ARCHITECTURE DESIGN STUDIO: FIRE JOURNAL by Andrea Piotrowski

3 M O D U L E S

T H E A T R E

C I N E M A

P L A Y H O U S E

SHERLOCK HOLMES THEATRE DESIGN ANDREA PIOTROWSKI 539567 ARCH DESIGN STUDIO: FIRE SEMESTER 2, 2013

THE PROPOSAL

THEATRE ANALYSIS + TOURS

PROPOSAL

HAMER HALL

PRESENTATION

LA LLOTJA THEATRE + CONFERENCE CENTRE

SITE PLAN PLANS ELEVATIONS SECTIONS MODEL CIRCULATION ATMOSPHERE PRECEDENTS

MELBOURNE RECITAL CENTRE AND MTC THEATRE MALTHOUSE THEATRE

THE PROCESS

MODELS

SITE ANALYSIS

LA LLOTJA LLEIDA THEATRE AND CONFERENCE CENTRE, SPAIN

INITIAL IDEAS THEATRE ANALYSIS DESIGN GUIDES

SITE ANALYSIS

CONCEPTUAL DESIGN

FINISHES BOARD TO INTERIOR OF CINEMA

FOYER MAIN VOID CONCEPT

BLACK BOX SET DESIGN

THEATRE DESIGN

3TCP FINAL MODEL

RESTAURANT DESIGN CINEMA CONCEPT AND INTERIOR DESIGN SET DESIGN BLACK BOX THEATRE CEILING CONCEPT EXPERIMENTAL ILLUSTRATIONS MARK UPS NOTES AND TUTOR FEEDBACK

THE PROPOSAL

Inspired by Russian constructivist works of Iakov Chernikhov, 3TCP explores the notions of form by addition and subtracWLRQ RI VKDSH 5Hร HFWLQJ WKH VXUURXQGLQJ HQYLURQPHQW LQ PDWHULDOLW\ YLD PDVVLQJ RI PHWDO SDQHOV DQG JODVV PDWHULDOV to the exterior of the theatre the structure is a beacon and celebrates the vibrant and bold nature of drama and the SHUIRUPLQJ DUWV 7ZR JLDQW YRLGV DUH H[SHULHQFHG FDVFDGLQJ GRZQ LQWR WKH KHDUW RI WKH WKHDWUH LQ WKH HQWU\ IR\HU whilst the pure modern form is expressed in the bold horizonWDO DQG YHUWLFDO ร QV HOHPHQWV 6HW EDFN IURP WKH VWUHHW SURYLGLQJ D SXEOLF FRQJUHJDWLRQ space before entry between the massive feature columns to the Bourke street faรงade and leads in the foyer. I was DOVR LQVSLUHG E\ FUHDWLQJ DQ DWPRVSKHUH WKDW UHร HFWHG LQZDUGV HQFRXUDJLQJ SHRSOH WR ORRN XS WKH YRLG VSDFH and into the sky above. The stairs and vertical circulation is articulated with colour to the interior. Both theatres are ORFDWHG EHQHDWK JURXQG OHYHO RQ %DVHPHQW DQG %DVHPHQW OHYHO KRXVHV WKH EDFN RI KRXVH DQG GUHVVLQJ URRPV under the rake to the main theatre. The basement level also compromises of the Blackbox and lower basement foyer IHDWXULQJ D ZDWHU IHDWXUH ZKLFK UHร HFWV D PHWDOOLF VKHHW %DVHPHQW KDV WKH WKH PDLQ WKHDWUH DQG ODUJHVW IR\HU DQG FDQ DFFRPPRGDWH XS 72 SHRSOH IHDWXULQJ H[WHQVLYH ULEEHG HOHPHQWV ZKLFK ร RDW RQ WKH FHLOLQJ FUHDWLQJ D moody ambient atmosphere. Both the cinema and restaurant/rooftop are accesses via WKH JURXQG ร RRU KHQFH ZKHQ WKHDWUH SHUIRUPDQFHV DUH QRW EHLQJ KHOG WKH EDVHPHQW OHYHOV FDQ EH EORFNHG RII DQG WKH DERYH JURXQG VSDFHV ZLOO EH XWLOL]HG (QWHULQJ WKH FLQHPD LV DOPRVW OLNH HQWHULQJ DQ XQGHUZDWHU ZRUOG EOXH VXHGH SDGGHG ZDOOV ZLWK FRUDO SDWWHUQV WR WKH VHDWLQJ When the curtain raises to unveil the screen it becomes an DEVWUDFW DUW SLHFH ZKLFK IROGV XS RQWR WKH FHLOLQJ RYHU WKH DXGLHQFH DQG UHร HFWV QRWLRQV RI D YHLO RU VXUIDFH WKDW WKH viewers are now encased in. The restaurant, on the other KDQG LV D GUDPDWLF JHVWXUH WR WKH FRUQHU RI WKH VLWH DQG LV KLJKOLJKWHG E\ WKH JLDQW ร Q ZKLFK SXQFWXUHV WKH VSDFH DQG WKH HPHUDOG JUHHQ JODVV SRGV WR WKH H[WHULRU ZKLFK LQWHUQDOO\ DFW DV LQIRUPDO GLQLQJ ORXQJLQJ ERRWKV 7KH URRIWRS EDU extends to the perimeter of the restaurant volume below and provides a relaxed atmosphere for visitors to have a drink and talk. The bar on the rooftop is covered by feature EHDPV H[SRVHG RQ WKH H[WHULRU SURYLGLQJ VKHOWHU WR WKH URRI area.

PRESENTATION

SCALE 1:200

LOWEST LEVEL FOYER AND BAR AND WATER FEATURE. BACKSTAGE CIRCULATION IN CIRCLE, FLOW OF ACTORS

VEHICLE TRAFFIC

539567

S RKE

ET TRE

ARCHITECTURE DESIGN STUDIO: FIRE 2013

SITE

BOU

TUTOR: PETA CARLIN

- THEATRE - CINEMA - PLAYHOUSE

ANDREA PIOTROWSKI PEDESTRIAN

SCALE 1:500

SITE PLAN

SCALE 1:200

BASEMENT 2 FLOOR PLAN

TRE

LEGEND

3TCP

SITE ANALYSIS MODEL SCALE 1:500 ANDREA PIOTROWSKI ARCHITECTURE DESIGN STUDIO: FIRE SEMESTER 2, 2013

FINAL MODEL SCALE 1:200 ANDREA PIOTROWSKI ARCHITECTURE DESIGN STUDIO: FIRE SEMESTER 2, 2013

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6HW EDFN IURP WKH VWUHHW SURYLGLQJ D SXEOLF FRQJUHJDWLRQ VSDFH EHIRUH HQWU\ EHWZHHQ WKH massive feature columns to the Bourke street façade and leads in the foyer. I was also inspired E\ FUHDWLQJ DQ DWPRVSKHUH WKDW UHÁHFWHG LQZDUGV HQFRXUDJLQJ SHRSOH WR ORRN XS WKH YRLG space and into the sky above. The stairs and vertical circulation is articulated with colour to WKH LQWHULRU %RWK WKHDWUHV DUH ORFDWHG EHQHDWK JURXQG OHYHO RQ %DVHPHQW DQG %DVHPHQW OHYHO KRXVHV WKH EDFN RI KRXVH DQG GUHVVLQJ URRPV XQGHU WKH UDNH WR WKH PDLQ WKHDWUH 7KH EDVHPHQW OHYHO DOVR FRPSURPLVHV RI WKH %ODFNER[ DQG ORZHU EDVHPHQW IR\HU IHDWXULQJ D ZDWHU IHDWXUH ZKLFK UHÁHFWV D PHWDOOLF VKHHW %DVHPHQW KDV WKH WKH PDLQ WKHDWUH DQG ODUJHVW IR\HU DQG FDQ DFFRPPRGDWH XS 72 SHRSOH IHDWXULQJ H[WHQVLYH ULEEHG HOHPHQWV ZKLFK ÁRDW RQ WKH FHLOLQJ FUHDWLQJ D PRRG\ DPELHQW DWPRVSKHUH

ER S

BLACKBOX FOYER AND BACKSTAGE

MAIN FOYER TO THEATRE, BAR SPACE AND STORAGE SPACE TO BACK OF HOUSE

MAIN THEATRE

LARGE FOYER LOOKING INTO CENTRAL VOIDS

ENTRANCE AND THEATRES

PODS FOR INFORMAL DINING STAIR TO ROOFTOP LEVEL

RESTAURANT

FREE CIRCULATION

ROOFTOP BAR

Inspired by Russian constructivist works of Iakov Chernikhov, 3TCP explores the notions of form E\ DGGLWLRQ DQG VXEWUDFWLRQ RI VKDSH 5HÁHFWLQJ WKH VXUURXQGLQJ HQYLURQPHQW LQ PDWHULDOLW\ YLD PDVVLQJ RI PHWDO SDQHOV DQG JODVV PDWHULDOV WR WKH H[WHULRU RI WKH WKHDWUH WKH VWUXFWXUH LV D EHDFRQ DQG FHOHEUDWHV WKH YLEUDQW DQG EROG QDWXUH RI GUDPD DQG WKH SHUIRUPLQJ DUWV 7ZR JLDQW YRLGV DUH H[SHULHQFHG FDVFDGLQJ GRZQ LQWR WKH KHDUW RI WKH WKHDWUH LQ WKH HQWU\ IR\HU ZKLOVW WKH SXUH PRGHUQ IRUP LV H[SUHVVHG LQ WKH EROG KRUL]RQWDO DQG YHUWLFDO ÀQV HOHPHQWV

BASEMENT 1 FLOOR PLAN

SCALE 1:200

GROUND FLOOR PLAN

SCALE 1:200

FIRST FLOOR PLAN

SCALE 1:200

ROOFTOP PLAN

SPE

SITE

63( (7

75(

(5 6

6,7(

SITE PLAN 6&$/(

Located in the heart in the city, across the road from a major transport hub, Southern Cross Station the site lies on the corner of Spencer Street and Bourke Streets. In response to the context and local atmosphere and HQYLURQPHQW , GHFLGHG WR VHW WKH JURXQG Ă RRU EDFN IURP WKH ERXQGDU\ DOORZLQJ VSDFH IRU SHRSOH WR FRQJUHJDWH DQG XVH WKH IURQW RI WKH EXLOGLQJ LQ D UHFUHDWLRQDO ZD\ IRU PHHWLQJ DQG JUHHWLQJ SHRSOH %DQQHUV KDQJ IURP WKH HQWU\ FROXPQ IHDWXUHV DQG DFW DV D VLJQDJH DQG V\PERO RI WKH WKHDWUH DGYHUWLVLQJ WKH complex. The main entry faces Bourke street. )HDWXUH EROG HDYHV FDQRSLHV KDQJ RYHU WKH H[LVWLQJ VLGHZDON VKDGLQJ DQG HQFRXUDJLQJ SHRSOH WR ZDON XQGHU them, and perhaps even lead people to the entry. 7KH Ă RZ DQG FRQJHVWLRQ RQ WKH FRUQHU LV IUHHG XS E\ VHWWLQJ WKH EXLOGLQJ EDFN IURP WKH ERXQGDU\P ZKLOVW DOORZLQJ SHRSOH WR Ă RZ XQGHU WKH EXLOGLQJ IRUPV

FLOOR PLANS ELEVATIONS SECTIONS

PLANS

6&$/(

ROOFTOP PLAN

PLANS

6&$/(

FIRST FLOOR PLAN

6&$/(

GROUND FLOOR PLAN

PLANS

6&$/(

BASEMENT 1 FLOOR PLAN

PLANS

6&$/(

BASEMENT 2 FLOOR PLAN

ELEVATIONS

6&$/(

NORTH ELEVATION

ELEVATIONS

6&$/(

WEST ELEVATION

ELEVATIONS

6&$/(

SOUTH ELEVATION

ELEVATIONS

6&$/(

EAST ELEVATION

SECTIONS

6&$/(

SECTION A-A

SECTIONS

6&$/(

SECTION B-B

6&$/(

SECTION C-C

MODEL

CIRCULATION

DIAGRAMS ROOFTOP BAR )5(( &,5&8/$7,21

5(67$85$17

32'6 )25 ,1)250$/ ',1,1* 67$,5 72 522)723 /(9(/ /$1',1*6 :,7+ 6($7,1* $5($6

(175$1&( $1' 7+($75(6

/$5*( )2<(5 /22.,1* '2:1 ,172 92,'6 5,*+7 $&&(66 72 %$/&21< 6($7,1* /()7 $&&(66 72 &,1(0$ $1' 5(67$85$17

0$,1 7+($75(

)520 $ 9,(: '2:1 7+( 92,' )520 7+( 0$,1 67$,5&$6( ,172 /$5*(67 )2<(5 )25 7+( 0$,1 7+($75( %$5 63$&( $1' 6725$*( 63$&( 72 %$&. 2) +286(

%/$&.%2; )2<(5 $1' %$&.67$*(

7+( /2:(67 /(9(/ +$6 /$5*( )2<(5 $1' %$5 $1' 92,' )($785( %$&.67$*( &,5&8/$7,21 ,1 &,5&/( )/2: 2) $&7256

ATMOSPHERE

PRECEDENTS

,$.29 &+(51,.+29 5866,$1 &216758&7,9,67 86( 2) $'',7,21 2) )250 675&8785$/ 3/$1(6 72 &5($7( '<1$0,& 3(,&(6 2) $5&+,7(&785( , $0 ,163,5(' %< 7+( '(6,*1 352326$/6 $1' %2/'1(66 2) &2/285 $1' 6+$3( :+,&+ $33($56 ,1 ($&+ 2) +,6 '(6,*16

THEATRE ANALYSIS

ARTS CENTRE MELBOURNE HAMER HALL ARM ARCHITECTS

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

LA LLOTJA LLEIDA THEATRE AND CONFERENCE CENTRE MECANOO ARCHITECTEN

7KH ODQGPDUN EXLOGLQJ VWDQGV DV D JUHDW DUFKLWHFWXUDO ERG\ VXUURXQGHG E\ D ODUJH RYHUKDQJ FKDQJLQJ WKH SURÀOH RI WKH FLW\ LQ DGGLWLRQ WR SURYLGLQJ D QHZ SDQRUDPLF YLVLRQ WR HVWDEOLVK D YLVXDO GLDORJXH EHWZHHQ WKH HQYLURQPHQW WKH KLOO RI WKH 2OG &DWKHGUDO DQG WKH ULYHU 7KH EXLOGLQJ LV PHDQW WR UHÁHFW WKH FLW\·V DPELWLRQ WR KDYH D FRQJUHVV FHQWHU ZKHUH PHHWLQJV QRW RQO\ SURIHVVLRQDOO\ EXW DOVR UHFUHDWLRQDO 7KH FORVH UHODWLRQVKLS RI WKH FLW\ RI /OHLGD ZLWK WKH ULYHU 6HJUH LV DFFHQWXDWHG WR XQGHUVWDQG WKH SODFH DV SDUW RI WKH PRUSKRORJ\ RI WKH ULYHU ZLWKRXW VHHNLQJ WKH FRQWLQXLW\ RI WKH XUEDQ VWUXFWXUH 7KLV ZLOO PDNH WKH FLW\ QHDUHVW WKH ULYHU GHVLJQLQJ WKH VLWH DV DQ H[WHQVLRQ RI WKH H[LVWLQJ pedestrian

SITE PLAN

//(,'$ 85%$1 /$1'6&$3( 0(',(9$/ &$7+('5$/ %8,/7 21 +,//723 +,*+(67 32,17 ,1 &,7<

$*5,&8/785( $1' 9(*(7$7,21 %$1' 72 3(5,0(7(5 2) &,7<

75$,1 /,1( ,172 //(,'$

7+($75( /2&$7(' $7 0,'32,17 %(7:((1 +,6725,& &$7+('5$/ $1' $'-$&(17 72 5,9(5

5 25

SITE PLAN

6,7( $1$/<6,6 (;,67,1* 85%$1 6855281',1*6

&$53$5. $&&(66

3('(675,$1 &,5&8/$7,21 63$&( $5281' 3(5,0(7(5 2) %8,/',1*

7+($75( $'-$&(17 72 5,9(5 7$.,1* $'9$17$*( 2) 5,9(5 9,(:6 $1' 6855281',1*6

0$-25 $57(5,$/ 52$' )((',1* 75$)),& ,172 7+($75( &203/(;

BUILDING ANALYSIS

ROOF

7+( 92/80( $1' 7+( 7+(0( 2) 7+( 0$5.(7 THIRD FLOOR

SECOND FLOOR

FIRST FLOOR

GROUND FLOOR

BASEMENT 1

BASEMENT 2

&8%(

$'',7,21 2) 1' &8%(

),;,1* 2) &8%(

FORM FINDING

$'',7,9( 92/80(

&+$03+(5,1* 2) ('*(6

$'',7,21 2) 522)723 7(55$&(6

)250$7,21 2) 6+$3(

),;,1* 2) 522)723

),1$/ &21&(37

VOLUME CANTILEVERS

29(5+$1*6 3527(&7,21 )520 :($7+(5 0$,1 )($785( (/(0(17 0$66,9( &+$03+(5(' &$17,/(9(5 2) %8,/',1* )250 5(3($7(' 7+(0( 7+528*+287 352-(&7

REPLACING THE FRUIT MARKET

5(&855,1* 7+(0( ,17(51$/ ),1,6+(6 9,%5$17 (;&,7,1* &2/2856 )520 )58,7 0$5.(7 $ 5(&855,1* 7+(0( 72 ,17(5,256 72 ,192.( 67,08/$7,21 %()25( (17(5,1* ,03257$17 63$&(6 , ( 0$,1 7+($75( &21*5(66 +$//6 (7&

0$,1 7+($75( ,1',&$7,1* +,*+ &2175$67 $1' 9,68$/ 67,08/$7,21 %< 86( 2) &2/2856 ,1 ,17(5,25 )851,6+,1*6 $1' '(&25

FOYER SPACES

%/$1. 63$&( 0212&+520(

(175< )2<(5 $7 1,*+7 &2/2856 0$.( %8,/',1* &20( $/,9(

)81&7,21 63$&( $1' (175< 72 6(&21'$5< 7+($75( */$66 )5217

/,*+7 :+,7( 3/$67(5%2$5' ),1,6+ 72 (175< +$// %/$1. 63$&(

&$17,/(9(5(' 29(5+$1* 72 (;7(5,25 92/80( 3529,'(6 6+$'(

CIRULATION SPACE

&2/285 $1' $17,&,3$7,21

%5,*+7 &2/2856 ,1 )2<(5 72 67,08/$7( (;&,7(0(17 35,25 72 (17(5,1* 7+($75(

(;7(5,25 6$1'6721( */$66 ,17(5,25 3/$67(5%2$5' &2/285(' 3$1(/6 :,7+ 5(/,() 3$77(51

MAIN THEATRE

3526&(1,80 67$*(

)/<72:(5 /,*+7,1* %$56 &$1 %( /2:(5(' 72 &+$1*( /,*+7,1*

'$5. ,17(5,256 35(9(17 81:$17(' 5()/(&7,216 )520 /,*+7,1* &$17,/(9(5(' 92/80( 2) %8,/',1* )25 6+$',1* $1' 6+(/7(5 )25 *5281' 86(

6($7 7+($75(

:22'(1 )/225 2) 67$*( 67$*( 0 :,'( ; 0 '((3

/2$',1* $5($ )25 758&.6 21 7+( *5281' /(9(/ 6$0( /(9(/ $6 67$*( '5(66,1* 52206 $1' .,7&+(1

OTHER SPACES

6&(1,& %2;

522) *$5'(1 7+($75( 6721( *$=(%2

:,67(5,$ 3(5*2/$

%285*$,19,//,$ 3(5*2/$

MODEL PHOTOS

/(9(/ 352*5(66,21

02'(/ $1$/<6,1* 7+( )/225 /(9(/6 2) 7+( %8,/',1* (;3/2'(' 9,(: 2) 02'(/ '(3,&7,1* %$6(0(7 /(9(/6 72 *5281' $1' 522) /(9(/6

7 3

MELBOURNE RECITAL CENTRE AND MTC THEATRE ARM ARCHITECTS

MALTHOUSE THEATRE ARM ARCHITECTS

THE PROCESS

SITE ANALYSIS

INITIAL IDEAS

FORM INSPIRATION - SKETCH MODELS

THEATRE ANALYSIS

DESIGN GUIDES

CONCEPTUAL DESIGN

FOYER MAIN VOID CONCEPT

THEATRE DESIGN

RESTAURANT DESIGN

CINEMA CONCEPT AND INTERIOR DESIGN

SET DESIGN BLACK BOX

THEATRE CEILING CONCEPT

AMENITIES

EXPERIMENTAL ILLUSTRATIONS

67 *

675((7 /(9(/

% %

63(1&(5 675((7 6(&7,21$/ (/(9$7,21

% 0$66 02'(/ 9,(:6

0$66 02'(/ )/2256 ANDREA PIOTROWSKI 539567

MARK UPS AND FEEDBACK

NOTES AND TUTOR COMMENTS

MODELS

LA LLOTJA LLEIDA THEATRE AND CONFERENCE CENTRE, SPAIN

SITE ANALYSIS

3TCP FINAL

MODEL

FINISHES BOARD TO INTERIOR OF CINEMA

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BLACK BOX SET DESIGN

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