2014 - The Rhapsodist

Page 32

Why Don’t We Have Sax Anymore? by anonymous I understand that we’ve outgrown our “Hungry Eyes,” those days when we were younger and more excitable, when the world was at our door in a series of half-steps. And a part of me knows we were just “Lost in Emotion,” what with my eyeshadow undertones and your billowing, silk suit. Of course we were—we were practically kids! But I know you remember. The sax we used to have was not just noteworthy; it was alternately piercing, pulsing, and stroking, and I know you recall the flutter and moan. “I wanna go back and do it all over, but I can’t go back” and you can’t go back, and so here we are, two reeds warped by time. Obviously, it’s been a while since 7th period Jazz Ensemble, so this might come as a surprise. But I’ve thought about it, and here’s what I propose: let’s re-claim those vibrations. Let’s strap on the old instrument and remember how to play. With some patience and imagination, I believe we can rekindle the kinds of people we were when we used to have sax. First, though, let’s be honest about it. We both need some solo time. It’s perfectly natural, and neither one of us can keep score this time around, okay? You were right: anyone who tells you they don’t take a few solos is a liar or plain nuts. It’s part of how we all groove. If anything, that kind of fingering reminds you of “What You Need,” right? It’s okay to throw your head back and feel your own tune, especially since it adds to our harmony later on. Beginning now, I promise I will value “Your Latest Trick.” Now, this next pitch may seem off, but please hear me out. We might want to consider role-playing, you know, a little fantasy sax. Look, you can be Kenny; I’ll be all things Sade. Or maybe we surprise each other—“Who Can It Be Now”?! …Or, okay, if you’re thinking, “I Can’t Go For That (No Can Do)”… what about toys? Sometimes it just takes a little valve oil, you know? Maybe we treat ourselves to a couple of slings and thumb savers. Or—and I’ll just throw this out there— blue velvet. Yeah, imagine opening up to that. Look, it’s been a long time, and “Modern Love” has no bridge to it, but at this point in our lives it’s kind of like, “Urgent, urgent, emergency!” You know? So what do you say? Will you “Take Me Home Tonight?” …Or what about right now? Because I mean it, I swear. I’ll wet my reed right here. I’ll close my eyes, and take a deep breath, and for the sake of sax everywhere— watch me: I’ll blow.

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Articles inside

contributors

8min
pages 70-72

jeff horner On the Importance of Stories barbie byrd

1min
page 69

The State in This State of Humanities

7min
pages 66-68

Nez Covington I Know Fellas (A Man’s Reply to Mary Lambert’s “Body Love”

2min
pages 55-56

jennifer lynn browning Ancestral

0
page 50

magnolia wilson Autumnal

2min
pages 53-54

mary topper First Light joseph jamison

14min
pages 57-62

caroline padgett Countenance

0
page 51

Silence

0
page 49

forest beaudet To Whom It May Concern grey lajoie

0
page 47

Desk Revisited

1min
pages 40-41

Interim

0
page 46

Etgar Keret’s Heaven

6min
pages 43-45

The Substance of Things nicholas welch

2min
pages 37-38

adam carnes The Conflagration magnolia wilson

1min
page 42

Memory: Wedding Photo joseph jamison

0
page 36

anonymous Thank You, Sociology porscha orndorf

4min
pages 32-33

nez covington Losing Patience

19min
pages 18-25

Childhood (flash fiction

0
page 16

Boy Scouts abigail hickman

6min
pages 10-12

grey lajoie Why Don’t We Have Sax Anymore?

2min
page 31

Fucking in a Tired Form

1min
page 15

joseph jamison War Spit forrest mcdonald

0
page 29

Catching Smoke london atil

1min
page 13

She Has Dimples markia c. brooks

0
page 9
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