AW 2019
AW 2019
AW 2019
AW 2019
AW 2019
AW 2019
V&A Publishing July –December 2019 Cars: Accelerating the Modern World Tim Walker: Wonderful Things The Lives of the Objects Japanese Netsuke Fashion Perspectives E-books V&A Design Notebooks
V&A South Kensington Exhibition and Display Programme
V&A Touring Exhibition Programme
Christian Dior: Designer of Dreams 2 February– 1 September 2019
Frida Kahlo Brooklyn Museum, New York 8 February– 12 May 2019
Mary Quant 6 April 2019 – 16 February 2020 Food: Bigger than the Plate 18 May– 20 October 2019 Tim Walker: Wonderful Things 21 September 2019 – 8 March 2020 Cars: Accelerating the Modern World 23 November2019 – 19 April 2020
The Future Starts Here ArkDes, Stockholm 22 March– 1 August 2019 Fashioned from Nature Natural History Museum, Copenhagen 18 April– 1 September 2019 Videogames: Design/Play/Disrupt V&A Dundee 20 April– 9 September 2019 You Say You Want a Revolution?: Records and Rebels 1966–70 Melbourne Museum, Melbourne 25 April– 25 August 2019 Opera: Passion, Power and Politics Caixa Forum, Madrid 25 April– 4 August 2019 Winnie-the-Pooh: Exploring a Classic Abeno Harukas Museum, Osaka 27 April– 30 June 2019
V&A Contacts V&A Publishing Victoria and Albert Museum South Kensington London SW7 2RL T: +44(0)20 7942 2352 vapubs@vam.ac.uk Discover more at vam.ac.uk/publishing See inside our books at issuu.com/vandapublishing Buy our books at vam.ac.uk/shop Sales, Distribution and Rights Susannah Priede T: +44(0)20 7942 2818 s.priede@vam.ac.uk Press T: +44(0)20 7942 2502 press.office@vam.ac.uk Marketing Jack Bartrop T: +44(0)20 7942 2792 j.bartrop@vam.ac.uk
V&A Publishing July–December 2019 Contents Cars: Accelerating the Modern World
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Tim Walker: Wonderful Things
4
The Lives of the Objects
6
Japanese Netsuke
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Fashion Perspectives E-books
10
V&A Notebooks
12
V&A Backlist
13
Key HB PB EB
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Hardback Paperback E-book VAT included
Fabric of India The John and Mable Ringling Museum of Art, Sarasota 7 July– 13 October 2019 Balenciaga: Shaping Fashion Bendigo Art Gallery, Bendigo 17 August– 10 November 2019
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A world without cars would be unrecognizable. They have altered the shape of our cities, transformed our nations and landscapes, revolutionized the way we make and buy things, and profoundly influenced our relationship with speed itself.
Cars: Accelerating the Modern World Brendan Cormier and Elizabeth Bisley, eds NEW: October £30 Flexibound ISBN 9781851779673
Presenting the car as the driving force that accelerated the twentieth century, this book considers topics such as the Ford Model T and the legacy of mass production; the GM LaSalle and the birth of style and obsolescence; the original Volkswagen and the expression of national identity; the GM Firebird and the desire for frictionless movement. It takes an in-depth look at the history of the automobile and its impact, to better understand where we might want to go in the future.
250 × 200 mm, 244 pp 150 col and b/w BIC: AK DESIGN ISBN 978-1-85177-967-3
9 781851 779673
Published to accompany the V&A’s exhibition Cars: Accelerating the Modern World (23 November 2019 – 19 April 2020)
Brendan Cormier is Senior Curator in the Design, Architecture and Digital Department at the V&A. Elizabeth Bisley is a design curator and writer.
FAST FUTURES
Highland Park process: raw materials were brought into the lowest level of the five-storey building, and the car was constructed and assembled as it moved up to the top. In a particularly thrilling twist on Ford’s spectacle of assembly, finished cars drove – like magic – out of the factory and straight onto a test track on the Lingotto roof. Alongside the eager adoption of Ford’s processes by industry, the company’s mass-production system also had a wider ideological influence. Throughout the 1920s and ’30s the principle of standardized mass production – deeply embedded in the figure of Ford – came to be identified as one of the chief building blocks in the creation of a new world. One direct example of this can be found in a 1924 letter to Henry Ford from the former President of the Republic of China, Dr Sun Yat-sen. Stating that he was ‘of the view that China may be the cause of the next World War if she remains economically undeveloped’, Sun saw the establishment of Ford factories in China as a way of avoiding this fate.²⁰
BRENDAN CORMIER
Throughout the twentieth century the car figured prominently in the imagery of science fiction. To look through these images is to understand how we have collectively fantasized about the future of mobility for more than 100 years. One common motif across all these images is that technology – primarily in the form of a car – will bring us a new way of getting around: one that is fast, frictionless and free, without a traffic jam in sight. From steampunk fantasies to afrofuturism, Hollywood blockbusters to concept-car extravaganzas, speed has figured at the heart of our mobile dreams.
↙ 45. A view of the test track on top of the Fiat Lingotto
factory in Turin. Raw materials were delivered to the ground floor with the assembly line going up through the building. The finished cars would then emerge at rooftop level and drive onto the track. → 46. The first Ford Model A leaving the assembly line at the Gorky Automobile Plant (GAZ) USSR, 1929. This factory was built as a result of a collaboration between the Soviet Union and Ford to create an assembly plant to produce the Model A.
← page 4–5
1. Concept art by Patricia
Garcia imagining the streets of New York for Luc Besson’s Fifth Element. New York is redrawn as a series of elevated walkways and train tracks with flying taxis and hovering past food drive-ins. ↙ 2. Harley J. Earl with racing driver Mauri Rose, testing General Motors’ concept car, the Firebird XP-21 on the track in Pheonix, Arizona. The Firebird 1 featured a gas turbo powered engine and a bubbletop single seat cockpit.
Expressing a similar belief in the power of standardized production to enact social and political reform, Ford’s methods were also championed in Soviet Russia as part of post-revolutionary plans for a socialist, industrialized society. Under Stalin’s first Five-Year Plan, an agreement was reached with the Ford Motor Company in 1928 to build a factory (designed by Albert Kahn) for the construction of Fordson tractors.²¹ In 1929 the Soviet Union signed another agreement to build an assembly plant for the Ford Model A. Delegations of engineers and factory workers travelled to Stalingrad to help with the start of operations, training the Soviets in the processes of assembly-line production. The Nizhni Novgorod plant, intended as a Soviet Detroit, began full production of the Model A in 1932, using equipment shipped from River Rouge.²²
→ 3. An illustration by Walter Molino imagining the transport of the future in which commuters travel in selfcontained pods. Published in La Domenica Del Corriere, 16 December 1962.
FAST FUTURES
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A WORLD OF PLENTY
64
MANUFACTURE OF PLENTY
65
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A journey through the unique creative mind of one of the world’s leading photographers, this book includes over 100 new photographs by Tim Walker, inspired by the V&A’s enormous and eclectic collection, from Renaissance stained glass to an Alexander McQueen gown. Known for creating fantastical, elaborately staged images, Walker collaborates with set designers, stylists, hair and make-up artists, models and muses to bring his imagination to life. This publication celebrates these myriad creative talents and records Walker’s unique processes, from his detailed research in the labyrinth of stores and galleries at the V&A South Kensington and V&A Museum of Childhood, preparatory sketches and behind-the-scenes photographs, to spectacular final pictures.
Tim Walker: Wonderful Things Tim Walker and Susanna Brown, eds NEW: September £30 HB ISBN 9781851779710 270 × 216 mm, 192 pp 200 illustrations BIC: AJB PHOTOGRAPHY ISBN 978-1-85177-971-0
9 781851 779710
Tim Walker has photographed for British, Italian and American editions of Vogue, as well as W Magazine and LOVE Magazine. Published to accompany the V&A’s exhibition Tim Walker: Wonderful Things (21 September 2019 – 8 March 2020)
Susanna Brown is Curator of Photographs in the Word and Image Department at the V&A.
LiL’ Dragon Models: Ling Ling and Xie Chaoyu / Set Designer: Shona Heath / Set Design Assistants: Fran O’Brien, Salwa McGil and Isabel Forbes / Stylist: Zoe Bedeaux / Stylist Assistants: Aisha Nova and Georgia Thompson / Hair Stylist: Malcolm Edwards / Hair Assistants: Lewis Stanford and Sophie Anderson / Makeup Artist: Isshehungry / Lighting Director: David Gilbey / Photo Assistants: Sarah Lloyd, Tony Ivanov and Olivier Barjolle / Producer: Jeff Delich / Production Assistants: Charlotte Garner, Alyce Burton, Jesse Maple and Charlotte Norman
7 Chased gold, lacquer. Inlaid hardstones, burgau shell and gold, 7.6 × 5.6 × 3.7 cm V&A: LOAN:GILBERT.1039–2008
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Model: Radhika Nair / Fashion: Halpern, Earrings: Dolce & Gabbana / Wyke Manor, Pershore, Worcestershire, 2018 / © Tim Walker, 2018
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The Lives of the Objects Tristram Hunt, ed. NEW: October £25.00 HB ISBN 9781851779727 225 × 185 mm, 256 pp 180 illustrations BIC: AGC HISTORY ISBN 978-1-85177-972-7
In this intriguing insight into the work and history of a museum, V&A director and historian Dr Tristram Hunt brings together ten renowned V&A curators to tell the stories behind ten of their most treasured objects. ‘Tipu’s Tiger’ (an almost life-size wooden semiautomaton mauling a European soldier), the ‘Great Bed of Ware’ (an Elizabethan bed for 8 people) and a Shakespeare First Folio are among the featured highlights whose route to the V&A collections are entertainingly revealed. Through these stories, this insightful history of museum curation – a world of careful study and sometimes remarkable fortuity – shows how the priorities of a museum are shaped and change over time.
T H E L VE S OF T H E O BJ ECT F T H E O BJ ECT 9 781851 779727
Tristram Hunt is the author of several books on British history, and is the Director of the V&A.
ROB I N HOOD GA RDE NS T H E GRE AT B E D OF WA RE
The objects in the V&A all have unique stories behind their making – but how they came to be part of the museum is a fascinating aspect of their history. Some were acquired soon after completion, others have had a more convoluted journey to the museum, but these histories combine to tell us something of their reputation, and of their impact. This book brings together 10 highlight objects from the V&A to explore how the museum’s collection has formed – both through careful curation and fortuitous opportunism. It shows where the museum has come from, and where our priorities lie. In 1931 the Museum acquired what was then its largest and most expensive piece of furniture for £4060 (approximately £250,000 today). John Charles Robinson, the Museum’s first curator would have been astonished, had he been alive. When the ‘so called Great bed of Ware’ came up for sale in 1865, he dismissed it as misdated and ‘a coarse and mutilated specimen of its kind and I therefore do not think that it would from any point of view be a suitable acquisition for the Museum...’ Its purchase in 1931, dependent on the National Arts Collection Fund which funded 50% of its price, was presented as a national triumph, but in private, viewed with ambivalence. 23
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‘You will have a moment of quiet delight and a mood of introspection to carry you away.’ Edmund de Waal
Japanese Netsuke Julia Hutt with foreword by Edmund de Waal
Prized by collectors from East to West, Japanese netsuke are tiny objects of wonder that originated as utilitarian accessories for traditional Japanese dress. Over the centuries these small carved toggles, designed to hook over the top of the kimono sash, evolved into high-fashion depictions of all aspects of Japanese life.
NEW in paperback: September £20.00 PB ISBN 9781851779222 245 × 210 mm, 112 pp 128 illustrations BIC: AFKC ISBN 978-1-85177-922-2
In this richly illustrated and highly accessible book, Julia Hutt draws on the V&A’s world-famous netsuke collection to explore the origins and techniques of this captivating art form.
9 781851 779222
Julia Hutt is Curator of Japanese Art in the Asian Department at the V&A. Edmund de Waal is a world-renowned ceramics artist and author of The Hare with Amber Eyes.
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JAPANESE
NETSUKE
NETSUKE
SUBJECTS
AND
DESIGN
SOURCES
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NETSUKE
SUBJECTS
AND
DESIGN
SOURCES
53
5 Netsuke Subjects and Design Sources
T
52 Tiger and young. Ivory 52 Tiger and young. Ivory with inlaid eyes. Signed with inlaid eyes. Signed ‘Tomotada’. 1775–1825. ‘Tomotada’. H. 3.6cm. H. 3.6cm. A.49–1915. Dresden Bequest.
53 Taira no Tadamori 53 Taira no attacking Tadamorithe mistakenly mistakenly attacking the oil thief. Wood. 1800–50. oil thief. Wood. H. 4.5cm. H. 4.5cm. A.804–1910. Salting Bequest.
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Another, subtler concept of movement is frequently conveyed in netsuke decoration. This relies on first grasping one’s attention and then devising the means to lead one’s gaze all around the netsuke and back to the starting point. This may be achieved in a variety of different ways, one of the simplest using the device of a long and sinuous tail (of a tiger, for example), twisting round the animal’s body (Plate 52). Other netsuke use carefully planned components to draw the eye first in one direction, usually to the extremities, before another element takes over, diverting attention to another part. In this way, the unwitting viewer is lured into scrutinizing the netsuke from all angles. This is often exemplified by an animal’s head leading in one direction, counterbalanced by its tail drawing off in another. The interaction between two or more people engaged in a fight was yet another method used to convey dramatic movement. By careful positioning of the head, limbs and clothing, for example, the netsuke of Taira no Tadamori mistakenly attacking the oil thief successfully conveys the impression of both action and force (Plate 53). As inro- and netsuke rapidly grew in popularity from around the mid-eighteenth century onwards, becoming items of high fashion, they also underwent a fundamental change in the nature of their decoration, and their clientele sought examples of an increasingly interesting and inventive nature. One method of achieving this was to expand the small and restricted size of the netsuke by incorporating unlikely, unusual or hidden elements as an integral part of the overall composition, at the same time often exploiting the unexpected. This is well illustrated by the netsuke of oniyarai at New Year, with Okame throwing beans from a container while, unknown to her, an oni can be seen hiding under the skirt of her kimono, taking cover from the beans (Plate 50). The story of Do-jo-ji (‘The Do-jo- Temple’), with its interpretation of vengeful, female jealousy, presents netsukeshi with unique possibilities for hidden and surprise elements. The story in its various versions stems from a tenth-century legend, which subsequently formed the basis of No- and Kabuki plays. According to the story, Kiyohime, the beautiful young daughter of an innkeeper, fell in love with a priest, Anchin, who scorned her persistent advances. Furious, she was transformed first into a witch, then a dragon. When Anchin took refuge underneath the great bronze bell of the temple, she used her magical powers to force the bell to crash to the ground, trapping Anchin inside.
he greatest appeal of netsuke undoubtedly lies in their subject-matter, in conjunction with the suitability of the materials chosen for them. Netsuke portray an extremely wide range of subjects, reflecting not only the real or imaginary world, but also the many facets of daily life in Japan. Rather than discussing the myriad subjects of netsuke in detail, however, I have instead presented these in broad categories and discussed their salient features, with particular reference to items in the collection of the V&A. The main inspiration for netsuke subjects was undoubtedly the natural world, most frequently animals, birds, sea creatures (Plate 37) and insects, both real and imaginary, and of course, people. These were depicted in numerous compositional groupings, individually, as pairs, mother and young or as a larger assemblage, either on their own or with some reference to their natural habitat or the human world. Certain combinations often reflect conventions of Japanese art, such as the tiger and bamboo (Plate 38), which feature particularly in paintings from the late sixteenth century onwards. Coinciding with the increasingly realistic portrayal of netsuke subjects that began in the mid-eighteenth century, an interest in surface texture became apparent, such as the fur of an animal or the plumage of a bird. This was also seen in the deliberate depiction of different, highly textured surfaces, such as the unlikely combination of a toad on a straw sandal
54 Do-jo-ji temple bell, with a dragon, skull and bones on the interior. Lacquer imitating bronze; coloured lacquer togidashie and takamakie inside. Signed ‘Unryu-an’. Dated 1998. H. 4.1cm. FE.63-2002. 55 Dragon coiled round the Dojo-ji bell. Ivory, the dragon with inlaid eyes. Signed ‘Kagetoshi’. 1850–1900. H. 3.4cm. A.813–1910. Salting Bequest.
56 The witch Kiyohime dancing inside the Do-jo-ji bell. See Plate 55.
37 Basket with fish and squid. Ivory. 1750–1850. L. 4.5cm. A.59–1952. Shipman Bequest.
38 Tiger on a bamboo stem. Ivory. 1775–1825. L. 4.5cm. 428–1904. Dresden Bequest.
Opposite: Detail from Plate 64.
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V&A Fashion Perspectives E-books
Janey: An Autobiography Janey Ironside NEW: October £6.99* EB ISBN 9781851779574 BIC: BGFA FASHION & TEXTILES Derided by the establishment for declaring Mick Jagger ‘stylish’, Janey Ironside’s career in the fashion industry was inseparable from her identity. As Professor of Fashion Design at the Royal College of Art from 1956 to 1968, she played a role in the 1960s revolution that turned Britain’s rag trade into a high-turnover, mass-market industry targeting a new generation of cash-rich youth. Working behind the scenes, she trained a cohort of bright young things, including Ossie Clark, Bill Gibb, Zandra Rhodes, Sally Tuffin and Marion Foale. Ironside’s autobiography begins with a vivid account of her colonial Indian childhood, followed by working life in WWII Britain, the beginnings of a small couture business and her appointment as Professor of Fashion Design.
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Heads and Tales Aage Thaarup in collaboration with Dora Shackell NEW: October £6.99* EB ISBN 9781851779178 BIC: BGFA FASHION & TEXTILES Thaarup left his job in a Copenhagen department store in his teens to conquer the world. By the late 1930s, he had a shop in London and was milliner to the royal family. Revealed to the world by Cecil Beaton, his famous customers included Wallis Simpson, Margot Fonteyn and Marlene Dietrich – but the pinnacle of his career came with the creation of the tricorn hat worn by the Queen annually between 1953 and 1986 at the Trooping the Colour ceremony. Declared insolvent at least twice, Thaarup’s obituary in The Times noted that ‘He was not hardened by fame or fortune. He wore a cheerful disposition and a bow-tie always at a ten-tofour angle’.
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V&A Backlist New for Autumn 2019: V&A Design Notebooks £11.99* HB 210 × 130 mm, 128 pp BIC: WZS STATIONERY GIFT Lay-flat Swiss binding Elastic closure Ribbon marker 4 designs
The V&A is home to 5,000 years of human ingenuity in art, design and performance. Among its treasures are notebooks, working sketches and pattern books from artists and designers of all kinds, from Leonardo to William Morris, and Eileen Gray to Beatrix Potter.
Art & Design
14–15
Fashion
16–17
Jewellery
17
Fashion Biographies
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Style Guides
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Fashion E-books
19
Textiles
20
Pattern
20
ISBN 978-1-83851-000-8ISBN 978-1-83851-001-5
Photography
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9 ISBN 781838 510008 9 ISBN 781838 510015 9781838510008 9781838510015
Theatre & Performance
21
Sculpture, Metalwork, Ceramics & Glass
22
Postcard Sets
23
Diaries
23
Books about the V&A
23
Children’s Books
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Featuring separate sections of highquality ruled, plain, graph and bulletgrid paper, our new notebooks invite today’s creatives to plan, think, note and sketch – or just write a few lists. And by purchasing a V&A Design Notebook, you will be giving back to the museum, helping to keep our collection free and open to all, inspiring the artists and designers of the future.
ISBN 978-1-83851-002-2ISBN 978-1-83851-003-9
9 ISBN 781838 510022 9 ISBN 781838 510039 9781838510022 9781838510039
Key HB PB EB
* 12
Hardback Paperback E-book VAT included 13
Art & Design
BESTSELLER Art Deco 1910–1939 Benton, Benton & Wood, eds £40.00 HB 9781851778331
The Arts of Living: Europe 1600–1815 Miller & Young, eds £25.00 HB 9781851778072
The Art of Drawing Susan Owens £30.00 HB 9781851777587
Bawden, Ravilious and the Artists of Great Bardfield Yorke & Saunders, eds £25.00 HB 9781851778522
Ocean Liners: Speed and Style Finamore & Wood, eds (UK Edition only) £40.00 HB 9781851779499
Ocean Liners: Glamour, Speed and Style Finamore & Wood, eds £40.00 HB 9781851779062
Persian Art Moya Carey £40.00 HB 9781851779338
Recording Britain Gill Saunders, ed. £30.00 HB 9781851776610
BESTSELLER Dolls’ Houses Halina Pasierbska £14.99 PB 9781851778041
Dutch & Flemish Drawings Shoaf Turner, White & Evans £200.00 2-VOL. SLIPCASE 9781851777877
Eclectic Gill Saunders £30.00 HB 9781851778881
Edward Bawden’s London Peyton Skipwith & Brian Webb £14.99 PB 9781851778461
Videogames: Design | Play | Disrupt Foulston & Volsing, eds £25.00 PB 9781851779406
Finnish Design Pekka Korvenmaa £30.00 HB 9781851778126
A Flower Wedding Walter Crane £8.99 HB 9781851777884
Food: Bigger than the Plate Flood & Rosenthal Sloan, eds £25.00 PB 9781851779765
Frank Pick’s London Oliver Green £25.00 HB 9781851777570
Word & Image Bryant, James & Watson £25.00 HB 9781851778089
A History of British Magazine Design Anthony Quinn £30.00 HB 9781851777860
In Black and White Saunders & Whitley £19.99 PB 9781851777549
Japanese Art and Design Greg Irvine, ed. £25.00 HB 9781851778553
Kalighat Paintings Suhashini Sinha £14.99 PB 9781851776658
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C.F.A. Voysey: Arts & Crafts Designer Livingstone, Donnelly & Parry £40.00 HB 9781851778546
Western Illuminated Manuscripts Rowan Watson £250.00 3-VOL. SLIPCASE 9781851776498 ACADEMIC DISCOUNT
Winne-the-Pooh: Exploring a Classic Annemarie Bilclough & Emma Laws £30.00 HB 9781851779147
15
Fashion
Fashion / Jewellery
BESTSELLER 80s Fashion: From Club to Catwalk Sonnet Stanfill, ed. £19.99 PB 9781851777259
Alexander Mcqueen Claire Wilcox, ed. £45.00 HB 9781851778270
American Style and Spirit Bradbury & Maeder £30.00 HB 9781851778898
Art Nouveau Fashion Clare Rose £25.00 HB 9781851778027
London Society Fashion: Wardrobe of Heather Firbank Lister, Davies-Strodder & Taylor £30.00 HB 9781851778317
Lucile ltd De la Haye & Mendes £35.00 HB 9781851775613
Mariano Fortuny Guillermo De Osma £40.00 HB 9781851778515
Mary Quant Jenny Lister, ed. £30.00 HB 9781851779956
The Origins of Italian Fashion 1900–45 Sofia Gnoli £19.99 PB 9781851777914
Seventeenth-Century Women’s Dress Patterns: Book One North & Tiramani, eds £35.00 HB 9781851776313
Seventeenth-Century Women’s Dress Patterns: Book Two North & Tiramani, eds £35.00 HB 9781851776856
Style and Satire Flood & Grant £12.99 PB 9781851778034
V&A Gallery of Fashion Wilcox & Lister, eds £14.99 PB 9781851778935
The Wedding Dress E. Ehrman £35.00 HB 9781851778133 £25.00 PB 9781851777839
BESTSELLER
BESTSELLER
BESTSELLER Balenciaga Lesley Ellis Miller £30.00 HB 9781851779031
The Biba Years: 1963–1975 Hulanicki & Pel £35.00 HB 9781851777990
Charles James: Designer in Detail Timothy A. Long £30.00 HB 9781851778218
Christian Dior Cullen & Burks £40.00 HB 9781851779901
Dior: A New Look, a New Enterprise (1947–57) Palmer £30.00 HB 9781851779857
Fashioned from Nature Edwina Ehrman, ed. £25.00 PB 9781851779451
Francis Marshall: Drawing Fashion Oriole Cullen £20.00 PB 9781851779505
Frida Kahlo: Making Her Self Up Wilcox & Henestrosa, eds £35.00 HB 9781851779604
Thea Porter Helms & Porter £25.00 HB 9781851778263
Underwear: Fashion in Detail Eleri Lynn £25.00 PB 9781851777846
The Glamour of Italian Fashion Since 1945 Sonnet Stanfill, ed. £25.00 PB 9781851778171
The House of Worth De la Haye & Mendes £35.00 HB 9781851777747
Knitting Sandy Black £35.00 HB 9781851775590
London Couture 1923–1975: British Luxury De la Haye & Ehrman, eds £50.00 HB 9781851778508
Medieval Jewellery in Europe 1100–1500 Marian Campbell £19.99 HB 9781851775828
Traditional Jewellery in NineteenthCentury Europe Jane Perry £30.00 HB 9781851777297
BESTSELLER
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17
Fashion Biographies / Style Guides
Fashion E-books
BESTSELLER Dior by Dior Christian Dior £9.99 PB 9781851779789
From A to Biba Barbara Hulanicki £9.99 PB 9781851779635
Shocking Life Elsa Schiaperelli £9.99 PB 9781851779598
Silver and Gold Norman Hartnell £9.99 PB 9781851779666
King of Fashion Paul Poiret £9.99 PB 9781851779611
Quant by Quant Mary Quant £9.99 PB 9781851779581
ABC of Men’s Fashion Hardy Amies £6.99* EB 9781851779529
Always in Vogue E.W. Chase and I. Chase £6.99* EB 9781851779697
Can I Help You Madam? Ethyle Campbell £6.99* EB 9781851779352
Dior by Dior Christian Dior £6.99* EB 9781851776719
From A to Biba Barbara Hulanicki £6.99* EB 9781851776696
Hints on Hats Henry Melton £6.99* EB 9781851779475
In My Fashion Bettina Ballard £6.99* EB 9781851779215
It Isn’t All Mink Ginette Spanier £6.99* EB 9781851779208
King of Fashion Paul Poiret £6.99* EB 9781851776726
Model Girl Jean Dawnay £6.99* EB 9781851779185
Modes and Mannequins Max Boy (anon) £6.99* EB 9781851779543
Quant by Quant Mary Quant £6.99* EB 9781851776689
Shocking Life Elsa Schiaparelli £6.99* EB 9781851776702
Silver and Gold Norman Hartnell £6.99* EB 9781851779819
The Truth About Modelling Jean Shrimpton £6.99* EB 9781851779864
The World of Carmel Snow Snow with Aswell £6.99* EB 9781851779314
BESTSELLER ABC of Men’s Fashion Hardy Amies £9.99 HB 9781851775569 £6.99* EB 9781851779529
The Art of Being a Well Dressed Wife Anne Fogarty £9.99 HB 9781851776306 £6.99* EB 9781851777457
A to Z of Style Amy de la Haye, ed. £9.99 HB 9781851776528
A to Z of Wedding Style Kate Bethune £9.99 HB 9781851777822
BESTSELLER How to Dress for Success Head & Hyams £9.99 HB 9781851775545 £6.99* EB 9781851777426
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The Little Dictionary of Fashion Christian Dior £9.99 HB 9781851775552 £6.99* EB 9781851777419
19
Textiles / Pattern
Alastair Morton and Edinburgh Weavers Lesley Jackson £45.00 HB 9781851776603
Photography / Theatre & Performance
Chinese Textiles Verity Wilson £30.00 HB 9781851774388
ACADEMIC DISCOUNT
Kalamkari Temple Hangings Anna L. Dallapiccola £30.00 HB 9781851778676 ACADEMIC DISCOUNT
Selling Silks Lesley Ellis Miller £35.00 HB 9781851777815
Horst: Photographer of Style Susanna Brown £40.00 HB 9781851778010
Made Up Love Song Bettina von Zwehl £10.00 HB 9781851778225
Photography and the 1851 Great Exhibition Anthony Hamber £75.00 HB 9781851779833 ACADEMIC DISCOUNT
Diaghilev and the Golden Age of the Ballets Russes Pritchard & Marsh, eds £25.00 HB 9781851778355
Glam Rock Alwyn W. Turner £25.00 HB 9781851777648
BESTSELLER William Morris Textiles Linda Parry £35.00 HB 9781851777327
David Bowie is Broackes & Marsh, eds £35.00 HB 9781851777372
Opera: Passion, Power and Politics Kate Bailey, ed. £40.00 HB 9781851779284
BESTSELLER V&A Pattern: Indian Florals Rosemary Crill £7.99 HB 9781851775866
V&A Pattern: Kimono Anna Jackson £7.99 HB 9781851776061
V&A Pattern: Liberty & Co. Anna Buruma £7.99 HB 9781851776795
V&A Pattern: Owen Jones Abraham Thomas £7.99 HB 9781851776054
V&A Pattern: Spitalfields Silks Moira Thunder £7.99 HB 9781851776351
V&A Pattern: C.F.A. Voysey Karen Livingstone £7.99 HB 9781851777334
V&A Pattern: William Morris Linda Parry £7.99 HB 9781851775842
V&A Pattern: The 1950s Sue Prichard £7.99 HB 9781851775859
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Pink Floyd: Their Mortal Remains Aubrey Powell et al. £40.00 HB 9781851779161
21
Sculpture, Metalwork, Ceramics & Glass
Postcard Sets / Diaries / Books about the V&A
BESTSELLER
ACADEMIC DISCOUNT
The Cast Courts Patterson & Trusted, eds £9.99 PB 9781851779796
Garnitures Patricia F. Ferguson £10.00 HB 9781851779000
The Culture of Bronze Peta Motture £35.00 HB 9781851779659
A History of Photography: 50 Postcards £14.99* BOX SET 9781851779888
Gold Boxes Heike Zech £10.00 HB 9781851778409
Indian Temple Sculpture John Guy £35.00 HB 9781851779192
Medieval and Renaissance Stained Glass Paul Williamson £19.95 PB 9781851774043
Medieval Ivory Carvings 1200–1550 Williamson & Davies £150 HB 2-VOL SLIPCASE 9781851778119 ACADEMIC DISCOUNT
Micromosaics Heike Zech £10.00 HB 9781851779703
Vincennes & Early Sèvres Porcelain Joanna Gwilt £60.00 HB 9781851777730
Carvings, Casts & Collectors Motture, Jones & Zikos, eds £35.00 HB 9781851776405
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ACADEMIC DISCOUNT
BESTSELLER
Japanese Woodblock Prints: 100 Postcards £14.99* BOX SET 9781851778799
V&A Pattern: 100 Postcards £14.99* BOX SET 9781851778157
William Morris: 100 Postcards £14.99* BOX SET 9781851778492
Eric Ravilious Diary £10.00* HB 9781851779390
The Gardener’s Diary Edward Bawden £10.00* HB 9781851779345
V&A Desk Diary 2020 £11.99* FLEXIBOUND 9781851779758
V&A Pocket Diary 2020 £6.99* FLEXIBOUND 9781851779802
Creating the V&A Julius Bryant £35.00 HB 9781848223493
Designing the V&A Julius Bryant £35.00 HB 9781848222335
The Museum and the Factory Grant & Patterson, eds £35.00 HB 9781848222915
BESTSELLER
Available from Lund Humphries
Available from Lund Humphries
Available from Lund Humphries
23
Children’s Books
BESTSELLER Clara Button and the Magical Hat Day De la Haye & Sutton £10.99 HB 9781851776580 £5.99 PB 9781851777129
Clara Button and the Wedding Day Surprise De la Haye & Sutton £10.99 HB 9781851777006 £5.99 PB 9781851778065
Dolls’ House Colouring Book Emily Sutton £5.99 PB 9781851778058
The Football’s Revolt Lewitt-Him £11.99 HB 9781851778478
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24
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AW 2019
The V&A is the world’s leading museum of art, design and performance. Our collection of over two million works provides almost infinite sources of inspiration for artists, designers and makers worldwide. V&A Publishing aims to share this resource with the widest possible audience.
Bloomsbury Australia. We collaborate with Penguin Random House Children’s UK on a range of bespoke titles that take children on a creative adventure through our archives, and with renowned art publisher Thames & Hudson to deliver outstanding books for adults that explore the V&A’s art and design collections.
Our core programme of exhibition, research and collections publishing is represented alongside our rich backlist by Abrams & Chronicle Books and
All profits from V&A Publishing help us to enrich people’s imaginations through the funding of future exhibitions, research and collecting.
ISBN 978-1-85177-962-8
ISBN 978-1-85177-962-8
9 781851 779628 vam.ac.uk