New Orleans Event Space CRITIC: MIKE McKAY & LIZ SWANSON Solar Decathlon CRITIC: GREG LUHAN & HILARY BRYON Architecture Code CRITIC: THOMAS SCHROEPFER Boston Performing Arts Center CRITIC: ERIC HOWELER END[eavour’s] GAME CRITIC: WES JONES (RE)TOOLING GABON CRITIC: BENJAMIN ARANDA Cornell NYCTech MORPHOSIS ARCHITECTS workPLACE ADVISOR: ERIC HOWELER GSD Platform 4 HÖWELER + YOON ARCHITECTURE [ULAR] s.u.t.d Pavilions SCHRÖPFER + HEE ARCHITECTS Palais Des Arts ARANDA\ LASCH Cite Clubhouse ARANDA\ LASCH Wonga Wongue ARANDA\ LASCH Wynwood Edible Forest ARANDA\ LASCH Light Field ARANDA\ LASCH Guiyang Free Trade Zone S.O.M. Brookfield Place Dubai S.O.M. Future Ark S.O.M. CURRICULUM VITAE
A. CONWAY PEDRON
UK/CoD THIRD YEAR DESIGN STUDIO CRITIC: MIKE McKAY & LIZ SWANSON
NEW ORLEANS EVENT SPACE
PLUG-IN PROGRAM Plug in Program
Grid acts as a ‘control’. Neutral grid shows every force and response which deviates from it.
Field Responds, Allowing Relationships to be established across site.
Site
Plug+Play: New Orleans Event Space Using an overriding, abstract view of layering as a catalyst for design, a system of circulation both of and between program elements is set up utilizing a basic diagram which shows the various program elements selected for this house which include a bedroom, living room, gallery, kitchen, public bathroom, and master bathroom. This diagram allows for the different programs to be both circulation themselves as well as destinations in and of themselves, which calls to mind Robert Venturi’s theory of the both/ and relationship in a complex and contradictory building. Thus, the experience of the space is layered in such a way as to allow for the inhabitant/ viewer to peel through the building as one would through an onion.
ERRATIC PLUG-IN WEIGHTED FORCES
CONTINUOUS PLUG-IN UNIFIED RESPONSE
MICRO-FIELDS
STATIC PLANAR CONDITION
1 2
3
4
5
PLUGIN SEATING ELEMENT
1
PLUGIN MEDIUM PAVILION
2
PLUGIN MARKET PAVILION
3
PLUGIN SMALL PAVILION
4
PLUGIN MEDIUM PAVILION
5
DIAGRAMS SITE
EXISTING SITE SUN PATH
SITE LAGOON CONNECTIONS
EXISTING SITE TRAFFIC AROUND SITE
WINTER
SUMMER SU
STOP SIGN STOP LIGHT YIELD SIGN
SITE SOUND
DIAGRAMS PLUGINS
PLUGIN VOODOO FESTIVAL
PLUGIN CONCERT EVENT parking/ concert staging
area
production compound artis
t com
pou
nd
Le Ritual
Bing
grandstand o Parlo
ur
VIP area
Noomoon Booths
African Heritage Tent artist area
Food Court
ATM’s
Preservation Hall Tent
small
stage
artist area
Press Area
WWOZ stage enterance
PLUGIN NEIGHBORHOOD MARKET
PLUGIN DRIVE-IN THEATRE
U. OF KENTUCKY FOURTH YEAR STUDIO CRITIC: GREG LUHAN & HILARY BRYON
SOLAR DECATHLON
SKY.BLUE HOUSE 7KH V‡N\ EOXH KRXVH HPERGLHV .HQWXFN\ V KLVWRULF DQG LQGLJHQRXV EUHH]HZD\ KRXVH GHVLJQ©D UHFWDQJXODU EXLOGLQJ ZLWK D FHQWUDO RSHQ VSDFH WKDW QDWXUDOO\ YHQWLODWHV WKH KRXVH RQ VXOWU\ VXPPHU GD\V :LWK SKRWRJUDSKLF LPDJHV RI .HQWXFN\ ODQGVFDSHV LQWHJUDWHG LQWR D VHULHV RI SHUIRUDWHG VFUHHQV RQ LWV H[WHULRU ZDOOV D VN\ YLHZLQJ ULEERQ RI FRQWLQXRXV FOHUHVWRU\ ZLQGRZV DURXQG WKH WRS RI HDFK ZDOO DQG D VHOHFWLRQ RI QDWLYH SODQWV WKH KRXVH KDV D OLJKW DQG VSDFLRXV IHHO WKDW FDSWXUHV WKH EHDXW\ DQG VSLULW RI .HQWXFN\ V ODQG DQG SHRSOH 7KH WHDP V HQWU\ LV FDSWXUHG DQG H[SUHVVHG LQ LWV DUFKLWHFWXUDO GHVLJQ WKDW EOHQGV WKH EHDXW\ VLPSOLFLW\ DQG SDVVLYLW\ RI YDULRXV HOHPHQWV RI KLVWRULF .HQWXFN\ 9HUQDFXODU DQG ORFDO PDWHULDOV ZLWK PRGHUQ DFWLYH HQHUJ\ HIILFLHQW V\VWHPV DQG WHFKQRORJLHV ,Q VKRUW WKH KRXVH LV HFOHFWLF DQG V\QFUHWLVWLF KLVWRULF DQG PRGHUQ D FRPELQDWLRQ RI KXPDQ PDGH DQG QDWXUDO HQHUJ\ VRXUFHV FRQWUROODEOH E\ WKH KRXVH LQKDELWDQWV WR FUHDWH WKH GHVLUHG OLYLQJ FRQGLWLRQV IRU DOO VHDVRQV DQG WKH LQWHJUDWLRQ RI LQGRRU RXWGRRU OLYLQJ VSDFHV
A
B
C
E
D
F
51' - 3 3/4"
11' - 4"
0' - 6 3/4"
2' - 3 15/16"
8' - 0"
11' - 4"
1
1
1
1
1
A-314
A-315
A-316
A-317
2' - 3 13/16"
For Deck Plan see: L -100 series
0' - 6"
2' - 7"
2' - 6"
MECH ROOM
103
3' - 0"
7' - 10 3/4"
8' - 0"
9
6
5 4
6' - 11"
8' - 0"
A-313
1
BATHROOM
105 7
0' - 5 7/8" 4' - 3"
1
LIVING ROOM
DINING ROOM
KITCHEN
BEDROOM
101
102
104
106
3
A-312 1
A-311
NOTE: FOR ENLARGED PLANS, REFER TO: LIVING ROOM: I-101 DINING ROOM: I-111 MECHANICAL ROOM: I-111 KITCHEN: I-111 BATHROOM: I-131 BEDROOM: I-121
BM GL
For Deck Plan see: L-100 series
09/13/08
1' - 8 5/16"
09/13/08
1' - 2 1/4"
2
1 3
0' - 11 1/8"
1' - 7 7/8"
2009 SOLAR DECATHLON CONSTRUCTION DOCUMENTS 02 JUNE 2009 www.uky.edu/solarhouse
4' - 8 7/8"
5' - 5"
2 C:\Users\Jason\Desktop\UKY_SD_Arch_Local_JEM_JUNE_02_2009.rvt
8' - 0"
SHEET TITLE:
Plans-Floor Plan
1
FLOOR PLAN SCALE: 3/16" = 1'-0"
A - 111
2
D
3
Structural Steel Column, Refer to S-111 For Details and Sizing Wall Pocket for Dining Room Table Single-Axis Tracking Photovoltaic Roof Rack System with Integrated Thermal Chimney Terne Coated Stainless Steel Box Gutter and Fascia #0 MP S 5 .7 X .1S D T A F IL H .5 M .S 1 X 2P .S D T A F IL H
2 A-520
.5 M .S 1 X 2P .S D T A F IL H #0 MP S 5 .7 X .1S D T A F IL H
---
Casework
5' - 5 3/4"
Continuous 4 x 4 x 3/8 Aluminium Angle Aluminum Framed Glazed BIPV Rain Screen System
2' - 3 3/4"
Built in Kitchen Storage with Adjustable Shelving
---
4 A-522
Dishwasher
Radiant Sub Floor System, 1 1/8" Nominal Dimension, Refer to M-401 For Piping Layout Pattern
Cold Formed Steel Floor Joist Framing, refer to S-111 For Details and Sizing
0' - 1 1/2"
Continuous 4 x 4 x 3/8 Aluminium Angle
2' - 11 1/2"
3/8" Snap-in-Place, tongue-and-groove, Linoleum Flooring w/ Backing Board
0' - 0"
2 x 4 Staggered Stud Cold Formed Steel Framing with Dual 2 x 4 Top and Bottom Plate
3' - 0 1/4"
2' - 3"
Closed Cell Spray Foam Insulation, Average Wall Nominal Value = R40
Cold Formed Steel Floor Joist Framing, refer to S-111 For Details and Sizing Radiant Sub Floor System, 1 1/8" Nominal Dimension, Refer to M-401 for Piping Layout Pattern
1
SECTION AT SKIRT WALL SCALE: 1/2" = 1'-0"
2
SECTION AT KITCHEN STORAGE SCALE: 1/2" = 1'-0"
3
3/8" Snap-in-Place Tongue and groove, Linoleum Flooring w/ Backing Board
SECTION AT KITCHEN CABINETRY SCALE: 1/2" = 1'-0"
3
1
F
Low Slope, Full-Adhered, 2-ply Membrane, SBS Modified Bitumen Energy Star Reflective White Roofing System, with Cold Applied Adhesive, at .74 Nominal Reflectance
1 A-514
Terne Coated Stainless Steel Fascia Single-Axis Tracking Photovoltaic Roof Rack System with Integrated Thermal Chimney
Structural Steel Column, Refer to S-111 For Details and Sizing
Structural Steel Column, Refer to S-111 For Details and Sizing
#0 MP S 5 .7 X H 1L .SI D H T A F IP
.5 M .S 1 X 2P HL .SI D H T A F IP
Thermall Broken and Insuated Aluminum Framed Window System with Nominal U Value .16, SHGC .18, VT .32
Terne Coated Stainless Steel Box Gutter and Fascia
2 A-514
.5 M .S 1 X 2P HL .SI D H T A F IP
1 A-521 M .S 1 X .S D T A F IL H .5 2P
1 A-520
#0 MP S 5 .7 X .1S D T A F IL H .5 M .S 1 X 2P .S D T A F IL H
1 A-519 .5 M .S 1 X 2P .S D T A F IL H #0 MP S 5 .7 X .1S D T A F IL H
1' - 0"
#0 MP S 5 .7 X .1S D T A F IL H
1' - 0 1/4"
.5 M .S 1 X 2P .S D T A F IL H
1' - 2 1/4"
#0 MP S 5 .7 X H 1L .SI D H T A F IP
#0 MP S 5 .7 X .1S D T A F IL H
Continuous 4 x 4 x 3/8 Aluminium Angle
2 x 4 Staggered Stud Cold Formed Steel Framing with Dual 2 x 4 Top and Bottom Plate
0' - 6"
Built In Office with Adjustable Shelving
Closed Cell Spray Foam Insulation, Average Wall Nominal Value = R40
1' - 0"
Closed Cell Spray Foam Insulation, Average Wall Nominal Value = R40
Pre-Engineered Cherry Wood Veneer Wall Panel System on 5/8" Gyp. Board Painted and Finished with Zero-VOC, Higher Performance Coating
Architectural Wood Veneer Casework
0' - 5"
Aluminum Framed Glazed BIPV Rain Screen System
1' - 0"
Lowslope, Fully Adhered, Membrane Energy Star Reflective White Roofing System w/ Cold Applied Adhesive @ .74 Nominal Reflectance
.5 M S 1 X 2P .S D T A F IL H #0 MP S 5 .7 X .1S D T A F IL H
Continuous 4 x 4 x 3/8 Aluminium Angle Cold Formed Steel Floor Joist Framing, refer to S-111 For Details and Sizing
3 A-520
3/4" Structural Plywood Sheathing Vapor Permeable Membrane
2 A-521
3/4" Ground Contact Exterior Grade Plywood
SECTION AT CHAIR STORAGE 1/2" = 1'-0"
2 x 4 Staggered Stud Cold Formed Steel Framing with Dual 2 x 4 Top and Bottom Plate
.5 M S 1 X 2P .S D T A F IL H
5/16" Thick Cement Fiber Board Rainscreen System w/ Sealed Finished Surface, Non-Perforated
4
Closed Cell Spray Foam Insulation, Average Wall Nominal Value = R40
Cold Formed Steel Floor Joist Framing, refer to S-111 For Details and Sizing
5
SECTION AT BEDROOM BUMPOUT SCALE: 1/2" = 1'-0"
5/16" Thick Cement Fiber Board Rainscreen System with Sealed Finished Surface, Refer to A-215 for Custom Perforation Pattern
6
BEDROOM SECTION - OFFICE SCALE: 3/4" = 1'-0"
3 A-519
A
B
C
D
E
F
1
1
1
1
1
A-313
A-314
A-315
A-316
A-317
TOP OF SOLAR ENVELOPE 115' - 8 1/2"
6' - 7 1/2"
Single-Axis Tracking Photovoltaic Roof Rack System with Integrated Thermal Chimney TOP OF STEEL
9' - 1"
109' - 1"
Fade Resistant, Waterproof, Tongue and Groove Recycled Plastic Decking System
2' - 3 1/2"
TOP OF STEEL 100' - 0"
GROUND 97' - 8 1/2"
2
1
3
12' - 4" 6' - 11"
5' - 5"
TOP OF SOLAR ENVELOPE 115' - 8 1/2"
Single-Axis Tracking Photovoltaic Roof Rack System with Integrated Thermal Chimney
Thermally Broken and Insulated Aluminum Framed Skylight System with nominal U-Value .18 Winter, .17 Summer; SHGC .25, VT .56
6' - 7 1/2"
4 A-403
3 A-514 3' - 0"
TOP OF STEEL 109' - 1"
Fade Resistant, Waterproof, Tongue and Groove Recycled Plastic Decking System
9' - 1"
Thermally Broken and Insulated Aluminum Framed Window System with Nominal U Value .18 Winter, .17 Summer; SHGC .25, VT .56
2 Landscaping material refer to L-104/105 for plant selection
3 A-403 TOP OF STEEL 100' - 0"
2' - 3 1/2"
GROUND 97' - 8 1/2"
HARVARD GSD THIRD SEMESTER CORE STUDIO
BOSTON PERFORMING ARTS CENTER
Boston Performing Arts Center The new Boston Performing Arts Center, located along the Charles River in the historic North End neighborhood is an emblem to the harbor. Through its simple gestural structural diagram, it projects into the harbor, dissolving the reclaimed land at its base and allowing for the integration of the natural marsh habitat which for years had been controlled by manmade retention walls and barriers. The entire building, built along two large mega trusses with program hung from their mass, would act as a sort of suspended puppet, hovering above the water. The two performance halls are laid out in a simple barbell arrangment that optimizes lobby and entry conditions, thus minimizing impact on the ground of the site. Just as a puppeteer manipulates a suspended puppet, the programs of the performance arts center are suspended from a strctural system conposed of a mega-truss and lateral members that connect the mega trusses and provide the line of the roof.
CLASSROOM
HARBOR WALK
LOADING RESTAURANT CAFE
INSTRUMENT STORAGE
STORAGE
SHOP
OUTDOOR CAFE WARDROBE STORAGE
OUTDOOR PERFORMANCE SPACE CLASSROOM
CLASSROOM
ENTRY LOADING
ENTRY LEVEL FLOOR PLAN
DRESSING ROOMS
ORCHESTRA REHEARSAL
LOBBY
WARDROBE PERFORMANCE THEATRE
CONCERT STAGE
PERFORMANCE STAGE GREEN ROOM
CLASSROOM LOBBY
CONCERT HALL
LOBBY LEVEL FLOOR PLAN
CLASSROOM
REHEARSAL ROOMS
GREEN ROOM
WARDROBE
CONCERT HALL
BALCONY LOBBY
BALCONY LOBBY
PERFORMANCE THEATRE
PERFORMANCE STAGE
BLACK BOX THEATRE ( BELOW )
CLASSROOM
BALCONY LOBBY
MEZZANINE LEVEL FLOOR PLAN
HARVARD GSD FOURTH SEMESTER CORE STUDIO
ARCHITECTURE CODE
Willet’s Point, Queens Train Station This project was developed within the greater context of a new urbanity at the site of the current rail yard at Willets Point, Queens, New York. The site, famously called the Valley of Ashes in the Great Gatsby, is the site of an industrial no man's land near Citi Field with an accentuated need for intense circulation fluctuation. The train station therefore was developed as a manipulated set of circulatory tracts that shift and change scale depending on the most recent train schedules and utilities, both from the stadium, and from the new urbanity created. Therefore, both event and residential concerns needed to be addressed in dealing with an above ground system that would not provide a barrier condition on the site and would rather create a monumental and emblematic paradigm for shifting trends in transportation in the United States.
ADAPTABILITY TO TRAFFIC
Unaffected System
COMPRESSION TENSION
Circulation reacts to crowd density
The circulatory patterns were observed through various crowd simulation models including game theory, natural observation, lattice gas automota, social pressures, agent based, and fluid dynamics. The resulting paths of flows observed were overlaid on the generic formal condition of platforms along the track as dictacted by the turning radiuses of the Long Island Rail Road. The nodes of social congregation were then seen as “loose intersection” points that could be formalized and accentuated by the addition of vertical circulation to connect the loosely defined first level and the much more structured platform level.
HARVARD GSD FIFTH SEMESTER OPTION STUDIO
CRITIC: WES JONES
END[eavour’s] GAME
HERMAPHRODITUS: MUSEUM FOR SHUTTLES
SHUTTLE
EXHIBITION SPACE
CONFLICT
ARCHITECTURE
ARCHITECTURE
ARCHITECTURE
“To call architecture a game is to acknowledge a particular approach to the discipline. Beyond evoking an attitude of play and cunning, thinking architecture as game mobilized a spectrum of strategies and operations such that they become critical and discursive. In researching the many dimensions of gameness in architecture we have consulted historical, philosophical and architectural sources in an attempt to pin down the meaning of “game” and the intention of games in architecture. Through the identification of the key characteristics of games and theorizing their translation into architectural terms, we have proposed a preliminary set of rules which might guide the practice of architecture as a game. This approach proposes an evolving structure which, like any game, is activated by the strategies and tactics of the individual player.” -Studio Manual Within the context of the studio taught by visiting critic Wes Jones, the project, a museum for the Space Shutlte Endeavour in Exhibition Park, Los Angeles, was to be thought of as a game . Games are distinguished as much by their rules as by the play those rules enable or circumscribe. In architecture the more important rules are not inherited or legislated, but discovered on the fly, in the feeling of rightness that settles over the project as it is refined during the course of design. The game s natural regard for thinking and cleverness will be operationalized through willful, managed design that explicitly articulates relevant issues regarding the choice of games, their rule sets and criteria for success (and modes of failure), as well as the strategies and tactics of play.In the case of this design, the primary game played was one of historical interaction and juxtaposition as a means of preservation and additive architectural integration. Following a midterm twist by Wes Jones, a second shuttle, the Russian shuttle Buran, was added to the program, thus creating a duality game that was integrated into the original historical reaction game. This created a new set of relationships that allowed for a potential new reading of the building in the circulation that unveils and reveals through lighting, structure, and color.
RENOVATION
ADDITION
CIRCULATION INFORMS DUALITY OBJECT A
OBJECT B
=
Based on a system of controlled recusive growth with the shuttle acting as a primary catalyst, the macro form of the exhibition space and the more hyper specific and predetermined form of the shuttle start to subdivide and create a cellular system of spatial conditions within the exhibition space. In this way, not only can the exhibition space act as an object that relates to site/ context conditions but can also be directly formally relative to the form of the space shuttle and program can organically be derived within the shape of the exhibition space itself.
HARVARD GSD SIXTH SEMESTER OPTION STUDIO
CRITIC: BENJAMIN ARANDA
(RE)TOOLING GABON
Symbiotic Vaulting: Libreville Airport Inherent in the parameters of airport functionality is the need to eliminate all traces of ecology. Sites mustbe absolutely flat, devoid of standing water, and lacking vegetation, which can attract unwanted wildlife. Not only do airports require a lack of ecological systems, spatially they require extremely expansive horizontal space, displacing large amounts of both ecological and urban program when sited close to a city. While local government explored new sites for a larger future airport, we proposed maintaining the current location and adding a second runway that is raised above the ground level. This allows for the airport to remain proximate to the city without sacrificing the ecological and urban program that most airports displace.
Parametric Operations Single Vault Creation
Landscape/Vault Integration
By elevating the runway and airport operations, we are separating airport functionality from ecological and urban phenomena that commonly interfere with airport operations. Elevating the airport program allows better hydrological, vegetal, and wildlife control within the airport site, while also allowing ecological and urban program to exist beneath and around the runway without interfering with standard airport operations.
1. VARIABLE:
Multifunctional site divisions and cellular aggregations
N NWW NE
NW
WNW
NEE
W
E
2. CONDITIONAL:
Structural and programmatic accomodations via formally complex geometric paradigms
ESE
WSW
3. SENSITIVE:
SE
SW
SSW
SSE
S
existing runway orientation
Ecologically destructive program mitigated through technological and geometric properties of the design
4. EMBLEMATIC: N
Tourism and ecotourism emphasized through fabricated jungle parks within the site
NNE
NE
NW
WNW
NEE
W
E
ESE
WSW
SE
SW
SSW
SSE
S
proposed runway orientation
5. SPECIFIC:
Formal development maintains aesthetic logic of site geometries
6. INFORMAL:
Informal development and programmatic insertions allowed to occur within areas of the site
HARVARD GSD MASTERS THESIS
workPLACE
workPLACE \\\ Ubiquitous Confluence Technology, particularly that of mobile computing, has become increasingly ubiquitous in contemporary culture. This has had a substantial impact on architecture and urbanism, generally redefining their various dichotomies and programmatic separations without dramatically changing the physical nature of this built environment. Workspaces, and really the entire nature of work today, has been particularly affected by these changes, though the design of workspaces has not been considerably changed. While technology has become increasingly mobile, embedded, and augmented, specific places for work have been replaced by remote work and home offices, creating a sort of slacelessness. To counter this, a reimagining of the contemporary typology of the tech campus and tech incubator could produce a place for business that fosters innovation and discovery by exploiting and enhancing social and programmatic synergies. PROTOTYPE traditional cellular offices
TAYLORISM
STREAMLINED
inverted urbanism
B端rolandschaft
STRUCTURALIST
cube farm
streamlined MONUMENT
galleria
open source
virtual office
PROTOTYPE action office
ROOF
LEVE
L
el 9 lev l e 8 lev l e 7 lev l e v e l 6 l e v 5 le l e 4 lev el 3 lev l e 2 lev el 1 lev
9 lev
el
mirr
or p lane
7 lev
el ROOF
el 9 lev l e 8 lev l e v 7 le l e 6 lev l e v e l 5 l e 4 lev el 3 lev l e v e 2l el 1 lev
LEVE
L
5 lev
el
5 lev
el el
8 lev
el 7 lev l e 6 lev
9 lev
el 7 lev el 5 lev el
3 lev
el el 5 lev l e 4 lev
1 lev
el
el 9 lev l e 8 lev l e v e l 7 l e 6 lev l e v e l 5 l e 4 lev el 3 lev l e v e l 2 el 1 lev
el 3 lev l e 2 lev
el
1 lev
5 lev
el el
3 lev 1 lev
el
Spaces between spaces, or areas of confluence, have the most potential for social augmentation. In existing office spaces, recognizing these is a matter of studying the preexisting conditions. In the formation of new buildings however, one need only look at conditions that would naturally occur in building. Necessary programs and spaces, such as vertical circulation, bathrooms, and lobbies can be emphasized and arranged in a way that would dramatically increase their effectiveness as a place of confluence. Rather than compressing these spaces into tightly knit cores to increase their absolute efficiency or shoved to the periphery of buildings, these spaces should become the heart of the building, weaving themselves into the fabric of the social spaces and becoming the primary spaces of social engagement, particularly as everybody has to use these spaces.
pop up store
DEMO DAY SEATING
OPEN PARTY AREA
START UP
PERSONAL LOCATION
Initial Idea Prototype Feasibility Studies Research and Development
COST
REVENUE
Angels, fff
ipo
seed capital mezzanine
ENTREPRENEUR
INCUBATOR
3rd 2nd 1st
PRE-INCUBATION Research and Development Start Up Planning Business Plan
WORKSPACE
Size: 1-3 People
valley of death break even
PROF. SERVICES
EDUCATION
TIME community
SMALL BUSINESS DEVELOPMENT CENTERS
vc’s, acquisitions/ mergers & Strategic Alliances
REVENUE
COST or STOCK
ipo
early stage mezzanine
Start up
3rd
INCUBATOR
2nd
INCUBATION
1st PROF. SERVICES
EDUCATION
TIME
Business Development Plan Incubation Services
ACCELERATION
WORKSPACE
Size: 5-12 People
valley of death break even
community
INCUBATION SPACE
Growth Preparation Services Internationalization
vc’s, acquisitions/ mergers & Strategic Alliances
STock (Usually 10%)
later stage
REVENUE
ipo mezzanine COMPANY
INCUBATOR
3rd 2nd 1st Size: 10-30 People
valley of death break even
GRADUATION
WORKSPACE
TIME
PROF. SERVICES
EDUCATION
community
SUCCESS!
workstation INTERACTIVE SCREEN Low privacy desk
Workstation Low privacy desk High privacy desk
L.I.C. INNOVATION CAMPUS
“The sprawling gigantismqueensboro of the bridge twentieth-century city, that was the leading inexorably to megalopolis and thence to necropolis, the death of the city.� (Mumford, 1960: quoted in Wilson, 1995 p. 147) 43rd street
The very boundaries between the various parts of the city would be brought into direct contact with each other in very complex networked ways. Given the globally pervasive nature of this new type of urbanism, it could even be inferred that cities boundaries would be obliterated, creating an absolute megalopolis. This super urbanism, or as Mumford considers is, dead urbanism, would be so complex and inundated with various networks, physical and digital, that its very character as a city in the traditional sense would be suspect.
MANHATTANN: U.ES. E.S.
HÖWELER + YOON ARCHITECTURE
WORK EXPERIENCE 07/1 11-0 03/12
GSD PLATFORM 4
GSD Platform 4 Installation at Gund Hall The Platform 4 exhibiton design compliments the publication of the Platform 4 book, and showcases work from the 2010-2011 academic year at the Harvard Graduate School of Design. The plywood tables serve as a modular display surface for the physical models. Each table is made of four 4X8 sheets of plywood with no material waste. Light fixtures with adjustable goosenecks allow users to refocus the attention to the models. Colored lights under the tables correspond to the exhibition themes and create subtle zones within the exhibtion.
SCHRÖPFER + HEE ARCHITECTS WORK EXPERIENCE 06//11 1-01/12
[ULAR] s.u.t.d Pavilions
TOP TRACK
Singapore University of Technology and Design Pavilions TELEVISION A1 POSTER BOARD HORIZONTAL SPACING ELEMENTS
RANDOM LATERAL MEMBERS BOTTOM TRACK
VERTICAL RIBS
The architecture of the Singapore University of Technology and Design (SUTD) Pavilions is based on a parametrically designed continuous “ribbon,” an analogous device used to give visual expression to the integrative curriculum of the new university. The ribbon weaves in and out of the lobby space, directed by a series of pre-defined nodes, and connects various spaces above and below. Where it passes between the lobby’s ceiling and floor, it materializes as one of the six pavilions. The constantly changing geometry of the ribbon leads to a unique form for each one of the structures. It also introduces a meandering circulation to the lobby space. To maintain the perception of the curvature of the pavilions and to add to their structural soundness, the design utilizes a system of parametrically derived lateral members. These correspond to the stress densities in the Ribbon at moments of extreme curvature that were computationally analyzed and translated into a seemingly random yet precise placement of the lateral members that is the result of the particular local geometries of the ribbon.
INTERIOR RENDERING
INTERIOR RENDERING
4A
4B
4C 4D
1A: CNC ROUTE VERTICAL MEMBERS 2A: ATTACH TRACK WITH SCREWS
3A: USING MULTIPLE PEOPLE, STAND PAVILION UPRIGHT
4A:PLACE EXCENTER FITTING INTO PREDRILLED HOLE (HOLE WHOULD BE 50% OF VERTICAL MEMBER THICKNESS) 4B: SCREW EXCENTER FITTING SCREW INTO OTHER TOP VERTICAL MEMBER. PLACE DOWELS INTO TOP VERTICAL MEMBER. 4C: APPLY GLUE TO ENDS OF BOTH VERTICAL MEMBERS AND SLIDE THE TOP VERTICAL MEMBER INTO PREDRILLED HOLES IN BOTTOM VERTICAL MEMBER. 4D: TIGHTEN EXCENTER FITTING SECURING MEMBERS.
5A: PLACE TOP TRACK IN GROOVES OF TOP VERTICAL 6A: PLACE HORIZONTAL SPACER MEMBERS BETWEEN APPROPRIATE VERTICAL MEMBERS (MEMBERS MEMBERS THAT DO NOT REACH TOP TRACK) 5B: USING SCREWS, ATTACH TRACK TO MEMBERS 6B: ATTACH USING SCREWS
7A: ATTACH L BRACKETS TO TRACKS 7B: STRING WIRE OR RATCHETING STRAPS AROUND COLUMN AND BRACKETS 7C: TIGHTEN WIRE OR RATCHETING STRAPS SECURING PAVILION TO COLUMN
8A: SLIDE RANDOM LATERAL MEMBERS INTO PRE-CNC MILLED HOLES IN VERTICAL MEMBERS. THE MEMBERS CORRESPOND TO DATA SHEET AND NUMBERING SYSTEM 8B: TRIM LATERAL MEMBERS AT ENDS. 8C: SECURE EVERY 4TH HOLE WITH SCREW THROUGH RANDOM LATERAL MEMBER AND INTO VERTICAL MEMBERS
MORPHOSIS ARCHITECTS WORK EXPERIENCE 08/2012-02/2013
Cornell NYCTech
Cornell Roosevelt Island Tech Campus
GALLERIA
ATRIUM
Project Manager- Jean Oei Project Team: Thom Mayne, Jean Oei, Ung Joo Scott Lee, Hunter Knight, Nicholas Fayad, Cory Bruegger, Conway Pedron, Simon McGown Role: Architectural Intern- Diagramming, Program layout, Site Plan, Wall Sections
LECTURE HALL
MULTI PURPOSE ROOM
MEZZANINE SEMINAR ROOMS CAFE
READING LIBRARY RETAIL SERVICE
"There is no modern prototype for a campus. You have to have a completely different model which has to do with transparency and exposing social connectivity and breaking down the Balkanization that happens departmentally." -Thom Mayne
COLLABORATION
HUB LOUNGES PRE-FUNCTION FOYER MICRO-KITCHENS
COLLABORATION
ATRIUM LOUNGE LOBBY
GRAND STAIRS
GALLERIA
ATRIUM
TELEPHONE PODS HUDDLE ROOMS (GALLERIA)
LARGE CONFERENCE ROOMS
TELEPHONE PODS
WORK ZONE A
SMALL CONFERENCE ROOMS SMALL CONFERENCE ROOMS
WORK ZONE B
WORK ZONE C
SWING SPACES MASTERS STUDIO
HUDDLE ROOMS HUDDLE ROOMS SWING SPACES LOCKERS
PROJECT ROOM
PRINT/ COPY NICHES
pv mR 04 03 02 01 4
b1 4 1
5
4
1
2
4
5 3
1
ATRIUM
2
LOBBY
3
CAFE
4
GALLERIA
5
AUDITORIUM
SEMINAR ROOM
SEMINAR ROOM
LECTURE
CAFE
LOWER FOYER
MASTERS STUDIO
J E
E
CAFE
M
W
PRE-FUNCTION FOYER
RECEPTION
OUTDOOR CAFE
LOUNGE
W
M
CONFERENCE
CONFERENCE
J
E ATRIUM
CONFERENCE E
HUB LOUNGE
MICRO KITCHEN
W
M
ARANDA \ LASCH WORK EXPERIENCE: AUG. 2013- SEPT. 2014
PALAIS DES ARTS
Palais Des Arts: Libreville, Gabon
Palais des Banquets
Palais de Spectacle
Conference Center
Palais de Banquet
Covered Walkway
Screen Wall
Canopy
Using an overriding, abstract view of layering as a catalyst for design, a system of circulation both of and between program elements is set up utilizing a basic diagram which shows the various program elements selected for this house which include a bedroom, living room, gallery, kitchen, public bathroom, and master bathroom. This diagram allows for the different programs to be both circulation themselves as well as destinations in and of themselves, which calls to mind Robert Venturi’s theory of the both/ and relationship in a complex and contradictory building. Thus, the experience of the space is layered in such a way as to allow for the inhabitant/ viewer to peel through the building as one would through an onion.
1. Extruded aluminum member
2. Aluminum members combine to form panels
3. Panels reciprocate to form larger panels
The structural system proposed for the canopy roof is a prefabricated component based system, assembled on site as a kit-of-parts. Each componenet consists of a “stress skin� panel where top and bottom surfaces contribute to the strength and stiffness of the structure. 4. Larger panels reciprocate to form trees
5. Trees reciprocate around central column
An interlocking reciprocal pattern is proposed to allow each plane of the roof to act as a two way spanning slab as well as mobilizing in plane stiffness and allow a very slender structure.
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06
08
09
ARANDA \ LASCH WORK EXPERIENCE: AUGUST 2013- Present
WONGA WONGUE
11
10
12
13
Dj
Sangm é lima
Ebolowa
14
3°
a
CAMER OON Ovenga
Ambam N te m
Wonga Wongue Presidential Retreat
Minvoul
Ebebiyin Bitam
ni
Evinayong
g
un vo
de
Mékambo
Mindemba
an
Makokou
Ab
bé
K o mo
nda h
M
h
OGOOUÉ-IVINDO
ga
Mo
I vi
Lara
Ntoum
nd
o Bo
Libreville
ja
oua
di é
M
Sam Mitzic
Ovan
un
P ointe P ongar a
an
i
Denis
B élinga
a
Aboun
B.
Baie de Corisco
Dj
Ou
Cor isco I.
Semb é
WOLEU-NTEM
Bibas Nsoc
Akurenam Médouneu
C . Ester ias
na
Oyem
(RÍO MUNI) Cogo
Cocobeach
ou
Mongomo M bi
A ï na
Assok-Ngoum
Niefang
EQ U AT ORIAL GUINEA
Mbini
N
OCEAN
D
Bata
ATLANTIC
Ga bon
dj é
CONGO
o
Kango an
ESTUAIRE
Equator
Ok
O go o u é
Boou é
Foulenzem Four-Place Ndjolé O ff o
MOYEN-OGOOUÉ
GABON
L ass
ué
Wonga Wongue
io
Bifoun
Gongoué C .Lopez
Lambaréné
Aboumi
OGOOUÉ-LOLO L. Onangu é
Og
o
Sindara
Aki éni
Lekei Moanda
Et é k é
un
Mimongo
ié
Guidouma Mandji
o mi
Mbigou L ékok
Lagune Igu é la
L é bamba
é ss
o
Moabi Div é ni é
Nyali
CONGO
Gamba
Z nag Za gaa Zanaga
Tchibanga
Mabanda
N
ya
ng
a
Boumango Malinga
Lagune Ndogo
ss
Mbinda
Ndend é
Setté Cama
o
Pa
L o ué
Ng
Guietsou
Bongo vé
Lé koni
Franceville
Pana O go ou é
Mouila
Iguélua
L ék oni
Mounana
N
go
Nk
b
HAU T-OGOOUÉ
NGOUNIÉ
Lagune Nkomi
Omboué
Sé
Koulamoutou
Iboundji
Fougamou
OGOOU É MARITIME
Onga
Okondja
Lastoursville
I k oy
é ou
é
Port-Gentil
Mossen M Mo sse sen se endj end en e nd djo o Mossendjo
a
NYANGA Mayumba Kibangou
Moulèngui Binza National capital
Ni
T own, village
ari
Ndindi
Pro vincial capital
Nzambi
Airpor ts
Kakamoeka
bo omo o om m Loubomo
lo
u
International boundary ui
Provincial boundary
K
o
Main road Secondary road
BINDA CABINDA
Pointe-Noire Railroad
(ANGOLA) NGOLA) L
Oyane
Akandjo
Mvam
Equata
+193m
Pointe Ekoueta Niliani
MARINE RESERVE Extend TBD
Batanga
Oberting +248m Cirque de Grande Bam Bam +152m +153m
+152m
Sangatanga
Cirque de Petit Bam Bam +260m Petit Bambam Mont Ndougou +98m
Lac Esseb
Lac Abooue
Pointe de Sangatanga
Isaac
+230m +213m
BAIE DE SANGATANGA
Nzoghi LacAzingo
Gongoue
+100m
+165m
Pointe Tambinione
Lac Nikonie
Lake Site
Nendja Bissobilam
Mont Saoue +222m Mont Save +48m Mboudou
Kerye
Lac Igouloue Mont Noire +50m Petite Silang
Biawonque
Lac Ogondoue
Along
Oberting
Mont Sangatanga +100 m
Lac Ntchonie
Adole
Mandji
Atengame
Nague Abounaviri Dakar Emanagouga
Ekeoua
Longoue
Lac Adole
Ogoumalanga Mont Adouta +100m
Bembelie Lac Inyogo
Alowe
Plustard
Sant-Francois
Nzamata
Amengouingani
Kendjie
Oyingo
Elombe
Petite Elise
Allego
Aromba Issoloue
Akomba
Clainbanego Iguendjo
Amboki Batanga
PLAINE OSAMBA
Billape-Sainte-Pierre Afangombona Achouka
Mboumba
Abelago
Ngosoue
Okolo Esende
Kaze
Bengoue
Apari Nendja
Mpaga
Ngoumbi
Saira
Bongo Nkangue
Nzamene Lac Alombie Plaine Bia Bonga
The fundamental goal of the Wonga Wongue reserve is to create two integrated programs: a Presidential Retreat and a Conservation Agenda. The Presidential Retreat is a base for exploring and protecting the reserve, enabling visitors to experience Wonga Wongue’s unique landscape and wildlife. A reserve-wide Infrastructure Grid is designed to support the Conservation agenda and reinforce its principles of sustainability and environmental governance. Location: Wonga Wongue, Gabon Date: 2013- Present In collaboration with Adjaye Associates, AKT Engineers, and IPC Landscape Architects
PRESIDENTIAL COMPLEX
A PRESIDENTIAL OUTPOST TO SANGATANGA LAKE 1
GUEST UNIT
BOH ACCESS
ANIMAL FEEDING
HELIPORT
A
LAKE DOCK
FOREST OUTPOST \ DINING
GUEST UNIT
Guest Units
Outposts
A
B
C
D
E
F
Oyane
Akandjo
Mvam
Equata
+193m
1
B C
A
Pointe Ekoueta Niliani
B
Batanga
Oberting B+248m Cirque de Grande Bam Bam +152m
2
B
B +153m
B A
A B+152m
Sangatanga
C
Cirque de Petit Bam Bam +260m Petit Bambam
Isaac
+230m +213m
BAIE DE SANGATANGA
Mont Ndougou +98m
Lac Esseb
Lac Abooue
Pointe de Sangatanga
Nzoghi
B
LacAzingo
Gongoue
3
+100m
A
B
A
+165m
B Pointe Tambinione
Lac Nikonie
C Nendja Bissobilam
Mont Saoue +222m Mont Save +48m Mboudou
Kerye
Mont Sangatanga +100 m
Lac Igouloue Mont Noire +50m Petite Silang
Biawonque
Lac Ogondoue
Along
Oberting
Lac Ntchonie
Adole
Mandji
Atengame
Nague
C
C
Dakar
4
Abounaviri
A
A Emanagouga
Longoue
Ekeoua
Lac Adole
Ogoumalanga Mont Adouta +100m
Bembelie Lac Inyogo
Alowe
Plustard
Sant-Francois
Nzamata
Amengouingani
Kendjie
Oyingo
Elombe
Petite Elise
Allego
C
Aromba Issoloue
Akomba
Clainbanego Iguendjo
Amboki
5
Batanga
PLAINE OSAMBA
Billape-Sainte-Pierre Afangombona Achouka
Lac Alombie Plaine Bia Bonga
Mboumba
Abelago
Ngosoue
Okolo Esende
Kaze
Bengoue
Apari Nendja
Mpaga
Ngoumbi
Saira
Bongo Nkangue
Nzamene
OBSERVATION DECK
BALCONY/ RAMP
+8.5m Roof Plan LIVING SPACE
BALCONY/ RAMP
+5.5m Main Floor Plan
OPEN MULTIPURPOSE SPACE
BALCONY/ RAMP
WC & STORAGE
0m Service Level Floor Plan
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3
5
PRE-FABRICATED BUILDING COMPONENTS
FRAME
FLOORS
RAMPS
ENCLOSURE
MISC. COMPONENTS
ARANDA \ LASCH WORK EXPERIENCE: AUGUST 2013- Present
GARDEN HOUSE
Cite de la Democratie Clubhouse It is said the best golf swing is effortless. For the Clubhouse in the Cite de la Democratie we imagine a building that starts at the top of a hill and effortlessly makes its way down to its nfinal destination, the golf course. Through a series of stepped terraces and a single curved roof that opens to views and gardens, the building is an integral part of the hill. It uses the site’s existing topography to make the transition from one space to the next seamless, and gracefully guides the visitor through their golfing experience. The key to the building’s organization is its relationship to the hill. The building is situatedat its crest. From the entry lobby at the top, the layout of the entire building is visible, allowing a patron to immediately feel oriented and comfortable. Through the trees one can also glimpse players on the golf course against a backdrop of breathtaking views of North Libreville. From the lobby, the building’s spaces cascade down the hill through the centrally located Pro Shop and locker rooms out to the golf course and back again to the restaurant and bar, which are positioned to optimize views of the course. Adjacent to the entry lobby is a separate dedicated entrance for the banquet hall and outdoor event space to ensure optimum flexibility in simultaneous programming.
LOBBY EVENTS
ADMIN RESTAURANT GOLF
Step 1: Capture Hill
Step 2: Terrace Hill
Step 3: Bring People In
Step 4: Cover Terraces
BANQUET HALL LOBBY
TRELLIS BANQUET HALL BANQUET HALL COURTYARD
+0.00
LOADING/STORAGE
WC
BREAK AREA
WC
SERVICE
SALON
RESTAURANT GARDEN (NO PUBLIC ACCESS)
-5.00 RESTAURANT LEVEL
LOBBY
TRELLIS BANQUET HALL COURTYARD
COURTYARD
+0.00 LOBBY LEVEL PRO SHOP
RESTAURANT BEYOND
-3.75 PRO SHOP LEVEL -5.00 RESTAURANT LEVEL
GOLF CART STORAGE
BANQUET HALL COURYARD GREEN ROOF
+0.00 LOBBY LEVEL
PRO SHOP
-3.75 PRO SHOP LEVEL -5.00 RESTAURANT LEVEL
RESTAURANT
BAR
GARDEN (NO PUBLIC ACCESS)
BAR
OUTDOOR BAR
REGISTRATION, RENTAL EQUIP.
MEETING ROOM (PUBLIC)
RESTING AREA
SHOWER
WC
GOLF CARD PATH
ARANDA \ LASCH WO ORK EXPERIENCE: AUGUST 201 13- Present
PORTO MONTENEGRO
Porto Montenegro Masterplan By extending the natural greenways and waterways of the local area into Porto Montenegro, we imagine a renaturalization of the site to create engaging outdoor spaces for residents and visitors alike. The idea is to let the natural landscape features immediately surrounding the site to continue through the development and create a seamless integration into the natural context of the site. Captain’s Park at the Southeast corner of Porto Montenegro is a prominent landscape feature surrounding the site. Tree clusters planted throughout the development, appearing as continuations from the park, create lush streetscapes that are shaded and intimate. Waterways flowing from the mountain and into Porto Montenegro can be captured throughout the development as water design features, highlighting the site’s naval history and creating cooling environments.The continuation of public axes through the site and the creation of public and private spaces creates amenities that showcase the events and ecology of Porto Montenegro. Location: Porto Montenegro, Montenegro In collaboration with WATG (London, UK) Date: 2013- present
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6 3 5
4
2
7
1. Urban Beaches 2. Waterfront Park 3. Retail Promenade 4. Retail Village 5. Central Square 6. Heritage Square 7. Pier Park
ARANDA \ LASCH WORK K EXPE ERIE ENCE: AUGUST 2013- Present
WYNWOOD EDIBLE FOREST
Wynwood Gateway Competition Welcome to the Wynwood Edible Forest. In here you can eat everything. Fruits from the trees, greens from the bowls, vegetables from the ground. It is an Edible Forest, managed to be seasonal, evolving and sustainable. The Edible Forest promotes health and well being. It shares knowledge through plants. It keeps people involved and creates an awareness of the environment and the world around us.
Existing Oak Existing Oak
Existing Ackee Existing Avocado
Mango Palm Tropical Almond Neem
Moringa
Spanish Needle Existing Oak
Papaya Coconut Banana
Seagrape
Papaya
Retail Rear Entrance
Residence
3. Indulging: Fruit Platter 4. Healing: Medicine Bench
Residence
2. Gathering: Salad Dome 1. Tasting: Amus es-Bouches
Restaurant
5. Teaching: Vegetable Patch
28th Street
Fruit Platter
Salad Dome
Amuses-Bouches
29th Street Entrance
Existing Oak
Rear Entrance
Existing Oak
Existing Ackee
Mango
3. Indulging
3. Indulging 2. Gathering
2. Gathering
Fruit Platter
Fruit Platter Existing Avocado
Tropical Almond Restaurant
Salad Dome
Salad Dome Spanish Needle
Palm
4. Healing
4. Healing
Medicine Bench Neem
Medicine Bench
Moringa
1. Tasting
1. Tasting
Fragrant Bowls
Fragrant Bowls
Tamarind
5. Teaching Vegetable Patch
Vegetable Patch Existing Oak
Papaya
Coconut
5. Teaching Seagrape
Papaya
28th Street Entrance
Banana
ARANDA \ LASCH WORK EXPERIENCE: AUG. 2013- SEPT. 2014
LIGHT FIELD
Indianapolis City-County Bldg Plaza
Step 1: Create a Grove grade, it is low and accessible from all sides.
Step 2: Reveal the Fountain Plaza A new gathering space for the city is formed with terraced seating around the fountain.
Step 3: Insert Access and Street Life along the Edge programming invite the city into the plaza.
Light Field is a beacon for an emerging Downtown Indianapolis and a new model for sustainability and interaction. The design is inspired by Indiana’s agricultural landscape, by its simplicity, beauty, and magnitude. It is low, open, and transparent to reveal the CCB’s entrance and the six pillars to the surrounding city. Across a gently sloping landscape, a field of lights is arranged in a pattern that recalls Indiana’s agricultural grids. From this pattern, all the Plaza elements emerge. A Grove is planted with native trees that blossom in varying seasonal colors. A Fountain Plaza is revealed with a splash fountain that transforms into an ice rink during the winter. A new pedestal is created around the six pillars to underscore their symbolic importance. Street life animates every edge of the site. An Art Walk to the south with large-scale public art adds a new dimension to the Cultural Trail. Finally, Food Truck and Market Kiosk Pavilions give life to the east and west sides of the plaza. The Light Field creates a safe, open and well-lit space after dark, thus activating the Indianapolis downtown at dusk and anticipating a community present beyond working hours. It is a low profile plaza for all to have easy access through. The gently sloping grade provides the necessary soil depth for plantings without resorting to traditional raised planters. It welcomes from all directions while enhancing the presence of the City County Building.
Light Field Elements 1. Grove 2. Fountain Plaza / Ice Rink 3. Pillars of the CCB 4. Art Walk 7b
5. Kiosk Pavilion (Commercial, Event & Market Support) 6. Shade Pavilion (Food Truck & Market Seating)
5
7a. Bicycle Amenities b. Pacer’s Bike Share
7a
4 1 2
3
6
7a
Low-Impact ice rink refrigeration system
Existing granite on site reused
Splash fountain equipmentrecirulcation system Native trees preserved Retention zone for rainwater used for landscaping and fountain Drainable gravel between pavers for water collection
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25
50
100
150
A. CONWAY PEDRON acpedron@gmail.com 444 51st Street #4 Brooklyn, NY 11220 270.300.3745 www.conwaypedron.com
EDUCATION EXPERIENCE Harvard University Masters of Architecture I Cambridge, MA Graduate School of Design Fall 2009-Spring 2013
University of Kentucky Bachelor of Arts in Architecture Lexington, KY Magna Cum Laude Graduate with Honors Fall 2004- Fall 2008
SKILLS
++++ +++ ++ +
Rhinoceros, Autocad, Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Revit 3d Studio Max, GRevit, Grasshopper, Adobe Flash, Adobe After Effects Digital Project, Microstation, Rhinoscript, Ecotect SketchUp, Maya, Solid Works, Processing, Generative Components
LANGUAGES Fluent: English Proficient: French Basic: Mandarin Chinese, Italian
EMPLOYMENT Skidmore, Owings, & Merril LLC New York, NY Architectural Professional
Aranda \ Lasch New York, NY Architectural Designer
Morphosis Architects New York, NY Architectural Intern
Harvard University Graduate School of Design Cambridge, MA Teaching Assistant
Howeler Yoon Architects Boston, MA Architectural Intern
Shroepfer + Hee Cambridge, MA/ Singapore, Singapore Designer
Zeybekoglu/ Nayman Associates Bejing, China Architectural Intern
Lucas/Schwering Architects Lexington, KY Architectural Intern
Skidmore, Owings, & Merril LLC Chicago, IL Architectural Intern
L’agence Frédéric Borel Architecte Paris, FR Architectural Intern
Lusk Design Group Vine Grove/ Ft. Knox, KY Architectural Intern