ADRIANA CABELLO PLASENCIA - portfolio 2017 -
ADRIANA CABELLO PLASENCIA _ABOUT ME
I am an architect and researcher whose work is concerned with innovation, sustainability and collaborative practice. I have experience within professional practice with a strong focus on design, visualisation and fabrication and have used these skills within a teaching, workshop and professional environment. My work explores the possibilities through experimental and research processes to create new understandings towards complex and beautiful design solutions.
_CONTACT Adriana Cabello Plasencia....................................................................................................................................................................................a.cabelloplasencia@gmail.com +44 (0)7341426700 PORTFOLIO................................................................................................................................................................................https://issuu.com/adrianacabelloplasencia/docs/full_portfolio_document_for_web IMAGES PORTFOLIO................................................................................................................................. https://issuu.com/adrianacabelloplasencia/docs/adriana_cabello_plasencia_images_po
_PROFESSIONAL EXPERIENCE [2017]...............................................................................................................................................................................................ESTUDIO SIC AND TODO POR LA PRAXIS. 3D Architectural Visualizer. Mares Project Collaboration. [2016 - 2017]...........................................................................................................................................................................................EASTWEST ARCHITECTURE|LONDON. Architectural Assistant-Part II. Responsabilities|Concept Design , 3D models, renders, preparing and presenting design proposals to the clients, planning applications, technical drawings. [2013 - 2016].............................................................................................................................................................IZASKUN CHINCHILLA ARCHITECTS | MADRID/LONDON. Architectural Assistant-Part II. Responsabilities|Concept Design , 3D models, renders, phisical models, competitions, technical drawings. [2013-2014]............................................................................................................................................................................... IED|ISTITUTO EUROPEO DI DESIGN|MADRID. Short Courses Professor Assistant. 3rd year Interior Design|Course: Proyecto Disruptivo [2009 and 2010 SUMMERS]......................................................................................................................................................................................PPL COMPANY|TENERIFE. Quantity surveyor assistant on site.
_EDUCATION [2006 - 2013].........................................................................................................................................................................................CEU SAN PABLO UNIVERSITY|MADRID. Student development award|2013. Dissertation|Artist Community in Hagzhou,China|Focus on the nature and architecture harmony relation. [2010 - 2011].......................................................................................................................................ITESM. INSTITUTO TECNOLÓGICO DE MONTERREY|ESTADO DE MÉXICO. Exchange Programme. Awarded: Best semester project|Albergue Modular|La Florida, Hidalgo|4th year project.
_WORKSHOPS [SUMMER 2012]..................................................................................................................WORKSHOP IN COLLABORATION WITH ZHEJIANG UNIVERSITY| HANGZHOU|CHINA. Proposals for Seal Museum|Xixi Wetlands. [SUMMER 2017]............................................................................................................................................................ ALL BLACK FORM |EPHEMERAL FIGURES| BARCELONA. Professors|Erick Carcamo and Bailey Shugart. Course techniques|Maya modeling tools and animation.
_COMMUNITY WORK [2015]..............................................................................................................................................................WORKSHOP|CITY THAT NEVER SLEEPS|STRUGA|MACEDONIA. Ideas to improve Strugra public spaces|Proposals: cycling routes and Struga main square renovation. [2014]..............................................................................................................................HD_Lab: HABITABILITY AND DEVELOPMENT LABORATOTY|MAKENI|SIERRA LEONE. Proposal a for school and shelter project for native children. [2010]................................................................................................................................................................................................SCHOOL|IXMIQUILPAN.HIDALGO|MEXICO. Proposal a for school and shelter project for La Florida native children.
_ACHIEVEMENTS [2015]...........................................................................................................................................................................FIRST PRIZE| IBERFLORA FINAL PROJECT COMPETITION. Category C : Equipment for Landscape Architecture. [2014].................................................................................................................................................2013 STUDENT DEVELOPMENT AWARD|CEU SAN PABLO UNIVERSITY. [2014]...........................................................................................................................................................FINALIST|PORTFOLIO SPEED DATING |ROCA GALLERY|MADRID.
_RESEARCH [2016]........................................................................................................................ARF|ARCHITECTURE RESEARCH FUNDING|THE BARTLETT SCHOOL OF ARCHITECTURE. Cradle to cradle logic applied to VIP room ARCOmadrid project . [2016]..............................................................................................................................APF| ARCHITECTURE PROJECTS FUND |THE BARTLETT SCHOOL OF ARCHITECTURE. Eco-Packaging project prototyping at the Bartlett. [2014 - 2015]........................................................................................................................................................................BARTLETT VISITING RESEARCH FELLOW|UCL. Cycle to School Project. Researcher|Izaskun Chinchilla.
_PUBLICATIONS [2012]...........................................................................................................................................................................................................FUTURE ARQUITECTURAS 39/940. Seal Museum Project|Xixi Wetlands, Hangzhou, China |5th year project.
_SKILLS SOFTWARE AutoCAD Adobe Photoshop Adobe Illustrator Adobe Indesign
VRay 3d max Maya Revit Rhino
LANGUAGES Spanish English
_REFERENCES IZASKUN CHINCHILLA Principal partner Izaskun Chinchilla Architects. Senior Teaching Fellow and Senior Research Associate, Public Engagement Fellow. The Bartlett School of Architecture. UCL.
CARLOS JIMÉNEZ Summer Studio Coordinator. Design Tutor MArch U22. The Bartlett School of Architecture. UCL.
zaszaskun@yahoo.es
piss2mil@gmail.com
BOUNDARY LANE. _Architectural Assistant, Part II - EASTWEST Architecture. _LOCATION|Camberwell, South London. _USE OF THE BUILDING| Residencial. _ PERIOD| Nov2016-August2017.
_SURFACE| 430 sqm. _CLIENTS| Commercial. _ROLE| Work Stage 4.Development of technical, setting out and construction details drawings and planning.
The project is a resitential building located in Boundary Lane, Camberwell. It consist in 3 storeys with 5 apartments. The building design has required thorough analysis of setbacks, ventilation and sunlight requirements as the site is very constraint. The building concept considers the surrounding context in shape, finish materials and height. The main materials used in the facade are brick slip in grey and buff colors and zinc standing seam panels.
F1 F
E1
83
E
1562
D
1338
C
5500
B
2980
A
5430
2770
ANGLED ANGLED WINDOW WINDOW Copy 1 D---21
12080
3593
900
8176
D02 WINDOWS D 20
3286
D 40
1
22
25
770 D18
1
FL05 6710
D02 TERRACE D 30
1468 4
3
5
6
7
8
9
10
11
12
13
14
15
16
17
1 116
510
28
UC 203x203x60
WA02 C
WA04 A
4769
UC 254x254x73
UC 254x254x73
Communal Staircase Detail D50
WA03
WA02 A
UC 203x203x60
WA06
UC 203x203x60
Private Staircase Detail D51
934
8410
1213
1812
17138
Section A C 29
83
F1
F
1562
1338
E1
3056 2106
939
Terrace 3.35 m²
2
27
5500
E
2980
D
2A
6534 WA02 A
868 Utility Room 2.94 m²
UP
26
800 451
2134
WA13 B
WA12 B
2322
1837
1012 2076
1200
D01 WINDOWS
2738
900
WA12 C
24
9
6600
D17 FD20
164
23
10
D17A FD20
3044
12
1104
FL02-B
WA12 B
Entrance Hall 5.71 m²
2117
21
D 20
APARTMENT 3 Living Room and Kitchen 22.29 m²
WA02 A
20
13
1350
750
358 810 900
14
1200
D 20
1668
3992
0 129 2 374
WA10 C
UP
11
W09
D04 WINDOWS
FL04-C
D16
WA12 C
3904
1 129
04 WA A
Living Room and Kitchen 22.52 m² 3927
3 789
FL02-B
15
3669
542
RWP
17 16
3648
WA10 A
1200
W04
1221 1250
2
1862
Shower room 1 3.97 m²
D15 FD30s
18
C 30
3
UC 203x203x60
WA07 C
100
810 5925
266
D17B FD20
19
APARTMENT 4
3000
UC 203x203x60
2792
DN
Water and gas ventilated boxing - refer to M&E specs.
WA12 A
810
WA12 C
1223
239
680
WA01 A 6600
340
900
211 900
FL02-A
600
4302
WA12 A
UC 203x203x60
Section B
3044
356
01 WA A
1 101
2A
Entrance Hall 4.94 m²
5043
172
Cupboard
2848
125
05 WA
D 20
D23 900
1A WA02 C
W05
WA02 B
FL04-C
WA10 C
D19 FD30s
D 20
UC 254x254x73
WA02 A
WA11
900
2827
D05 WINDOWS
900
WA12 A
RWP
W08
WA12 B
196 WA01 A
2931
Bedroom 11.33 m² 1975
3056
05 WA
1 415
237
D 20
WA12 A
1678
FL05 6770
D06 WINDOWS
2754
0 134
Terrace 4.83 m²
D20
254 3325 Entrance Hall 5.41 m² 481 100 900
900
1345
1850
2827
D22
D 31
D02 WINDOWS
Bathroom 4.68 m²
900
177
05 WA
D03 TERRACE
D21 FD20
4172
663
2
2861
WA01 A
UC 203x203x60
W06
WA01 A
WA05
2347
1128
234
UC 203x203x60
1235
W0 7
1A 1
900
D06 WALLS
WA02 A
2858
1377
1502
1849
5430
C
[FROM LEFT TO RIGHT, UP TO DOWN] First Floor Plan.
2770
B
A
3
Boundary
F1
F 83
E1 1562
E
D
1338
C
5500
B
2980
A
5430
2770
1 D 40 PARAPET LEVEL 12800 ROOFTOP FFL
590
2D--40
12400
UB 356x171x45
UB 356x171x45
UB 178x102x19
UB 178x102x19
UB 406x178x54
UB 356x171x45
UB 178x102x19
UB 178x102x19
UB 356x171x45
UB 203x102x23
UB 356x171x45
6 D 20 2360
2840
UB 406x178x54
APARTMENT 5 Living Room and Kitchen
APARTMENT 3 Bedroom
2360
12400 ROOFTOP (Top steel beams)
440
ROOFTOP LEVEL (top timber structure)
400
12550
APARTMENT 3 Shower Room
APARTMENT 3 Bedroom
FL02-A
SECOND FLOOR - FFL
FL04-C
9600
490 2310
UB 356x171x45
UB 356x171x45
APARTMENT 4 Living Room and Kitchen
2310
3000
1 D 20
UB 406x178x54
UB 406x178x54
APARTMENT 3 Utility Room
APARTMENT 3 Living Room and Kitchen
APARTMENT 3 Terrace
2 D 30
2300
UB 406x178x54
UB 406x178x54
UB 457x152x74
2305
9560
490
SECOND FLOOR LEVEL (top of concrete deck)
5 D 20 FIRST FLOOR- FFL
FL05
FL02-B
6600
520
6560
UB 457x152x74
520
FIRST FLOOR LEVEL (top of concrete deck)
UB 406x178x54
UB 406x178x54
UB 406x178x54
UB 406x178x54
UB 406x178x54
UB 356x171x45
UB 203x133x25 1760
Mechanical Room
APARTMENT 1 Bathroom
APARTMENT 1 Living Room and Kitchen
2400
APARTMENT 2 Living Room and Kitchen
EASTWEST ARCHITECTURE
900
2360
2400
3260
3 D 20
GROUND FLOOR - FFL
FL01-B
FL01-A
FL03-C
FL01-B
FL03 150
3480
6-16 Arbutus Street Haggerston London E8 4DT
GROUND FLOOR (top of B&B) 3300 Foundations
VENTILATED VOID TO BE AGREED WITH BUILDING CONTROL
3050
150x50mm Timber Stud 60mm Kooltherm K112
18mm OSB Sheathing Board
25mm insulation Kingspan Thermaroof TR27 LPC/FM
Waterproofing overlaps on roof edges
Vapour check bituminous wraps the top of the timber structure
PARAPET LEVEL
125mm (average) Kingspan Thermataper TT47 LPC/FM Vapour Check Bituminous
ROOFTOP FFL 12550 ROOFTOP LEVEL (top timber structure) 12400 ROOFTOP (Top steel beams)
150mm x 75mm Stud (Refer to SE specifications)
18mm OSB Sheathing Board 50 x 200mm Timber Joist at 600mm (As per SE specifications) Gypsum Casoline MF Suspended Ceiling System
15mm Gyproc DuraLine Plasterboard
Construction
Planning
As Built
Tender
For Information Only
Contract
Preliminary
Scale@A3:
PP 29/09/17 1 : 10
Client:
Soda Space Ltd.
Project:
3 Boundary Lane SE17 2BH London, UK.
Title:
ANGLED WINDOW
No.
S 25
Drawn: Printed:
12mm Cement Bonded Particle Board (Fire Rated)
Checked:
60mm Kooltherm K112
0.5mm Kingspan Nilvent.17 Breathable Membrane 75mm x 38mm Exterior Grade Timber Batten in vented cavity 18mm Exterior Grade Plywood Brick Slip System
12400
Pre−Planning
Zinc Copping detail
Waterproofing wraps the top of the parapet
25mm insulation Kingspan Thermaroof TR27 LPC/FM
Sika Decothane system cover. Liquid Applied Waterproofing 12800
projects@eastwestarchitecture.co.uk VENTILATED VOID TO BE AGREED WITH BUILDING CONTROL www.eastwestarchitecture.co.uk 020 7148 0668
VENTILATED VOID TO BE AGREED WITH BUILDING CONTROL
B3_A1 356x171x45 Universal Beam. 2 Layers Intumescent Coated
Timber packs to support joists (As per SE specifications) 60mm Knauf Earthwool Building Slab 12.5 mm Gyproc Soundbloc with vapour barrier up to OSB sheathing
150mm x 75mm Stud (Refer to SE specifications) 60mm Kooltherm K112
[FROM LEFT TO RIGHT, UP TO DOWN] Longitudinal Section • Roof detail • Axonometric view.
APARTMENT 1 Terrace
Rev.
DS
4 D 10
EASTWEST ARCHITECTURE 6-16 Arbutus Street Haggerston London E8 4DT
Weep holes @ 1200mm centres
projects@eastwestarchitecture.co.uk DPC Cavity tray overlaping the waterproofing membrane www.eastwestarchitecture.co.uk Cavity Barrier 020 7148 0668
VENTED AIR SPACE 38mm
12mm Cement Bonded Particle Board (Fire Rated)
Sika Decothane system
60mm Kooltherm K112
Kingspan Thermataper TT47
0.5mm Kingspan Nilvent.17 Breathable Membrane
EuroBrick P-clad cladding system
Pre−Planning
Construction
Planning
As Built
Tender
DPC Cavity tray - Breathable Membrane overlaps 150mm min.
60mm Knauf Earthwool Building Slab
Cavity Barrier
60mm Kooltherm K112
Trim support 150mm lenth to each side of the window
1000 Gauge 0.25mm Polythene Vapour Control Layer
Scale@A3: Client:
Soda Space Ltd.
Project:
3 Boundary Lane SE17 2BH London, UK.
Title:
Unnamed
No.
S 25
Printed:
200x90x30 PFC as Structural Engineer Drawings
Preliminary
Author 09/29/17 1 : 10
Drawn:
Breathable membrane wrapped into the opening
50x160mm timber stud at 600mm as Structural Engineer drawings
For Information Only
600
Contract
Weep holes @ 1200mm centres
18mm Timber decking as Structural Engineer drawings
Checked:
Vapour control layer 60mm Kooltherm K112
Checker
Metal plate with dripping wrapping the structure 50x160mm timber stud Polyurethane foam and sealant
Sealant
150 x 75mm Timber Stud (Refer to Structural Enginner Specifications) 150 x 50mm Stud Vapour barrier taped and sealed 12.5mm Gyproc Soundbloc on dabs
Timber sill
Rev.
Timber sill
Polyurethane foam
Polyurethane foam Polyurethane foam and sealant
150 x 50mm stud
50x200mm timber stud
Seal the gaps
400
400
478
25mm Perimeter Insulation Kingspan Kooltherm K108 (0.018 W/wK)
60mm Kooltherm K112 50x160mm timber stud at 400mm as Structural Engineer drawings Damp proof membrane
106
Breathable Membrane wrapped into the opening
EuroBrick P-clad cladding system 0.5mm Kingspan Nilvent.17 Breathable Membrane
12.5mm Gyproc Soundbloc on dabs 1000 Gauge 0.25mm Polythene Vapour Control Layer 60mm Kooltherm K112
60mm Kooltherm K112
12mm Cement Bonded Particle Board (Fire Rated)
150 x 75mm Timber Stud (Refer to Structural Enginner Specifications) 150 x 50mm Stud 12.5mm Gyproc Soundbloc on dabs 12mm Cement Bonded Particle Board (Fire Rated) 60mm Kooltherm K112
50
VENTED AIR SPACE 38mm
60mm Kooltherm K112 Metal plate with dripping wrapping the structure
Cavity Barrier 200x90x30 PFC as Structural Engineer Drawings
200x90x30 PFC as Structural Engineer Drawings
Metal plates as Structural Engineer Drawings
Aluminium soffit to be fixed in U profiles
EuroBrick P-clad cladding system Weep holes @ 1200mm centres DPC Cavity tray - Breathable Membrane overlaps 150mm min. Trim support and closer. Dimension to be confirmed on site.
Timber stud to follow the dimension in between GF wall cement board and 1st floor wall plywood 50 x 106mm|Stud to fix on the beam Interior Design | Product Architecture Planning | Project Trim support 150mm lenth toManagement each
side of the window
CONSTRUCTION
[FROM LEFT TO RIGHT, UP TO DOWN] Window detail • Angle window detail.
EMPRESS AVENUE. _Architectural Assistant, Part II - EASTWEST Architecture. _LOCATION| Aldersbrook Conservation Area. _USE OF THE BUILDING| Residential. _DESIGN PERIOD| April 2017.
_SURFACE| 568 sqm. _CLIENTS| Private. _ROLE| Work Stage 0-3. Briefing, concept design, design and project developmen and planning application.
The proposal consist in a rear extension, interior refurbishment and loft conversion of an Edwardian House located in Aldersbrook Area, East London.The owners seek to improve the functionality of the house to meet the current needs of their growing family.
EASTWES
6-16 A Hagge Londo projects@eastw www.eastwesta 020 7148 0668
The rear extension pitched and flat roof design sympathises with the existing gable ended roof. This playful roof is related with the facade ins and outs and internal space use. The big glazing openings follow the roof shape and introduce plenty of un light to the interior spaces. Additionally, the introduction of green roof gives a natural character that strengh the relation with the generous garden of the property.
AC
30/0
1:10
Client:
A
Project:
Title:
No.
3105
1910
LOFT
GARDEN 336.70m²
-135 mm
3600
BBQ AREA
+6397 mm
32 31 30
BATHROOM
29 28 27 26
STEP -200
DECKING AREA 230m²
25
+3438 mm
24 23
STEP -200
22
+265 mm
21 20 19
2500
18
Bi Fold Door
17
ENTRANCE HALL
16
DINNING ROOM
15
650
LOW SHELF
14 13 12 11 10
1000
+0.0 mm -135 mm
CEILING HANG CHIMNEY
1800
45
0
LOUNGE 8.00m²
ROOFLIGHT ABOVE 1500x9000
FLOOR TO CEILING SHELF. FISH TANK.
PROPOSED SECTION A LOW SHELF
FRIDGE FREEZER
2750
3200
CONCRETE FLOOR
1100
14.70m²
NEW CORTEN STEEL DOORS
1950
1950
HOB AND DOWN DRAFT EXTRACTOR
1995
KITCHEN
BASEMENT
RWP
CHANGE IN THE CEILING HEIGHT
ROOFLIGHT ABOVE 2000x800
09
+275 mm
DINNING ROOM 11.70m²
Door height=2540
HANGING SPACE
+275 mm
915
400
400
WOODEN FLOOR SHOWER 750x750
WASHING MACHINE
+275 mm
UTILITY ROOM
SHOWER ROOM
Architecture Planning
REMOVED CHIMNEY
1700
New glass and black frame door
2.60m²
PL
GARAGE
08
CUPBOARD 300
07
CH=1900 14.75m²
CUPBOARD
LEVEL TBC
06
14
NEW DOOR
15
+275 mm
STEP
STEP
existing door height=1960
05
THI C
+6397 mm
12
CH=2913 25.50m²
CABINET
11
h:+200
CUPBOARD
CABINET
cabinets height until cornise
10
925
09
1800
925
doors to be aligned
NEW DOOR
door height=2010
Chimney h=1000
13
LIVING ROOM
HALL
CH=2953 9.35m²
+275 mm
EXISTING TILES FLOOR
+3438 mm
RECEPTION CH=2933 17.60m²
DOORS TO THE GARAGE
door height=2135+400 h:-70 h:+130
+215mm
SPTEP +115
STEP +100
+275 mm +0.0 mm -135 mm
STEP -200 STEP -200
0.00mm
[FROM LEFT TO RIGHT, UP TO DOWN] Ground Floor Plan • Section • Rear elevation. A
CENTRAL NIDA. COWORKING SPACE. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Madrid, Spain. _USE OF THE BUILDING| Coworking space. _DESIGN PERIOD| April 2016.
_SURFACE| 800 sqm. _CLIENTS| UTOPIC_us. _MATERIALS| wooden blind, scaffolding, bicycle wheels, ladders. _ROLE| Design team member, 3d modeling, rendering.
Central Nida coworking is a space which aims to create a welcoming space for co-workers and visitors. As always, the office have done a deep research in the different ways to create areas that encourage co-workers able to be more focus and make their dayly routine more confortable through spaces. The concept of the project is to create a big loom made by wooden blinds which are shaped by five big trusses made of used scaffolding. Theses trusses take over the space creating the program. All wooden blinds are spray pinted with dirrerent patterns which remember us fabrics motives. Like a blind this wooden blinds can be rolled and unrolled creating intimacy and colective spaces, giving all the opcions to the users. In the main yard people can work in the big colective tables. This|way of work enhances learning from each others. As an important part of the program in the fist floor corridor we find the meeting rooms. And in the samllest yard we locate an projection area. Finally, about co-workers seats, we are developing a therapeutic seats, made by used cinema seats and tenis balls sawed in a net. These seats make people feel more confortable.
[FROM LEFT TO RIGHT, UP TO DOWN] Second floor coworking interior view • Main space view • Projection area view • Nap space view.
[FROM LEFT TO RIGHT, UP TO DOWN] Coworking main space longitudinal section • Main space view • Main entrance and nap space view.
COWORKING SPACE. CONDE DE CASAL. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Conde de Casal, Madrid, Spain. _USE OF THE BUILDING| Coworking space. _DESIGN PERIOD| May 2016.
_SURFACE| 850 sqm. _CLIENTS| UTOPIC_us. _MAIN MATERIALS| IKEA FURNITUTRE, hammoks, pilates balls, ladders. _ROLE| Design team member, 3d modeling, rendering.
Behind our design, there is always a lot of research, testing and advice. This time we have talk to different experts and coachers to understand how we can take better care of body and mind while we are working.Breaking routine and introducing breaks during the working time help keeping you focus, retain information and make unpredictable connections and evaluate the goals. We have included in this creative space a lounge, sports, swing, hammocks and many other things. But we have also try to stimulate this routine breaking in the working spots. Post will be combining three ways of sitting: an ergonomic chair, a Pilates ball and a swing. The combination of postures and different muscular efforts will allow your body to feel different. Coworkers can then be strategic on how they associate each routine with the tal ball or the swing creating good working habits and the great feeling of taking care of themselves. Additionally mosquitos nets and Japanese cloth boards will allow coworkers to deal with intimacy.
[FROM LEFT TO RIGHT, UP TO DOWN] Picnic area view • Working desks axonometric view • Central space. Volleyball and nap net view.
[FROM LEFT TO RIGHT, UP TO DOWN] Central Space photo • Reception photo • Working area view • Reception axonometric view.
FACTORY REFURBISHMENT COMPETITION. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Palencia, Spain. _USE OF THE BUILDING| Amphitheater, parking, playground, exhibition area, orchard area and food court.
_DESIGN PERIOD| June 2016. _SURFACE| 10,000 sqm. _COMPETITION PRIZE| Honourable mention. _ROLE| Design team member, 3d modeling, rendering.
The competition consists in refurbishment of an old industrial space. The office proposes to rehabilitate all the space using reused materials. We were able to design and approach mathematically a structure composed of reused car rims, extensible vertical scaffold supports, car wheel protectors, truck canvas and timber. We worked a lot also in the integration of the solar panels in the South West facade so that not only the orientation was optimized but they become a natural part of the former industrial building. The program of the old tile factory building will be an exhibition area which connect with the new existing building roof top which will be turned into a small amphitheatre. In order to complete the recreation program, the offices proposes an orchard space, close to the elderly centre. The Orchard will be cared by elders who reside in this centre. In addition, the whole set also have a playground, built with reused wooden trusses turned into slides and swings among others. One of the main spaces is the terraces theatre made by used tires and coloured buoys. This big space has an occupancy of 300 people which also works as a shade element for the parking and graffiti area.
[FROM LEFT TO RIGHT, UP TO DOWN] Roof top plan • Roof top extention • Old building interior rexhibition area • Playground view.
[FROM LEFT TO RIGHT, UP TO DOWN] Constructive details • Old factory building refurbished axonometric view • Old factory building refurbished section.
REFURBISHMENT OF BANCO DE ESPAÑA FACADE COMPETITION. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Madrid, Spain. _USE OF THE BUILDING| Administrative. _DESIGN PERIOD| June 2016.
_COMPETITION. _PROPOSAL FOR| Banco de Espana Interior yard building facade refurbishment. _ROLE| Design team member, 3d modeling, rendering.
Our proposal, besides energetically rehabilitate the building, try to reuse asmany materials as posible from the facade and communication elements previous building demolition. The existing facade do not reach energetic efficiency actual standards, but, because their material and constructive nature they are durable, they can perform other functions in the new building. Existing windows, the metalic structure and marble pieces are going to be used to form shutters and awnings. We have developed four types of Windows, which can incorporate balconies, in order to respond, to different situations, like orientation, height and interior uses that affects rthe tower facade. All typologies are composed by the same materials in order to unify the whole facade. An essential aspect of the selection of facade materials and the configuration of different windows types aims to blur the cold, uncomfortable and not very human aspect of the existing facade.
[FROM LEFT TO RIGHT, UP TO DOWN] Roof top view • East view• Existing building solar study .
[FROM LEFT TO RIGHT, UP TO DOWN] East facade section, elevation and plan • C Type window constructive details • East facade view• Windows typologies.
ARCOmadrid VIP ROOM 2016. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Ifema, Madrid, Spain. _USE OF THE BUILDING| Temporary installation. Rest and food area. _DESIGN PERIOD| February 2016.
_SURFACE| 1,200 sqm. _PRIZE| Winner of VIP ARCOmadrid 2016 Competition. _ROLE| Design team member, fabricaton management, protyping, technical drawings.
Among the multitude of beautiful objects that interior design has provided to the history of Architecture, the folding screen is highlighted as formal and spatial inspiration for our proposal. The VIP room is structured around a series of folding screens that become the leitmotif of the space. The they are organized inside the room offers a homely and welcoming character to the space. Our foldings screen do not tell tell the stories of heroic journeys and scenes in leafy gardens, but the lifes of contemporary families and their cities. Our space has been witnessed of hundreds of moments: optimistic young couples who used these ladders to install their first homes and hundreds of families who saw their children grow through their windows. The VIP room not only recreate domestic memories of many houses, but it allow us to invite the visitors to a journey: a tribute to worldwide known streets where people still negociate, converses, rest, and enjoy long business or pleasure lunches and also lends hospitality to visitors.
[FROM LEFT TO RIGHT, UP TO DOWN] Lounge area photo • Wooden boards folding-screen photo • Restaurant area photo • Chill out area photo.
[FROM LEFT TO RIGHT, UP TO DOWN] Chill out folding screen area view • Restaurant folding screens area view.
[FROM LEFT TO RIGHT, UP TO DOWN] Folding-screenwardrove view • VIP room plan • Food corner folding-screen view • Folding-screen proposal for Solan de Cabras S.L. • 1/10 folding-screens types models • Folding screens models.
[FROM LEFT TO RIGHT, UP TO DOWN] Chill out structure elevation details • Chill out folding screen axonometric view • Chill out structure upper structure constructive details • Chill out structure upper structure axonometric details • Restaurant folding screens types axonometric view • Restaurant upper structure photo • Foundations detailed photo.
STALL FOR G’VINE. ARCOmadrid 2016. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Ifema, Madrid, Spain. _USE OF THE BUILDING| Stall. _DESIGN PERIOD| February 2016.
_SURFACE| 31 sqm. _CLIENTS| G’Vine. _MAIN MATERIALS| Recycled balcony, wood and laminated metal. _ROLE| Design team member, fabricaton management, protyping.
G’vine stand for ARCOmadrid 2016 offers visitors the classic art challenge of many times: try to distinguish reality from fiction and the material and the physic from day dreams and desires. Visitors get into the stand persuaded, by distant appearances, by the interior of a cozy urban apartment. But when they are inside, it is difficult to distinguish if they are inside an apartment or watching others privacy from outside through a window. As for the balcony, they are not sure if it allows warm air flows from the inside to the city or is that what makes the curtains blow from the outside bringing fresh air from branches, filling in the interior with botanic essences. The same effect the bar creates, visitors can not ensure whether they are watching, a small greenhouse just behind the bar, or they inside the greenhouse
[FROM LEFT TO RIGHT, UP TO DOWN] G´Vine stall photograph • G´Vine stall elevations and plan • G´Vine stall photograph. (Photos by Miguel de Guzman).
[FROM LEFT TO RIGHT, UP TO DOWN] G´Vine stall elevations and plan • Lamps making process • Construction process photos • Balcony with swing photo.
THE WINDOW TO ARZAK UNIVERSE. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Hay Festival, Segovia, Madrid. _USE OF THE BUILDING| Stall. _DESIGN PERIOD| April 2016.
_COLABORATION WITH| Juan Mari and Elena Arzak. _MAIN MATERIALS| Recycled wood. _ROLE| D esign team member, 3d modeling, rendering, technical drawings.
It is a collaboration between the inspirators, Juan Mari Arzak and Elena, and the designers Izaskun Chinchilla Architects. The aim is that the designer turn into an object the inspirator tangible dream. Our object proposes a window for each of the two main characters in Arzak space: the chef and the commensal. The chef finds in window all needed. The window shutters hold spoons, strainers and sieves, among others. Just under the countertop the chef finds pans, fountains and food canned... as in the old kitchens. The instruments do not occupy space on the table, they move with the chef through robot arms. Commensal, meanwhile, has its own window. In the shutters chefs have left their instruments that users can explore freely. Some video players let users view food elemnets and their nutritional properties. The countertop can turn into a table and that invites commensal to test the food and in this case, the playful robot arms provide napkins and pepper to the commensals.
[FROM LEFT TO RIGHT, UP TO DOWN] Opened device photo • Closed device photo.
[FROM LEFT TO RIGHT, UP TO DOWN] Double kitchen window device elevations • Axonometric view • Detailed photo.
ORGANIC GROWTH PAVILION. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Governors Island. New York, U.S.A. _USE OF THE BUILDING| Pavilion for outdoors activities. _DESIGN PERIOD| Octover-November 2014.
_SURFACE| 93 sqm. _CLIENTS| FIGMENT - ENYA - SEAoNY. _PRIZE| Winner of the 2015 City of Dreams Pavilion Competition. _ROLE| Design team member, 3d modeling, prototyping, technical.
Our pavilion states the ‘city of dreams’. We have carefully studied natural structures that can grow up and down to adapt context and time circumstances. Mophead flowers are large round flower heads resembling domes. The number of mophead flowers that can be found in a plant depends on the age, orientation, humidity, light or quality of the soil among others. The plant grows keeping a good balance with the environment. Shouldn’t the ‘city of dreams’ do the same? Architecture has to learn to adapt to uncertain budgets, social changing requirements and ecological dynamics. The philosophy of an organic growth: keeping ideas flexible so that can be adapted to real necessities, becomes crucial. Learning from nature helps taking care of human wellbeing naturally, beautifully and intuitively. CRADLE TO CRADLE LOGIC. We have only considered materials with an environmentally friendly production. All the pieces included in this design can be already used before assemble. Broken umbrellas, old stools or crashed bicycle wheels are all useful. We think reusing isolated elements is much more viable than reusing the pavilion as a whole and that’s also why our design is formed by self supported smaller units.
[FROM LEFT TO RIGHT, UP TO DOWN] Pavilion photograph • Pavilion interior photograph • Pavilion photograph. (Photos by Miguel de Guzman).
[FROM LEFT TO RIGHT, UP TO DOWN] Tripods structure reinforced bars detail • Elevation and plan pavilion • Foundations axonometric detail • Foundation section constructive detail.
[FROM LEFT TO RIGHT, UP TO DOWN] Instrucion book made at Antonio Abellan Workshop for the volunteers.
[FROM LEFT TO RIGHT, UP TO DOWN] Persolased laser-cut leaves rewards for pur donors • Funding campaign poster • Opening poster • Kick starter campaign graphics.
CYCLE TO SCHOOL - UCL PUBLIC ENGAGEMENT FELLOWSHIP. _AUTHOR| Izaksun Chinchilla Public Engagement Fellow. _LOCATION| Sommers Town, London. _USE OF THE BUILDING| Cycling Routes . _DESGIN PERIOD| 2014-2015.
_COLABORATION WITH| UCL Public Encagement Unit, The Bartlett School of Architecture, Camden Council, Space Syntax Laboratory. _DESIGN ELEMENTS| Cycling routes, way-finding signals and gateways. _ROLE| Research Assistant.
The role that children play in the urban space has been concerning the office during the last cople of years. The research aims to empower the urban and domestic legacy of the 2000-2010 generation. We are a team developing a combined activity as designers, researchers, space syntax team and public engagement fellows. We develop together these fields because we think that’s the best way to improve the city, create social opportunities and to increase the quality of our designs. As part of Izaskun Chinchilla Public Engagement fellowship, in colaboration with The Bartlett School of Architecture, UCL Public Engament Unit and Camden council we have been working in a project to ecourage children to go cycling to school. Key aims of this Cycle to School Partnership are to encourage the community to discover their borough´s unique and often unrecognised heritage features and to discover the spatial and multicultural richness of their borough. We propose a number of routes that will feature a series of WAY-FINDING SIGNALS and GATEWAYS that will allow children to navigate the city with more independence.
[FROM LEFT TO RIGHT, UP TO DOWN] Workshop at Cumberland Market Square. August 2015. 1/10 scale models map activiy. • Workshop at Cumberland Market Square. August 2015 • Pilot Workshop at Plot 10 Community Centre. November 2014.
_WAY-FINDING SIGNALS As an important part of the cycling and walking routes, we designed way-finding signals. They act as three-dimensional signals to orientate children and parents whilst walking or cycling within the city. The signals are designed through a participatory process and reinforce official definitions of heritage. These elements is designed to spread research insights, allowing people to become familiar with different definitions of what is a landmark and what is a resilient city.
[FROM LEFT TO RIGHT, UP TO DOWN] 1/1 Way-Finding Signal prototype • Way-finding signals first proposals visualisation • Routes Gates fist proposal visualisation • Routes Gates final design • Way-finding signals traffic cone proposal..
_CYCLE-BUS GATEWAYS The Gateways are movable structure designed to be located at the start and end of each route. They are designed as a bench for waiting and can be trasformed into table for childrens´ workshops. Their canopy formed of kite-surfing kites works as a shelter where the children can wait until the monitor arrives. The Gateway will also feature maps and models that will help the parents and children to plan their trip.
[FROM LEFT TO RIGHT, UP TO DOWN] Taking the gates from the Bartlett to the workshops place • Gateways prototype details photographs Gateways prototypes at Brill Place, Somers Town • Gateways prototypes at Cumberland Market workshops • Diagram showing tge evolution of design after workshops.
[FROM LEFT TO RIGHT, UP TO DOWN] Cycling routes and way-finding signals and gates location • 1/10 St. Pancras Station scale model • 1/10 Euston Station scale model • 1/10 Amphill Towers scale model.
SMALL OUT-DOORS INSTALLATIONS. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Ibiza/London. _USE OF THE BUILDING| Pavilion for outdoors activities. _DESGIN PERIOD| January 2015.
_SURFACE| 10-80 sqm. _PROPOSAL FOR| ARCH_TRIUMPH pavilion 2016 and private clients. _MAIN MATERIALS| Ladders, plastic terapeutic balls, nets, and slides. _ROLE| Design team member, 3d modeling, rendering.
We propose several outdoor installations inspired in natural shapes. Our playful pieces aim to make both, adults and children be aware about the energy aspects. Because energy is not visible, it is difficult to understand we can save or waste it. . That’s why our design addresses one of the first findings that help us understand what energy is: leaves transform solar light into sap. This connection with childhood, help us in a re-education process that do not intend learning the hard way. While energy is starting to be associated for many with cost, restrictions and even guilty, we want visitors to rediscover energy as a source of beauty, life and comfort. This vision of energy is still possible when we take it from the cleanest and most renewable source: the sun. To contribute to energy awareness we have thought about some other invisible phenomenon everybody is aware of: Wi-Fi signal. Many of us keep checking in around wherever you are whether there is Wi-Fi connection. Additionaly, balls networks on which the body rests produce the therapeutic effects of a massage, offering an integral experience of wellness. They are prefabicated structures, easy to assembly and easy to be transportated, designed for outdoor environments .
[FROM LEFT TO RIGHT, UP TO DOWN] Device installed in a forest view • Device installed in an urban terrace • Isometric device view.
[FROM LEFT TO RIGHT, UP TO DOWN] Proposal for ARCH_TRIUMPH pavilion 2016 view • Outdoors terapeutic device made with bouncing balls • Outdoors terapeutic device made with tenisballs • Outdoors terapeutic high device view • Bouncing balls joint details • Outdoors terapeutic device made with tenis balls view • Outdoors terapeutic high device view .
BALLYFERMOT PLAYPARK COMPETITION. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Dublin, Ireland. _USE OF THE BUILDING| Play and skate park. _DESIGN PERIOD| October 2015.
_SURFACE| 2,500 sqm. _PROPOSAL FOR| The playpark Ballyfermot competition. _ MAIN MATERIALS|Bricks, Recycled materials and playgorund elements. _ROLE| Design team member, 3d modeling, rendering.
Our design will be defined through the work of 4 focus groups. This methodology allows controversial aspect to be integrated in the design. Our park design includes a set brick constructions that resemble, both Dublin and Ballyferont landmarks. To select these landmarks we will form a working group of citizens called WE LOVE OUR AREA. We hope this list will contribute to extend both official and personal definition of heritage including multicultural background. A second working group that we will call WE VALUE CHILDHOOD. We will invite children, young adults and other members of the community to redesign the original landmarks and to reproduce them in a way in which they become playful scale down constructions. The third working group will be called WE WELCOME EVERYONE. We will work with sports and playground industry partners that will teach us the security reason behind average design and help us go beyond it. Inside the brick construction users we will find all sorts of amenities. To build them out of recycle materials we will create the group WE WANT TO PARTICIPATE. We will learn with them new possibilities for recycled material and be able to record the collective intelligence that is behind many self built elements.
[FROM LEFT TO RIGHT, UP TO DOWN] Playpark Hejduck perspective. • Working process diagram • Skatepark view • Playground view.
REFURBISHMENT OF COSMOCAIXA SCIENCE MUSEUM COMPETITION. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Barcelona, Spain. _USE OF THE BUILDING| Museum. _DESIGN PERIOD| May 2015.
_SURFACE| 6,300 sqm. _PROPORAL FOR| Refurbishment of Cosmocaixa Science Museum Competition. _ROLE| Design team member, 3d modeling, rendering.
INCORPORATION OF NEW SPACES: MOVING TOWARDS THE PARADIGM OF PARTICIPARORY SCIENCE. Our proposal specially emphasizes the social values of science: the transmission of knowledge is made through people who share their knowledge, reflect together to learn through sharing. This social science perspective leads us to propose some new spaces and exhibition devices. The participatory forums are small amphitheaters with large mobile working tables for demostrations including projection screens. The contents of the exhibition modules are related to each other and are contextualized in this spaces, immersive areas, in which the visitors can enter and feel part of a space-landscape. The experience is multi-sensory and encourages physical action: the visitor discovers through moving, jumping or digging. We propose an easy to follow ittineray that makes significant the order of the visit. Each of the 3 main exhibition areas: Inert Materia, Live Material and Biomedicine are organized around 3 centers with radial structure resembling the shape of 3 natural objects: a tree, a cloud and a net. The shape are natural elements and figures used to explain knowledge structures.
FROM LEFT TO RIGHT, UP TO DOWN] Installation exhibitors view. • View of theThinkering area • View of the CosmoLab area• View of the CosmoLab area.
THE PEACEFUL VALLEY COMPETITION. Daegu, South Korea. _USE OF THE BUILDING| Gymnasium. _TIME PERIOD| August 2014.
_SURFACE| 4,517 sqm. _PROPROSAL FOR| Dalseong Citizen’s Gymnasium Competition. _PRIZE| Honourable mention. _ROLE| Design team member, 3d modeling, rendering.
PRIORITISING PUBLIC SPACE- Creating a social hub is the main objective of this design. Open outdoor spaces have been proved to be more important than buildings to make people gather. For this reason, we place special emphasis in creating outdoor squares, paths and courts. The importance of public space is emphasised by the presence of a main square with water games in the centre of the block. It has a recognizable shape, a strong character, a clear and attractive program and great connectivity with public transport, bike paths and existing streets. The square is also connected with Dalseong Sport Complex Park acting as an outdoor lobby for both facilities. The importance of this network is not only related to the building scale but to a wider urban scale. REASSEMBLING LOCAL LANDSCAPE- Most of the images and old etchings describing Dalseong feature a valley, surrounded by mountains and inhabited by small houses that reflect a good balance between natural and human activity. An intervention like this is not only the opportunity to create a building, but also the opportunity to regenerate part of richness of lost landscapes. In the logic of Wendel Berry’s essay ‘Solving for Pattern’, we have to think our site is not an isolated fragment but a key piece of a tessellated environment.
[FROM LEFT TO RIGHT, UP TO DOWN] Gymnasium view • Rooftop view •.Glass and textile pyramid axonometric detailed •.Glass and textile pyramid axonometric detailed • Interior view.
[FROM LEFT TO RIGHT, UP TO DOWN] Construction axonometric view • Plan • Ceramic and glass pyramid • Ceramic pyramid .
[FROM LEFT TO RIGHT, UP TO DOWN] Facade section • East-west section • North-South section • North elevation • West elevation • Wood and glass pyramid • Wooden bars pyramid.
PROPOSAL FOR YOGA CENTRE. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Ibiza Hotel, Spain. _USE OF THE BUILDING| Yoga centre. _TIME PERIOD| April 2014.
_SURFACE| 150 sqm. _ROLE| design team member, 3d modeling, rendering.
The hotel is located in the countyside of Ibiza, far away from the touristic zone. This hotel host wellness activities for people who wants days of relax. The proposal aims to rehabilitate some of the areas to make them able to open the whole year, not just during summer season. The land counts with an old rinding shool which will be turned into a yoga centre. Through a deep research among spaces related with yoga, we have designed a space base on mandalas shape. This shape represent the cosmos symbolically, in this way our building creates a welcoming and confort spaces por the users. The therapy threaten in this building is call sound-therapy. The building facade is made by termo glass tubes which contains small bioethanol chimneys. Additionally in the centre of the structure there is a birds open cage which allows users to listen to birds singing. The last element is the sound of falling warter from the roof to the water fountain that enclosure the building. All this natural sounds: the crackling fire sound, the birds singing and the water falling produce the perfect enviroment for yoga exercise.
[FROM LEFT TO RIGHT, UP TO DOWN] Section and plan • Axonometric view.
REFURBISHMENT OF GARCIMUÑOZ CASTLE. _Izaskun Chinchilla Architects Architectural Assistant. _LOCATION| Cuenca, Spain. _USE OF THE BUILDING| Refurbishment including Public Media Library (Outdoor cinema, bookstore, cafeteria, Visual Library and Music Library).
_SURFACE| 2,078 sqm. _DESIGN PERIOD| 2002-2003- CONSTRUCTION PERIOD: 2010-2016. _PRIZE| Winner of Refurbishment of Garcimuñoz Castle Competition. _ROLE| Adjust construction details.
The objective of this project is the rehabilitation of the Castle of Garcimuñoz in the province of Cuenca and the introduction of new uses to ensure both, preservation and social utility. Different historical, social and cultural circumstances have made the Castle of Garcimuñoz a space formed by a multitude of incomplete fragments. The proposal works as an orthographic system: the new architectural pieces are so small and light as dots and commas of a text. Placement helps to understand the intricate historical legacy. Different strategies and materials allow groups to, perceptually, separate elements from different eras, contributing to the clarity of the historical dates. Almost all the elements included in the project can be carried by two people and all of them can be dismantled. This is a completely reversible project. From the point of view tectonics, the intervention was more like a furniture attached to the property than new construction. This allows not only a future incorporation of other uses, but also future upgrades of equipment, with significant presence of digital-use and transfer of obsolete items to other locations.
[FROM LEFT TO RIGHT, UP TO DOWN] Interior photograph • Stair photograph • Main space photograph • Satairs detail photograph. (Photos by Miguel de Guzman).
[FROM LEFT TO RIGHT, UP TO DOWN] Elevator Elevations • Axonometric details • Elevator and outdoors small cinema photograph • Rooftop plan.
[FROM LEFT TO RIGHT, UP TO DOWN] Longitudinal section • Solar chimneys and umbrellas photograph• Ruins level phoyograph.
[FROM LEFT TO RIGHT, UP TO DOWN] Tribute tower detailed section • Rooftop photograph • Rooftop photograph • Rooftop photograph.
GARBAGE PATCH STATE. IED MADRID. _3rd Interior design. Proyectos Disruptivos course. IED Madrid. _Professor Izaskun Chinchilla, Maria Cristina Finucci as GPS organization representative and Adriana Cabello and Jimena Merino as Professor Assistants.
_EXHIBITION LOCATION| IED, Palacio de Altamira. Madrid, Spain. _USE OF THE BUILDING| Exhibition. _TIME PERIOD| December 2013-February 2014. _ROLE| Profesor Assistant.
The Garbage Patch State - Madrid is a work within the overall project WASTELAND continuous process. This aims to mitigate the damage caused by the huge islands of plastic waste located in our oceans. These immense islands, which occupy million square kilometers and have a depth of about 30 meters, originate to coalesce tons of plastic waste carried by ocean currents to the center of the oceans. They are reduced to tiny pieces degraded by the action of water and sun until they become almost invisible to the human eye; it is estimated that this concentration of plastic fragments have average approximately 46,000 items each kilometer and a half. In the IED Madrid artistic intervention will take place in the Cabinet Exhibition Palace of Altamira, with the interpretation and description of the project process tha 3rd Interior Design IED Madrid students made under the tutorial of the architect Izaskun Chinchilla with Adriana Cabello and Jimena Merino assistance. Pedro Medina, director of the installation at IED Madrid, said: “It aims ultimately to an art that incorporates an active and social dimension, even assuming the model character of the artwork and its potential as a field of experimentation�.
[FROM LEFT TO RIGHT, UP TO DOWN] Garbage Patch State Exhibition photographs.
[FROM LEFT TO RIGHT, UP TO DOWN] Garbage Patch State Exhibition proposal for exhibition poster • Students making the spheres • Exhibition detailed photo • GPS Exhibition proposal poster • Exhibition detailed photo.
ARTISTS COMMUNITY. _Final project. San Pablo CEU University. Madrid. _LOCATION| Xixi Wetlands, Hagzhou, China. _USE OF THE BUILDING| Residential, working spaces and exhibitions areas.
_SURFACE| 20,000 sqm. _PRIZES| Winner of IBERFLORA FINAL PROJECT COMPETITION. Category C : Equipment for Landscape Architecture. _MAIN MATERIALS| Bamboo, Wood and glass and stainless steel.
This project streess a deep research in architecture in natural environments and its caducity. In ancient China philosophy, the artist, also known as wise, is the one capable of transmitting the nature changing state through art. Based on this idea, project proposes an architecture in complete harmony with nature. The architecture is developed as a construction system that varies depending on established laws regarding the environment. It results in a rich and complex architecture with a high level of adaptability. The main materials used are wood and bamboo. They are renewable, recyclable and biodegradable materials. Both the structural design and the construction are designed for the architecture to be reused, when the water level reach the plot, all cabin will be dismantled and donated to local communities with different necesities. The facilities of each cabin are independet and are designed to minimize consumption of both energy and water, they have photovoltaic panels and water collector incorporated, being, in this way self-sufficient.
[FROM LEFT TO RIGHT, UP TO DOWN] Residential plot view.
[FROM LEFT TO RIGHT, UP TO DOWN] General plan • Residential cabin axonometric detail • Working cabin axonometric detail • Exhibition cabin axonometric detail.
[FROM LEFT TO RIGHT, UP TO DOWN] Residential cabins plot plan.
[FROM LEFT TO RIGHT, UP TO DOWN] Coworking cabins plot view. Autumn season (kaki tree blosoom).
[FROM LEFT TO RIGHT, UP TO DOWN] Longitudinal section.
[FROM LEFT TO RIGHT, UP TO DOWN] Axonometric constructive detais of the cabin • Transversal constructive sections.
[FROM LEFT TO RIGHT, UP TO DOWN] Coworking cabins stairs junction axonimetric and constructive details. Tulip plots tree structures axonometric and constructive details.
[FROM LEFT TO RIGHT, UP TO DOWN] Coworking cabins plot view. Autumn season (kaki tree blosoom).
[FROM LEFT TO RIGHT, UP TO DOWN] Structural and constructive bamboo details.
[FROM LEFT TO RIGHT, UP TO DOWN] First concept model • First exterior model • Final model photos.
[FROM LEFT TO RIGHT, UP TO DOWN] Coworking cabins plot and pier view. Spring seasom (Plum tree blosoom).
Adriana Cabello Plasencia a.cabelloplasencia@gmail.com +44(0)7341426700