>> GHULAM ABBAS HUSSAINI | PORTFOLIO
“Our mistake has been thinking that nature is something ‘out there,’ far away.” - Emma Marris
GHULAM ABBAS HUSSAINI
CONTACT INFORMATION
10907 Gerana Street Apt. B San Diego, CA, 92129 (858) 774-2603 abbash_25@yahoo.com
ACADEMIC INFORMAITON
California Polytechnic State University, Pomona, California Bachelor of Science in Landscape Architecture
2018 (expected)
Internship Humanitarian Design Alliance
2016
Arts District Green Alley Project Professor Rennie K. Tang
2016
Intergenerational City Project Professor Rennie K. Tang w/ Occupational Therapy Association of California (OTAC)
2015
WORK EXPERIENCE
- Implemented renderings for organization website - Designed organization logo - Planned awareness seminar focusing on nonprofit membership accurals
- Create temporary repurposed art installations focusing on alternative ally systems for storm water collection
- Collaborate with a group of 6 designers to create an ability inclusive city model - Presented inclusive design model to group of 4 OTAC professionals to showcase potential city improvements at the Spring Symposium
INFORMATION SKILLS
PERSONAL SKILLS 2
Programs Adobe Creative Suite (Illustrator, Photoshop, InDesign) Microsoft (Word, Excel, PowerPoint) AutoCAD (Laser cutting // Model making) Sketchup Rhinoceros QGIS 123D Make (3D model making) Languages English Farsi Urdu 3
MANIFESTO
This portfolio is a collection of works through my educational career that displays my creative process. My aim is to bring my graphic design and model making proficiency to an office that not only encourages it but also provides room for growth and exploration beyond the straight line.
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BODY OF WORK
RIPTIDE BUILDING COMPLEXITY FLUIDITY UNIFYING PASADENA DRAWINGS
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RIPTIDE RIPTIDE
Abbas Hussaini Xiomy Yamauchi Amy Chin Vi Le Phillip Chao Austin Harding
an occupational spatial unit
an occupational unit In studying how people move spatial through spaces from one point to another we looked to create an installation to spark curiosity and have users interact with the unit. Using guiding rules of frequency and wave to create the installation we anticipated how people would interact with the model and if differently.This installation was created using wood, screws,paint and a variations of joints.
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TYPES OF JOINTS
DADO
THROUGH MULTIPLE
END LAP
BLIND MITER 6
STOPPED LAP
BUILT MODEL 7
Riptide
An Occupied Spatial Unit
By: Abbas Hussaini Philip Chao Amy Chen Austin Harding Xiomy Yamauchi Vi Le
Fence Top View
Wall Top View
Fence Elevation
Wall Elevation
Cut Section 1/ Plan View
Cut Section 2
Structure Axonometric View
BUILDING PROCESS Structure Diagram
Original Design Guideline
Final Guideline 8
Structure Placement
Fence attachment
Wall Elements
Wall Placement 9
Wall Final Construction
BUILDING COMPLEXITY
silver corpse and the exquisite lake
Building complexity is a 4 phase project that explores Silver Lake Reservoir and its relation to its specific urban context. Each phase builds on itself by layering individual studies that combine parts to a bigger whole while disfiguring traditional ideas of landscape program, community expectations and beauty to reveal the exquisite lake with new opportunistic landscape of behemoth origins in an effort to suggest the looming direction of the landscape of Los Angeles.
phase 1: pieces + parts
phase 2: mapping + recon
phase 3: taxonomy of emergant spatial types
phase 4: silver linkages + exquisite structures “Material practice is the shift from asking, “what does this mean?” to “what does this do?” - Reiser + Umemoto
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PHASE 2: MAPPING + RECON
MOVEMENT DIAGRAM ENLARGEMENT
SOUND AND STREET DIAGRAM
1pm
3pm
12 am 08:12 - 2016.02.12 09:03 - 2016.02.16 09:18 - 2016.02.04 09:21 - 2016.01.18 11:27 - 2016.03.18 12:01 - 2016.01.19 12:13 - 2016.04.16 19:27 - 2016.04.02 25:06 - 2016.01.01 35:41 - 2016.02.21 36:15 - 2016.02.24
1 am 5 pm
11 pm
8’
7 pm W
mapmyrun
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8’
508’
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9 pm 7 am E
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ABBAS HUSSAINI | LAUREN GREENHILL-CASADOS | LA 203L | 04/18/2016
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8’
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9 am
8’
58 8 55
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8’
8’
53 8’
54 8’
8’ 52
11 am
10 pm 3 am
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8’ 46
45 8’ 18:21 - 2016.02.09 21:00 - 2016.02.16 22:18 - 2016.03.04 22:27 - 2016.01.14 22:57 - 2016.01.21 26:05 - 2016.03.29 26:13 - 2016.03.18 26:19 - 2016.01.26 27:36 - 2016.01.26 27:42 - 2016.01.30 27:55 - 2016.01.08 28.11 - 2016.01.20 28.31 - 2016.01.22 29.00 - 2016.01.25
14:49 - 2016.01.17 14.49 - 2016.04.09 12.53 - 2016.04.02 15:05 - 2016.02.24 15:06 - 2016.01.21 15.17 - 2016.01.06 15:38 - 2016.03.27 15:41 - 2016.02.19 15:51 - 2016.03.20 15:54 - 2016.03.19 15:55 - 2016.03.24 16.01 - 2016.01.13 16.11 - 2016.02.28 16.12 - 2016.01.12
8’
8’
49
43
8’
438’
448’
8’ 51
528’
538’
8’ 46
48
478’
8’
8’ 49
458’
5:30-6:00 pm Monday 04/11/2016
STONE PINE
27 in 30 mins
90 Db
ARROYO WILLOW
34° 5' 42.1692'' N - 118° 15' 44.4816'' W - 34° 5' 42.1692'' N - 118° 15' 44.4816'' W - 34° 5' 42.1692'' N - 118° 15' 44.4816'' W - 34° 5' 42.1692'' N - 118° 15' 44.4816'' W - 34° 5' 42.1692'' N - 118° 15' 44.4816'' W - 34° 5' 42.1692'' N - 118° 15' 44.4816'' W - 34° 5' 42.1692'' N - 118° 15' 44.4816'' W - 34° 5' 42.1692'' N - 118° 15' 44.4816'' W - 34° 5' 42.1692'' N - 118° 15' 44.4816'' W -
Street niose @ height of 93 Decibel Sustained exposure can cause hearing loss
990 in 30 mins // 1 car passes every 1.8 sec.
85 Db
6 in 30 mins // 1 person w/dog passes every 5 mins
Street niose @ height of 85 Decibel
99 in 30 mins - about 3 people pass every miin
64’
8’
44
12 in 30 mins // 1 biker passes every 3 mins
16’ 32’
104 in 30 mins // about 3 people pass every min
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27 in 30 mins // about 1 person w/dog passes every min
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3 in 30 mins // i biker passes every mins
174 in 30 mins // 1 car passes eevery 10 secs. 5:30-6:00 pm Monday 04/11/2016
Due to the street’s running parallel close to the park, we looked to record that information and the impact it has on the users of Silver Lake. In detail, the observation was looking at the different types of users of the street in relation to the users of the park.
6 in 30 mins
27 in 30 mins
8’
50
- 34° 5' 42.4896'' N - 118° 15' 56.106'' W - 34° 5' 42.4896'' N - 118° 15' 56.106'' W - 34° 5' 42.4896'' N - 118° 15' 56.106'' W - 34° 5' 42.4896'' N - 118° 15' 56.106'' W - 34° 5' 42.4896'' N - - 34° 5' 42.4896'' N - 118° 15' 56.106'' W - 34° 5' 42.4896'' N - 118° 15' 56.106'' WN - 118° 15' 56.106'' W - 34° 5' 42.4896'' N - 118° 15' 56.106'' W - 34° 5' 42.4896'' N - 118° 15' 56.106'' W - 34° 5' 42.4896'' N - 118° 15' 56.106'' W
The Silver Lake Reservoire, although dry, has become a hotspot for a variety of uses expecially for exercising. Not just for people but also for various types of animals, noteably the Hooded Orioles that migrate in the area during the summer months. This step was observing and collecting data on what is.
Platform+Score
Mound+Spread
The Mini Islands
The Wind Breaker
Depression+Spread
The Pool Rule Depression+Score The Revealing Rule
Depression+Spread The Pool Rule
Water Collects
Roof/Canopy+Score
Mound
The Hottest Summer
Through
Forest/Field+Spread
Mounds break wind
The Weaving Rule
Stretch
Mound+Score The Channel Rule
Platform+Spread
Hold Mound+Spread The Wind Breaker Rule
The Walking-on-Water Rule
PHASE 3: TAXONOMY OF EMERGENT SPATIAL TYPES
Wind Reveals mounds
Ramp+Spread The Intensity Rule
Critically combined
Depression Ramp+Score The Intensity Rule
Elevation changes water color
Elevation changes water color
Ramp Roof/canopy+Spread The 50/50 Rule
Roof/canopy+Score The Hottest Summer Rule Division
Blanced shade and sun
Roof/Canopy Platform+Spread The Walking-on-Water Rule
Crossing over
Platform+Score The Mimi Islands Rule
In order to fully realize the potential of the littoral edge, where the water meets the land, we created a matrix that explored performative actions and fixed structures to define the space. After creating these diagrams, we further explored the edge condition by combining six of the diagrams that were not necessarily the strongest but the six that fit best as a whole.
Hop around
Platform Forest/Field+Score The Intersection Rule
Forest/Field+Spread The Weaving Rule
Organized movement
Forced movement
Forest/Field Wall+Spread The Scatter Rule
Gradually raised
Wall+Score The Barricade Rule
Random placement
Wall Elevated Path+Score The Shelter Rule
Elevated Path+Spread The Overlook Rule
Through
Various Heights
Elevated Path 16
Addition and Subtraction 17
PHASE 4: SILVER LINKAGES + EXQUISITE STRUCTURES
INDIVIDUAL + CLASS MODELS
PAINTING A PICTURE
After mapping and researching what is there, the potential for what the site could be emerged. Within one mile proximity, there are five grade schools in the dense and tightly populated area. This paved the way for my design to turn a portion of the lake into a place where kids can come after school play as well as creating an animal friendly environment.
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Student models as parts combined to a frankenstein whole
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Abbas Hussaini Xiomy Yamauchi Bin Nakatani Melissa Johnson
FLUIDITY
Japanese Friendship Garden
The Japanese Friendship Garden is the heart of Balboa Park. With growing visitorship, the garden looks to expand in order to keep up with memberhsip and attendance. This brought the opportunity not only to expand in size but also to expand as a cultural center.
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DIAGRAMMING AND DESIGN
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With the data and analysis collected, we moved to designing drafts to incorporate the goals we set. The challenge here was figuring out how to space structures out, determining the size of infrastructures, figuring out how users will move in this space and how the new design transitions to the existing landscapes of the garden.
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Scale and monthly comparisons of programs held by Balboa Park versus the Japanese Friendship Garden.
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EVENTS AND PROGRAMS
PRELIMINARY DESIGN
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Projected goals set to be used to design the site and how we can achieve them.
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After creating multiple preliminary designs, the challenge was making the designs work from a circulation standpoint. We wanted to design an ADA friendly circulation that connects the upper to the lower levels of the garden.
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CIRCULATION AND PLAN
In order to maximize water retention, we designed the roofs to circulate runoff down to a nearby stream that will be treated through phytoremediation or to a close water retention basin.
We connected the new area to the existing garden by creating connection points that allows users to smoothly transiition. Not only the general public but also accomodating any disabilities by creating wide pathways with a slope below 5%.
Having a lot of gathering areas and rest stops of different sizes is something that we took into account when designing. These spaces are also used to hold classes or a place to sit and take in the garden.
Implementing green roofs was a design decision we made to respond to the drought by keeping as much runoff on site. Green roofs also keep electricity bills down in the warmer months by keeping buildings cool.
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UNIFYING PASADENA
A CAP PARK
The Gold Line connects Pasadena, Montclair and Los Angeles. The transit runs through the 210 freeway that divides Pasadena in half. This work mainly looks at Lake Station from El Molino Avenue to North Wilson Ave and how a cap park can not only create a better transit experience but to also unify Pasadena physically, socially and economically.
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SITE ANALYSIS
DIAGRAMMING THE CITY OF PASADENA
DIAGRAMMING LAKE STATION
Looking at the city of Pasadena on a macro scale shows that the city is divided into four chunks by intersecting freeways. Through analysis, the city revealed to show a lack of connection between downtown and the Northern region.
LAND USE
EXISTING TREES
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In order to determine the direction of the design, I looked at Lake Station from different angles to capture positive and negative attributes. This analysis will be used as the basis on the where the design will be, who will use it and how it can bring Pasadena together.
LAND USE
PARKING
ACCESS POINT
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POTENTIAL DESIGN AREA
PROGRAMMATIC PLAN
THE PROCESS
THE VISION SOLAR SHADE STRUCTURE LAND BRIDGE
RESTAURANT
COFFEE SHOP
DOG PARK CHILDREN’S REC CENTER CHILDREN’S PARK EXERCISE MOUND/BERM COMMUNITY GARDEN FOOTBALL FIELD
MULTIPURPOSE LAWN
OUTDOOR GYM MULTIPURPOSE LAWN
RECREATION CENTER
RENTAL SHOP
COMMUNITY GARDEN
BASKETBALL COURT
PERFORMANCE PLAZA
SITE PLAN
JUICE BAR
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CAFE
BIKE SHOP
RESTAURANT
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RESTROOMS
DESIGN MODEL
8’
This is an abstract representation model of the proposed cap park. Made of three types of acrylic, chipboard, cardboard and 1/8” wooden dowels. The model is 8’ wide and 3’ long. In order to provide the proper detail and show the relation between the juxtaposing spaces, a model of this magnitude was necessary.
FINAL MODEL: AXONOMETRIC VIEW
DETAIL PERSPECTIVE 32
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THANK YOU!