL@ 24" O.C. LED PANEL UNITS CURTAIN WALL MULLIONS 3" RIGID INSULATION LED PANEL GUIDE UNITS DOUBLE-GLAZED CURTAIN WALL 1" GYPSUM BOARD
GLAZED CURTAIN WALL
ET WALL
2
HSS 2X1X1/8
7
1" THICK POLISHED STONE ALUMINUM PATTERN PANEL FINISHING FLOOR
LEVEL 2.1 - ACADEMY
25' - 0"
DETAIL - CURTAIN WALL ATTACHMENT 1 1/2" = 1'-0"
3
48"X18" CONCRETE FOOTING
EXPANSION JOINT
BATT INSULATION
12" REINFORCED CONCRETE GROUND SLAB
W18 FLOOR BEAM BEYOND
WATERPROOFING MEMBRANE 2" CONCRETE 1" THICK POLISHED STONE FINISHING FLOOR 6" THICK BASE COURSE OF GRAVEL
CONTINUOUS RUNNER CHANNEL
3
LED PANEL GUIDE UNITS
GLAZED CURTAIN WALL
STEEL W/. BEAM
DETAIL- ACADEMY FLOOR EDGE 1 1/2" = 1'-0"
CONTINUOUS RUNNER CHANNEL METAL FURRING CHANNELS @ 16" O.C.
METAL FLASHING
N WALL ATTACHMENT
6
12" THICK POST-TENSIONING CONCRETE FLAT SLAB
1" THICK SUSPENDED PLASTER SOFFIT METAL FURRING CHANNELS @ 24" O.C. BASE PLATE
METAL FURRING CHANNELS @ 16" O.C.
ANCHOR BOLTS
1" THICK SUSPENDED PLASTER SOFFIT
18"∅ REINFORCED CONCRETE COLUMN
CURTAIN WALL CONNECTOR
STRUCTURE DETAIL - 1 - CURTAIN WALL
6
COLORFUL LINEAR WALL-MOUNTED LIGHT DETAIL- ACADEMY FLOOR EDGE 3 1 1/2" = 1'-0"
S.S. GUARD RAIL W/. GLASS PANEL
12' - 6"
LEVEL 1 - ROOF TERRACE
2" THICK LIGHT-WEIGHT CONCRETE
2" THICK RIGID INSULATION
2" THICK RIGID INSULATION
8" THICK REINFORCED CONCRETE FLAT PLATE
8" THICK CONCRETE FLAT PLATE
12' - 6"
DOUBLE ANGLES
CURTAIN WALL TOP FRAME
HAN WANG
A 306
WALL SECTION DETAILS
Scale & BEAM CONNECTION DETAIL - COLUMN 1 1/2" = 1'-0" 1 1/2" = 1'-0"
A 306 2
WALL SECTION DETAILS LEVEL 1 - ROOF TERRACE
12' - 6"
A 306
RIGID INSULATION
CONCRETE FOUNDATION WALL
MATT FAJKUS
MARLA SMITH
5
DETAIL - TERRACE EDGE 1 1/2" = 1'-0"
METAL FURRING CHANNELS @ 36" O.C.
GRAVEL DRAINAGE
09/19/2020
CHANNEL CLAMPS
1
3" COMPACTED RIGID INSULATION SUBGRADE 1" GYPSUM BOARD
BASEMENT WALL
WALL SECTION DETAILS
MECHANICAL SPACE
LEVEL -3 - BASEMENT
-11' - 0"
LEVEL -3 - BASEMENT
EXPANSION JOINT
-11' - 0"
A 307
4" RIGID INSULATION CRUSHED STONE
-5' - 0"
1 1/2" = 1'-0"
12" REINFORCED CONCRETE GROUND SLAB
SUBSOIL DRAINAGE PIPE
LEVEL -1 - EXHIBITION
Scale
DETAIL - LED STRIPE IN FLOOR 1 1/2" = 1'-0"
AGGREGATE BASE COURSE DRAINAGE MAT STONE RESERVOIR WATERPROOFING MEMBRANE CONCRETE CURB 14" CONCRETE FOUNDATION WALL
DRAINAGE MAT
Date
METAL FURRING CHANNELS @ 24" O.C.
PERVIOUS CONCRETE SURFACE
METAL BASE FLASHING HSS 2-1/2X2-1/2X1/4
1 1/2" = 1'-0"
Consultant
9" THICK CONCRETE WALL
STRUCTURE DETAIL - 2 - WALL
TRANSLUCENT GLASS PANEL ON STEEL STRUCTURE
18"∅ REINFORCED CONCRETE COLUMN
WATER TEXTURE GLASS PANELS
CONCRET FLOOR PANEL ON STEEL BEAMS
CURTAIN WALL BOTTOM FRAME TRANSLUCENT GLASS PANEL
WOOD CAP PLATE
1
Scale
SHEUNG YUK LIU
2" THICK RIGID INSULATION
ALUMINUM COPING W/. FLASHING
25' - 0"
09/19/2020
Design Team
3/8"∅ HANGER ROD @ 32" O.C.E.W 1" THICK LIGHT-WEIGHT CONCRETE FINISHING
BASE PLATE
LEVEL 2.1 - ACADEMY
Date
ROUND HSS COLUMN
WHITE COLOR LED STRIPE BUILT INTO FLOOR LEVEL 1 - ROOF TERRACE
2" THICK LIGHT-WEIGHT CONCRETE
DETAIL - COLUMN & BEAM CONNECTION 1 1/2" = 1'-0"
451 W 4TH ST PARKING, AUSTIN, TEXAS, UNITED STATES
RTAIN WALL MULLIONS
L-ANGLE-BOLTED CONNECTION
DETAIL - COLUMN & BEAM CONNECTION METAL FURRING CHANNELS @ 16" O.C. Consultant 1 1/2" = 1'-0" MATT FAJKUS PLASTER SOFFIT 1" THICK SUSPENDED
ANCHOR BOLTS Date 18"∅ REINFORCED CONCRETE COLUMN 09/19/2020
1" THICK SUSPENDED PLASTER SOFFIT
1" THICK CONCRETE SPANDREL WALL
WALL SECTION DETAILS
STEEL FLOOR SYSTEM
BASE PLATE
METAL FURRING CHANNELS @ 16" O.C.
COMPACTED SUBGRADE
ILLUMINATION BEAT
ALUMINUM PATTERN PANEL DETAIL - FOUNDATION LED PANEL UNITS 1 1/2" = 1'-0"
MARLA SMITH
MARLA SMITH
PERIMETER CHANNEL
2
Scale Consultant 1 1/2" = 1'-0" MATT FAJKUS
HAN WANG
W18 FLOOR BEAM BEYOND
AL CHANNEL BRACING
TEEL STUDS @ 24" O.C.
09/19/2020 HAN WANG
SHEUNG YUK LIU 18"∅ REINFORCED CONCRETE COLUMN
6 METAL FURRING CHANNELS @ 24" O.C.
BATT INSULATION
T GAUGE STEEL STUDS
ANCHOR Design Team STEEL W/.BOLTS BEAM
4" THICK LIGHT-WEIGHT CONCRETE ON METAL DECKING
METAL FLASHING DETAIL- ACADEMY FLOOR EDGE 1 1/2" = 1'-0"
Design Team Date YUK LIU SHEUNG
1" THICK SUSPENDED PLASTER SOFFIT
1" THICK SUSPENDED PLASTER SOFFIT
41' - 0"
MARLA SMITH
METAL FURRING CHANNELS @ 16" O.C.
BASE PLATE L-ANGLE-BOLTED CONNECTION
HAN WANG
MATT FAJKUS
DOUBLE GLAZED CURTAIN WALL SYSTEM
1" THICKFURRING CONCRETE SPANDREL WALL METAL CHANNELS @ 16" O.C.
SHEUNG YUK LIU
Consultant
PERIMETER CHANNEL METAL FURRING CHANNELS @ 24" O.C.
4" RIGID INSULATION
LED PANEL UNITS 4" THICK LIGHT-WEIGHT CONCRETE ON METAL DECKING LED PANEL GUIDE UNITS
4" LIGHT GAUGE STEEL STUDS @ 24" O.C. CURTAIN WALL MULLIONS SUBSOIL DRAINAGE PIPE
ED PANEL GUIDE UNITS
-11' - 0"
Design Team
LEVEL 4 - ACADEMY
RAMP
1" THICK POLISHED STONE FINISHING FLOOR L-ANGLE-BOLTED CONNECTION 4" THICK LIGHT-WEIGHT BEAM CONCRETE ON STEEL METALW/. DECKING
LEVEL -3 - BASEMENT
METAL FLASHING
DETAIL - CURTAIN WALL ATTACHMENT 1 HORIZONTAL 1/2" = 1'-0" LIGHT GAUGE STEEL STUDS 4"
4" HORIZONTAL LIGHT GAUGECURTAIN STEEL STUDS DOUBLE-GLAZED WALL
2
4" LIGHT GAUGE STEEL STUDS @ 24" O.C.
CONTINUOUS RUNNER CHANNEL
INUM PATTERN PANEL COLORFUL LINEAR LIGHT
4" THICK LIGHT-WEIGHT CONCRETE W18 FLOOR BEAM BEYOND ON METAL DECKING PERIMETER CHANNEL LEVEL 2.1 - ACADEMY 25' - 0" CONCRETE SPANDREL WALL 1" THICK
LED PANEL GUIDE UNITS
CURTAIN WALL 1 5/8" DOUBLE-GLAZED HORIZONTAL CHANNEL BRACING
LED PANEL UNITS
CURTAIN WALL BOTTOM FRAME
LIGHT GAUGE STEEL STUDS DETAIL - RAMP & ROOFTOP TRANSITION4" HORIZONTALALUMINUM PATTERN PANEL 1 1/2" = 1'-0" LED PANEL UNITS
WALLSTUDS BOTTOM FRAME 4" LIGHT CURTAIN GAUGE STEEL O.C. CRUSHED STONE@ 24"
4" THICK LIGHT-WEIGHT CONCRETE ON METAL DECKING
HSS 4X4X1/8 1" THICK POLISHED STONE BATT INSULATION ROUND HSS 4X4X1/8 COLUMN FINISHING FLOOR
DOUBLE-GLAZED CURTAIN WALL METAL CHANNELS @ 32" O.C. DRAINAGE 4" HORIZONTAL LIGHT GAUGE MAT STEEL STUDS METAL FURRING CHANNELS @ 16" O.C. 1 5/8" HORIZONTAL CHANNEL BRACING WATERPROOFING MEMBRANE
LIGHT GAUGE STEEL WALL STRUCTURE 1" THICK POLISHED STONE FOR CURTAIN WALL AND FACADE PANEL ATTACHMENT FINISHING FLOOR
WINDOW BOTTOM FRAME
FINISHING PANEL
TEEL STUDS @ 36" O.C.
DETAIL - RAMP & ROOFTOP TRANSITION1" THICK POLISHED STONE 7 FINISHING FLOOR 1 1/2" = 1'-0" 4" THICK LIGHT-WEIGHT CONCRETE ON METAL DECKING WINDOW TOP FRAME LEVEL 2.1 - ACADEMY 25' - 0" WATER TEXTURE GLASS PANEL
CONTINUOUS LIGHT GAUGE ANGLE
LED PANEL GUIDE UNITS
ILLUMINATION BEAT
WOOD CAP PLATE
HSS 2X1X1/8
METAL FURRING DOUBLE-GLAZED CURTAIN WALL CHANNELS @ 16" O.C.
451 W 4TH ST PARKING, AUSTIN, TEXAS, UNITED STATES
METAL CHANNELS @ 32" O.C.
CURTAIN WALL TOP FRAME ALUMINUM COPING W/. FLASHING
ROUNDROUND HSSHSSCOLUMN 4X4X1/8 COLUMN
FINISHING PANEL
LIGHT-GAUGE STEEL STUDS @ 36" O.C.
1
451 W 4TH ST PARKING, 451 W 4TH ST PARKING, AUSTIN, TEXAS, AUSTIN, UNITED STATES TEXAS, UNITED STATES
ANGLE-BOLTED CONNECTION
1" ROOF MEMBRANE
ILLUMINATION ILLUMINATION BEAT BEAT
LED PANEL UNITS
55' - 6"
SUSPENDED CEILING SYSTEM
S.S. GUARD RAIL W/. GLASS PANEL
3" RIGID INSULATION 3/4" PLYWOOD SHEATHING
D PANEL GUIDE UNITS
LEVEL 5 - ROOF
L 3X3X3/16
1 1" - 1/2" AIRGYPSUM CAVITY FINISHING
NUM PATTERN PANEL
ALUMINUM PATTERN SYSTEM W/.LED LIGHT SHEET AND GUIDE PANEL UNIT
BATT INSULATION 4" LIGHT WEIGHT CONCRETE ON METAL DECK
4 - 1/4" METAL STUDS @ 16" O.C.
US RUNNER CHANNEL
S.S. GUARD RAIL W/. GLASS PANEL
PARAPET WALL W/. FLASHING SYSTEM
3" RIGID INSULATION
LEDALUMINUM PANEL UNITS COPING W/. FLASHING 3" THICK RIGID INSULATION
3
WATERPROOFING MEMBRANE 2" CONCRETE 6" THICK BASE COURSE OF GRAVEL
COLORFUL LINEAR LIGHT 48"X18" CONCRETE FOOTING COMPACTED SUBGRADE
BEAT
STRUCTURE DETAIL - 3V - FOOTING
32 |
WALL SECTION - NORTH FACADE & RAMP FROM SECTION - WEST PORTION
DETAIL - FOUNDATION 1 1/2" = 1'-0"
TES
2
Perspective - Day-time Main Facade
Perspective - Night-time Main Facade
By Wang, Han
By Wang, Han
| 33
3 2
A
C 1 B
34 |
Aerial View - Day-time
By Wang, Han
Outdoor Perspective - 1
By Wang, Han
Interior Perspective - A - Creek Show Exhibition
By Wang, Han
Outdoor Perspective - 2 By Wang, Han
Interior Perspective - B - Illumination Exhibition
By Wang, Han
Outdoor Perspective - 3 By Wang, Han
Interior Perspective - C - Digital Exhibition
By Wang, Han
| 35
04 THE BOTANICAL CENTER LOCATION: AUSTIN, TX
This project sits on the Zilker Botanical Garden in Austin, Texas. Greenhouses represent not only the literal meaning of a structure enclosed and used for the cultivation or protection of tender plants but also have an opportunity to inspire visitors. The project will take wonderment one-step further through the design of a path, entrance canopy, conservatory, and supplemental research greenhouse. An itinerary of succulents and cactus will be presented by the architectural language. Given this small-scaled work of architecture (5000 sf.), the project is a call for specifics of affective geometry that articulate inside and out, materiality, and detail. The project starts with an idea of creating a thin liner long corridor to contain the selected succulents and cactus. Other programs will gather adjacent to it to establish a conversation between education and sources.
Charcoal Drawing Of Agave
New Botanical Center The project includes a conservatory, the education/ research facility, service facilities, and site equipment. Different programs have their built-in requirements of space and volume. Therefore, it’s reasonable to design them as a response to site conditions in relation to function. The project is designated on the oak grove area, where most of the oak trees are valuable to be preserved. Therefore, the layout of the programs is decided with the intention of minimizing the cutting down, which fits the cluster of programs among trees.
Mechanical Space
Conference Room
Restrooms
Storage Room
Mechanical Space
Classrooms
Exhibition Space
Pavilion 3
Pavilion 2
Maker Space
Existing Trees With the concern of the cost of cutting down these old oak trees and environmental protection, the footprint of this project is confined by the existing oak trees.
Cafe & Storage
Admin Office Mechanical Space
Pavilion 4
Staff Office & Lounge Pavilion 1
Restrooms Pavilion 5
Existing Trees (Inner Garden) Existing Trees
38 |
Cactus & Succulent Greenhouse
New Trees Water Troughs (Rainwater Collectors) A solution of rainwater collection is one of the requirements. Water troughs can serve both as a landscape element and as a rainwater collector.
Ground Level 3
Ground Level 2
Ground Level 1
The Showcase The conservatory, the essential facility of this project, is an enclosed container of cactus and succulent. It houses personally-selected cactus and succulents based on personal preferences, but the plants’ hardiness must be larger than 8B, which is Austin’s plant hardiness zone. The size, light need, and maintenance level influence the dimensions and design of the greenhouse. The concept is to construct a linear, thin, and huge glass showcase to protect and display these cactus and succulents, like what we always see in museums and storefronts. The operable curtain walls deal with ventilation while creating strategic connections to other programmatic adjacencies. The one-side sloping roof system tries to address rainwater collection, which will collect rainwater into the water troughs along with the conservatory.
Plant Taxonomy Diagram The diagram demonstrates exotic and familiar cactus and succulent species that are used as a reference for what will occupy the greenhouse. An array of minor experiences in contemporary life can enchant people but also that enchantment is a mood with ethical potential.
Sections
Plans
Scientific Name
Blue Glow
Hardiness Zone Plant Genus Name
Agave
Blue Glow Bloom
Parryi var. Truncata
“Huntington”
Salmiana
Salmiana Blooming
Salmiana Bloom
Angustifolia
“Marginata”
Ficus-Indica
Opuntia
Rufida
Rufida Bloom
Tetractinum “Coral Reef”
Makinoi
“Ogon”
Makinoi Bloom
Sedum
| 39
The Conservatory Facilities Additional to the cactus and succulent greenhouse, the educational/research, service and site facilities are included in this project. These programmatic adjacencies share the same architectural language and express the uniformity in terms of shape and materials. The structural elements are made of heavy timber, and each pavilion has one structural core as an effective lateral resistive system and a sloping roof to collect rainwater into the water troughs. And the openness and protection are guaranteed by the curtain wall system. The height of the roof so high, which is aimed at protecting the existing trees since avoidance of cutting down trees is the primary criterion in the site planning.
Pavilion 3
Pavilion 1
40 |
Pavilion 2
Cactus & Succulent Greenhouse
Pavilion 5
Pavilion 4
| 41
05 FLOATING SETTLEMENT LOCATION: TOLEN SAP LAKE, CAMBODIA
TEAM: LIU, SHEUNG YUK (Diagrams + Structural Drawings) XU, JINGYU (Rendering + Interior Design)
The communities around the lake depend on freshwater fishing for their livelihood. And because of the seasonally dramatic water level changes, the silt at the bottom of the lake exposed during the dry season becomes fertile for farmers to plant early rice. In the rainy season, weeds that hide countless insects and microorganisms sink to the lake’s bottom and become fish’s food. The locals live in stilted wooden houses scattered along the lake shore, which can be towed away by boat or truck. The villages by the lake have homes, schools, shops, post offices, and even churches. Streets are built on the water to form a unique settlement landscape. However, this living condition is full of instability, uncertainty, and low quality. It is worth coming up with a design concept to improve the indigenous inhabitants’ overall living environment.
Perspective
By Xu, Jingyu
DESIGN CONCEPT SLOPING WOOD JOIST ROOF WITH BATT INSULATION
The main objective is to adapt the houses for the drastic water level changes. Learned from vernacular housing topology, our houses’ living area is at least 6 meters from the ground, higher than the highest water level in a year. We also notice that the space between their current houses and the ground is not in use. Their homes are scattered randomly without connection. When the lake starts flooding, they have no place to go. So we propose a shared platform can be submerged as a relaxing space for residents to have fun when the water level is still relatively high. The materials shall be environmentally friendly and affordable. The structure is inclined to have less impact on the natural environment. So, local timber and steel columns are ideal primary building materials.
PRIVATE CORE BATHROOM
LONG HORIZONTAL WINDOW - WOOD STUD WALL WITH BATT INSULATION
WOOD JOIST FLOOR
WOOD STRIPE FACADE
SCALE: 1/8” = 1’-0”
STAIRCASES
SITE PLAN
STEEL W BEAM
TOP OF FACADE 34’ - 0”
4 W BEAM AS PRIMARY LOAD-BEARING ELEMENTS
TOP OF WALL 30’ - 9”
Interior Perspective - 1 By Xu, Jingyu
SHARED PLATFORM TOP OF FLOOR 21’ - 6”
STAIRCASES
SHARED PLATFORM 11’ - 6”
PILE FOUNDATION
GROUND 0’ - 0”
STRUCTURAL DIAGRAM
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SECTION
Interior Perspective - 2 By Xu, Jingyu
Perspective By Xu, Jingyu
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06 BODY, LANDSCAPE, ARCHITECTURE. LOCATION: AUSTIN, TX
In this project, we adapted the Contemporary Austin Laguna Gloria Master Plan as the program and site. The Contemporary Austin seeks “to create an unparalleled arts destination on the 12-acre site on Lake Austin committed to commissioning and acquiring sculpture and permanent outdoor installations of today’s leading artists” in a landscape that expresses Laguna Gloria’s unique cultural and ecological stories. The project is to design a structure which celebrates the beauty of nature, minimizes the damage of construction, and helps visitors discover the relationship between human and nature. The two curved oppositely white ribbons suit themselves within the existing woods. With the offset position both vertically and horizontally, they show off one and hiding another simultaneously from visitors approaching in different directions.
The Shape The geological environment of Laguna Gloria is sensitive. There are also a large number of hundred-year-old heritage trees that cannot be removed. A delicate and environmental-sensitive approach is needed. For minimization of the environmental impact, the shape of the building emerged within the existing amphitheater and woods. The ribbon shape structures embrace the surrounding trees while their ends are the gestures welcoming visitors. The one cantilevered out and bent towards the lake is to emphasize the desired lake view and provide occupants a scenery in the air. 48 |
Views of the Existing Site Heritage Trees
Natural Paths
General Trees
Stone-Paving Paths
Existing Buildings
The Existing Casa
The Lawn
The Existing Art School For Children
The Upper Building
The Lower Building
Amphitheater
The Lower Building - The Cantilever
Restrooms
Store & Relaxing Space
New Visitor Center The project consists of a visitor center and an outdoor amphitheater. The visitor center is two individual buildings on two stories. The upper building in above the ground including a visitor store, restrooms, and a cafe/ relaxing space. The lower one is embedded in the ground and 1/3 of its length is a cantilever structure, including a storage room, a administration office, and an exhibition space for plants and arts, especially, the knowledge and information of those on-site sculptures. There is an existing earth-stone outdoor amphitheater on the site, therefore, it is economic and environmental-friendly to adapt it into the new project instead of removing it entirely to set up a new program. Reshape the stairs and platform to better suit the form of the new buildings and embrace the peaceful and beautiful view of the Lady Bird Lake.
The Upper Building
The Lower Building
Storage
Admin Office The Lady Bird Lake Exhibition Space
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Views In The Exhibition Gallery
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Perspective - Amphitheater + Lower Level
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07 CONSTRUCTED NATURE LOCATION: STAMFORD, CT
TEAM: LIU, SHEUNG YUK GLOVER, DANAY
The project combines the duality of play and nature to create a community and childcare center. The aggregated modules are porous with small inner courtyards and allow the edge of the building to swing between indoor and outdoor, nature and man-made. The goal is to hybridize outdoor and indoor space and to embed the building harmoniously into the landscape. The community center embraces the streetscape with various programmatic spaces inside and out with a large public park. The childcare center extends to the right with a less manicured park, hidden from the street side. The project provides spaces for kids and adults to explore the natural world while indulging in the human world in the middle of the city. Landscape lines flow into the building while the building extends its form to define adjacent outdoor space. Overall the landscape was broken down into irregular but rational zones to organize programs and express human scale.
3D MODULE AGGREGATIONS The project starts with the design of unit module. The module is subtracted from a 25’ X 25’ X 10’ box to create a space with void on corners diagonally. These aggregated modules are porous with small inner courtyards and allow the edge of the building to swing between indoor and outdoor, nature and man-made.
25'-0"
10'-0"
10'-0"
10'-0"
R10'-0"
5'-0"
Unit Module
25'-0"
10'-0"
5'-0"
15'-0"
R5'-0"
15'-0"
Axon
Plan
Front
Left
Axon
Plan
Front
Left
Axon
Plan
Front
Left
Axon
Plan
Front
Left
2-Piece
3-Piece
4-Piece
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OSTAGRAM - 2D TRANSLATION OF LANDSCAPE Ostagram Helps Us Generate Random Two-Dimensional Images That We Use To Trace The Boundaries Of Different Colors And Interpreted The Language Of Landscape Organization Strategies. The Clusters Of Dense And Loose Circles Become The Layout Within Individual Programs. And Long Curves Divide Clusters Into Several Zones, Setting Up The Overall Planning Of Different Programs.
Content Input
Style Input
Output
Tracing Sketch
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1 PLAY LAB 2 EVENT SPACE 3 MEDIA ROOM 4 LOBBY 5 EXHIBITION SPACE 6 MULTI-FUNCTIONAL CLASSROOM 7 COURTYARD 8 SCULPTURE GARDEN 9 TEACHERS’ OFFICE 10 MULTIPURPOSE SPACE 11 DINING SPACE 12 FOOD GARDEN 5’ 0’
13 CHILDCARE DINING 14 KITCHEN 15 COVERED SCHOOLYARD 16 CLASSROOM 17 PLAYGROUND 18 AMPHITHEATER 19 OBSERVATION AREA 20 PUBLIC PARK 21 RIVER BOARDWALK 22 RESTROOM 23 STORAGE 24 MECHANICAL ROOM
19 21
20’ 10’
30’
N
SCALE: 3/32” = 1’
11
14
11
1
20
22
7
7
6 12
13
7
15 23
8
7
10
17
RICH
16 22
MO
2
5
ND
16
HILL
3
9
16
23
23
7
AVE
24 4 18
CLINTON AVE
Detailed Site Plan
Section
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By Glover, Danay
COMMUNITY CENTER
CHILDCARE CENTER
CHILDCARE CENTER In the beginning, we decided that the childcare center should be semi-open. It is connected to the community center and public space, but the accessibility is limited. There is only one main entrance on the street side, and the only access within the building is through the multipurpose room. But at the same time, we make sure that the classroom clusters and kids’ dining area is situated consistently between outdoor spaces. We also provide skylights which are derived from our initial module, to gain more natural light and interesting moments. We want to highlight the duality and transition of nature and man-made in this drawing. The man-made landscape surrounds the building and then gradually transits to a more natural landscape. There are trio adjacencies of the structures, man-made landscape, and natural landscape.
TEACHER OFFICES
MAIN ENTRANCE
TRANSITION AREA TO COMMUNITY CENTER MULTI-PURPOSE SPACE SMALL COURTYARD
SCHOOLYARD
OUTDOOR DINNING SPACE CLASSROOM CLUSTERS DINNING SPACE
FOOD GARDEN CHILDREN DINNING OPEN KITCHEN
OUTDOOR PLAYGROUND GATHERING SPACE
LAWN
WALKWAY TO RIVER EDGE & OBSERVATION AREA
PLAYGROUND The playgrounds are a hybrid of the natural and manmade landscape features. The public playground adjacent to the classrooms is mainly based on Noguchi’s approach. The ground is manupilated to create non-specific playground equipment. The enclosed schoolyard is a stone garden with nonspecific functions, allowing kids to discover their way of playing among stones. And the classrooms are between these playgrounds so kids can move through back and forth.
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08 REGENERATION OF RAILROAD SEGREGATION LOCATION: ALBUQUERQUE, NM
The project is a mixture of urban design and landscape architecture. The site, Rail Yards located at Albuquerque, New Mexico, is unique because of its location, history, environment, and culture. It challenges us to explore a bold and new strategy to solve problems. The existing railroad divides Albuquerque into two parts and the Rail Yards have been left unused for many years, causing issues such as population loss and economic decline in these neighborhoods. A soccer stadium is proposed to be a new attraction with ancillary and community facilities and improved infrastructure to reactivate this area.
THE DILEMMA OF TRANSPORTATION The railroad dichotomizes Albuquerque, and the rail yards become a huge partition that segregates the two neighborhoods adjacent to it, Barelas and South Broadway. This area lacks an east-west-oriented road system, public transportation, and pedestrian accessibility.
BUS ROUTES & STOPS
BIKE LANES
SIDEWALKS
RAIL ROAD BIKE LANE
BUS STOP
BUS ROUTE
BRT STATION
PAVED ROAD
CONTEXT BUILDINGS
SITE BOUNDARY
GREEN SPACE
SIDEWALK ON BOTH SIDES
TRANSIT CENTER
SIDEWALK ON ONE SIDE
EXISTING BUILDINGS ON SITE
VEHICULAR ROADS
86%
9%
5%
VEHICLE
WALK + BICYCLE
BUS
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0.3% RAILROAD
THE POTENTIAL OF CITY HEART The ongoing project called Barelas Great Blocks on the main street, 4th street, which is only two blocks away from the site, aims to create an inviting corridor and spur economic opportunities for Barelas. The proposal is a project that could mediate the separation and provide connections between two communities and collaborate with the Great Blocks project to reactivate the neighborhood.
DIRECTIONS OF ROADS LEADING TO THE SITE
ONE-WAY ROAD TWO-WAY TWO-LANE ROAD
THE GOALS
TWO-WAY FOUR-LANE ROAD
1. To provide more connections between Barelas and South Broadway. 2. To prioritize the pedestrian and bicycle traffic on-site, improving the human-scale experience. 3. To attract a large number of people to stay here instead of only passing by, aiming to spur the economy.
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THE POTENTIAL OF REGIONAL ATTRACTION The site is only two blocks away from the Albuquerque Transit Center, which operates Amtrak, New Mexico Rail Runner Express, and bus stations. Combined with the interstate routes, I-40 and I-25, this area has the potential to be a regional attraction. Since the ridership of New Mexico Rail Runner Express is declining after 2010, this proposal could be a new attraction to encourage people to take the train. 1,400 1,200 1,000 800 600 400 200
20 07 20 08 20 09 20 10 20 11 20 12 20 13 20 14 20 15 20 16 20 17 20 18
0
NMRX Annual Ridership, 2007 - 2018 29% 71% Sunday 858 2,103 25% 75% Saturday 1,323 4,035 29% Weekdays 2,651 0
2,000
4,000
71% 6,463 6,000
Average Total Passenger Count
8,000
10,000
Unfilled Seats
Average Filled Seats, 2018 Personal Appointment Business Appointment
Other
Airport Leisure/Tourism
Work School
Reasons for Traveling on Rail Runner Trip, 2009-2018 Customer Surveys
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ORGANIZING LANGUAGE The organizing language comes from the iconic vernacular architecture – Kivas. As the most significant public structure, people gathered in kivas for rituals and essential affairs. And it is the center of outdoor public space in pueblos. Therefore, the circle becomes the primary geometry to start programming.
PARKING LOTS
GARAGE
COMMUNITY SPORTS CENTER
STADIUM LOADING ZONE
1 STADIUM GATHERING PLAZA
AMPHITHEATER
SKY BRIDGE
PLAYGROUND
ROOFTOP GARDEN
MAIN GATHERING PLAZA
SOCCER STADIUM
1
URBAN PARK
2 STADIUM LANDSCAPE PLAZA
MIXED-USE BUILDING
6 FACILITIES
SKY BRIDGE
2
OVAL LAWN
3 LANDSCAPE PLAZA
FOOD TRUCK PLAZA
3 STADIUM LANDSCAPE PLAZA
MUSEUM
4
MUSEUM
RETAIL PLAZA
PICNIC AREA
GALLERY WATER GARDEN
5
7
GROCERY STORE
PARKING LOTS PARKING LOTS EXISTING PLAZA
4 LINEAR LAWN AT RETAIL PLAZA FARMERS’ MARKET
EXISTING RAIL YARDS
PROGRAM PROCESS
7 WATER GARDEN
6 SMALL MOUNT PARK
5 RAILROAD CROSSING
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SOCCER STADIUM
DROP-OFF AREA
THE STORY OF MATERIALS The warm and vivid colors are the palette of New Mexico. The story of the material is simple. It tries to tell you the ongoing story of this ancient and austere land.
LANDSCAPE PLAZA
PLAYGROUND
MAIN STADIUM GATHERING PLAZA
RESTROOM
CAFE BUS STOP
Asphalt
ROAD
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Rubber Mat
PLAYGROUND
Wood Chips
Balboa Pebble
Grass Joint Stone Paver
Rammed Earth Concrete PLAZA
Polished Concrete Basket-Weave
Polished Concrete Stretcher
Medium Slate Flagstone WALKWAY
Balboa Pebble
Mojave Tumbled Rammed Earth Pebble Concrete
Pigmented Concrete
PARK PAVEMENT
Medium Slate Flagstone
LANDSCAPE PLAZA
Balboa Pebble
Pigmented Concrete
FOOD TRUCK PLAZA
LOADING ZONE Light Slate Flagstone
Asphalt
RETAIL BUILDING
RETAIL BUILDING LAWN PARKING LOTS
Raja Red Sandstone Tile
PICNIC AREA
RAIL ROADS
Sunset Buff Sandstone Tile
PAVILION
Black Pebble PARKING
Grass Joint Stone Brick Paver
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Aerial View - South West
PARKING GARAGE
SOCCER STADIUM COMMUNITY SPORTS CENTER URBAN
PLAYGROUND
SKY BRIDGE
MAIN STADIUM GATHERING PLAZA
1
FACILITIES
LOADING ZONE
2
FOOD TRUCK PLAZA
PARKING LOTS
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PARK
MUSEUM
Eye-Level View - 1
RAIL ROADS
RETAIL PLAZA
Eye-Level View - 2
3
Eye-Level View - 3
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Aerial View - North East
EXISTING RAIL YARDS
RETAIL PLAZA
GALLERY
GROCERY STORE WATER GARDEN
MUSEUM
SKY BRIDGE
MUSEUM OVAL LAWN
6 URBAN PARK
PARKING LOTS
MIXED-USE BUILDING
SMALL MOUNT PARK
5
GRAND RAMP
4
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SOCCER STADIUM
Eye-Level View - 4
MIXED-USE BUILDING
ROOFTOP GARDEN
SKY BRIDGE
Eye-Level View - 5
Eye-Level View - 6
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CURRICULUM VITAE M. Arch Candidate GPA: 3.72 / 4.0
CONTACT
Cell: 512-359-2852 Linkedin: www.linkedin.com/in/sheung-yuk-liu-6371b8192 Email: liusy51244@gmail.com Address: Austin, TX
EDUCATION
The University of Texas at Austin (UTA) Master of Architecture First Professional (M. Arch I) Austin, Texas Sep.2018 – May. 2022
Southeast University (SEU) Bachelor of Engineering Nanjing, China Sep. 2014 – July 2018 Major in Civil Engineering, specialized in Water and Wastewater Engineering, including the design of drainage and pipeline in the scale of building and city, and the design of water and wastewater plants.
PROFESSIONAL SKILLS
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Digital Modeling
Graphic
AutoCAD Revit Rhino SketchUp Enscape
Photoshop Illustrator InDesign Lightroom ArcGIS
EXPERIENCE
Kohn Pedersen Fox Associates (KPF) New York City, New York Feb. 2021 - July 2021 Participated in • 2 competition projects • 4 ongoing projects Experienced the real work atmosphere in the well-known international architecture firm. • Assisted design teams in design process by performing sketching and CAD drawings, model making and other required tasks. • Prepared drawings and models for presentations using CAD or other media as required within established time frames. • Strove to prefect drawing and sketching skills. • Researched technical systems appropriate to project assignment. • Contributed to team effort through spirit of cooperation with team leaders and peers. Follow direction positively and thoroughly, and ask questions to ensure that assigned tasks are mutually understood.
Frank Lam & Associates, Inc. Austin, Texas Aug. 2020 - Dec. 2020 Participated in • 10 projects • 2 Inspection reports Experienced the real work atmosphere in a small structural engineer office. • Assisted engineer and designer in preparations of architectural and structural drawings. • Designed structural floor plans. • Assisted engineer and designer in preparations of specifications. • Assisted engineer and designer in field works.
East China Architectural Design & Research Institute (ECADI) Shanghai, China July 2017 - Aug. 2017 • Got involved with the process of designing water supply and drainage of buildings. • Experienced working space and atmosphere of an engineering & research institute. • Learned to professionally use CAD.
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