A Deal with the Devil

Page 1

A deal

with the

a deal with the and the days keep worrying me there’s a hellhound on my trail i gotta keep movin’ and the days keep worrying me there’s a hellhound on my trail and the days keep worrying meand the days keep worrying me there’s a hellhound on my trail there’s a hellhound on my trail A Tribute to Robert Johnson



A deal

with the and the days keep worrying me there’s a hellhound on my trail i gotta keep movin’

A Tribute to Robert Johnson

Live at Red Rock Ampitheatre December 21, 2012 12AM

Featuring music by The

White Stripes


and the days keep worrying me there’s a hellhound on my trail and the days keep worrying me i gotta keep movin’ there’s a hellhound on my trail i gotta keep movin’

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Robert Johnson, an American blues musician, among the most famous of Delta blues musicians. His landmark recordings from 1936–1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians. Robert guarded his musical style well. If he felt someone wanted to be like him, play like him, he would leave in the middle of a performance. He loved traveling and seemed always on the move. Robert could play most anything requested of him. He had an ability to learn music and lyrics quickly, after only hearing a song once, he could play and sing it, not only the blues, but pop, ballads, and other styles as well. By the mid-thirties, Johnson was well known through the Delta, Mississippi, and Tennessee, and began to think about recording his music. He contacted H. C. Spier in Jackson, MS, who connected him with someone who could help him. In 1936 he began to record his songs, among them his most popular Terraplane Blues. He made eleven records which increased his fame.



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Johnson is one of the most admired and influential Delta blues artists despite his short life and the small number of recordings that he left. His songs, such as “Sweet Home Chicago”, “Come on in My Kitchen”, and “Crossroad Blues”, are blues classics -- played by thousands of blues artists and adapted by rock ‘n’ roll artists such as the Rolling Stones, Led Zeppelin and Eric Clapton. His life and work would later influence the growth and talent of such famous musicians as Eric Clapton, Muddy Waters, Bonnie Raitt, the Rolling Stones, Red Hot Chili Peppers, and yes, Elvis.


When Johnson arrived in a new town, he would play for tips on street corners or in front of the local barbershop or a restaurant. He played what his audience asked for, not necessarily his own compositions, and not necessarto had pick ily blues. With an ability to pick upabilitiy tunes ohnson no trouble giving his audiences what they wanted

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