Bruce G. Weber Precious Jewels by Accent Magazine

A C C E N T/ T H E M A G A Z I N E O F L I F E ’ S C E L E B R AT I O N S

FIND THE

PERFECT GIFT

FOR THE YEAR AHEAD

JEWELRY TRENDS

SPECIALWATCH

SECTION

SPRING/SUMMER 2013

Three Exceptional Jewelers and a Collection of the World’s Best Brands, All Under One Umbrella.

The Woodlands, Texas www.donohos.com

Columbus, Ohio www.diamondcellar.com

Tulsa, Oklahoma www.brucegweber.com DIAMOND CELLAR HOLDINGS is a family of three of the finest jewelers in the United States. Each store has its own unique heritage, but together they represent almost 150 years of history in the jewelry business. We’ve built our reputation on excellent service, fine craftsmanship and unwavering integrity. That’s why the world’s top jewelry and watch brands trust us. And so can you. A. Jaffe Aaron Basha Adolpho Courrier Alex Woo Baume & Mercier Bell & Ross Breitling Carla Amorim Cartier Charles Krypell Christian Bauer Christine Cooper Hill Christopher Designs Corum

Collegiate Jewels David Yurman Denise Roberge Di Modolo Elizabeth Locke Forevermark Goldman Diana Girard Perregaux Graf von Faber-Castell Gregg Ruth Harry Kotlar Hermes Ippolita Ivanka Trump

Jaeger-LeCoultre Jay Strongwater JB Star John Hardy Kwiat Lagos Marco Bicego Memoire Michael Beaudry Michael Bondanza Michele Mikimoto Patek Philippe Penny Preville

Precision Set Raymond Weil Robert Procop Roberto Coin Roberto Coin Cento Rolex Scott Kay Sterling & Bridal Stephen Webster Soho SUWA Swiss Army TAG Heuer TW Steel William Henry Studio

WELCOME

Dear Friends, While reviewing pictures of our tennis tournament for this issue’s Events recap (see page 9), I couldn’t help but smile. It makes me so proud to be a part of the Tulsa community. Bruce G. Weber Precious Jewels began as, and remains, a family-owned jewelry store. We strive to give you a level of personal service here that no corporate chain store could hope to match. What makes us especially unique is our partnership with our sister stores in Columbus, Ohio and The Woodlands, Texas as part of the Diamond Cellar Holdings family. A lot has changed since we opened our doors in 1952. Today’s customers want to shop world-class luxury brands. They demand a selection of global, iconic names and they seek out stores who carry them. And these premier global brands have high expectations for the stores that represent them. They look for scalability: Can a store give them the kind of space they need to showcase their creations? Can they support the brand with a strong marketing initiative? Can they invest at an inventory level that represents their line significantly? I truly believe that Bruce G. Weber Precious Jewels encompasses the best of both worlds. We provide personal, professional service in a relaxed atmosphere. And because we are part of a bigger family, we’re able to bring you the finest brands the world has to offer. Our roots are in the community. And as our customer, you are what really matters most. So we’ll continue to be your “local” jeweler, with branches that reach out into the world.

Michelle Holdgrafer, Store Director

CONTENTS SPRING/SUMMER 2013

1700 UTICA SQUARE 918-749-1700 800-749-1771 BRUCEGWEBER.COM

P U B L I S H E D B Y T H E B J I FA S H I O N G R O U P PUBLISHER STU NIFOUSSI EDITOR-IN-CHIEF KAREN ALBERG GROSSMAN

C R E AT I V E D I R E C T O R HANS GSCHLIESSER MANAGING EDITOR JILLIAN LAROCHELLE PROJECT MANAGER LISA MONTEMORRA DESIGNERS CYNTHIA LUCERO JEAN-NICOLE VENDITTI PRODUCTION MANAGER PEG EADIE

FEATURES

WATCH SECTION

PRESIDENT AND CEO

Welcome Letter

32 Advisor: Watch Wisdom

BRITTON JONES

Our People

Events

CHAIRMAN AND COO MAC BRIGHTON

10 Caring for the Community: American Red Cross

Prices are subject to change without notice and may vary

12 Red Carpet: Rainbow Brights

14 Designers: David & Sybil Yurman

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OUR PEOPLE

Brandon Lunsford SALES ASSOCIATE FOR BRUCE G. WEBER

place what it is. The simple smiles, the big grins, and the thank yous; it all comes down to the customers’ reactions. Knowing that you've put a bright light into someone’s life and that you've helped them in creating memories — that's what this is all about for me. What do you admire in other people and why? A true willingness to help, honesty, and integrity: those are key and they warm the heart when you see them in action. What job would you do if you could do anything at all? Definitely space travel with my family… in the Tardis! What are you passionate about? In all honesty, my wife and children are always first on my mind. My passions always center on seeing them smile. Life is not always easy, but having a family makes it so worthwhile. What’s the best piece of advice you’ve ever received or the best lesson you’ve ever learned? Hold on to the promises. Whenever things seem the most difficult, and you feel like doing it the least, hit your knees. Who has been the biggest influence in your life and how did they influence you? My wife: she is such a remarkable woman. Her commitment to our family is immeasurable and her love to me is astounding, yet she valiantly displays both daily. What do you do to wind down? Grab my wife by the hand and head out the door. A movie, a snack, dinner, errands, whatever; the point is just being together. Describe your perfect day. It would start with church with my family on Sunday morning, a good brunch afterward, relaxing and spending the rest of the day with them. You’ve planned the perfect vacation. Where are you going and what will you do? It would either be a cruise with my family or to sit on a beach somewhere in the Caribbean. We’d of course take in the sights, but most of all we would just relax and enjoy the company.

How long have you been with Bruce G. Weber Precious Jewels? I've been here since August of last year. What did you do before coming here? This is my 9th year in jewelry retail, and my 22nd year in retail sales.

Name your top three favorite movies of all time. Tombstone, The Avengers , and The Lor d of the Rings .

Where are you from originally? I was born in Louisville, Kentucky and my early childhood was spent just across the Ohio River in New Albany, Indiana. My family moved to the Bay Area in California when I was young and I relocated with my wife to Tulsa at 21.

Hollywood is making a movie about your life. Who is playing you? David Tennant. What is something on your “bucket list” you accomplished recently, or something you’d like to accomplish soon? A Disney Cruise with my wife and kids would be awesome! That is something we've always wanted to do.

What’s your favorite part of your job and why? It's difficult to nail down one thing, there are so many aspects that make this

BRUCE G. WEBER EVENTS

Beautiful jewelry in a beautiful setting! We were very excited to welcome Italian jewelry designer Roberto Coin to the Southern Hills Country Club in October. Customers gathered to meet the designer, enjoy a wonderful dinner and try on some of Robertoâ&#x20AC;&#x2122;s latest fashions.

A record number of ladies participated in the 5th Annual Bruce G. Weber Tennis Classic on September 22nd and 23rd at the Michael D. Case Tennis Center at the University of Tulsa. Jeanette Kern was honorary chairwoman of the event that raised over $31,000 for the Childrenâ&#x20AC;&#x2122;s Hospital at St. Francis.

CARING FOR THE COMMUNITY

AMERICAN RED CROSS

Bruce G. Weber supports The American Red Cross in the Eastern Oklahoma Region.

family, replenishing infant supplies or replacing vital medications and eyeglases, and making security deposits on a new place to live, it becomes clear that many of these families would spiral into overwhelming debt or even homelessness were it not for Red Cross assistance after a disaster. Because the Red Cross is not a government agency, its services are made possible only through the dedicated work of volunteers and generous financial donations from companies, foundations and individuals.

ushka, Oklahoma, April 14, 2011: A tornado touches down, destroying the small community’s school and dozens of homes. Within four hours, an American Red Cross volunteer team has arrived on the scene and opened an emergency shelter, giving those left devastated and homeless a safe place to stay and hot meals to eat. Creek County, August 2012: Wildfires, fueled by months of drought and extreme heat, are consuming land — and homes — at an alarming rate. Again, the Red Cross is there, sheltering, feeding and caring for those forced to flee their homes. It will be a number of days before the fires are contained and it becomes safe for residents to re-enter the ravaged area to discover what, if anything, remains of their homes and possessions. Throughout that time, the Red Cross will remain on the job, providing three hot meals a day and offering families safe refuge as they begin their journies on the long road to recovery. As always, every bit of Red Cross disaster assistance is provided free of charge. The Eastern Oklahoma Region Red Cross is responsible for the safety and preparedness of 1.5 million people spread across 26,000 square miles. Across the 31 counties in its service area, the Eastern Oklahoma Red Cross responds to an average of three disasters each day — primarily single-family home fires. Last year, the chapter responded to more than 1,000 disasters and provided more than $424,000 in financial assistance. Approximately 65% of those who receive Red Cross disaster relief services have no insurance on their homes or belongings because they cannot afford the premiums. Considering the cost of hotel or motel accommodations and meals out, purchasing a change of clothes for everyone in the

“We’re so appreciative of this generous gift,” said Regina Moon, CEO of the Eastern Oklahoma Red Cross. “Support from the community and our partners will help the Red Cross continue to be there for our neighbors when they need us most.” Bruce G. Weber and the Hale Family Foundation teamed up to help by offering a stunning Roberto Coin designed necklace for auction at the Red Cross Rescue Gala. The exquisite 36” eyeglass necklace in 18K white gold, featuring 21 brilliant bezel-set diamonds, 4ctw, is valued at more than $14,000. To make a secure financial donation to the Red Cross, visit OkRedCross.org, or mail a check to: Eastern Oklahoma Red Cross, Dept. 995, Tulsa, OK 74182.

Red Carpet RASHIDA JONES

Pop of Pink

CHRISTOPHER POLK

ASTRID STAWIARZ

At the Montblanc de la Culture Arts Patronage Awards Ceremony honoring her father, Quincy Jones, the Parks and Recreation star’s fuchsia pout pumped up the pink pattern on her dress. Though she kept the rest of her accessories minimal, Jones’ choice of jewelry proves two rings are better than one.

IVANKA TRUMP

RAINBOW BRIGHTS

Red All Over

Stars shine in every color under the sun. JILLIAN LAROCHELLE

The always-elegant jewelry designer let her dress speak for itself at the 9th Annual Style Awards. Statement earrings and a silver bag subtly accented the sparkly floral appliqué.

JESSICA LANGE

IAN GAVAN

Orange You Glad

KATE MARA

Perhaps Lange’s golden cuff was a prelude to the statue to come. This tangerine dream turned out to be a winning look for the actress, who took home the Best Supporting Actress Emmy for her role as Constance in American Horror Story while wearing the goddess-like gown.

Not So Mellow Yellow ASTRID STAWIARZ

Even through the London fog, this rising star shone as bright as the sun at the West End premiere of her new Netflix series House of Cards. Mara added even more bold color with a jeweled bib necklace and violet box clutch.

VANESSA HUDGENS

VITTORIO ZUNINO CELOTTO

Blue Beauty

MONICA BELLUCCI

The actress played up her exotic good looks in the Mercedes-Benz Star Lounge during Fall 2013 Fashion Week at New York’s Lincoln Center. A satin sheath in a royal blue hue provided the perfect backdrop for intricate silver beadwork, while a cocktail ring helped Hudgens call attention to her avant-garde manicure.

MIKE COPPOLA

Green with Envy For a lesson in how to liven up basic black, look no further than this Italian bombshell, who paired a show-stopping statement necklace with a slinky black dress to cut the ribbon at the reopening of Cartier’s boutique in Milan last fall.

DOUTZEN KROES

White Hot

ASTRID STAWIARZ

Proof that a lack of color can sometimes be just as sexy! The Dutch model’s on-trend extras, including a studded bag and a stack of mixed bracelets, popped against the blank canvas at a party celebrating the inaugural issue of Generation W hosted by W Magazine and Jaeger-LeCoultre.

IMAN

BENJAMIN LOZOVSKY

Purple Passion Not many people can pull off head-to-toe plum velvet, but Iman manages to make it chic with the additon of a chunky gold tassel necklace. (Her glowing golden skin doesn’t hurt, either.) We bet Bowie would approve.

DESIGNERS Crossing Over

“In the new Crossover collection [far left], we combine smooth and cable cords to create contrast, texture and a sense of movement. It’s really a symbol of the way Sybil and I work together: everything we do is intertwined.” —David Yurman

we found ourselves in the jewelry business.” Though he never set out to be a jewelry designer, working closely with Sybil, a painter in her own right, led him to explore different avenues of artistic expression. For the two halves of the famed Yurman design team, their collaboration as artists epitomizes the very essence of yin and yang. “We complement each other,” says Sybil, “and that creates a dynamic unity. Together, we create something bigger than us, sometimes larger than life itself.” While David sees the world through the lens of a sculptor, with a refined sense of proportion and a threedimensional perspective, his muse sees the world as a kaleidoscope of emotion, color, form and movement. After years of designing sculptural jewelry that was sold at craft shows and galleries, it was David’s creation of the cable bracelet, a twisted helix of sterling silver wire composed of multiple strands, that put his name on the proverbial map. The piece became an instant icon, a contemporary classic that has served as the thread that runs through all of the collections. Deemed a phenomenon in the jewelry world, David Yurman’s handcrafted creations — silver paired with gold, and diamonds and semi-precious stones set in silver — were revolutionary. The pieces, with ancient Gothic and Egyptian references, blended classic with contemporary styling. “We bridged the gap between fashion and fine jewelry, and we used art as the bridge,” says David. For David and Sybil Yurman, beautiful jewelry is not the end result of a simple technique or a single element. Outstanding quality and extraordinary craftsmanship are achieved from a foundation of artistic excellence. Over 30 years later, what began as an artist’s passion for sculpture and a painter’s love for color has turned into a jewelry house that continues in the classic tradition of the guild, but pushes the boundaries of convention with imagination and innovation.

WORKING

ARTISTS Sybil Yurman remains David’s muse. And so much more.

‘‘W

e create art for people to wear.” With those words, David and Sybil Yurman articulated an enduring vision for their company, America’s foremost jewelry house for over 30 years. From the very beginning, their belief that art is personal — that the artist’s world is unique and the creative process is an expression of the artist’s aesthetic — made using the word ‘jewelry’ seem insufficient. ‘Jewelry’ doesn’t entirely encompass David Yurman’s vision of what he is creating, nor does it express his passion for the creative process, his love of design and his refusal to be led by conventional wisdom. His interest in sculpting began early, at just 13 years old. During summers off from high school, David studied art, working as an apprentice to Cuban sculptor Ernesto Gonzales in Provincetown, Massachusetts. In his 20s, he hitchhiked to California, joining other artists in Big Sur, and immersing himself in the culture and lifestyle of the bohemian community. Moving back to his native New York City several years later to pursue his passion for sculpture and form, he served apprenticeships under master sculptors Jacques Lipschitz, Hans Van de Bovenkamp and Theodore Rozack — experiences he describes as life-altering. Then, another call from destiny: the chance meeting of his muse and future wife and partner, Sybil. His romantic nature inspired, he sculpted a piece of jewelry as a gift for her. She wore it to an art gallery opening and the owner, taken with the design, asked if David had more to sell. He recalls, “I couldn’t imagine recreating something so personal that I had made for Sybil, so I said ‘no.’ But at the very same moment, Sybil said ‘yes’ — and, like that,

“We use art

to bridge the gap between fashion

and fine jewelry.” David Yurman

Christopher Designs

PHOTOGRAPHY: BARTOSZ POTOCKI

Crisscut

Generic Round 58 Facet

Crisscut 速 Round 121 Facet

Generic Emerald 46 Facet

Crisscut 速 Emerald 77 Facet

Generic Cushion 58 Facet

Crisscut 速 Cushion 77 Facet

TRENDS

STRONG & SOFT

rom gelato greens to sherbet purples, jewelry’s newest pastel gem palette looks simply delicious! And this spring and summer, the sweetest delicately hued designs are those that spotlight the stone as the star. As the precious metal plays more of a supporting role in many of the new pieces, four interesting stone cuts in particular are adding to the latest statement jewelry’s drama: cabochons, checkerboards, rose cuts and slices.

THE COLOR STORY Although bright Emerald is 2013’s Color of the Year, according to international color authority The Pantone Color Institute, most of the other leading hues of spring and summer are toned down, more muted. In a one-on-one interview, Pantone’s executive director, Leatrice Eiseman (often referred to as the “International Color Guru”) explains: “The first half of this year is more about less-bold shades that help us find harmony in the frantic pace of our everyday lives. That said, however, today we have a lot of trans-seasonal colors.” Exactly what colors are at the top of this proliferation of pastels? For women, there are 10 key shades, but here Eiseman discusses four of those that are especially significant to new luxury jewelry collections this season: Dusk Blue, Grayed Jade, African Violet and Linen. “You need to try a touch of all these on-trend colors in some way. And buying a beautiful piece of colored stone jewelry is a great place to start — because it’s like dipping your toe into new color waters. But just be sure it’s good color, from a quality brand and a respected jeweler that you trust.”

For warm-weather style, giant gems in subtle shades are oh-so-cool! LORRAINE DEPASQUE

On that note, here are some of the pretty-in-pastel gems that fine jewelry brands are focusing on this season. Because they’re fashion forward, you’ll often find them in pieces that are important to add to your jewelry wardrobe, like multi-strand bracelets and necklaces, power pendants, dramatic drop earrings and epically sized fashion rings. Dreamy Greens. Prasiolite, opal, chalcedony, moonstone, agate, green amethyst, jade, peridot, tsavorite, chrysoprase, tourmaline, green sapphire, green diamonds. And emerald, of course, because Emerald is the Color of the Year! Pretty Purples. Quartz, jade, moonstone, amethyst, mother-of-pearl, purple sapphire. Be-in-Style Blues. Moonstone, blue topaz, labradorite, blue cat’s eye, blue agate, aquamarine, turquoise, chalcedony, blue quartz, iolite, lapis-lazuli, sapphire, tanzanite, zircon, blue diamonds. The Right Whites. Rutilated quartz, agate, pearls, moonstone, motherof-pearl, white coral, champagne diamonds and linen-like shades of rough-cut diamonds.

CLOCKWISE FROM TOP LEFT: JANE BOHAN, STEPHEN WEBSTER, ERICA COURTNEY, ROBERTO COIN

SOME PERFECT PASTELS

TRENDS

ASIAN

FUSION

Eastern elements inspire modern American style.

hile shopping for your wardrobe this season, have you noticed that many of the most fashion-forward styles contain elements of Eastern cultures? Influences from Japan are particularly prevalent, like pleated origami-inspired organdy cotton, wingshaped shoulders, and wide pants, among others. It’s a trend that will continue into fall and winter, with floral jacquards from Vera Wang, Eastern spiritual styling from Prada, and brushstrokes of color from Lela Rose. And what jewelry do these Asian-infused fashions beg for? Pieces with a decidedly Eastern edge, of course. “These clothes are the perfect canvases, so to speak, for jewelry,” says David Wolfe, creative director of the Doneger Group in New York City. “Unlike what we saw before this year, the new fashions aren’t heavily embellished.” Wolfe, one of fashion’s leading international forecasters, adds that with these modern Eastern-inspired clothes, “The lines and the shades provide the color, if you will. And with this new sophisticated simplicity of extreme structures and curvilinear cuts, a strong jewelry statement becomes very important.”

and today “new Eastern” collections sometimes rely on colored resins and ceramics to impart that same bold mien. Techniques. Filigree and mokume-gane bring Eastern cultures to mind. The openwork of filigree can invoke the idea of Chinese calligraphy, while the ancient Japanese metalworking art of mokume-gane is a process used by specially trained artisans for one-of-a-kind jewelry. Themes. Art Nouveau-like motifs are characteristic of Eastern jewelry, especially dragonflies and butterflies, plus flowers and plants like cherry blossoms, bamboo, lotus and peonies. Spiritual symbolism abounds: the Om, the Tree of Life and certain mythological creatures, such as dragons. And all 12 animal signs of the Chinese zodiac are definitely key. 2013 is The Year of the Snake on the Chinese calendar, so new jewelry focused on those writhing reptiles is everywhere. The ancient Chinese culture viewed snakes as a positive omen, symbolic of eternal love, wisdom, immortality and so on. Today, contemporary luxury brands are fashioning serpentine-style jewelry whichever way you want it: replete with demonic details like a long tongue and menacing eyes, or in more stylized versions merely hinting at a snake via their super-curvy shapes, often inlaid or prong-set with precious gems. Whether you choose a snake-y style this year, or pieces with a feminine Art Nouveau-like beauty, heading toward the exotic East will surely lead you in the right direction!

GO EAST WITH YOUR JEWELRY Some of the best fine jewelry brands are making accessorizing à la the Asian aesthetic easy to do this year, by incorporating one or several of the following elements: Gems. Certain stones “say” Eastern, especially jade (in all colors), red coral, black onyx, pearls, mother-of-pearl, emerald and ruby. Materials. Enamel and lacquer, materials used in original Far Eastern jewelry, are significant,

WITH FASHION’S NEW SOPHISTICATED SIMPLICITY OF EXTREME STRUCTURES AND CURVILINEAR CUTS, A STRONG JEWELRY STATEMENT BECOMES VERY IMPORTANT. 18

FROM TOP ROBERTO COIN, JOSEPH MURRAY, JUST JULES

LORRAINE DEPASQUE

PEACE OF MIND STARTS WITH PROOF OF QUALITY. Carat Weight 1.53

Color Grade E

Clarity Grade VS1

Cut Grade Excellent

Laser Inscription Registry Number GIA 16354621

Natural Diamond Not Synthetic

A GIA report is certainty from the source. As creator of the 4Cs and the International Diamond Grading System™, GIA sets the standards for diamond assessment, worldwide. Unbiased. Scientiﬁc. A report from GIA gives you a clear understanding of your diamond’s quality. Look for GIA Diamond Grading Reports and the jewelers who offer them. www.4cs.gia.edu

THE UNIVERSAL STANDARD BY WHICH GEMS ARE JUDGED.

Motherâ&#x20AC;&#x2122;s jewelry thatâ&#x20AC;&#x2122;s as unique as her love for her children.

1700 Utica Square, Tulsa, Oklahoma 74114

(918) 749-1700

www.brucegweber.com

SPRI NG FASHION The Spring 2013 Runways exhibited an eclectic mix of bold graphic prints, strong jacket silhouettes, feminine flounce and stark color contrast. With the help of clothing and styling from Rowe boutique, we have chosen four of the most standout trends, featuring two distinct looks per trend, to spark your fashion fancy and keep you looking stylish all season long.

This page: Scott Kay Sterling Silver Cuff Bracelet $985, 18K White Gold Blue Agate Drop Earrings with Black and White Diamonds $3,070, Stephen Webster Sterling Silver and Gray Cats Eye Superstud Ring $595, Sterling Silver Blue Sodalite Ring with Diamonds $1,331, Bell & Ross Stainless Steel Black Phantom Watch $2,900 Opposite page: Rolex 18K Yellow Gold Day-Date Watch $31,350, David Yurman 18K Yellow Gold Oval Link Bracelet $4,400, Ippolita necklaces in 18K Yellow Gold: Jet Set Necklace $10,000, Modern Chain Necklace $3,395, Glamazon Necklace $9,000, Diamond Stud Earrings 1 Ct. T.W. and larger, starting at $2,200, David Yurman 18K Yellow Gold Cable Bracelet $5,250, Ippolita bracelets in 18K Yellow Gold: Glamazon Bracelets $695 to $5,795, Hammered Bangle $895, Clear Quartz Gelato Bangle $3,995, Diamond Superstar Bangle $6,500, Diamond Bangle $2,495, Gelato Bracelet with Hematite, Mother-of-Pearl, and Clear Quartz Doublets $2,995, Hematite Doublet Rock Candy Bracelet $1,995, 14K White Gold Ring with Orange Sapphires and Diamonds $1,969, Roberto Coin 18K Yellow Gold and Lemon Quartz Martellato Ring $2,540

BY LAND OR BY SEA

Beautiful graphic landscapes have inspired many of the bold prints we are seeing this spring. A wild collage of mixed and matched linear shapes and wildlife make up some of the most sought-after scenery a garment could ever hope for.

Le SMOKING JACKET

The female tuxedo paved the way for a plethora of modern shapes and jacket styles for women. Consider this seasonâ&#x20AC;&#x2122;s jackets a feminine twist on the sport coat and pant suit for the fashion-minded woman.

This page: 14K White Gold and Diamond Hoop Earrings $12,870, David Yurman Stainless Steel and 18K Yellow Gold Classic Watch with Diamonds $8,000, Penny Preville 18K Yellow Gold Labradorite and Diamond Necklace $2,783, Roberto Coin 18K Yellow Gold Diamond and Yellow Sapphire Flourentine Necklace $6,140, Roberto Coin 18K Yellow Gold Diamond and Yellow Sapphire Flourentine Necklace $12,000, David Yurman 18K Yellow Gold InďŹ nity Necklace $4,200, John Hardy 18K Yellow Gold and White Topaz Bedeg Batu Ring $700, David Yurman Sterling Silver and 18K Yellow Gold Wheaton Ring with PavĂŠ Diamonds $6,300, Roberto Coin 18K Yellow and White Gold Primavera Bangle $1,900, Roberto Coin 18K Yellow Gold Mesh Primavera Bangle $780 Opposite page: Rolex 18K Rose Gold Datejust $30,700, John Hardy 18K Yellow Gold Classic Chain Bracelet $9,600, John Hardy 18K Yellow Gold and Ruby Naga Ring $1,100, John Hardy Sterling Silver, 18K Yellow Gold and Blue Topaz Batu Ring $1,495, John Hardy 18K Yellow Gold Classic Chain Necklace $11,000, John Hardy 18K Yellow Gold and Diamond Pendant $4,700, Michele Stainless Steel with Yellow Gold-Plating Deco Watch $1,495, Fashion Strap $120, Elizabeth Locke 19K Yellow Gold Venetian Glass Intaglio Drop Earrings in Mint Green with Tiny Chariot Design $4,825

FEMININE FLAIR

Ladylike flounces, ruffle details and dainty peplums make up this ultra-feminine trend, allowing girls to be girls and celebrating the delicately intricate feminine complexity of fashion.

This page: Roberto Coin 18K White Gold Flower Earrings with Diamonds $6,040, Roberto Coin 18K Yellow Gold Flower Necklace with Cento Diamond Center $3,400, Rolex Stainless Steel and 18K Yellow Gold Datejust Watch $16,150, Elizabeth Locke 19K Yellow Gold Flat Wide Bangle with Daisies $7,700, Elizabeth Locke 19K Yellow Gold Wide Channeled Bangle $8,975, Kwiat Platinum Diamond Tennis Bracelet $88,700, Roberto Coin 18K Rose Gold Art Noveau Ring with Pink Tourmaline, Pink Sapphires, and Diamonds $6,080, Marco Bicego 18K Yellow and White Gold Jaipur Ring with Diamonds $3,830 Opposite page: Roberto Coin 18K Rose Gold Mother-of-Pearl and Diamond Earrings $7,400, Baume & Mercier Ladies 18K Rose Gold Hampton Watch $9,450, 18K White Gold Bracelet with Diamonds and 18K Yellow and Rose Gold Accents $25,968, 18K Yellow Gold Smoky Quartz Ring $1,999, Roberto Coin 18K Yellow Gold 3-Row Multi-Colored Semiprecious Necklace $37,000, John Hardy 18K Yellow Gold Bamboo Ring with PavĂŠ Diamonds in 18K White Gold $2,350

OPPOSITES ATTRACT Black and white may represent the highest level of contrast on the color wheel, but in fashion, they combine to create the perfect complementary duo. The stark contrast of black's sleek precision to white's immaculate lightness creates a bold statement, the perfect canvas on which to add bold pops of color with jewelry and accessories.

This page: David Yurman Stainless Steel and Black Ceramic Classic Watch $3,400, Stephen Webster Sterling Silver Superstud Bracelet $2,150, Stephen Webster Sterling Silver and Black Sapphire Earrings $1,195, Kwiat 18K White Gold and Black Diamonds Ring $900, Scott Kay Sterling Silver, White Sapphire, and Ruby Snake Ring $1,325, Scott Kay Black Spinel and White Sapphire Guardian Lariat $1,145 Opposite page: David Yurman Stainless Steel Classic Watch $3,000, John Hardy Sterling Silver Kali Pebble Link Necklace $1,895, Ippolita Sterling Silver Oval Link Necklace $995, Ivanka Trump Black Onyx and Diamond Cocktail Ring $3,650, Charles Krypell Sterling Silver Saddle Ring with Black and White Sapphires $2,596, Ippolita Sterling Silver Hammered Bangle Bracelet $495, Ippolita Sterling Silver Glamazon Bangle Bracelet $395, Ippolita Sterling Silver Hematite Doublet Wonderland Bracelet $595, Ippolita Sterling Silver Wonderland Bracelet (Barolo) $395, Ippolita Sterling Silver Rock Candy Bangle with Black Onyx $650, Ippolita Sterling Silver Doublet Earrings $395

Celebrate.

The three-stone anniversary ring from Bruce G. Weber Precious Jewels.

1700 Utica Square, Tulsa, Oklahoma 74114

(918) 749-1700

www.brucegweber.com

ACCENT MAGAZINE SPECIAL SECTION SPRING/SUMMER 2013

GETTY 1

WATCHES

FOCUS: ADVISOR

WATCH WISDOM

TIME TO ANSWER YOUR PRESSING QUESTIONS.

IS IT NECESSARY TO SERVICE MY WATCH IF I’M NOT HAVING PROBLEMS WITH IT? All watches need maintenance. The extent of the service required depends on the particular timepiece, its movement and its age. Generally, quartz watches need battery replacements every two to three years. Mechanical watches, much like automobiles, need regular servicing. The inner movements of the mechanical watch are lightly lubricated to reduce friction between the parts and ensure accuracy and reliability. Deterioration of the lubricants occurs over time and results in higher friction, increasing wear and tear and decreasing precision. A mechanical watch should be serviced every three to five years. Watches should always be taken to an authorized retailer to be properly serviced. If the wrong gaskets, batteries or parts are used, it can result in more expensive repairs down the line. Even quartz watches, after a simple battery change, have to be properly sealed and closed to ensure their water resistance.

IS A WATCH A GOOD INVESTMENT? Many people buy a watch because they love the individual statement the piece makes about them. However, in today’s economy, people also want to know that the watch they’re buying will hold its value over time, and maybe even go up in value. Most top-name watches will hold their value and some can even become heirloom pieces over the coming generations. If you’re looking to start building a watch collection, invest in different styles of watches appropriate for different situations, and do your homework regarding the most coveted brands. Special or limited-edition watches are almost always a good investment in the long term. Don’t be afraid to ask questions; our knowledgeable watch experts are here to give you guidance.

L e s s t h a n o n e p e r c e n t o f t h e w o r l d ’s d i a m o n d s c a n c a r r y t h e F o r eve r m a r k i n s c r i p t i o n — a promise that each is beautiful, rare and responsibly sourced.

THE DIAMOND. THE PROMISE. Forevermark is part of the De Beers group of companies.

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FOCUS: ADVISOR

WHAT ARE THE CURRENT WATCH TRENDS? One of the most important trends in the watch market today is definitely the proliferation of dual-, triple-, and multi-time zone watches. For today’s global business person, or any busy traveler, having alternate time zones readily available at the flick of the wrist is almost essential. These timepieces come in a wealth of styles and in an array of price ranges, offering design and technology options for men and women. Chronographs also steal the limelight with their form-meets-function attitude. A chronograph is a watch that times multiple events, and it can be a very useful tool. Another important trend today is the move toward new timepieces for women. These include mechanical and quartz watches that offer sophisticated features and functions, like elegant moonphase indications, chronograph counters and calendars.

I HEAR PEOPLE TALK ABOUT “COMPLICATED” WATCHES; WHAT DOES THIS MEAN (AND ISN’T LIFE COMPLICATED ENOUGH)? The term complicated refers to timepieces with certain functions or features that are considered top feats of watchmaking. The most coveted complications vary depending on personal taste and watchmaking progress. Among the top categories today are tourbillon watches (expensive, complex mechanical calibers that house an escapement, which compensates for errors in timekeeping due to the effects of gravity), repeater watches that chime the time on demand via a series of gongs and hammers, and perpetual calendar watches that can track the day, date, month, year and leap year (and sometimes moonphases and more) for hundreds of years to come. Some of the world’s finest complicated watches can have waiting lists, but please stop in anyway — we’re happy to show you some fabulous timepieces whether or not you plan to buy.

WHAT NEW MATERIALS ARE BEING USED IN WATCHMAKING? As watchmakers progress in their quests for innovation, they naturally turn to other fields, such as the space and automotive industries, to see what these state-of-the-art worlds are utilizing. This has led to a wealth of new lightweight, rugged, hypoallergenic materials being incorporated into wristwatch cases, dials and straps. Among the more interesting materials being used: high-tech ceramic, carbon fiber, aluminum, titanium and alloys of various elements. These are great new introductions that are well worth checking out the next time you visit the store.

PERFECT GEMS EXPLORE THE LITTLE LUXURIES THE WORLD HAS TO OFFER.

A STROLL THROUGH HOTEL LA MAMOUNIA

Marrakech has a fascinating history, exotic markets, exciting nightlife and a delightfully opulent hotel. La Mamounia, a former palace celebrated for its mixture of traditional Moroccan and modern French styles, offers intriguing experiences from great art to ice cream. Take a walk through the reception room, lobby and tearoom, where Moroccan paintings and statues inspire. Stop at the Italian Bar to view the latest photography exhibition while sipping a Le Grand Dame Champagne cocktail made with citrus essence. Next, wander outside into the serene 17-acre garden filled with olive and citrus trees, magnificent roses and an extensive kitchen garden (you might chat with the chef as he gathers vegetables for dinner). At the center of the garden is Le Menzeh, an ice cream pavilion that offers pastries and freshly made ice creams. Finally, to recover from your exertions, complete your tour with a Royal Hammam treatment at the lavish spa.

THE NIGHT SPOT

Itâ&#x20AC;&#x2122;s no secret that Broadway singers and actors hate when the curtain comes down and they have to leave the stage. So on Tuesday nights, after the shows are out, performers and the fans who love them gather for Backstage at 54 Below (located in the basement of legendary Studio 54) to keep the music and jokes going over drinks and supper. Led by musical director Brad Simmons and host Susie Mosher, gypsies, Broadway and cabaret stars (and occasionally an audience member) sing or do their routines in this intimate and fashionable 144-seat space created by Tony-winning set designers. The wine list and food are good, the service excellent, the crowd always fun. And you never know who might turn up to perform. End your evening on a high note.

BOTTOM LEFT MARC BRYAN-BROWN

CHRIS LEE

DONALD CHARLES RICHARDSON

SPIRIT OF THE PAST

ALEX R. KIRZHNER

Built in 1228 by the Anglo-Norman de Burgos family, Ashford Castle is set on 350 acres with a spectacular backdrop of Irish woodlands, lake and mountains. Sir Benjamin Lee Guinness purchased the estate in 1855 as the family’s country residence. Since becoming a hotel in 1939, the castle has welcomed dignitaries and celebrities including Prince Edward, King George V, Ted Kennedy, Sharon Stone, Brad Pitt and Barbra Streisand. The castle offers contemporary comforts and conveniences, but naturally, oldworld traditions still thrive. There’s Ireland’s first school of falconry, a decanter of sherry in each room, and tea served in the drawing room. And in keeping with conventional castle ambiance, there’s also a ghost, reportedly from the 19th century when the Guinnesses were in residence. Not to worry: guests who’ve seen the young female apparition say she’s friendly.

LIGHT FOOTED

This spring, let your feet shine with bright bejeweled footwear by Ivy Kirzhner, featuring cloisonné metal work and exotic leathers. The 2013 collection includes the Ark, a dress wedge with crystals and snake leather inlays on an 18K gold-plated heel. The Taj Mahal gladiator sandal features gold silk metallic leather with crystals. Nefertiti is an ornamental high wedge with 18K gold-plated hardware and hand-enameled cloisonné treatment. Pictured above are the Montezuma Deco-bejeweled slippers in royal blue and hot coral kid suede and gold silk metallic, and the Tresor, a Deco ballet flat in gold silk metallic and opal, both with crystals on an 18K goldplated hardware ornament. Step into a brilliant summer.

CONCERT GRAND

Steinway Lyngdorf is a collaboration between Steinway & Sons, makers of the world’s finest pianos, and audio innovator Peter Lyngdorf. Their speaker systems range from the invisible to the compact to the giant. Currently, the state-of-theart choice is the Model LS Concert. Combined with the SP-1 Stereo Processor or P-1 Surround Sound Processor and Steinway Lyngdorf’s fully digital amplifiers, it’s perfect for luxurious home theaters. The open-baffle design makes the speaker interact with the room much as a musical instrument would, resulting in extremely open and life-like musicality. There’s also a remarkable remote that weighs nearly 2.2 pounds, with a rotating wheel crafted from solid, gold-plated brass and mounted on precision-machined Swiss bearings, providing intuitive and total command of the system.

EATS

JOYCE N. BOGHOSIAN

FOOD

FOR THOUGHT Reimagining the kitchen garden. JACQUELIN CARNEGIE

nce upon a time, everyone who could grew vegetables in their own “kitchen” garden, to have easy access to good, nutritious food and to supplement what they could purchase. Unfortunately, as a civilization, we’ve moved far away from the land, and most people now get their fruits and vegetables from giant chain supermarkets. Most of these fruits and veggies come from industrial-sized farms, ripen in the transport truck — instead of in the sun — and have practically no taste and very little nutritional value by the time we purchase them in plastic-wrapped packages.

STARTING A DELICIOUS REVOLUTION The good news: a group of passionate and dedicated food “activists” has launched the

Good Food Movement. The overall goal is to get Americans to eat healthier by relying more on locally grown produce with higher nutritional value, all while reducing our global carbon footprint. In addition, there’s an emphasis on improving children’s diets, specifically in lowincome areas. Because while the number of supermarkets with organic produce sections, local farmers’ markets and locavore (organic food, locally grown) restaurants has increased dramatically, most inner-city children still live in neighborhoods served only by fast-food restaurants and convenience stores. “Many in the movement credit famed chef 1 First Lady Michelle Obama plants a White House kitchen garden with help from horticulturist Dale Haney and Bancroft Elementary School students, March 20, 2009. 2 A public schoolyard is transformed by The Edible Schoolyard Project. 3 Tools at rest. 4 Harvest from Roger Doiron’s (Kitchen Gardeners International) own garden. 5 Famed chef Alice Waters started The Edible Schoolyard Project to teach kids how to grow and cook nutritious food.

ROGER DOIRON

Alice Waters, of the renowned Berkeley, California restaurant Chez Panisse, with getting the ball rolling,” says Arnell Hinkle, executive director of CANFIT, an organization that helps communities implement healthy-food programs. About 15 years ago, over concern for a local public school, Waters launched The Edible Schoolyard Project. Through kitchen gardens planted on their own public school grounds, students across the country learn how to plant and harvest organic produce. The kids are then taught how to make nutritious meals from what they’ve grown. “We’re calling for a revolution in public education — the ‘Delicious Revolution,’” Waters explains. “When the hearts and minds of our children are captured by a school lunch curriculum enriched with experience in the garden, sustainability will become the lens through which they see the world.” The Good Food Movement got another boost when First Lady Michelle Obama planted a kitchen garden at the White House in 2009. She was inspired to do so by a grassroots advocacy campaign led by Roger Doiron, director of Kitchen Gardeners International. Doiron is a modern-day Pied Piper for the benefits of kitchen gardens. Knowing that when Eleanor Roosevelt planted a “victory” garden at the White House in the 1940s, it inspired 40 percent of the U.S. population to follow suit, he figured Mrs. Obama’s enthusiasm for the cause might have a similar effect. “The commercially grown foods we’re eating today are significantly less nutritious than they were just 30 years ago,” Doiron points out. “What we need are millions of people joining the movement by planting four-season kitchen gardens right in their own back — or front — yards. This produce provides healthy meals for families and any excess can be donated to local food pantries.”

THE IMPORTANCE OF URBAN FARMING As the population explodes and urban areas continue to encroach on farmland, the ability to grow more nutritious food in less space becomes paramount. Will Allen, CEO of Growing Power, is an urban-farming guru, admired and revered by everyone in the Good Food Movement. Allen’s mission is to get nutritious, organic food grown with the smallest environmental impact. Using his methods, Growing Power’s two-acre urban lot in Milwaukee, Wisconsin, produces enough healthy food to feed 10,000 people. Some of these methods include: greenhouses

6 Roger Doiron, Kitchen Gardeners International. 7 On a two-acre lot in Milwaukee, Wisconsin, Growing Power produces enough healthy food to feed 10,000 people. 8 No room for a kitchen garden? Set up Windowfarms. 9 vintage Victory Garden poster.

and “hoop” houses (made from plastic sheeting and plywood) that are composted with the richest fertilizer, verimcompost, made from worms (heat generated from the composting process also warms the greenhouses in winter); aquaponics, a symbiotic method of growing certain plants and fish together; and raising crops and animals (bees, chickens, ducks, goats) sustainably, without chemicals. Growing Power not only raises healthy food in a compact urban space, they run extensive programs for inner-city and disadvantaged youths to get them interested in and involved with the process. They also hold workshops and travel around the country training others how to replicate their results. Allen, winner of a Ford Foundation leadership grant, a MacArthur “genius” award, and a spot on Mrs. Obama’s “Let’s Move” team, states: “We have to change where and how food is grown right now, because we are malnourishing ourselves to death. Today, most people live in urban areas, yet many have very limited access to healthy, nutritious food. What’s needed is a Good Food Revolution.”

GET ON BOARD THE GOOD FOOD REVOLUTION All of these organizations offer advice, classes and workshops. Kitchen Gardeners International can help anyone plant a kitchen garden. If you don’t have the space, find a community garden with help from the American Community Gardening Association. Learn how to get a kitchen garden planted at your local public school through The Edible Schoolyard Project. And, if you want to start or join an urban farming project in your community, attend a Growing Power workshop. As Thomas Jefferson said: “Cultivators of the earth are the most valuable citizens.”

Learn More: Good Food Movement Resources ACGA communitygarden.org CANFIT canfit.org Edible Schoolyard Project edibleschoolyard.org Growing Power growingpower.org Kitchen Gardeners International kgi.org Windowfarms windowfarms.com Our Global Kitchen: Food, Nature, Culture exhibit at the American Museum of Natural History, through August 2013

SPIRITS

FINE

TEQUILA

Mexico’s national spirit looks toward luxury.

he Margarita continues to rank as one of the country’s most popular cocktails, according to the Distilled Spirits Council of the U.S. (DISCUS), as well as a perennially popular resort option. Fortunately, today’s drinker has an unprecedented range of premium and superpremium tequila options from which to choose, whether sipped, shot or mixed into a drink. Casa Dragones is a super-premium, limited-production blend of blanco (aged two to six months) and extra añejo (aged five years) tequilas, designed for refined, smooth sipping. It’s made in small batches and bottled in individually engraved, signed and numbered crystal decanters. “For us, it’s one bottle at a time,” says co-founder and maestra tequilera Bertha Gonzalez Nieves, “and we never want to change that.” At about $300 a bottle, it’s not for shooting. Instead, it’s for sipping and is part of what could be called a Third Wave of Tequila in the U.S. (Jose Cuervo representing our introduction to the agave-based spirit in the 1960s and ’70s, Patron/Sauza/El Tesoro taking us further along the journey in the ’80s and ’90s, and today’s artisanal and luxury products expanding our horizons yet again). Most of the flexibility in tequila production involves the fine points of harvesting agave hearts, or piñons, how and how long the piñons are cooked, and specific distillation techniques. Blending differently aged batches, as Casa Dragones does, is a relatively new twist, one which Maestro Dobel

Single Estate tequila ($45) claims to have mastered first. A clear, colorless blend of various aged tequilas, Dobel is unexpectedly earthy on the palate, in part due to the use of Balkan oak. Don Julio, meanwhile, launched its Añejo 70 Claro ($70) in late 2011. Not a blend of aged tequilas, rather a clarified and filtered añejo, the result is a clear, colorless juice like a blanco, with the toasted oak and dusty sugar notes of an aged spirit. Perhaps the most interesting experimentation happening with tequila involves barrel choices. Most brands employ new oak or used bourbon barrels (the way most Scotch whisky does) during the aging process, but a few are exploring sherry casks, port barrels and more. DeLeon, a Guanajuato-based spirits brand, launched Leona on December 21 last year (the “end of the world” on the Mayan calendar). It was the first in a series of high-end, limited-edition “reserva” releases from the brand. Founder Brent Hocking says, “We were lucky to have purchased extra Sauternes barrels used in finishing our añejo expression. While going through the warehouse, we decided to experiment and see what would happen if we left some to sit.” Taking the tequila to the aging “edge” of the añejo classification (34 months), the resulting liquor is sweet, rich and complex and, quite simply, one of the most intriguing tequilas on the market. At $825, it had better be good of course, but Leona is no vanity project. It’s definitive proof that tequila has potential, as a fine spirit, far beyond body shots at spring break.

COURTESY DELEON TEQUILA

ROBERT HAYNES-PETERSON

DESIGN

TELLING

STORIES

Nate Berkus discusses his new book, The Things That Matter. BETHANY RABORN

esigner, film producer, author and TV personality Nate Berkus has made a career out of taking interior design beyond paint colors and fabric swatches. His latest book, The Things That Matter (Spiegel & Grau, 2012), gets to the heart of design in a way that has you simultaneously poring over the vibrant pages and setting it down to rearrange your living room. Here, we chat with Berkus about the book, his own home décor, and more. Your new book focuses on design as a personal statement. Was there a point where you realized design was not just about making things pretty? I realized that very early on. My mom is an interior designer, so “home” was more about a well-designed room than a home-cooked meal. That was her way of saying she cared about her family. Things were not expensive, but they were beautiful. It was ingrained in me that assembling interiors was not something to be rushed. You talk about incorporating things from your travels into your décor. How does one avoid a room full of kitschy souvenirs? I do a lot of research before I travel. I talk to the concierge at the hotel, I talk

to a friend who’s gone there before, to really get the best sources for everything. I have a deep knowledge of furniture creators and modern art, but one thing that is always important to me is the element of the handmade, whether it’s a Navajo basket on a coffee table or a South American belt on a pile of books. I look for the best silversmith in Portugal, the best textiles in Asia or ceramics in Mexico. I look for what’s indigenous, what’s historic and traditional. When you walk into someone’s home, what stands out as “good” or “bad” design? What makes me happy is walking in to see different styles all combined. That may be a Swedish dresser, a French mirror and a Native American rug in one room. I think it makes a room feel layered, like it was assembled over time. I love when someone takes a risk. I may not love what they did, but I am taken in when I see someone is adventurous. Conversely, what bugs me is when everything is of the same quality or out of one catalog. You can tell when someone spent a great fortune, but you don’t know anything about that person except that they’re rich. In the book, you discuss designing your own home in NYC. How was the process different than designing for other people? In a designer’s own home, he is answering only to himself, so he can take more risks. I like to let things find me, whereas with clients you don’t have the luxury of buying things haphazardly. For my home, I started to feel like I didn’t have roots; I wanted to assemble everything in one space, under one roof. Over 570 boxes were delivered to that home and as I went through all of them, I started to understand my own connection to things. I had to decide what to keep, where to put it, what it went with. The editing process is the most important part. Even if there is something you love, if there’s no place for you to display it and enjoy it and have it add to the graciousness of your home, then it should be edited out. What did you learn from writing the book? I didn’t set out to write an autobiography, rather I wanted the book to be about how I approach design. I hope people recognize that we each have a story, which is why I shared my own in the book. Everyone I’ve known, everywhere I’ve been, everything I’ve done has influenced my style. I hope people will stop, take a beat, and decide for themselves what really serves them in the home and what doesn’t. Only then can someone achieve an interior that truly reflects their personality. What’s next for Nate Berkus? My Chicago design firm is constantly undertaking new projects. I am excited about my collaboration with Target, and hope people find a few things from my line to add to their décor. I’m producing a second feature film that I’m really excited about. I love books so much, and after producing The Help, I wanted to find another project where I could make a beloved book into a film. We need more of that.

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LIVINGA CHARMED LIFE

Stylist, designer, writer and founding fashion director of this magazine, BETH BERNSTEIN talks to Accent about love, life and the profound power of fine jewelry. generations, taking on each of our personalities as it changed • My grandmother’s fantasy gems • A platinum eternity band I bought myself. It was my first self purchase and it meant that I was independent and didn’t need a man to buy me jewelry. • A locket and baguette stick pin from my mom, pieces that always remind me of her • My dad’s Cartier Tank watch • The plastic bead necklace my niece made for me when she was three • A pendant my dad gave to my mom that I had revamped into a ring; it keeps them alive, and together, forever… Family is obviously important to you. What’s the best advice you ever got from your loved ones? From my grandmother: “Always wear a little lipstick. And earrings…” “Superstitions are just that. Worrying doesn’t make something not happen…” And the zinger: “If he hasn’t married you by now, he’s not going to!” From my father: “People can only hurt you if you let them.” From my mother: “You can usually see the train coming from afar; get off the tracks before it hits you.” And (the words I heard most often) “He wasn’t worthy of you anyway…” What’s your best advice to women about buying and wearing jewelry? I very much believe in personal style and creating your own look. Buy for who you are, not who your friends are. Try on lots of different things: you’ll learn your style as you get more comfortable trying on. Leave hints for your husband or significant other about your dream gifts. But never feel like you have to stick with something: you can change your style as you grow. The most important rule: there are no rules. Wear what you love. Wear your jewelry; never let it wear you. I understand you’re a bit superstitious about your jewelry… Just a bit! I always wear some sort of talisman when I fly. (I truly believe it helps land the plane…) I never wear a ring on my left hand ring finger because some Russian woman told me when I was very young that I’d never get married if I did. I’m still not married, and still longing for that band of gold…

“WEAR YOUR JEWELRY; NEVER LET IT WEAR YOU.”

NOLET’S GIN

You’ve been touring the country and the reviews have been sensational. Why did you write this book? I felt there was something ultimately universal in the way women relate the most significant moments in their lives to jewelry. Open any woman’s jewelry box and there will be at least a few pieces that connect her to her past, that represent her present and that can be handed down in the future. As a writer and jewelry designer, I wanted to explore this theme, kind of what Ilene Beckerman did in Love, Loss, and What I Wore. What did you learn about yourself from writing it? More than I wanted to know; it was a painful process of self discovery. I learned that I hold on, am afraid of loss (thus I have every piece of jewelry every guy ever gave to me — even the ones I don’t want to remember). I learned that I have incredible connections that go deeper than I realized with the maternal side of my family. That I continually choose the wrong men and stay too long in bad relationships. And that my mom and grandmother were the true gems in my life. What have women told you about themselves upon reading your book? I’ve had many women write me about their mothers: the shared emotions and shared jewelry boxes. Almost everyone who wrote mentioned the relevance certain pieces have to significant moments in their lives: the exciting time they got their ears pierced or the magical moment they were first given jewelry by a guy — even if it was from a vending machine! Women have told me about the pain of selling their jewelry after a divorce, the joy of receiving their engagement ring, the bittersweet memories conjured up by their mom’s charm bracelet… What are your most prized pieces and why? • My mom’s baroque pearls handed to me in the hospital in a Ziplock bag when she died unexpectedly • My great-grandmother’s brooch, transformed four times for four

BRUCE G. WEBER ACCENT THE MAGAZINE OF LIFE’S CELEBRATIONS

SPRING/SUMMER 2013