LAGI 2014 Proposals for Green Cities

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LAGI 2014 Proposals for Green Cities

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL

a project of

SOCIETY for CULTURAL EXCHANGE


What is LAGI? Benefits to Cities

The main goal of the Land Art Generator Initiative (LAGI) is to design and construct public art installations that have the added benefit of utility-scale clean energy generation. Each sculpture will continuously distribute clean energy into the electrical grid, with each having the potential to provide power to thousands of homes.


The Land Art Generator Initiative (LAGI) has brought together a network of artists, architects, scientists, landscape architects, and engineers in a first of its kind collaboration. The goal of the Land Art Generator Initiative is to design and construct public art installations that uniquely combine aesthetics with utility scale clean energy generation. The works will serve to inspire and educate while they provide renewable power to thousands of homes around the world.

Presenting the power plant as public artwork—simultaneously enhancing the environment, increasing livability, providing a venue for learning, and stimulating local economic development—is a way to address a variety of issues. By nature of its functional utility, the work also sets itself into many other overlapping disciplines from architecture and urban design to mechanical engineering and environmental science. This interdisciplinary result has the effect of both enhancing the level of innovation and broadening the audience for the work. www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


LEVERAGING THE POWER OF PUBLIC ART The incorporation of renewable energy systems into the public art component of any project brings a dual beneďŹ t that is greater than the sum of its parts. 1% for the arts works hand-in-hand with on-site renewable energy generation credits for LEED and other green building standards. The art budget supports the on-site renewable budget, and conversely the onsite power generation budget supports the art budget, allowing both to extend further than either could do on its own. The project can afford more art and more energy generation without changing the bottom line capital expense.

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


THE VALUE OF PUBLIC ART Beginning in the 20th century—supported by important programs

Ever since there have been artworks in public spaces, there

such as the WPA Public Works of Art Project in the 30s, the National

has been a rich conversation about the complex role that these

Endowment for the Arts, and “Percent for Art” initiatives through the

interventions can play in the healthy operation of our cities.

present day—art outside of the gallery has become a critical aspect of urban planning and economic development programs in cities around the world.

There are many criticisms that have been levied (fairly and unfairly) against public art projects in the past. Some have been seen as unwise civic investment, some as disruptive to

The importance of public art to the health of public space and the

public spaces. Often, the projects which open themselves up

vibrancy of city streets is widely appreciated. Public art serves many

to the most criticism are those that neglect some aspect of the

purposes. It teaches, inspires, and adds pleasure and interest to our

public good in their implementation. One way of ensuring that

days. It generates tourism and increased economic development.

new public art projects do not come to be criticized in these

Public art can be participatory, objective, decorative, conceptual,

ways is to bring them together with capital projects that have

interactive, functional, celebratory, critical, and reflective. It can

inherent beneficial utility.

be figural or abstract, static or kinetic, simple or complex. It can be bio-remediative, statistical, didactic, and profound. It can even be energy-generating.

The Land Art Generator Initiative is working towards the construction of a new type of public art—large and site specific, informed by the traditions of both land art and

The idea of creating public art that also fulfills a secondary role

infrastructure art. These public artworks will be utility-scale,

as object of utility has a long history—from Joseph Beuys’s 7,000

grid connected, renewable energy power plants.

Oaks and his idea of “social sculpture” to the many contemporary new media artists and ecological artists, whose public works often double as restored habitats, community projects, climate data displays, and educational venues.

Public art has the power to provide new tools for cities with which to integrate renewable energy systems into the built environment while addressing such public concerns. www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


The Land Art Generator Initiative (LAGI) addresses public art within

THIS INCLUDES

the urban fabric of the sustainable city. The objective is to advance the successful implementation of sustainable urban design solutions by integrating art and interdisciplinary creative processes into the conception of renewable energy infrastructure. The project can be subdivided into four main areas of focus: LAGI design competition and associated events Educational materials Community outreach

City Beautification: all of the traditional benefits of public art Education: artworks provide places for citizens to learn about sustainable systems and to see renewable energy in action. The Land Art Generator Initiative and Society for Cultural Exchange are available to provide workshops and educational programs in your city. Healthy Environment: CO2 emissions reduction results from the artwork construction.

Construction of aesthetic renewable energy infrastructure for cities and institutions

Healthy Communities: people coming together to support sustainable development.

A primary goal of LAGI is to design and construct a series of large-scale site-specific installations that combine art with utility-scale clean energy generation. The artworks utilize the latest in renewable energy science and innovate the application of new technologies. Cities and institutions can benefit from the economic efficiencies

Economic Development: land art generators bring positive attention to the city. Innovation: interdisciplinary collaboration drives technological creativity.

of combining public art and renewable energy infrastructure. When

Electrical Generation: land art generators have the potential to power

considering the capital costs of implementing utility-scale renewable

thousands of homes with clean and renewable energy.

energy artwork, the full spectrum of return on the investment should be considered. www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


LAGI has held three international design competitions in partnership with private & public entities. In January of 2010 LAGI put out our first international call to artists, architects, scientists, landscape architects, and engineers to come up with both aesthetic and pragmatic solutions for 21st century energy challenges.

2010 — DUBAI & ABU DHABI The design brief for the LAGI design competition contains the following baseline requirements—the artwork is to capture energy from nature, cleanly convert it into electricity, and transform and transmit the electrical power to a grid connection point to be supplied by the city. Consideration should be made for the safety of the viewing public and for the educational activities that may occur on site. The design should be constructible (rather than theoretical), and it must respect the natural ecosystem of the design sites.

2012 — NEW YORK CITY, FRESHKILLS PARK The 2010 LAGI design competition was held for three sites in the UAE and we received hundreds of submissions from over 40 countries. In partnership with New York City’s Department of Parks & Recreation we held the 2012 LAGI design competition for a site within Freshkills Park (the former Fresh Kills Landfill). We received 250 submissions from around the world.

2014 — COPENHAGEN LAGI 2014 came to Copenhagen at an opportune moment. As the city (the European Green Capital of 2014) moves towards carbon neutral status by 2025 the debate over the aesthetic manifestation and human interaction component of our new energy infrastructure is becoming increasingly important to the planning strategies required to attain zero-carbon sustainability goals. LAGI has been delighted to be an event partner of Sharing Copenhagen, the official celebration of Copenhagen’s status of 2014 European Green Capital. www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


WHAT ISSUES DOES LAGI ADDRESS? Community Reluctance to Renewable Energy Infrastructure Every day it seems there is a new story about people disapproving of solar or wind installations in their communities. To some people, the addition of turbines to the skyline that they can see from their porch or long stretches of dark blue panels in a ďŹ eld where there used to be grass are forms of visual pollution. Innovation LAGI installations will have value beyond the energy that it produces and will have the potential to both establish new revenue streams from site activities or payback the city in economic stimulus from increased tourism to the site. Sustainable City Planning LAGI installations provide energy to the grid can give urban planners a new and versatile tool for bringing renewable energy generation into cities both small and large.

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


CABLE SUPPORT SOLAR FILM

WIND TURBINE

FABRIC SHELL

40’-0”

BEARING PIVOT

FIBERGLASS STRUCTURE

POWER TO GRID

ENERGY TECHNOLOGIES

WINDNEST

compact wind acceleration turbines, flexible thin film solar

ARTWORK DESIGNED BY

Clare Olsen & Trevor Lee A submission to the 2010 United Arab Emirates Land Art Generator Initiative competition Currently being built in Pittsburgh, PA.

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


EDUCATION & COMMUNITY OUTREACH Since its conception in 2009, the Land Art Generator Initiative has reached millions of people around the world through community outreach and online presence (where visitors can browse through blog entries about renewable energy and ecological art). Throughout the process of working with cities and institutions towards the implementation of renewable energy artworks,

The Times is Now: Public Art of the Sustainable City Page One Publishing, ISBN 978-981-428-675-6 (2012)

LAGI stays engaged with the community, providing educational workshops, lectures, and other events related to art, technology, and ecology. LAGI has presented the project and its theoretical background at numerous panels and lectures internationally in the context of conferences on sculpture, urbanism, renewable energy, art history, the constructed environment, architecture, and

A Field Guide to Renewable Energy Technologies (2012) http://landartgenerator.org/LAGI-FieldGuideRenewableEnergy-ed1.pdf

electronic arts.

Regenerative Infrastructures: Freshkills Park NYC, Land Art Generator Initiative, Prestel Publishing, ISBN: 978-3-7913-5286-2 (2013)

LAGI has several publications along with educational materials that can be downloaded for free from www.landartgenerator.org. Visitors will also ďŹ nd many information graphics at the LAGI website. These graphics serve to make clear what may

New Energies: Land Art Generator Initiative, Prestel Publishing, ISBN: 978-3-7913-5369-2 (2014)

otherwise be complex issues related to the transition to renewable forms of energy.

Art+Energy Flash Cards (2014) http://landartgenerator.org/Art+EnergyFlashCards-Download.pdf www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


The capacity of public artwork (especially large-scale and high profile works) to increase economic activity is well documented.

According to the NYC Economic Development Corporation, NYC Waterfalls by Olafur Eliasson, cost $15.5 million to install (privately funded) and brought an estimated $53 million in incremental spending from visitors who came to see the installation over the nearly four months that it was in operation. That’s an extra $483,000 per day to Manhattan businesses as a direct result of a public art installation. Imagine a permanent work of art, of a similar scale, and with similar economic stimulus benefit. And now imagine that this work of art educates hundreds of visitors every day about the technology that it employs, while contributing clean energy to the electrical grid equivalent to the energy consumed by hundreds or even thousands of homes. It may be that sustainable cities of the future will seize on the opportunity and efficiency that may come from the fusion of renewable energy infrastructure and public art amenity. www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


Connie Hedegaard

Martin Lidegaard

European Commissioner for Climate Action

Former Danish Minister of Climate, Energy, and Building

“When it comes to renewables it’s not a question of nice

“Land Art Generator Initiative provides new and exciting

to have. The world of the 21st century needs to have more

proposals for approaching the green transition. We saw in the

renewables. We have seen here in Denmark that it is

previous exhibitions in Dubai in 2010 and New York City in

doable. We see it in Europe. But I think in order to scale

2012, where creative forces of art, architecture, and engineering

things up, it would be so good to have some more input

together brought forth innovative ideas, concepts, and solutions

from artists, from creative thinking people, who know how

that can produce green energy while being integrated to beautify

to landscape things in a better manner. Who can show

the local environment.”

attractive visions. Who can show that to take climate change seriously it not about gloom and doom—it can be a positive vision. It can create beauty. It can create something that all of us would like to be a part of.”

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


Dr. Sultan Al Jaber, (former) CEO of Masdar “The final beauty of this initiative is that we now can explore the feasibility of implementing all of the leading submissions—creating a link between a future vision and today’s reality.”

For more information contact: LAGI Founding Directors Elizabeth Monoian & Robert Ferry lagi@landartgenerator.org +1 509 961 6237

www.landartgenerator.org


Green Cities At the invitation of the LAGI 2014 design brief and Green Cities Partner Addendum, many of the LAGI 2014 teams created proposals speciďŹ c to one or more of the Green Cities sites based on the information available.


Jose Carlos De Silva Proposal for Albertslund












Jose Carlos De Silva Proposal for Allerød


Allerod Green Cities Proposal Jose Carlos de Silva The idea is to use the three lakes of Allerod do create and store electricity.


Many floating solar pods of different shapes will be floating on the surface following the sun and generating electricity.


According to the need they will send it to the grin or store the energy by moving the water from lake to lake. The water then will move back by gravity generating electricity through a micro-hydro electric power plant, The electricity then can be generated as needed during the different hours handling peak loads according to needs. The water movement will also help to keep a healthy oxygenation of the lakes.


The configuration shown in the proposal will generate approximately 2MW with its 21050m2 of solar panels. The movement of the pods, the water levels changing and the new embankments will make the visit of the lakes an interesting experience.


Riccardo Mariano Proposal for Albertslund


Albertslund Energy Avenue 31.05.2014 Land Art Generator Initiative Riccardo Mariano



Albertslund Energy Avenue

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Plan - Intersections example

Albertslund Energy Avenue

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Perspective cutaway section

Albertslund Energy Avenue

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Albertslund Energy Avenue

Turbine Shape evolution diagram

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Albertslund Energy Avenue

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Albertslund Energy Avenue

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Albertslund Energy Avenue

31.05.2014 Land Art Generator Initiative


Albertslund Energy Avenue

Team

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Riccardo Mariano Proposal for Herning


Herning Energy Promenade 31.05.2014 Land Art Generator Initiative Riccardo Mariano



Plan

Herning Energy Promenade

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Herning Energy Promenade

Plan

;OL ^PUK [\YIPULZ OLYL PU[YVK\JLK OH]L KPTLUZPVUZ JVTWHYHISL [V [OVZL VM TLKP\T ZPaL [YLLZ PU VYKLY [V LUNHNL [OL O\THU ZJHSL HUK H WSH`M\S HWWLHYHUJL ;OLPY ZOHWL HUK TH[LYPHSP[` HYL PUZWPYLK I` ZHPSZ ^OPSL [OLPY JVSV\YZ HUK Z[Y\J[\YLZ Z\I[S` YLJHSS [OL WH[[LYUZ VM RP[LZ HUK ZWPUUPUN [VWZ )V[O TL[HWOVYPJHSS` HUK PU YLHSP[` [OLPY [YHUZWHYLUJ` JVUULJ[Z [OL PUULY Z[Y\J[\YHS LSLTLU[Z ^P[O [OL V]LYHSS ZOHWL ^OPSL LUJV\YHNPUN H YLULNV[PH[LK WLYJLW[PVU VM [OL Z\YYV\UKPUNZ =VSSL` ÄLSKZ ;OL UL^ [\YIPUL KLZPNU JHU JVTWL[L ^P[O [OL JVU]LU[PVUHS OVYPaVU[HS H_PZ ^PUK [\YIPULZ MVY ZL]LYHS WYHJ[PJHS YLHZVUZ +\L [V [OLPY ZOHWL HUK ^LPNO[ [OL` ^PSS IL ZLSM Z[HY[PUN HUK HISL [V YV[H[L L]LU ^P[O [OL SPNO[LZ[ ^PUKZ ;OL` JHU IL )HZRL[ ÄLSKZ

WSHJLK H[ H ZOVY[LY KPZ[HUJL MYVT VUL HUV[OLY TH_PTPaPUN [OL \ZHNL VM [OL HYLH HUK PTWYV]PUN [OL V]LYHSS H[TVZWOLYL VM [OL ZP[L ;OL ZPTWSL KLZPNU PZ LHZ` [V ZJHSL HUK [V [LZ[ P[ JVU]L`Z JSHYP[` ^OPSL YL]LHSPUN [OL KLW[OZ [OH[ [Y\L ZPTWSPJP[`

/HUKIHSS ÄLSKZ

LU[HPSZ P[ PZ ÅL_PISL HUK Z\P[HISL MVY KPќLYLU[ JVU[L_[Z

=LY[PJHS H_PZ ^PUK [\YIPULZ HYL JVUZPKLYHIS` X\PL[LY [OHU [OL JVTTVUS` \ZLK OVYPaVU[HS H_PZ ^PUK [\YIPULZ ;OLZL ZWLJPÄJHSS` KLZPNULK ^PUK [\YIPULZ HYL PTWYV]PUN [OPZ MLH[\YL L]LU M\Y[OLY K\L [V [OLPY SPNO[ Z[Y\J[\YL HUK L[OLYLHS TH[LYPHSP[` >PU[LY )H[OZ

;LUUPZ *V\Y[Z

H ZPKL MVV[IHSS ÄSLKZ

;OL NLULYH[VY HUK [OL NLHYIV_ HYL WSHJLK \UKLYULH[O [OL OPSSZ VU ^OPJO [OL [\YIPULZ YV[H[L ;OPZ MHJPSP[H[LZ [OL HJJLZZPIPSP[` MVY THPU[LUHUJL HUK OLSWZ [V TPUPTPaL [OL HJV\Z[PJ PTWHJ[ (UV[OLY MHJ[VY [OH[ ^PSS JVU[YPI\[L [V U\SSPM` [OL UVPZL WYVK\JLK I` [OL TV]LTLU[ VM [OL [\YIPULZ PZ [OL KPZWSHJLTLU[ VM [OL HYLH [OH[ JH[JOLZ TVZ[ VM [OL ^PUK MHY MYVT [OL NYV\UK HUK [O\Z MYVT [OL WLVWSL

31.05.2014 Land Art Generator Initiative

4


Herning Energy Promenade

Perspective cutaway section

;\YIPUL ÄLSKZ

31.05.2014 Land Art Generator Initiative

:WVY[ ÄLSK WPLaVLSLJ[YPJ TH[LYPHS

,ULYN` WYVTLUHKL

5


Herning Energy Promenade

Winter baths

;OL >PU[LY )H[OZ HYL H THQVY YLJYLH[PVUHS H[[YHJ[PVU MVY [OL ZP[L HUK HU LUK WVPU[ MVY [OL WYVTLUHKL <ZPUN L_JLZZ OLH[ HUK Z[VYPUN WV[LU[PHS LULYN` V]LYWYVK\J[PVU MYVT [OL WSHU[ [OL` NP]L [OL JOHUJL [V Z^PT KH`Z WLY `LHY PU [OL TPKKSL VM [OL SHRL ;OL ZOHWL PZ KLZPNULK [V TH_PTPaL [OL YLSH[PVU [V [OL UH[\YHS ^H[LY HUK RLLW [OL PUULY ZWHJL ZLWHYH[LK HUK OLH[LK K\YPUN ^PU[LY :PTPSHYS` [V [OL ZHPSZ [OL OLH[LK KVTL PZ THKL VM H 7,; PUÅH[HISL TLTIYHUL [V IL YLTV]LK PU OV[ KH`Z

31.05.2014 Land Art Generator Initiative


Riccardo Mariano Proposal for Allerød


Allerød Energy Sport Park 31.05.2014 Land Art Generator Initiative Riccardo Mariano



Allerød Energy Sport Park

Plan

(SSLY¥K ,ULYN` :WVY[ 7HYR KLÄULZ H MHTPSPHY `L[ V[OLY^VYSKS` ZWHJL [OH[ OHYTVUPV\ZS` JVTWSLTLU[Z HUK LUOHUJLZ P[Z Z\YYV\UKPUNZ ;OL LU]PZHNLK UL^ WHYR PU[LNYH[LZ YLJYLH[PVUHS HJ[P]P[PLZ ^P[O JSLHU LULYN` NLULYH[PVU YHPZPUN LU]PYVUTLU[HS H^HYLULZZ [OYV\NO [OL ZPTWSPJP[` VM P[Z VWLYH[PVU ;OL WYVTLUHKL PKLHSS` JVU[PU\LZ [OL ^LZ[LYU WHY[ VM 3`UNL .YH]LS 7P[ UL^ KL]LSVWTLU[ ;OL P[LYH[PVU VM H ZWLJPÄJHSS` KLZPNULK ^PUK [\YIPUL PZ [OL RL` MLH[\YL VM [OL WYVWVZHS ;OL OPSS J\YYLU[S` VU ZP[L PZ ZWSP[

winter baths

PU ZL]LYHS WH[OZ KPZ[YPI\[PUN ZWVY[ ÄSLKZ HUK SLHKPUN [V [OL volley

entrance

^PU[LY IH[OZ 0U JVYYLZWVUKLUJL ^P[O ZVTL WHUVYHTPJ ZWV[Z [OL WYVTLUHKL PZ LUSHYNLK HUK ZVTL Z[LWZ KV^U [V^HYKZ [OL ^H[LY HUK \W [V^HYKZ [OL ÄLSKZ HYL PU[YVK\JLK [OL` JHU

hand ball

IL \ZLK HZ ZP[[PUN HYLHZ HUK NH[OLYPUN WVPU[Z ;OL ZWVY[ ÄSLKZ HUK [OL WH[O SLHKPUN [OYV\NO (SSLY¥K ,ULYN` :WVY[ 7HYR ^VYR HSZV HZ ZLJVUK LULYN` NLULYH[PVU ZV\YJL ;OL` \ZL WPLaVLSLJ[YPJ TH[LYPHS \UKLYULH[O [OL WH]PUN [V OHY]LZ[ [OL LULYN` WYVK\JLK I` [OL Z[LWZ VU [OL WH]LTLU[ ;OL TV]LTLU[ VM [OL ÅVVY HSZV OLSWZ [V HIZVYI [OL ZOVJR VM [OL MLL[ OP[[PUN [OL WH]LTLU[ ^OPSL NLULYH[PUN LULYN` THRPUN P[ LZWLJPHSS` Z\P[HISL MVY ZWVY[ W\YWVZLZ ;OL PKLH VM LULYN` NLULYH[PVU HUK TV]LTLU[ PZ Z\JJLZM\SS` JVTIPULK ^P[O ZWVY[

tennis

( ZPUNSL ^PUK [\YIPUL JVUZPKLYPUN [OL H]LYHNL ^PUK JVUKP[PVU PU (SSLY¥K WYVK\JLZ R> ;OL [\YIPULZ OVZ[LK PU [OL ZP[L NP]L LULYN` [V OV\ZLZ

basket

5 a side football

100m

31.05.2014 Land Art Generator Initiative

3


Allerød Energy Sport Park

Section

>PU[LY IH[OZ

7HUVYHTPJ ]PL^WVPU[

:WVY[ ÄLSK

Entrance

;OL NLU[S` ZSVWPUN OPSSZ OLSW H TVYL VYNHUPJ PU[LNYH[PVU VM [OL [\YIPULZ PU [OL SHUKZJHWL I\[ HSZV ZL[ [OLT H[ KPќLYLU[ OLPNO[Z PTWYV]PUN [OLPY WLYMVYTHUJLZ ;OL ^PUK [\YIPULZ OLYL PU[YVK\JLK OH]L KPTLUZPVUZ JVTWHYHISL [V [OVZL VM TLKP\T ZPaL [YLLZ PU VYKLY [V LUNHNL [OL O\THU ZJHSL HUK H WSH`M\S HWWLHYHUJL ;OLPY ZOHWL HUK TH[LYPHSP[` HYL PUZWPYLK I` ZHPSZ ^OPSL [OLPY JVSV\YZ HUK Z[Y\J[\YLZ Z\I[S` YLJHSS [OL WH[[LYUZ VM RP[LZ HUK ZWPUUPUN [VWZ )V[O TL[HWOVYPJHSS` HUK PU YLHSP[` [OLPY [YHUZWHYLUJ` JVUULJ[Z [OL PUULY Z[Y\J[\YHS LSLTLU[Z ^P[O [OL V]LYHSS ZOHWL ^OPSL LUJV\YHNPUN H YLULNV[PH[LK WLYJLW[PVU VM [OL Z\YYV\UKPUNZ

31.05.2014 Land Art Generator Initiative

4


Allerød Energy Sport Park

Perspective cutaway section

;\YIPUL ÄLSKZ

:WVY[ ÄLSK WPLaVLSLJ[YPJ TH[LYPHS

,ULYN` WH[O WPLaVLSLJ[YPJ TH[LYPHS

;OL UL^ [\YIPUL KLZPNU JHU JVTWL[L ^P[O [OL JVU]LU[PVUHS OVYPaVU[HS H_PZ ^PUK [\YIPULZ MVY ZL]LYHS WYHJ[PJHS YLHZVUZ +\L [V [OLPY ZOHWL HUK ^LPNO[ [OL` ^PSS IL ZLSM Z[HY[PUN HUK HISL [V YV[H[L L]LU ^P[O [OL SPNO[LZ[ ^PUKZ ;OL` JHU IL WSHJLK H[ H ZOVY[LY KPZ[HUJL MYVT VUL HUV[OLY TH_PTPaPUN [OL \ZHNL VM [OL HYLH HUK PTWYV]PUN [OL V]LYHSS H[TVZWOLYL VM [OL ZP[L ;OL ZPTWSL KLZPNU PZ LHZ` [V ZJHSL HUK [V [LZ[ P[ JVU]L`Z JSHYP[` ^OPSL YL]LHSPUN [OL KLW[OZ [OH[ [Y\L ZPTWSPJP[` LU[HPSZ P[ PZ ÅL_PISL HUK Z\P[HISL MVY KPќLYLU[ JVU[L_[Z

=LY[PJHS H_PZ ^PUK [\YIPULZ HYL JVUZPKLYHIS` X\PL[LY [OHU [OL JVTTVUS` \ZLK OVYPaVU[HS H_PZ ^PUK [\YIPULZ ;OLZL ZWLJPÄJHSS` KLZPNULK ^PUK [\YIPULZ HYL PTWYV]PUN [OPZ MLH[\YL L]LU M\Y[OLY K\L [V [OLPY SPNO[ Z[Y\J[\YL HUK L[OLYLHS TH[LYPHSP[` ;OL NLULYH[VY HUK [OL NLHYIV_ HYL WSHJLK \UKLYULH[O [OL OPSSZ VU ^OPJO [OL [\YIPULZ YV[H[L ;OPZ MHJPSP[H[LZ [OL HJJLZZPIPSP[` MVY THPU[LUHUJL HUK OLSWZ [V TPUPTPaL [OL HJV\Z[PJ PTWHJ[ (UV[OLY MHJ[VY [OH[ ^PSS JVU[YPI\[L [V U\SSPM` [OL UVPZL WYVK\JLK I` [OL TV]LTLU[ VM [OL [\YIPULZ PZ [OL KPZWSHJLTLU[ VM [OL HYLH [OH[ JH[JOLZ TVZ[ VM [OL ^PUK MHY MYVT [OL NYV\UK HUK [O\Z MYVT [OL WLVWSL

31.05.2014 Land Art Generator Initiative

5


Allerød Energy Sport Park

Winter baths

;OL >PU[LY )H[OZ HYL H THQVY YLJYLH[PVUHS H[[YHJ[PVU MVY [OL ZP[L HUK HU LUK WVPU[ MVY [OL WYVTLUHKL <ZPUN L_JLZZ OLH[ HUK Z[VYPUN WV[LU[PHS LULYN` V]LYWYVK\J[PVU MYVT [OL WSHU[ [OL` NP]L [OL JOHUJL [V Z^PT KH`Z WLY `LHY PU [OL TPKKSL VM [OL SHRL ;OL ZOHWL PZ KLZPNULK [V TH_PTPaL [OL YLSH[PVU [V [OL UH[\YHS ^H[LY HUK RLLW [OL PUULY ZWHJL ZLWHYH[LK HUK OLH[LK K\YPUN ^PU[LY :PTPSHYS` [V [OL ZHPSZ [OL OLH[LK KVTL PZ THKL VM H 7,; PUÅH[HISL TLTIYHUL [V IL YLTV]LK PU OV[ KH`Z

31.05.2014 Land Art Generator Initiative

6


Antonio Maccà Proposal for Allerød, Albertslund, Herning, and Kolding



eDŽƟŽŶƐ ŝŶ ƚŚĞ 'ƌĞĞŶ ŝƟĞƐ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

! $ ' &'$ " )%& ! ' ! / # ( " )' #(% ' #) % $)$+$!) % # !(0 ' #) '%' )( ) '$) ) $# ! $% # ! %'$ * ) $#( $ ' *!)*' ! '$%(1 7*' # ' *!)*' 7 ' # ( $, ( ( ) $ + '( ). $ %! #) ! # #" ' 0 ' # # )$ ) %* ! ) #$,! $ ) ' $*#)'.6( ' #) $$ ( # %! #)(1 ! $ & " )%& ! ' " # ( $ (#$, !! # ).% ! '$/ # ' ) ! # ( % 1 !$ ) # (#$, ! ( ' $( !! ) # % /$ ! )' # ' . (.() "(0 $#+ ') # , # 2 # * + ' ) $#( #)$ ! )' ! %$, '1 $(.() " ' ) ( %* ! (% 0 $() # # $*) $$' ( ) # ' # *' # ) , #) ' ) " 1 ! $ %% ! " )%& !0 # ! ' %' ( #) ) $# $ ' (( ! 0 ( $"%$( . % /$ ! )' # ' . (.() "( "$+ . ) , # 1 ' # ' $ '( ' ' ) $# ! $% # ' ((! # $' (%$') ) + ) (0 , ! ) % ' % ' ! ' # $()( + ( )$'( (*%%$') ! ) (1 ! "$ %& " )%& ! ( (." $! / . % )) '# $ $+ '! %% )' ( ! $* )) ( ) ) (*%%$') + ') ! - ( , # )*' # (0 + # ) ( #( ) $# $ "$ ! '$# 1 ) # ( ' ' ) $# ! ' # $' (%$')( # ' ! -1 ! $ ! " )%& ! $()( 7 # , ! # ' . *( *"70 ( $, ( # ) ' ( ' ( # (*() # ! # ' (1 ) ( !!. ) )$ ) $% # # # + '( ). '$ (($'( #( ' () # '() 0 , $ ( $+ ' " # ) ! ( $ ! )' *'' #)(0 # !( $ '0 , ' , ) ) $ ! ' / $' ) )$" "$ !1 *( *" (." $! / ( ) ! )' ). $ ($! #$ 0 ' %' ( #) # ) "$) $# $ ! )'$#( # ) ' *! ' ' * )( , ) '$*# " '$ ' () !! # % $)$+$!) % # !( $ ' #) " ) '(1 * ! # ( '$$ )$% ) '' , ) ;<:8 + , # ' # # $()( ' #) ) + ) (0 (* ( - ) $#(0 * ) $#0 ' () *' #) # ) # ! &* %" #)(0 , ! ) ' # ' ( ( *!%)*' ' #1 ! ! $ ) " )%& % #' $ !0 ( ) #)' ! ' ), # ) $(.() "( ) ) ' #) ( ) % ()' # $#) #* ). $ ) % ' # ( $% # $' ) "%$' '. + #)(1 , # $$% + ' $') *!)*' ' *!)*' ! '$%( ! - ' ( %$') ' (( ! *( *" ! )' ). ' $*' ) + ( 0 ' # " #) ' #(%$')

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HERNING

Energy Line ŝƐ ƚŚĞ ƐLJŵďŽůŝĐ ƌĞƉƌĞƐĞŶƚĂƟŽŶ ŽĨ ƚŚĞ EĂƚƵƌĞ ŽĨ ĞŶŵĂƌŬ͕ ƐŚŽǁĐĂƐŝŶŐ ĚŝīĞƌĞŶƚ ĂƌƟƐƟĐ ŝŶƚĞƌƉƌĞƚĂƟŽŶƐ ŽĨ ƚŚĞ ĚŝīĞƌĞŶƚ ĚĂŶŝƐŚ ĞĐŽƐLJƐƚĞŵƐ ŝŶ ƚŚĞ ĐůŽƐĞĚ sĞũůĞǀĞũ ƌŽĂĚ ŝŶ ƚŚĞ ŝƚLJ ŽĨ ,ĞƌŶŝŶŐ͘ dŚĞ ƉƌŽũĞĐƚ ĂƌƌĂLJƐ Ăůů ƚŚĞ ŶŝŶĞ ĐŽ^LJƐƚĞŵƐ ŽĨ ĞDŽƟŽŶƐ ĂůŽŶŐ ƚŚĞ ƌŽĂĚ͕ ŽīĞƌŝŶŐ ƐƉŽƌƚƐ͕ ĐƵůƚƵƌĞ ĂŶĚ ůĞŝƐƵƌĞ ĨŽƌ ĐŚŝůĚƌĞŶ ĂŶĚ ĂĚƵůƚƐ ŽĨ Ăůů ĂŐĞƐ͘ dŚĞ River͕ ƚŚĞ Lake͕ ƚŚĞ Urban͕ ƚŚĞ Grassland͕ ƚŚĞ Agricultural͕ ƚŚĞ Forest͕ ƚŚĞ Sand Dune͕ ƚŚĞ Marine ĂŶĚ ƚŚĞ Beach ĂƌĞ ŇĞdžŝďůĞ ƉƵďůŝĐ ƐƉĂĐĞƐ ǁŝƚŚ ĚŝīĞƌĞŶƚ ƌĞĐƌĞĂƟŽŶĂů ĂĐƟǀŝƟĞƐ ƚŽ ĞŶŐĂŐĞ ƚŚĞ ĚŝīĞƌĞŶƚ ĐŽŵŵƵŶŝƟĞƐ ŽĨ ƚŚĞ ŝƚLJ͗ Ă ƐŬĂƚĞ ƉĂƌŬ͕ Ă ƐƉĂĐĞ ĨŽƌ ďĂƐŬĞƚ ĂŶĚ ǀŽůůĞLJ͕ Ă ƉůĂLJŐƌŽƵŶĚ͕ Ă ŚŽƌƟĐƵůƚƵƌĂů ŐĂƌĚĞŶ͕ Ă ƐƉĂĐĞ ĨŽƌ ƉŝĐŶŝĐ ĂŶĚ ďĂƌ͕ Ă ĨŽƵŶƚĂŝŶ͕ Ă ŐĂƌĚĞŶ ǁŝƚŚ Ă ƐƵŶĚŝĂů͕ ĂŶ ŝĐĞ ƐŬĂƟŶŐ ƌŝŶŬ ĂŶĚ Ă ƐƉĂĐĞ ĨŽƌ Ăƌƚ ĞdžŚŝďŝƟŽŶƐ͘ ůů ƚŚĞ EcoSystems ŝŶ ƚŚĞŝƌ ƵŶĚĞƌŐƌŽƵŶĚ ƐƉĂĐĞƐ ĐĂŶ ŚŽƵƐĞ ĨĂĐŝůŝƟĞƐ ůŝŬĞ ƐƉĂĐĞƐ ĨŽƌ ĞǀĞŶƚƐ͕ ƚĞĐŚŶŝĐĂů ĞƋƵŝƉŵĞŶƚƐ͕ ĐŚĂŶŐŝŶŐ ƌŽŽŵƐ ĂŶĚ ƚŽŝůĞƚƐ͘ dŚĞ hƌďĂŶ ĐŽƐLJƐƚĞŵ ŝƐ ƚŚĞ ŐĂƚĞ ƚŽ ƚŚĞ dŝŵĞ>ŝŶĞ ŝŶ ĐŽŶŶĞĐƟŽŶ ǁŝƚŚ ƚŚĞ ĨŽƌƚŚĐŽŵŝŶŐ dŝŵĞtŽƌůĚ͗ ŝƚ ŝƐ ĂŶ ĂƌĐŚŝƚĞĐƚƵƌĂů ŝŶƚĞƌǀĞŶƟŽŶ ƚŚĂƚ ŚŽƵƐĞƐ Ă ƐƵŶĚŝĂů͕ ŵĂƌŬŝŶŐ ƚŚĞ dŝŵĞ ďLJ ƚŚĞ ƉŽƐŝƟŽŶ ŽĨ ƚŚĞ ^ƵŶ͘ dŚĞ ŽƚŚĞƌ ŐĂƚĞ ƚŽ ƚŚĞ ,ĞƌŶŝŶŐ ŝƚLJ ĞŶƚƌĞ ŝƐ ƌĞƉƌĞƐĞŶƚĞĚ ďLJ ƚŚĞ Sand Dune Ecosystem ĂŶĚ ŚŽƵƐĞƐ ĐƵůƚƵƌĂů ĂĐƟǀŝƟĞƐ ůŝŬĞ ĞdžŚŝďŝƟŽŶƐ ĂŶĚ ƉĞƌĨŽƌŵĂŶĐĞƐ͘ ůů ƚŚĞ EcoSystems ŚĂƌǀĞƐƚ ĞŶĞƌŐLJ ĨƌŽŵ ƚŚĞ ŶĂƚƵƌĂů ĞŶǀŝƌŽŶŵĞŶƚ͕ ŝŶƚĞŐƌĂƟŶŐ ƌĞŶĞǁĂďůĞ ĞŶĞƌŐLJ ƐLJƐƚĞŵƐ ůŝŬĞ ǀĞƌƟĐĂů ĂŶĚ ŚŽƌŝnjŽŶƚĂů ĂdžŝƐ ǁŝŶĚ ƚƵƌďŝŶĞƐ͕ ƉŚŽƚŽǀŽůƚĂŝĐ ƉĂŶĞůƐ ĂŶĚ ƉŝĞnjŽĞůĞĐƚƌŝĐ ĞŶĞƌŐLJ ƐLJƐƚĞŵƐ͘ ŶĞƌŐLJ >ŝŶĞ ǁŝůů ďĞ Ă ƵŶŝƋƵĞ ƐĞƫŶŐ ĨŽƌ ŵŽǀĞŵĞŶƚ͕ Ăƌƚ͕ ĂŶĚ ŶĂƚƵƌĞ ĂŶĚ ƚŚĞ ŐƌĞĞŶ ƐLJŵďŽů ŽĨ ƚŚĞ 'ƌĞĞŶ ŝƚLJ ŽĨ ,ĞƌŶŝŶŐ͘

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hƌďĂŶ ĐŽ^LJƐƚĞŵ



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Energy Hills ĂŝŵƐ ƚŽ ďĞĐŽŵĞ ƚŚĞ ŶĞǁ ůĂŶĚŵĂƌŬ ŽĨ ƚŚĞ ŝƚLJ ŽĨ ůůĞƌƆĚ͕ ƉƌŽƉŽƐŝŶŐ ĂŶ ĂƌƟƐƟĐ ŝŶƚĞƌƉƌĞƚĂƟŽŶ ŽĨ ƚŚĞ ůĂŶĚƐĐĂƉĞ ŽĨ >LJŶŐĞ 'ƌĂǀĞů Wŝƚ͘ dŚĞ ĞŶĞƌŐLJͲŐĞŶĞƌĂƟŶŐ ĂƌƚǁŽƌŬ ĞǀŽŬĞƐ ƚŚĞ ƵŶĚƵůĂƟŽŶ ŽĨ ƚŚĞ ƐŬLJůŝŶĞ ŽĨ ƚŚĞ ŚŝůůƐ͕ ĨŽƌŵŝŶŐ ƚŚƌĞĞ ĐƵƌǀĞĚ ĂƌĐŚĞƐ ƚŚĂƚ ƐƵƉƉŽƌƚ ƚŚĞ ƉŚŽƚŽǀŽůƚĂŝĐ ĐLJůŝŶĚƌŝĐĂů ƐƵƌĨĂĐĞ͘ dŚĞ ƐŝŶƵŽƵƐ ĂƌĐŚĞƐ ĂƌĞ ŚĂƌŵŽŶŝĐĂůůLJ ŝŶƚĞŐƌĂƚĞĚ ŝŶƚŽ ƚŚĞ ƚŽƉŽŐƌĂƉŚLJ ŽĨ Bjerget͕ ĨƌĂŵŝŶŐ ƵŶŝƋƵĞ ǀŝĞǁƐ ŽĨ ƚŚĞ ƐƵƌƌŽƵŶĚŝŶŐ ůĂŶĚƐĐĂƉĞ͗ ƚŚĞ ůĂŬĞƐ ĂŶĚ >LJŶŐĞ ƚŽ ƚŚĞ ǁĞƐƚ͕ sĂƐƐŝŶŐĞƌŽĚ ƚŽ ƚŚĞ ĞĂƐƚ ĂŶĚ ƚŚĞ ŶĂƚƵƌĂů ůĂŶĚƐĐĂƉĞ ƚŽ ƚŚĞ ƐŽƵƚŚ͘ Energy Hills ŚĂƐ Ă ŚLJďƌŝĚ ƌĞŶĞǁĂďůĞ ĞŶĞƌŐLJ ŐĞŶĞƌĂƟŶŐ ƐLJƐƚĞŵ͕ ĐŽŵƉŽƐĞĚ ďLJ ƉŚŽƚŽǀŽůƚĂŝĐ ƉĂŶĞůƐ ĂŶĚ ŵŝĐƌŽ ƐĐĂůĞ ŚŽƌŝnjŽŶƚĂů ĂdžŝƐ ǁŝŶĚ ƚƵƌďŝŶĞƐ͘ dŚĞ ĂƌƚǁŽƌŬ͕ ďĞŝŶŐ ƉŽƐŝƟŽŶĞĚ ŽŶ ƚŚĞ ƚŽƉ ŽĨ ƚŚĞ Śŝůů ĂŶĚ ďĞŝŶŐ ǀŝƐŝďůĞ ĨƌŽŵ ƚŚĞ ƐƵƌƌŽƵŶĚŝŶŐ ŇĂƚ ĞŶǀŝƌŽŶŵĞŶƚ͕ ǁŝůů ďĞĐŽŵĞ ƚŚĞ ŶĞǁ ƐLJŵďŽů ŽĨ ƚŚĞ ŶĞǁůLJ ĞƐƚĂďůŝƐŚĞĚ ĞĐŽůŽŐLJ ŽĨ ƚŚĞ ƌĞĐƌĞĂƟŽŶĂů ŶĂƚƵƌĞ ƐŝƚĞ ŽĨ >LJŶŐĞ 'ƌĂǀĞů Wŝƚ͘

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ENERGY HILLS

WŚŽƚŽǀŽůƚĂŝĐ ƉĂŶĞůƐ


WŚŽƚŽǀŽůƚĂŝĐ ƉĂŶĞůƐ ĂŶĚ ŚŽƌŝnjŽŶƚĂů ĂdžŝƐ ǁŝŶĚ ƚƵƌďŝŶĞƐ


^ĂŶĚ ƵŶĞ ĐŽƐLJƐƚĞŵ


dǁŝƐƚĞĚ ůŝŶĞƐ ĂŶĚ ǀĞƌƟĐĂů ĂdžŝƐ ǁŝŶĚ ƚƵƌďŝŶĞƐ


sĞƌƟĐĂů ĂdžŝƐ ǁŝŶĚ ƚƵƌďŝŶĞƐ


DĂƌŝŶĞ ĐŽ^LJƐƚĞŵ


Ɛ ĂŶ ĂůƚĞƌŶĂƟǀĞ͕ ƐŝŶĐĞ Ă ǁŚŝƐŚ ĨŽƌ Ă ƐŬŝŝŶŐ ĂĐƟǀŝƚLJ ŽŶ ũĞƌŐĞƚ ŚĂƐ ďĞĞŶ ƉƵƚ ĨŽƌǁĂƌĚ͕ ƚŚĞ ƌĐƟĐ ĐŽ^LJƐƚĞŵ ĞǀŽŬĞƐ Ă ƐŶŽǁĨĂůů ŽŶ ƚŚĞ ƚŽƉ ŽĨ ƚŚĞ Śŝůů͕ ŝŶ ƚŚĞ ƐƚĂƌƟŶŐ ƉŽŝŶƚ ŽĨ ƚŚĞ ĨƵƚƵƌĞ ƐŬŝ ƐůŽƉĞ͘ dŚĞ ŇŽĂƟŶŐ ƐŶŽǁŇĂŬĞƐ ĂƌĞ ŽƐĐŝůůĂƟŶŐ ƉŝĞnjŽĞůĞĐƚƌŝĐ ĞŶĞƌŐLJ ƐLJƐƚĞŵƐ͕ ĐŽŶǀĞƌƟŶŐ ǁŝŶĚͲŝŶĚƵĐĞĚ ǀŝďƌĂƟŽŶƐ ŝŶƚŽ ĞůĞĐƚƌŝĐĂů ƉŽǁĞƌ͘



eDŽƟŽŶƐ ŝƐ ƚŚĞ ƐLJŵďŽů ŽĨ ƚŚĞ EĂƚƵƌĞ ŽĨ ĞŶŵĂƌŬ͕ ĂƐ ǁĞůů ĂƐ ƚŚĞ ŶĞǁ ŐĂƚĞ ƚŽ ƚŚĞ ŶĞŝŐŚďŽƌŝŶŐ ŝƚLJ ŽĨ ,ƆũĞ dĂĂƐƚƌƵƉ͘ dŚĞ ĞŶĞƌŐLJ ŐĞŶĞƌĂƟŶŐ ĂƌƚǁŽƌŬ ůŝĞƐ ŝŶ ƚŚĞ ŐĞůƵŶĚƉĂƌŬĞŶ ĐůŽƐĞ ƚŽ ZŽƐŬŝůĚĞǀĞũ ĂŶĚ ǁĂŶƚƐ ƚŽ ĞŵƉŚĂƐŝnjĞ ůďĞƌƚƐůƵŶĚΖƐ ŝĚĞŶƟƚLJ ĂƐ ĂŶ ĞĐŽͲĐŝƚLJ͕ ŽīĞƌŝŶŐ ŶĞǁ ƌĞĐƌĞĂƟŽŶĂů ƉƵƌƉŽƐĞƐ ĂŶĚ ƐƵƐƚĂŝŶĂďůĞ ĞŶĞƌŐŝĞƐ͘ dŚĞ ƉƌŽũĞĐƚ ƉƌŽƉŽƐĞƐ ƐĞǀĞŶ EcoSystems Ͳ ƚŚĞ River͕ ƚŚĞ Lake͕ ƚŚĞ Urban͕ the Grassland͕ ƚŚĞ Agricultural͕ ƚŚĞ Forest ĂŶĚ ƚŚĞ Sand Dune Ͳ ƚŚĂƚ ĂƌĞ ƉƵďůŝĐ ƐƉĂĐĞƐ ǁŝƚŚ ĚŝīĞƌĞŶƚ ĂĐƟǀŝƟĞƐ͗ Ă ƐŬĂƚĞ ƉĂƌŬ͕ Ă ƐƉĂĐĞ ĨŽƌ ďĂƐŬĞƚ ĂŶĚ ǀŽůůĞLJ͕ Ă ƉůĂLJŐƌŽƵŶĚ͕ Ă ŚŽƌƟĐƵůƚƵƌĂů ŐĂƌĚĞŶ͕ Ă ĨŽƵŶƚĂŝŶ ĂŶĚ ĂŶ ĂŵƉŚŝƚĞĂƚƌĞ ĨŽƌ ĞdžŚŝďŝƟŽŶƐ ĂŶĚ ƉĞƌĨŽƌŵĂŶĐĞƐ͘ dŚĞ EcoSystems ŚĂƌŶĞƐƐ ĞŶĞƌŐLJ ĨƌŽŵ ƚŚĞ ŶĂƚƵƌĂů ĞŶǀŝƌŽŶŵĞŶƚ͕ ŝŶƚĞŐƌĂƟŶŐ ƌĞŶĞǁĂďůĞ ĞŶĞƌŐLJ ƐLJƐƚĞŵƐ Ͳ ǀĞƌƟĐĂů ĂŶĚ ŚŽƌŝnjŽŶƚĂů ĂdžŝƐ ǁŝŶĚ ƚƵƌďŝŶĞƐ͕ ƉŚŽƚŽǀŽůƚĂŝĐ ƉĂŶĞůƐ ĂŶĚ ƉŝĞnjŽĞůĞĐƚƌŝĐ ĞŶĞƌŐLJ ƐLJƐƚĞŵƐ Ͳ ƚŽ ĐƌĞĂƚĞ Ă ŶĞǁ EĂƚƵƌĞ ŝŶ ƚŚĞ 'ƌĞĞŶ ŝƚLJ ŽĨ ůďĞƌƚƐůƵŶĚ͘

50 m



ZŝǀĞƌ ĐŽ^LJƐƚĞŵ


The amphiteatre in the Marine EcoSystem



hƌďĂŶ ĐŽ^LJƐƚĞŵ


'ƌĂƐƐůĂŶĚ ĐŽ^LJƐƚĞŵ



ŶŽƚŚĞƌ ƉůĂŶŶŝŶŐ ƐƚƌĂƚĞŐLJ ĂŝŵƐ ƚŽ ĐƌĞĂƚĞ Ă ǀŝƐƵĂů ĐŽŶŶĞĐƟŽŶ ŽǀĞƌ ƚŚĞ ǁŚŽůĞ ZŽƐŬŝůĚĞǀĞũ ƌŽƵƚĞ ƚŚƌŽƵŐŚ ůďĞƌƚƐůƵŶĚ͕ ĂƌƌĂLJŝŶŐ ƚŚĞ ƐĞǀĞŶ EcoSystems ĂůŽŶŐ ƚŚĞ ƚŚƌĞĞ ŬŝůŽŵĞƚƌĞƐ ŽĨ ƚŚĞ ƌŽĂĚ͘ dŚĞ EcoSystems ĐĂŶ ďĞ ƉŽƐŝƟŽŶĞĚ ŝŶ ĂƌĞĂƐ ƚŚĂƚ ǁŝůů ĚĞǀĞůŽƉ ŝŶ ƚŚĞ ĨƵƚƵƌĞ͕ ŝŶ ŽƌĚĞƌ ƚŽ ĐƌĞĂƚĞ ĚŝīĞƌĞŶƚ ĐŽŶŶĞĐƟŽŶƐ ĂĐƌŽƐƐ ZŽƐŬŝůĚĞǀĞũ͕ ĂƐ ǁĂůŬǁĂLJƐ ĨŽƌ ƉĞĚĞƐƚƌŝĂŶƐ ĂŶĚ Đ LJĐůŝƐƚƐ Žƌ ƉƵďůŝĐ ƐƉĂĐĞƐ ĨŽƌ ĚŝīĞƌĞŶƚ ĂĐƟǀŝƟĞƐ͘ dŚĞ ƉŽƐŝƟŽŶ ŽĨ ƚŚĞ ĐŽ^LJƐƚĞŵƐ ĐĂŶ ĐŽƌƌĞƐƉŽŶĚ ƚŽ ƚŚĞ ƚǁŽ ŐĂƚĞƐ ƚŽ ƚŚĞ ŶĞŝŐŚďŽƌŝŶŐ ĐŝƟĞƐ ŽĨ ,ƆũĞ dĂĂƐƚƌƵƉ ĂŶĚ 'ůŽƐƚƌƵƉ͕ ƚŽ ƚŚĞ ůĂŬĞ͕ ƚŽ ƚŚĞ ƉĂƌŬ ĂŶĚ ƚŽ ƚŚĞ ƚŚƌĞĞ ŝŶƚĞƌƐĞĐƟŽŶƐ ŽĨ ZŽƐŬŝůĚĞǀĞũ͘


Energy Centre ƐLJŵďŽůŝnjĞƐ Ηthe Centre of Kolding and the Centre of DenmarkΗ͗ ƚŚĞ ĞŶĞƌŐLJͲŐĞŶĞƌĂƟŶŐ ĂƌƚǁŽƌŬ ůŝĞƐ ŝŶ ƚŚĞ ĐĞŶƚƌĞ ŽĨ ĞƐŝŐŶ ŝƚLJ <ŽůĚŝŶŐ͕ ĐůŽƐĞ ƚŽ ƚŚĞ ĐĞŶƚƌĞ ŽĨ <ŽůĚŝŶŐ͕ ƚŚĂƚ ŝƐ ĐĞŶƚƌĂůůLJ ƐŝƚƵĂƚĞĚ ŝŶ ƚŚĞ ĐŽƵŶƚƌLJ͘ dŚĞ ĂƌƚǁŽƌŬ ŝƐ Ă ƉŽůĞ ŽĨ ĂƩƌĂĐƟŽŶ ƚŚĂƚ ŵĂƌŬƐ ƚŚĞ ĐĞŶƚƌĞ ŽĨ ƚŚĞ ŝƚLJ ǁŝƚŚ Ă ƐĞƌŝĞƐ ŽĨ ĐŽŶĐĞŶƚƌŝĐ ĐŝƌĐůĞƐ ƚŚĂƚ ĚĞĮŶĞ ƚŚĞ ǁŚŽůĞ ĂƌĞĂ ĂŶĚ ĐŝƌĐƵŵƐĐƌŝďĞ ĚŝīĞƌĞŶƚ ƉƵďůŝĐ ƐƉĂĐĞƐ͘ Energy Centre ŵŽƌĞŽǀĞƌ ƌĞƉƌĞƐĞŶƚƐ ƚŚĞ EĂƚƵƌĞ ŽĨ <ŽůĚŝŶŐ͕ ďĞŝŶŐ ĐŽŵƉŽƐĞĚ ďLJ ƚǁŽ ĐŽŶĐĞŶƚƌŝĐ EcoSystems͗ dŚĞ Lake EcoSystem, ƚŚĂƚ ĞǀŽŬĞƐ ƚŚĞ ǁĂƚĞƌ ŽĨ ƚŚĞ łŽƌĚ ŝŶƚŽ ƚŚĞ ĐŝƚLJ͕ ĂŶĚ ƚŚĞ Forest Ecosystem͕ ƌĞƉƌĞƐĞŶƟŶŐ ƚŚĞ ůĂŶĚƐĐĂƉĞ ĂƌŽƵŶĚ <ŽůĚŝŶŐ͘ dŚĞ ĂƌƚǁŽƌŬ ŚĂƌŶĞƐƐĞƐ ĞŶĞƌŐLJ ĨƌŽŵ ƚŚĞ ŶĂƚƵƌĂů ĞŶǀŝƌŽŶŵĞŶƚ͕ ŝŶƚĞŐƌĂƟŶŐ ƌĞŶĞǁĂďůĞ ĞŶĞƌŐLJ ŐĞŶĞƌĂƟŶŐ ƐLJƐƚĞŵƐ ĂƐ ƚŚĞ ǀĞƌƟĐĂů ĂdžŝƐ ǁŝŶĚ ƚƵƌďŝŶĞƐ ŽĨ ƚŚĞ Forest ĂŶĚ ƚŚĞ ƉŚŽƚŽǀŽůƚĂŝĐ ƉĂŶĞůƐ ŽĨ ƚŚĞ Lake͘ Energy Centre ǁŝůů ďĞ Ă ŶĞǁ ĐĞŶƚƌĂů ƉƵďůŝĐ ƐƋƵĂƌĞ ĂŶĚ Ă ŐƌĞĞŶ ůĂŶĚŵĂƌŬ ĨŽƌ ƚŚĞ 'ƌĞĞŶ ŝƚLJ ŽĨ <ŽůĚŝŶŐ͘


ENERGY CENTRE

Lake EcoSystem + Forest EcoSystem


Lake EcoSystem



Forest EcoSystem





Mari Carmen Garcia Proposal for Kerning


Kolding


Mari Carmen Garcia Proposal for Allerød


Allerød


Allerød


James Strickland Proposal for Allerød, Albertslund, Herning, and Kolding


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Christian Kerrigan Proposal for Allerød





Hareth Pochee, Adam Khan, Louis Leger, & Patrick Fryer Proposal for Allerød


LAGI Green Cities Partner – Bjerget, Allerod.

Dear Sir / Madam,

I am writing to you to express interest in your site for a renewable energy generating sculpture as part of the LAGI - Green Cities Partners. Our submission addresses Climate and Natural Environment.

Our entry to the LAGI main competition is Energy Duck.

For the Bjerget site we would like to propose a variant type of Energy Duck. The essential parts for the narrative are very similar to the Copenhagen Energy Duck. 1. 2. 3.

4.

5.

The common eider is a local bird whose habitat is under threat from climate change. For a renewable energy future both energy generation and energy storage are critical. Energy Duck is an entertaining iconic sculpture. It is a giant duck made from solar (PV) panels. It is a celebration of local wildlife; a renewable energy generator, store and exporter; a habitable destination and a large scale educational information beacon. Solar radiation is converted to electricity using low cost, off the shelf PV panels. Some of the solar electricity is stored in the form of gravitational potential energy via water pressure. At night, when there is no solar radiation the water pressure can be released through hydro turbines situated next to the lake providing renewable electricity at all times. Energy Duck frames the issue of climate change; local, national and international ecology; and the importance of renewable energy in a local context.

There are 2 aspects of the Bjerget site which are of particular use. 1. 2.

There is no shading by adjacent buildings so that solar collection is unimpeded. There is a hill with a lake. This is incredibly valuable as it allow one to use pumped water as an energy store. Water can be pumped from the lake (using solar power) to a store at the top of the hill. When energy is needed at night, the water can flow downhill, back into the lake through a hydro turbine generating renewable electricity.


The characteristics of the Allerod Duck are : Allerod duck is about 20m high and 30m long. (Smaller than the Copenhagen Duck) Allerod duck sits on the ground, not floating in water. Allerod duck stores water inside its belly. When night time electricity is needed this is released through a pipeline and hydro turbine back into the lake.

The Allerod Energy duck will be an effective renewable energy generator; an iconic statement, visible from afar; and a fantastic place to visit. Visitors will be able to get up close to the duck, At low level it is just a water tank. Inherently safe visitors will be able to touch it. There will be portholes in the sides of the water tanks so that visitors can see the water level changing. Furthermore, the hydro turbine outflow can be designed as a small jet, spurting water into the lake in a foamy celebration. The flow of water provides a kinetic element and an educational demonstration of renewable energy systems. There is an option to make the interior of the duck accessible. For this site we propose a simple viewing platform where visitors can look out of the duck’s eye over the lake. Inside the duck is a wonderful mesh like world formed out of a highly efficient steel space frame. At night the duck will gently glow using low power coloured LED lamps. The pattern of the glow will undulate in a rhythm proportional to the hydro power being generated. This aspect will be coordinated with any requirements to limit light pollution.

An important aspect for you to consider is that these proposals are in no way fixed. We would very much like to be able to take this project forward and develop the in conjunction with the municipality and relevant stakeholders. Aspects we would take into account in the design development include, the budget; operation and maintenance; using local skills and materials; and a holistic environmental impact assessment.


In fact even the duck form could change to something else. A beaver perhaps. And the solar power could change to wind power. The central principle is to take a local ecological form, one that could be affected by adverse climate change. Celebrates this from and use it as the basis for the sculpture. The sculpture incorporates a renewable energy generator at near ideal efficiency. That is,the sculptural form compliments how the generator works and doesn’t compromise its efficiency. For example, another idea is to take the cellular structure of a local deciduous tree and use this as a support and a wind catcher for a series of wind turbines. Our team comprises of artists, architects and engineers from several different companies. We have worked together on several projects in the past ranging in value from a few thousand euros to 10s of millions of euros. Our team members have been designed and delivered projects in public art, architecture, engineering and landscape. We have a wealth of creative ideas, complementary technical expertise and the practical knowledge to deliver on time and on budget.



Michal Pajakiewicz Proposal for Allerød



Christina Rosholt Proposal for Allerød, Albertslund, Herning, and Kolding


Refkløver

Albertslund

Allerød

Herning

Kolding

To enhance connectivity across the Roskildevej road, clusters of the Refkløver triangular structures can be ‘planted’ on the roadsides. These linkages will tie the city together by spanning across the road, creating cohesion and an aesthetically improved panorama. Piezoelectric wires span across the surface of the triangular structures; these wires will transform their own movement, caused by wind currents and the wind generated by constantly moving trafƂc, into electrical energy. The movement caused by car trafƂc will offset damages climatic damages created by commuters, by providing clean and renewable energy to the city of Albertslund.

The design for Refkløver includes meandering and interconnected pathways, a derivation of the Norse labyrinth that can be translated onto the site in Allerød. The tunneling wind generated from the proximate natural features will hence beneƂt the movement of piezoelectric wires, which in turn will generate electric energy. A system of active walkways draw further from the Danish appreciation for public spaces, developing the area into a hot spot for recreational activity in the municipality. The design emerges as a participatory event as well, as further energy will be produced by foot trafƂc via the use of kinetic ƃooring tiles.

The old road of approximately one and a half kilometers will be bordered by the clusters of triangular structures running through the Knudsmosen (the Canute’s bog) and will be a unique setting for movement, art, and nature. The vertical sculptural elements will become a subtle silhouette on the closed Vejlevej road drawing intrigue and curiosity to the developing area without being an overly blatant symbol of Danish culture. The semi-transparent nature of the sculptures ensures that there is no fragmentation of the panoramic view, while also offering a diversity of experiences to a large number of users. This will consequently increase footfall on the site, generating interest in the space of the site and renewable energy through the use of kinetic ƃooring tiles.

A system of active walkways highlighted by the clusters of triangular structures will connect more passive nodes, which are guarded by the sculpture forms, making visitors feel like a very small organism within the epicenter of the red clover. Geometric forms subtly merge with the organic; visitors will hear the sound of the wind in the grass, sensing the energy created by the elements affecting the site, which will become a meeting point between the town of Kolding, the landscape, and the fjord connecting the built and the unbuilt. To increase plant biodiversity on site, a botanical theme was chosen and implemented via the form of the sculpture, as well as a detailed planting palette with plants signiƂcant to Danish ecology and culture. The semi-transparency of the sculpture pieces allows sunlight to reach the planting areas surrounding which absorb CO2, further enhancing Kolding’s efforts to achieve carbon neutral status.


Morten Rask Madsen Proposal for Herning and Kolding


To cope with global environmental problems caused by human consumption, there is a need to view industrail and commercial waste as resources. ZOOMs proposal is based on the idea of producing energy by reusing nutrients and CO2. The vision is to construct a power plant that uses waste products from sewage and CO2 from the air to produce biomass. Through gasification processes, the microalgal biomass is converted to energy-rich gas and valuable fertilizer in the form of ash. In the process, the microalgal biomass production purifies polluted waste water The project is based on the newest technologies in the field of microalgae and renewable energy. The proposed project has been made in collaboration with technical researchers from Roskilde University and Chemical Engineering, Technical University of Denmark, as well as the project manager from Kalundborg Municipality Supply. In Karlundborg, a microalgae test plant has already been constructed and runs as a part the water treatment program. We see a great potential in using our ideas in the projects introduced by Green Cities Site. We especially want to address the site of Herning and Kolding. Kolding: Our vision of the site of Kolding is to create a recreational water area. An open air bath that improves the quality of the water of Kolding Å and the Fjord and reduces the CO2 emmision. When the microalgae grow and produce biomass, they remove phosphorous and other nutrients from Kolding Å. This converts wasteproducts to biomass that can be used as a valuable ressource. The proposed project is an artwork, a remarkable recreational spot for the city, and a microalgae cleaning plant The clean water will be used in the recreational water area, before it is returned into Kolding. The project will bring the city and the citizens of Kolding a new waterfront, a place to stay and enjoy the transition between town and landscape. The biomass can be resold/reused as fertilizers in agriculture, animal feed, omega 3 supplements, the pharmaceutical industry and cosmetics. The biomass can also be transformed into biogas for energy production. Herning: Herning has chosen a perfect area for making a landmark that is both a work of art, a learning center and at the same time improves the environment. Our vision is to create a structure, that produce biomass using microalgae and wastewater The waste water will come directly from the industry, and like the case of Kolding reduces CO2 and produces biomass for CO2 neutral energy production or valuable biproducts. Micoralgae production has a great visual potential. It is possible to watch dirty wastewater entering the system, and to drink the clean water flowing out. It is a remarkable way to create a learningcenter, that can tell the story about the reuse/upcycling of waste products. It will create identity for Herning, and with its vibrant colours and light also have great potential for arrangements during night-time.


Pauline Suen Proposal for Allerød


ENERGY HARVESTING PLAYGROUND – ALLEROD PAULINE SUEN, HONG KONG


Energy Harvesting Playground - Allerod Design Concept The site is a small hilly and it is located opposite to a beautiful lake so there is a great potential to create a public space for the people to enjoy the beauty of the lake. Nature stands itself would not interact with the surroundings but adding the element of the human would vibrant the place and make it more lively. In my preliminary design, the site would be turned to an “Energy Harvesting Playground� and it would be turned to a terrace which could create different level platform for the people to enjoy the view of the lake from different perspective. Public could enjoy the place by simply sitting or playing with the urban furniture, both on land and on the lake like the open living room in the city. Special urban furniture is design for both people to sit or play with and also acts as a media for helping people to collect the energy that they create in their interaction with the furniture. Human is not just the consumer of the natural energy, but also the producer of the energy.


Energy Harvesting Playground - Allerod 1. Playscape This is an urban furniture which is also a piece of artwork in the playground. It is to create different size of space for the children to explore and also seating for the people to sit and enjoy the view of the lake from different levels. The furniture itself also integrates with the plants so it creates the space which could amalgamate both nature and human.

Energy Harvesting System 1. Vibration Energy Collection When the children sits/play on the Playscape, it would produce vibration and energy. The vibration energy collection sensors install on the sliding and climbing structure. 2. Solar Energy Collection When there is no people use the Playscape, it would also collect energy from the sun through the solar energy collection sensors. So this artwork could collect energy at different period of time from both nature and human.


Energy Harvesting Playground - Allerod

Proposed different sizes of space for the people to experience


Energy Harvesting Playground - Allerod

The exterior of the “Playscape� could be act as the bike rack for bike parking


Energy Harvesting Playground - Allerod

Different levels of seating provide different perspective for the people to enjoy the place and the sliding could provide a play area for the children


Energy Harvesting Playground - Allerod

The landscape is merged with the “Playscape”


Energy Harvesting Playground - Allerod 2. Seating Area There are different types of seating in the playground and this one merged with the tree which tree could act as a natural shelter for the people who sit on the bench.

Energy Harvesting System 1. Vibration Energy Collection When the people sits on the bench, it would produce vibration and energy. The vibration energy collection sensors install on the bench. 2. Solar Energy Collection When there is no people sitting on the bench, it would also collect energy from the sun through the solar energy collection sensors. So this artwork could collect energy at different period of time from both nature and human.


Energy Harvesting Playground - Allerod

The relationship and interaction between nature and human on this artwork


Energy Harvesting Playground - Allerod 3. Sunbathing Area In the sunny days, especially in summer, people in Europe love to go out and have sunbathing. A large sunbathing bench for family or friends to enjoy sunbathing is evitable.

Energy Harvesting System 1. Vibration Energy Collection When the people enjoy sunbathing on the bench, it would produce vibration and energy. The vibration energy collection sensors install on the bench. 2. Solar Energy Collection When there is no people sitting on the bench, it would also collect energy from the sun through the solar energy collection sensors. So this artwork could collect energy at different period of time from both nature and human. • The interior of the bench could stall the energy collected


Energy Harvesting Playground - Allerod 4. Playground Children loves playing near the water, in this case is the lake. Playground would be definitely appropriate to be placed in this area. The form comes from the idea of swimming hood and it could be integrated with the vine plants and also shrub which could let the people who sits on it can get in touch with the nature. Energy Harvesting System 1. Vibration Energy Collection When the people sit/climb on the bench, it would produce vibration and energy. The vibration energy collection sensors install on the bench. 2. Solar Energy Collection When there is no people sitting/climbing on the bench, it would also collect energy from the sun through the solar energy collection sensors. So this artwork could collect energy at different period of time from both nature and human. • The interior of the bench could stall the energy collected


Energy Harvesting Playground - Allerod

The idea of the contrast on solid and void could be shown here and different material would be used here


Energy Harvesting Playground - Allerod

Children and their parents could enjoy the space here by playing with the hoods. Children could climb through the hoods and enjoy different perspectives of the place through the area between nature and manmade artwork. The final product would be the cooperation between nature and human.


Energy Harvesting Playground - Allerod 5. Proposed Water Playscape The lake in the existing site is a valuable asset in the site and also in the city because of its natural beauty. Since there is a wooden bridge in the existing site, there is a great potential to have a water playscape here on the lake so that in the summer time, people could sit on the hood and flow on the lake to enjoy the surrounding area. In the winter when the lake turns to ice, people could enjoy sliding those hoods on the ice. Energy Harvesting System Solar Energy Collection The material of the surface of the hood would be the water-proof solar cell which could collect the solar energy in the daytime and store it in the tank at the centre of the hood.


Energy Harvesting Playground - Allerod Conclusion The overall design is still on the preliminary stage and it could fully merge with the natural resource in Allerod. It could help to produce more oxygen by planting more trees and also different landscape and also using the existing energy harvesting system in the artwork or urban furniture on collecting energy that human produced in their everyday activities. Human energy harvesting system is more sustainable and clean energy resource and the whole design concept is to build a platform for both nature and human work together on generating energy . Also, human is also the consumer in energy resource, but actually, they could be producer of energy resource as well.

There is still some more detail design on the human energy harvesting system which relates to collecting energy from cycling and human activities since in my previous Thesis, it is related to how could we produce energy for the infrastructure. Since I was lived in Germany before, cycling is one of the most important transportations in the country so I have done a preliminary research on how we could collect the energy from this human activity and also other daily activities and how could it fully merged with the infrastructure design in the cycling city – Berlin. It could be further discussed if it is relevant to your city and please feel free to contact me via email paulinesuen@gmail.com and it would be my pleasure to cooperate and work with your city on building a green city.


Tony Thomas

Proposals for Allerød, Herning, Albertslund, and Kolding


The Green Cities

Allerød: Lynge Gravel Pit Design Suggestion: Floating Leaf cafes in the lakes & Dome shaped / similar artistic structure on the hill tops as public viewing decks. The floating café design is a generic design suggestion that can be custom designed with unique features for each of the 3 lakes. The same applies to the hill top structures also.



Herning: Project “Timeline” The 1.5km road can be redesigned in the form of a broad alley with digital art display/ similar programs. A total of about 500m to 750m long installation stretched along the 1.5km road can be made. This contains multiple segments of (as shown in figure) 100m to 150m long. A structure like this along the roadside provides a very large area for a walkthrough exhibition/similar functionality. The displays, lightings and all related decorative artworks can be powered by the 2 major renewable energy collectors – Vertical axis wind turbines and PV panels integrated into to shade‐roofs


Albertslund & Kolding Design suggestion: Mushroom shaped CO2 scrubber system (powered purely on renewable energy) installed at free & convenient locations along the roadside (in case of Albertslund) & other suitable locations in and around the region of Kolding. The mushroom shape is a generic design form, custom designs with similar and more functionality can be designed for each location.


LAGI 2014 Shortlist Many of the proposals for Copenhagen can be reconsidered for application in other cities. Following are some suggestions by LAGI. They are selected based on the merit of the design and the professional qualiďŹ cations of the team.


Santiago Muros CortĂŠs The Solar Hourglass





Heerim Architects & Planners Beyond the Wave


BEYOND

THE

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In the early morning at Spring

In the midnight of Stromfestival at Summer

In the middle of sunset at Fall

06:30 20, March

01:12 7, July

19:15 12,October

Healing We envisioned environmental and communal “healing” through our activity plan: Variety of exercises such as yoga, jogging and other festivities are means of relieving mental and physical stress. Furthermore, soil remediation system supplements the idea of “healing” and is implemented by inserting cleansing pipes under the contaminated soil and allowing emission of electrodes through poles and ribbons in order to promote the formation of a clean sub-surface condition for the future.


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Refshaleøen has an old historical trail of being a major shipyard and is dominated by westerly winds nearby the sea. Since it served its long term role as the manufacturing plant, surrounding soil contamination is severe thus extensive purification and treatments are required for the city urban planning in order to develop the site into a farmland. Through the idea of Len Lye’s diverse and dynamic kinetic art, the wavy expression of ribbons and poles create the tangible and the intangible movements through a healing environment.

Wind Rose

Soil Survey Map

( Metals and Hydrocarbons )

<0.5 m.u.t Factor in Conditions to limit !

0.5-1.0 m.u.t

The allocation of the poles and ribbons are based on Copenhagen’s wind rose and soil survey map. Therefore, the frequency, density and spacing between the poles are dependent on the wind strength and intensity. The placement of the poles creates a variety of spaces; especially around bus station and water taxi docks, the layout of the poles naturally defines an entry towards the open space at North inducing people towards the site.

Movement The strength of the wind influences the varying movements of the poles; the ribbon that interconnects the poles symbolically becomes the “wave” that represents the encounter between the water and the wind. The system is sought to take advantage of solar power and the pressure caused by the movements are intended to produce energy. The site is composed of an array of poles to allow spatial settings for various human activities and movements (festival, jogging, education, etc). For this purpose, we studied arts and music as well as festivals of Copenhagen to create possible connections between the community and the site.


Technique & Materials

OPV Panel

Transparent pulp with added resin

OLED Panel

Organic Photovoltaic Panel is capable of producing 100W of energy per unit area. It is mainly characterized by its lightweight, flexible and translucent properties. The conversion efficiency is approximately 10%.

Bending

This is a new technologies will be applied to transparent OLED substrates, substrates of organic thin-film photovoltaic cells. The transparent sheet has a thickness of 100Ç‹m, a light transmittance of 87.8%.

Stretching Squeezing

Organic Light Emitting Diodes Panel is characterized by its relative lightweight, flexibility and translucent properties. It emits colorful lights at night.

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The amount of energy generated through this method is accumulated and recharged in the lower part of the pole; the total generated energy per year is expected to be 4,229MWh. This is the actual amount of energy consumed annually by 1,237 households in Copenhagen (Denmark consumes 3,420kWh of energy per household per year) and will be supplied to the public institutions, facilities and households nearby. In addition, electrodes installed at the bottom of poles will serve the purpose of purifying contaminated soils. The electrodes will induce conductive physical/ chemical reactions to extract and remove contaminants; this idea is based on Electrodynamics soil remediation technology.

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JV

Piezoelectric Pole

The flexible pole (Piezoelectric Pole) consists of a flexible shaft and several embedded piezoelectric discs that are alternately sandwiched in-between rigid backup plates. This produces energy by bending pressure. The bottom width of the pole is 600mm with a diameter of 300mm in the middle and a height range of 15 to 25 meters, the amount of energy generation depends on the height of the pole. The ribbon consists of transparent organic solar cell developed by MIT; Transparent pulp with added resin developed by Kyoto University that acts as substrate along with the flexible OLED panel. The ribbon is a flexible material that responds to the movement of the wind; it is thin, lightweight while maintaining some degree of resilience for bending. The OPV Panel attached to 1.5m wide ribbon can generate energy and this can be used as lighting energy during night time through OLED. The display panel in the lower part of the pole indicates the amount of energy generated and CO2 reduction amount, showcasing energy saving effects in real time.

3E

+ 2 =Q

3E &X

Phase III

Phase IV


Felix Cheong Oscillating Platforms


Front Sail

Live Load

Wind Load

Back Sail

Position 1

Position 2

Mast

Wave Energy

Air Ventilation Shafts Generator x 5 Wells Turbine x 5 Air Column x 5

Elevated Platform Position: Water lever is lowered in the pressurized water column pulling in air from the ventilation shafts which powers the Wells Turbine.

Oscillating Water Column

Lowered Platform Position: The platform is pressed into the water due to wind loads or live loads causing the water level to rise in the pressurized water column, which forces air through the Wells Turbine, powering the generator.

Anchor Grid Connection Point/ Electricity Sorage

LAGI 2014/ Oscillating Platforms 2


Oscillating Platforms

When looking at the island of Refshaleøen one can see its relationship with the water defined by the many piers that protrude into the strait, like fingers reaching out to grasp at its surroundings. This intertwining of land and sea is emphasized by the fact that Refshaleøen was at one point a shipyard. The idea behind Oscillating Platforms is to bring back the connection that the island had with its surrounding environment and history as well as allow visitors to recognize their relationship with the island and the water itself. This is done by excavating a section of Sønder Hoved Pier below the level of the adjacent strait to create a flood plain, in essence inviting the surrounding waterway to enter the site. This flooded area would then be populated with the core art pieces of the project, a series of freeform floating platforms which are anchored to the site. These platforms, reminiscent of inverse ship hauls, have masts and sails integrated into the design making it possible for them to catch the prevailing winds coming from the west. In addition they are meant to be habitable surfaces which visitors can use as viewing platforms out onto the water. With the iconic Little Mermaid Statue just across the strait these platforms would be great for lounging and enjoying the surrounding environment around Sønder Hoved Pier. Aside from its pleasing aesthetics and connection with the history of the site the platforms also act as oscillating water columns which harness the tidal energy of the flood plain into electricity. The undulation of the platforms caused by the activity on its surface and the movement from the wind allows the water columns to generate energy anytime of the day all year round. With a large variety of businesses and recreational venues in the area one can imagine this installation transforming into a gathering place for both visitors and locals alike, becoming a cultural landmark as well as a beacon for sustainable energy.

*Total Output: 34,472,352 kWh annually

x4 60m

x19 x60

30m

*Wind rose showing prevailing winds from the west

x558

15m

1.2m

LAGI 2014/ Oscillating Platforms 1


LAG LA GII 201 014 4// Osc scililla illlaat attiin ngg Pla latf t orrms m 3


Additional Images

Other past LAGI projects (from 2010 and 2012) that may be of interest to Green Cities Municipalities


ENERGY TECHNOLOGIES

organic photovoltaic (similar to G24 InnovationTM, or SolarmerTM)

LIGHT SANCTUARY ARTWORK DESIGNED BY

Martina Decker & Peter Yeadon A submission to the 2010 United Arab Emirates Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

Sphelar速 photovoltaics by Kyosemi Corporation

PV DUST ARTWORK DESIGNED BY

George Legendre, Emanuele Mattutini, Jean-Aime Shu, Alfonso Senatore A submission to the 2010 United Arab Emirates Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

Sphelar速 photovoltaics by Kyosemi Corporation

S FLOW ARTWORK DESIGNED BY

Joanna Wlaszyn A submission to the 2010 United Arab Emirates Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


SOLAR LOOP

ENERGY TECHNOLOGIES

thin ďŹ lm photovoltaic

ARTWORK DESIGNED BY

Paolo Venturella, Alessandro Balducci, Gilberto Bonelli, Rocco Valantines, Mario Emanuele Salini, Pietro Bodri A submission to the 2012 NYC Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

FRESH HILLS

WindTamerTM wind lens turbine (or similar)

ARTWORK DESIGNED BY

Mathew Rosenberg, Matt Melnyk, Emmy Maruta, Robbie Eleazer A submission to the 2012 NYC Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

BALANCE / IMBALANCE

Sphelar® photovoltaic, piezoelectric film

ARTWORK DESIGNED BY

Hideaki Nishimura A submission to the 2014 Copenhagen Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

photovoltaic, wind torque generator

SWAYING FOR THE NEXT GENERATION ARTWORK DESIGNED BY

Andrew Weston, Chris Williamson, Daniele Sini, Travis Walsh, Lucy Weston (StudioAR: Architects) A submission to the 2012 NYC Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

BLOSSOMINGS

photovoltaic panel and vertical axis wind turbine

ARTWORK DESIGNED BY

Inki Hong, Solim Choi, Walter Sueldo (Architecture i.S) A submission to the 2012 NYC Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


HELIOFIELD

ENERGY TECHNOLOGIES

ARTWORK DESIGNED BY

photovoltaic thin ďŹ lm

Michael Chaveriat, Yikyu Choe, Myung Kweon Park A submission to the 2012 NYC Land Art Generator Initiative competition www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

photovoltaic panels

SOLAR ECO SYSTEM ARTWORK DESIGNED BY

Antonio MaccĂ , Flavio Masi A submission to the 2010 United Arab Emirates Land Art Generator Initiative competition www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

ODE TO THE SUN

sun-tracking photovoltaic

ARTWORK DESIGNED BY

Boulos Douaihy A submission to the 2010 United Arab Emirates Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


ENERGY TECHNOLOGIES

WINDSTALK

piezoelectric generator, torque generator

ARTWORK DESIGNED BY

Darío Núñez-Ameni & Thomas Siegl, with Atelier dna A submission to the 2010 United Arab Emirates Land Art Generator Initiative competition

www.landartgenerator.org

land art generator initiative RENEWABLE ENERGY CAN BE BEAUTIFUL


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