AAH (All About Horsham) December 2021

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DECEMBER 2021




AAH (ALL ABOUT HORSHAM) DECEMBER 2021 ADVERTISING: BEN MORRIS advertising@aahorsham.co.uk (01903) 892899

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ADVERT RATES Eighth Page £55 + VAT (93mm x 63mm) Quarter Page £110 + VAT (93mm x 133mm) Half Page £185 + VAT (190mm x 133mm) Full Page £310 + VAT (A4 with 4mm bleed) Double Page: £520 + VAT Special offer: Every sixth advert is placed free of charge, like a coffee shop. We can also design adverts if you need help, at no extra charge.

News Round-Up Ice rink set to replace bowling lanes at The Rec and luxury hotel opens at Leonardslee House

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PHOTOGRAPHY: ALAN WRIGHT https://alanwrightphotography.co.uk Email: alan.wright@ alanwrightphotography.co.uk 07747 617387 Alan works for AAH on a freelance basis and is available for family portraits, as well as corporate and commercial work.

Campaigns The Bridge the Downs campaign demands a safe crossing over a dangerous part of the Downs Link

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27 Food & Drink The Billi Tap in Billingshurst High Street offers craft beer by two local breweries

31 Music West Sussex Philharmonic Choir performs at St Mary’s Church with a new Musical Director

COVER STORY The December cover features Sean Bui, Musical Director of the West Sussex Philharmonic Choir, at St Mary’s Church in Horsham. It was taken on Saturday 20 November, during a rehearsal prior to the choir’s concert of Haydn’s ‘The Creation’. It required Sean turning to face Alan’s camera, rather than conducting the choir, with the beautiful east window used as a backdrop. The choir were very patient, as we even removed a stand that Sean was using to elevate him above the choir, on the grounds it was quite unsightly! Other contenders for the cover were of artist Francesca Apicella and three girls playing at Farlington School. The latter has an ideal autumnal theme, but doesn’t reflect the article about the school becoming co-educational. So, Sean got the nod! ABOUT AAH AAH is an independent monthly magazine, owned by editor Ben Morris, a life-long resident of the Horsham District. It is distributed to 13,000 doors, as well as pick-up points around the District. EDITOR: BEN MORRIS editor@aahorsham.co.uk (01903) 892899 AAH Magazine, 2 Viney Close, Ashington, West Sussex, RH20 3PT

AAH ONLINE www.aahorsham.co.uk AAH is published online on the 1st of each month. Archive editions are online too, along with past features. DISTRIBUTION The magazine is delivered to about 13,000 homes in Horsham, Southwater and villages including Broadbridge Heath, Mannings Heath, Billingshurst and new estates at Highwood and Wickhurst Green. DOOR-TO-DOOR TEAM Horsham: Jacquie Paterson, the Judd family, the Rollingson family, the Voisey family, Katie Drysdale, the Garner family, Jill Shuker, the Arliss family, the Bloomfield family, Jake and Eve Lovett, Lara Green, the Gavira family, Hannah and Harvey Dold, Alessandro Cavallo, Jack Nicholls, the McCormick family, Charlie Merchant, Harry Baker. Southwater: The Brown family, The Chapman family Villages: The Palmer family (BBH) Amy Butler (Wickhurst Green) Nathan Williams (Mannings Heath); Lynsey Hare (Billingshurst), Nick Morris (Ashington), James Hobbs (Thakeham), Derek Bradnum (Nuthurst) The Morris Family (West Chiltington) Oak Tree Farm Care (Maplehurst & Copsale not currently able to deliver)

PICK UP POINTS & STANDS Thousands of copies of AAH are also available in our stands, at businesses, clubs and shops across the district. Horsham: Henry Adams (Carfax), Crates (Carfax) Pavilions in the Park, Horsham Rail Station, New House Farm, New Street Butchers, At Home Estate Agents (Caterways), Holbrook Club, Gwyn’s Bakery (Bishopric) Village Stands: Billingshurst Leisure Centre, Barns Green Village Store, Bluecoat Sports (Christ’s Hospital), Leonardslee Lakes & Gardens (Lower Beeding), Warnham Village Stores (Warnham), Slinfold Golf Club (Slinfold), Steyning Leisure Centre and Cobblestone Walk (Steyning) Spring Gardens Nursery (Washington) Joanna’s Boutique Tearooms (Storrington), The Milk Churn (Rudgwick), Meadow Stores and Cafe (Thakeham) We now have a new stand in place at Slinfold Golf Club, with the club’s latest logo. The stand at the Bridge Leisure Centre has been removed and placed at The Pavilions in the Park. BACK ISSUES We do keep a few copies of past editions. Copies cost £3.50 each, which includes postage. Email: editor@aahorsham.co.uk LEAFLETS We can deliver leaflets with AAH. Email: editor@aahorsham.co.uk £40 + VAT per 1,000 copies NOTES Sadly, the AAH stand will not be returning to the now re-opened Horsham Museum (their decision, not ours!) However, we are delighted that the team at the wonderful new Meadow Stores and Cafe on the Abingworth development in Thakeham have allowed a stand there instead. We love working with farm shops that support local producers (we also have stands at Crates Local, New House Farm and Spring Gardens) so appreciate the support of Meadow Stores.

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Community

Gardens

Art

Education

Visit Horsham is a website that links the community, supported by a popular Facebook page

South African artist Anton Smit has created 80 sculptures for a Walk of Life trail at Leonardslee

Slinfold artist Francesca Apicella’s paintings have a focus on strong female figures

As Farlington School celebrates its 125th year, we look back at the school’s history


SAFE JOURNEY

Notes from the Editor: Time to make the Downs Link a safer place

The Downs Link is popular with walkers, cyclists and horse riders (©AAH/Toby Phillips 2014)

Every weekend, I go for a bike ride with my youngest son, who is 14. Initially, it was something to keep him active after his football team folded, but the ride was largely weather dependent. However, now he’s doing the Duke of Edinburgh Award, there’s extra incentive in riding regularly. Usually, we use a circular 15-mile route from Ashington, which winds its way around Shipley, Dial Post, Ashurst and Wiston. It’s a quiet route largely devoid of cars and usually involves some wildlife spotting too (last week, a flock of 50 geese flew over in a ‘Flying-V’ formation, although the V was too one-sided to make it picture perfect!) Aside from the Lycra-clad cyclists whizzing by and making us feel like we’re going backwards on our old mountain bikes, it’s a pleasant ride. One downside is that the route crosses the A24 at Old Barn Nurseries, meaning negotiating four lanes of traffic. We’re always extra cautious and it’s only now my son is 14 that we even attempt it. In an ideal world, I’d like it to be less perilous. But I accept it would be difficult to justify disruptive roadworks and the high costs involved in building a bridge here, just for the sake of a relatively small number of cyclists riding at their own risk. When it comes to the South Downs though, it’s a different matter. The Downs are actively promoted as a place for us all to enjoy walking, cycling and equestrianism. So, if any bridge was to be built over the A24, it would make more sense to have it further

south, where the South Downs Way crosses the dual carriageway at Washington. Families often cross here on their way to Chanctonbury Ring, which has become even more popular since lockdown. I tend to avoid riding on the South Downs Way. Not only is it narrow in places, which involves slowing down for others, but the chalk and flint is better suited to a full suspension mountain bike – beyond the budget of most parents, especially those working in publishing. Far better is the Downs Link, which stretches from Shoreham to Guildford, with some of the most beautiful sections falling within the Horsham District. It’s very popular, especially around Steyning, Southwater, Henfield and Broadbridge Heath, all growing residential areas. Because it was once a railway line, it has a wide path and as it has been recaptured by nature, has a wonderful aura about it. When my children were little, I would often take them on the Downs Link and they’d ask questions I wish I knew the answers to, like which crops were growing in fields or the names of butterflies they spotted. “They can’t all be Red Admirals, dad!” For convenience, we usually started at West Grinstead Old Station, heading south to Bramber, perhaps my favourite section, despite the fiddly bit where the Link breaks up at Partridge Green. But sometimes I would venture north, although there was always apprehension as we approached Rudgwick, knowing the A281 crossing was

looming. For me, this is the one place where the need for a bridge is blindingly obvious. Not only is it dangerous (a cyclist died there last year) but it shatters the idyllic calm of the Link. One minute, you’re enjoying the autumnal sight of your children riding through golden layers of fallen leaves, and the next you’re shouting for them to slow down, wary of the crossing in the distance. I would often worry too soon, uncertain of my bearings, and have the boys ride closer to me long before the crossing. A campaign group called Bridge the Downs has been formed to remedy this situation, and in this edition they make a compelling argument for a bridge. In recent years, West Sussex County Council has made admirable efforts to create cycling routes with “pop-up” cycling lanes. They were criticised by many – myself included – as a waste of money or for poorly chosen locations. WSCC received £780,000 and then £2.3million in grants for these routes, but after removing some pop-up lanes only six months after their introduction, was the only authority in the country to be told it could not apply for funding in the next phase of the Active Travel Fund. While Horsham’s cycling lanes haven’t been that successful, with routes often failing to connect to others, lanes elsewhere have fared better and there seems to be a genuine desire to encourage cycling at WSCC. Which is why I hope it can help find a solution to the A281 Downs Link crossing. In terms of promoting a healthy, active lifestyle for all, a bridge here is surely a no-brainer...

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Horsham’s only co-educational independent school for ages 4 to 18

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Farlington School | Strood Park | Horsham | West Sussex | RH12 3PN | UK Tel: 01403 282573 | Email: admissions@farlingtonschool.com | www.farlingtonschool.com Individuality | Opportunity | Community


NEWS ROUND-UP Bowling at The Rec (©AAH/Toby Phillips December 2018)

Announcements & Events from across the District Email submissions to editor@aahorsham.co.uk

rink within a winter wonderland. The bar has been transformed into an après ski bar with hot chocolate, mulled wine and cider, fondue and other seasonal treats. As well as recreational skating, The Rec plans to host DJ nights and ice hockey, as well as special Christmas Eve and Boxing Day

events. There is also a dedicated sensory room, with ‘Quiet Skate’ sessions for those wanting a peaceful environment. NHS and emergency workers skate for free on Mondays and Tuesdays. The Rec is also a wheelchair-friendly venue, both on and off the ice. www.therecrink.com

Bellmans Auctioneers in Wisborough Green held an auction of film memorabilia owned by director Lewis Gilbert on 17 November. The auction included scripts, storyboards, photographs and ephemera from the three James Bond films he directed - You Only Live Twice (1967), The Spy Who Loved Me (1977) and Moonraker (1979). The auction totalling almost £61,000. Gilbert, who died in 2018, also directed Alfie (1966), Educating Rita (1983) and Shirley Valentine (1989) in a career spanning six decades. www.bellmans.co.uk

Local authorities have agreed a contract with Connected Kerb to enable the roll out of thousands of public electric vehicle charge points within the next decade. A collaboration between Horsham District Council and West Sussex County Council will see charge points installed on streets, car parks and community facilities. The first stage of the project is to replace unreliable charge points in North Street, Horsham, The Six Bells in Billingshurst and Storrington library. Connected Kerb is funding the project and will also maintain the charge points.

Lewis Gilbert on set in 1977

Artist’s impression of the new STCH

The bowling alley at The Rec in Albion Way, Horsham, has closed permanently. It has instead been transformed into an indoor ice skating rink, which was due to open on 1 December. Working in collaboration with Terbell events, The Rec has built a 20 x 25m real ice

The new St Catherine’s Hospice project at Pease Pottage has been boosted by a further £600,000 donation from the Thakeham Group and housing provider Abri, bringing their total support to over £2m. The construction of the new hospice at the Woodgate development is due to start in October 2022, after being delayed due to COVID. It will have 24 bedrooms with space for community services, allowing St Catherine’s to reach more people. To support the hospice visit www.stch.org.uk/donate

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A luxury hotel has opened at Leonardslee Lakes & Gardens in Lower Beeding. The hotel in Leonardslee House features ten en-suite bedrooms on the first floor, designed by the Johnston Parke Interiors studio and architects Gould Baxter. Each bespoke bedroom features the fabric and wallpaper style of a British interior design house to create an immersive experience for guests. As well as sourcing antiques, the designers commissioned UK furniture suppliers including David Seyfried for upholstery, Hypnos for beds, BTC

Original for lighting as well as Edward Bulmer and Farrow and Ball for paints. Rooms in the Grade II Listed house, built in an Italianate style in 1855, offer views over the lawns, woodlands, and across to the South Downs. Guests can also experience the multi-course tasting menu downstairs at Restaurant Interlude, where Executive Chef Jean Delport has won a Michelin Star for a second consecutive year. Rooms cost £350 - £550 per night. www.leonardsleegardens.co.uk/ leonardslee-house

Chapeau! ©AAH/Toby Phillips 2019

Manor Theatre Group presents its festive panto, Cinderella, at Warnham Village Hall on Saturday 11 – Sunday 12 December, at 4pm and 7.30pm. The production is full of comedy and mayhem, with fun for all the family. Tickets £12 (£10 children/concs) from 0333 666 3366 or www.manorhorsham.com

Brolly Brewing presents the Horsham Brewers Christmas Fayre at The Barn, Causeway, Horsham on Saturday 18 December, 12 – 4pm and 5 - 9pm. The event combines craft beers by local brewers including Horsham Brewery Co, Brolly Brewing, Chapeau! and Bestens with bubbly, street food and fundraising. Tickets £3.50 (proceeds to St Mary’s schools). www.brollybrewing.co.uk

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Post box in Clarence Road, Horsham (Photo courtesy of Peter Norris)

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Thursday 20th January

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Members of Horsham Normandy Women’s Institute have knitted post box toppers to highlight climate change. During COP26 – the UN Climate Change Conference in Glasgow, the colourful toppers appeared in Depot Road and Clarence Road. They include scenes of melting ice caps with seals and polar bears, and plastics in the ocean.

Thursday 27th January Asian & Islamic Ceramics & Works of Art

Wednesday 2nd February Paper Collectables

(Stamps, Postcards, Cigarette & Trade Cards, Photographs, Autographs & Ephemera)

Tuesday 15th February Edged Weapons & Firearms Medals & Militaria

Wednesday 16th February Fine Art Silver & Plate Jewellery

Thursday 17th February

The Friends of Horsham Park have been busy replanting borders at Horsham Park House, with the help of a grant from Sussex Gardens Trust. The sensory garden’s original design included many features to ensure accessibility for visitors with additional needs, with wide paths of non-slip gravel, a raised bed and space for wheelchair users and a sundial designed by John Skelton. In the 30 years since the garden opened, it has suffered wear and tear and the Friends are working in partnership with HDC and other organisations to restore it. www.friendsofhorshampark.co.uk

Coins, Medallions & Banknotes

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British & Continental Ceramics & Glassware

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The Horsham Hospital League of Friends has been tidying up the Tea Bar Garden, with the help of Horsham Rotary Club. The hospital’s tea bar has re-opened for takeaways and it’s hoped that after another clean-up day in the spring, the gardens can be opened up and enjoyed once again.

Asian & Islamic Ceramics & Works of Art

Silver & Plate Jewellery

Thursday 9th June

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Asian & Islamic Ceramics & Works of Art

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Leonardslee Lakes & Gardens in Lower Beeding is hosting its ‘illuminated spectacular’ after-dark winter light trail. The Grade I Listed gardens are lit up with impressive light displays and large-scale installations, including replicas of the garden’s famous wallabies, an illuminated Earth and moon suspended over the lakes and dazzling fountain displays. There is also live music, theatrical performances, a funfair, food stalls and Christmas market. Leonardslee Illuminated runs from 4.15pm until late, from 2 – 5, 9 – 12 and 15 – 22 December. Advance booking online only at https://leonardsleeilluminated.co.uk

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NOT JUST TRAVEL SIMON CAVE

Furze Firs in Five Oaks, near Slinfold, is now open, allowing visitors to pick and chop their own Christmas tree. Owned and run by three local families, the plantation has thousands of Nordman Fir trees. Pre-cut trees are also available. Wellies and gloves recommended. Book online at www.furzefirs.co.uk

PARENT & CHILD PARENT & TODDLER CLASSES AVAILABLE

Your Personal Travel Consultant At Not Just Travel Horsham, I can make your holiday dreams a reality. Sit back, relax, and let me take care of everything. A very merry Christmas and Happy New Year from Not Just Travel Horsham. I look forward to making many more holiday dreams come true in 2022. I offer a bespoke and personally tailored service, saving you time and stress, with various payment options, and free cancellation or changes on many bookings. I shall be available to take enquiries throughout the Christmas holidays. Proud member of the Hays Travel Group.

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Luxury private pool Pool Heated to 33.6° Swim England registered Award winning swim school Classes over seven days a week

info@horshamswimschool.co.uk telephone: 07500 808898 www.horshamswimschool.co.uk

©AAH/Toby Phillips 2018

Popular local band Blue Stragglers perform at The Rec Rooms, Horsham on Thursday 23 December, from 7pm (first act at 8pm). The three-piece alternative rockers return for a hometown headline show, supported by The Soho Dukes and Brute. Tickets £7 via Eventbrite. @bluestragglersuk

Leonardslee Illuminated (©Ray Gibson)

Horsham folk singer Ruth Rosie has released her first album, Your Sweet Company, accompanied by guitarist Lewis James. Rosie, who is well established on the folk scene, launched the record at the King’s Arms, Horsham on 11 November. Rosie says, “There's a theme of love and longing over distances and the sea. The songs tell of the sadness of bereaved lovers and the strain of living far apart which I think resonates with a lot of people.” www.ruthrosie.bandcamp.com


Green People, an organic skin care business, opened its flagship store in Piries Place, Horsham, on 28 October. Products include Green People’s popular Organic Babies and Organic Children ranges and the brand founder’s signature collection, Age Defy+ by Cha Vøhtz. Green People also offers skin care consultations, in-store events and click and collect. Charlotte Vøhtz, who founded the business in 1997, said: “When I started Green People in 1997, it was my dream to open my own store. Almost 25 years of hard work later, I am thrilled to have achieved this dream.” @GreenPeopleOrganic

Windlesham House, an independent school in Washington, welcomed England Rugby players Tim Rodber and Matt Dawson as guest speakers for a special ‘Knowledge Night’ event in November. The nights are designed to challenge pupils in their learning and wider life experiences. The Light Bulb Award is presented to the pupil who asks the winning question. www.windlesham.com

The BritWeb team (©Toby Phillips Photography)

The Horsham Gets Naked 2022 calendar is on sale, in aid of Cancer Research UK. The charity calendar has seen 12 local companies bravely bare all to raise awareness and funds, including Brock Taylor, Pretty Things, Monte Forte, Yes Lifestyle Club, Rust & Lewis, UpBeat Dance Company, BritWeb, Mama Gleam, Kaya, Wooton & Bean, The Olive Branch and Toby Phillips Photography. The calendar was instigated by Liam Stanbridge of Brock Taylor and is already well on its way to raising £1000. Calendars cost £10 from Brock Taylor, The Olive Branch, Pretty Things and Monte Forte or online at https://fundraise.cancerresearchuk. org/page/horsham-gets-naked

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Planning for the future The experts at Kreston Reeves can help you protect your assets from care home costs.

Your home

Financial advice

One of the most common questions we’re asked is whether clients should consider gifting their home to their children to protect it from being used to fund social care in the future. People often say, ‘well my children are going to get it when we die, so why not do it now?’ But is it really a simple case of bringing their inheritance forward?

If carefully considered in advance, steps can be taken to assist individuals, their families, or their attorney’s or deputies with funding the cost of care.

The short answer is, no. Gifting your home is littered with potential pitfalls, from serious inheritance tax consequences for your estate, to the risk of losing the roof over your head. Giving away your home could have serious repercussions for you in the event your child dies, divorces or experiences financial difficulties. If you are considering gifting your home it’s essential to take advice on the legal, inheritance tax, income tax, and practical implications of the gift. And what about your cash and investments? This is an option, depending on your circumstances. Local authorities have wide powers to challenge gifts if a person is seen to have deliberately deprived themselves of an asset, especially if this is in contemplation of care being required.

A financial planner with relevant expertise in this area will consider the support options that might be available, review state benefit entitlement and recommend investment strategies to meet the cost of care. A holistic view will be taken exploring risk preferences, capacity for loss and tax efficiencies. While technical ability and knowledge of the everchanging legislation regarding adult social care funding is essential, there is of course a human side to giving advice in this area and our Society of Later Life (SOLLA)accredited adviser specialises in providing the hugely important aspect of the planning process.

To speak to our legal, tax and financial planning specialists further contact us on 0330 124 1399. Paris Drew, Solictor, paris.drew@krestonreeves.com

Factors to consider will include the age and health of the person making the gift, the value of the gift, their overall financial position, and the intention behind the gift.

Any other options? If you jointly own your home with a civil partner or spouse, then a common way to preserve your assets is to separate your individual shares in the property (usually 50/50), so that your share cannot be used for the other person’s care when you die. Instead, you can include a provision in your will allowing the surviving partner the right to live in the property and once they are no longer living there your share in the property will pass to your intended beneficiaries.

Lee Hayward, Chartered Financial Planner and SOLLA Accredited Later Life Adviser, lee.hayward@krestonreeves.com

Offices in Sussex, Kent and London. For more than accountancy, business and financial advice.

www.krestonreeves.com

The content of this article is for information only and does not constitute formal financial advice. This material is for general information only and does not constitute investment, tax, legal or other forms of advice.You should not rely on this information to make, or refrain from making any decisions. Always obtain independent, professional advice for your own particular situation.Kreston Reeves Financial Planning Limited, Independent Financial Advisers. Authorised and regulated by the Financial Conduct Authority.


Christ’s Hospital Choral Society presents Christmas with Carols and Choruses at The Chapel, Christ’s Hospital on Saturday 18 December, 7.30pm. There will be festive songs and a selection from Handel’s ‘Messiah’ with the audience invited to join the choir for carols. Readings will add to the warm feel of the evening. COVID precautions in place. Tickets £5 - £11 (includes drink and mince pie) from 01403 247434. https://chchoralsoc.org

The Big Notes Choir (©Toby Phillips Photography 2019)

Horsham’s Big Notes Choir and Horsham Children’s Choir will host a carol singing event in the car park underneath Waitrose and John Lewis on Saturday 11 December at 7pm. All are welcome to join in at the familyfriendly event, which will last around 45 minutes. The event is free with a collection for Chestnut Tree House. www.bignoteschoir.co.uk

Traditional Values... ...Modern Approach

Quality Service

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Coolham Live Music Club hosts its Xmas Extravaganza at Coolham Village Hall on Saturday 18 December, with music by Project PH (featuring Yolanda Charles) and Chelsea Blues (pictured) and her band. Yolanda Charles is one of the most sought after session and touring bassists on the circuit and has put together a group of incredible musicians to form her own band, Project PH, playing a mix of soul and funk. Chelsea Blues returns with a guitarist, keyboard player and backing vocalist. Tickets £25 from coolhamtickets@gmail.com. Doors open at 7pm with music from 7.45pm. Bring your own refreshments and food. @coolhamlivemusicclub CORRECTION: In the article on the Olive Tree in November 2021’s edition of AAH, the photograph on p28 was incorrectly captioned. Sheri Werner is a reiki therapist, not as the caption said a hypnotherapist. For details visit www.sevenjeweltherapies.co.uk

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We offer upholstery services for modern & traditional furniture with ‘made to order’ solid beech frame furniture available from our showroom. Our online gallery demonstrates our work including three piece suites, antique chairs, headboards & more. We have a wide range of fabrics to choose from & offer free fabric samples. For your free no obligation consultation call us today.

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(©AAH/Alan Wright)

DANGER OF THE DOWNS

CAMPAIGNERS DEMAND NEW BRIDGE OVER A281 LINK CROSSING 19

The Bridge the Downs campaign is calling for a new bridge, so that users of the popular Downs Link can safely cross the A281 near Rudgwick. It follows the death of 20-year-old student Pathushan Sutharsan at the crossing during a charity cycle ride last year. Horse rider Hilary Jubert, Rudgwick Parish Councillor and walker Sue Kornycky, Rob Bookham, owner of The Milk Churn at Rudgwick Brickworks, and local runner Jake Wightman, who competed for Team GB in the 1500m final at the Tokyo Olympics, share their views with AAH…

Hilary: The Downs Link is a 37-mile route from Guildford to Shoreham, largely following the route of two lost railway lines. The link connects the North Downs (at St Martha’s Way) and the South Downs Way (at Steyning). Just south of Rudgwick, the Link crosses the A281 Guildford Road. I have used the Link for 30 years, so I’m aware of just how dangerous it is. Rob: The Downs Link is key to the success of The Milk Churn. We’ve seen a huge increase in the number of people using the Link, especially since lockdown. More people have enjoyed cycling and rambling, and the local authorities and government has encouraged us all to live healthy,

“Regular Link users have been aware of the danger for years. It was always an accident waiting to happen.” active lifestyles. Yet we have one point on this popular route that is an obvious blackspot. Sue: Villagers in Rudgwick and regular Link users have been aware of the danger for many years. It was always an accident waiting to happen and it’s long been a talking point at Parish Council meetings . Many people avoid crossing the road and simply turn around, either south towards Slinfold or north back to Rudgwick. During the first lockdown, it was wonderful as the roads were quiet and I could explore further from the village. Now the traffic is back, I turn around as the crossing terrifies me.

Jake: My parents live in Rudgwick so I use the Downs Link regularly. I often run with Georgie Hartigan (1500m/800m runner for Ireland) as we are both training for a busy season with the World Championships and Commonwealth Games taking place next year. I’ve also seen Elliot Giles (2016 European bronze medallist) on the Link and every day come across club runners. But sometimes I drive to Southwater instead, as the Link is smoother and safer there. I know it sounds trivial, but it’s not ideal to stop for a minute or two, waiting for a gap in the A281 traffic, when you’re in a running rhythm. Rob: This isn’t the only point where the Downs Link trail is broken up. But nowhere else does the Link cross a road like the A281. This gives many users a false sense of security, as you are enjoying the countryside and not expecting to be confronted with a dangerous situation. If you don’t know the area, you can be caught out and that was the case with the cyclist who sadly died. Hilary: Ten years ago, as Access Officer for the British Horse Society (BHS), I was asked to look at ways of making the crossing safer for riders. We pursued the issue again in 2018, requesting a bridge


Looking west to Rudgwick, a dip in the road coupled with overhanging trees obscures vehicles, which are often speeding up as they approach the crossing, where the speed limit increases to 60mph for traffic heading eastbound (©AAH/Alan Wright)

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over the A281, but nothing was done by West Sussex County Council (WSCC). Tragically, Pathushan died when he was hit by a lorry on the crossing during a bike ride. I gave evidence at his inquest earlier this year and the Coroner said to WSCC, “Action should be taken to prevent future deaths and I believe your organisation has the power to take such action.” This tragedy led to the launch of the Bridge the Downs campaign with support and endorsements from the BHS, West Sussex Cycle Forum, Horsham District

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Cycling Forum, Rudgwick Parish Council, Slinfold Parish Council, Rudgwick Preservation Society, Cranleigh Chamber of Commerce, Partushan’s family and local Olympians. Hilary: WSCC initiated a feasibility study and we await the results. As a representative of the BHS, I was consulted about signage around the crossing, as well as other ideas including chicanes to slow cyclists. We now have signs on the gate before the crossing, warning Link users, while on the A281 itself

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there are now three warning signs alerting motorists to pedestrians, cyclists and horses. Trees have been cut back too, for the first time in years, improving sight lines. But that needs to be carried out regularly. The new signs help, but they don’t affect what happens on the crossing itself. Sue: One idea that has been mooted is a Pegasus crossing. This was ruled out in 2019 due to lack of a power source and the speed of the traffic. The road dips down and rises

MARTYN EDWARDS


The crossing is particularly harrowing for riders. In this instance, horse and rider turned around back towards Slinfold, rather than risk crossing (©AAH/Alan Wright)

Jake Wightman and Georgie Hartigan running on the Downs Link as they prepare for the World Athletics Championships (©AAH/Alan Wright)

again and doesn’t have sufficient sight lines to be safe when traffic is approaching at 40 - 60 mph. The road is too fast and a Pegasus crossing could potentially be even more dangerous, as Link users will feel they have the right-of-way. That’s a risk when vehicles are moving at high speed on a road with poor sight lines. Hilary: If you stand by the crossing on the Rudgwick side, you have seven seconds from when you first see a vehicle at the top of the hill through the trees to when the vehicle reaches the crossing. There’s a 40mph speed limit through the village, but there are no cameras and some barely slow down at all. The national speed limit sign is on the crossing too and motorists see that and speed up towards 60mph, so are accelerating when they reach the crossing. That leaves very little room for error. If you’re in a group, there could easily be several seconds between the first person stepping out on to the road and the last person, who may assume it’s safe. That’s why equestrians, family groups with children and pets, and disabled persons will more often than not, turn around. Rob: Every day, I see lorries going by at high speed and trying to cross on a horse must be horrendous! My children have the freedom to play on the Link, but are not allowed beyond the road. It is obvious to me that the only sensible solution is a bridge. Anything else is a sticking plaster. Sue: The site does lend itself to a bridge as it slopes down on one side, then rises again on the other. There used to be a bridge but it was taken down in 1967 because it wasn’t suitable for the road.

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“WSCC and ESCC have spent a fortune trying to create cycle paths, yet here we have a route already enjoyed by thousands.” Hilary: We understand that installing a bridge won’t be easy. There’s a long list of criteria to meet just for horses to pass over safely. There’s also the added complication of a bridleway which runs adjacent to the Downs Link on the Rudgwick side (it meets the Link at the crossing). The bridge would need to incorporate the bridleway too and would require collaboration between WSCC and Highways England. But there are bridleway bridges around, so it wouldn’t be unprecedented. East Sussex County Council constructed a bridge over the A26 on the South Downs Way, so it can be done. WSCC and ESCC have spent a fortune trying to create cycle paths in recent years, yet here we have a route already enjoyed by thousands of people and all it needs is a bridge to create many miles of additional use. Until then, the Downs Link can’t reach its full potential. 22

Supporters of the Bridge the Downs campaign gather near the crossing (©AAH/Alan Wright)

Rob: We’ve been saying for years that this is an accident waiting to happen and just because there’s now been a fatality, that doesn’t mean it won’t happen again. Next time, it may not be only one person. Following the Coroner’s report, WSCC cannot wait for that to happen. It has an obligation to act and the only way people can cross that road safely is to build a bridge.

INTERVIEWS: BEN MORRIS PHOTOS: ALAN WRIGHT Further information: Users of the Downs Link can visit the Bridge the Downs website at: www.bridgethedownslink.org bridgethedownslink


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Alice Chambers with Bob the Bear (© AAH/Alan Wright)


BOBBING ABOUT

HORSHAM BUSINESSWOMAN ALICE CHAMBERS PENS CHILDREN’S BOOK Alice Chambers is best known in Horsham for hosting charity fashion shows and for her prominent role in networking group, Women in Business. Now, she’s taken to writing children’s books with an unlikely hero. Here, Alice shares her story in her own words… I've run my business, Essence of Fashion, for 17 years, hosting ladies fashion shows and raising thousands of pounds for good causes. But because of COVID, the way people shop has changed. Women are buying fewer clothes as they’re not going out or socialising to the same extent and more are working from home. Being unable to host fashion shows, I thought lockdown might signal the end of the business. Many retailers are moving online, but I think it’s important to see and feel clothes; try things on to see what suits you. I’m not a skinny person and started the business as I was fed-up of not being catered for by clothes shops. So I go to trade fairs and hand-pick every design I sell, always seeking out comfortable yet unusual things that you wouldn’t expect to find on the High Street. I love talking to customers, so I’m delighted that the Essence of Fashion will be continuing as part of the new pop-up shop in West Street. However, I’m equally as passionate about writing books and poetry these days... I lost my husband to cancer two and a half years ago. Bob went through chemotherapy and a major operation, but the cancer returned. The doctors said he would have one more year to enjoy with his family. Only six days later, I was having a chairlift installed at home when the nurse rang and said that Bob’s condition had deteriorated. I rushed to hospital but didn’t make it in time. When our grandson Elliott was little, I knitted Bob the Bear. He looks like my husband, with glasses and a green waistcoat, and sits in “bear chair”, which has been in our house for 38 years. During lockdown, I hid Bob the Bear around the garden, taking photos of him in different places. I made a Photobox story of his adventures and Elliott saw it lying around and read it. To my surprise, he was giggling at every page.

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I was already in contact with The Author’s School, as I was hoping to publish some of my poetry. I told them about the bear story and they wanted to read it. To my great shock, they liked it! I had called the book Robert the Bear’s Adventures, to separate the bear from Bob, but the publishers thought Bob the Bear had a nice ring to it. So Bob the Bear’s Adventures was printed in September and shortly afterwards Elliott phoned me to say there was an article about it in The Primary Times, which he found in his schoolbag! My neighbour’s daughter teaches at William Penn Primary School in Coolham, so I read the book to her class. It went so well that she asked if I could return and read to the whole school. I think it strikes a chord with children because it’s silly. Bob thinks he’s hiding, but he’s not very good at it and would much prefer to lounge about in the sun. The story triggers conversations too. Children want to know how he got up in the bushes, or how he’s going to get down from the tree, or what his favourite food is. The fact it’s photographic makes a difference. I always assumed illustrations worked best, but because children can see Bob’s a real Teddy with a real chair, hiding in a real garden, they relate to the narrative. I’ve had lots of fun organising the photos,

especially for one of the follow-up books where he goes to the farm. My friend’s dog sat next to Bob the Bear and very gently picked him up, which is included in one of the new books. I’m hoping to take Bob the Bear into different scenarios, perhaps to the woods next, as I like to incorporate elements of education. The books are meant to be fun, but it’s nice to teach children something useful too. I've knitted a selection of bears from Bob’s old shirts and these feature in another rhyming book I’m working on. I know Bob would be pleased I’m writing again. I wrote short books 43 years ago while still teaching, following the adventures of meadow friends. I never had them illustrated though and of course, family and life intervened. But of all my interests, Bob always encouraged me to write, as he knew I enjoyed it. So it’s nice that Bob the Bear is keeping his memory alive too.

INTERVIEW: BEN MORRIS PHOTOS: ALAN WRIGHT Further information: Bob the Bear’s Adventures is sold at Bearing Gifts in Lintot Square, Southwater, Horsham Hospital and also Amazon. The book is also available in tablet form on Apps including Kobo.


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Brook and Martin at The Billi Tap (©AAH/Alan Wright)

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Who’s this then? Martin Nicel and Brook Saunders, who recently opened The Billi Tap on Billingshurst High Street. A pub? It’s a micropub offering a different kind of experience, serving craft beers by two local breweries. Which ones? The first is Little Monster, a Chichesterbased brewery founded by Brenden Quinn. Brenden specialises in gypsy or cuckoo brewing, where brewers rent equipment but use their own malts and hops. The second is Brolly Brewing, run by Brook and Holly Saunders – their names amalgamating for the business name. Where’s Brolly based? Wisborough Green. Brook started a homebrew club in Horsham with the help of Dark Star, before setting up a brewery in 2017.

Brolly released its first beer in August that year and grew steadily for the two and a half years. Until lockdown… Actually, like many micro-breweries, Brolly didn’t fare too badly during COVID. While furloughed from his regular job, Brook was able to devote more time to brewing. “I bought a load of growlers and delivered beer around Billingshurst,” he says. “We received business grants too and that meant Holly could join me at the brewery. This success gave us the confidence to launch The Billi Tap.” Growlers? It’s a traditional glass or drinking vessel for craft beer. Google? Yes…

So why did they need a pub? Brenden and Brook both wanted somewhere where they can control beer production from brewing to the customer. Brook says, “We take pride in what we do and both work hard to make good beer. We want people to enjoy it in perfect condition and the best way to do that is through a tap room. So we discussed the idea of a micro-pub.” How’s that different to a normal pub? Brook wanted a place that looks and feels more like a traditional tavern than a modern pub. “Some pubs are not like they used to be,” he says. “They may serve poor quality beer or focus on food or sport, with TV screens everywhere. The pubs I loved were places where you could chat over a good pint, chewing the fat with whoever happened to be there. That's what I like about micro-pubs. They attract a certain person and promote an atmosphere that encourages conversation.”


Martin serves up a pint of Little Monster at The Billi Tap (©AAH/Alan Wright)

Why Billingshurst? The first site they looked at was in Horsham, but nothing came of it. Then in October 2019, a building formerly occupied by an estate agents became available in the village. They nearly signed the lease just before the pandemic, but luckily decided to wait. The Billi Tap finally opened on 23 July this year. Brenden and wife Jane spent several months getting it ready, with Martin joining the team from Arundel Brewery. Brook says, “It was initially difficult to visualise what it could be, as it had blue carpet and sofas. But it’s a gorgeous Victorian building and we’ve uncovered hidden features to utilise its character.” What beers do they have? The Billi Tap has ten taps, with four beers each from Brolly and Little Monster. They also have one cider, with the final tap devoted to a guest beer from a Sussex brewery. Martin says, “Brolly has an amazing range of cask beers including Chub I.P.A, Burble (made with Goldings hops), Madre and Brolly Old, a green hop dark ale. Brook also makes a lovely milk stout called Little Pearl.”

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What about Little Monster? Its beers include gluten-free lager Feel Good, New England IPA Between the Pages, the German style Let’s Dance and flagship pale ale, Yul. Little Monster’s distinctive labels make for appealing canned beers too, also sold here. Martin says, “ When you go into most pubs – even free houses – you often see a selection of yellow beers like IPAs and pale ales, but not usually brown beers, such as porters and stouts. With the combination of two breweries, we complement each other in terms of styles and there's always a wide range of cask and keg beer.”


Sounds great for experienced casketeers! What about the uninitiated? “It’s fine if you don’t know different styles of beer!” says Martin. “We love talking to customers about what beers they like and suggesting one they might enjoy. Already, we’re seeing people who didn’t know much about craft beer when we first opened coming back and asking what’s new. It’s good to take people on a journey!” What does the future hold? As well as changing the beers regularly, The Billi Tap hosts quiz nights and is introducing local produce too, including cheese boards. It hopes to invite food trucks soon, coupling beers with the cuisine, be it burritos, pancakes or hot dogs. As Billingshurst grows with new housing, further opportunities may arise, especially if the long-debated pedestrianisation of the high street ever comes to fruition. No plans for global domination? Not yet, although the idea of one or two more tap rooms is possible. Brook says, “We don’t want to be dominant breweries; we want to be part of the local community. Most people don’t realise that it’s extremely difficult for micro-breweries to get their beer into pubs, as they’re all tied to big breweries for the long-term. There are free houses in Wisborough Green half a mile from my brewery that can’t stock my beer, which is heart-breaking, as I want people in my village to drink my beer. The Billi Tap enables us to do that and I hope people embrace the concept.”

WORDS: BEN MORRIS PHOTOS: ALAN WRIGHT Further information: Visit The Billi Tap at 44 High St, Billingshurst, RH14 9NY @thebillitap For more on the two breweries involved visit: www.brollybrewing.co.uk www.littlemonsterbrew.com

Craft beers at The Billi Tap (©AAH/Alan Wright)

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SWEET HARMONY

PHILHARMONIC CHOIR RETURNS WITH ST MARY’S CONCERT The West Sussex Philharmonic Choir, Horsham’s leading choral society for more than 40 years, performed its first concert under new Musical Director Sean Bui in November. Joining the 60-strong choir to sing Haydn’s ‘The Creation’ at St Mary’s Church was a trio of professional soloists, including soprano Elin Manahan Thomas, who performed at the wedding of Prince Harry and Meghan Markle. Other soloists were bassist Robert Davis, whose has performed at La Scala and sang with the RPO at the world premiere of ‘Blitz Requiem’ at St Paul’s Cathedral, and tenor Mark Bradbury, who as well as performing at Glyndebourne and in

European Voices under Sir Simon Rattle, is well-known locally for his involvement in choirs and singing groups, such as Little Notes. For Suzanne Gates, Chair of WSPC, the concert was a welcome return to singing after the challenges of lockdown. “What I love about the choir is that it brings together people from all walks of life, creating the most fantastic sound. I joined when my children were little, as it felt good to be a part of something that was very different to the rest of my life. Singing has always been a thrill and even more so after what’s happened in the past year and a half.”

“We are fortunate to be guided by two fine professionals in Sean and David Moore, our talented pianist. The concerts also give us the opportunity to perform with professional soloists and orchestral musicians. As amateur singers, it’s exciting to work with people who you’ve heard on the radio or seen performing at prestigious venues.”

New Direction As the choir finds its feet again after a period of disruption (numbers have nearly recovered to pre-pandemic levels, with about 65 active members) it finds itself heading in a new direction under Sean Bui.

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Sean studied at Royal Holloway in London and was later Composer in Residence at the private chapel of Her Majesty the Queen, at All Saints Chapel in Windsor Great Park. He was appointed Assistant Music Director there the following year. He co-founded Quire Voices, who have featured on Classic FM alongside The Band of the Household Cavalry, and as a soloist has performed major works including Mozart’s ‘Requiem’ and sung at the Royal Albert Hall. As well as working with WSPC, Sean is Musical Director of several other choral societies and an Assistant Director of a church choir. He draws on his studies at the Guildhall School of Music and Drama to be an inspiring teacher, focusing on vocal techniques. Sean said: “Singing is a form of escapism, where you can leave everything else in your life behind you for a brief time and concentrate on music. In terms of its mental health benefits, there’s nothing like it, and that’s why coming to The Barn every Tuesday evening is important for members. They have fun and it feels good!” “My job is to improve all elements of the choir, but it needs to be fun. It’s like being a football manager, in that you’re always looking at where improvements can be made, trying to get people to be the best they can be.”

“When it comes to concerts, there is only about 12 weeks of rehearsals, which isn’t much. Ideally, people practise at home too, but that’s not always possible. So my job is to focus on those aspects of the performance that need more work, to bring the whole choir together, and I’m fortunate to have a brilliant accompanist in David, who helps make it happen.”

Although Sean only started working with the choir in September, his fresh approach is already making a difference, says Suzanne. “Sean is very encouraging, yet also has great knowledge of techniques. During lockdown, some of us have been able to meet and sing online, but that’s not the case for everyone and some members haven’t sung for 18 months. So Sean has been gently bringing out the best in us individually and encouraging us not to be too self-conscious. He’s been like a breath of fresh air.”

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Sacred Music Now in its 43rd season, the choir was founded by amateur singers Laurie Carcas and Dr John Dew, who is perhaps better known for his association with Horsham Cricket Club, where he was captain for a decade and President for 47 years. The Barn on the Causeway has long been used for rehearsals, while St Mary’s offers a beautiful space for concerts, with a Father Willis organ that complements sacred music. As well as singing some of the best known choral works in the classical repertoire (Bach’s ‘Mass’, Handel’s ‘Messiah’, Faure’s ‘Requiem’ etc) the choir is reaching a younger audience by featuring more contemporary works too. Suzanne said: “At our last concert before lockdown, we sang works by Norwegian composer Ola Gjeilo and contemporary American composer Morten Lauridsen. In 2022, we will sing Karl Jenkins’ ‘The Armed Man’ with a full

“Sean has been gently bringing out the best in us individually and encouraging us not to be too self-conscious.” orchestra to do it justice. We are hosting a full day choral workshop on ‘The Armed Man’ in February too. Local people can join in and sing something they may be familiar with and that could lead to some new members. Anyone with an interest in singing a wide ranging repertoire in good company is welcome to join in and I promise, it’s truly life enhancing!”

Feel the Bass Like many mixed choirs, there is an imbalance in terms of male and female members. But what the tenors and basses lack in number, they make up for in

David Moore at the St Mary’s organ (©AAH/Alan Wright) 33

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West Sussex Philharmonic Choir at St Mary’s Church, Horsham (©AAH/Alan Wright)


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voice, combining beautifully with the sopranos and altos to create a choir in harmony. This stands the WSPC in good stead for a busy 2022 programme. Hot on the heels of ‘The Creation’, the choir will sing Christmas carols at The Barn on Saturday 10 December (2.30pm). It will then begin rehearsing for a spring concert, to include ‘The Armed Man’ and another Haydn piece, ‘Mass in a Time of War’.

perform,” says Sean. “Because I’m involved in different choirs, I draw on my own experience, but others offer opinions too. ‘The Creation’ was a nice, manageable piece for us to perform this year as we become accustomed to singing together again. I’m sure there will be plenty of enthusiasm for ‘The Armed Man’ as it’s often played on Classic FM and is a beautiful piece of work.”

For the first time in 20 years, the WSPC will perform a summer concert too, in celebration of Her Majesty the Queen’s Platinum Jubilee. Music will have a Royal theme, with Handel’s ‘Coronation Anthem (Zadok the Priest)’ and Parry’s ‘I Was Glad’ in the programme. The 150th anniversary of the birth of Ralph Vaughan Williams will be recognised too, with the choir performing his ‘Five Mystical Works’. Then next autumn, St Mary’s will be the setting for Brahms’ ‘Requiem’.

“Brahms’ ‘Requiem’ is a German mass in which the choir sings for the majority of the time. It would have been too bold to perform it after nearly two years away, but by next autumn, I’ve no doubt we will be ready. That will also be at St Mary’s, which has great acoustics. The music washes over the audience and it’s a privilege for us all to perform there.”

“As a committee, we openly discuss which works we will

WORDS: BEN MORRIS PHOTOS: ALAN WRIGHT Further information: westsussexphilharmonicchoir. org.uk


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Staff at the Horsham Bedding Centre explain the difference of a Hästens mattress (©AAH/Alan Wright)

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WILDEST DREAMS Luxury Hästens bed could be yours...for only £160,000! You may be staggered to hear that there’s a bed that costs more than £160,000. The price of the Grand Vividus – a top of the range bed by Swedish manufacturer Hästens – is not dictated by precious gemstones or gold-trimmings. Instead, it owes everything to the craftsmanship behind every facet, from the coils and springs to the horse hair and wool, with about 350 man hours behind each one. Tim Ellis has visited the Hästens factory in Sweden

While Hästens is a famous name in Scandinavia, having been established in 1852, its beds have only been available in the UK at a handful of carefully selected stores, predominantly in London. Now, they’re at Horsham Bedding Centre, with the top level of the four-floor building devoted entirely to the brand. At a launch event on 29 October, the Bedding Centre welcomed guests to experience Hästens for the first time and meet Daniel Eriksson, known as Diesel, who


Dale Jannels Director impactsf Ltd

(01403) 272625

www.impactsf.co.uk

Don’t regret missing out on lowest rates My December blogs are normally a sum up of the year and a look forward to what is coming in the year ahead. But I think we all know how this year has been and who knows what 2022 will bring? Let’s hope it’s safety and wellbeing for us all. I do think the mortgage market, since lockdown, is one of opportunity. Many have incurred the full force of COVID and as such, may not have made all of their payments on time. Even some lenders who offered the badly worded ‘mortgage holiday’ are not assisting those people, even when they have the confirmation in writing. Some systems simply can’t cope with missed mortgage payments, no matter what the reason. But lenders have recognised this and there are plenty who have moved to act quickly. With rates starting as low as 1.98% in this sector, there may be opportunities to review all kinds of circumstances and requirements.

has spent 23 years making what many believe are the finest beds in the world. Diesel said: “In Sweden, we appreciate the value and importance of a good night’s sleep, so there is demand for more exclusive beds. Investing in a high quality bed is more commonplace.” “Hästens is known throughout Scandinavia and its blue and white checked design has become iconic. We have two stores in Stockholm and one in Köping, where we have our factory, as well as supplying other stores throughout the country. Now, there is demand all over the world and people travel to our factory to see how the beds are made.”

Buy to let opportunities (buying property with intention of letting out) are buoyant. Many have cash to spend and are investing in bricks and mortar as a long-term project. With ‘millennials’ quite happy to rent a room rather than a house (considerably cheaper), we’re seeing a huge influx of Houses of Multiple Occupation around the country. Our friends at The Mortgage Works issued their Q3 landlord statistics recently and some 58% of landlords surveyed said tenant demand had increased. The average portfolio of properties amounted to 6.9 with an average rental yield of 5.9%.

“The attention to detail behind every spring, every strand of horsetail hair and every cotton fibre is astonishing.” Tim Ellis, Manager of Horsham Bedding Centre, has long admired Hästens and was fascinated by his trip to Köping. “I’ve been to many factories but never seen another as picturesque and impressive. The attention to detail behind every spring, every strand of horsetail hair and every cotton fibre is astonishing. You see workers individually picking horse hairs and laying them

Finally, you’ll have seen rates on residential mortgage dropping below 1%. Some have now increased, but do review your circumstances asap. People are talking about rate rises in the media and maybe December will see a rise in the Bank Base Rate. No-one knows for certain; just don’t regret missing out. The importance of impartial, independent financial advice is more crucial now than ever. Ensuring you have access to the right kind of options to match current and future requirements. The market has money to lend and they want to help you! A grateful “thank you” to all who have trusted their business with Impact Specialist Finance throughout 2021, and to those who voted us Best Specialist Mortgage Broker in the What Mortgage Awards 21. It is truly appreciated. Remember - keep it local and keep it independent! Wishing you and your families a very Happy Christmas and a relaxing, peaceful, safe and healthy New Year.

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Diesel has worked at Hästens for 23 years (©AAH/Alan Wright)

HIT THE RIGHT NOTE

If you would like to promote your business to more people in the Horsham District, perhaps AAH can help. 40

We don’t have a sales team and never cold call about advertising. Instead, we offer a fantasic service to those who need us. This includes: Free advert design service Every 6th advert placed free of charge Placement in a magazine rich in content

ABOUT AAH AAH is delivered to 13,000 homes in Horsham and surrounding villages, with rounds in Broadbridge Heath, Mannings Heath, Ashington, Billingshurst and new estates at Highwood, Wickhurst Green and Broadacres. Copies can be picked up for free from an ever-increasing number of our stylish stands across the Horsham District. We also publish online at www.aahorsham.co.uk

To chat about options and ideas email the editor Ben Morris at

editor@aahorsham.co.uk

The work behind a good night’s sleep...

into the bed and others hand stitching the mattress with pin-point accuracy. They even manage their own woodland to slow-grow a specific pine for the frames, so there’s no compromise on materials.” “The beds cost from around £7,000 and the quality throughout the range is very high. That’s why in Sweden, people save for many years to own one, as it’s perceived as a lifetime investment. Naturally, people are intrigued to know what the Grand Vividus looks and feels like, as it’s renowned as being one of the most luxurious beds in the world, with many celebrity customers. While that specific bed is

“A good night’s sleep is more important than any of these materialistic possessions.”

Not all the beds are blue and white...

beyond most people’s budget, there are people who want the very best money can buy and can afford it, be it classic cars, designer clothing, art, handbags or watches. A good night’s sleep is more important than any of these materialistic possessions as it directly impacts on your health and wellbeing, so the beds are worth every penny to such people.” “For those who are interested, we recommend you make an appointment, as a member of our staff can share the story of Hästens and find the perfect bed, as buying one is an important decision that affects your whole life.”

WORDS: BEN MORRIS PHOTOS: ALAN WRIGHT Further information Visit the Horsham Bedding Centre at 8 Medwin Walk, Horsham, RH12 1AG horshambeddingcentre.co.uk (01403) 274222


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VISIT HORSH THE WEBSITE BEHIND TOWN’S POPULAR FACEBOOK PAGE

Visit Horsham has been connecting businesses, residents and visitors in the town since 2006. As it celebrates its 15th year, AAH met founder Gavin Hewins to discuss its humble beginnings and future plans…

founded my business, Avionic-CBT (now Dot Net Webs) but very quickly was being asked to build websites for colleagues and friends. As it brought in extra money, it made sense to focus on that, rather than spending years building a computer-based training website for aviation!

Where does your interest in websites stem from? As a teenager in the 1980s, computer coding was a hobby of mine. I spent most of my working life in civil aviation but always maintained an interest in coding. The birth of the internet presented new opportunities and in 1994, I designed my first website. I dabbled in 3-D modelling too and aspired to create a website for the training of aviation engineers, which would be a more visual and stimulating guide than the text books I’d studied from. I

Were some of these for local companies? The first local website was for the Extra Time Bar at the old Broadbridge Heath Sports Centre. The bar hosted live music nights and the manager Dave Hughes, who later founded DH Catering, wanted to promote it online. I then built a website for the Horsham Business Resource Centre, which taught schoolchildren the basics of share trading with virtual money. Individuals, organisations and businesses were often asking me to create a community hub online, as nothing existed. So I started the

Horsham and Southwater Forum where topical issues could be discussed.

“The first issue that ever featured on an online forum in Horsham was about the swan sculpture.”


AM

Gavin (left) with Dirk Bollwerk of CB Dixey Opticians, long-term supporters of Visit Horsham (©AAH/Alan Wright)

behind many town events including Piazza Italia. He could see the forum’s potential and asked if I could build a website to promote the Horsham Traders’ Guild and other local businesses. The idea was brilliant but building and maintaining such a website would almost have been a full-time job and I was still working for BA. However, that did lead to the launch of Visit Horsham in 2006.

How did the forum work? Long before Facebook, forums provided an interactive online platform. People really engaged with it, although most members had anonymous names like Fluffy Bunny 42. The first issue that ever featured on an online forum in Horsham was about the swan sculpture in Swan Walk. There was a rumour that it was going to be removed, so I started a discussion thread and it took off! We had about 500 members and created enough of an outcry for the West Sussex County Times to pick up the story and launch their own campaign to save the swans! How did the forum evolve into Visit Horsham? Horsham District Council contacted me about it. I was worried because a few comments had been critical of the Council, but then I met Garry Mortimer-Cook, the driving force

What was the initial aim of the website? To promote local businesses, particularly independents, while also supporting Horsham District Council by publicising its events and press releases. Initially, we listed nearly every business in the town, but to ensure there was some financial reward, those that paid a small subscription could enjoy additional benefits such as photos and posts on our social media sites. Early

supporters of Visit Horsham included Wakefield’s Jewellers and Dixey CB Opticians in West Street. You also created a Horsham Facebook page? When Facebook became publicly available, I thought we could use it to support Visit Horsham and promote the town in general. I believe Horsham was the first town in the UK to have its own Facebook page. At the time, Facebook only had pages for individuals or businesses, so I set up a business page, called it ‘Horsham’ and it was accepted. I asked members of the forum to join and it wasn’t long before we had 10,000 members, which killed off the forum. Facebook was different then. It didn’t charge for advertising and anyone could post whatever they liked and it would immediately appear on the front page. As the page grew

Our appropriately named on-site café and bar with its thoughtfully created Breakfast and Seasonal Menus offers a selection of hot and cold options for your indulgence. Many of our cakes and sweet treats are handmade on site. Locally sourced ingredients feature throughout our menus including local craft bakers’ breads and burgers from our very own beef herd. Not feeling hungry? From the bar we provide a generous choice of soft drinks, draught and bottled beers, premium spirits and a wide selection of wines all to be enjoyed overlooking our beautiful Sumners Lake. Find a comfortable spot outside on the upper or lower decking and take in the scenery or cosy up in our Safari Tent and enjoy the warmth and crackle of log-burning stoves. Current Opening times: Monday to Sunday 9am to 4pm Food Service: 9am to 3pm

Tel: 01403 732539 Web: sumnersponds.co.uk Instagram: @sumnersponds Facebook.com/SumnersPonds

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How do you make money? Two years ago, I stopped working in aviation to focus full-time on Visit Horsham. My wife Janine helps and we have others who can moderate or update the events guide. I am more commercially minded these days, as I have to generate an income. However, I believe we offer good value for money. Visit Horsham is now the second highest ranked website when you search for ‘Horsham’ online, after the Council’s website.

Gavin (in yellow jacket) guides youngsters around Gatwick as part of a STEM project

in popularity, it became harder to moderate. I was twice contacted by police because of offensive comments posted by others. Now we have more control over what is visible.

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You changed the name of the page too... The ‘Horsham’ page suddenly became hard to find. What happened was that as Facebook started to map the world themselves, it no longer promoted Facebook pages with location names. So we renamed it Visit Horsham. The page now has 33,000 followers and has made a difference to the community in many ways. The Horsham Self-Isolation Support group (now Visit Horsham Community Support) was formed through our followers responding to pleas for help during the first COVID lockdown.

How has the Visit Horsham website changed? Initially, it was a basic guide to local shops and businesses. Now it includes some tourist information with accommodation, attractions and an events guide updated daily. As well as Council press releases, we post news from other sources, including Sussex Police. We’re quickly able to spread word when somebody goes missing locally. I’m particularly proud of our support for events like Horsham Rotary’s Trick-or-Treat Trail and Council-run events like The Big Nibble. We have a list of Community Champions on the website to give extra exposure to businesses that engage in local events.

“I’m particularly proud of our support for events like Horsham Rotary’s Trick-or-Treat Trail and Council-run events like The Big Nibble.”

What are your plans for the future? In October, we celebrated the 15th anniversary of Visit Horsham. It has been successful but I wouldn’t want to set up and profit from clones in other locations. Over the years, we’ve seen many 'buy local' schemes in Horsham. But if you look below the surface, many of these are effectively franchises of businesses that began elsewhere and expanded into Horsham. Inevitably, these schemes lead to money being extracted from the local economy. As someone who can be frustrated by the franchise approach to supporting the local economy, it would be hypocritical of me to do the same. As with AAH, Visit Horsham is based in the District and serves the businesses within it. It works because we have local knowledge and links in the community built up over many years. I would like to continue as we are, inviting others to be involved and encouraging them to be a part of the special community here.

INTERVIEW: BEN MORRIS PHOTOS: ALAN WRIGHT/GAVIN HEWINS

Further information: www.visithorsham.co.uk (01403) 597474 Visit Horsham


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MATTER OF FAITH

ANTON SMIT’S STUNNING SCULPTURES COME TO LEONARDSLEE Leonardslee Lakes and Gardens in Lower Beeding has a new sculpture park, featuring astonishing work by South African artist Anton Smit. Anton was born in 1954 in Boksburg, South Africa. After many years toiling as an artist, he is now revered for his monumental sculptures, which often depict African culture. His work has featured in galleries around the world, with highlights including an exhibition at Grand Central Station, where an eight-foot-high bronze sculpture made the cover of the New York Times. Many of his large scale works are on public exhibition in major cities such as Pretoria, at Menlyn Maine Central Square, Centurion Mall and other public art exhibitions in the Western Cape and internationally in Belgium. Anton still lives and works in South Africa, where he runs a Sculpture Park with his wife, Roelien. Here, he talks to the AAH editor about his exciting new Walk of Life exhibition at Leonardslee…

Anton, when did you first hear about Leonardslee? The Streeter family re-opened the gardens to the public in 2019 and contacted me a few months later. They were looking for sculptures to place around the grounds, came across my work and liked it. They sent me photos of the lakes and gardens and we added pictures of my sculptures, just to imagine how the park might look. The concept just worked! Did it help that you’re South African? That was a bonus! (Leonardslee owner Penny Streeter was born in Zimbabwe and lived in Johannesburg before moving to England). I flew over with Penny and we got on like a house on fire. I met (General Manager) Adam Streeter and his lovely wife and family, and from the beginning we gelled and

ideas flowed. Everything has gone perfectly, other than the fact that we planned to transport the sculptures over in May 2020, but because of the pandemic had to wait a little longer. This isn’t your first Sculpture Park... My wife and I run the Anton Smit Sculpture Park at Aqua Vista, South Africa. It’s only a two-hectare park with about 50 pieces clustered within. Roelien is very inventive as she plants everything and is clever when it comes to displaying sculptures. But it’s nothing like Leonardslee, which is like heaven! To copy it, I would need my own valley and lakes! Who chose the sculptures for The Walk of Life? They gave me carte blanche! I have been a sculptor since I was 16 and have selected works from my entire career,

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‘Pleaides’ in the Rock Garden at Leonardslee

going back to The Age of Grace in 1984. There are recurring themes throughout, such as the reclining female forms which are placed together to create a ‘Ladies of the Lakes’ trail. How do you now reflect on work you did decades ago? Some artists don’t look back, but I embrace my old work as I can see the journey I've been on. I still find some of it astonishing. I made Black Head With Glasses in 1986 and even today people find it refreshing and new. It’s become an iconic piece that’s been with me

for most of my life. Sometimes, I can look back at an old style and it inspires a new idea. Finding the right locations for each sculpture must have been difficult? When I first visited Leonardslee, I toured the grounds with Penny and Adam and identified spots where I thought certain statues would work. They had someone taking photos using a drone to provide an overview, which proved a great help. Adam had to move some statues around, but every decision he’s made seems to have been right.

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‘Kungwini Head’ by Anton Smit

Presumably, there’s few places the 7m Faith sculpture could sit? It has the perfect spot, overlooking the house and landscape. Faith has become my signature piece and people’s reaction to it doesn’t change, wherever you are in the world. The figure is based on a driver who worked for me years ago. Gabriel had a magnificent physique, so I asked him to pose! The first one I made was two metres high and I have made them in many different sizes since. Leonardslee has 3m and 7m Faith statues. I’m working on a 14m statue but it’ll need a sponsor because of the costs


involved. I would need to double that height again to make one as tall as the Statue of Liberty, but that’s something I’d love to do. The challenge is making sure it balances on its toes! Why is it called Faith? The world lacks faith and many people lack faith. The Bible says, ‘When the Son of Man comes, shall He find faith on Earth?’ As a Christian, my response is ‘Yes, you’re going to find faith, seven metres high!’ Does every piece tell a story? People often think they must do, but often they’re just ideas that I like. Sometimes, I dissect the body into sections or unnaturally distort or beautify figures, particularly female forms. But if I said there’s always a poetic reason behind it, I’d be lying. I do things that interest me or look good and hope others like it too. Usually, I cast a piece in resin first to gauge the public’s reaction. If they like it, I produce 24 editions in GRP (fibreglass) and 12 in bronze, working with foundries in South Africa. Bronze is expensive, but people know it’ll last forever.

“I dissect the body into sections or unnaturally distort or beautify figures, particularly female forms.” You also incorporate poetry into your work… I absolutely love poetry and use it to caption or describe my sculptures. Sometimes, I can’t find poetry that suits a sculpture and try to write my own, although it can be a mess! I have developed as a writer over the years, but I still try to keep things short and sweet.

The 7m ‘Faith’ sculpture outside Leonardslee House

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Visitors to Leonardslee can find about 80 of Anton’s sculptures in the grounds

Do you pay attention to what others think? I’m aware that people may like one thing and not another, and that some don’t like my work at all. When it comes to art, nobody likes everything, which is why variety is important. I’ve been known to wander around anonymously and listen to people’s conversations. At one of my first shows, a group was discussing my work and I nonchalantly strolled up and listened. They were saying, “This is rubbish!” and I nodded. Eventually, the gallery owner walked over and said, “I see you’ve all met Anton!”

How do you reflect on your early years as an artist? I never had the opportunity to study at university, so I learned the hard way. It was a long journey and you have to put in the hours before anything happens. There’s a lot of junk in the art world today and it’s often a case of the Emperor’s new clothes with emerging artists. Art has to have substance. It needs a wow factor. What are your hopes for The Walk of Life? It’s been a great blessing to have been chosen for Leonardslee and is the biggest

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‘Agape’ by Anton Smit

feather in my cap I could ever have imagined. I hope the Sculpture Park will continue long into the future, certainly beyond the initial two years, perhaps expanding with more of my sculptures or those of other artists.

INTERVIEW: BEN MORRIS PHOTOS: LEONARDSLEE GARDENS Further information: www.leonardsleegardens.co.uk www.antonsmit.co.uk sculptureatleonardslee


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Conveyancing Fraud is on the Rise – Are You Protected? Liz Cashinella, Residential Conveyancer at Coole Bevis discusses the rise in conveyancing fraud cases and looks at the steps house buyers and sellers can take to protect themselves. Fraudulent activity related to property sales and purchases is on the rise. The methods criminals are adopting are ever changing and becoming increasingly sophisticated so we all need to be aware of the scams that are out there and how to prevent ourselves from falling victim to them, particularly when transferring large sums of money when buying a house, for example. There has been much in the news recently surrounding people that have unknowingly succumbed to fraudulent activity. Recent cases have reported on hundreds of thousands of pounds being intercepted by criminals when making a property purchase, the majority of the money never being recovered. Protecting Yourself from Conveyancing Fraud The Law Society sets out the following guidance on how you can protect yourself from fraud when buying or selling a home: • Get bank details from your law firm either in person or over

the phone at the start of the conveyancing process and agree a robust mechanism by which any legitimate changes in bank details would occur, such as confirming them in person. Ask them to confirm the details by post if you've obtained them in person or over the phone. • If you receive an email or telephone call from your law firm stating a change in the bank details, question its authenticity. Always check the bank details directly with your lawyer by calling them on their published telephone number. • Set strong and separate passwords for your accounts, and make sure that you have anti-virus software installed on your devices; these frauds usually rely on email accounts being compromised. • Avoid posting on social media about buying/selling your house or getting a mortgage. • Avoid using public or unprotected Wi-Fi systems to check emails when you are buying a house. Fraudsters can easily hack into vulnerable Wi-Fi systems. • If you are making a payment to an account for the first time,

Call: 01403 210200 Email: liz.cashinella@coolebevisllp.com www.coolebevislaw.com

transfer a small sum first and then check with the law firm using known contact details that the payment has been received. • If you have any doubt about the transaction then do not transfer your money until you are satisfied it is correct. In addition to the above, we would advise home owners to sign up to HM Land Registry's free Property Alert service to protect against fraud. An email alert will be sent each time there is significant activity on the property you are monitoring, such as if a new mortgage is taken out against it. Coole Bevis LLP are authorised and regulated by the Solicitors Regulation Authority (SRA) and our Residential Property team is accredited to the Conveyancing Quality Scheme (CQS), a recognised quality standard for residential conveyancing practices. When instructing us on your property sale or purchase you can be assured that you are receiving high quality advice and that we follow robust and standardised processes to reduce any risks. Whether you are buying, selling or both, our experienced Conveyancing team are on hand to help your matter proceed as smoothly as possible so please get in touch to discuss the next step.


Fran Apicella with some of her recent paintings (© AAH/Alan Wright)

FINDING SALVATION

ARTIST FRANCESCA APICELLA REFLECTS ON HER PERSONAL JOURNEY Francesca Apicella is a self-taught artist from Slinfold. Her work promotes strong feminine attributes, partly inspired by her own struggles with long-term illness. Fran discusses her journey and hopes for the future…

MYSTERY ILLNESS Fran enjoyed art at Christ’s Hospital School and having regretted not taking the subject at A’ level, studied Software Development for Animation, Games and Effects at Bournemouth University. However, an illness that started when she was 16 gradually worsened and halted her progress, eventually forcing her to leave. Fran says, “I would go to bed and sleep for so long that when I woke, I wouldn’t know what day it was. Sometimes, I literally couldn’t walk unaided and needed help from friends. The illness was a mystery and some believed it didn’t exist at all. Being female and a teenager made me easy to dismiss.”

CREATIVE SALVATION Fran’s struggles with Chronic Fatigue Syndrome and PoTS, an abnormality of the heart that can trigger dizziness, led to five largely bed-bound years from 2014. As she lost faith in mainstream health services, Fran sought alternative opinions and met a doctor who not only helped with a diagnosis, but suggested she pick up a paintbrush. “Hearing somebody finally tell me there was something wrong made a huge difference,” says Fran. “I always knew there was, but endured so many frustrating years without a diagnosis. This wonderful doctor encouraged me to take up art too, so I went to TK Maxx for cheap oils and bought a canvas from The Works.”

that draw on the technical skills she developed at university. Fran says, “Although I’m not religious, I have always had a strong resonance with religious iconography and their transcendent, otherworldly qualities. My portraits are inspired by classical Victorian photography, as they tended to create haunting expressions that offer an insight into a person’s character.”

HAUNTING QUALITY Due to her many allergies, Fran wore goggles and gloves to protect her skin from the paint. Her first effort was a portrait of her grandmother, based on a black and white photograph. This vintage style has become a recurring theme in Fran’s output, but it’s often strikingly contrasted by bursts of colour, as well as mathematical or algorithmic elements Fran’s painting of her grandmother

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Fran with her painting Philautia, representing self-love (© AAH/Alan Wright)


Fran likes to include bursts of colour in her paintings (©AAH/Alan Wright)

“The idea was that physically creating something beautiful would help me appreciate my own broken body.”

‘Aeonia’

SELF-LOVE From a personal perspective, Fran’s most important work to date is ‘The Journey to finding Philautia’. Philautia comes from the Greek word for self-love, something the artist has struggled with. Although some have noted a resemblance to Rachael from 1982 film Blade Runner, the woman depicted is inspired by a Victorian photo, while the background is a mandala, a diagram representing wholeness and the organisational structure of life. Roses symbolise love and also the fragility in the

human psyche. “This was my gateway piece into loving myself again,” says Fran. “The idea was that physically creating something beautiful would help me appreciate my broken body, despite its flaws. I wanted to create a powerful image that represented my internal struggle. There is something oddly comforting about the dark. It is surprisingly easy to live there and lose your way. That’s why the journey of self-love can be incredibly difficult; a rollercoaster of emotion that requires courage.”

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“There’s merit in trying to get create photo-realistic paintings, but that’s not what I want to do.”

STRONG WOMEN This theme is evident throughout Fran’s work to date. ‘Aeonia’ is based on a theme of eternity, symbolising her desire to paint forever, while ‘Serpentina’ is about rebirth, representing Fran’s journey from darkness. She uses smooth metal or wooden panels as a canvas, helping to bring out vibrant colours. While the women depicted may seem familiar, they are not famous faces and Fran often creates different expressions from those in the source material, as well as adding contemporary elements such as lace clothing and iconography. Fran says, “I believe there’s merit in trying to get create photo-realistic paintings, but that’s not what I want to do. I like giving somebody who doesn’t and cannot exist a personality, with strong feminine attributes that perhaps others can identify with.” 56

‘Lunaia’

JOY OF ART Although Fran still has difficult days when she’s unable to work, painting has given her a new lease of life. Recently, she hosted her first virtual exhibition, gaining followers and meeting other artists. Now she aims to grow her portfolio of original work and limited edition prints, while welcoming commissions and submitting work to local exhibits by groups such as the Association of Sussex Artists (ASA). Fran says, “I am much happier now and feel I have a

‘Serpentina’

purpose. I was completely lost. But now, every day, I wake up thinking about creating something and that brings me joy. Art has proved to be my salvation.”

WORDS: BEN MORRIS PHOTOS: ALAN WRIGHT/FRAN APICELLA Further information missfrancescaapicella missfrancescapicella www.francescaapicella.com

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New Headmaster James Passam enjoys autumn with the pupils (©AAH/Alan Wright)

A NEW LEAF

FARLINGTON WELCOMES BOYS AND ITS FIRST HEADMASTER Edith fell ill in 1898 and having been given only months to live, sought someone to take over, with Mary not wanting to take on sole responsibility. After replying to an advert, it was Isabel and Charlotte Moberley who would lead the school into the 20th century.

Farlington School celebrates its 125-year anniversary this year and its third as a co-educational school. The arrival of the first boys in 2018 was followed this September by the first Headmaster, James Passam, after 11 Headmistresses dating back to 1896. As its 125th year draws to an end, we look back through the archives and trace the school’s journey, speaking to former pupils and staff, and the new Headmaster on its future as a co-educational school…

SCHOOL ROOTS Farlington’s story could have been very different, were it not for a typhoid epidemic in the late 19th century. Edith Buller had been Head English Mistress at a girls’ school in London for 12 years when she decided to start her own school. Her sister Mary agreed to join as housekeeper and in 1892 they moved into Underdown in Mill Road, West Worthing. However, after a year, the school’s development was interrupted by typhoid, which claimed many lives in the town.

Farlington House in Haywards Heath, 1899

The Bullers sought a new location, eventually renting Norton Lees in Oathall Road, Haywards Heath. Then in March 1896, pupils moved to a specially built school across the road. The landlord and builder was J Longley, who also built Christ’s Hospital. The new school was called Farlington House, after a village near Portsmouth where the Bullers’ parents were buried, and there was a strong emphasis on Christian teaching for a maximum of 16 girls.

Their father was Headmaster at Winchester College, so although the Moberley sisters had no formal training, they had grown up surrounded by education. Isabel proved to be an excellent teacher, especially in English literature, and both could write in a lively and well-informed way. They were very religious and strongly influenced by the Oxford Movement, which emphasised the importance of worship. But they kept hot rolls for breakfast on Mondays and allowed girls an orange at break time to ward off infections. They also introduced a play at Christmas and a break-up supper. During the next 15 years, the school expanded with a three-storey wing, dining room and a sanatorium. Another house on Oathall Road was adapted by Longley and used as a junior department, Little Farlington. As well as religion, the “polite accomplishments” were

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Girls enjoying the great outdoors at Farlington (©AAH/Alan Wright) 60

taught, namely drawing, painting, music, needlework, recitation and amateur dramatics. Deportment was also important with girls taught good posture and how to make conversation with adults, as well as elocution, personal neatness and good handwriting. Although visiting tutors taught rudimentary maths, Latin and history, no science was taught as the school made no pretence of being academic. Instead, the aim was “tone” and how to be “ladylike.”

Little Farlington at the old site in Haywards Heath

As with the rest of the population, there was a longing to help the war effort. The Farlington Volunteer Service Corps was formed in 1915 and received drill from a Sergeant Major in the Royal Sussex Regiment. Much effort was put into knitting socks, mittens and mufflers for men at the front and for Red Cross hospitals, while the garden provided vegetables for the Navy.

Discipline reflected the emphasis on character building and any transgression was seen as letting down Miss Isabel personally. Most evenings were devoted to needlework, and Charlotte (known as Tina) would read to the girls. Girls played hockey and tennis in summer, although not against other schools,

and the lucky ones would even ride horses. Occasionally, there were outings on the train to the seaside, and the break-up supper dance was always a grand affair. But there were no boys, as Farlington remained genteel and old-fashioned; the very essence of Edwardian England. Until war shattered that calm…

But the girls had to content with rationing and little heating during the winter. There was always a risk of disease too with epidemics of mumps, influenza and German measles. In 1918, many staff and all but four girls were laid low, with the classroom becoming a ward. More became ill in 1919 and the school

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When a nearby boys’ prep school offered the use of its swimming pool, Isabel resisted, concerned that boys might see her girls in swimsuits!

Performing arts has always played a pivotal role to life at Farlington School

suffered the tragic loss of two girls. War caused changes to lessons too. Popular German teacher Fraulein Gunther returned home for a holiday shortly before the war and never returned. And with “finishing” abroad no longer possible, domestic economy classes were held instead, including cookery, dressmaking, first-aid and simple nursing. The armistice was celebrated by the ringing of every bell and an evening dance. By this time, Tina’s health was deteriorating, but she continued to contribute letters to the school magazine for many years. In 1918, she noted how the role of women in the war was changing perceptions. ‘This new world that we all hope for is going to open many possible doors of useful work to women of all classes. I take it for granted that most girls will wish for work of some kind, as if this war has taught us anything it is to realise the value of work well done.’

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The lease on Farlington House was renewed in 1925, allowing for more improvements. Gordon House next door was bought to become the new Little Farlington and a new gym was built, with the old one transformed into a larger chapel. But some girls found the religious aspects overbearing and the school’s Victorian values were becoming old-fashioned. When Brunswick, a nearby boys’ prep school, offered the use of its swimming pool, Isabel resisted, concerned that boys might see her girls in their swimsuits! And when girls secretly organised a midnight feast, Isabel became suspicious about the number of parcels being delivered and watched them all being unwrapped. The sweets were given to a local hospital instead! However, Isabel reflected on changes in society and brought in new teachers to introduce a new educational impetus. And when Tina died in 1936, Isabel decided to move on, having been at Farlington for 40 years. But once again, war was looming…


Girls enjoying sports (©AAH/Alan Wright)

DOGFIGHTS OVERHEAD In September 1938, the school started taking precautions. Blackout curtains were made for 150 windows and the sanatorium provided a gas-proof refuge, while preparations for trench safety were undertaken with Brunswick. Although the school shrank when Little Farlington was requisitioned as a Red Cross hospital supply depot, school life continued for the 30 senior girls, 13 juniors and by now a kindergarten too. Evenings were spent knitting socks for seamen or making Wellies for bargees. The girls witnessed numerous dogfights and bombers passing over in the skies above, but only took to the shelter when the big school bell was rung, trooping down to the basement with gas marks.

Boys and girls now play sport together (©Farlington School)

In 1941, for the first time, Farlington included boys on its roll of “Tinies”. The following year, they joined the rest of the school in forming a guard of honour for the Duchess of Gloucester when she visited the supply depot, in Isabel’s last term as Headmistress. Isabel died in 1959, aged 83. She never married but said, “I must have one of the biggest families in England,” referring to her old girls. A stained glass window designed by Marguerite DouglasThompson, who taught art at the school, serves as a lasting memorial. New Headmistress Effie Simpson introduced a house system and adopted a modified Dalton system of teaching, a self-help method of learning used in the junior school to encourage girls to work independently and

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with greater concentration. And in 1948, the houses were named after women pioneers: Cable, Cavell, Curie, Nightingale and Brontë. Eventually, the school settled on the first three names and a fourth, Cheshire, was added later. The number of pupils steadily increased. There were 105 in 1945 and 120 by 1948, with new facilities including a library, common room, playroom and a classroom fitted out for science lessons. An official inspection was granted in 1948, leading to recognition as an independent school. But a bigger site was required for the school to develop further, so Effie decided to move Farlington when the lease expired. 63


The Farlington swimming pool shortly after its construction in 1957

The Farlington courtyard hasn’t changed much over the years (©AAH/Alan Wright)

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form of training. Although some still believed that an academic education was a waste of time for girls who would marry and have children, there was also increasing pressure from ambitious girls wanting to work in various professions. So, the Upper Sixth was formed in 1961. Sport remained popular, especially lacrosse, while December’s play was a highlight of the year. Memorable productions included ‘Treasure Hunt’, starring Tamara Ustinov and ‘The Cradle Song’ with Angela Thorne. Both would become career actresses. Effie retired in 1971 and the next decade was a time of relative instability, with two Headmistresses (Mary Sherwell, 1971 – 74) and Dorothy Khoo, latter Harrington, (1974 – 76) becoming Headmistress in quick succession. Two fires also caused disruption. The first was in September 1975, when over 65 firefighters attended, using water from the lake and pool to extinguish the blaze. But not before the roof of the entrance hall and bedrooms had been destroyed. The cause was never discovered. The second fire was in November 1979 and ripped through the gym, art and commerce rooms. New Headmistress Olive Peto bravely tackled the fire with extinguishers before the professionals arrived!

SENSE OF ENERGY

Farlington moved to Strood Park during the Christmas holiday of 1954/55. Not all the rooms were ready, so some lessons were initially taught in strange places, including piano on the landing. The gym’s completion in the summer of 1955 marked the end of building works, but the site remained muddy, with Sussex Weald clay getting everywhere. In the school’s 60th year in 1956, an appeal for an outdoor swimming pool was launched, with the pool opened a year later. The old Haywards Heath site was eventually demolished with residential streets Farlington Close and Farlington Avenue a reminder of its existence.

joined Farlington shortly before her parents separated. When she told Simmie (as Miss Simpson was known) that she could no longer afford the fees, Simmie allowed her to stay and pay whatever she could afford. Rosie says: “Mum was always grateful for her generosity and felt she owed the school a debt of gratitude. Mum described Simmie as the most wonderful woman. She said that in winter, the girls would play on the frozen lake behind the school. Simmie would walk out into the middle and if the ice took her weight, the girls could go on. They were less health and safety-conscious times!”

Rosie Aneja followed in her mother and sister’s footsteps by attending Farlington (1990 – 1995) and they shared memories. Rosie’s late mother, Anne Cundy-Cooper,

The 1960s were a transitional period for girls’ education. Farlington pupils took several subjects at O-level and many then went to finishing school abroad or into some other

MOVE TO STROOD

During Olive’s time, a sense of energy and fun returned and the school was brought into the modern age with new ventures and technology. She increased the Sixth Form offering, started a prep class again for 9-10 year olds and introduced scholarships for 11 - 13 year old entrants and girls going into Sixth Form, awarded for academic work, music and all-round ability. New options for O-levels included Latin, Spanish, typing and needlework, and the arrival of the first computers in 1981 heralded the dawn of IT. The three sciences were separated in refurbished labs, while Work Experience programmes and the Duke of Edinburgh Award scheme offered a taste of life outside of school. Sport was boosted by an all-weather pitch in 1987, while the equestrian team dominated, winning the schools’ national championship for four years running. The girls recorded brilliant exam results, while pupil numbers reached their peak. However, religion remained important. In a 1996 guide published for the


A NEW CENTURY Farlington continued to expand in the late 20th century, first under Patricia Metham (1987 – 92) and then Trina Mawer (1992 – 2006). The old Chapel became a music and drama studio, while nine new classrooms were built in 1989, named the Moberley block. This was followed in 1995 by the Simpson building, providing new science labs, demonstrating how far women’s education had come. The stable block was renovated to allow for a bigger prep school, including a Reception class for girls smartly dressed in tartan tunics. By the time Headmistress Jonnie Goyer (2006 – 2012) retired after the Queen’s Golden Jubilee celebrations, there were 350 pupils with the vast majority going on to their chosen university. Louise Higson took over and during her nine year tenure, Farlington joined the Bellevue group before becoming a fully co-educational school. Louise told AAH: “The school was looking ahead and co-ed was the natural course to take, as there was no mixed independent school locally that catered for Reception to Upper Sixth. A lot of parents love what the school did for their daughters but asked, “What about our sons?” We first welcomed boys in our Pre-Prep and by September 2020 there were boys across the whole school. It’s been fantastic and feels like they’ve been here forever.”

FIRST HEADMASTER As Farlington celebrates its 125th year, there’s a Headmaster at the helm for the first time. James Passam started in September and has moved in to the grounds with his family. James hopes to increase the number of boys to make it a fully co-educational school as soon as possible. “We are only at the beginning of this journey, yet already we have boys in every year,” he said. “During our recent Open Day, there was a great energy as many prospective pupils visiting with their family were boys. I believe within a couple of years, you will walk around and see a truly co-educational school.” “Our main recruitment years are Reception, Year 7, Year 9 and Sixth Form, so the transition should happen

There has been a smooth transition to coeducation (©Farlington School)

school’s centenary, Olive wrote: ‘I believed one of our most sustaining traditions was our commitment to daily assemblies, most held in Chapel, and to confirmation and to church attendance. This tradition gave a continuum and stability to our communal life and kept our sights fixed firmly upon important principles of learning, behaviour and relationships.’

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Farlington pupils are encouraged to play (©AAH/Alan Wright)

Headmaster James Passam (©AAH/Alan Wright)

relatively quickly. Of course, it may take longer for perceptions in the wider community to change. People who have historically heard of Farlington may know it as a girls’ school and changing that will take more time.”

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“We are seeing boys and girls training and playing together in sports such as hockey and football, which is very modern and feels right for the time.”

The decision to welcome boys was not easy and during a consultation process, differing views were presented. Susan Farman, who has taught at Farlington since 1988 and is now Head of Classics, is well placed to comment: “Teaching at an all-girls’ school was part of the initial appeal for me coming here. But it’s important to move with the times and the arrival of boys hasn’t stopped me wanting to be here. The ethos is still the same and it’s been an easier transition than I imagined. The number of boys is growing all the time and they’re becoming part and parcel of the school already. It’s an exciting new era for Farlington.”

The Headmaster plans curriculum changes to reflect the needs of a co-educational school. Whilst Farlington already offers a range of GCSEs, A’ levels and EPQs (Extended Project Qualifications), A’ level economics is set to be added to the curriculum and B. Tech courses may be introduced too, appealing to a broader range of students. With music and drama long having played a vital role at the school, more vocational options based on performing arts could be offered too. The introduction of boys is creating exciting sports opportunities. Rugby and football have been played for the first time, with an equally high level of interest in playing these sports shown by girls too. James said: “I’m sure our stand-alone boys’ teams will continue to grow. But while we’re on that journey, we are seeing boys and girls training and playing together in sports such as hockey and football, which is very modern and feels right for the times. I

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wouldn't want to lose that and hope we can develop a sports programme where girls and boys can train together and even play competitive fixtures as mixed teams.” “As well as prioritising sport and performing arts, there’s something in the fabric of this school that encourages children to play outdoors. The beautiful grounds inspire creativity. The natural surroundings lead to social interaction and at break, the children make “nature burgers” from leaves and pine cones, serving them to staff! The children have the space and time to reflect and socialise, so not every minute of every day is structured. In some institutions, there’s a temptation to do that and they can become overly systemic, but that's not the case here. It’s a genuinely family-focused school and you can sense that warmth.” As Farlington writes an exciting new chapter in its history, the Headmaster hopes that pupil numbers can return to their peak, when about 550 attended the school. But history reminds us that running a school seldom goes as planned. “When you look back at the last 125 years, there have been outbreaks of flu and other illnesses,” says James. “In one case, a classroom was turned into a dormitory to house the sick. They might be variations on a theme, but it echoes some of the challenges we have lived through recently and serve as a reminder that people recover and move on. So when you think about what’s happened during COVID, it’s just great to see children interacting once more and developing social skills outdoors. Playing and enjoying the fresh air, once again.”

WORDS: BEN MORRIS PHOTOS: ALAN WRIGHT Further information: www.farlingtonschool.com @FarlingtonSchool officialfarlingtonschool


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