ADDISON JORDAN ARCHITECTURE & DESIGN PORTFOLIO
GLENN
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The following portfolio is comprised of recent academic design and art projects I have created.
Thank you for your consideration and willingness to review my work. Please contact me with any questions, and I look forward to working with you in the near future!
CONTENTS TECTONICS and STRUCTURE FIRE DEFENDER BASE RESIDENTIAL COMMUNITY CORES FROM ALLY TO GROVE LANDSCAPE PATH 2220 ADDITIONAL DESIGN WORK SET DESIGN ART 04 12 18 22 26 30
TABLE OF
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FIRE DEFENDER BASE
Fire Training Facility In Collaboration with Yiqun Feng Syracuse, New York
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The Fire Defender Base is a training base located in downtown Syracuse. Its goal is to train firefighters and educate civilians by providing close interactions between the two parties.
We created an environment that takes the industrial and pragmatic practice of firefighting, and exagerates its forms to create an exciting and educational space for all members involved.
Most importantly, by providing such close interactions between firefighters and civilians, we hope to see a substantial drop in fire-related death and injury in the future.
Suspending Slabs
The live fire training system is facilitated by installing replaceable steel pods on spiral corridors. The pods are prefabricated with fire resistant steel and furnished with steel furniture to produce scenarios of fire incidents. The pods are easy to ship in and out through tracks and a special elevator.
Structure Strategy
Suspending Dome
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Live Fire Training// Classrooms// Mental Wellness CenterWater Tower Cafe
Fire Stations Fire Incidents Site
Fire stations Fire incidents
Egress and Elevators
Egress and Elevators
Fire incident in Syracuse, 2008-2019
Civic Center Gas and water resource
Public Entrance
Firefighters’ Entrance
Live fire exercises
Civic Center Live Fire Exercises Gas and Water Resource
Regular Fire Station Fire Incidents Emergency Snow Routes Station 1 Station 2 Station 5 Station 3 Station 8 Station 18 Station 10 Station 17 Station 9
Modes of Access 6
Air Circulation
Air Circulation
Air Circulation
Air Circulation
Water
Water
Steel panel
Steel panel
Steel panel
Metal meshes
Steel panel
Metal meshes
Metal meshes
Drainage
Metal meshes
Drainage
Drainage
Shipping out
Shipping out
Shipping out
Drainage
Shipping out
Passive Ventilation in the Live Fire Sphere (left) and Training Shed (right)
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Rainwater Collection for Water Tower Storage Sphere Skylight Operable Light Fins
Suspending Slabs
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Suspending Slabs
Training Shed Detail Section
Building Organization Inclined Elevator Entrance// Gym Ground Floor Park // Reception// Civic Fire Training
Cafe 1ft:1/8in 1ft:1/8in
Classrooms//
Dome Suspending Slabs
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1ft:1/8in
Live Fire Training// Classrooms// Mental Wellness CenterWater Tower
Civic Fire Training Live Fire Training//
Mental Wellness CenterWater Structure Strategy Suspending
Plan at 3ft (Ground Floor Park // Reception// Civic Fire Training) Plan at 30ft (Live Fire Training Pods //Regular Exercises// Viewing Area)
Shipping out 10
Live Fire Training Pod Replacement System
1ft:1/8in 1ft:1/4in 1ft:1/8in 1ft:1/8in Building Organization Inclined Elevator Entrance// Gym Ground Floor Park // Reception// Civic Fire Training Live Fire Training// Classrooms// Mental Wellness CenterWater Tower Cafe Egress and Elevators Live fire exercises Regular exercises Civic Center Gas and water resource 1ft:1/8in 1ft:1/4in 1ft:1/8in 1ft:1/8in Building Organization Inclined Elevator Entrance// Gym Ground Floor Park // Reception// Civic Fire Training Live Fire Training// Classrooms// Mental Wellness CenterWater Tower Cafe Egress and Elevators Live fire exercises Regular exercises Civic Center Gas and water resource Fire Training
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Sphere (North-South)
COMMUNITY CORES
Communal Domestic Living and Civic Play Spaces
Bedford-Stuyvesant, Brooklyn, NYC
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The goal of this project was to bring the rich civic play and recreation of Bed-Stuy into the project through fostering green space for residents to have public gatherings and spontaneous congregations in.
Additionally, Bed Stuy’s lack of proper parks and the concern of the urban heat island, and it’s prevalence in the neighborhood, influenced the prioritization of green space in the project.
The domestic space is organized by allowing appliances and objects to dictate the space. These objects are organized into kitchen and bathroom cores which the remaining program circulates around.
The Sleeping spaces are organized around the bathroom while the dining and living spaces are organized around the kitchen-core.
The delineation between dwelling units also has an ambiguity, but is identified through the shift in floor plates. Each floor plate is raised or lowered by two feet to the units adjacent to it and egress on the outer edges helps bridge these plates.
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14 Plan Cut at 5ft
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Unit A Unit B Unit C Unit A Unit B Unit C Floorplate Plan 1 Bedroom Unit 2 Bedroom Unit 3 Bedroom Unit 16
MOVABLE OBJECTS
East-West Section 17
CORES
From ALLEY to GROVE
Artist Residency and Gallery
Monticello, Virginia
This project of artist residency studios serves as an addition to Thomas Jefferson’s Monticello estate. The Project positions itself across from the service wing of the estate in order to confront Monticello’s dark past. The design honors former slaves through mirroring the service wing and creating a court condition that shifts Monticello’s focal point away from slave owner, Thomas Jefferson’s residency.
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As the project transitions away from the service wing and roads, it reaches out into the forests of Monticello. The rigid order of the gallery dissipates into a playful grove that facilitates a creative environment for the resident artists. Here, the folding and rotation of neoclassical ornamentation and facades derives from Roentgen furniture and acknowledges the deep poche that Jefferson used in the walls of Monticello. This deconstruction of neoclassical elements begins a new narrative for Monticello while continuing to acknowledge the deeply troubling past of the historic piece of architecture.
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Plan at 18ft
Post-Transformation
Artist Residency
Pre-Transformation Artist Residency
Hinges
1/64 Scale
Vegetative Site Plan
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Pre-Transformation
Grove North-South Section
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1/8 Scale
Sculpture Garden and Artist Residency Grove
PATH 2220
Architecture as Evidence of Climate Change
Onondaga Lake, Syracuse, NY In Collaboration with Yiming Jiao
4Path 2220 focuses on a sequence traveling through the climate of the future. It allows the spectator to experience the moment of animal prosperity right before the climate rises too high and these species die out. This effect is produced through heating techniques such as convection and radiation from compost piles and sewer pipes. The placement of these pipes and mounds dictates the viewers experience by providing an array of unique climates and interactions between humans, insects, and birds.
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+50 years +100 years +150 years +200 years 23
Mounds that are not cut through dynamically grow overtime as more compost is added. This process is facilitated by the community, as people can dispose of their yard clippings and waste into the site.
Mounds that are cut are static in form and compost is not added. However, all mounds gain and lose heat in cycles.
The still water of the artificial stream and the heat from the sewage pipes provides a breeding ground for insects and subsequently a feasting ground for birds
Pipes are placed to protect mounds from the moisture of floodwaters
Conduction- the edges of the mounds loose heat through direct contact
Convection- Heat rises through the compost and out the top. This means that the bottom of compost piles are hotter than the surface, this forces insects to the top of the soil.
Radiation- The larger the compost pile the slower the radiation due to the surface area to volume ratio. This means that our large mounds would retain heat for longer and slowly dispense it over time.
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FLOODED SITE PLAN
The various stages of flooding in this project are displayed within this plan.
Retaining walls formed by the sewage pipes block water from entering the project, but also allow openings in various areas by submerging into the ground.
Deep cuts in the ground allow the spectator to gradually experience change in depth and its impact on the types of insects that reside in different levels in the soil.
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SET DESIGN
Fashion and Design Society (FADS) of Syracuse University
REVIVAL SS 2021
In Collaboration with Son Cao and Chika Ma With Support from Tyler Bernier
The revival show represented the alliance of punk and antiquity, through the deconstruction of classical themes. Projectors were used (above) to give ornament to the warehouse and a still life was constructed (below) to
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anchor the space.
Model: Bailey Davis Photographer: Jessie Zhai
Model: Justin Lacaughn Wims
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Photographer: Jessie Zhai
A recontextualization of
for a post-human,
chicken wire, and other materials were added to the wool tapestry in order to provide structure and atmosphere.
Wonders
Chair Banquet Table 6' 6' table 8' 8' table Step Unit Scorer s Table Bar Table R Stage Riser Curtain Section P Podium CP Chancellor s Podium C Caberet Table Cocktail Table 1" = 10' R R R R R R R R R R R R R R R R R R R 8' 8' Fashion and Design Society (FADS) April 30th Brandon 27
In Collaboration with Alaina Marra With Support from Gina Bouza, Pris Leung, Isaac Haseltine, and Chika Ma
Alaina Marra’s Agitated Fibers thesis
dystopian themed runway. Lighting,
Biotic
SS 2022
Facade FW 2022
In Collaboration
with Tyler Mudge, Gina Bouza, Julia Kazubowski, and Nick Ladino
Photographs By Caitlin Espiritu
The Facade Show acts as a subversion of traditional domesticity by drawing attention to the staged roles that members of a household are expected to perform.
This conceptual goal is achieved through the construction and deconstruction of stud walls paired with found objects and furniture that contrast the vast, hollow scene behind the set.
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24” OC Typ. 24” OC Typ. 24” OC Typ. 22 1/2” 8’ - 0” 8’ 0” 2’ - 6” 4’ - 0” 3’ 6” 4’ 0” 0’ 9” 8’ - 3” 3’ 6” 4’ 0” 0’ - 9” 8’ 3” 24” OC Typ. 24” OC Typ. 24” OC Typ. 22 1/2” 8’ 0” 2’ 3” 1’ 6” 3’ 10 1/2” Drywall to be installed with Drywall screws every 12” on each stud Studs to be scewed with 3” screws in order to be disassembled Jack and wall conenction reinfoced with 1/2” ply+ wood sheets 1/2” x 4’ x 8’ Gyp Board 2x4 Wood Stud Typ. Wall to Floor Jack Stage weight 7” x 7” 1/2” plywood Wall 1 7 - 2x4 x 8’ Wall 2 7 - 2x4 x 8’ Wall 2 7 - 2x4 x 8’ Wall 3 6 - 2x4 x 8’ 1 - 2x4 x 1’ - 6” 1 - 2x4 x 2’ - 3” 2 - 2x4 x 3’ - 10 1/2” FADS Domestic Pin up Board Concept 1” = 1’ - 0” 3’ 6” 4’ - 7 3/8” 3’ 8 1/2” 4’ 0” Stage weight 7” x 7” 1/2” plywood Wall to oor Jack 1 2x4 x 3’ - 8 1/2” 1 2x4 x 3’ - 6” 1 2x4 x 4’ - 7 3/8” cut at 30 and 60 degrees 1/2” = 1’ - 0” 29 2x4 x 8’ for walls 3 4’ x 8’ gyp boards 80 dry wall screws 100 3” screws 16 2x4 x 8’ for Jacks 100 3” screws 24” OC Typ. 24” OC Typ. 24” OC Typ. 22 1/2” 8’ 0” 8’ 0” 2’ 6” 4’ 0” 3’ 6” 4’ - 0” 0’ 9” 8’ 3” 3’ 6” 4’ 0” 0’ 9” 8’ - 3” 24” OC Typ. 24” OC Typ. 24” OC Typ. 22 1/2” 8’ 0” 2’ 3” 1’ 6” 3’ 10 1/2” Drywall to be installed with Drywall screws every 12” on each stud Studs to be scewed with 3” screws in order to be disassembled Jack and wall conenction reinfoced with 1/2” ply+ wood sheets 1/2” x 4’ x 8’ Gyp Board 2x4 Wood Stud Typ. Wall to Floor Jack Stage weight 7” x 7” 1/2” plywood Wall 1 7 - 2x4 x 8’ Wall 2 7 - 2x4 x 8’ Wall 2 7 - 2x4 x 8’ Wall 3 6 - 2x4 x 8’ 1 - 2x4 x 1’ - 6” 1 - 2x4 x 2’ - 3” 2 - 2x4 x 3’ - 10 1/2” FADS Domestic Pin up Board Concept 1” = 1’ - 0” 3’ - 6” 4’ 7 3/8” 3’ 1/2” 4’ 0” Stage weight 7” x 7” 1/2” plywood Wall to oor Jack 1 2x4 x 3’ 8 1/2” 1 2x4 x 3’ 6” 1 2x4 x 4’ 7 3/8” cut at 30 and 60 degrees 1/2” = 1’ - 0” 29 2x4 x 8’ for walls 3 4’ x 8’ gyp boards 80 dry wall screws 100 3” screws 16 2x4 x 8’ for Jacks 100 3” screws 29
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THANK YOU!
Thank you for taking the time to review my work. Please let me know if there are any questions and I look forward to hearing your feedback!
-Glenn Addison Jordan
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