2024 OO Portfolio

Page 1


Architecture Portfolio 2023 - 2024.

陳圓圓

Chen Yuan-yuan (Acera)

2000 (23y) Kaohsiung, Taiwan

Email. ace8era@gmail.com

Tel. (+886) 963660902

youtube. @ac3ra

高雄市立前鎮高級中學 普通科

Kaohsiung Municipal Cianjhen Senior High School

正修科技大學 建築與室內設計系 建築設計組

Cheng Shiu University Department of Architecture and Interior Design

東海大學 建築系研究所 永續與數位創新組

Tunghai University M.Arch in Sustainable and Digital Innovation

in progress

E+U地方意象景觀設計競賽 優勝

E+U Local Imagery Landscape Design Competition, First Place

趙建銘建築師事務所 實習

C.M.CHAO ARCHITECT & PLANNERS, Internship

第四屆高雄市建築暨室內設計學生設計新人獎 特優

Fourth Annual Kaohsiung City Architecture and Interior Design Student New Talent Award, High Distinction Award

青春設計節 策展實踐與展示設計類 優選

Youth Innovative Design Festival Curatorial Practice and Exhibition Design, Merit Award

台南月津港燈節 參展水上作品提案

Tainan Yuejin Lantern Festival, Water Feature Installation Proposal

拾伍設計有限公司 實習

Atelier Boter Architecture Firm, Internship

青春設計節 建築與空間設計類 最佳設計獎

Youth Innovative Design Festival Architecture and Spatial Design, Best of Best

Design Contest of Local Hakka Memorial, Finalist

Astronomy Club

我們記得:客庄在地記憶的紀念形式徵件 入圍 -2020 高中天文社|儀器幹部 -2022 國中天文社|社團老師

Astronomy Club Teacher

正修科技大學系學會小迎新|總召、活動長

Orientation Event | Coordinator, Minister of Acitivites Department

正修科技大學112級畢籌會|總召

Graduate

Association | Coordinator

Windborn Ecological Morphology Design

Sensitive Scale Velux Award:Competition

Herbal Healing Design Contest of Local Hakka Memorial

Seeking Light Graduation Project

Sweet Life Forest Elementary School

Arch-ery Bridging Directed Research

Shuttle Water Feature Installation Proposal

Others Projects

Adobe Illustrator

Adobe Phtoshop

Final Cut Pro X

2024, Ecolological Morthology Design Group of 2, charge of simulation, building in revit model

Parametric architecture design Phase 2

Instructor | Hao-Hsiu Chiu

Designers | Hsuan Cheng, Acera Chen

M.Arch in Sustainable and Digital Innovation University: Tunghai University, Architecture Department

DESIGN CONCEPT |

We aim to find the new functions and purposes of intermediary spaces (architectural boundaries) and their relationship with the environment and human beings. Prioritize ecology and species, and consider human needs later. Through Simulating the wind flow, we developed a design from morphology to mitigate air pollution and at the same time create a better relationship between indoor and outdoor , environment and architecture.

GENERAL RULES |

1. Planting tree locations determined by the direction of sea and land winds.

The site is located in a coastal industrial zone in Kaosiung city, serving as both accommodation and living facilities for employees of China Steel Corporation (CSC).

Area: 48600 m2

The original site's building functions for employee living facilities include:

2. Adding water bodies for increased humidity - designed water bodies synergize with the moisture from the sea.

3. Building massing set (location and form).

4. Design of dormitory units + smaller-scale air purification design.

5. Arrangement of public activity spaces.

Existing Facilities and Amount

ISSUE __AIR POLUTION |

The air pollution problem in the Kaohsiung Harbor Industrial Zone is severe, primarily due to emissions and pollutants from industrial activities. These pollutants include sulfur dioxide, nitrogen oxides, suspended particulate matter, among others, severely impacting air quality. Not only does this affect the health of local residents, but it may also harm the surrounding ecological environment. The industrial zone's high concentration of industries, coupled with its geographical location, exacerbates the air pollution situation. Additionally, carcinogenic components such as polycyclic aromatic hydrocarbons (PAHs) and heavy metals, originating mainly from combustion processes and industrial manufacturing, pose significant health risks. These substances, once inhaled, can accumulate in the body, damaging the respiratory system, affecting the immune system, and even increasing the risk of cancer. Given that these facilities are concentrated in the area, the emission of carcinogens is further intensified, posing a threat to the health of local residents.

MITIGATE__FACOTRS |

Research shows that planting urban street trees and increasing forest cover is a cost-effective measure to improve air quality. If addressing both PM concentration and high temperatures simultaneously, the attractiveness of tree coverage remains unparalleled. Trees also provide additional co-benefits such as carbon sequestration, aesthetic appeal, and regulation of stormwater runoff.

An average urban tree can purify the air within a range of approximately 10 to 50 meters around it.

be around 5m - 50m, no more than 50m

The weak monsoon makes it difficult for pollutants to disperse, while the evening sea breeze helps reduce air pollutionStatistical data indicates that evening sea breezes help reduce pollution, hence enhancing sea breezes to create wind corridors. Conversely, land breezes tend to cause pollution to spread from point sources, resulting in higher concentrations of pollutants. Therefore, prioritizing tree planting for air purification in the direction of land breezes is advisable.

High humidity facilitates the condensation of water vapor, aiding in the settling of pollutants and reducing air pollution. Increasing humidity aids in the settling of pollutants in the air, thus necessitating the addition of various water bodies. Placing these water bodies along wind corridors allows the wind to lift moisture, enhancing humidity levels in the air and facilitating pollutant deposition.

1. Eixsting site

2. Regular Plan

3. Linear Plan

3-1. Linear Rotated Plan

4. L-shape Plan

4-1. L-shape Rotated Plan xy from big to small

4-2. L-shape Rotated Plan xy from small to big

2-2. Square Type

2-1. Shifted Plan

2-3. Linear Type

2-4. L-shape Type

4-3. Advanced

4-4. Advanced (Choosen)

SENSITIVE SCALE

2024, VELUX Award Competition « Light of Tomorrow »

M.Arch in Sustainable and Digital Innovation University: Tunghai University, Architecture Department

“People’s

Natural resources like water, sunlight, wind, air (pressure), and soil are essential for sustainability, forming interconnected cycles. To utilize them sustainably and ensure mutual benefits, we must engage with them interactively. How can we consciously recognize and appreciate these resources in our lives?

Panel System

Introducing reflective materials, light can penetrate throughout the day. By bending panels to create concave and convex surfaces, we adjust angles magnetically and enable automatic response to wind. Each panel bends independently yet connects seamlessly, preserving privacy while offering scenic views.

Thickness control

Taking a closer look at the scales’ cells, we can observe two distinct layers. At the top are stiff fibers, maintaining a consistent length regardless of conditions, while the bottom consists of stretchy cells that absorb moisture and expand, bending alongside the stiff fibers.

When considering thickness, thicker layers result in greater rigidity, while thinner layers yield softer properties. Each panel system comprises three layers capable of automatically adjusting bending amplitudes in response to environmental conditions.

Building type

“Bu Deng Apartments” are four to five-story walk-up residential buildings without elevators, originating from the modernist social housing of the 1920s. Mostly constructed in the 1960s and 1970s, they became the most common urban housing type in Taiwan.

The concept emerged from observing issues within Taiwan’s housing estates. Surrounding buildings often exhibited chaotic modifications, such as iron fences, sheets, and clapboards, to enhance privacy, protect against rain, and expand window space. The project aimed to provide a universal solution and foster harmonious interactions with the environment, thereby addressing spatial disorder.

Bionic Reference

“Pine cones respond well to weather changes. When the air is moist or it’s raining, the second layer of scales absorbs water, expanding to protect the seeds inside. Once the air dries, the cone opens where it was, allowing wind to disperse the seeds. Additionally, the scales exhibit an intriguing pattern based on Fibonacci numbers, positioned every 137.5 degrees. This arrangement optimizes space usage, as the closed scales fit snugly together. Remarkably, this pattern also creates an optical illusion.”

Material-stainless steel

Using panels as a home weather forecast, we can observe clear reflections when sunlight is direct and strong, with reflections becoming vaguer as energy weakens.

Concave Convex

Herbal Healing

Year: 2024, Design Contest of Local Hakka Memorial Group of 3, charge of concept designing, making modular scaffolding model

Location: Keelung, Tian-Lioa River

以228基隆大屠殺為背景,當時在港城的客家人多數從事藍領工作,許多人在 此事件罹難,亦有許多人為目擊者,為個人到社會層面都帶來了撕裂與痛苦。

基地位於田寮河,我們將許曹德回憶錄、雨港二二八(口述歷史)以及政府官 方解密檔案作為歷史文本,將歷史場景以田寮河沿線向巷內事發場所延伸。

期望以藥草衍生出的空間醖釀出在地、常民且參與性強的紀念行動,讓人可 以輕易在生活中嗅聞、觸摸、食用、藥浴、薰香,凝聚港城市民、扶植客家中草 藥文化的傳承,進而慢慢癒合歷史傷口。

混生港城的溫柔反抗:

客家草藥常為田野家屋間隨手可得之植物,容易被不識之人忽略,但卻緊密 連結客家日常帶來大大效用。如同基隆的客家人混生於這港城,融入了地方, 雖然不特別強調自己的存在,甚或隱藏自己,但卻以柔軟的形象、行為、身體 記憶做溫柔的反抗,保持著自己獨特的文化。因此我們期望透過客家草藥地 景上不同階段性的療癒方式,形成一種慢性的個人或是社會性上的融合與癒 合。且因藥草行集中於基隆港附近,未來可串連周遭藥行舉辦各式活動,成為 與鄰里緊密互動、族群共榮對話、活化城市與產業的公共空間。

4

狹長高塔空間與下沉 1.降低戶外光線 2.屏蔽戶外聲音

耐候鋼板

屏蔽慣用感知讓嗅覺更靈敏 1 中藥材 3

大雨水位 水盤

常水位

屏蔽慣用感知讓嗅覺更靈敏 1

狹長高塔空間與下沉

1.降低戶外光線

2.屏蔽戶外聲音

藥癒經驗:

耐候鋼板

泥土+ 赤石脂 客家傳統穿鑿屋 2 「坐在「穿鑿屋」的窗旁或牆 邊,每清風徐來,往往會聞到 泥土的味道或者是稻禾的幽香 。」

探索真實的邀請 歷史單元配置在事件發地點與田 寮河的最近距離,邀請使用者進 一步探索真實場所(左側鳥瞰圖)

依各地點與發生事 件特色設計空間變 形 5

竹子篾片交併成為牆壁的支架。

赤石脂 : 傳統藥材,紅色天然礦 物,混入牆中,隨濕氣滴落水盤 ,染紅的水象徵當年基隆二二八 大屠殺血染河港的景象。 +其他中藥材混入創造能喚起獨 特空間記憶的空間氣味。

高水位將沉積天然 礦物帶走清潔淨化 。

4

探索真實的邀請 歷史單元配置在事件發地點與田 寮河的最近距離,邀請使用者進 一步探索真實場所(左側鳥瞰圖)

依各地點與發生事 件特色設計空間變 形 5

竹子篾片交併成為牆壁的支架。

泥土+ 赤石脂 客家傳統穿鑿屋 2 「坐在「穿鑿屋」的窗旁或牆 邊,每清風徐來,往往會聞到 泥土的味道或者是稻禾的幽香 。」

中藥材 3

以小尺度的耐候鋼棚架創造地景起伏和不同身體經驗,邁入基隆的港都夜雨,在中草藥 氣味之間穿梭,有時是低矮就在眼前的草藥棚架,有時是連接田寮河的開放親水空間, 有時走入可收折的竹構傘架下。沿著田寮河走,從草藥香氣進入霧氣區,嗅覺此時得到 一瞬喘息與留白,緩坡進入下沉的歷史空間,一踏入,濃烈的中藥與泥土的氣味隨之而 來,彷彿進入草藥的內部,可以看到竹結構與泥土交織,上方微弱的光線進入空間之中, 水沿著耐候鋼板留下痕跡。歷史空間得位置引導人進入巷弄對眞實歷史事件進一步探

水盤

大雨水位

赤石脂 : 傳統藥材,紅色天然礦 物,混入牆中,隨濕氣滴落水盤 ,染紅的水象徵當年基隆二二八 大屠殺血染河港的景象。 +其他中藥材混入創造能喚起獨 特空間記憶的空間氣味。

常水位

高水位將沉積天然 礦物帶走清潔淨化

屏蔽慣用感知讓嗅覺更靈敏 1

狹長高塔空間與下沉 1.降低戶外光線 2.屏蔽戶外聲音

耐候鋼板

4

探索真實的邀請 歷史單元配置在事件發地點與田 寮河的最近距離,邀請使用者進 一步探索真實場所(左側鳥瞰圖)

水盤

大雨水位

常水位

泥土+ 赤石脂 客家傳統穿鑿屋 2 「坐在「穿鑿屋」的窗旁或牆 邊,每清風徐來,往往會聞到 泥土的味道或者是稻禾的幽香 。」

依各地點與發生事 件特色設計空間變 形 5

竹子篾片交併成為牆壁的支架。

中藥材 3 赤石脂 : 傳統藥材,紅色天然礦 物,混入牆中,隨濕氣滴落水盤 ,染紅的水象徵當年基隆二二八 大屠殺血染河港的景象。 +其他中藥材混入創造能喚起獨 特空間記憶的空間氣味。

高水位將沉積天然 礦物帶走清潔淨化

草藥療癒

歷史空間

歷史空間細部 D

歷史空間細部 D

懸於河上耐候鋼細部

親水共食大步階

c.歷史空間

懸於河上耐候鋼細部

懸於河上耐候鋼細部

f.歷史空間

草藥療癒

草藥療癒

親水共食大步階

h.歷史空間

草藥療癒

親水共食大步階

c.歷史空間

f.歷史空間

草藥療癒

吉羊橋

草藥療癒

親水共食大步階

連接基隆東岸廣廣場橋梁

親水共食大步階

f.歷史空間

草藥療癒

h.歷史空間

b.歷史空間

e.歷史空間 金雞橋

親水共食大步階、藥浴足湯

草藥療癒 草藥療癒

SEEKING LIGHT

2023, Grduation Project

Youth Innovative Design Festival Architecture and Spatial Design, Best of Best

University: Cheng Shiu University

Location: Chaishan Settlement, Tauyuan Vil, Yancheng Dist., Kaohsiung City, Taiwan

Group of 2, charge of issue searching, anaylyzing, concepting, definition each location and designing B.C.G.H. spot

“Sensory design tweaks our skin, bones, and muscles, it tickles, pinches, and pops. It play rough, it touches us and we touch back.”

- James Turrell -

Chaishan Settlement, located somewhere hidden in the south side of Shoushan Kaohsiung, is an old settlement that straddles the abundant ecological resources of the National Park and sparkling Taiwan Strait. It is a secret place for city dwellers to breathe , admiring and enjoy the magnificent view, moreover a military fortress.

However, the settlement’s remote locatioin with only one mountain road as the only access, the interference of historical power, and the lack of overall planning have resulted in its accumulation of old houses and traces of repairs from different periods over the years. Makes Chaishan oldd settlement an unique special place of structure and context.

The sun drives the passage of time every day, and the forgotten light becomes the center of attention, revealing the pursuit of all things until it fades away at sunset. The delicate balance between “tourism economy” and “ecological preservation” remains a challenge for the residents of Chaishan. Therefore, the “Seeking Light sites” project aims to string together the contradictions between the two.

By linking natural invasions through bases of various heights and dispersion, paths connect the relation-

ships between each other and the community environment, portraying different traces as the seasons alternate. Different angles of scenery conveys the sounds belonging to this place by removing, retaining, and adding functions to the community. Under the night sky, an unfinished conversation with the stars goes on, making this place one of the few nice stargazing areas in the metropolitan area. In an age where light pollution is becoming increasingly severe, the importance of stargazing cannot be understated.

Chaishan serves as a bridge between the city and the community, attempting to make crowds, buildings, and light re-engage in conversation through the relationships of the field and the environment, allowing people to listen to the confession from “light”.

Teaser

ABOUT SITE

1 . 教育及推廣斷層

在高雄其實有許多教育發展下對天文埋下種子,但並沒有適合的場地與環境能澆灌發展,也導致畢業後進入社會中,慢慢地疏離和天 空的聯繫,只每到有特別的星象時,在專門的場域或者隨機適合的場域才搭起的特別觀測活動,民眾才會再一同參與。在都市中的天 文台 港和國小、前鎮高中),主要是起到教育和簡單觀測拍攝的作用,雖然不能做研究使用,但天文的推廣與實踐才是目的。

2 . 學校與社會的橋樑

現有在校園裡的天文教育空間,存在許多問題,像是缺乏專業師資、儲放問題、維護問題、缺乏跨領域學習統合、戶外觀測區、輔助 學習天文學習空間等等事項,我們搭起這個場域,讓學校及社會皆能使用達到互利共生。

高雄沒有適合的場地,天文同好者或學校社團想舉辦活動時, 需要到其他縣市借場地。

Chaishan Settlement

3 . 場地與據點斷層

4 . 光害及其他議題正視

都市光害,在市區中確實有一定觀測限制,但並非是說要解決都市光害,而是讓民眾瞭解光害,過多的光線與錯誤的照明才是民眾 該正視的問題。

「天文同好者觀星據點與計畫」 在高雄少有一個開放式適合同好者交流的環境,當開始有了這些據點,慢慢聯繫這些 地點與人員,揭開適合高雄市的「市區觀星地圖」 透過這樣的計畫,讓人產生踏青 踩點的旅程,成為「夜晚的休閒地點」 引發一連串的蝴蝶效應,帶動當地的觀光、 正視光害、環境等議題。

也透過這樣的方式,讓校園有更多平台得以延伸。

WHO?

? 假設 如果不為天文愛好者,而為80%的非天文愛好者服務時, 可以成為什麼樣的場域?

同好據點 + 光害 + 光

20% 天文愛好者 + 80% 其他大眾

機能性 + 議題性

一棟建築、 園區? 複合式 ? 街廓、 甚至在屋頂上

Where? 地點條件

「建設發展」 改善當地的建設且並非只介入單一性的休閒咖啡廳,讓這裡的景觀及觀光觀星 休閒成為主要的「觀光經濟」 同時對「自然資源」及「歷史人文」進行維護 及保存,避免一昧的市場經濟主導,失去當地饒有的「生態資源」 取得兩者 的雙贏。

20%主要對象

天文同好者 、業餘者、教育者、學生(校園)及任何對天文

有興趣的人,年齡範圍約莫16歲~40歲以上不等。

80%次要對象

被吸引的非相關民眾(高雄在地或外縣市民眾)

經營與管理者

主要為高雄市天文協會&高雄星空推廣聯盟(社會天文團體 ),邀請社區志工或同好者,共同維護及經營,其他空間品 牌商店進駐或協議運營。

1. 選擇位於都會區的山區,景象相較偏遠地區的山區不同,到達性也較容易 的,可透過登山路徑營造出不同的觀星氛圍。

2. 找尋邊緣化的建築、舊建築、或較少使用的建築頂層,地點不只是選擇在 公共空間,利用都市的閒置空間來作為據點改造。

3. 平地周圍附近沒有高大且密集的大樓遮擋視線與造成光害,平地腹地夠大 ,較能控制附近光源的地方,像是公園、草地、未開發的平地、園區。

Site / Chaishan Fishing Pier

海線之旅 Coastline Climbing Journey Alang-Yi Trail 阿

觀星之旅 Stargazing Journey Nightscape view, environment, stargazing 夜 夜景觀星、夜環境

觀光休憩之旅 Tourist Leisure Journey Caffe, sea view, sunset

社區步道之旅 Coummunity Trail Journey Environment introducing, old buildings

光之旅 Light Journey

Site Anaylsis

Kevin Lynch Five elements Anaysis

Kevin Lynch Five Elements Anaylsis

sun view

Facing West, sunrise after 9am, sun exposures afternoon. Adequate Sunlight

wind noise

第一公共服務區-落日轉運站

社區入口

Located in the terrain, the bridgework rises above the ground, forming a vertical intersection with various roads, releasing the space on the roofs of existing single-story houses, connecting with the terrain. Looking west from the rooftop, you can observe the seascape, while looking back reveals layers of terrain resembling a rear garden.

屋頂下

The scene captures only the junction between the coastline and the sky, capturing the colors, light, and horizon of the water, creating an alternative frame for observing the real environment as time changes. Activities under the rooftop change with the movement of light, creating dynamic light and shadow spaces.

Function:

諮詢服務處

沒有邊界的劇場

“ Sensory tweaks our skin, bones, and muscles. It tickles, pinches, and pops. It plays rough. It touches us and we touch back.”‒

James Turrell.

Due to the presence of light, we have lost many other sensory abilities. In this space, vision becomes a secondary sense, triggering changes through other senses, making people the protagonists in the space, and light becomes the incentive that leads vision forward and changes it.

山霧觀測塔

Quoted from James Turrell's <Light Scape> series. A skylight without any added materials, with a faint sweep of colored light on the wall. The color of the sky changes with the light, making the sky seem less distant. The flow of air, outdoor sounds, and temperature sensations are so direct, mobilizing the senses of people in the space, redefining the space and indoor experience. The focus should not be on the structure but on the space between the walls, the light, and the air inside the space, and the environment outside the space.

⸺Quoted from James Turrell《Light Scape》

Located in the midst of the forest, at a moderate height, serving as an intermediary for rest and translation, mimicking the form of the forest. The corridor framed among the trees allows the sunlight to shuttle through, while preserving the colors of the sky.

When we look at the stars, the light seems close, but in reality, they may be far apart. Similarly, the lights in our city may seem close at night, but they may actually be separated by walls or buildings, echoing the distance between people in the city, like light. This location is the highest point of all points, where light is not invisible due to distance. Through the illusion created by the circular corridor and light, the lights of the sparse city below at night, the lights of the ships on the sea, and the stars in the sky all appear to be on the same plane. Due to distance and intensity, they all contribute to the nighttime scenery.

from the

Quoted
poem《Loneliness of Two Billion Light-Years》 by Toshitaro Gakuen and the media work 《Two Billion Light-Years of Distance》by Ya-hui Wang.
⸺引用於Caroline Halley des Fontaines 《Photograph Project》

¹Public Service Area : The Sunset Terminal

The settlement lacked a suitable gathering space for residents. Here would be also serve as the Chef’s office area. The tunnel connecting the bus station to the first service area alters the scale and mood for the public as they transition from the city to the mountains. And both the starting point and the endpoint in the journey of seeking light.

Invisible Space Sensory with light

The rear retaining wall has severed ties with the mountain. We are attempting to open up the building by using wall openings to arouse curiosity between the interior and exterior. Light undergoes various changes over time. A patch of sunlight, though small, fills the entire space. The public lingers in the illuminated area, engaging in both observation and performance.

Community Entrance Roofscape

A bridge built on the terrain, separating from the ground and creating a vertical intersection with various roads. Apart from the existing single-story houses, it liberates the space on the rooftops, connecting with the terrain, offering panoramic views from the rooftops, with a westward view of the sea, and looking back, there are layers of terraced gardens.

Observatory Tower with Mist Skyscape

There’s a water reservoir serves as the daily water source for residents. Water is collected in containers and transported using a pump, improving the current situation. To listen to the sounds of the island, follow the stairs up to reach the elevated observation platform.In the early morning, moisture is carried into the site by the wind, creating dense mist in Taoyuan Village; the metal mesh collects dew, gathering water to provide for the public (creating a cooling mist environment).

08:00/17:00 C 13:00

Using the roof to shield the overgrown vegetation on both sides, leaving only the central view, looking out to the boundary between the sea and the sky, which changes with time.

MODEL & EXHIBITION

Utilizing this rooftop, the views from all three levels can be preserved, and the activities beneath the roof can vary depending on the users. Light and the sea are the masters here.

Under the Rooftop Lightscape In the Forest Shuttle Light ²Public Service Area : Information

In the scene, only the intersection of the coast line and the sky is retained, capturing the colors of water, light, and the horizon, creating anoth er frame for observing the real environment as it changes over time. The activities beneath the roof change with the movement of light, creat ing a space with shifting shadows.

The view is obstructed by surrounding trees. Sunlight filters through the gaps, and by using the surrounding forest landscape, it ascends to a higher perspective. On the steep mountainside, a long corridor is used to reduce the slope, creating an illusion of ascending to a higher realm. During the day, enjoy the sunset as it descends in the west, and at night, engage in a

14:00/19:00 D 10:00/20:00

Here, at the highest point among all the locations, distance doesn’t obscure the light. Through a circular corridor and the play of light, at night, you can look beyond the sparsely lit city below to the lights of boats on the sea and the stars in the sky. They all appear to be on the same place due to distance and varying brightness, creating the night’s enchanting

光 關心? 觀星! 白天欣賞著日落西下,夜晚是與星空的對話。

In the Forest 林之中

PLAN S: �/���

Above the Forest 林之上

Under the Rooftop

Sweet Life

Year: 2022, Forest Elemenatry School Design

ChengShiu University, Architecture Design

Location: Kaohsiung, Fengshan

什麼是森林小學?

並非是四周都是「森林」的學校,而是以「人文」與「自然理念」 辦學的實驗性學校,也可以是位於都市公園中的森林小學,不分 環境地點。

和一般小學有何不同?

除了教育部所頒定的學科,有多元化的的活動,給予孩子極大的 彈性空間及時間,讓他們學習獨立自主,以各個學生最感興趣的 科目為中心,其他學科環繞配合,鼓勵他們以自我學習的方式進 行,同時重視那些未被發掘、未被期待的學習,配合孩子調整教 學方法。

依據森林國小的多元教學,分析出這四種教學模式,不同課程或老師教學方式可能 不同,注意力的主體不一定只有一個,教室桌椅的排列是最好換模式的道具。

雖然說空間是死的,人是活的,但大部分的人還是會受制式空間的影響,而降低改 變多元的教學模式,因此每間教室故意製造出一個圓弧的牆面,並非方正的軸線上 課,而是斜45度軸,似發散的扇形空間,可以有效地解決黑板反光和教室間音量干 擾的困擾。

*此空間有參考新竹關埔國小的教室原型做延伸

傳統教育改革,配合的環境也需要改革 與傳統僵化的教育體制截然不同,是開放教育改革的先例,特別 的教學方法及使用時間,空間也需要配合使用方式,比起普通教 室及專科教室,增加了多目的學習空間,讓孩子及老師能更好地 配合教學使用。

希望藉由這樣的教學方式,讓孩子從小培養獨立思考的能力,啟 發他們豐富的創造性

教室空間

高年級教室 中低年級教室 中低年級教室 多功能教室

#教學模式

低年級教室

中年級教室

為了讓學生能多踏出教室 外活動,教室間的距離與 角度較開,少了廁所

教室

學習角

教師室

廁所

黑板

高年級教室

這個階段鼓勵學生自主學 習,尋找自己的學習角, 留下導師室,保留更多戶 外空間

活動位置圖

文龍路

森林小學早上學科課程,下午學術等 戶外活動。

文樂街

森 森 林 小學 也非常 注重自然 生態的教 育,讓孩子學 習觀察,因此 附有景觀水池和 獨立生態區,連接 一旁的公園。

風雨球場各層平面圖 (覆土建築)

LIBRARY and AUDITORIUM PLAN

圖書館各層平面圖

▶各個空間皆以教學的 理念去安排內部空間及 配置,盡量以多目的方 式,不侷限於單一種特 定空間使用。

DORMITORY PLAN 宿舍平面圖

為了讓環境更為通透,透過中庭的保留,引 風進入,地下室也透過天井保持通風及透光, 再由兩側及中間串聯兩邊的宿舍,依宿舍單 元的設計退縮出需要保留的公共空間,保留 更多角落空間,讓孩子有更多的彈性空間可 利用。

人房 教師宿舍

人房 年級

廁所

陽台

人房 年級

DORMITORY and ROOM DESIGN 宿舍和房間設計

森林小學為寄宿學校,平日五天皆在學校,假日兩天才回家, 但特別重視家長與小孩間的互動學習,也因為如此學費也特別 貴。因為皆在學校生活學習,配合多目的空間與未被發掘的學 習行為,宿舍與教學空間皆相通,製造出不影響視角的空間, 不只利用內部空間,也用外部空間,增加了許多讓學生發掘出 不同形式的學習方法。

每間房間皆有一間廁所及小陽台,洗衣機統一於公廁所使用, 總數八人房12間、四人房24間、老師一人房16間。

Arch-ery

Year: 2024, Bridging Directed Research Group of 3, charge of material and making

M.Arch in Sustainable and Digital Innovation

Location: Tunghai University, Architecture Department

When designing this bridge, the lightweight nature of carbon fiber arrow material stands out as pivotal. This material’s strength and lightness allow the bridge to adopt a slender form, reducing the burden on foundations and enhancing structural efficiency and cost-effectiveness.

The bridge employs an arch-shaped structure that disperses weight using principles of mechanics, providing robust support. This design not only amplifies structural strength but also endows the bridge with visually capti

Material

Carbon fiber is a lightweight and high-strength synthetic material that plays a vital role in construction. It surpasses steel in strength while being lighter, allowing for thinner and more lightweight structures, alongside excellent corrosion resistance and weather durability. Additionally, its recyclability introduces more possibilities for environmentally friendly construction.

Making Video

SHUTTLE

Year: 2023, Water Feature Installation Proposal

Yuejin Lantern Festival Exhibition Jan 12- Feb 12

Group of 3, charge of idea, design, structure

University: Cheng Shiu University

Location: Yuejin River, Yanshui Dist., Tainan City, Taiwan

The theme of this selection is “The Ship Speaks - Spectrum Boundaries.”

Light has no boundaries; it can travel from a distance of 13.7 billion years ago, allowing us to understand that the universe unfolded from a big bang. Light can convey time, distance, history, evoke memories, and instill fear. We often say, “Seeing light is like seeing hope,” and this fascination with light is shared across science, religion, and humanity. Although wormholes have not been confirmed, we know them as time machines capable of traversing space and time, turning the impossible into possible. Moments of regret, longing, or curiosity about the future are visible but unreachable. This art installation aims to let people with different emotions experience and explore the sensations it brings.

The interaction of mist, light, and nature is like the formation of new life in nebulae or the brilliant light emitted by a dying white dwarf. Life and death are natural, ordinary, and magnificent. The artwork takes half a form, with the other half reflected on the water’s surface, sometimes clear and sometimes blurry. Light reveals its existence, fostering anticipation for what the future holds, hoping that life can be as beautiful.

The overall structure is based on linear relationships, including fabric woven from threads, symbolizing the weaving of our universe.

Aluminum Funnel System

Total height approximately 3.2 meters, constructed with 22mm circular aluminum bars forming 7 rings and 20 columns of funnel-shaped structures. Each ring conceals LED light strips on the inner side, with the top ring being an octagonal aluminum frame with a diameter of about 3.2 meters, serving as the misting device support.

Floating System

To stabilize the structure, polystyrene (plastic floats) counteracts buoyancy. The floating device below is approximately an 8-meter diameter polygon, connected by iron components to prevent instability. The central device floating on acrylic includes misting devices and spotlights or other purposes.

Fabric

System

Elastic and porous fabric is chosen, presented in a crisscross overlapping manner to showcase a mesh-like pattern. The fabric’s appearance varies based on the degree of overlap, forming a fuzzy layer through mist interaction, emanating from fine pores.

Making Video

人生沙漏

LIFE SANDGLASS

2019 FALL

ADVISER, 梁俊仁

正立方體等分切割

螺旋燈泡

SPIRAL IDEA

2019 FALL

ADVISER, 梁嘉心

物件操作再生

PEACE

2020 SPRING ADVISER, 林佑色

檯燈設計

諾亞方舟 NOAK'S ARK

2021 SPRING ADVISER, 張世杰 FRANK

山坡上的繭 COCOON ON THE HILL

2020 SPRING ADVISER, 林佑色

空間編劇 生活劇場

九芒星 ENNEAGRAM

2020 FALL ADVISER, 梁宇仁

針桌 PIN CART

2021 SUMMER Competition

窯根公園

YAO GEN PARK

2021 FALL

ADVISER, 張龍吉

窯廠文化創意園區

植物細胞 PLANTS CELL

2021 FALL ADVISER, 蔣曉梅

全民運動中心

六種情境的空間設計

OO. HOUSE

2020FALL

ADVISER, 謝仲凱

三代同堂

番盒子 FAN BOX

2021 SPRING

ADVISER, 夏雯霖

書香美食生活館

通風瓣膜 VENTILATION VALVE

2022 SPRING

ADVISER, 梁宇元

集合住宅 2~7

浮動張力 FLOATING TENSION

2022 SPRING

ADVISER, 倪順成

青春設計節 策展設計

刺刺哨兵 PRICKLY GUARD

2023 FALL

ADVISER, 謝秉潔

互動設計 BIOTIC CREATURE

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