Adriana Barcenas - M.Arch 2014

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ARCHITECTURAL PORTFOLIO /

ADRIANA BARCENAS



by balance i do not mean just the ability to hold one’s balance, but rather your relationship to the space around you. grace means your relationship to the stage and the space around you---the beauty your freedom, your discipline, your concentration and your complete awareness have brought you. if you have no form, after a certain length of time you become inarticulate. your training only gives your freedom. the ideal of technique is the absence of strain; it is the rhythmic building of the body to a perfect form. it is not important that you should know what a dance means. it is only imortant that you should be stirred.

-martha graham


ADRIANA BARCENAS adrianabr.contact@gmail.com

SKILLS +Digital -Adobe Photoshop, Illustrator, InDesign, After Effects -Rhino, VRay Render, Grasshopper, 3ds Max, -Revit Architecture, AutoCAD

+Tactile -Steel, Wood, Concrete Construction -Graphite/Ink on Vellum, Mylar, Bristol -Fabrication: Lasercutter, Shop Tools

EXPERIENCE

EDUCATION +UC Berkeley. College of Env. Design Bachelor of Arts, Architecture Fall 2007-Spring 2011 +Columbia University, GSAPP Architecture, Non-Degree Shape of II Cities: NY/Paris Fall 2011-Spring 2012

+MOORE RUBLE YUDELL Architects & Planners | Los Angeles, CA Full-Time Architectural Intern Shanghai Tech: _Supported project design, development, and execution on a variety of campus elements including a Student Center, Performance Auditorium, and Gallery Canopy Structure. _Coordinated architectural plans and details with work of counterpart architect in Shanghai. _Responsible for review and coordination of structural and MEP drawings with counterpart architect _Produced color composition and curtainwall pattern for facade envelopes. _Performed research on materials and products for execution of projects UCLA Engineering VI Phase II _Presently supporting project design, development, and execution in Schematic Design phase _Produced drawings for consultant presentations/submittals _Coordination of architectural drawings with work of consultants in structure, mechanical, and lighting. _Performed research on relevant codes necessary for execuction of project. April 2013-Present +GLOBAL ARCHITECTURE BRIGADES | UCB Chapter Design Team Member, Competition. Collaborated through various stages of development for the design of a new school in Santa Rosa, Honduras. Helped develop programmatic strategy, as well as sustainable building tactics including a perforated skin for ventilation and rain shed collecting system. Elements of our final design were selected and constructed on site the following semester. September 2010-January 2011


selected works CONNECTIVE MARKETPLACE BIRDWATCHING SPACE PERCEPTUAL DEVICE FASHION ATELIER

studio - fall 2009

studio - fall 2011

studio - fall 2011

URBAN ACTIVITY CENTER LOW LINE BENCH

studio - spring 2012

studio - spring 2010

construction course - spring 2011

INSTALLATION FOR B306C THE PICTURE PLANE visual

studio - fall 2011

studies - spring 2012

THE SEAM

visual studies - fall 2012

THE DRIFT

visual studies - fall 2012


A market place spans the distance between two divided sites both currently undergoing a vast degree of redevolpment in the northern region of Paris. . This connective space of inhabitation for the epicurious will be nourished by the diversity of forthcoming projects, including a major new tram line. Given the relationship between Paris and tourism, the hotel level of this floating market provides an alternative experience to the traditional imagining of Parisian life. While guests can readily integrate into the market over the course of the day, program arrayed along the walkways of the hotel encourage a social nightlife to emerge past the market's closing hours.

porte de la chapelle, paris

CONNECTIVE MARKETPLACE



5m

21m

19m

Major infrastructure pathways limit the diffusion of movement from one site to another Average travel time from Cite Michelet to Entrepot Macdonald is 20 minutes. Proposed intervention will be a journey of 5 minutes.

Only residents of cite michelet can orient themselves on site

Access points between sites of redevelopment

Existing Conditions


RAIL LINES PEDESTRIAN HIGHWAY FOOD /MARKET

...LIMITED MOVEMENT WILL BE HIGHLY PROBLEMATIC FOR SITE AS CURRENT REDEVELOPMENT OF ENTREPOT MACDONALD + CITE CURIAL NEARS COMPLETION


RESTAURANT/ ACCESS TO MARKET LEVEL

RENTED STORAGE FOR LONG TERM MARKET VENDORS

TRAM

EVELATOR ACCESS FOR MARKET VENDORS

TRAM HELP OFFICE

TRAM PLATFORM

SPACE FOR CULINARY SCHOOL

ADMINISTRATION OFFICES


MARKET LEVEL PLAN

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Ma rk et

Le ve l

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25 0

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HOTEL LEVEL

Current Project Underway/Cite Michelet

Lift Path/Link to Tramway

Sync Local Market & Commercial Program

Create Connective Public Space


A birdwatching space designed for two bodies and the accommodation of observation, rest, meditation, and inter connectedness with the natural. The basis of this project was to develop a 20x20 volume of inhabitable space based upon an abstracted square from Rothko’s painting. The resultant space is the union of two structural systems, a branchlike one exposed to nature and the linear set of members housing two intimate spaces for bathing and sleep, mark rothko’s untitled painting

BIRDWATCHING SPACE FOR TWO


PLAN VIEW OF UPPER LEVEL- A RESTING PLACE FOR HUMANS PLAN VIEW OF LOWER LEVE- THE BATHING SPACE AND THE NIRDS NEST ENVELOPED BY THE VERTICAL

PLAN VIEW OF UPPER LEVEL- A RESTING PLACE FOR HUMANS PLAN VIEW OF LOWER LEVE- THE BATHING SPACE AND THE NIRDS NEST ENVELOPED BY THE VERTICAL

PLAN VIEW OF UPPER LEVEL- A RESTING PLACE FOR HUMANS PLAN VIEW OF LOWER LEVE- THE BATHING SPACE AND THE NIRDS NEST ENVELOPED BY THE VERTICAL


A device to create a performance of shadowplay for the wearer as one meanders through the city. The experience of urban traversal is transformed into a process of wayfinding through the apertures of the fabric in harmony with an ever changing field of shadows visible only to the body within. The enclosure of fabric is developed through the rotation of pattern pieces about the seams of Le Cigale dress. The oxford shirt becomes the building material through which this logic is executed. le cigale dress pattern & oxford shirt

PERCEPTUAL DEVICE



This fashion atelier is bound by the space created from the intersection of the opera’s existing grand stair and an undulating fabric that weaves its way throughout. A pair of mirrored chevron cuts are joined and gradated in scale to both manipulate the curvature of the structure and create programmatic niches throughout. The structure becomes an exhibition space through which the design process is filtered and made visible to the public in any number of stages. metropolitan opera, nyc

FASHION ATELIER




A mixed-use center housing a range of programmatic elements from a cafe on the lobby floor to a diving pool overlooking sky and, in between, a layering of high energy spaces. The main circulatory route cuts through to create an internal chasm through which all athletic programs are connected. The sensation of openness is built upon by the skin of the building as it responds to both the circulation within and the surrounding urban soundscape. This movement reveals a hybrid louvre system of pipes/mullions that channel rainwater into the building's water supply. These louvres illuminate at night describing to the city the amount of rainfall captured within.

soma district, san francisco

URBAN ACTIVITY CENTER


1. Pool + Showers

2. Building’s Grey Water, ie. lockers, restrooms

3. Garden Filtration + Irrigation System

Rain incorporated within three zones in building envelope...

OLED panels in mullion system illuminate to indicate rainfall capture levels in building in real time.

OLED

DETAIL

GLAZING

GLASS FIN(BEYOND)


POOL

GYM

TERRACE

EXERCISE EQUIPMENT DANCE GARDEN ADMIN ACTIVITY ROOMS

CAFE

LOBBY/ENTRANCE

PARKING

SECTION SITE PRIMARY CIRCULATION ROUTE

MISSION ST

H

9T ST


programmatic noise

GYM

POOL

MATERIAL SOUND DAMPENING

AT 5FT/SEC Urban Soudscape

ADJOINING

N/E

MISSION ST

N/W


9TH ST

MINNA ST

S/W

S/E


17 16

15

3 9

10 8

2

14

4

5 18 6

13

12

7 11 1

PARKING CAFE MULTI PURPOSE ROOM ACTIVITY ROOM A ACTIVITY ROOM B COMMUNAL KITCHEN SNACK VENDING BAR OFFICES PUBLIC RESTROOM PUBLIC RESTROOM STRETCH / MEDITATION FLEXIBLE EXERCISE ROOM EQUIPMENT ROOM DANCE SPACE LOCKER ROOMS M LOCKER ROOMS W EQUIPMENT MECHANICAL GARDEN / TERRACE GYM ROOFTOP COURTYARD POOL SHOWERS LAP POOL

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01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22

19


22 20

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This project required that our team design and build a 1:1 installation piece to accommodate seating at a site of our choosing. The existing nature of our chosen site, the concrete planters located outside Wurster Hall, was to significantly inform our design for a series of continuous wood members that flowed from and around the existing concrete. The repetition of a simple lap joint and specific set of angles was implemented to achieve a seating space in which two bodies could independently enjoy a moment of reprieve under the tree’s shade. The adjacent surface area of the concrete planter could thus function as armrest or table top. wurster courtyard, berkeley LOW LINE BENCH avec judy li & lisa espinosa

4 1/2"

16 1/2"

108° 10"

7"

108° 20"

8"

43 1/2"


Located within the Flatiron Building, this project required the construction of a screen responsive to the experience of the surrounding urban context from the perspective of an individual sitting upon Charlotte Perriand’s B306 Chaise. The angles deriven from Perriand’s Chaise are deconstructed and then reassembled using the original vertex points from B306 as connective nodes. The resultant structural web is interlaced with translucent fabric as to create a screen of variable opacity. The local passerby activates the puncuated ‘holes’ within the screen in peering through to discover what or whom rests beyond the screen. flatiron building, nyc

INSTALLATION SCREEN FOR B306C



An image can convey the nature of a given space within its frame. The reconstruction of a space as captured within Matta-Clark’s collage using three point perspective, however, reveals it to be distorted and unlike the subject from which the original images were distilled. The generation of a plan for this distorted space draws further contrast to our spatial perceptions of conventional typologies, here being the office space. gordon matta-clark’s office baroque, 1977

THE PICTURE PLANE




The image above is of a room as seen through the reflection of a mirror pivoting upon a door. The frame of this mirror is observed from a separate stationary mirror in an adjoining room. In increments, these captured frames create the seam through which an entry way is reconstructed. However, it is the white space on these pages that constitute the actual, real entry space and what we see is in fact a virtual space. entry hall, parisian flat

THE SEAM


A map can describe to varying degrees of detail the environment one may expect to encounter if followed. But if that map is drawn from a spatial event, it is at once a singular entity. Our map is and is not of the arrondissement to which the Palais Garnier belongs. It is the map of a game played within the city. The simple assemblage of a peanut butter sandwich defines the lines through which Paris is redrawn. Our collective maps when overlapped are of the same event and region, but our spatial experience have vastly different boundaries. MAKING OF A PEANUT BUTTER SANDWICH IN PARIS: -Only one ingredient to be collected per location -Time must be noted for the discovery of each ingredient -Sandwich to be constructed on the opera steps -Map to be drawn at completion of task -No external maps may be utilized -No contact between players until reunited on steps palais garnier, paris THE DRIFT avec anthony graham




THANKS!


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