Abell Auction Co. March 1, 2020 Auction Catalog by abellauctionco

FINE ART, ANTIQUES, 20TH CENTURY DESIGN, & JEWELRY MARCH 1, 2020 | 10:00 AM

LOS ANGELES 1

FINE ART, ANTIQUES, 20TH CENTURY DESIGN, & JEWELRY AUCTION Sunday, March 1, 2020 10 a.m. PST

BIDS For questions about bidding call (323) 724-8102 or email info@abell.com

EXHIBITION February 26-29, 2020 9 a.m. to 4 p.m. PST

Online bidding available through liveauctioneers.com and invaluable.com. All items are offered AS IS in accordance with the Conditions of Sale. 20% Buyer’s Premium is added to all lots.

SALE Abell Auction Co. is honored to be representing The Douglas & Eunice Goodan Living Trust. Douglas Goodan was the grandson of Los Angeles Times publisher Harry Chandler, and his wife Eunice was a long-time Los Angeles arts patron and philanthropist. Property from the Goodan collection comes from residences in Cambria, Pasadena, and Montecito. The March 1st auction features an impressive array of California plein air paintings by artists including Benjamin C. Brown, Maurice Braun, Jessie Arms Botke, and Raoul de Longpre.

ILLUSTRATIONS Front cover: Lot 190 Inside front cover: Lot 235 Inside back cover: Lot 191 NOTE Please call to ask about consignment in one of our upcoming auctons or information regarding registraton or purchasing. We have a team of experts that can ofer appraisal services for your fne art, antique furniture, decoratve arts, and fne jewelry. It is our unique ability to bring together our worldwide network of buyers that makes us the best choice to sell your goods.

Abell is proud to present the estate of Mary Carlisle. Ms. Carlisle was an American actress, singer, and dancer best known for her roles in 1930s musicalcomedy films. She starred in more than 60 Hollywood films alongside the likes of Gloria Stuart, Ginger Rogers, and Bing Crosby. The Carlisle collection features an assortment of 18th & 19th century English portrait paintings.

Abell will be holding a spring Luxury sale on Tuesday, April 7, 2020 at 10 a.m. This auction features an extensive collection of Chanel handbags, jewelry, and other luxury appointments.

Abell is also pleased to offer contemporary works from the Brentwood home of the Friedman family. Leaders in the Los Angeles art & theater community, the Freidmans were instrumental with their ownership & operation of the Greek Theatre, bringing tens of thousands of performers to Southern California audiences. When the family owned Dodge Motor Co. of Asia, they mingled with Madame Chiang Kai-shek & Emperor Hirohito, as well as historical luminaries such as George Bernard Shaw & the Wright Brothers. Works that Abell is offering include a George Rickey kinetic sculpture, Tony Berlant’s “Untitled Romance,” & Jim Morphesis’ “Study for ‘Little Caesar’.”

The next quarterly fine art auction will take place on May 17, 2020. This sale will include an impressive jewelry collection, and the continuation of Goodan property. A single owner sale featuring the estate of director, producer, and actress Penny Marshall will be held on Monday, May 18, 2020, at 10 a.m. PST.

www.abell.com | 2613 Yates Avenue, Los Angeles, 90040 | 310 858 3073 | 3

@abellauctionco

1. 1. GASTON RISCHMANN: PAIR OF SILVERPLATE BRONZE BIRD BOOKENDS resting on marble bases 5 inches high; 6 3/4 total inches high 1,500/2,000

2. JEAN ANTOINE LAURENT: “PRINCESS PAULINE”

watercolor and gouache on paper Provenance: with label stating Collection de Monsieur Bernard Architecte de la Princesse Pauline par 1765 Jean Antoine Laurent- 1832 4 x 4 1/4 inches, sight 2,000/3,000

3. PAIR OF CHINESE EXPORT PORCELAIN TUREENS Provenance: Elinor Gordon Oriental Lowestoft, Villanova, P.A. 8 1/2 inches wide; 7 1/2 total inches high 1,500/2,000

4. PAIR OF JOSEF HOFFMAN AUSTRIAN GILT COPPER VASES 6 1/2 inches high 600/800

5. EGYPTIAN CARVED STONE FIGURE

6. FRENCH ORMOLU MOUNTED MARBLE MANTEL CLOCK

base appears to be added at a later date 10 1/2 inches high

the face signed “’Pierre Martin Merra”

1,000/1,500

Provenance: The Estate of Mary Carlisle, Beverly Hills 12 inches wide; 4 1/2 inches deep; 16 inches high 1,500/2,000

7. 7. FRENCH SCHOOL: “PORTRAIT OF A WOMAN WITH SONG BIRD” oil on canvas, laid down on canvas 17 1/2 x 13 1/4 inches 1,500/2,000

8. PAIR OF LOUIS XVI STYLE BRONZE TWOLIGHT SCONCES 19 1/2 x 13 inches

1,000/1,500

9. PAIR OF ITALIAN MAJOLICA PORCELAIN JARS

Provenance: Christie’s--South Kensington: June 5, 1996 [Lot 137] 10 inches wide; 10 1/4 inches high 600/800

10. 10. AMERICAN SCHOOL: “WINTER CITYSCAPE” oil on canvas signed lower left Provenance: The Estate of Patricia DuVannes, wife of Armand DuVannes of AdamsonDuVannes Gallery 30 x 36 inches 1,500/2,000

11. 11. GEORGE I WALNUT CHEST ON STAND 40 1/2 inches wide; 22 inches deep; 62 1/2 inches high 1,200/1,500

12. PAIR OF MAJOLICA ALBARELLI PORCELAIN URNS Provenance: Christie’s--South Kensington: June 7, 1996 [Lot 132] 12.

8 1/2 inches wide; 9 1/2 inches high 800/1,200 7

13. DAUM NANCY ART GLASS VASE signed to bottom 9 inches high 600/800

13.

14. FRANZ SERAPH VON LENBACH: “MARION LENBACH & ELEANOR DUSE”

14.

watercolor, pencil, and gouache on paper Provenance: Provenance: The Estate of Patricia DuVannes, wife of Armand DuVannes of Adamson-DuVannes Gallery R. Wagner, Munchen 7 1/4 inches diameter sight 2,000/3,000 15. 15. EMILE GRAU SALA: “GIRL, BIRDS & CAGE ON TERRACE OVERLOOKING THE SEA AT TOULON” circa 1939 oil on artist’s board signd and dated lower left titled on label verso 18 x 22 inches 2,000/3,000

16. 16. THEODORE ROBINSON: “BOATS IN A HARBOR” oil on board, signed lower right 11 1/2 x 16 inches 2,000/3,000

17.

17. PAIR OF FRENCH ORMOLU-MOUNTED VITRINE CABINETS 26 inches wide; 15 inches deep; 61 inches high 2,000/3,000

18. PAIR OF FRENCH GILT BRONZE & CARVED MARBLE CANDELABRA inscribed in casting 13 inches wide; 29 inches high 2,000/3,000

18.

19. SPANISH GILTWOOD & POLYCHROME CHEST

19.

Provenance: Christie’s--South Kensington: June 3, 1996 [Lot 812] 19 inches wide; 11 inches deep; 11 3/4 inches high 1,500/2,000

20. RAOUL MAUCHERAT DE LONGPRE: “LA FRANCE ROSES”

20.

circa 1903 watercolor on paper signed, dated Los Angeles lower right Provenance: The Douglas & Eunice Goodan Living Trust with label verso from the American Art Society Exhibition 12 x 17 inches sight 1,500/2,000 21. 21. RAOUL MAUCHERAT DE LONGPRE: “STILL LIFE OF FLOWERS ON LEDGE” watercolor and gouache on paper signed lower right Provenance: The Douglas & Eunice Goodan Living Trust John Moran: October 26, 2004 [Lot 69] 20 1/2 x 28 inches 2,000/3,000 10

22.

22. FRENCH BURL WALNUT CHEST OF DRAWERS 48 inches wide; 20 inches deep; 35 1/2 high 1,000/1,500

23. 23. PIETRA DURA PLAQUE OF A COURTING COUPLE Provenance: the Estate of Jo-Ann & David Shore 10 1/2 x 6 3/4 inches 500/700

24. PIETRA DURA SPECIMEN MARBLE PLAQUE

24.

depicting a schoolmaster & his pupils Provenance: The Douglas & Eunice Goodan Living Trust 20 1/2 x 14 inches sight 1,500/2,000

25.

25. EDOUARD CORTES: “PORTE ST DENIS” oil on canvas signed lower right Provenance: The Estate of Jo-Ann & David Shore 18 x 22 1/4 inches 12,000/18,000

26. 26. EDOUARD CORTES: “PARISIAN STREET SCENE” oil on canvas signed lower left and stamped verso Provenance: The Estate of Jo-Ann & David Shore 18 x 21 1/2 inches 12,000/15,000

27.

27. EUGENE GALIEN-LALOUE: “THÉÂTRE DU CHÂTELET” watercolor and gouache on paper signed lower left Provenance: The Estate of Jo-Ann & David Shore 7 1/2 x 12 1/4 inches 4,000/6,000 28.

28. JEAN-LOUIS-ERNEST MEISSONIER: “CAVALIER” watercolor on paper signed lower left Provenance: The Estate of Jo-Ann and David Shore 14 x 9 inches sight 1,000/1,500

29. 29. ENGLISH CHINOISERIE CABINET ON STAND the pair of decorated hinged doors opening to reveal a painted and fitted interior comprising ten drawers 33 inches wide; 19 inches deep; 56 inches high 1,200/1,500

30.

30. GRECO-ROMAN STYLE CARVED MARBLE FIGURE OF ATHENA 54 inches high 2,000/3,000

31. ANTOINE CHINTREUIL: “PAYSAGE”

31.

oil on canvas signed lower left Provenance: The Estate of Gigi Guggenheim Danziger 11 1/2 x 15 1/2 inches 1,500/2,000

32.

32. PAIR OF CUT GLASS & GILT BRONZE MOUNTED JARDINIERES 16 inches wide; 10 3/4 inches high 2,000/3,000 14

33. LARGE STERLING JARDINERE WITH CHERUBS marked 925 sterling to underside; approximately 225 troy ounces 30 inches wide; 19 inches tall 2,500/3,500

33.

34.

34. LOUIX XV STYLE ORMOLU MOUNTED KINGWOOD BUREAU PLAT 53 inches wide; 28 1/2 inches deep; 30 inches high 1,500/2,000

35. 35. PAIR OF LOUIS XV CARVED FRUITWOOD & UPHOLSTERED BERGERES 29 inches wide; 28 inches deep; 33 1/2 inches high 1,000/1,500

36.

36. CHINESE BLUE & WHITE OCTAGONAL PORCELAIN JARDINIERE 15 inches wide; 10 inches high; 12 1/4 total inches high 700/1,000

37. PAIR OF FRENCH GILT BRONZE OSTRICHFORM CANDLESTICKS

37.

15 1/2 inches high 600/800

38. LOUIX XV STYLE ORMOLU MOUNTED KINGWOOD BUREAU PLAT 38.

44 inches wide; 22 inches deep; 31 inches high 700/1,000

39. 39. PAIR OF LOUIS XV STYLE GILT BRONZE & MARBLE TABLES 28 inches square; 30 inches high 1,500/2,000

40.

40. RICHARD MACDONALD: “THE FLAIR” circa 1995 bronze gymnast on a stepped marble base inscribed and dated in casting 21 x 15 1/2 inches, overall 1,500/2,000

41. RICHARD MACDONALD: “BRACEO” circa 2002 bronze with brown patina inscribed and numbered 18/90 in casting 15 inches wide; 17 total inches high 3,000/4,000

41.

42. LOUIS MAJORELLE: ART GLASS & WROUGHT IRON CENTERPIECE

42.

signed Majorelle, made in France Provenance: The Estate of Jo-Ann & David Shore 16 inches diameter; 5 3/4 inches high 700/1,000

44.

43.

43. ITALIAN CARVED FRUITWOOD & POLYCHROME TABLE

44. WILLIAM & MARY SATINWOOD & WALNUT BIBLE BOX

38 inches square; 30 inches high

20 3/4 inches wide; 15 1/2 inches deep; 21 inches high

800/1,200

1,000/1,500

46. 45.

46. FRENCH DORE BRONZE & PORCELAIN CLOCK GARNITURE

45. PAIR OF JACQUES GARCIA DESIGNED BANQUETTES

comprising three pieces in the Louis XV taste each piece with a mounted Chinoiserie porcelain figure in an open-form frame with applied porcelain flowers

50 inches wide; 26 inches deep; 18 inches high

the clock measuring 37 inches high; each candelabra, 27 inches

700/1,000

3,000/5,000 19

48. 47.

47. RENAISSANCE CARVED WALNUT TRESTLEBASE REFECTORY TABLE

48. PAIR OF LOUIS XV STYLE CARVED WALNUT & UPHOLSTERED FAUTEUILS

74 inches wide; 33 inches deep; 29 inches high

26 inches wide; 22 inches deep; 36 inches high

1,000/1,500

1,200/1,500

50. 49.

49. PAIR OF FRENCH STYLE CONTEMPORARY ROCK CRYSTAL TABLE LAMPS

50. PAIR OF NEOCLASSIC GILT BRONZE & MARBLE GUERIDONS

resting on giltwood bases

21 1/2 inches diameter; 29 1/4 inches high

the base: 24 inches high

3,000/4,000

1,500/2,500 20

52.

52. SPANISH SCHOOL: “SHEPHERD BOY” oil on canvas Provenance: The Estate of Patricia DuVannes, wife of Armand DuVannes of Adamson-DuVannes Gallery 37 x 29 inches 1,500/2,000

53.

51.

51. LOUIS XV LARGE WALNUT SETTEE 84 inches wide; 32 inches deep; 39 inches high 1,200/1,500

53. PAIR OF BAGUES-STYLE CRYSTAL & FOLIATE SCONCES 22 inches wide; 36 inches high 2,500/3,500 21

55.

54.

54. AFTER MARIE LAURENCIN: “DANCER” watercolor on paper signed upper right 15 x 11 inches 3,000/5,000 55. PAIR OF PORTUGUESE CABINETS ON STANDS

56.

Provenance: Sotheby’s--London: May 31 1996 [Lot 58] 47 1/2 inches wide; 21 1/4 inches deep; 70 inches high 7,000/10,000 56. PAIR OF CHINESE FLAMBE PORCELAIN VASES 21 1/4 inches high 1,200/1,500 22

57.

57. PAIR OF LOUIS XVI STYLE CARVED MARBLE & BRONZE-MOUNTED PEDESTALS 16 inches square; 43 1/4 inches high 1,000/1,500

58. 58. PAIR OF VENETIAN SILVERED METAL CANDLESTICKS 19 1/2 inches high 700/1,000

59.

59. ITALIAN PARCEL GILT POLYCHROME JARDINIERE 25 inches wide; 15 3/4 inches high 1,500/2,000

60. 60. LOUIS XV WALNUT COMMODE 52 inches wide; 24 inches deep; 40 1/2 inches high 1,200/1,500

61.

61. PAUL-JEAN GERVAIS: “BATHERS” oil on canvas signed lower left 52 x 64 inches 4,000/6,000 24

62. ROBERT SPENCER: “IN THE HIGHLANDS”

62.

oil on canvas signed lower left Provenance: Estate of David Copley, La Jolla Abell Auction Co.: October 13, 2013 [Lot 65] 12 x 14 inches 3,000/4,000

63. 63. JACOB VAN HUYSUM: “STILL LIFE WITH BUTTERFLY” oil on canvas signed lower left Provenance: The Estate of Jo-Ann & David Shore 30 x 25 inches 2,000/3,000

64. MAHAL CARPET

64.

19’3” x 12’6” 3,000/5,000

65. 65. SPANISH COLONIAL SCHOOL: “WINGED FIGURE & CHILD” oil on canvas 35 x 25 inches 2,000/3,000

66. 66. DUTCH COLONIAL BRASS-MOUNTED JATI CHEST ON STAND 18th Century Provenance: Christie’s--Amsterdam: September 29, 1999 [Lot 727] 53 1/4 inches wide; 27 inches deep; 52 inches high 3,000/4,000

67. “HENRY VII CHAPEL, WESTMINSTER ABBEY”

67.

oil on canvas 30 x 25 inches 4,000/6,000

68.

69.

68. MOORISH MOTHER OF PEARL INLAID & MARBLE TOP CHEST OF DRAWERS 47 inches wide; 23 inches deep; 50 3/4 inches high 3,000/4,000

70.

69. KENYON C. COX: “TRUTH”

70. LEROY NEIMAN: “JOCKEYS ON HORSEBACK”

circa 1917 annotated and dated lower right signed and titled verso

circa 1958 oil on board signed and dated twice lower right

Provenance: The Estate of Patricia DuVannes, wife of Armand DuVannes of Adamson-DuVannes Gallery

Provenance: Loring Galleries, Greenwich, CT 8 x 24 inches

27 3/4 x 21 1/4 inches

10,000/15,000

5,000/7,000 27

71. 71. PAULETTE VAN ROEKENS: “DRESS REHEARSAL (SADLER WELLS)” circa 1954 oil on artist’s board signed lower right signed, titled, & dated verso 10 x 8 inches 2,000/3,000

72. PAULETTE VAN ROEKENS: “COUNTRY FAIR”

72.

oil on canvas signed verso 12 x 22 1/2 inches 3,000/4,000

73. 73. EVARISTE CARPENTIER: “GIRL WITH BIRD” oil on canvas signed lower right 14 x 11 inches 1,000/1,500

74. JEAN-JACQUES PRADIER: BRONZE CLOCK GARNITURE

74.

inscribed in casting comprising a figural clock and pair of figural candelabra the clock face signed “Charpentier & Cie, Bronzier, Rue Charlot Paris” the clock 18 inches wide; 23 inches high; the candelabra, 26 1/2 inches high 3,000/4,000

75. GRECO-ROMAN STYLE CARVED BUST 75.

resting on a mabrle base 10 inches high 1,000/1,500

76. 76. PAIR OF PERSIAN ENAMEL & GLASS DECANTERS 20 inches high 1,500/2,000

77. 77. REGENCE WALNUT COMMODE 51 inches wide; 25 1/2 inches deep; 35 inches high 1,500/2,000

78.

78. ITALIAN SCHOOL: “MADONNA OF THE VEIL” oil on canvas Provenance: Volterra Gallery, Florence; Collection of the Art Institute of Minneapolis; John and Johanna Bass Collection; Bass Museum of Art 51 x 41 inches 3,000/5,000

79.

79. CARVED MARBLE TORSO after the antique the torso: 22 1/2 inches high; 56 total inches high 3,000/5,000

80. 80. SILK QUM CARPET 6’ 8” x 4’ 7” 500/700

81.

81. AFTER BARTOLOME MURILLO: “INFANT CHRIST & SAINT JOHN THE BAPTIST WITH A SHELL” oil on canvas 41 x 49 inches 2,000/3,000

82. ENGLISH JAPANNED RED & GILT LACQUERED CABINET

82.

opening to reveal a fitted interior with one long and eight short drawers 18 1/2 inches wide; 12 1/2 inches deep; 19 3/4 inches high 1,500/2,000 31

83.

83. LOUIS XV STYLE CARVED WALNUT COMMODE 52 inches wide; 26 inches deep; 40 3/4 inches high 1,500/2,500

84. PAIR OF CHINESE POLYCHROME PORCELAIN PLANTERS

84.

resting on carved blackamoor style pedestals 14 inches wide; 13 inches high; 33 3/4 inches high total 2,000/3,000

85. PAIR OF MOORISH STYLE INLAID & CARVED TABLES

85.

20 inches square; 22 1/4 inches high 800/1,200

86.

86. CHARLES WYSOCKI: “SNOW SCENE LANDSCAPE” oil on canvas signed lower left 24 x 30 inches 18,000/25,000 87. AFTER WILLIAM MERRITT CHASE: “ON DECK OF THE LUSITANIA”

87.

oil on board Provenance: The Estate of Patricia DuVannes, wife of Armand DuVannes of Adamson-DuVannes Gallery 7 1/4 x 8 1/4 inches 2,000/3,000 33

88. 88. ROBERT SELDON DUNCANSON: “RIVER RUN” circa 1850 oil on panel signed lower right 12 x 16 inches 10,000/12,000

89. 89. ITALIAN SCHOOL: “ROMAN LANDSCAPE” oil on canvas 23 x 29 inches 1,500/2,000

90.

90. GEORGE DE FOREST BRUSH: “STILL LIFE” oil on wood panel signed lower left Provenance: The Estate of Jo-Ann & David Shore Newhouse Galleries, New York Grand Central Art Galleries Inc., New York 12 1/2 x 14 3/4 inches 3,000/5,000 34

91. PAIR OF CHINESE FAMILLE NOIRE PORCELAIN VASES

91.

mounted and electrified as table lamps the vases measure 13 inches high 700/1,000

92.

92. CHINESE FAMILLE ROSE PORCELAIN CHARGER 16 inches diameter 1,000/1,500

93.

93. NORMANDY WALNUT DOWRY CHEST 59 inches wide; 26 inches deep; 33 inches high 2,000/3,000

94.

94. MAURICE BRAUN: “SHEEP IN SHADOW” oil on canvas laid down on canvas signed lower left 33 x 41 inches 8,000/12,000

95. PAIR OF CHINESE GLAZED CERAMIC ROOF TILES

95.

15 inches wide; 22 1/2 inches high 1,000/1,500

96. NINO CAFFE: “BATTIPANNI” 96.

circa 1967 oil on panel signed lower center Provenance: with label verso from Galleria D’Arte, Florence 8 x 14 inches 1,500/2,000 36

97.

97. LOUIS XV CARVED FRUITWOOD BUFFET 52 inches wide; 22 inches deep; 38 1/2 inches high 1,000/1,500

98. 98. CIRCLE OF MICHELE MARIESHI: “PIAZZA SAN MARCO, VENICE” oil on canvas 22 1/4 x 19 1/4 inches 2,000/3,000

99. 100.

99. ARTURO RICCI: “INTERIOR SCENE”

100. PAIR OF CHINESE POLYCHROME PORCELAIN HEXAGONAL VASES

oil on board signed lower left

18 inches high 800/1,200

14 x 17 3/4 inches 3,000/5,000 37

101. 101. PAIR OF GEORGIAN-STYLE CHINOISERIE TABLES 31 inches wide; 21 inches deep; 28 inches high 2,000/3,000

102. 102. LOUIS XV CARVED FRUITWOOD CANAPE 86 inches wide; 32 inches deep; 38 inches high 1,500/2,000

103. 103. PAIR OF IMARI PORCELAIN CHARGERS 14 3/4 inches diameter 1,500/2,000

104. TWO ENGLISH BALUSTER PORCELAIN URNS Provenance: Christieâ&#x20AC;&#x2122;s: June 7, 1996 [Lots 48 & 49] 26 inches high 800/1,200 104.

105. 105. FRENCH ORMOLU-MOUNTED WALNUT SHAWL BOX 26 inches wide; 18 inches deep; 7 1/4 inches high 700/1,000

106.

106. ATTRIBUTED TO PHILIP WEBB: GOTHIC CARVED WALNUT HALL TABLE 65 inches wide; 30 1/4 inches deep; 32 inches high 1,000/1,500

107.

107. PAIR OF FRENCH EMPIRE-STYLE MAHOGANY FAUTEUILS 25 inches wide; 21 inches deep; 42 inches high 1,500/2,500

108.

108. EMPIRE-STYLE GILT BRONZE, CRYSTAL, & MALACHITE-VENEER MANTEL CLOCK with pendulum 17 inches wide; 6 inches deep; 25 3/4 inches high 1,500/2,000

109. PAIR OF RENAISSANCE-STYLE CARVED FRUITWOOD HALL CHAIRS

109.

each with needlework tapestry back & seat 24 1/2 inches wide; 35 inches deep; 48 inches high 1,000/1,500

110.

110. DUTCH MARQUETRY INLAID MUSICIAN’S TABLE 29 1/4 inches wide; 21 inches deep; 30 inches high 800/1,200

111.

111. TIFFANY & CO. GILT AND EBONIZED MANTEL CLOCK with key 16 inches wide; 9 1/2 inches deep; 19 inches high 2,000/3,000

112. AFTER LOUIS HOTTOT: “LE SECRET D’ODALISQUE” comprising four parts inscribed in casting

112.

28 inches wide; 12 inches deep; 15 1/2 inches high 1,500/2,000

113.

113. RENAISSANCE WALNUT REFECTORY TABLE 79 inches wide; 31 inches deep; 31 inches high 2,000/3,000 114. 114. SET OF FOUR CARVED MARBLE PLAQUES after the antique, depicting four Roman emperors 20 x 15 inches framed 3,000/4,000

115.

115. LOUIS XV CARVED WALNUT CANAPE 82 inches wide; 30 inches deep; 36 inches high 1,000/1,500

116. TURKISH KEYSERI SILK CARPET

116.

11’8” x 16’ 7,000/10,000

117. 117. LOUIS XV STYLE ORMOLU-MOUNTED KINGWOOD BUREAU A CYLINDRE 56 inches wide; 32 inches deep; 51 1/4 inches high 5,000/7,000

118.

118. FOUR LOUIS XVI GRISAILLE PAINTED FAUTEUILS stamped J[ean]-B[aptiste] Lelarge 25 inches wide; 24 inches deep; 38 inches high 1,500/2,000

120. 119.

119. DONNA SCHUSTER: “WOMAN IN A GARDEN”

120. FREMONT ELLIS: “OLD DOCK, BAYFIELD”

oil on canvas signed lower right

circa 1961 oil on board signed lower left

18 x 22 inches

Provenance: The Douglas & Eunice Goodan Living Trust Santa Fe Art Auction: November 12, 2011 [Lot 93]

3,000/5,000

20 x 16 inches 2,000/3,000

121.

121. MARION KAVANAUGH WACHTEL: “ELMER SKETCHING” watercolor on paper signed lower left 14 x 20 inches sight 4,000/6,000

122.

122. ANNA ALTHEA HILLS: “CALIFORNIA COAST” oil on canvas signed lower right Provenance: The Douglas & Eunice Goodan Living Trust 14 1/4 x 18 inches 2,000/3,000

123.

123. LEON KROLL: “NUDE ON COUCH” oil on paper, signed lower right Provenance: ACA Galleries, New York 10 1/2 x 14 1/2 inches 2,000/3,000

124. ELSIE PALMER PAYNE: “SNOW TOPPED MOUNTAINS”

124.

gouache on paper signed lower right Provenance: The Douglas & Eunice Goodan Living Trust 14 x 15 inches 600/800 45

127.

125.

125. MARCO GOMEZ: “SOUTHWEST LANDSCAPE” oil on canvas signed lower right Provenance: The Douglas & Eunice Goodan Living Trust 16 x 20 inches

circa 1892 oil on canvas signed lower right 12 x 15 inches 800/1,200

1,000/1,500

126.

127. JOHN CARL DOEMLING: “RED ROCKS SEASCAPE, LAGUNA”

126. WILBUR AARON REASER: “CALIFORNIA TRIPTYCH LANDSCAPE” pastel on paper signed lower right Provenance: The Douglas & Eunice Goodan Living Trust 25 x 68 total inches 2,000/3,000

128.

128. FLEMISH SCHOOL: “PASTORAL LANDSCAPE” attributed to Jan van Balen oil on copper Provenance: The Estate of Patricia DuVannes, wife of Armand DuVannes of Adamson-DuVannes Gallery 8 1/2 x 10 1/2 inches 3,000/5,000 129.

129. DUTCH SCHOOL: “PORTRAIT OF A MAN” oil on wood panel Provenance: The Estate of Jo-Ann & David Shore 14 x 11 inches 1,000/1,500

130. 130. ITALIAN CARVED MARBLE FIGURE OF A WOMAN & DOG 18 inches wide; 27 inches high 1,500/2,000 131. ATTRIBUTED TO VITTORE DI MATTEO BELLIAMIANO: “MADONNA & THE CHRIST CHILD” oil on copper Provenance: The Estate of Mary Carlisle, Beverly Hills 6 1/2 x 4 3/4 inches 1,200/1,500 47

131.

132. 132. ALEXANDER DZIGURSKI: “CRASHING WAVES” oil on canvas signed lower right Provenance: Chemers Gallery, Tustin 28 x 48 inches 2,000/3,000

133. 133. PAUL GRIMM: “FRIENDLY TREES” oil on canvas signed lower left Provenance: The Douglas & Eunice Goodan Living Trust 30 x 20 inches 2,000/3,000

134.

134. PAUL GRIMM: “SEASCAPE” circa 1967 oil on board signed lower left 12 x 16 inches 1,000/1,500 48

135. JAPANESE GILT LACQUERED & EBONY SHRINE CABINET

135.

opening to reveal two seated gilt deities held aloft by foo dogs and resting on a base Provenance: Heather James Art & Antiquities, Palm Desert, CA, circa March 2000 17 inches wide; 11 inches deep; 25 inches high 2,000/3,000

136.

136. NAPOLEON III ORMOLU MOUNTED & CARVED MARBLE LYRE FORM MANTEL CLOCK the dial signed Tiffany & Co. Provenance: The Estate of Mary Carlisle, Beverly Hills 20 inches high 1,500/2,000

137.

137. FRENCH BURL WALNUT CHEST OF DRAWERS 45 inches wide; 23 inches deep; 37 inches high 1,000/1,500

138.

138. MILFORD ZORNES: “AVILA” watercolor on paper signed lower right Provenance: The Douglas & Eunice Goodan Living Trust John Moran: February 17, 2004 [Lot 92A] 12 1/2 x 20 1/2 inches sight 700/1,000

139. 139. DANA BARTLETT: “UNTITLED CALIFORNIA LANDSCAPE” oil on canvas signed lower right Provenance: The Douglas & Eunice Goodan Living Trust 16 x 20 inches 1,000/1,500

140. 140. RICHARD DEY DE RIBCOWSKY: “RIVER LANDSCAPE” circa 1936 oil on canvas signed and dated lower left Provenance: The Douglas & Eunice Goodan Living Trust 24 x 16 inches 800/1,200 50

141. 142. HEREKE SILK CARPET

141.

signed in border 10’6” x 14’3” 10,000/15,000

143.

142.

142. GEORGIAN CHEST OF DRAWERS

143. CONTINENTAL CARVED AND POLYCHROME CORNER CABINET

38 inches wide; 21 1/2 inches deep; 31 inches high

in two parts 51 inches wide; 28 inches deep; 100 total inches high

800/1,200

800/1,200 51

145.

144.

144. NAPOLEON III ORMOLU-MOUNTED CENTER TABLE with a Sevres-style porcelain central platter 31 3/4 inches diameter; 29 inches high 3,000/4,000

145. RENNAISANCE REVIVAL CARVED WALNUT EQUESTRIAN GROUP ON PEDESTAL depicting a lion hunt 65 total inches high 1,000/1,500

146. 146. RAFFAELLO ROMANELLI: ITALIAN CARVED MARBLE & BRONZE FIGURAL FOUNTAIN inscribed in casting 42 inches diameter; 78 total inches high 4,000/6,000

147. 148.

147. PAIR OF NEOCLASSIC CARVED MARBLE TAZZE

148. PAIR OF FRENCH TERRACOTTA STATUES

37 inches diameter; 27 inches high

each depicting a resting figure of a boy

3,500/5,000

20 inches wide; 22 inches deep; 26 inches high 4,000/6,000 149.

149. FRENCH TERRACOTTA GROUP OF FOUR PUTTI 18th century signed and dated resting on a base 41 1/2 inches high 3,000/4,000

150.

150. FOUR ITALIAN CARVED STONE BUSTS, EMBLEMATIC OF THE SEASONS 19th century 25 inches wide; 36 inches high 4,000/6,000

152.

151. 151. ALEXANDRE MAIGRET ANTIQUE CARVED ROSEWOOD BED

152. CONTEMPORARY IRON LOW TABLE

stamped MAIGRET

86 inches wide; 40 inches deep; 16 inches high

Provenance: Christieâ&#x20AC;&#x2122;s--London, circa 1996

1,500/2,000

80 inches wide; 60 inches deep; 47 1/2 inches high 2,000/3,000 55

153. 153. BILLY HAINES: TABLE & FOUR CHAIRS Provenance: The Carr residence, Montecito 36 inches square; 29 1/4 inches high 3,000/4,000

154. 154. BILLY HAINES: IRON & MARBLE CONSOLE Provenance: The Carr residence, Montecito 48 inches wide; 16 inches deep; 33 1/2 inches high 1,000/1,500

155.

156.

155. WALTER LAMB: CHAISE LOUNGE

156. WALTER LAMB: ROCKING CHAIR

bronze tubing and rope

together with a side chair

1,500/2,000

1,000/1,500 56

157. CHARLES SYKES: “SPIRIT OF ECSTASY”

157.

bronze inscribed in casting 66 inches high 2,000/3,000

158.

158. EGYPTIAN REVIVAL-STYLE POLYCHROME DECORATED LOUNGE 76 inches wide; 46 inches deep; 52 inches high 3,000/4,000

159. 159. ITALIANATE CARVED, POLYCHROME, & SCAGLIOLA STYLE CENTER TABLE 70 inches diameter; 31 1/2 inches high 3,500/4,500

160.

160. OUSHAK CARPET 76 inches wide; 46 inches deep; 52 inches high 1,000/1,500

161. STEINWAY & SONS MAHOGANY CASE GRAND PIANO

161.

circa 1933 model A3; serial no. 276327; with bench 6’4 1/2” 5,000/7,000

162. STEINWAY & SONS MAHOGANY CASE GRAND PIANO

162.

circa 1927 model M; serial no. 254211; with bench 5’7” 4,000/6,000

163. STEINWAY & SONS EBONY CASE GRAND PIANO

163.

circa 1936 model M; serial no. 285024; with bench 5’7” 4,000/6,000 164. YAMAHA BLACK LACQUERED CONCERT GRAND PIANO

164.

circa 1994 model C7; serial no. 5320418; with bench 7’6” 5,000/7,000 58

165. YAMAHA EBONY CASE GRAND PIANO

165.

circa 1988 model S400B; serial no. 4500757; with bench 6’3” 4,000/6,000

166. CHINESE MONOCHROME YELLOW GLAZED VASE

166.

2 1/4 inches high; 4 inches wide 500/700

167. YUN SHOU PING: CHINESE INK & COLOR ALBUM

167.

on silk paper six total paintings of birds and flowers 10 x 8 3/4 inches 8,000/12,000

168. PAIR OF CHINESE EXPORT PORCELAIN JOSS STICKS

168.

in the form of a foo dog 8 inches wide 700/1,000

171. 169.

169. QURAN 800/1,200 170.

170. YU YOUREN: PAIR OF CALLIGRAPHY SCROLLS each scroll 53 1/2 x 12 3/4 inches 2,000/3,000 171. PU RU: LANDSCAPE SCROLL PAINTING watercolor 34 1/4 x 13 1/2 inches 6,000/8,000 60

172.

172. CHINESE SCHOOL : “SCHOLAR RETREAT” watercolor scroll 38 x 17 3/4 inches 2,000/3,000

173.

173. PAIR OF CHINESE PORCELAIN CYLINDRICAL VASES 10 1/2 inches high 700/1,000

174.

174. VERNIS MARTIN STYLE VITRINE CABINET 52 inches wide; 18 inches deep; 75 1/2 inches high 2,000/3,000

176.

175.

176. PAIR OF PERSIAN ENAMEL DECORATED GLASS HURRICANE LAMPS 22 inches high 1,000/1,500 177. PIETRO DANDINI: “MOSES STRIKING THE ROCK”

177.

pencil on paper Provenance: The Estate of Jo-Ann & David Shore 8 x 10 inches sight

175. CONTINENTAL CARVED & POLYCHROME FIGURAL TORCHIERE

700/1,000

mounted as a floor lamp 178.

62 3/4 inches high 700/1,000

178. PAIR OF EDWARDIAN ADAMS-STYLE CONSOLE GAME TABLES 35 1/2 inches wide; 17 1/2 inches deep; 29 1/4 inches high 2,000/3,000

THE ESTATE OF MARY CARLISLE Abell Auction Co. is proud to present the estate of Mary Carlisle in our upcoming March 1, 2020 fine art auction. Ms. Carlisle was an American actress, singer, and dancer best known for her roles in 1930s musical-comedy films. She starred in more than 60 Hollywood films alongside the likes of Gloria Stuart, Ginger Rogers, and Bing Crosby. The Carlisle collection features a collection of 18th & 19th century English portrait paintings.

179. 179. ALLAN RAMSAY: “PORTRAIT OF GEORGE III” oil on canvas Provenance: The Estate of Mary Carlisle, Beverly Hills 35 1/2 x 27 1/2 inches 3,000/5,000

180.

180. WILLEM WISSING: “THE DUCHESS OF HARRINGTON” oil on canvas Provenance: The Estate of Mary Carlisle, Beverly Hills Newhouse Galleries, circa 1929 36 x 28 inches 2,500/3,500

181. CHINESE CLOISONNÉ ENAMEL MODEL OF AN OX AND CART

181.

18 inches wide; 7 inches deep; 12 inches high 1,000/1,500

182. SPINACH JADE FIGURE OF AN OX

182.

Provenance: [Probably] Christie’s--Hong Kong [Lot 377]; with copy of catalog page 10 inches wide 2,000/3,000 183. ANTOINE BAYRE: “GREYHOUND WITH HARE”

183.

bronze inscribed in casting 13 inches wide; 8 1/4 inches high 1,200/1,500

184. ENGLISH ROSEWOOD & PALISANDER WOOD TANTALUS SET comprising two decanters, two shots, and five cordials

184.

13 1/2 inches wide; 10 1/2 inches deep; 11 inches high 800/1,200

185. ELKINGTON & CO: BRASS & COPPER NEOCLASSIC INKWELL

185.

signed to underside of foot 13 inches wide; 9 inches deep; 8 1/2 inches high 400/600

186. BESSIE POTTER VONNOH: “MOTHERHOOD” 186.

circa 1902 bronze with brown patina inscribed and dated in casting Provenance: The Estate of Jo-Ann & David Shore 12 inches high 6,000/8,000

187. 187. BIEDERMEIER-STYLE GILT-METAL MOUNTED, BURR BIRCH, & EBONIZED BREAKFRONT BOOKCASE Provenance: Christie’s: July 10, 2007 [Lot 1266] 96 inches wide; 19 inches deep; 91 inches high 1,000/1,500

189.

188.

188. KHMER BUFF SCULPTURE OF UMA Provenance: Heather James Art & Antiquities, Palm Desert, CA circa 1999 27 1/2 inches high 3,000/4,000

189.

189. BURMESE SILVER BOWL Kongbaung Dynasty of ‘thabeik’ form Provenance: purchased from Soo Tu Oriental Antiques, Melbourne, Australia, circa 1994 10 inches diameter; 7 inches high 2,000/3,000

THE CAMBRIA ESTATE OF DOUGLAS & EUNICE GOODAN

THE MONTECITO ESTATE OF DOUGLAS & EUNICE GOODAN

THE ESTATE OF DOUGLAS & EUNICE GOODAN Abell Auction Co. is honored to be representing The Douglas & Eunice Goodan Living Trust. Douglas Goodan was the grandson of Los Angeles Times publisher Harry Chandler, and his wife Eunice was a long-time Los Angeles arts patron and philanthropist. Property from the Goodan collection comes from residences in Cambria, Pasadena, and Montecito. The March 1st auction features an impressive array of California plein air paintings by artists including Benjamin C. Brown, Maurice Braun, Jessie Arms Botke, and Raoul de Longpre.

190.

190. BENJAMIN CHAMBERS BROWN: “CALIFORNIA POPPIES” oil on canvas signed lower right Provenance: The Douglas & Eunice Goodan Living Trust 22 x 30 inches 20,000/30,000

192.

192. MAURICE BRAUN: “SPRING GROVE” oil on canvas signed lower right Provenance: The Douglas & Eunice Goodan Living Trust 25 x 30 inches 15,000/20,000

191.

191. EDGAR PAYNE: “BRITTANY FISHING BOATS, FRANCE” circa 1923 oil on canvas signed lower right Provenance: The Kelton Collection, Marina del Rey Vallejo Gallery, Newport Beach 20 x 24 inches 30,000/50,000 193. 193. LOUIS XV CARVED WALNUT COMMODE 50 inches wide; 23 1/2 inches deep; 36 inches high 1,000/1,500

194.

194. PAIR OF FRENCH CARVED WALNUT ALLEGORICAL FIGURES the tallest: 55 1/4 inches high; the other, 49 1/4 inches high 2,000/3,000

195.

195. PAIR OF CHINESE FAMILLE ROSE BUTTERFLYDECORATED VASES mounted & electrified as table lamps the vases: 16 inches high 3,000/5,000

196.

196. ITALIAN MARQUETRY INLAID CHEST OF DRAWERS 49 inches wide; 22 inches deep; 35 inches high 1,000/1,500

197.

197. FRENCH EMPIRE-STYLE MAHOGANY & PARCEL GILT MARBLE TOP CENTER TABLE with a rouge marble top 56 inches diameter; 30 1/2 inches high 1,500/2,000

198.

198. PAIR OF SPANISH RENAISSANCE STYLE CARVED & BONE INLAID VARGUENOS ON STANDS

199. PRIMITIVE HAWAIIAN CANOE Provenance: The Kelton Collection, Marina del Rey

the cabinet: 48 inches wide; 16 inches deep; 35 inches high/the base: 55 inches wide; 20 inches deep

192 inches long

5,000/7,000

2,000/3,000

199.

201. SCHLUMBERGER FOR TIFFANY & CO. 18 KARAT GOLD, DIAMOND, & CORAL FLOWER BROOCH stamped ‘Tiffany’ and ‘Schlumberger’; containing one full cut round diamond [G/VS2] weighing 0.05 carats, and one spherical drilled natural coral bead 201.

14.1 grams 1,000/1,500

200. 18 KARAT GOLD, CORAL, TURQUOISE, LAPIS LAZULI, & DIAMOND BRACELET the diamonds weighing approximately 2.10 total carats

200.

77.7 grams 1,500/2,000

202.

202. PAIR OF TIFFANY & CO. 18 KARAT GOLD & JADE DOME EARRINGS in the style of Angela Cummings (not marked) the positive/negative design featuring opaque black natural and gold 18.7 grams 1,800/2,000

203.

203. PAIR OF TIFFANY & CO. 18 KARAT GOLD, ONYX, & MOTHER-OF-PEARL EARRINGS containing one square carved tablet cut natural onyx & one square carved tablet cut natural mother-of-pearl, each with opposite inlay 11.5 grams 800/1,200

204.

204. 18 KARAT GOLD, PLATINUM, & DIAMOND RING the center emerald cut diamond weighing 1.65 carats [F/VS2[ surrounded by 28 tapered baguette diamonds [G-H/ VVS2-VS1] weighing approx. 2.84 carats total (total diamond weight: 4.34 carats) with GIA report no. 1206845388 8.8 grams size: 6 6,000/8,000

205. PAIR OF VAN CLEEF & ARPELS 18 KARAT GOLD & CHRYSOPRASE EARRINGS

205.

containing two very well matched oval cabochon cut natural chrysoprases weighing approx. 2.21 and 2.30 carats 14.4 grams 500/700 206. PAIR OF VAN CLEEF & ARPELS 18 KARAT GOLD & TURQUOISE EARRINGS

206.

numbered ‘3K1654’; containing two oval cabochon cut natural turquoises weighing 3.43 & 3.96 carats each 10.6 grams 500/700 207. PAIR OF LAYKIN ET CIE 18 KARAT GOLD & DIAMOND EAR CLIPS

207.

the ear hoops detachable from the two lower segments the diamonds weighing approx. 1.52 total carats 43.8 grams

207.

57 x 32 mm 2,000/3,000

208. BUCCELLATI 18 KARAT SEMI-FLEXIBLE BRACELET 48.7 grams 7 1/2 inches long

208.

1,500/2,000

209. 14 KARAT GOLD, DIAMOND, & AQUAMARINE BROOCH

209.

the central aquamarine weighing approx. 3941.50 carats surrounded ten round brilliant diamonds weighing approx. 0.15 carats total [G/H; VS1-SI1] with GIA report no.1206535264 23.94 grams the aquamarine: measuring 26.87 x 18.23 x 11.48 mm 210.

1,200/1,500

210. 14 KARAT GOLD & DIAMOND RING the central marquise cut diamond weighing 2.29 carats [F/SI2] with GIA report no. 6207845407 5.9 grams size: 6 1/4 6,000/8,000

211. 18 KARAT GOLD, DIAMOND, SAPPHIRE, & RUBY LION-MOTIF BYPASS BANGLE

211.

containing 12 single cut diamonds weighing approx. 0.26 total carats [G/VS], 16 round mixed cut natural sapphires weighing approx. 3.44 total carats, and four round mixed cut natural rubies weighing 0.08 total carats 57.9 grams 2,000/3,000

213.

215. 214.

212.

212. LALAOUNIS 18 KARAT GOLD, DIAMOND, & RUBY LION BROOCH containing two full cut round diamonds weighing 0.16 total carats [G/VS] and one oval mixed cut natural ruby weighing approx. 0.11 carats 53.5 grams 69 x 36 mm 1,800/2,500 213. LALAOUNIS 18 KARAT GOLD DOUBLE RAMâ&#x20AC;&#x2122;S HEAD BROOCH containing two spherical drilled natural sapphires weighing 1.24 & 1.54 carats, four round mixed cut natural rubies weighing 0.16 total carats, two rose cut diamonds weighing 0.02 total carats [G/SI], and ten round mixed cut natural emeralds weighing 0.52 total carats 23.4 grams 47 x 43 mm 800/1,200

214. PAIR OF LALAOUNIS 22 KARAT GOLD BANGLES one bracelet with stamped and chased hour glass decoration; the other; quatrefoil and dome motifs one bracelet weighing 34.0 grams, the other, 34.8 grams each bracelet measuring 7 1/4 inches in circumference 2,000/3,000 215. LALAOUNIS 22 KARAT GOLD BYZANTINE-STYLE RECTANGULAR PENDANT a design of St. George and the Dragon in multi-color champleve enamel surrounded by a cloisonne enamel border alternating with round cabochon cut natural garnets weighing approx. 6.00 carats total 32.8 grams 73.00 x 48.00 mm 800/1,200 79

216. TWO ASSORTED LALAOUNIS 18 KARAT GOLD FLOWER BROOCHES

216.

depicting a rose and daisy 21.3 total grams the rose: 46 mm high; the daisy: 52 mm high 700/1,000

217. VAN CLEEF & ARPELS 14 KARAT GOLD DRESS SET

217.

comprising a pair of cufflinks and three shirt studs 21.5 total grams 600/800

218. 14 KARAT & DIAMOND 14 KARAT GOLD & DIAMOND GENTLEMANâ&#x20AC;&#x2122;S RING

218.

the central one round brilliant diamond weighing 1.59 carats [F/SI1] with GIA report no. 6207692249 4.07 grams size: 9 1/4 5,000/7,000

219. 14 KARAT GOLD & DIAMOND BANGLE BRACELET containing 20 round brilliant diamonds weighing approx. .23 each[VS2-SI1/G-H]; approx. 4.60 total carats 23.6 grams

219.

2,000/3,000

220. 14 KARAT GOLD & DIAMOND ENGAGEMENT RING

220.

containing one round brilliant cut diamond weighing 5.05 carats[J/SI1] with GIA report no. 6203691132 11.51 grams size: 5 1/2 30,000/40,000

221

221. 18 KARAT GOLD & DIAMOND BIB NECKLACE stamped ‘BREV’ and ‘Orlandim’; the central diamond in pendant weighing approximately 0.10 carats 63 grams 1,800/2,500

222. 14 KARAT GOLD & DIAMOND RING 222.

the central round brilliant cut diamond weighing 1.52 carats[I/SI1] with GIA report no. 2205692168; engraved: “All my love, Michael 11-787” 8.1 grams size: 4 1/2 4,000/6,000

223. 223. ITALIAN 18 KARAT GOLD & DIAMOND SNAKE BRACELET monogrammed ‘E.B.’; the diamonds weighing approximately 0.05 total carats 56.8 grams 1,500/2,000

224. GENTLEMAN’S 18 KARAT GOLD ROLEX OYSTER PERPETUAL DAY-DATE AUTOMATIC WATCH

224.

signed “Rolex Oyster Perpetual Day-Date/Superlative Chronometer Officially Certified; the dial surrounded by black enamel Roman numeral hour indicators the attached 14 karat gold aftermarket link bracelet measures 7 3/16 inches long; the dial: 30mm 4,000/6,000

225.

225. 14 KARAT TRI-COLOR GOLD & DIAMOND MOUNTED STONE EGG in the style of Faberge opening to reveal a guilloche enamel scent bottle 357.8 grams 5 1/4 inches high, 2 3/8 inches diameter 4,000/6,000

226. RUSSIAN NEPHRITE, DIAMOND & 14 KARAT ROSE GOLD BOX

226.

in the style of Faberge 223 grams 3 3/4 inches wide 3,000/4,000

227. 227. 18 KARAT GOLD, JADE, & RUBY DOUBLE FRAME in the style of Faberge 205.7 grams 4 1/2 inches wide; 4 1/8 inches high 2,000/3,000

228. ITALIAN CARVED MARBLE STATUE OF MAN & WOMAN

228.

resting on a marble pedestal 32 inches high; 56 total inches high 1,500/2,000 229. PAIR OF NEOCLASSIC REPOUSSE DECORATED URNS silver on copper, mounted as table lamps

229.

230.

29 1/2 inches high to top of urn 700/1,000

230. JAPANESE GILT & BLACK LACQUERED DOCUMENT BOX in a fitted wood box 16 1/2inches wide; 14 inches deep; 6 1/2 inches high 1,200/1,500

231. 231. PAIR OF CHINESE POLYCHROME PORCELAIN VASES 17 1/2 inches high 1,000/1,500

232. GEORGIAN MAHOGANY TWIN PEDESTAL WRITING DESK

232.

in an oval form 66 inches wide; 42 inches deep; 31 inches high 2,000/3,000

233.

233. PAIR OF VENETAIN PAINTED & PARCEL GILT ARMCHAIRS 24 inches wide; 20 inches deep; 33 inches high 1,200/1,500

234. NAPOLEON III ORMOLU-MOUNTED & BOULLE CABINET

234.

stamped ‘Mathieu Befort dit Befort Jeune of Paris 34 inches wide; 25 inches deep; 45 inches high 6,000/8,000

235. JESSIE ARMS BOTKE: “PAIR OF WHITE PEACOCKS” oil on canvas laid on masonite signed lower right Provenance: The Douglas & Eunice Goodan Living Trust John Moran: February 15, 2011 [Lot 74] 32 x 27 inches 20,000/30,000 86

235.

236. 236. JESSIE ARMS BOTKE: “CITRON COCKATOOS” oil and gold leaf on board signed lower right Provenance: The Douglas & Eunice Goodan Living Trust John Moran: June 15, 2010 [Lot 15] 10 x 12 inches 6,000/8,000

237.

237. EDMUND OSTHAUS: “SETTERS ON POINT” oil on canvas signed lower right Provenance: The Estate of Jo-Ann & David Shore 18 1/4 x 14 inches 15,000/20,000

239.

238.

238. PAIR OF FRENCH BRONZE, GILT BRONZE, & MALACHITE VENEER FIGURAL CANDELABRA

239. AMERICAN BRILLIANT-CUT PEDESTAL PUNCH BOWL Provenance: The Estate of Jo-Ann & David Shore

10 inches wide; 30 inches high

14 inches diameter; 14 inches high

3,000/4,000

1,000/1,500

240.

240. SPANISH POLYCHROME, CARVED WALNUT, & PARCEL GILT VARGUENO ON CHEST the upper part with a fall applied with velvet and pierced gilt iron work locking plate angles and carrying handles, enclosing various drawers with architectural loppers on a chest with bun feet Provenance: Phillips--London: November 13, 1996 [Lot 135] 41 3/4 inches wide; 17 1/4 inches deep; 57 inches high 5,000/7,000

241. PAIR OF SPANISH WROUGHT IRON CANDLE STANDS

241.

Provenance: Sotheby’s--New York [June 27, 1996 [Lot 183] 21 inches wide; 50 inches high 800/1,200

242. FABERGE PORCELAIN DINNER SERVICE 242.

“Imperial Heritage” pattern comprising 25 service plates, 16 bread plates, 15 soup bowls, one platter, 24 salad plates, 14 cups & 16 underplates, and an oval platter together with 14 Imperial Egg demitasse cups & 16 underplates [136 total pieces] 1,200/1,500

243.

244. 243. SHERATON STYLE MAHOGANY DINING TABLE

244. EIGHT MAHOGANY CHIPPENDALE STYLE DINING CHAIRS

two leaves

800/1,200

98 inches wide; 45 inches deep; 28 1/2 inches high 400/600 91

245.

245. CLARK HULINGS: “THE VALENCIA FLOWER MARKET” circa 1968 oil on canvas signed and dated lower right Provenance: The Estate of Doulgas and Eunice Gooden label from Jackson Hole Art Auction, The Legacy Gallery 31 x 47 inches 40,000/60,000

246.

246. HARRY RAYMOND HENRY: “THE GRAND CANYON” oil on canvas signed lower left Provenance: The Douglas & Eunice Goodan Living Trust 36 x 48 inches 3,000/5,000

247.

247. RICHARD SCHMID: “MOLLY SLEEPING, WHITE SHEETS WITH ROSES” circa 1985 signed lower right signed and dated verso Provenance: The Douglas & Eunice Goodan Living Trust Altermann Galleries: November 13, 2011 [Lot 170] 10 x 16 inches 3,000/4,000 93

248.

248. JOHN MODESITT: “AWAKENING OF SPRING” oil on canvas signed lower right Provenance: The Douglas & Eunice Goodan Living Trust John Moran: June 21, 2005 [Lot 214] 40 x 44 inches 6,000/8,000

249. CHRISTOPHE FRATIN: “LION & HIS PREY”

249.

bronze inscribed in casting 22 inches wide; 6 inches deep; 12 inches high 2,000/3,000

250.

250. PAIR OF CHINESE CINNABAR LACQUERED VASES 24 inches high 1,000/1,500

251. 251. PAIR OF CARVED MARBLE & GILT BRONZE MOUNTED COLUMN PEDESTALS 39 inches high 3,000/4,000

252. PAIR OF CHARLES X STYLE CARVED MAHOGANY & PARCEL GILT CONSOLES 50 inches wide; 20 inches deep; 38 inches high 3,000/5,000

252.

253. 253. OUSHAK CARPET 13’10” X 19’9” 3,000/4,000

238.

252.

255.

255. ITALIAN ROCOCO GILT & CARVED PARLOR SET comprising a chair and settee the settee 64 inches wide 3,000/5,000 254. PORTUGUESE CARVED ROSEWOOD TABLE 36 inches wide; 20 inches deep; 29 1/2 inches high 254.

800/1,200

256. 256. LOUIS XVI BOULLE BRACKET CLOCK 256.

the dial signed Andre Furet, Paris 17 inches wide; 6 1/2 inches deep; 37 inches high; 49 total inches high 3,000/5,000 98

257.

257. PAIR OF ROCOCO STYLE GILT WALL MIRRORS 68 x 40 inches 2,000/3,000

258.

258. FRENCH ORMOLU-MOUNTED PARQUETRY-INLAID COMMODE 48 inches wide; 24 inches deep; 33 inches high 1,500/2,000

260. 259.

259. NORTHERN ITALIAN CARVED WALNUT HALL CHAIR

260. FRENCH DORE BRONZE & PATINATED BRONZE FIGURAL CLOCK

with Verdure tapestry upholstery

21 inches wide; 8 inches deep; 15 inches high

700/1,000

1,500/2,000 100

261. 261. GEORGIAN CARVED WALNUT & FRUITWOOD COMMODE 37 inches wide; 20 inches deep: 34 inches high 800/1,200

262. PAIR OF PERSIAN ENAMEL DECORATED GLASS DECANTERS

262.

20 inches high 1,500/2,000

263.

263. GEORGIAN OYSTER-VENEER WALNUT WRITING TABLE 60 inches wide; 36 inches deep; 30 1/4 inches high 1,000/1,500

101

264. HEREKE SILK CARPET

264.

signed in border 9’ x 11’ 6,000/8,000

266.

265.

265. WILL SPARKS: “TWILIGHT, MONTEREY”

266. WILL SPARKS: “HOUSES IN A LANDSCAPE”

oil on panel signed lower right signed and titled on panel verso

oil on artist’s board Provenance: The Douglas & Eunice Goodan Living Trust

Provenance: The Douglas & Eunice Goodan Living Trust

10 x 13 inches

10 x 12 inches

1,000/1,500

2,000/3,000 102

267.

267. REGENCY BRASS-INLAID ROSEWOOD CENTER TABLE 48 inches diameter; 28 inches high 1,000/1,500 268.

268. CHINESE CARVED HARDWOOD MANTEL CLOCK 14 inches wide; 10 inches deep; 23 inches high 1,500/2,000

103

269.

269. CHINESE REPUBLIC PORCELAIN VASE resting on a wood stand 11 1/4 inches high; 13 1/4 total inches high 3,000/5,000 271. 270.

270. CHINESE BLUE & WHITE PORCELAIN JAR

271. PAIR OF GEORGE III CARVED MAHOGANY KNIFE URNS

with carved wood lid and base

25 1/2 inches high

14 total inches high

700/1,000

700/1,000 104

272. 273.

272. ROCOCO STYLE GILT BRONZE & CUT GLASS CENTERPIECE 40 inches high 1,500/2,500

274.

273. GINORI PORCELAIN DINNER SERVICE “Italian Fruits” pattern comprising 15 dinner plates, 16 salad plates, 15 bread plates, 15 soup plates, 13 assorted square hors d’oeuvre dishes, 15 hors plates, two coffee cups & saucers, 18 teacups & 22 saucers, three large oval serving platters, two oval vegetable dishes, two oval serving platters, a rectangular & an oval cartouche- form dish, gravy boat, a coffeepot (chips to spout), teapot, four creamers, two sugar bowls (one with a broken handle), ten shakers, & five casters [166 total pieces] 1,000/1,500

274. FRENCH TERRACOTTA FIGURE OF A YOUNG GIRL Provenance: The Estate of Jo-Ann & David Shore 35 1/2 inches high; 18 inches wide 1,500/2,000

105

106

275.

275. MONTAGUE DAWSON: “THE ‘TITANIA’ AT SEA” oil on canvas signed lower left Provenance: Christies--New York: June 4, 2009 [Lot 155] 40 x 50 inches 50,000/70,000

107

276.

277.

108

109

278. 278. JOE DUNCAN GLEASON: “THE LITTLE SCHOOL HOUSE, CAMBRIA PINES” oil on board signed lower right Provenance: The Kelton Collection, Marina del Rey 14 x 18 inches 1,500/2,000

279. PAIR OF LOUIS XVI STYLE ORMOLU & PARQUETRY DECORATED MARBLE TOP CABINETS

279.

each with a central Neoclassic transfer relief 56 inches wide; 20 inches deep; 40 inches high 4,000/6,000

280.

280. LUIGI PASTEGA: “ITALIAN SCENE OF WASHERWOMEN” oil on canvas signed lower right Provenance: The Friedman Family Collection 18 x 24 inches 1,000/1,500 110

281. GEORGIAN CARVED OAK TAVERN TABLE 106 inches wide; 58 total inches deep; 30 1/2 inches high

281.

1,500/2,000

282. TEN REGENCY CARVED MAHOGANY & CANE DINING CHAIRS

282.

700/1,000

283. PAIR OF EMPIRE MAHOAGNY BANQUETTE COFFEE TABLES Jacob Freres each baquette coverted to a two-tier coffee table 60 inches wide; 18 inches deep; 18 inches high

283.

800/1,200

284. 284. CHINESE CARVED INK STONE 10 3/4 inches wide; 6 1/2 inches deep; 2 3/4 inches high 1,000/1,500

111

285. 285. PAIR OF LOUIS XV STYLE CARVED WALNUT FAUTEUILS 1,000/1,500

286. AKAN ROYAL COURT SCULPTURE

286.

Provenance: Heather James Art & Antiquities, Palm Desert, CA, circa 2004 33 inches high 2,000/3,000

287.

287. ORMOLU-MOUNTED MALACHITE BOX resting on stand 11 5/8 inches wide; 15 5/8 inches deep; 9 inches high 3,000/4,000

288. 288. PAIR OF LOUIS XV STYLE MARQUETRY INLAID & PORCELAIN TEA TABLES 30 inches wide; 20 inches deep; 22 inches high 1,500/2,000 112

289.

289. SPANISH CARVED WALNUT & BONE INLAID TABLE Provenance: Christopher Hodsoll, London 40 inches wide; 24 inches deep; 31 inches high 1,000/1,500

290. PAIR OF TANG STYLE POTTERY POLO PLAYERS

290.

Provenance: Heather James Art & Antiquities circa 1997, TL test no. 9740, 1997 each 14 inches wide 2,000/3,000

291. 291. TANG STYLE POTTERY HORSE 20 inches wide; 20 inches high 2,000/3,000

292. LOUIS XVI CARVED FRUITWOOD & MARQUETRY BUREAU PLAT

292.

with a leather writing surface 58 inches wide; 29 inches deep; 29 1/2 inches high 2,000/3,000

113

293.

293. PAIR OF FRENCH EMPIRE STYLE DECORATED TOLE & BRONZE PLANTERS 25 inches wide; 14 1/2 inches deep; 11 1/2 inches high 1,200/1,500

294. 294. PAIR OF LOUIS XV CARVED FRUITWOOD BERGERES 2,000/3,000

296. PAIR OF TABRIZ CARPETS each measuring 4’6 1/2” X 6’3 1/2” 2,000/3,000

296.

114

297. GEORGIAN STYLE IRISH CRYSTAL CHANDELIER

297.

31 inches wide; 39 inches high 2,000/3,000

295. QUM SILK CARPET 13’4” x 20’

295.

10,000/15,000

115

298.

298. PAIR OF MONUMENTAL BRONZE RECUMBENT LIONS 91 inches wide; 47 inches deep; 58 inches high 7,000/10,000

116

299.

299. SALVOR PROJECTS FRAMED SCARF circa 1977 featuring artist Genesis Breyer P-Orridge numbered 9/99 63 1/2 x 43 1/2 inches 2,000/3,000

300.

300. LOUIS XV STYLE BRONZE MOUNTED DISPLAY CABINET 84 inches wide; 16 inches deep; 104 inches high 7,000/10,000

117

301. PURVIS YOUNG: “UNTITLED”

301.

mixed media on found wood signed 48 x 76 inches 2,000/3,000

302.

302. ITALIAN ROCOCO STYLE PAINTED WROUGHT IRON CONSOLE 46 inches wide; 20 inches deep; 33 1/2 inches high 2,000/3,000

303.

303. DUTCH BAROQUE CARVED WALNUT SECRETAIRE BOOKCASE in three parts the hinged slant front opening to reveal a leather inset witing surface, a central door, four pigeon holes, eight short drawers, one long drawer, and three hidden compartments 48 inches wide; 30 inches deep; 90 total inches high 3,000/5,000

118

305.

304. CHINESE STONE CARVED PILLAR possibly Tang dynasty Provenance: purchased Heather James Art & Antiques, Palm Desert, 1998 62 3/4 inches high 3,000/5,000

305. FRENCH SCHOOL: “FIGURES IN COASTAL LANDSCAPE” oil on canvas 83 x 71 inches 304.

3,000/5,000

306. ITALIAN CARVED GILTWOOD MARBLE TOP CONSOLE

306.

72 inches wide; 31 1/4 inches deep; 37 1/4 inches high 2,000/3,000 119

307.

307. LOUIS XV BURL WALNUT BUFFET A DEUX CORPS 108 inches wide; 29 inches deep; 132 inches high 3,000/5,000

308. 308. ITALIAN CARVED MARBLE FIGURE OF A BATHER 58 inches high 4,000/6,000

120

309. HOON KWAK: “TRIPTYCH ABSTRACT”

309.

circa 1986 mixed media on paper signed and dated lower right each sheet: 54 x 29 inches 3,000/4,000

310. FRENCH ROCOCO GILT CARVED & GESSO WALL MIRROR

310.

104 x 64 inches 2,000/3,000

311.

311. GERMAN SCHOOL: “PORTRAIT OF A WOMAN” oil on canvas 95 x 60 inches 3,000/5,000 121

312.

312. REGENCE CARVED WALNUT CONSOLE 62 1/2 inches wide; 31 1/2 inches deep; 34 1/2 inches high 2,000/3,000

313. CHINESE SIX-PANEL WOOD & REPOUSSE SCREEN

313.

each panel measuring 82 1/2 x 16 1/2 inches 2,000/3,000

314.

314. CHINESE EIGHT-PANEL CARVED WOOD & PORCELAIN SCREEN each panel measuring 80 x 16 inches 4,000/6,000

122

315.

315. JENNY HOLZER: SET OF EIGHT ‘ALPHABET’ LITHOGRAPHS four framed; four unframed each measuring 34 x 23 inches 2,000/3,000

123

316. TOM HOLLAND: “DIAZ”

316.

circa 1988 mixed media signed and dated middle right Provenance: The Friedman Family Collection 33 x 60 1/2 inches 1,000/1,500

317. 317. ENGLISH SCHOOL: “PORTRAIT OF A LADY” oil on canvas Note: with handwritten label verso Provenance: The Estate of Mary Carlisle, Beverly Hills 29 x 24 inches 1,000/1,500

318.

318. HENDRICK ADOLF SCHAEP: “SHIPS IN HARBOR” circa 1859 oil on wood panel signed lower left 27 x 18 3/4 inches 3,000/5,000 124

319. 319. FRANK DUVENECK: “YOUNG GIRL” oil on canvas unsigned Provenance: The Estate of Patricia DuVannes, wife of Armand DuVannes of Adamson-DuVannes Gallery 33 x 27 inches 1,500/2,000

320. 320. FRANK DUVENECK: “SEATED MAN” oil on canvas unsigned Provenance: The Estate of Patricia DuVannes, wife of Armand DuVannes of Adamson-DuVannes Gallery 18 x 13 1/2 inches 1,500/2,000

321.

321. IN THE MANNER OF TO JOSEPH M.W. TURNER: “THE GATHERING STORM” oil on canvas Provenance: The Douglas & Eunice Goodan Living Trust 18 x 24 inches 2,000/3,000 125

322.

322. ENGLISH SCHOOL: “SHIPS ON THE WATER” oil on canvas Provenance: The Estate of Jo-Ann & David Shore 34 x 44 inches 2,000/3,000

323.

323. ANDRE FONECHE: “ROUGH WATERS” oil on canvas laid down signed lower right Provenance: The Estate of Jo-Ann & David Shore 24 x 45 1/2 inches 2,000/3,000 126

324.

324. PAIR OF CHINESE FLORAL PORCELAIN BIRD VASES 22 1/4 inches high 1,000/1,500

325. 325. PAIR OF FRENCH MARQUETRY INLAID END TABLES with ormolu mounts 23 inches wide; 18 inches deep; 32 inches high 1,500/2,000

326. LOUIS XV STYLE BOULLE FLIP TOP CONSOLE 35 inches wide; 18 inches deep; 29 1/2 inches high

326.

1,000/1,500

127

327. 327. PAIR OF SPANISH EMBOSSED LEATHER CHAIRS Provenance: Sotheby’s--London: May 31, 1996 [Lot 55] 600/800

328.

328. SPANISH COLONIAL CARVED & IRON MOUNTED CHEST Provenance: Christie’s--New York: June 13, 1996 [Lot 118] 60 1/2 inches wide; 27 inches deep; 27 inches high 1,000/1,500

329.

329. WILLIAM OWEN: “PORTRAIT OF LIEUTENANT EDWARD HUGHES” oil on canvas Provenance: The Estate of Mary Carlisle, Beverly Hills 20 x 19 inches 1,500/2,000 128

330.

330. MORGAN WEISTLING: “ALICE” oil on canvas signed lower left Provenance: The Douglas & Eunice Goodan Living Trust Jackson Hole Art Auction: September 17, 2011 [Lot 146] 36 x 25 1/2 inches 25,000/35,000 129

331. 331. AMERICAN SCHOOL: “THE CAPTAIN” oil on canvas relined on board 30 x 26 inches 2,000/3,000

332.

332. BERNARD GUSSOW: “MUSICAL SUNDAY AFTERNOON” oil on canvas signed lower right 22 x 26 inches 1,500/2,000

333. 333. BERNARD GUSSOW: “THE CONCERT” oil on board signed middle lower left 19 x 24 inches 1,000/1,500

130

334.

334. AUREL BERNATH: “SEATED NUDE” oil on canvas signed lower right Provenance: The Estate of Gigi Guggenheim Danziger Christies--Los Angeles: March 22, 2001 [Lot 8] 44 x 32 inches 1,500/2,000

335.

335. PAIR OF NORTHERN ITALIAN CARVED WALNUT SAVONAROLA CHAIRS Provenance: Sotheby’s--New York: June 14, 1996 [Lot 362] 1,000/1,500 131

336.

336. ITALIAN CARVED MARBLE FIGURE OF A FISHERMAN 33 inches high 1,500/2,000

337.

337. LOUIS XV STYLE CARVED WALNUT & UPHOLSTERED RECAMIER 82 inches wide 1,000/1,500

338.

338. LOUIS XIII WALNUT TURNED LEG TABLE 44 inches wide; 24 1/2 inches deep; 30 1/2 inches high 500/700

132

339.

339. IBERIAN STYLE CARVED & INLAID SALON SUITE comprising two club chairs and a settee the sette measuring 52 inches wide; 28 inches deep; 26 inches high 5,000/7,000

340.

341.

340. PAIR OF FRENCH ORIENTALIST STATUES

341. PAIR OF MOROCCAN BONE INLAID & CARVED CHAIRS

attributed to Anatole J. Guillot bronze with brown patina inscribed in casting

41 1/2 inches high 600/800

14 1/2 inches wide; 11 inches deep; 31 1/2 inches high 1,200/1,500 133

342. SIXTEEN-PIECE STERLING SILVER SERVING TABLE SERVICE

342.

comprising a centerpiece with underplate, sugar bowl, dessert stand, gravy boat and underplate. pair of candelsticks, four salt cellars and four casters 212 total troy ounces the underplate: 16 inches wide; 10 total inches high 2,000/3,000 343.

343. SPANISH CARVED WALNUT & IRON TRESTLE TABLE 78 1/2 inches wide; 26 inches deep; 30 1/2 inches high 2,000/3,000 344. INDIAN SULTANABAND STYLE CARPET

344.

13’4” x 18’10” 3,000/5,000

134

345.

345. CHINESE IMPERIAL ROBE silk with metallic gold dragons 2,000/3,000

346. GEORGES BAREAU: “HEBE UPON JUPITER’S EAGLE”

346.

bronze with brown patina inscribed in casting with inscription on plate 30 inches wide; 37 1/4 inches high 2,000/3,000

347.

347. COLONIAL CARVED ROSEWOOD BURGOMASTER CHAIR Provenance: Sotheby’s--London: May 31, 1996 [Lot 57 ] 29 inches wide; 23 inches deep; 32 1/2 inches high 700/1,000 135

348.

348. TURKISH INLAID TRUNK Provenance: Christopher Hodsoll, London 46 inches wide; 24 1/2 inches deep; 24 inches high 2,000/3,000

349. 349. PATRICK NASMYTH: “WELSH LANDSCAPE” circa 1787 oil on canvas signed lower left 22 1/2 x 31 inches 1,200/1,500

350. 350. DUTCH SCHOOL: “BY THE SHORE” circa 1693 oil on canvas signed and dated lower left Provenance: The Estate of Jo-Ann and David Shore 15 1/4 x 20 1/2 inches 1,500/2,000

136

351.

351. ADOLF VAN DER VENNE: “FIGURES IN LANDSCAPE WITH HORSES circa 1886 oil on canvas signed lower left 21 x 28 1/2 inches 1,000/1,500

352.

352. IN THE MANNER OF GEORGE INNESS: “SUMMERTIME” oil on panel signed lower right Provenance: The Estate of Jo-Ann and David Shore 16 x 22 inches 1,500/2,000

353. 353. JOHN COMER: “LAGUNA” circa 1998 oil on canvas signed lower right 24 x 36 inches 800/1,200 137

354. 354. JOHN COMER: “SHELTER ISLAND & SAN DIEGO” oil on canvas signed lower left 20 x 30 inches 800/1,200

355. 355. DAVID CHAPPLE: “POPPIES & BLUEBONNETS” oil on board signed lower right 30 x 40 inches 3,000/5,000

356.

356. DAVID CHAPPLE: “CALIFORNIA OAKS” oil on board signed lower left Provenance: The Douglas & Eunice Goodan Living Trust Abell Auction Co.: March 10, 2013 [Lot 368] 24 x 30 inches 1,500/2,000

138

357.

357. KARL THOMAS: “AVALON, CATALINA” oil on canvas signed lower right 24 x 30 inches 2,000/3,000

358. BEN ABRIL: “ROCKLEDGE MORNING, LAGUNA BEACH”

358.

oil on canvas signed lower right 24 x 36 inches 1,500/2,000

359. 359. LATE GEORGIAN BRASS INLAID MAHOGANY WRITING BOX on a stand of a later date 21 1/2 inches wide; 13 1/2 inches deep; 10 1/2 inches high; 28 1/2 total inches high 600/800

139

360.

140

360. VASA MICHICH: “FOUR COLUMNS” circa 1987 laminated cast acrylic signed and numbered 2856 each column: 66 inches high; 3 1/2 x 6 1/4 inches 8,000/12,000

361.

361. VASA MICHICH: SAILBOAT FORM SCULPTURE circa 1987 laminated cast acrylic signed and numbered 2997 36 1/4 x 22 1/4 inches 2,000/3,000

362.

363.

362. AFTER JOSEF HOFFMANN: PAIR OF MOHAIR SOFAS

363. AFTER JOSEF HOFFMANN: PAIR OF MOHAIR CLUB CHAIRS

64 inches wide

800/1,200

1,000/1,500 141

365.

364.

367.

366.

364 PAIR OF ART MODERNE ROCK CRYSTAL LAMPS

365. FELIPE CASTANEDA: “MUJER, UNTITLED” circa 1972 bronze inscribed in casting

on lapis lazuli bases 18 1/4 inches high

18 inches wide; 10 inches deep; 12 inches high

1,500/2,000

366. PAUL FRANKL: CORK TOP CONSOLE TABLE

367. PAUL FRANKL: PAIR OF CORK TOP END TABLES

circa 1948

circa 1950

70 1/2 inches wide; 21 inches deep; 25 inches high

30 inches wide; 20 inches deep; 22 inches high

1,200/1,500

800/1,200 142

368.

368. ROBERT GRAHAM: “DUKE ELLINGTON” circa 1997 bronze maquette of the Duke Ellington Memorial, New York, NY inscribed and dated in casting 24 inches high 3,000/4,000

369. FREDERICK HART: “TRANCENDENT”

369.

circa 1991 acrylic signed, dated, and numbered A.P. XLIV/LX 19 inches high 1,500/2,000

370.

370. JOHN KENNEDY: BRONZE OF HORSE AND RIDER circa 1996 bronze inscribed and numbered 25/100 18 1/2 inches high 1,500/2,500

143

371. JIANG TIEFENG: “GOLDEN ZEBRA”

371.

circa 1992 bronze with gold patina inscribed and numbered 149/225 21 1/2 inches high 1,500/2,000

372.

372. JIANG TIEFENG: “GOLDEN ELEPHANT” circa 1994 bronze with gold patina inscribed and numbered 117/225 18 1/2 inches high 2,000/3,000

144

373. 373. JIANG TIEFENG: “GOLDEN ZEBRA” circa 1992 bronze with gold patina inscribed and numbered 46/50 21 1/2 inches high 2,000/3,000

374. 374. SHAO KUANG TING: “FLIGHT” cold painted bronze inscribed and numbered 1/199 24 1/2 inches high 1,000/1,500

145

375.

375. KARL SPRINGER: FREE FORM TABLES (SET OF THREE) circa 1970 stainless steel, black glass 45 inches wide; 29 inches deep; 17 1/2 inches high 34 inches wide; 29 inches deep; 19 1/4 inches high 48 inches wide; 34 inches deep; 15 inches high 20,000/30,000

376.

376. KARL SPRINGER: FREE FORM DINING TABLE circa 1970â&#x20AC;&#x2122;s stainless steel, black glass 72 inches wide; 54 inches deep; 28 3/4 inches high 8,000/12,000 146

377. KARL SPRINGER: FREE FORM TABLE circa 1970 stainless steel, black glass

377.

70 inches wide; 50 inches deep; 21 1/2 inches high 5,000/7,000

378.

378. KARL SPRINGER: PAIR OF TALL CABINETS stainless steel 32 1/2 inches wide; 22 inches deep; 64 1/2 inches high 3,000/5,000 147

379. HEREND “ROTHSCHILD” PORCELAIN DINNER SERVICE comprising twelve (9 1/2 inch) soup bowls, thirteen (6 3/4 inch) dessert bowls, four (5 inch) trays, four (2 1/2 inch ) octagon cigarette holders, twelve (11 inch) plates, one (7 1/2 inch) dish, two (3 1/4 inch) butter pats, two (5 1/2 inch) vases, one (7 1/2 inch) serving bowl and ladle, four (5 inch) shakers, eleven demitasse cups, eleven (6 inch) saucers, thirteen (5 1/2 inch) small bowls, fourteen ( 5 1/4 inch) saucers, eleven tea cups, ten saucers, twelve (8 inch) plates, 11 (9 inch) plates, twelve (10 1/4 inch) plates, match holder, and orb [156 total pieces] 2,000/3,000

379.

380. 380. PAIR OF CHINESE FAMILLE VERTE PORCELAIN PLANTERS 18 inches wide; 12 inches high 1,500/2,000

382.

148

381. 381. CLAUDE CONOVER: “ BUUL” STOOL glazed earthenware signed and titled to underside 16 1/2 inches wide; 16 1/2 inches high 3,000/5,000

382. SALVADOR DALI: “LEDA” SALON TABLE Joachim Camps for Edition BD Barcelona design 75 inches wide; 17 3/4 inches deep; 16 1/2 inches high, 24 total inches high 10,000/15,000 149

383. PAIR OF “SARATOGA” CUBE CHAIRS

383.

circa 1970/2016 Massimo Vignelli for Poltronova 35 1/2 inches wide; 35 1/2 inches deep; 23 3/4 inches high 4,000/6,000 384. LIQUOR CABINET circa 1940’s Vellum & inlaid wood on stand 42 inches wide; 60 inches deep; 49 inches high 4,000/6,000

384.

385. PHILIP & KELVIN LAVERNE WATERFALL TABLE 32 inches wide; 20 inches depp; 18 inches high 2,000/3,000

385.

150

386. WILLIAM SPRATLING BUTAQUE CHAIR

386.

circa 1948, Mexico sabine wood & leather, branded artist cipher (WS Taxco) 19 inches wide; 26 inches deep; 23 inches high 1,500/2,000

387.

387. ATTRIBUTED TO ICO & LUISA PARISI: COFFEE TABLE circa 1961, Italy 39 1/2 wide; 18 3/4 deep; 18 inches high 800/1,200

388. 388. CLARE GRAHAM: “POP TOP” TETE-A-TETE Los Angeles, circa 2011 60 inches wide; 26 1/2 inches deep; 31 inches high 3,000/5,000

389. 389. JACQUEZ ADNET: SERVING TROLLEY 28 1/2 inches wide; 14 inches deep; 24 inches high 800/1,200

151

390. GEORGE RICKEY: KINETIC SCULPTURE stainless steel in three parts Provenance: The Friedman Family Collection each panel: 38 x 8 inches at widest point 20,000/30,000

152

391.

391. JEAN-PIERRE YVARAL: “STRUCTURE AUBIGUE” acrylic on canvas signed lower middle 63 x 63 inches 6,000/8,000

392.

392. JEAN-PIERRE YVARAL: “PROGRESSION POLYCHROME” acrylic on canvas signed lower middle, titled verso 42 x 53 inches 6,000/8,000

153

393.

394.

393. MILLARD SHEETS: “HORSE PADDOCK”

394. MILLARD SHEETS: “RANCH SCENE WITH HORSES”

circa 1935 watercolor on paper signed and dated lower right

watercolor on paper signed lower right

Provenance: The Douglas & Eunice Goodan Living Trust

Provenance: The Douglas & Eunice Goodan Living Trust Abell Auction Co.: June 1, 2008 [Lot 334]

21 x 29 1/2 inches sight

21 x 29 inches

3,000/4,000

3,000/5,000 395.

395. LARRY COHEN: “VIEW OF DOWNTOWN” oil on canvas signed on canvas verso 30 x 24 inches 1,500/2,000

154

396.

396. JIM MORPHESIS: “STUDY FOR ‘LITTLE CAESAR’” oil on wood panel signed lower right Provenance: The Friedman Family Collection 30 x 20 inches 1,000/1,500

397. MANUEL MENDIVE: “UNTITLED (FIGURES IN THE OCEAN WITH FISH)”

397.

circa 1995 oil on panel signed and dated lower center 18 x 32 1/4 inches 3,000/4,000 398.

398. FREDERICK HART: “THE DIVINE MILIEU” circa 2001 acrylic inscribed and numbered 152/395 20 inches high 1,500/2,000

155

399.

399. DAVID HOCKNEY: “MAN” photo lithograph in black and white signed and numbered 1/60 15 x 18 1/2 inches 3,000/4,000 400. DAVID HOCKNEY: “BIG CELIA, PRINT #2” circa 1981; M.C.A.T.,253 lithograph in black and white signed and numbered 85/100 52 x 57 inches 20,000/30,000

400.

156

401.

401. DAVID HOCKNEY: “TWO RED CHAIRS, MARCH 1984” circa 1986; M.C.A.T., 298 print in four colors signed and numbered 30/44 8 1/2 x 10 3/4 inches 3,000/5,000

402.

402. PABLO PICASSO: “LA FENÊTRE DE L·ATELIER À LA CALIFORNIE” circa 1959 color aquatint signed and numbered 155/300 Provenance: The Estate of Jo-Ann & David Shore 15 3/4 x 12 3/4 inches 3,000/4,000

157

403. PABLO PICASSO: “FEMME” circa 1955 earthenware signed, stamped, and numbered Edition Picasso Provenance: The Estate of Melvin & Marian Mandel 13 1/4 inches high 7,000/10,000

403.

404.

404. ROBERT GRAHAM: “MOCA TORSO” circa 1992-1995 bronze sculpture 11 inches high 2,000/3,000 158

405. 405. TONY BERLANT: “UNTITLED ROMANCE” metal collage on plywood with steel brads Provenance: The Friedman Family Collection 7 x 5 x 7 1/2 inches high 3,000/4,000

406.

406. JEFF KOONS: “CRACKED EGG” circa 2008 aluminum with red glaze 4 3/4 inches high 1,000/1,500

407.

407. PIOLA PILLIN: GLAZED CERAMIC VASE Provenance: The Estate of Jo-Ann & David Shore 10 inches high 400/600

159

409.

408. WILLIAM MORRIS: ART GLASS SCULPTURE circa 1985 inscribed and dated

409. DUILIO (DUBE) BARNABE: “STILL LIFE” oil on canvas signed lower right Provenance: The Estate of Jo-Ann & David Shore

43 1/2 inches high; the base: 24 inches high

24 x 32 inches 4,000/6,000

2,000/3,000 408.

410. REUVEN RUBIN: “FISHERMAN OF TIBERIAS” oil on canvas signed lower right Provenance: The Estate of Jo-Ann & David Shore 24 x 19 1/2 inches 30,000/50,000

160

410.

161

411. 411. FRANK FAULKNER: “ABSTRACT BIOTIC PATTERN” circa 1990 acrylic on canvas signed and dated verso 36 x 36 inches 1,200/1,800

412. 412. FRANK FAULKNER: “ABSTRACT BIOTIC [TWO WORKS]” circa 1990 acrylic on canvas each signed and dated verso 30 x 30 inches 2,000/3,000

413. 413. FRANK FAULKNER: “CONJOUROP” circa 1991 acrylic on canvas signed, dated, and titled verso Condition: unframed 52 x 76 inches 2,000/3,000

162

414. JAY STRONGWATER ENAMELED COFFERETTE

414.

“Genevieve” chest purchased from David Orgell, Beverly Hills, circa 2013 14 1/2 x 10 inches; 9 1/2 inches high 2,000/3,000

415. SILVERPLATE & MIRRORED PLATEAU ON STAND

415.

in three parts 48 total inches wide; 18 inches deep; 21 1/2 inches high 1,200/1,500

416.

416. PAIR OF MINTONS MAJOLICA JARDINIERES Provenance: Anne & Gordon Getty Collection, Sotheby’s--London: June 4, 1996 [Lot 328] 20 1/2 inches diameter; 17 1/4 inches high 1,000/1,500

163

417. 417. PAIR OF MOORISH CARVED & INLAID OCTAGONAL TABLES 22 inches square; 28 1/2 inches high 1,500/2,000

418. PAIR OF FRENCH MALACHITE VENEER FLOOR LAMPS 58 total inches high 2,000/3,000 419.

418.

419. MARC CHAGALL: “VISION OF MOSES” circa 1968; Mourlot, 554 lithograph in colors signed & numbered 59/75 Provenance: The Estate of Jo-Ann & David Shore 22 1/2 x 29 1/4 inches 4,000/6,000 164

420.

420. MARC CHAGALL: “MEGACLES RECONNAIT SA FILLE PENDANT LE FESTIN (FROM ‘DAPHNIS & CHLOE’ SUITE)” circa 1961; Mourlot, 347 Lithograph in colors numbered 109/250 Provenance: Feigen Palmer Gallery, Los Angeles 16 1/2 x 25 1/4 inches 2,000/3,000

421.

421. MARC CHAGALL “A MIDI, L’ETE (FROM ‘DAPHNIS & CHLOE’ SUITE)” circa 1961; Mourlot, 318 lithograph in colors numbered 109/250 Provenance: Feigen Palmer Gallery, Los Angeles 16 1/2 x 12 1/2 inches 2,000/3,000

165

422.

422. JOAN MIRO: “CUEILLEUSE D’ORANGE” circa 1969; Mourlot, 528 lithograph in colors signed and numbered 20/75 36 x 24 inches 2,500/3,500

423.

423. ROBERT INDIANA: “DIAMOND DEMUTH FIVE” screenprint in colors signed and numbered 7/50 the paper 36 x 36 inches 2,000/3,000

166

424. 424. AFTER SALVADOR DALI: “STUDIO OF DALI” circa 1965 lithograph in colors signed and numbered 280/300 Provenance: The Upstairs Gallery, Long Beach 22 x 28 inches 1,000/1,500

425.

425. ALEXANDER CALDER: “LA GRENOUILLE ET LA SCIE” lithograph in colors signed and numbered 34/75 21 1/2 x 29 1/2 inches 1,000/1,500

167

426. “PASTORALE”: FRENCH BRONZE & ROUGE MARBLE FIGURAL MANTEL CLOCK the gilt figure of a shepherdess on a marble clock base inscribed Claudius Marioton on side and ‘Exposition Universelle, 1883’ on clock face

426.

the base: 12 1/2 inches square; 29 total inches high 1,200/1,500

427.

427. LOUIS XVI STYLE CARVED & GILTWOOD CENTER TABLE with circular white inset marble 3,000/4,000 168

428. PAIR OF EUROPEAN PLANTERS

428.

possibly English or Dutch 19 1/2 inches diameter; 17 inches high 800/1,200

429.

429. LOUIS XV STYLE CANE & WALNUT MARQUIS CHAIR with a loose upholstered cushion 500/700

430. PALATIAL BEIGE-FIELD KERMAN CARPET 21’2” x 28’ 5,000/7,000

430.

169

431. PAIR OF NEOCLASSIC MARBLE, BRONZE, & GILT BRONZE FIGURAL CANDLESTICKS

431.

mounted & electrified Provenance: The Estate of Gigi Guggenheim Danziger 18 1/2 inches high 600/800 432. WILLIAM KEITH: “SUNSET THROUGH THE TREES”

432.

oil on canvas signed lower right 16 x 20 inches 1,500/2,000

433.

433. PHIL LATIMER DIKE: “PIEDRAS BLANCAS” oil on canvas signed lower right Provenance: The Douglas & Eunice Goodan Living Trust John Moran: June 15, 1999 [Lot 130C] 24 x 30 inches 5,000/7,000 RIGHT: THE MONTECITO ESTATE OF DOUGLAS & EUNICE GOODAN 170

171

434.

434. MILFORD ZORNES: “MORRO ROCK” circa 1950 watercolor on paper signed lower left Provenance: The Douglas & Eunice Goodan Living Trust John Moran: June 21, 2005 [Lot 124] 21 1/2 x 29 inches 1,000/1,500

435. 435. MILFORD ZORNES: “NEWHALL RANCH” circa 1937 watercolor on paper signed lower right Provenance: The Douglas & Eunice Goodan Living Trust John Moran: June 14, 1994 [Lot 78] 21 1/2 x 29 inches sight 1,000/1,500 436.

436. BARSE MILLER: “SAILBOATS ON THE SHORE” watercolor on paper signed lower right Provenance: The Douglas & Eunice Goodan Living Trust John Moran: June 21, 2005 [Lot 82] 18 x 22 inches 2,000/3,000

172

437. 437. EMIL KOSA, JR.: “OAKS OF WINTER” oil on canvas signed lower left Provenance: The Douglas & Eunice Goodan Living Trust 30 x 40 inches 3,000/4,000

438. 438. EMIL KOSA, JR.: “COMING HOME” oil on canvas signed lower left Provenance: The Douglas & Eunice Goodan Living Trust 24 x 34 inches 2,000/3,000

439.

439. DUNCAN GRANT: “FEMALE NUDES” circa 1925 watercolor on paper signed and dated upper right 9 x 7 inches sight 2,000/3,000

173

440. AFTER FRANZ JOSEF KLINE: “PORTRAIT” 440.

charcoal unsigned Provenance: Alan Kapelner, New York: gift from the artist Nancy Groth, Woodland Hills, circa 1972 Dr. Stanley A. Brosman, circa 1979 10 x 8 inches sight 2,000/3,000

441. PAIR OF ELIZABETH I SILVER THREE-LIGHT CANDELABRA Elkington & Co., Birmingham, 1960 68 total troy ounces 441.

Provenance: The Estate of Gigi Guggenheim Danziger 12 inches wide; 15 1/4 inches high 800/1,200

442. CHINESE CARVED FIGURAL GROUP OF MOTHER & CHILD fixed to a gilt decorated vase and mounted as a table lamp 12 total inches high 700/1,000

174

442.

443.

443. ITALIAN CARVED WALNUT & DECORATED CHEST OF DRAWERS 58 inches wide; 23 inches deep; 43 1/2 inches high 2,000/3,000

444. 444. FRENCH GILT CARVED & DECORATED CLOCK 38 x 20 inches 1,000/1,500

445.

445. BLACK FOREST CARVED WALNUT DEER MOUNT 30 inches wide; 46 inches high 2,000/3,000

175

446. SOUTHEAST ASIAN CARVED STONE ARCHITECTURAL RELIEF FRAGMENT

446.

on a modern metal stand 17 inches x 13 inches, height as mounted 3,000/5,000

447.

447. LOUIS XV PROVINCIAL WALNUT COMMODE 37 1/4 inches wide; 22 inches deep; 32 1/2 inches high 1,000/1,500 448. DEMETRE CHIPARUS: FIRE FENDER circa 1905 stamped ‘Etling Paris’ and ‘Demetre H. Chiparus’ 50 inches wide; 11 inches deep; 4 1/2 inches high 1,500/2,000

448.

176

449. LOUIS XV STYLE CARVED WALNUT & MARQUETRY INLAID GAMES TABLE

449.

31 inches wide; 23 1/2 inches deep; 30 inches high 1,000/1,500 450. CARVED FRUITWOOD & MARQUETRY INLAID MAHOGANY BILLIARD TABLE comprising a double-light pool fixture, 35 billiard balls, 9 pool cues, pool cue bridge, brush, pool cue stand, cue shelf, ball rack with score keeper, two triangle and two diamond racks 110 inches wide; 60 inches deep; 34 inches high 1,500/2,000 450.

177

451. PAIR OF SPANISH CARVED WALNUT STOOLS 451.

Provenance: Christie’s--Madrid: May 24, 1999; Property from Castillo de Bendinat [Lot 128] 30 inches wide; 14 inches high 1,000/1,500

452.

452. ENGLISH CARVED MAHOGANY LINEN PRESS in two parts 50 inches wide; 24 inches deep; 83 inches high 1,000/1,500

453.

453. SPANISH WALNUT & COPPER BRAZIER Provenance: Sotheby’s--London, circa 1983: The Thomas F. Flannery, Jr. Collection 41 inches wide; 19 1/2 inches high 2,000/3,000

178

454. 454. PAIR OF RUSSIAN NEOCLASSIC CARVED MAHOGANY ARMCHAIRS 800/1,200

455. 455. KHOTAN CARPET 7’ x 15’ 3,000/5,000

456.

456. GEORGIAN OAK WELSH CUPBOARD 73 inches wide; 17 inches deep; 77 1/2inches high 1,000/1,500

179

457. 457. AUDLEY DEAN NICOLS: “EL PASO DESERT” oil on masonite signed lower left 14 x 22 inches 2,000/3,000

458.

458. DOUGLASS PARSHALL: “OAK TREES & BIG ROCK” circa 1976 oil on artist’s board signed lower right signed, titled, and dated verso 12 x 15 1/2 inches 500/700

459. 459. ARTURO MICHELENA: “MOTHER & CHILD” oil on canvas signed lower left 21 1/2 x 18 inches 3,000/5,000

180

460. EUGENE LOUIS BOUDIN: “LES GENS DANS UN PAYSAGE” pencil on paper double sided Provenance: The Estate of Gigi Guggenheim Danziger

460.

7 1/2 x 10 1/2 inches sight 800/1,200

461. 461. FRANCESCO ZUNIGA: “MAN WITH PROCESSIONAL CROSS” circa 1963 watercolor signed and dated lower right 24 x 12 inches, sight 1,500/2,000

462.

462. PAIR OF CHINESE FAMILLE VERTE PORCELAIN URNS 15 1/2 inches high 700/1,000

181

463.

463. ROYAL VIENNA PORCELAIN CABINET PLATE OF QUEEN LOUISA bearing the beehive mark of Vienna, numbered 37854 and titled verso 9 1/2 inches diameter 700/1,000

464. 464. AUREL BERNATH: “SITTING BY THE COAST” oil on canvas signed lower left Provenance: The Estate of Gigi Guggenheim Danziger Christie’s--Los Angeles: March 22, 2001 [Lot 4] 33 3/4 x 51 inches 3,000/4,000

182

465. 465. FRENCH CHINOISERE DECORATED MANTEL CLOCK inscribed ‘Planchon, Paris, 5882’ to reverse of movement 16 inches wide; 7 inches deep; 25 1/4 inches high 1,500/1,800

466.

466. PAIR OF NEOCLASSIC STYLE DORE BRONZE & PORCELAIN DEMILUNE CONSOLES 53 inches wide; 20 inches deep; 31 inches high 3,000/5,000

467. LOUIS XV STYLE ORMOLU-MOUNTED & LEATHER INSET WRITING TABLE

467.

40 inches wide; 25 inches deep; 29 1/2 inches high 1,500/2,000

183

468.

468. PAIR OF BRONZE & GILT BRONZE URNS in the Neoclassic taste 21 inches high 1,000/1,500

469.

169. JAKE LEE: “CHINESE MARKET” watercolor on paper signed lower right 39 x 29 1/4 inches sight 2,000/3,000

470. 470. DONNA SCHUSTER: “VIEW OF HOLLYWOOD HILLS” oil on board signed lower left 18 x 24 inches 1,000/1,500

184

471.

471. HOWARD CHANDLER CHRISTY: “PORTRAIT OF GRACE ROPPLE BAKER HYDE” oil on canvas Provenance: The Estate of Mary Carlisle, Beverly Hills 40 x 29 1/2 inches 3,000/4,000

472. 472. TIFFANY STUDIOS DOUBLE FRAME gilt bronze and favrile glass impressed Tiffany Studios New York 954 10 x 15 3/4 inches 1,500/2,000

185

473. 473. VIENNESE BRONZE CAMEL-FORM INKWELL 9 inches wide 1,000/1,500

474. 474. VIENNESE BRONZE CAMEL & GUIDE 5 inches high 1,000/1,500

475. 475. VIENNESE BRONZE SNAKE CHARMER 6 inches wide 700/1,000

186

476. 476. VIENNESE BRONZE FIGURAL BOX 6 1/4 inches wide; 5 inches high 1,000/1,500

477. 477. THREE PERSIAN DECORATED CENSERS 3 inches high 1,000/1,500

478. 478. RUSSIAN GILT BRONZE & MALACHITE FIGURE 4 1/2 inches wide; 6 inches high 1,500/2,000

187

479.

479. RUSSIAN GILT BRONZE & MALACHITE FIGURE 4 3/4 inches high 1,200/1,500

480.

480. RUSSIAN GILT BRONZE & MALACHITE FIGURE 6 inches wide; 4 3/4 inches high 2,000/3,000

481. 481. RUSSIAN GILT BRONZE & MALACHITE FIGURE 3 3/4 inches high 1,000/1,500

188

482. 482. RUSSIAN GILT BRONZE & MALACHITE FIGURE 2 3/4 inches high 1,000/1,500

483. 483. RUSSIAN SILVER & ENAMEL EGG 5 inches high 1,000/1,500

484. RUSSIAN SILVER & CHAMPLEVE ENAMEL CIGARETTE BOX

484.

with a gold monogram on front and Cyrillic inscription inside 4 x 2 5/8 inches 700/1,000

189

485. 485. RUSSIAN SILVER & CHAMPLEVE ENAMEL CIGARETTE CASE 3 3/4 x 2 5/8 inches 700/1,000

486. 486. RUSSIAN SILVER & ENAMEL CIGARETTE CASE 1,000/1,500

487. RUSSIAN GILT SILVER & CHAMPLEVE TEA SERVICE 487.

comprising a teapot, two assorted covered milk jugs, covered sugar bowl, six cups with saucers, and six demitasse spoons in two fitted cases the teapot 8 1/2 inches high 3,000/5,000

190

488. 488. GIFFORD MYERS: “HOLD OUT/ELVIS HAS LEFT THE BUILDING” circa 1991 titled, signed, and dated verso with hanging instructions inscribed verso glaze & acrylic on ceramic, on a painted stainless frame Provenance: The Friedman Family Collection 12 x 5 inches 800/1,200

489.

489. CHINESE FAMILLE VERTE VASE 33 inches high 2,000/3,000

191

490. 490. SPANISH CARVED WALNUT & GILTWOOD MIRRORS Provenance: Christopher Hodsoll, London 40 x 28 1/4 inches 1,000/1,500

491. SET OF ROYAL COPENHAGEN “FLORA DANICA” DISHES comprising ten bowls, eight salad plates, nine bread plates the bowls 8 inches diameter; the larger plates 8 1/4 inches diameter

491.

1,000/1,500 192

492. PAIR OF ITALIAN REPOUSSE DECORATED METAL ALTAR STICKS dated 1749 electrified

492.

28 inches high to top of candle 1,000/1,500

493.

493. LALIQUE FRANCE: “KORA” LAMP signed ‘Lalique, France’ 18 total inches wide; 7 1/4 high 2,000/3,000

494.

494. CHINESE CARVED HARDWOOD ALTAR TABLE 94 1/2 inches wide; 16 inches deep; 36 inches high 700/1,000

193

495. CONTINENTAL CARVED & PAINTED WALNUT BENCH Provenance: Christopher Hodsoll, London 44 inches wide; 20 inches deep; 20 inches high 495.

1,000/1,500

496.

496. STANLEY CASSELMAN: “EMERGING THROUGH THE FOREST #2” circa 1995 acrylic on canvas signed and dated lower right Provenance: with label verso from the Rainforest Action Network 38 x 66 inches 7,000/10,000 194

497. JOICHI HOSHI: “THE SUN (FOREST)”

497.

circa 1978 woodcut signed and numbered 64/99 13 x 33 3/4 inches sight; the frame 22 x 46 inches 1,000/1,500

498. STEVE GIANAKOS: “THE SWIMMING POOL”

498.

circa 1978 mixed media on paper signed and dated lower middle 40 x 60 inches 1,500/2,000

499. 499. KATHLEEN MARTIN NUNGARRAYI: “UNTITLED” circa 1993 acrylic on linen signed and dated verso Provenance: The Friedman Family Collection The Office of Richard Kelton, with letter of provenance circa November 1994 36 x 36 inches 1,000/1,500

195

502.

500.

500. CHINESE EXPORT PORCELAIN SWEET MEAT SET

502. LAJOS DEAK EBNER: “FIGURES IN THE FOREST”

comprising four long covered dishes surround a round covered bowl

oil on wood panel signed lower left 16 x 13 inches

the lacquered box: 23 inches diameter; 6 1/2 inches high

800/1,200

1,500/2,000

501.

501. LOUIS XV STYLE ORMOLUMOUNTED & MARQUETRY STYLE WRITING TABLE 60 inches wide; 34 inches deep; 29 1/4 inches high 3,000/4,000

196

503.

503. DUTCH SCHOOL: “FLOWER SELLER” oil on canvas signed “H. Magerer” lower left Provenance: The Friedman Family Collection 27 x 22 1/2 inches 1,000/1,500 504. PYOTR BELENOK: “TWO WORKS” circa 1988 oil on board signed and dated 46 x 54 inches 1,500/2,000 504.

197

506. ISLAMIC SILVER OVERLAY MOSQUE LANTERN 20 inches wide; 46 inches high 2,000/3,000 506.

505. PYOTR BELENOK: “TWO WORKS” circa 1988 oil on board signed and dated 46 x 54 inches 1,500/2,000

505.

198

507. PAIR OF ITALIAN SILVERED REPOUSSE ALTAR STICKS

507.

mounted and electrified as table lamps the candlesticks measure 19 inches high 700/1,000

508. 508. FEDERAL MAHOGANY CHEST OF DRAWERS Salem, Massachusetts; circa 1780 41 1/2 inches wide; 23 1/2 inches deep; 33 inches high 1,500/2,000

509.

509. CONTINENTAL CARVED & UPHOLSTERED SETTEE 80 inches wide 1,500/2,000

199

510. PAIR OF EDWARDIAN MAHOGANY PEMBROKE TABLES each with a false drawer on one side 32 inches wide; 27 3/4 inches high 600/800

510

511. PAIR OF FRENCH ORMOLU-MOUNTED PORCELAIN JARDINIERES

511.

in the style of Sevres 11 inches square; 12 3/4 inches high 5,000/7,000

512. 512. FREDERICK W. BECKER: “STILL LIFE” oil on canvas signed lower left 30 x 25 inches 800/1,200

200

513.

513. ANNA HILLS: “OLD WILLOWS, HOLLAND” circa 1908 watercolor signed & dated lower left 15 1/2 x 20 inches 1,000/1,500

514.

514. BRITISH SCHOOL: “THE GUY BROTHERS” oil on canvas Provenance: AdamsonDuvannes Gallery Los Angeles 36 1/2 x 29 inches 2,000/3,000

201

515.

515. SAM HYDE HARRIS: “AFTER FLOOD” oil on board signed lower left 20 x 24 inches 2,000/3,000

516.

516. SAM HYDE HARRIS: “SILVER GUARDIAN” oil on board signed lower left 16 x 20 inches 1,500/2,500

202

517.

517. DONNA SCHUSTER: “BOATS IN THE HARBOR, SAN PEDRO” watercolor signed lower right 15 x 23 inches 800/1,200

518.

518. LINDA TIPPETTS: “BOAT AT DOCKS” oil on board signed lower left 10 x 14 inches 1,000/1,500

519.

519. LINDA TIPPETTS: “THE BULLDOG BARGE” oil on board signed lower right 10 x 14 inches 1,000/1,500

203

520.

520. PAIR OF CHINESE EXPORT PORCELAIN PITCHERS 10 inches high 1,500/2,000

521. 522. CHINESE CARVED CORAL QUAN YIN on a fitted wood base 4 1/2 inches high; 5 1/2 inches overall 1,800/2,500 522.

521. DUTCH GLAZED CERAMIC PITCHER late 17th Century 7 1/2 inches 600/800

204

523.

523. CHINESE WHITE JADE CARVING with carved base carving measures 5 1/4 inches high; 7 1/4 total inches high 700/1,000

524. 524. JADE CARVED BASIN 4 inches wide 400/600

525.

525. JADE, SILVER & ENAMEL JAR 5 1/2 inches high 1,000/1,500

205

526. 526. CONTINENTAL CARVED BURLWOOD TRAVEL BOX 8 3/4 inches wide; 6 1/4 inches high 500/800

527.

527. CARVED WOOD TRAVEL BOX 10 inches wide 600/800

528. EMILE GALLE: CAMEO GLASS VASE signed 17 3/4 inches high 528.

700/1,000

206

529.

529. EDWARDIAN SILVER FLATWARE SERVICE Mappin & Webb, London, circa 1917; in a fitted mahogany canteen comprising 36 table forks, 12 fish forks, 36 dessert forks, 12 hors d’oeuvres forks, 12 oyster forks, 36 dinner knives, 12 fish knives, 12 dessert knives, 24 cheese knives, 12 hors d’oeuvres knives, 12 butter spreaders, 12 tablespoons, 12 soup spoons, 24 dessert spoons, 12 teaspoons, 12 demitasse spoons, 12 asparagus eaters, four sauce ladles, two asparagus tongs, a soup ladle, & a gravy spoon [308 total pieces] 15,000/20,000

530. PUIFORCAT SILVER FLATWARE SERVICE

530.

“Elysee” pattern a service for sixteen: comprising dinner knives, dinner forks, salad forks, and teaspoons [64 total pieces] 7,000/10,000

207

531. MIDDLE EASTERN ENGRAVED SILVER COFFEE & LIQUEUR SET

531.

comprising four assorted trays, coffee pot, tea pot, three covered jars, creamer, basket, ewer, decanter, six goblets, six liqueurs, tongs, six shot glasses, twelve cups, six small underplates, six large underplates, six spoons 2,000/3,000

532. PAIR OF GEORGIAN SILVER TRAYS

532.

50 total troy ounces Condition: bearing a partial hallmark to each 13 inches wide 800/1,200

533. JAPANESE STERLING SILVER THREE-PIECE DRAGON COFFEE SERVICE

533.

circa 1890 comprising a kettle on warming stand, creamer, & covered sugar bowl 2,500/3,500

208

534.

534. CHINESE EXPORT SILVER THREE-PIECE TEA SERVICE Shanghai, Late 19th century comprising a teapot, creamer, & an open sugar bowl each bearing similar marks and ecorated in a combination of repousse, hammering and engraving with plums, dragons and clouds, scenes of Chinese court life, bamboo, peonies, and men on horseback. With dragon handles; the lid of the teapot secured by the feelers of the dragon. The base of each piece incorporating the cloud motif. Provenance: purchased from Mandarin Oriental Fine Arts, September 1, 1994; the invoice stating the medium of the three piece set is â&#x20AC;&#x153;97.5%â&#x20AC;?. 2,500/3,500 535. JAPANESE STERLING SILVER SIX-PIECE DRAGON TEA & COFFEE SERVICE circa 1890 comprising a teapot, coffee pot, hot water kettle on warming stand, creamer, covered sugar bowl, & a handled cup 6,000/9,000

535.

209

536. SILVER DRAGON DOUBLE-HANDLED TEA SERVICE TRAY apparently unmarked. Possibly of late 20th century manufacture in late 19th century Japanese style, made to accompany a similarly decorated tea or tea & coffee service 3426.4 grams 26 1/2 x 19 3/8 inches 4,000/6,000

536.

537. GEORGIAN SILVER TANKARD Samuel Courtauld, London, 1764 38 troy ounces 8 1/2 inches high 1,000/1,500

537. 210

538. VICTORIAN SILVER COVERED PITCHER

538.

JS, London, 1839 46 troy ounces 11 3/4 inches 1,200/1,500

539. QUEEN ANNE SILVER GOBLET Edmund Pierce, London, 1706 10 troy ounces 539.

7 inches high 400/600

540. PAIR OF GEORGE III MASTER SALTS Hester Bateman, London, 1786 3 troy ounces 3 1/2 inches wide; 2 1/4 inches deep; 2 inches high 600/800

211

541. VICTORIAN SILVER TEA & COFFEE SERVICE Robert Rutland, London, 1848 comprising a coffee pot, teapot, sugar bowl, & creamer; with on oval tray 120 total troy ounces 2,000/3,000 541.

542. GORHAM STERLING TEA & COFFEE SERVICE

542.

comprising a coffee pot, teapot, sugar bowl, creamer, waste bowl, and a twohandled tray 2,000/3,000

END OF SALE 212

213

Luxury Goods & Jewelry Auction Tuesday, April 7, 2020 | 10 a.m. Featuring an extensive collection of Chanel handbags and designer luxury appointments.

ABOVE: CHANEL BLACK CAVIAR GRAND TOTE PREVIOUS PAGE: ASSORTED DESIGNER HANDBAGS

214

Important Jewelry Auction Sunday, May 17, 2020 Presenting an exquisite collection of fine jewels.

18 KARAT WHITE GOLD, FANCY NATURAL GRAY-BLUE & PINK DIAMOND RING (3.10 CARATS CENTER)

215

216

Fine Art, Antiques, & 20th Century Design Auction Sunday, May 17, 2020 Featuring a collection of Western paintings from the estate of Douglas & Eunice Goodan.

ABOVE: BOB KUHN: “AQUACADE” LEFT: CARL CLEMENS MORITZ RUNGIUS: ALARMED (“BIG HORN ROCKY MOUNTAIN SHEEP)”

217

The Estate of Penny Marshall Monday, May 18, 2020 | 10 a.m. Featuring an extensive collection of American lamps.

218

HANDEL TABLE LAMP WITH DAFFODIL SHADE

219

CONDITIONS OF SALE The property described in this catalogue, which description may be amended by salesroom notice or announcement, will be offered for sale by A.N. Abell Auction Co. (Abell’s), as agent for various owners and other consignors (“sellers”). These Conditions of Sale, and the Limited Warranty and Absence of Other Warranties set forth below, together with any glossary contained herein, constitute the complete and exclusive statement of the terms and conditions on which all such property is offered for sale. Abell’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. By bidding at auction, whether present in person or by agent, by written bid, or other means, the buyer agrees to be bound by these Conditions of Sale: DO NOT BID ON ANY LOT UNLESS YOU HAVE PERSONALLY INSPECTED IT TO DETERMINE ITS PROVENANCE, CONDITION, SIZE AND WHETHER OR NOT IT HAS BEEN REPAIRED OR RESTORED. 1. As used in these Conditions of Sale, the term “final bid” means the highest bid acknowledged by the Auctioneer and the “purchase price” means the sum of the final bid plus the premium payable by the buyer, as set forth in Condition 4. 2. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, to determine the successful bidder or to reoffer and resell the lot in dispute. In the event of any dispute after the sale, Abell’s record of final sale shall be conclusive. 3. Abell’s reserves the right to withdraw any lot before or at the sale. 4. The purchase price payable by a buyer shall be the sum of the final bid plus a premium of 18% of the final bid. All purchases paid by check will not be available for release to the Buyer until the Buyer’s check(s) has (have) been cleared by Abell’s bank. No registrant will be accepted after 5PM PST on May 18, 2018. ALL INTERNATIONAL BIDDERS MUST SUBMIT PAYMENT BY WIRE; please contact Abell for wiring instructions. Buyers will be charged a $50.00 processing fee for all returned checks. All motor vehicles must be paid for by bank cashier’s check or cash. Any item paid by credit card over the telephone is subject to a ten (10) day hold.

220

5. Title to the offered lot shall pass to the buyer upon the fall of the Auctioneers hammer or the Auctioneer verbalizing “Sold”, subject to compliance by the buyer with all other Conditions of Sale. Such buyer shall forthwith assume full risk and responsibility for the lot and shall pay the full purchase price or such part thereof as Abell’s, in its sole discretion, shall require. In addition, the buyer may be required to sign a confirmation of purchase. 6. No lot may be removed from Abell’s premises until the buyer has paid in full the purchase price therefore or has satisfied such terms as Abell’s, in its sole discretion, shall require. Subject to the foregoing, all lots are to be paid for and removed from Abell’s premises at the buyers expense no later than 5:00 p.m. of the third business day following the sale. Without exception for all merchandise left on the premises, Abell will charge a storage fee of the greater of $50 per lot per day or 10% of selling price, plus handling a fee of $150 if left over fifteen (15) days past the date of sale for items purchased at our Quarterly fine art and antique auctions. For items purchased at our weekly auctions, Abell will charge a storage fee of the greater of $25.00 per lot per day or 10% per item left in our warehouse over 10 days (plus a handling fee of $75). Abell reserves the right to re-sell any item purchased and left in our warehouse for over 30 days. Lot fees and handling fees will be deducted from the gross sales proceeds. 7. Bids which are submitted to Abell’s in writing or are otherwise left with Abell’s prior to an auction for execution at or below a specified price, as well those bids arranged by telephone, shall be entertained and executed by Abell’s for the convenience of bidders not present at auction, but Abell’s shall not be responsible for failing to execute such bids or for errors relating to its execution of such bids. 8. Unless exempted by law, the buyer shall be required to pay any applicable state and local sale tax or compensating use tax on the purchase price. 9. If any conditions contained in this document are not complied with by the Buyer, Abells, in addition to all remedies available by law, including the right to hold such buyer liable for the purchase price plus buyer’s premium and applicable sale tax, may: (i) cancel the sale, retain as liquidated damages any payment paid by the buyer; (ii) resell the property without reserve at public auction or privately, on seven (7)

days’ notice to the buyer; and (iii) take such other legal action as it deems necessary or appropriate. If Abell resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including storage fees, the expenses of both sales, attorneys’ fee incurred, incidental charges and all other charges due hereunder. Any buyer who fails to comply with the conditions contained in this Agreement shall be deemed to have granted Abell a security interest in any other property owned by such buyer that is in Abell’s possession. Abell shall have the benefit of all rights of a secured party under the California Uniform Commercial Code. Should any action be brought to enforce any of the terms and/ or conditions set forth in this Agreement, the prevailing party shall be entitled to all court costs and actual attorneys’ fees incurred. 10. The respective rights and obligations of the parties with respect to the Conditions of Sale and the conduct of the auction shall be governed and interpreted by the laws of California. By bidding at an auction, whether present in person or by agent, by maximum bid cards, authorized telephone bids or other means, the buyer shall be deemed to have consented to the jurisdiction of the courts of California. 11. Abell’s may, in its discretion and as a service to buyers, arrange to have purchased lots packed, insured and forwarded at the request, expense and risk of the buyer. Abell’s assumes no responsibility for acts or omissions in such packing or shipping by Abell’s or other packers or carriers, whether or not recommended by Abell’s. PLEASE NOTE All property is sold “as is” in accordance with the section entitled Absence of Other Warranties, and neither Abell’s nor the seller makes any express or implied warranty or representation as to the condition of any lot offered for sale, and no statement made at any time, whether oral or written shall constitute such a warranty or representation. Descriptions of condition are not warranties. The description of the conditions of articles in the catalogue, including all references to damage or repairs, are provided as a service to interested persons and do not negate or modify the section entitled Absence of Other Warranties. Accordingly, all lots should be viewed personally by prospective buyers to evaluate the condition of the articles for sale.

Abell makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, south sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Abell makes no warranties or guaranties that any clock or watch is in working order. Any purchased items with a question of authentication must be addressed within thirty (30) days of the sale date; there are no exceptions. ABSENCE OF OTHER WARRANTIES Except as specifically provided, all property is sold “as is” and neither Abell’s, the sellers’ agent, nor the seller makes any express or implied warranty or representation of any kind or nature with respect to the property. In no event shall Abell’s or the seller be responsible for the correctness of, or be deemed to have made, any representation or warranty of merchandise as set forth in this catalogue or made at the sale or in the bill of sale or invoice or elsewhere, whether oral or written, shall be deemed such a warranty or representation or an assumption of liability. JEWELRY WARANTY Abell makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, south sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Abell makes no warranties or guaranties that any clock or watch is in working order.

221

222

223

224