Online Portfolio_Adrian Lo

Page 1

PORTFOLIO

ADRIAN LO



PROFESSIONAL WORK 2012-2008


Plot 1 Hongqiao Green Valley Office Park : Concept Design Office: SPARCH, Shanghai Director: John Curran Client: Vanke, Shanghai Team: Gabriel Briamonte, Andrius Edgargez, Adrian Lo Position: Architect

The concept of Hongqiao Green Valley creates a flow of positive energy between the water and the mountains (Feng Shui). The buildings mass cascades down from the height limit of 38M along Shen Wu Lu, down to +17.5M along the canal road, Shen Bin Lu. Three Head quarter office buildings are grouped and distributed along the Shen Bin Lu. Four Grade 1 office blocks are grouped and distributed along the east side of the site, Shen Wu Lu. Retail at ground level faces the interior courtyard spaces. The sunken courtyard creates an active shopping street, connecting both parts of the site together underneath Xi Hong Lu. To encourage connectivity between adjacent sites, a pedestrian tunnel link is proposed to connect the sunken courtyard with a potential future metro station to the south. The ‘Jewel in the Garden’ that prominently rises out of the water pond in the sunken courtyard level will be programmed with cultural events, small theatre and art gallery / exhibition hall. With its proximity adjacent to the canal waterway, Plot 1 becomes a suitable candidate for River Water Cooling. River water is used as a refrigerant to cool the buildings during the summer months, greatly reducing energy consumption. Project Tasks

In joining the team during the conceptual design phase I was put in charge of graphic design, diagrams and presentation organization. SPARCH: Hongqiao Green Valley Plot 1 South West Arial View


G4 G3 G2 G1

HQ 1 HQ 3

HQ 2

+33.90m OFFICE LEVEL 9

WATERFALL

VOID VOID

+25.70m OFFICE LEVEL 7

SKYLIGHT

+17.50m OFFICE LEVEL 5

XI HONG LU

BRIDGE LINK CONNECTION OVER XI HONG LU

+9.30m OFFICE LEVEL 3

SKYLIGHT

SHEN WU LU

SKYLIGHT

NAL

SHEN BIN LU

VOID

HQ 1 G4 G3 G2 G1

VOID VOID

HQ 2

ICEBERG ART & CULTURE VENUE

ICEBERG ART & CULTURE VENUE

HQ 3

SKYLIGHT

+/-0.00m GROUND FLOOR LEVEL

VOID

VOID

SKYLIGHT SKYLIGHT

-6.00m SUNKEN COURTYARD LEVEL

Site Plan

0m 10m 20m

50m

100m

Axonometric


1. Water Front Views Water Front Entertainment Central Green Axis

2. City Connection

3. Water Front Orientation

4. Hongqiao Green Valley


North-South Site Section

5m

10m

20m


Level 2

0m

10m

20m

50m

Level 3

0m

10m

20m

50m

Level 5

0m

10m

20m

50m

Level 7

0m

10m

50m

20m

Function: Culture/Entertainment Head Quater Building Conference/Exhibition Grade One Office Building Vertical Circulation Retail

East-West Site Section

5m

10m

20m



Vanke Plaza Fuzhou: Concept Design to Design Development Office: SPARCH, Shanghai Director: John Curran Client: Vanke, Fuzhou Estimated Completion Date: 2014 Team: Calvin Lim, Shu Fan, Alex Valle, Judit Cabaza, Adrian Lo Position: Architect

Vanke Plaza Fuzhou is strategically located on busy Bai Ma Road, mid way between West Lake Park and the Min River. The client briefing intended to create a dynamic residential and commercial space that would offer a “cultural experience” separating it apart from other city centers. The project consists of 8 high rise residential towers emerging from a neighborhood of retail streets (GFA 185,000sqm). Our objective was to create a dynamic retail street using a “Valley of Connections” connecting the retail space with bridges, City Stages (event spaces), and courtyards, as well as a connection to the adjacent Bai Ma River Park. The two main entrances on the North and South sides along Bai Ma lu lead visitors into a sheltered retail street which flows around a series of sunken courtyards allowing direct access to both the super market and cinema complex. As pedestrians move along Bai Ma Lu the façade treatment creates an interesting pattern and rhythm. Ground level is comprised of clear shop front glazing while the upper level is wrapped in a glass ‘scarf’. The ‘scarf’ opens up to clearly mark the multiple entrances to the site while also displaying large advertisement graphics. The project began construction in 2011 and is due to be completed in 2014. Project Tasks

As an integral member of the Fuzhou team I helped to develop designs for various parts of the project, including the “glass ribbon” facade which was primarily under my care, developed to DD stage. My tasks ranged from: designing, 3D modeling, CADing, CAD/ Plot organization, site visitations, graphics and presentation.

SPARCH: Vanke Plaza Fuzhou


Master Plan


GLASS WITH OPAQUE CERAMIC FRIT

CLEAR GLASS WITH TRANSLUCENT ADVERTISING FILM

TRANSPARENT CLEAR GLASS

RETAIL WINDOW UNIT DISPLAY

MIRRORED SURFACE FINISH 䬬䮒侦䶘

METAL CLADDING

GLASS WITH OPAQUE CERAMIC FRIT

Retail Area Study

GLASS WITH CERAMIC FRIT WITH METAL BACKPAN

FULL HEIGHT LIFESTYLE BANNER (ACCESED FROM OUTSIDE)

GLASS WITH OPAQUE CERAMIC FRIT

METAL CLADDING WITH EMBEDDED LIGHTING FIXTURES

GLASS WITH OPAQUE CERAMIC FRIT

Retail Area Study GLASS WITH LOW DENSITY CERAMIC FRIT

GLASS WITH OPAQUE CERAMIC FRIT

METAL CLADDING

RETAIL UNIT DISPLAY ZONE (ACCESIBLE FROM INTERIOR)

GLASS WITH OPAQUE CERAMIC FRIT

Retail Area Study







Gulou Science Park Nanjing Master Plan:

Primary Vehicular Road Secondary Vehicular Road

Concept Design

Tertiary Vehicular Road

Office: Aedas Architects, Shanghai Design Director: Andy Wen Client:Jiangsu Suning Real Estate Team: Kevin Wang, Kevin Yan, Wei Wei, Ming Leung, Haui Lang, Adrian Lo Position: Assistant Architect

Gulou Science park is one of many projects that I was a part of while I was at Aedas. The conceptual master plan of Gulou Science Park stems from multiple sources of reference. The main components to the scheme integrate the ideas of “pixel city� and the unique rock formation found in the region of Guilin. In the interest of creating a unique yet homogenous master plan the idea of the pixel was supported as a basic standard module that varied in size according programmatic function. In working with these parameters low storey residential buildings to super tall highrises were sculpted out to resemble natural formations. At the same time consideration of vehicular and pedestrian circulation were taken into account and resolved for efficiency and connectivity.

Building Heights

Vehicular Circulation

Vehicular Road Entry Building Entry

Project Tasks

During this project I was an integral part to the conceptual design phase. After holding an in-studio design workshop to sketch out ideas a concept was formed. To realize the concept I was put in charge of 3d modeling, graphic analysis, and presentation organization.

Pedestrian and Vehicular Entry

AEDAS, SHANGHAI: Gulou Science Park Master Plan

Pedestrian Circulation



SOHO RESIDENTIAL RETAIL CAR PARKING OFFICE



Nanjing Hunan Road Plot 4&5 Development: Concept Design Office: Aedas Architects, Shanghai Design Director: Andy Wen Client:Jiangsu Suning Real Estate Team: Larry Wen, Kevin Yu, Anthony Ruan, Jessica Cao, Adrian Lo Position: Assistant Architect

Using “one bold stroke” the concept of Nanjing Hunan Road Plot was derived to mimic the twisting and turning rise of the Chinese dragon. Situated in the heart of Nanjing, Hunan Road has become a main artery connecting major streets with retail, finance, catering, cultural entertainment and tourism. Being already in the epicenter of Nanjing it was important to provide a bold design, be sensitive to the exisiting conditions and not to over-congest vehicular traffic flow. The mixed-use development consists of commercial space in the podium with offices, hotels and residential units in the towers, providing the best views of the city. Strucurally, the main tower is composed of a central core with external mega-braced frame that are bound together with belt trusses and out riggers at every refuge floor. This unique structure is characterized as a “tube-in-tube”.

Dragon

Project Tasks

In this project I was an essential part of the conceptual design phase. To realize the concept I was put in charge of 3d modeling, graphic analysis, and presentation organization.

Twist



Level 1


Level 2

Level 4

Level 8


Museum of Contemporary Art in Wroclaw: Competition Office: Easton + Combs Architects Principles: Rona Easton + Lonn Combs Team:Aron White,Lukasz Szlachcic, Filip Tejahaman,Vicky Chan, Pete Van Hage and Adrian Lo Position: Junior Architect

The Museum of Contemporary Art in Wroclaw is bound by two strategies. The horizontal binding of program and vertical binding of public circulation. It is through these matricies where rich and creative spaces are fused. Connected by three large vertical atriums, program and circulation become one, creating a mixed public platform which extends beyond the museum walls and into the heart of the city people. Project Tasks

During this competiton I was in charge of 3D modeling, rendering, and graphic production as well as the execution of the SLA physical model at a 1:500 scale.

EASTON + COMBS: Museum of Comtemporay Art in Wroclaw


Site Plan

50m


Level 1

4m

8m

16m

Level 3

4m

8m

16m


North-South Section

5m

10m

20m

East-West Section

5m

10m

20m


Gyeonggi-do Jeongok Prehistory Museum:

Chamber: Enclosed Viewing Pod

Conceptual Design Phase - Pod and Light Chamber Study Office: Easton + Combs Architects Principles: Rona Easton + Lonn Combs Event: Young Architects Forum 2008 RESONANCE Team:Vicky Chan, Pete Van Hage and Adrian Lo Position: Junior Architect

In further developement of the Gyeonggo-do Jeongok Prehistory Museum, our primary focus was to continue the exploration of the of the musuem’s interior. The two major elements which we studied were the striated light wells and the internal viewing pods. Because of the dynamically torqued and oblique movements of these chambers it was critical to begin to think and test certain design details. Our experimentation involved studying the effects of the vertical louver striation in relation to th e amount of light that would enter into the museum space. Through a sequence of various louvers density, profiles and thinkness we were able to find the right combination that allowed enough light to enter the museum while retaining an enigmatic and seductive space.

Light Well Chamber: Striated Louvers

Project Tasks

In this project much of my time was devoted to experimenting with various combination of striation for the light chamber while also developing the viewing pod. In solidifying these tests a rigirous 3D model was built in Rhino to help understand their effects in space and their relationship to one another. Other tasks involved a production of an SLA physical model at 1:100 scale and renders.

EASTON + COMBS: Gyeonggi-do Jeongok Prehistory Museum


exhibition EL 5900

exhibition EL 5820

exhibition EL 5740

exhibition EL 5800

exhibition EL 5890

exhibition EL 5700

exhibition EL 5700

exhibition EL 5600

Admin EL 5700

EL 5600

Admin total 137m2

5700

exhibition exhibition EL 5660 CIRC EL 5700

5600

outside el 5500

ADMINISTRATION EL 5600 wc

CIRC EL 5600

wc

exhibition EL 5600

CIRC EL 5550

wc women 20

wc men 20

CIRC EL 5600

exhibition EL 5600

entrance open to below

LOBBY EL 5500

MAIN LOBBY exhibition EL 5500 LOBBY EL 5500

Educational 294 m2 EL 5500

exhibition EL 5400

Ground Level Plan

4m

8m

16m





ACADEMIC WORK 2008-2005


Prefab Housing: Ritual Flux Ritual flux reflects the synthetic nature of ideas, technology, and the reciprocal relationships between the body and the built environment. The anatomy of any domestic terrain requires an engrained flexibility to sustain a broad spectrum of generic processes shared by all humans, while maintaining certain cultural or regional specifics. The ritual is seen as a rhythmic performance which fluctuates between states of habit, conscious decisions and the “unexpected”. Through the cohesion of daily, monthly and yearly rituals, performances can begin to co-exist, creating hybridized zones of opportunity where architecture begins to fuse. When the rhythm of ones daily life abruptly alters due to the “unexpected”, changes become inflicted upon the domestic terrain to customize to the new performances that the architecture must address. Surface and pattern are seen simultaneously as informer and reactor, having the ability to create localized responses to specific stimuli, pertaining to material, environment, and culture. These dilations, inflammations, and inversions have the ability to adapt at the same time allowing certain programmatic invasions and slippages which embrace a sense of chance and programmatic ambiguity.

Identify : Correlate : Reconfigure


Capsule Morphology : Circulatory Transformation


Cohesiove compression of rituals

Infection of coincidence between daily and weekly rituals

Weekly: Worship Daily: Excretion

Dressing Relaxation Entertainment Cooking

Seasonal: Relaxation

Sleeping Hygenic Cleansing Eating Bathing

Eating Ceremony

daily weekly seasonal unexpected

Voluntary

Ritual Interconnectedness

Involuntary

Ritual Coupling

Cooking

Relaxation

Excretion

Dressing

Hygenic Cleansing

Worship Eating

Ceremony

Erotica

Sleeping

Excretion

Excretion

Eating

Excretion

Bathing

Relaxation Hygenic Cleansing Bathing

Bathing Sleeping

Cooking

Ceremony

Bathing

Worship

Bathing

Hygenic Cleansing Excretion

Eating

Dressing Ceremony

Eating

Excretion Bathing

Relaxation Bathing

Ceremony Entertainment

Entertainment

2’

Section B

Section A

2’

4’

4’

8’

8’

16’

16’



Manhattan, New York

36th

37th

38th

39th

40th

41st

42nd

43rd

44th

Media Scape New York Public Library

In the 21st century, the age of technological advances, there is no question that our ability to access knowledge has broadened with the use of computers and the internet. Today many people have the ability to enlighten one’s self, without leaving their homes, by searching on the world wide web. Although this phenomenon has been for the greater good it has potentially initiated a decrease in the usage of the public library. Media Scape faces the challenge to defer the idea that libraries are becoming obsolete and that historic institutes such as the NY Public Library on 42nd can remain as a predominant source of knowledge in an ever fast and constantly changing world. Media Scape is an elongated buildings system located under the New York Public Library. The system acts an urban tissue, allowing pedestrians a way of connecting from Fifth Avenue to Bryant Park. The building system is comprised of three components, the ceiling system, floor system and eco system. These systems are created to be design responsive, producing flexible and adaptive environments, capable of adjusting to shifting needs, interest and programmatic desires.

Vanderbilt

Solar Panals Sun Collectors Madison Ave.

Water Collection

5th Ave.

Active Ceiling System

Active Floor System

6th Ave.

Public Library Ramps

Media Scape Zone

Library Base

7th Ave.

Bryant Park

Broadway

Urban Connective Tissue

Site Plan

40’ 80’

160’

320’

640’


Spine Componet

Arm Component

Programmable Arm Sequence

Modular Extention 2

Flexible Actuator Attachment Point Programmable Seating Sequence

Connection Bolt

Modular Extention 1

Gravel

Grass Seating Unit with 19� lift Grass

Tip Extension Lighting

Ceiling System

Floor System



4 p.m.

Media Scape Axonometirc View

6 p.m.

8 p.m.


Media Scape Motion Sequence

00:01

00:02

00:03

00:16

00:17

00:18

00:04

00:05

00:0 6

00:19

00:20

00:21

00:07

00:08

00:09

00:22

00:23

00:24

00:10

00:11

00:12

00:25

00:26

00:27

00:13

00:14

00:15

00:28

00:29

00:26


Seating System

Ceiling System

Program: Discovery Cove

Ceiling System

Seating System

Special Event: Exhibition Gallery

Seating System

Ceiling System

Special Event: Fashion Show


Urban Housing in New York has seen tremendous growth in the last decade, but often many projects have been glued to formulas of economic efficiency. As a metropolitan area that houses sixteen million inhabitants in the total area of 469 sq mi, the need for a different formula has been needed for sometime. In attempts to reconstruct the underlining method of urban housing five manifestations were declared.

State Street

Atlantic Avenue

Brooklyn, New

Schermerhorn Street

S House

Rail Lining

Exterior Wall

1. Architecture is not lifeless; it is organic and therefore must breath. 2. Architecture in an urban context must be woven together with site in order to formulate a chemical bond between public and private.

Roof Deck Boerum Place

Window Frame

3. Architecture must have the ability to adapt and change; we must plan for the effects of today and of the future.

Level 8

4. Architecture should conflict and emotional response as one moves through a spatial realm

Structural Netting Level 7

5. Ornamentation is no longer a crime, it can enhance the rudimentary form of architecture, and therefore less is not always more.

Glazing

Smith Street

Level 6 Photovoltaic Manuverable Louvers Structural Core: Egress Circulation Elevator Shaft

Level 5 Level 4

Hoytt Street

Structural Truss

Exterior Circulating Stairs Level 3 Level 2 Park Place

Bond Street

Ground Level

Site Plan

40’

120’

280’

600’


A1

Smith Street

Smith Street

Smith Street

D

D

A1 State Street

2’

6’

16’

32’

32’

State Street 32’

Level Three

32’

Smith Street

Level Two

Smith Street State Street

Level Four

Section D

State Street

State Street 32’

Smith Street

Ground Level

State Street 32’

Level Five

32’

Level Six


Section A1

2’

6’

16’

32’




ADRIAN LO adrianjustinlo@gmail.com TEL: 646-204-0298



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