Work Samples

Page 1

Aaron Young Choi Portfolio 2012 - 2017


Personal References

01

Herwig Baumgartner Principal-in-Charge B+U (e) herwigb@bplusu.com (t) 213.623.2347 (w) www.bplusu.com

02

Peter Testa Principal-in-Charge Testa & Weiser, Inc. (e) peter.testa@testaweiser.com (t) 310.985.1272 (w) www.testaweiser.com

03

Joseph Herzog Principal-in-Charge Shepley Bulfinch (e) JHerzog@shepleybulfinch.com (t) 602.430.3223 (w) www.shepleybulfinch.com


Aaron Young Choi Curriculum Vitae Southern California Institute of Architecture www.aaronyoungchoi.com aaronyoungchoi@gmail.com 714.308.0244

Academic Experience: continued 2016 SCI-Arc Graduate Teaching Assistant Advanced Structural Systems with Greg Otto 2015

SCI-Arc Undergraduate Teaching Assistant Visual Rhetorics with Constance Vale

Professional Experience Testa & Weiser Inc. Architectural Intern Venice, California

4 Months 2016

Graduate Education 2017 SCI-Arc Southern California Institute of Architecture Master of Architecture Candidate Publications & Exhibitions SCI-Arc Spring Show

exhibition of academic work for the end of year show

Notable Projects ZXT Housing & Mixed-Use

designing and planning prototypes for a multi-family residential and mixed-use building located in Shenzhen, China 4 Months 2015

ChiDesign Ideas Competition shortlisted for the Playful Tower

Chicago Architecture Biennial

Notable Projects Boston Children’s Hospital

exhibition of Playful Tower in the CAF Atrium Gallery

Undergraduate Education 2013 Arizona State University Herberger Institute for Design & the Arts Bachelor’s of Science in Architecture - Magna cum Laude Honors & Awards Dean’s List

presented to students with high academic standing

Design Excellence Award presented to top student in each studio

Sean Murphy Prize

travel scholarship awarded to top architecture student

Architizer A+ Awards

popular choice award for X-Square student design competition

ASLA Honor Award

honor award for student collaboration

Azure Magazine AZ Award finalist for A+ student work

Publications & Exhibitions X-Square Pavilion

installation of X-Scape pavilion at Arizona State University

S.H.A.D.E.

D.O.E. sponsored Solar Decathlon 2013

Azure Magazine July/August 2013 Issue

Landscape Architecture Magazine October 2013 Issue

Academic Experience 2017 SCI-Arc Undergraduate Studio Teaching Assistant Third-Year Spring Undergraduate Studio 2016

SCI-Arc Graduate Studio Teaching Assistant Second-Year Fall M.Arch 1 Core Studio

Shepley Bulfinch Architectural Intern Boston, Massachusetts

expansion and renovation of existing campus in collaboration with Mikyoung Kim Design 1 Year 2013

Shepley Bulfinch Architectural Designer Phoenix, Arizona Notable Projects Wabash College: Student Life Master Plan master planning of multiple student housing complexes and student union building within the existing campus

University of Oregon Student Housing in charge of bim-modeling and delivering cd sets for two parallel student housing complexes

Skills Modeling/Drafting Rhino, Revit, AutoCAD, Digital Project, Maya, 3DS Max, SketchUp, Grasshopper Graphics/Rendering Maxwell, Vray, Adobe Creative Suite, Keyshot Fabrication Staubli Robotics, MakerWare, CNC Milling, 3D Printing, Lasercutting, Woodworking Animation Maya, Adobe After Effects, Adobe Premiere, Audition General Office Microsoft Office Suite (Word, Excel, Powerpoint) Analog Drafting, Drawing, Painting, Modelmaking



Table of Contents

Professional Work 01

UnCommon Student Housing University of Oregon Eugene, OR

02

Lot 6 Retail Park Cotton Center Phoenix, AZ

03

Boston Children’s Hospital Clinical Building Boston, MA

Academic Work 01

X-Scape Design/Build Competition & Installation Arizona State University

03

Balloon as Container NYC Aquarium & Waterfront Arch Out Loud Competition

03

Play the Part Bibliothèque nationale de France SCI-Arc Third-Year Spring Vertical Studio

04

SuperProsthetics A Prosthetic for Swimmers Seminar with Herwig Baumgartner

05

Big Dumb Buildings Prototype for a Mixed-Use Building SCI-Arc Second-Year Spring Core Studio

06

Fuzzy Monolith The Barack Obama Presidential Library Second-Year Fall Core Studio

07

Lifted A Pavilion for Space Seminar with Kerenza Harris

08

Pink Palace Design Development Seminar with Herwig Baumgartner & Scott Uriu

09

Technical Drawings 2013 Solar Decathlon: S.H.A.D.E. Team ASUNM

10

Models Various Selected 2012 - 2017


UnCommon Student Housing

University of Oregon Eugene, OR

Located close to the University of Oregon, this 120-unit student housing complex provided a mix of much-needed student housing close to the campus. This urban infill development scales down from six stories to five as it mediates the transition of the West University neighborhood from an active medical and commercial area to the east and a long-standing residential community to the west. UnCommon’s distinctive facade draws inspiration from trees in a forest, using a mix of fiber cement, cedar, metal panels, and stucco across the exterior to create an organic sense of movement and shift that breaks up the fixed rhythm of windows and stories. Its mix of fully furnished, 1-, 2-, 3- and 4-bedroom units includes two integrated townhouses that open directly onto the street. Amenities include interior and exterior gardens, a fireplaced study lounge, and first floor fitness center. Entrances are defined by two prominent portals that offer shelter from the weather. Bus rapid transit stops just outside the complex, which also provides generous bicycle parking. The highly sustainable project is LEED Gold Certified and anticipates a 43% reduction in energy consumption. UnCommon is one of a series of high-end urban residential complexes that Shepley Bulfinch has designed for a leading developer of privately managed student housing. It is located blocks away from Eugene Public Library, which the firm completed in 2003. Position: Architectural Designer Completed: 2014

Completion Image (Photo Credit: Shepley Bulfinch)

6


7


Street View Rendering

8


Elevation Study

9


Lot 6 Retail Park Cotton Center Phoenix, AZ

Lot 6 Retail Park is designed to serve a major office park located in Phoenix, AZ. With it’s prime location abutting the intersection of the SR-143 highway and Broadway Ave., Lot 6 becomes a destination retail center for it’s local context as well as commuters. Position: Project Manager Completed: n/a

Completion Image

10


11


Site Plan Rendering

12


BUILDING I - 6120 SF - Grey Shell - Subdividable (3 units @ 2040 SF each) - Kitchen Ready - Bathroom Core Ready

13

BUILDING II - 3712 SF (including outdoor dining area) - Grey Shell - Kitchen Ready - Bathroom Core Ready


Boston Children’s Hospital

Clinical Building Boston, MA

The new Clinical Building - the largest in the history of Boston Children’s Hospital - addresses critical capacity needs and creates a new cardiac center of excellence for the country’s top-ranked pediatric hospital. The building on the Longwood Medical Area campus, with an 11-story tower and four floors below grade, is the largest in the hospital’s history. The Clinical Building will address the hospital’s continuing growth in domestic and international patient volume and its delivery of high-level tertiary and quaternary care, adding facility space to improve patient flow and enable operational efficiencies for acute care, critical care, diagnostic, and other ancillary services on the core campus. This includes the replacement of multiple occupancy patient rooms with single patient rooms and the creation of a Heart Center of Excellence. The design incorporates a variety of interior and exterior green spaces for young patients, families, and hospital staff throughout the building. The hospital’s relationship with Shepley Bulfinch dates back more than a century to the completion of the Hunnewell Building in 1914. Shepley Bulfinch prepared a Master Plan for Boston Children’s Hospital in 2014, in partnership with FKP Architects. Position: Architectural Designer Completion: 2020

Aerial Rendering

14


15


Section

16


Sky Garden Rendering

17


X-Scape

Design/Build Competition & Installation Arizona State University, Tempe, AZ X-Scape activates an otherwise dull area of the Arizona State University campus between the arts building, lecture hall, and the design building. The pocket park is built on top of a square brick area that was not to be altered or penetrated, and the challenge for the design team was to create a space that provides accessibility, daily usability, event and performance areas, and gathering areas. The space provides trees for shade under which people can sit and socialize, and it provides circulation access for people with disabilities. With a variety of seating typologies, X-Scape is a hybrid landscape that is multi-level and multi-purpose for the community to gather, study, relax, and perform.Fuchsia-colored cladding draws inspiration from the adjacent bougainvillea plant that climbs the south wall of the design building and each piece was hand stained to match this color. Our team worked together to create a visual composition that would be complementary to both. Students hand water the plants, giving them the opportunity to learn about plant care and maintenance. Critic: Will Bruder Completed: Fall 2013, Arizona State University Awards: 2013 Architizer A+ Award 2013 ASLA Honor Award Azure AZ Award of Merit

Photograph of Completion

4


5


Diagrams

Section

6


Construction

7


Detail Photograph

8


Detail Photograph

9


Photograph

10


11


Balloon as Container

NYC Aquarium Competition Long Island City, New York, NY The proposal for the New York City Aquarium, situated at the edge of Queens along the bank of the East River, is a unique equilibrium of gallery and public space. It is understood that the urbanization of New York is profoundly defined by its city grid. In response, the process of design began by defining the boundary of the mass to a typical Manhattan block. This primitive massing is broken down into two floors - the ground floor (main viewing floor of the aquarium) and top floor or roof (a public viewing garden with vegetation along with protrusions of tanks held within the building). This public space is purposed to activate the aquarium at all hours of the day and allows the public to engage with the aquarium even without an entry ticket. The massing is simple to be juxtaposed with the complex geometry of the tanks, thus drawing the user’s focus directly to the tanks held within. The slight vertical shift in massing was created for a public access point to the roof garden - in doing so, we are able to deliver a unique multi-level experience for all visitors. Customarily, the archetypal aquarium was [and is] demarcated by a simple geometric viewing glass with a clearly defined path for users. This project challenges this traditional notion by implementing a free plan that houses a multitude of complex geometric tanks with an undefined, organic path for users. Tanks within our proposal are objectified to create complex geometric forms housed within a larger overarching mass (the boundary of a typical Manhattan block). These complex forms are created by hand through experiments with plaster-filled balloons, understanding that balloons can be utilized as containers for air and [more importantly] water. By crafting these forms by hand, a humanized sensibility to the form is imbued within to fully engage and connect the users to the experience. Critic: Iannis Kandyliaris Completed: Spring 2016, Competition Exterior Rendering

12


13


Balloon Molds

14


Balloon Plaster Casts

15


Plan

16


17


Section

18


19


Interior Rendering

20


Interior Rendering

21


Play the Part

Bibliothèque nationale de France Paris, France The site and program for our building intervention is the Bibliothèque nationale de France located in Paris. This proposal is a play off of the competition proposal by James Stirling himself. Objects from his proposal are utilized as starting points for formal analysis and transformation. Through optical analysis utilizing the robotics lab, the color strategy and slippage of information looks to create and abstract new figures from the original objects. Outlines of the objects are thickened and volumetricized, implying cartoonish figurations within the plan. These new figures are achieved vis-a-vis effects and misreadings produced by the precise rotation that the robotic arms can perform. The palette of white, black, and gold also influences these effects as they begin to flatten, reflect, and express shadow. The final massing strategy can be explained in 3 ways, objects in a container, objects on top of a container, and objects unified through the outline figures. This main strategy of the design is developed through the plans which becomes the focal point of the project. The black figures within the larger whole begin to create a cohesion between the different parts both formally and optically throughout the massing. This begins to suggest moments of both part and whole and also begins to eliminate hierarchy and centralization within the composition. These objects and outlines take on different thicknesses within the plan and become extremely graphic in their desire to become legible in contrast to the extreme illegibility of the exterior. Overall this project focuses on the syntax of multiple objects, and the particular formal relations that can be produced through a highly specific and rigorous workflow. Critic: Devyn Weiser & Peter Testa Completed: Spring 2017, SCI-Arc Model Image

22


23


Robotic Lab Setup

24


Robotic Image Capture

25


Level One Plan

26


Level Three Plan

27


Axonometric Section

28


Axonometric Section

29


Elevation Rendering

30


31


SuperProsthetics

A Prosthetic for Swimmers 2012 - 2017 This project involved the designing and prototyping of performance enhancing prosthetic limbs. It focuses on full scale prototyping in the SCI-Arc Robotics Lab, utilizing the robotic arm and an industrial plastic extruder. Architectural practice has been ever expanding into a variety of different fields; Architectural graduates are no longer tied exclusively to career paths working in an architecture office or opening an architectural practice, but are increasingly involved in all aspects of design; including graphic design, product design, the movie industry and advanced digital manufacturing. This project expands the architectural playground even further and focuses specifically on product design with a strong SCI-FI narrative by designing performance enhanced prosthetics or SuperProsthetics. Think superheroes, Cyborgs, and bionic implants. Various techniques were developed working with a high speed, high strength plastic extruder and a robot arm to produce full scale prototypes of a Superprosthetic design. Critic: Herwig Baumgartner Completed: Spring 2017, SCI-Arc

Rendering

32


33


Process Image

34


Final Result Images

35


Process Image (Staubli Robotics)

36


37


Big Dumb Buildings

Prototype for a Mixed-Use Building Lincoln Heights, Los Angeles, CA Contemporary cities are complex organisms that defy any easy analysis or singular characterization. In the past hundred years cities have grown to dwarf the scale of historic human settlements, stretching to the limits of comprehension. Nonetheless there remains the physical fact of cities. They are composed not only of flows of capital, information, peoples, and resources, but also of the brute, inert, mass of buildings, streets, and infrastructure. These shaped things are unavoidable presences and, after they are shaped, to quote Churchill, “they shape us.� Given the breadth of pressing urban concerns, architecture may sometimes seem to be of minor importance. This project argues instead that architecture is an urgently needed element in cities and that it can uniquely provide them with defining new diagrams. Since the latter half of the twentieth century, the very big building, in a city (the VBBC) has been variously theorized, embraced, ignored, grudgingly accepted, and vilified. By now we recognize it as an inevitable, if occasional, product of advanced technologies, programmatic agglomerat ions, and flows of capital. This project proposes that there are still unrealized diagrams for the VBBC, ones in which such a building can become an unruly guest at a city’s party. This project explores urbanism through the examination and development of single buildings that, owing to their size, form, or urban impact, become themselves, urbanism. Critic: Andrew Zago Completed: Spring 2016, SCI-Arc

Site Plan

38


39


Ground Plan

40


41


East -West Section

Section

42


Axonometric

Axonometric

43


Section

44


45


Model

46


Model

47


Fuzzy Monolith

The Barack Obama Presidential Library Jefferson Park, Chicago, Illinois This project addresses the dichotomy between two independent and highly incongruous architectural problems - the monolith and the frame. As frame meets monolith and monolith meets frame, a symbiotic interdependency is produced where the final form does not rely exclusively on one system. Instead, it relies on a unique equilibrium between monolith and frame. The monolith can be perceived as a solid, legible, and even an icon, yet the logic of its generation is rationalized by the basis of the frame as an extensive system. However, this is not achieved by the mere assimilation of these dichotomies but through the slippage of frame and mass to generate a misregistration of the whole. As the dichotomies integrate, a mass is produced that is not constrained to the exterior but also begins to define the interior. The frame begins to push and pull with the mass to define the interior spatial logic and create a form that synergizes both interior and exterior. Through the pushing and pulling of the frame, walls, columns and slabs are generated. Through this process, the space within the building becomes flexible where the grid becomes the spatial reference to define programs and the frame is utilized to generate the actual space. Critic: Russell Thomsen Completed: Fall 2015, SCI-Arc

Landscape Rendering

48


49


Site Plan

50


Process Diagrams

51


Landscape Rendering

52


53


Exploded Axonometric

54


Detail Rendering

55


Lifted

A Pavilion for Space Unknown Location In architecture practice today, performance is one of the most important factors in the design and delivery of a project. The creation and use of parametrics to create intelligent digital models that integrate and respond to specified sets of performance criteria, offers a more holistic approach to design and its relationship to built form. It allows architects to anticipate and accommodate issues of collaboration, fabrication and installation in earlier phases of design. This course aimed at giving students computational tools to facilitate the practical implementation of performance goals in everyday practice and allowed us to seamlessly integrate parametric intelligence into our existing and more intuitive design processes. Using Digital project (DP), one of the most powerful and widely used platform in the industry, we learned to incorporate performance data early in our design process while maintaining the flexibility of design iterations/ideas. Critic: Kerenza Harris Completed: Spring 2017, SCI-Arc

Landscape Rendering

56


57


A

B

C

Exploded Axonometric

58


Model

59


Section

60


61


1/2” LG HI-MACS

1” COMPOSITE FIBERGLASS STRUCTURAL ROD

1” COMPOSITE FIBERGLASS STRUCTURAL ROD

3D-PRINTED METAL STRUCTURAL TIE

P3 P4

P2

P1 EXPLODED DETAIL SCALE: 3”:1’-0”

TYPICAL STRUCTURAL CONNECTION DETAIL SCALE: 3”:1’-0”

1/4” X 20 MACHINE BOLTS

P0

Exploded Detail

62


Full-Scale Detail Model

63


Rendering

64


65


Pink Palace

Design Development Singapore This project investigates issues related to the implementation of design: technology, the use of materials, systems integration, and the archetypal analytical strategies of force, order and character. The seminar included a review of basic and advanced construction methods, analysis of building codes, the design of structural and mechanical systems, Environmental systems, Buildings service systems, the development of building materials and the integration of building components and systems. The intent of this project was to develop a cohesive understanding of how architects communicate complex building systems for the built environment and to demonstrate the ability to document a comprehensive architectural project and Stewardship of the Environment. The approach is a disciplinary one, where we challenge representation and search for relevancy in an era where documentation of design and manufacturing are in flux and are increasingly based on three-dimensional live data. While BIM is an important development in this regard, this project’s aim is to re-think how we can envision and communicate design in innovative ways which exceed the design object itself. Critic: Herwig Baumgartner & Scott Uriu Completed: Spring 2015, SCI-Arc

Site Plan Rendering

66


67


Structure

68


Large Chunk Detail

69


Wall Detail

70


Glazing Detail

71


PV Analysis

72


PV Detail

73


Technical Drawings

2013 Solar Decathlon: S.H.A.D.E. Home Phoenix, AZ

1

2

A

E

C1 A-512

05 12 00

07 62 00

07 62 00

T.O. SOUTH PARAPET 11'-6"

07 21 13 05 12 00

07 21 13 05 12 00 06 10 00 07 14 00 07 21 19

06 10 00 07 14 00 07 21 19 07 46 23

07 46 23 07 21 13

07 21 13

06 10 00

06 10 00

T.O. SOUTH BEAM 9'-9"

05 12 00 06 05 23 D

06 16 00 05 12 00

B.O. SOUTH BEAM 9'-3" SOUTH MODULE F.C. 9'-0"

09 21 00 08 35 13.13

06 05 23 06 10 00 06 11 00 06 11 00

A4 A-542

Sim 07 27 00

C

B

09 62 23

06 73 00

06 16 23

06 11 00

06 10 00

05 12 00

FINISH FLOOR 0"

05 12 00 06 05 23

6 31 66 00

06 11 00 A4 A-542

6 07 46 23

Sim

31 66 00

GRADE LEVEL -1'-6"

Software: Revit Completed: Summer 2013, Team ASUNM

A

A3 SOUTH

A1 SOUTH SLIDING DOOR

2/14/2013 1:29:45 AM

1" = 1'-0"

Wall Sections: Permit Submittal

74

1

1" = 1'-0"

2


2

3

4

5

6

7

GENERAL SHEE A

1

26 31 00 05 12 00 07 62 00 C1 A-512

07 21 13 07 62 00

05 12 00 06 10 00

T.O. SOUTH PARAPET 11'-6"

07 21 13

07 21 19 13

05 12 00 06 10 00 07 14 00 07 21 19

07 46 23 07 14 00 07 21 13 06 10 00 07 14 00 05 12 00 06 05 23

T.O. NORTH PARAPET 10'-6"

07 46 23 07 21 13 06 10 00

T.O. SOUTH BEAM 9'-9"

A4 A-542

C3 A-512

06 10 00

06 16 00 05 12 00

B.O. SOUTH BEAM 9'-3" SOUTH MODULE F.C. 9'-0"

T.O. SOUTH PARAPET 11'-6"

T.O. SOUTH BEAM 9'-9"

07 46 23

B.O. SOUTH BEAM 9'-3"

07 21 19

T.O. SOUTH BEAM 9'-9"

06 11 00

B.O. SOUTH BEAM 9'-3"

06 11 00

06 05 23

09 21 00

06 10 00

06 40 13

06 11 00

05 75 00

06 11 00

07 44 56

SOUTH MODULE F.C. 9'-0"

Sim 07 27 00

07 27 00

REFERENCE KE

05 12 00 – HSS 05 54 00 – METAL FLOOR PAN 05 75 00 – DEC. FORMED METAL 06 05 23 – JOIST HANGER 06 10 00 – BLOCKING 06 11 00 – WOOD FRAMING 06 16 00 – SHEATHING 06 16 23 – SUBFLOOR 06 40 13 – EXT. ARCH. WOODWORK 06 40 23 – INT. ARCH. WOODWORK 07 13 00 – KERDI BOARD 07 14 00 – FLUID-APPLIED WATERPROO 07 21 13 – BOARD INSULATION 07 21 19 – FOAMED IN PLACE INSULAT 07 27 00 – WATER-RESISTIVE WEATHE 07 44 56 – FIBER CEMENT BOARD 07 46 23 – T1-11 EXTERIOR SHEATHING 07 62 00 – FLASHING 07 90 00 – JOINT PROTECTION (CAULK 09 21 00 – PLASTER AND GYPSUM BOA 09 25 26 – NATURAL CLAY PLASTERING 09 62 23 – BAMBOO FLOORING 31 66 00 – SPECIAL FOUNDATIONS (PIE

SHEET KEYN 1. 2. 3. 4. 5. 6.

1 3/4" PRECAST CONCRETE PA RIVER ROCK FELT PAN LINER STEEL ANGLE PLYWOOD FINISH WELD PLATE

06 73 00 06 11 00 4 06 73 00

05 12 00

06 11 00

06 05 23

05 12 00

FINISH FLOOR 0"

FINISH FLOOR 0"

6

09 62 23

FINISH FLOOR 0"

06 16 23

31 66 00 A4 A-542

Sim A1 A-512

OOR

1

GRADE LEVEL -1'-6"

GRADE LEVEL -1'-6"

07 46 23

31 66 00

A3 SOUTH WEST OVERHANG

A5 TYPICAL SOUTH WALL

1" = 1'-0"

2

3

GRADE LEVEL -1'-6"

6

1" = 1'-0"

4

5

75

6

7


1

2

3

4

5

A A E

C

05 12 00

07 62 00

05 12 00

05 12 00

D 07 62 00

T.O. SOUTH PARAPET 11'-6"

07 62 00 05 12 00 07 72 00

T.O. SOUTH PARAPET 11'-6"

05 12 00 06 10 00

06 10 00 07 14 00 07 72 00

07 72 00 06 10 00 07 14 00 07 72 00 07 27 00

05 58 13

07 21 19

07 27 00

07 21 13

07 44 56 07 72 00 07 14 00

07 44 56

07 21 19

07 21 13

06 10 00 05 12 00 06 11 00

07 21 13 06 10 00 05 12 00

C

05 12 00

T.O. SOUTH BEAM 9'-9"

06 05 23 05 58 13 06 10 00

B.O. SOUTH BEAM 9'-3"

C3 PARAPET AT TYPICAL SOUTH WALL

1 1/2" = 1'-0"

1 1/2" = 1'-0"

MODULE

07 21 19

06 11 00 06 10 00 07 44 56 05 12 00

FINISH FLOOR 0'-0"

06 05 23

06 11 00

07 90 00

07 46 25

06 16 23

Parapet Details: Permit Submittal

06 05 23

:19 AM

1 1/2" = 1'-0"

09 25 23

FINISH FLOOR 0'-0"

06 11 00 09 62 23 06 16 23 07 21 19 06 11 00

05 12 00 07 46 25

07 46 25 06 70 00

06 70 00

GROUND LEVEL -1'-6"

GRADE LEVEL -1'-6"

A1 SOUTHWEST BEAM CONNECTION 1 1/2" = 1'-0"

C5 STAGGER

06 11 00

BREAK 05 12 00 09 62 23

09 62 23 06 16 23

06 70 00

A

06 11 00

B

1

06 11 00

07 21 19

B.O. SOUTH BEAM 9'-3" SOUTH MODULE F.C. 9'-0"

06 11 00

C1 PARAPET AT SOUTH SLIDER WALL

B

06 10 00 05 58 13 06 11 00

T.O. SOUTH BEAM 9'-9"

06 05 23

76

A3 FLOOR AT MODULE BREAK DETAIL 1 1/2" = 1'-0"

A5 FLOOR A 1 1/2" = 1'-0"


PRODUCED BY AN AUTODESK STUDENT PRODUCT 4

5

6

7

GENERAL SHEET NOTES

4

E

T.O. SOUTH BEAM 9'-9" 05 12 00

C

TEAM NAME:

B.O. SOUTH BEAM 9'-3" SOUTH MODULE F.C. 9'-0" 07 21 19 05 12 00

4

09 29 00

06 05 23

07 44 56

09 29 00

06 10 00

05 12 00 05 50 00 06 05 23 06 10 00 06 16 23 06 40 23 07 44 56 07 21 19 08 14 16 08 11 16 09 25 26 09 29 00 09 62 23

HSS RAIN SCREEN CLIPS JOIST HANGER BLOCKING SUBFLOOR BAMBOO FINISH FIBER CEMENT PANELS FOAM-IN-PLACE INSULATION FLUSH FINISH BARN DOOR ALUMINUM EXTERIOR DOOR CLAY PLASTER FINISH 5/8" GYPSUM BOARD BAMBOO FLOORING

D

TEAM AS

ADDRESS:

PO Box 87 TEMPE, AZ 85287-

CONTACT:

JODY.WASHINGTON@ASU WWW.ASUNM.

CONSULTANTS

BDA ENGIN BDAENGINEERS

07 44 56

B.O. NORTH BEAM 8'-2 3/4"

05 50 00

REFERENCE KEYNOTES

06 11 00

NORTH MODULE F.C. 8'-0"

05 50 00

4

SHEET KEYNOTES

3

08 11 16

08 11 16

1. 2. 3. 4. 5.

06 40 23

NEOPRENE BACKER ROD SHIM DARK WOOD VENEER BLACK LACQUER ON FIBER CEMENT 1/2" COMMERCIAL THRESHOLD

C

CLIENT U.S. DEPARTMENT OF ENERGY SOLAR DECATHLON 2013 WWW.SOLARDECATHLON.GOV

07 44 56 05 50 00

09 62 23

5

FINISH FLOOR 0"

DESCRIPTION

FINISH FLOOR 0" 07 62 00

06 16 23 07 62 00 05 12 00

B

06 10 00 06 16 23

02.14.2013 11.20.2012 10.11.2012

03 02 01

06 05 23 05 12 00

MARK 05 12 00 31 66 00

100% DOE/NREL CD SUBMISSIO

80% DOE/NREL DD RE-SUBMISS

80% DOE/NREL DD SUBMISSION

DATE

DESCRIPTION

LOT NUMBER:

117

DRAWN BY:

MR

CHECKED BY:

JC

COPYRIGHT:

NONE: PROJECT IS PUBLIC DOMAIN

SHEET TITLE

DOOR DETAILS A

Door Detail: Permit Submittal

A3 N. MODULE DOOR DETAIL 3" = 1'-0"

4

A-541

A5 S. MODULE DOOR DETAIL 3" = 1'-0"

5

6

PRODUCED BY AN AUTODESK STUDENT PRODUCT

AIL

REV NO.

09 62 23

5

77

7


Models

Various Selected 2012 - 2017

3GB Vertical Studio Final Model

78


79


3GB Vertical Studio Final Model

80


Digital Project Midterm Model

81


Grid Study Model

82


2GA Final Model

83



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