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A s I a p p ro a ch e d th e Ve r r a z a n o B r i d g e o n th e St ate n I s l a n d s i d e a t 8 : 20 p . m . o n J u n e 17, 20 0 9, w i t h a s m a l l d i g i t a l c a m e r a a r o u n d my n e ck , a p o li ce o f f i ce r r ush e d o u t f r o m o n e o f th e ti cke t b o o ths , a n d i n f o r m e d m e th at i t ’s n ow, a n d h as b e e n si n ce 9/11, a g a i ns t th e L aw to p h o to g r a p h a ny o f th e N e w Yo r k C i t y b r i d g e s . “ T his comes from the top.” O. K ., I said, and walked away. Then I f o u n d a b e t te r v a nt a g e p o i nt f o r my p h o to s . This book on bridges, those incredible and of ten visually m i r a c u l o us t r a nsi t co nvey a n ce s th at a ll ow us to g e t f r o m this si d e to th e f a r si d e, is hu m b l y d e d i c ate d to n eve r t a k i n g “n o ” f o r a n a ns we r.


G eo rg e Was h i n gto n B r id g e  |   J u n e 15, 2009

4


Wili a m s bu rg Br id g e  |   M a y 31, 2009

6


H a r l em, 125th & BRoa dway  |   J u n e 15 , 2009 8

59 th st r ee t br id g e  |   J u n e 16 , 2009 9


Lu cas At Bat & M a n h at ta n br id g e  |  J u n e 14 , 2009 10

G eo rg e was hin gto n br id g e  |  J u n e 15 , 200 9 11


59 th St r ee t br id g e  |   J u n e 16, 20 0 9 12

G eo rg e was hin gto n br id g e   |   J u n e 15, 200 9 13


M a n h at ta n br id g e   |   200 9 14

M a n h at ta n br id g e   |  2007 15


M a n h at ta n Br id g e, r a in d ro ps  |   200 9 16


T r ee, s n ow, br id g e  |   2 00 9 19


M a n h at ta n br id g e  |   2007 20

Bro o k ly n Br id g e, fo g  |  2007 21


br o o k ly n br id g e  |   2007 22

Bro o k ly n br id g e  |   2007 23


L e av es, s n ow, bro o k ly n br id g e  |  200 9 24

ca r s, bro o k ly n br id g e mu r a l   |   2 00 9 25


t wo s po u t s, bro o k ly n br id g e   |  2009 R eed s, Bro o k ly n br id g e   |  200 9 > 26


Br id g e, In d i a n a   |   1971 Br o o k ly n br id g e   |   20 0 9 > 28


M a n h at ta n br id g e & r eflecti o n   |  200 9 30

G eo rg e was hin gto n br id g e   |   J u n e 15 , 2 00 9 31


M a n h at ta n br id g e   |   J u n e 1, 2 00 9 32

M a n h at ta n br id g e   |   200 6 33


bro o k ly n br id g e in fr a r ed   |   19 8 4

35


br o o k ly n br id g e & t win tower s   |  1998

36


59 th st r ee t br id g e   |   J u n e 16 , 2 00 9 < Bro o k ly n br id g e NIG HT   |   198 9 >

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59 th st r ee t br id g e  |   J u n e 16 , 200 9 42

U n d er Bro o k ly n br id g e   |  2 0 0 6 V er r a z a n o br id g e, so u t h be ach, stat en is l a n d   |   J u n e 17, 2009 > 43


Cen t r a l Pa r k   |   A p r i l 27, 19 97 44

S h eep Me a d ow T r ee   |   M a y, 2000 45


V er r a z a n o br id g e, Bay r id g e   |  J u n e 17, 200 9 46

M a n h at ta n br id g e, d us k   |   2 009 47


br o o k ly n br id g e fir e wo r ks  |  J u l y 4 , 19 92 48

bro o k ly n br id g e fir e wo r ks  |  J u l y 4 , 19 92 49


abe fr ajndlich B o r n M ay 2 8 , 19 4 6 , Fr a n k f u r t a . M a i n R e s i d e s i n N e w Yo r k C i t y, N Y e d u c at i o n BA , N o r t hw e s t e r n U n i v e r s i t y, E v a n s t o n , I l l i n o i s , E n g l i s h L i t e r a t u r e , 19 6 8 M A , N o r t hw e s t e r n U n i v e r s i t y, E v a n s t o n , I l l i n o i s , E n g l i s h L i t . ,1970 Three -year residenc y with Minor White, Chairman of MIT Depar tment of P h o t o g r a p hy (19 6 4 –1976), A r l i n g t o n H t s . , M a s s . , 1970 –71, 1975 –76 St u d y a n d w o r k w i t h N a t h a n Ly o n s , V i s u a l St u d i e s Wo r k s h o p, R o c h e s t e r, N e w Yo r k , 1974 –75 present position Fr e e l a n c e a r t , m a g a z i n e a n d co m m e r c i a l p h o t o g r a p h e r. H a s w o r ke d f o r Fr a n k f u r t e r A l l g e m e i n e Z e i t u n g , L i f e , A r t N e w s , L o n d o n S u n d ay T i m e s , L o n d o n O b s e r v e r, N .Y. T i m e s M a g a z i n e a n d m a ny o t h e r s i n t h e U. S . a n d Eu r o p e . Cu r r e n t l y p r e p a r i n g a b o o k p r o j e c t c a l l e d Pe n e l o p e ’s H u n g r y E y e s : Po r t r a i t s o f t h e M a s t e r Ph o t o g r a p h e r s s e l e c t e d s o lo e x h i b i t i o n s G a l e r i e L a u e , Fr a n k f u r t , 20 0 9 J e w i s h M u s e u m , Fr a n k f u r t , Po r t r a i t s , 101 P h o t o s , 1970 –20 03 B u t l e r I n s t i t u t e o f A m e r i c a n A r t , Yo u n g s t o w n , O h i o, 20 02 R e y g e r s G a l l e r y, M u n i c h , 2 0 02 , 2 0 01 G S I G a l l e r y, C l e v e l a n d , O h i o, 2 0 0 0 FotoForum International, Fr a n k f u r t , 19 9 9 I n f o c u s g a l l e r y a m D o m , Co l o g n e , 19 9 8 M u s e u m M o l k a u , L e i p z i g , G e r m a ny, 19 9 8 F o t o g a l e r i e Ku l t u r a m t Fr i e d r i c h s h a i n , B e r l i n , G e r m a ny, 19 97 F o t o F o r u m Fr a n k f u r t , G e r m a ny, 19 97 N a t i v e I n d i a n M u s e u m s -Tr av e l l i n g S h o w 19 95 – 9 6 L e i c a G a l l e r y, N e w Yo r k C i t y, 19 9 4 T h r e a d Wa x i n g S p a c e , N .Y.C . , 19 93 U n i v. o f D e l aw a r e M u s e u m o f A r t , 19 93 M u s e u m L u d w i g , Co l o g n e , 19 9 0 D ay t o n A r t I n s t i t u t e , E x p e r i e n c e n t e r 50

G a l l e r y, D ay t o n , O. , 19 8 3 Z e n i t h G a l l e r y, P i t t s b u r g h , Pe n n . , 19 8 3 A k r o n M u s e u m o f A r t , A k r o n , O h i o , 19 82 B o n f o e y G a l l e r y, C l e v e l a n d , O h i o , 19 81 T h e P h o t o g r a p hy P l a c e , P h i l a d e l p h i a , Pe n n . , 1979 I m a g e Co - O p , M o n t p e l i e r, Ve r m o n t , 1978 S o h o P h o t o G a l l e r y, N e w Yo r k , N .Y. , 197 7 Musee Nicephore Niepce, C h a l o n - s u r-S a o n e , Fr a n c e , 197 7 Galler y of Photographic Ar ts, Nor th O l m s t e d , O h i o , 1976 U n i t e d St a t e s S e n a t e , Wa s h i n g t o n , D.C . , 1974 selected group e xhibitions Fa s c i n a t i o n w i t h t h e B o d y, i n f o c u s g a l l e r y, w i t h A l v i n B o o t h , 2 0 07, 14 p h o t o g r a p h s E y e s o f T i m e , G a l e r i e Ta m m e n , B e r l i n , 35 p h o t o g r a p h s , 2 0 0 6 G i f t s t o t h e N a t i o n , N a t i o n a l Po r t r a i t G a l l l e r y, Wa s h . D.C . , 2 0 0 6 , f o u r p h o t o s E s t h e t i c o f t h e E r o t i c I V, L e i p z i g M u s e u m o f P h o t o g r a p hy, 2 0 0 5 F i f t e e n Ye a r s , F i f t e e n P h o t o g r a p h e r s , i n f o c u s g a l l e r y, Co l o g n e , 2 0 0 5 P h o t o g r a p hy f r o m P r i v a t e Co l l e c t i o n s , F o t o f o r u m I n t e r n . , Fr a n k f u r t , 2 0 0 5 E x p o s e d , N u d e s o f t h e 2 0 t h Ce n t u r y, H e i l b r o n n M u s e u m , w i t h We s t o n , B r a n d t , Man Ray, Gibson, 2004, t wo photographs N u d e s , i n f o c u s g a l l e r y, Co l o g n e , 2 0 0 4 , t wo photographs Scapes: Cit y & Land, Butler Institute of A m e r i c a n A r t , Tr u m b u l l , w i t h S i m o n a Fr a j n d l i c h , 51 p h o t o g r a p h s B e f o r e , D u r i n g a n d A f t e r 9/11, D e a d H o r s e G a l l e r y, L a k e w o o d , O h i o , 2 0 02 , 20 photographs Po r t r a i t o f t h e A r t Wo r l d , A Ce n t u r y o f A R Tn e w s P h o t o g r a p h s , s t a r t i n g a t t h e N e w Yo r k H i s t o r i c a l S o c i e t y, N YC , a n d t r av e l l i n g t o f o u r v e n u e s t h r o u g h 2004, three photographs P r i n c e t o n A r t M u s e u m , Pe t e r B u n n e l l E x h i b i t i o n , 2 0 02 , t w o p h o t o g r a p h s A r t B r i d g e : N e w Yo r k– Co l o g n e – N e w Yo r k , E d w a r d C a r t e r G a l l e r y, N YC , 2 0 01 Wo r l d W i l d l i f e Fu n d Po r t f o l i o E x h i b i t i o n ,

D e r H a g u e , H e l s i n k i , Fr a n k f u r t , I s t a n b u l , 20 00/ 2 0 01, w i t h 2 5 o t h e r international photographers Documentation/Manipulation in 2 0 t h Ce n t u r y P h o t o g r a p hy, c u r a t e d b y D av i d E b i t z , R i n g l i n g M u s e u m , S a r a s o t a , Fl a . , 19 9 9, 2 0 p h o t o g r a p h s . P h o t o g r a p h i c Po r t r a i t s o f A r t i s t s s i n c e 19 45, c u r a t e d b y M i c h a e l Ko h l e r, M u s e u m B a d A r o l s e n , 19 9 9 St a d t m u s e u m H o f h e i m a m Ta u n u s , M a r c h 19 9 9 - M ay 2 0 0 0 e i g h t p o r t r a i t s of Cindy Sherman, four portraits of Gilbert & George M a s t e r P h o t o g r a p h s f r o m t h e Pe r m a - n e n t Co l l e c t i o n , T h e C l e v e l a n d M u s e u m o f A r t , 19 9 6 , o n e p h o t o g r a p h , i n c l u s i v e c a t a l o g u e , 15 p h o t o g r a p h s L e i c a G a l l e r y, Tw o Pe r s o n w i t h R a l p h G i b s o n 19 9 6 Thinking Print, Book s to Billboards, 19 8 0 - 95, T h e M u s e u m o f M o d e r n A r t , N e w Yo r k , 19 9 6 , L a r g e g r o u p s h o w, 9 p h o t o s a s p a r t o f a Po r t f o l i o 5 0 0 C a p p St . w i t h D av i d I r e l a n d , t e x t b y John Ashberr y T h e E s s e n t i a l A r t : 14 0 Ye a r s o f A m e r i c a n P h o t o g r a p hy f r o m t h e A n s e l A d a m s a n d V i r g i n i a A d a m s Co l l e c t i o n , U n i v e r- s i t y o f A r i z o n a , Ce n t e r f o r C r e a t i v e P h o t o g r a p hy t r av e l i n g s h o w, 19 92 , one photograph L e s Co n s e r v e s d e N i c e p h o r e , e x h i b i t i o n a n d c a t a l o g o f p e r m a n e n t co l l e c t i o n of Musee Nicephore Niepce, C h a l o n - s u r-S a o n e , Fr a n c e , 10 p h o t o - g r a p h s , 19 92 M ay S h o w, C l e v e l a n d M u s e u m o f A r t , C l e v e l a n d , O h i o , 19 92 , 19 8 9, 19 8 8 , 19 8 6 , 19 82 , 19 81, 1979, 197 7, 1974 , 197 3 I n s i d e S e l f s o m e o n e e l s e , D ay t o n A r t Institute, with Eleanor Antin, Rober t A r n e s o n , L u i s A z a c e t a , J ay B o l o t i n , Ly n n H e r s h m a n , W i l l i a m W i l e y, 19 8 4 P h o t o Co l l e c t , N e w Yo r k C i t y, Tw o Pe r s o n w i t h M i n o r W h i t e , 19 8 3 U n i v e r s i t y o f Fl o r i d a A r t D e p a r t m e n t G a l l e r y, G a i n e s v i l l e , Fl a . , Tw o - p e r s o n e x h i b i t w i t h C h r i s Pe k o c , 19 82

S e co n d S i g h t– I n f r a R e d S u r v e y, C a r p e n t e r Ce n t e r, H a r v a r d U n i v e r s i t y, 19 81, S h o w t r av e l e d i n U. S . a n d Eu r o p e t h r o u g h 19 8 4 N e w G a l l e r y o f Co n t e m p o r a r y A r t , Cleveland, Ohio, Three -person e x h i b i t , 19 81 Pe r s o n a e , M a t h e r G a l l e r y, C a s e We s t e r n R e s e r v e U n i v. , C l e v e l a n d , O h i o , 19 8 0 S u m m e r S h o w, D a n i e l Wo l f, N e w Yo r k , N .Y. , 19 8 0 T h e Au t o m o b i l e I m a g e , M I T, C a m b r i d g e , M a . , 19 8 0 Fotogalerij Paule Pia, Ant werp, B e l g i u m , Tw o - p e r s o n e x h i b i t w i t h A n d r e K e r t e s z , 1978 F o c u s G a l l e r y, S a n Fr a n c i s co , Tw o - p e r s o n e x h i b i t , 1978 N e w G a l l e r y o f Co n t e m p o r a r y A r t , C l e v e l a n d , O h i o , Tw o - p e r s o n e x h i b i t , 197 7 Addison Galler y of American Ar t, A n d o v e r, M a s s . , 1976 Galler y of Photographic Ar ts, Nor th O l m s t e d , O h i o , Tw o - p e r s o n e x h i b i t w i t h A n s e l A d a m s , 197 7 G . R ay H a w k i n s G a l l e r y, B e v e r l y H i l l s , C a l . , 1976 M I T, C a m b r i d g e , M a s s . , Tw o - p e r s o n e x h i b i t , 1976 Ce l e b r a t i o n s , M I T, C a m b r i d g e , M a s s . , 1974 C h i l d r e n : 18 43 -197 3 , E x c h a n g e N a t i o n a l B a n k , C h i c a g o , 197 3 Museum collections Akron Museum of Ar t, Akron, Ohio B i b l i o t e q u e N a t i o n a l e , P a r i s , Fr a n c e Butler Institute American Ar t, Yo u n g s t o w n , O h i o C l e v e l a n d M u s e u m o f A r t , C l e v e l a n d , O. C l e v e l a n d St a t e U n i v e r s i t y, C l e v e l a n d , O. G e o r g e E a s t m a n H o u s e , R o c h e s t e r, N Y J e w i s h M u s e u m , Fr a n k f u r t , G e r m a ny M u s e u m L u d w i g , Co l o g n e , G e r m a ny M . I .T. C a m b r i d g e , M a s s . M u s e u m o f M o d e r n A r t , N e w Yo r k C i t y Musee Nicephore Niepce, I n t e r n a t i o n a l M u s e u m o f P h o t o g r a p hy, C h a l o n - s u r-S a ô n e , Fr a n c e

Museum of Photog. Ar ts, San Diego, N a t i o n a l Po r t r a i t G a l l e r y, Wa s h . , D.C . N e w M e x i co M u s e u m F i n e A r t s , SantaFe, NM G e o r g e Po m p i d o u Ce n t r e , P a r i s , Fr a n c e Princeton Ar t Museum, Princeton, N. J. John and Mabel Ringling Museum, S a r a s o t a , Fl o r i d a San Diego Museum of Ar t, San Diego, CL Ta m p a M u s e u m o f A r t , Ta m p a , Fl o r i d a U n i v e r s i t y o f A r i z o n a , Te m p e , Ce n t e r o f C r e a t i v e P h o t o g r a p hy Victoria and Alber t Museum, London V i s u a l St u d i e s Wo r k s h o p , R o c h e s t e r, N Y W h i t n e y M u s e u m o f A r t , N YC s e l e c t e d c o r p o r at e & p r i vat e c o l l e c t i o n s Bank One, Chicago, Illinois To m & K a t h e r i n e B a l l , C l e v e l a n d a n d Ve n i c e B a k e r & H o s t e t l e r, C l e v e l a n d Pe t e r B u n n e l l , P r i n c e t o n , N . J . B P Co r p o r a t i o n . , C l e v e l a n d AG A B u r d o x , St o c k h o l m , Sw e d e n S i m o n C r o c k e r, L o n d o n a n d L o s A n g e l e s Nanc y Dickenson, Santa Fe, NM Harr y Drake, Minneapolis, Minnesota M i l t o n E s t e r o w, N e w Yo r k C i t y E i k o h H o s o e , To k y o H u n t i n g t o n B a n k , Co l u m b u s , O h i o B i l l J a c k l i n , N e w Yo r k C i t y a n d N e w p o r t Ko p p e r m a n & Wo l f, C l e v e l a n d Pe t e r L e w i s , N e w Yo r k C i t y, A s p e n and Cleveland Gilber t Lloyd, London H e r b e r t L o c h e r, Co l o g n e , G e r m a ny M c K i n s e y & Co m p a ny, C l e v e l a n d O h i o S av i n g s , C l e v e l a n d Ku r t O l d e n , N YC Fr a n c i n e & B e n s o n P i l o f f, C l e v e l a n d a n d Raleigh, N. Carolina H a n s - G e o r g & B e r n a d e t t e Po s p i s c h i l , Fr a n k f u r t , G e r m a ny P r o g r e s s i v e Co r p . , C l e v e l a n d , O h i o a n d A l b a ny, N Y J a m e s R o s e n q u i s t , N e w Yo r k C i t y D o n S a n d e r s , H o u s t o n , Te x a s S h e a r m a n & St e r l i n g , Fr a n k f u r t L o t h a r S c h i r m e r, M u n i c h

Ta r g e t Co r p o r a t i o n , M i n n e a p o l i s , M i n n . J ü r g e n Te s c h , M u n i c h a n d B e r l i n M i c h a e l Tr a p p , Fr a n k f u r t G a r n e r Tu l l i s , N e w Yo r k C i t y monogr aphs A b e Fr a j n d l i c h Po r t r a i t s , P r e s t e l M u n i c h , L o n d o n , N e w Yo r k , 20 0 0, 83 photographs Eros Eterna, Unschau Braus, Heideberg, G e r m a ny, 19 9 9, 115 p h o t o s Masters of Light, Catalog to exhibition, M u s e u m L u d w i g , 19 9 0 , 5 4 p h o t o s L i v e s I ’ v e N e v e r L i v e d : A Po r t r a i t o f Minor White, Arc Press, Cleveland, O h i o , 19 8 3 , 8 3 p h o t o g r a p h s Cleveland Infra Red, Publix Imprints, C l e v e l a n d , O h i o , 19 81, 8 3 p h o t o g r a p h s F i g m e n t s , S e l f- p u b l i s h e d , B o s t o n , 1975, 59 p h o t o g r a p h s portfolios 5 0 0 C A PP, Co l l a b o r a t i o n w i t h D av i d I r e l a n d , J o h n A s h b e r r y, a n d G u n n e r K a l d e w e y, K a l d e w e y P r e s s , E d i t i o n 4 6 , 19 95 G l o v e , Co l l a b o r a t i o n w i t h p a i n t e r, C h r i s Pe k o c , 12 p h o t o g r a p h s , A R C P r e s s , E d i t i o n 5 0 , 19 82 H o m a g e t o Yu k i o M i s h i m a , I n t r o d u c t i o n b y E i k o h H o s o e , 12 p h o t o g r a p h s , A R C P r e s s , E d i t i o n 35, 19 8 0 E n t r o p i c Fr e e z e , I n t r o d u c t o r y q u o t e f r o m N a t h a n i e l We s t ’s M i s s L o n e l y h e a r t s , A R C P r e s s , 12 p h o t o s , E d i t i o n 35, 19 8 0 Cleveland Infra Red, Introduction by Pe t e r L e w i s , 12 p h o t o g r a p h s , A R C P r e s s , E d i t i o n o f 6 0 , 19 8 0 L i v e s I ’ v e N e v e r L i v e d : A Po r t r a i t o f Minor White, Intro by Douglas Neil P r u d d e n , 12 p h o t o s , C l e v e l a n d , O h i o , E d i t i o n 5 0 , 1979 P r i v a t e F i g m e n t s , I n t r o b y D. N . P r u d d e n , 12 p h o t o s , B o s t o n , M a s s ., e d i t i o n o f 2 5, 1975.

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P h o t o g r a p h s b y A b e Fr a j n d l i c h Š 2009 A b e Fr a j n d l i c h All rights reser ved N o p a r t o f t h i s b o o k m ay b e r e p r o d u c e d i n a ny m a n n e r o r t r a n s m i t t e d b y a ny m e a n s w h a t s o e v e r, e l e c t r o n i c o r m e c h a n i c a l ( i n c l u d i n g p h o t o co p y, r e co r d i n g , i n t e r n e t p o s t i n g , o r a ny o t h e r i n f o r m a t i o n s t o r a g e a n d r e t r i e v a l s y s t e m) w i t h o u t p r i o r w r i t t e n p e r m i s s i o n f r o m t h e p h o t o g r a p h e r/a u t h o r. A b e Fr a j n d l i c h a b e @ a b e f o t o . co m Design by Kerstin Ballies kballies@web.de Printed and bound at w w w. f a s t b a c k b o o k s . co m L i b r a r y o f Co n g r e s s C a t a l o g i n g - i n - P u b l i c a t i o n D a t a : Fr a j n d l i c h , A b e Š Tr a n s i t b y A b e Fr a j n d l i c h , 20 0 9


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