Heber Santos

Page 1

HEBER SANTOS

Vol 02

+ PORTFOLIO



HEBER SANTOS ARCHITECTURAL DESIGNER CONTACT

ABOUT ME

(T) 973.885.5323

I am a dedicated and motivated aspiring architect. I received my undergraduate degree from Syracuse University School of Architecture. During my early studies, I developed a passion for sports architecture, but am always open to new opportunities. I thrive in dynamic environments and enjoy working with diverse groups of people. I am looking for work that both challenges me and teaches me new skills day to day. Lets connect!

(E) hebersantos17@gmail.com

SKILLS DIGITAL MODELING Revit, Rhinoceros 3D, Arch GIS, AutoCAD, SketchUp GRAPHICS / DATA BlueBeam, PowerBI , Adobe InDesign, Adobe Illustrator, Adobe Photoshop, Adobe AfterEffects, Smartsheet, Pathfinder MANUAL Laser Cutting, CNC Mill, Woodworking, Photography Sketching

EXPERIENCE POPULOUS | Architectural Designer

Working with various teams within the office to conceptualize and develop designs, generate diagrams, digital models, presentation materials, and provide production work for both research and development projects. POPULOUS | Architectural Intern

SYRACUSE UNIVERSITY

June 2019 - August 2019

Assisted architects & designers with critical research in the development of projects with a concentration in the baseball sector. Learned how to utilize new data softwares while also gained valuable experience in sports architecture in a professional setting. Murdock Solon Architects | Architectural Intern

EDUCATION

June 2020 - Present

June 2018 - December 2018

Responsible for assisting with design processes and various project drawings including plans, sections, and elevations as well as specifications and schedules. Developed schematic sketches into digital drawings.

SYRACUSE, NY

Bachelor of Architecture Cumulative GPA: 3.35 SYRACUSE UNIVERSITY NEW YORK, NY

Vision Construction Group | Foreman Assistant

June 2017 - August 2018

Revised construction documents including labeling and marking architectural drawings for subcontractors. Assisted with proposals, estimates, and bids for projects. In charge of attending bid opening to gain insight about competitor bids.

Fischer Center Program MADISON HIGH SCHOOL MADISON, NJ

High School Diploma Cumulative GPA: 3.8

ACTIVITIES Syracuse Fabrication | Lab Technician

January 2019 - March 2020

Worked as a lab assistant in both the wood shop and laser cutting room. Assisted students with operating shop machinery and constructing projects in more efficiently. Gained valuable knowledge in construction and fabrication techniques.


4


Index

01 02 03 04 05

Athleisure Playground

p. 6

spring 2019 Advisor: Ryan Ball

Making Faces p. 20

spring 2018 Advisor: Randall Korman

Gallery & Studios p. 32

fall 2016 Advisor: Christopher Kitterman

Everson Promenade p. 44

spring 2017 Advisor: Jonathan Louie

The Roger Williams Memorial p. 52

fall 2017 Advisor: Richard Rosa

5


01

Stacked Athleisure Located in the corner of an industrial site in the outskirts of Los Angeles, California, The Stacked Athleisure building’s primary focus is to target material and building detail composition, while maintaining an eye for concept and design. The program includes: a weight room, an Olympic size pool, two full basketball courts, and a health/ food center. Due to its context and conditions, the ground level is used as an activity/engaging platform for the locals and commuters all year around. This is accomplished by elevating the building from two structural cores on each side, ultimately creating a long span between levels. Due to this feature, every level of the structure has an open plan layout, which benefits the program it contains. In conclusion, when looking at the exterior of the project, it is rather simple. However, when one experiences the building from the interior or when looked at in section, he or she can begin to understand its true complexity. 6


7

Axonometric


_05

_09

_02

_06

_10

_03

_07

_11

_04

_08

_13

_14

·• ,,

Iterative Process

_01

--\-,

.,,,

_12

8

_15


Concept Model

Open Plan Core

Core Open Plan

Train Platform Train Alignment 9


10


11

Transverse Section


Detail Sectional Axon

12


Detail Section 27 28 29 30 31 32 33 34 35 35 37 38 39 40

Parapet Parapet Blockage Wood Cladding Louver Structure Vapor Barrier Exterior Sheathing Drip Stone Floor Finish Plastic Thermal Break Vertical Louver Structure Angled Reflective Ceiling Automated Horizontal Louver Horizontal Wood Louvers Triple Pane Glass

13


Plans

01_First Floor

00_Ground Floor 14


02_Second Floor

03_Third Floor 15


16


17

Longitudinal Section


Final Models

Final Model

18


Section Model 3 ft x 1 ft x 3 ft

19


02 Making Faces The principle objective of this project is to design an extension of the existing Bird Library, located on the North side of Syracuse University campus (see aerial image). The project aims to explore architectural strategies associated with the design of an appropriate and well developed facade. Due to the mixed nature of the site and lack of responsiveness of Bird Library to its context, my project attempts to propose a careful and hierarchical assessment of these general site conditions, context, and program.

20


21

Exterior Rendering


Concept Collages/Sketches 22

_01

_02

_03

_03

_05

_06

_07

_08

_09

_10

_11

_12

_13

_14

_15


Iterative Models

Wall

Window

Wall

Wall Window

Window 23


Detail Section

24


25

Final Elevations


Plans

01_Ground Floor

02_First Floor

26


03_Second Floor

04_Third Floor

27


28


29

Aerial View


Final Models

2ft x 1ft x 3ft 30


Final Physical Models

4ft x 2ft x 2ft 31


32

Exterior Rendering


03 Gallery and Studio This project addresses the implications that artists face in NYC and proposes a solution to these issues. Ultimately questioning the following: is there benefits of a transparent gallery and studio space for artists? For this reason, this project intends to create an integrated gallery/studio space that socially engages artists with the public to help the success of an artist’s work. To move away from exclusive typologies of art galleries and elite spaces, the structure of this project employs a combination of strategies that are typically unseen in modern museums. By opening the space and creating these large transparent windows, the space becomes instantly more accessible to the public. Additionally, the unique location of the site along the high line provides even more accessible outlets for patrons to enter through.

33


Iterative Models 34

_01

_02

_03

_03

_05

_06

_07

_08

_09


Concept Model

35


36


37

Final Model


Final Sections

Transverse Section

38

Longitudinal Section


Plans 01_Ground Floor

02_Second Level

03_Third Level

39


40

Final Models


Section Studies

41


42


43

Sectional Perspective


44


04 Gallery and Studio As it stands, the Everson Museum in Syracuse, NY has lost the interest of the community which has resulted in lower attendance rates. This project aims to look for a new means of interacting with the community and creating something that would attract more visitors. Through the analysis of the Everson Museum and its plaza, the juxtaposition between the natural and artificial ground came into play. My design proposes a temporary pavilion-like structure that connects the museum to the plaza by means of an “occupiable promenade.” The promenade features a perforated structure that creates the illusion of being in the park, while still occupying an enclosed space. In order to renew the interest of the community for the museum, there is an added cafe, outdoor seating, covered market and an outdoor garden incorporated into the pavilion.

45


Concept Models/Diagrams

3 1

BRIDGES OF EVERSON MUSEUM CONNECTIONS, FRAMINGS, AND CIRCULATION ARE THE MAIN COMPONENTS THAT INFLUENCED MY DESIGN CONCEPT

1

46

2

4

CONTINUES PROMENADE

COURT YARD PROVIDES A SIMILAR YET DIFFERENT “CONTINUOUS” CIRCULATION WHILE FRAMING A PRIVATE SPACE IN THE CENTER

4

ACCUPIABLE PROMENADE

INFLUENCED BY THE CONTINUOUS CIRCULATION OF THE EVERSON MUSEUM AND MOVEMENT THROUGHOUT THE PLAZA

3

PROMENADE PROVIDES ENCLOSED AND OPEN SPACES WHICH FRAME INNER AND OUTER VIEWS, BRIDGING THE MUSEUM AND PLAZA.

2

_01

_02

_03

_04

_05

_06


Final Section/Plan

47


Exploded Axonometric

48


49

Roof Plan


50

Final Model


51


52

Final Model


05 The Roger Williams Memorial The Roger Williams Center for Justice, Democracy, and Debate, aims to design a place where one could gather to protest and express his or her own opinions without the fear of persecution. Located in Sakura Park, NYC, the program of this center features an archive, printing studio, exhibition, and a contemplative space. Inspired by Williams’ ideas of human rights, individuality, and freedom of speech, each “individual object” of the structure is designed to express his ideologies. Although separated, these entities are unified so that they work as a whole. Furthermore, the southeast side of the edifice has a coplanar facade that completes the street front for Claremont St, while the facade facing Riverside St creates a more dynamic profile. Through a series of different leveled platforms, the public space is designed to house hundreds of people in an organized system.

53


Concept Sketches 54

_01

_02

_03

_03

_05

_06

_07

_08

_09

_10

_11

_12


Final Model

55


Plan

Ground Level 56


Sections Longitudinal

Transverse 57


58

Final Model


Axonometric

59


60

Final Model


61


HEBER SANTOS SANTOS HEBER

Vol 02

++THANK PORTFOLIO YOU

Syracuse University hesantos@syr.edu | 973.885.5323


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