A Mouse in Munchs House

Page 1


What are they doing here?’ By now, his whole nose was sticking into the hole. He sniffed the sour smell of turpentine, which he used to clean his brushes. ‘I must be dreaming,’ he thought. ‘But dreaming or not, no rascal steals my paints and my turpentine and gets away with it! Come out, little thief, whoever you are!’

Now Munch heard sounds coming from the other end of the crate. Looking closer, he noticed a small, arch shaped hole in the side. Through that hole he saw with astonishment what looked like the hallway of a house, with doors on each side. But what was that sound? Surely not a toilet flushing? Someone washing their hands under a tap?

Now came Munch’s biggest surprise of the night.

One of the little doors opened, and out came a grey mouse, drying his hands on a blue towel, looking like he owned the place. 9

‘How could you think such a thing?’ he said. ‘Tuck in! It’s my treat.’

Man and mouse polished off the cheese and grapes, and were already halfway through the chocolates, when Munch asked a question he had been wondering about ever since his first meeting with the mouse. ‘Tell me, Storm. How do you speak our language so well?’

‘What do you mean?’ laughed the mouse. ‘I live here! We mice have been with you humans for thousands of years – in your houses, behind

Storm looked at Munch with new admiration. The old man finished tying his bandage and they both leaned back, looking out of the window.

‘Well,’ said Munch, ‘her face was a perfect circle, her hair was flaming red, and her eyes were like blueberries. When she showed up, she definitely brought us some good luck. I think I shall paint her.’

Munch ran from one painting to the next, saying, ‘It’s Edvard, remember? Ah, there you are, my girls on the bridge! You’re a little wonky, aren’t you?’ He shifted the heavy frame a little. ‘Does this look straight to you, Storm?’

‘Clockwise a little bit … yes, there!’ said the mouse. Munch’s famous painting of a woman with dark hair, called Madonna, hung next to it. He leaned forwards and observed it closely.

‘My poor Madonna! Is your face getting a bit blurry? I should have brought some linseed oil to clean you up a bit.’ Munch pulled out his handkerchief, spat on it and rubbed her eyes, nose and cheeks. Then he stepped back to inspect his work.

Of course! The armour was made from a kitchen grater. It was all cheesy!

tired after our training session, we lay down for a nap. Strange – I thought I could feel something moving in the dog’s tummy.

And cheese is a dog’s favourite treat! I started training him. Soon we were the best of friends.

I listened more closely. I realised I could hear not one, but six hearts beating inside Rolly’s tummy. Huh? Has he swallowed six live mice? Wait a minute … It was then that I made an astonishing discovery!

you can go as you are. Just bring some flowers. Where is the funeral?’

’In your bedside table.’

’What?! A dead mouse in my bedside table?’

Storm put down his razor and wiped the shaving cream from his chin.

’Poor Uncle Ee-Ee-Eeee lay there for a month, in a coma. Now he has gone to the great mouse hole in the sky. He was a painter, you know, and a great fan of yours. He watched you for many years, without you knowing. Will you come with me to the funeral?’

’Of course,’ replied Munch kindly.

Chapter 7

Munchmouse Day

My dear Storm, just because you’re wearing your artist’s costume, it’s not going to make your painting any better.’

Storm was dressed up in his late uncle’s old artist’s smock and hat, with a fancy green ribbon tied around his neck. But Munch was right: the painting wasn’t going well at all.

Sitting on the windowsill, Storm struggled with some pastel sticks, trying to draw a landscape on paper. He had asked Munch for advice.

‘Nature is not what the eye can see,’ replied Munch, ‘it is what the soul can see, behind the eyes.’

‘Huh?’ said Storm. ‘What does that even mean? Is that supposed to help?’

Munch nodded mysteriously.

‘Look,’ squeaked the mouse in desperation, ‘the light is changing all the time. The sky was blue when I started, so I used the blue pastel. But by the time I was finished, everything had turned pink! Now I’ve

The mouse looked up at him and said, ‘The mice at the Oxford Library printed a mouse-size book. And your sweet Aunt Bridget knitted man-size socks. Like true friends, we have given each other the best presents we could think of – something we would have liked to have for ourselves. Our hearts were in the right place, but the results came out a bit wrong. Why don’t we swap?’

They sat by the cast iron stove, listening to the fire roaring inside. Munch kicked off his shoes and pulled on his new woolen socks.

‘You know, Storm,’ said Munch, wiggling his toes, ‘painters have strange habits. Some cannot work without a hat, others insist on wearing a suit and a tie. Me, I need warm socks on my feet. It’s my little secret.’

‘True! It says here that Benvenuto Cellini could not work without his leather apron,’ said Storm as he leafed through the book on his lap. ‘I love this book. I read it when I was a baby mouse, and it taught me how exciting art can be. All the danger and mystery and adventure it gives you. All the joy and despair an artist can feel. Cellini could make magic with gold and bronze, he made sculptures and decorations for some of the richest and most powerful men in Italy, he fought in a war, was held prisoner in a castle and escaped with a broken leg. What a life!’

‘You’re so right, Storm! Here, I’ve saved two chocolate bottles. From the piano bar, remember? Let’s drink to Art – cheers!’

They clinked their chocolate bottles.

‘You know,’ said Storm, ‘you being a world famous painter and a genius and all – you’ll be remembered forever. Me, just Storm, the humble little mouse … probably not. But you know what? I’m perfectly OK with that.’

‘My dear Storm,’ replied Munch, ‘just imagine: one day, long after I’m gone, all my work will probably end up in a big, grey museum in the

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