Landscape Architecture Portfolio 2016 by Adrian Scott

adrian scott

landscape architecture

portfolio 2011-2016

urriculum vitae

Design skills

Work Experience [2nd Feb. 2016] Running an InDesign workshop for 1st year landscape students The University of Sheffield.

Adobe Photoshop Adobe InDesign Adobe Illustrator

[July 2014 to August 2015] Year-out Landscape Architect U-Consultants International, Singapore.

Adobe After Effects

[2010-2011] Gardener Turriffâ&#x20AC;&#x2122;s Broomfield Nursery, Dundee.

ArcGIS

[July 2009] Private Landscape/building contractor Martin Daniels, Oldcotes.

Observational sketching

Google SketchupPro AutoCAD

Model making Drawing Photography

Languages

Education [September 2015 to present] Masters in Landscape Architecture The University of Sheffield.

Dutch (conversational, non-technical)

English (native)

[2011-2014] First Class, Bachelor of Arts with Honours in Landscape Architecture and Planning The University of Sheffield.

Other skills

[2008-2010] A-levels in Biology, Art and English Language High Storrs School, Sheffield. Full British Driving license

Adrian Scott

Awards

102 Cowlishaw Road, Sheffield, S11 8XH

Yorkshire Branch of the Landscape Institute Prize, [2014] for Design excellence, as demonstrated by the best performance in the major design project.

Landscape Architecture Portfolio 2016

+44 7507665108 adrianscott92@gmail.com

Gardening

DIY

Hobbies

Duke of Edinburgh GOLD award. Rock Climbing

Mountain Biking

Painting

Guitar

ontents

PAGE 01: NTUPI Campus. Nanjing, China....................................................................................................................................................................................................................................................................... 4 02: Flux: Masters Special Project............................................................................................................................................................................................................................................................................. 10 03: Urban Design. Granary Wharf, Leeds................................................................................................................................................................................................................................................................ 16 04: Confluence. 3rd year Final Project..................................................................................................................................................................................................................................................................... 18 05: Western Bank Library Steps.............................................................................................................................................................................................................................................................................. 22 06: Depth Perception. Crookes Valley Park, Sheffield............................................................................................................................................................................................................................................. 24 07: Reports............................................................................................................................................................................................................................................................................................................... 27

Approach My approach has become one that is drawn from an understanding of site and context and looks to the Genius Loci for inspiration. For me, understanding comes from an involved method of sketching, drawing and photography. This helps to build identities for new landscapes that are adaptable to each situation and are strongly rooted in a sense of place.

C Project name: NTUPI Location: Nanjing, China Design by: UCI Dates Employed at UCI: 2014-2015 Size: 50 hectares Project status: Under construction

Design work for the Nanjing Technological University Pujiang Institute began in June 2014. The site was redesigned to house a University campus with 30 new buildings and extensive landscape. Phase 1 of the University will open to students in September 2016. The concept ‘Nature, Culture and the Journey’, takes inspiration from the field layout of the site and from natural forms, and includes a more spiritual element in the form of a ‘Journey.’ ‘Culture’ establishes the structure and spatial dynamics of the site through use of a field-like pattern. ‘Nature’ gives vibrance, life and detail, and the ‘Journey’ weaves a path through it all; a metaphor for life and study. This complex and deep concept came from an understanding of the client’s mindset, and was recieved well.

oncepts

asterplan

mpression

Central Gardens

Dormitory Gardens

evelopment

Concepts were sketched first and then developed in 3D and photoshop.

SketchUp model of a water tower/ viewing tower with curved bamboo facade.

SketchUp model of an outdoor amphitheatre with rendering in VRAY.

North /\ 1:3000@ A3

The masterplan was redrawn several times as designs were updated and refined or new information was incorporated. 8

lanting

As a year out Landscape Architect, I was privileged to be given lots of responsiblilty in the design of the landscape. Over the course of the year, my tasks included: -concept design -masterplanning -design development -site levels -landscape element detailing -design of drainage elements including a lake -detailed planting design -presentation of ongoing work to the client team -helping the Architects with deadlines I worked closely with Architects and Landscape Architects in Singapore and China, to tight time restraints.

oncepts

Project name: Govan Graving Docks Location: Glasgow, Scotland Design by: Adrian Scott Dates of project: 2016 Project status: Masters special project Govan

Govan docks

Riv er C l

yde

FLUX became the title of the project, as it encapsulated the past, present and future of the docks. Flux describes the life and fate of the docks, once a hub of activity during the busy shipbuilding days; now they lie derelict and silent, and futures eyes look at the docks as they thrive once again. Flux is about a Landscape FOR change; a new public park that will serve the needs and interests of the local community in Govan, dealing with issues such as affordable housing, employment and skills training, as well as providing a new public park next to the River Clyde. It also seeks to be a Landscape OF change: with planting that contrasts with the hard dock structure and shows seasonal flux; with a tidal zone that emphasises the slow oscillation of the Clyde and brings new animal life to the docks; and with a material pallete that re-purposes the old into the new. This new riverside park will be the change that Govan needs and the City of Glasgow wants.

Glasgow

Govan Cross, the historic heart of the community. Govan has had periods of greatness but is still reeling from the loss of the shipbuilding industry. Govan is:

Masterplan

North

+2m

View point River Clyde

South

+4m

Tidal zone

+3m

-2m

+2m

10m

50m

100m

-1m Grassland +2m

+2m

Sec

-0.5m

tio

nal

+2m Tidal bridge

del

Pump house cafe

+0m (High tide)

Floating restaurants

Changing rooms and showers

+1.5m

+5m

Ind

oor

swi m

min

g po

ebr ae s tree t me

rcia l

are

Storage sheds

Clyd

Com

De tai l

Taxi dock

+3.5m

+1m

Lido

+1m

uni

+2m

+5m

River taxi

Kayaking Par k

ing

Bike park stre et

asterplan

Key

+7m Pinus sylvestris

Water aeration features

Populus tremula

Boatbuilding and repair works

Miscanthus sinensis ‘Morning Light’

Steps to dock from road level.

Grassland planting

Fire pits

+2m

Stag

Tidal marks on the dock gates at the Govan Graving Docks

“a place and community in a crushing spiral of decline; a poverty statistic; the butt of Rab C jokes; an undesirable stereotype; a resilient and spirited community; a historic place with unique and desirable assets; a place and people with potential to regenerate.” (Get Into Govan. 2016)

+1m

ial

-10m

its

Bike park

Boatbuilding and repair works

+1m

+7m Pump house cafe and information point. Dock access platform

Housing

Allotments

+2m

+1m

erc

Go van

+2m

roa

erc

ial

Seating pits

its

Glasgow tower +2m

Get into Govan (2011) Govan Cross. Get into Govan. [Online] Available at: http://www.getintogovan.com/about [Accessed 05/02/2016]

McGillivray, I. (2014) Govan Graving Docks Heritage Park: A conceptual proposal for the redevelopment of Govan Graving Docks in Glasgow as a shipbuilding and maritime heritage park. Glasgow: McGillivray, I

+7m Prince’s dock

mpression: Lido and Cafe

etail Area

+0m

The River Clyde Floating restaurants

+2m +2m

Detail plan 1:200 @ A0

+0m

Taxi dock

+3m

River taxi Fire pit Outdoor seating

+4m

+3m +2m

+5m The Pump house cafe

+4m Underground bar

+0m =MHWS

+3m

Information

+2m Ramp

+2m

Ramp

+1m

+1m +1m

+1m

Ramp

+1m

+2m Bollards Fire pit

Changing rooms and WC

-2.7m

Deck

-3m

Outdoor showers -0.24m

-1.47m

-2.7m

Dock gate

Lido

Hot tubs

Changing rooms and WC

-2.7m

Ship hull lamposts +2.5m Ramp

+2m +1m

+1m

Planting Planting design is inspired by the West and Northern Coasts of Scotland and seeks to evoke the wild character of the many calcareous grasslands found there. The planting will bring to attention, seasonal and daily changes in the weather.

Hand rendered plan, with some Photoshop.

Fire pit detail

Grassland seed mix

Isometric 1:40

Mixture to consist of 80% grasses to 20% forbs (by weight). Grasses to be sown at 5795 seeds m-2, forbs at 1133 seeds m-2. Sowing rate of grass–forb mixture to be: 30 kg ha-1 (= 3.0 g m-2).

Tree and ornamental grass specification Pinus sylvestris // 175/200cm / C70 / 12-15ft Miscanthus sin. ‘Morning Light’: // C10 / 24”-36” An understanding of existing patterns of use in the docks led to the concept of formalised fire pits which have become a key repeated form in the new landscape.

Soil specification To create calcareous grasslands, specific alkaline soils are needed. Pine trees however, prefer a more acidic soil. All topsoils to be managed in accordance with BS 3882:2015. GRASSLAND SOIL Depth: 200mm Type: Sandy loam with 60% sand, of which 50% is to be course sand. Soil is to be mixed with existing demolition rubble at different quantities until it achieves the required pH values. Demolition rubble should be graded to <30mm. Target pH: 7.8-8.5 TREE PLANTING SOIL Depth: 1000mm

7000mm

5000mm

etail

An understanding of existing patterns of use in the docks led to the concept of formalised FIRE PITS which have become a key repeated form in the new landscape.

Burning tires and drinking lager...

Hand rendered Isometric. Exposed aggregate concrete and Re-purposed Whinstone setts.

lanting Planting design is inspired by the West and Northern Coasts of Scotland and seeks to evoke the wild character of the many calcareous grasslands found there. The planting will bring to attention, seasonal and daily changes in the weather. Pinus sylvestris and Miscanthus sinensis have been used as main structural elements with the rest of the planted areas becoming seeded grassland. All plants here are hand-drawn.

Project name: Urban Design Location: Granary Wharf, Leeds Date: 2015 Design by: Adrian Scott and group Project status: Master Year Project

sometric

Using the principles of Socially Restorative Urbanism, [K.Thwaites, A. Mathers and I.Simkiss] Granary Wharf, Leeds, was redesigned in a group project. Socially Restorative Urbanism seeks to promote urban design that is â&#x20AC;&#x2DC;human-orientatedâ&#x20AC;&#x2122;, unlike many modern developments. The approach in Granary Wharf was about breaking down the dominance of the buildings and creating a more humanscale experience that would facilitate the social restoration of the Wharf. Interaction and practicality counteract exclusivity and separation.

M odelling

1:50 group model.

ublic Realm

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New development plan

25 year projection

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1:500

10 year projection

lanting Planting strategy

This planting area was chosen because of its centrality in the site and the opportunity to demonstrate the overarching theme. ‘Confluence’ is based on the meeting of Sheffields rivers on site, producing flowing forms and eddie-like spaces and a emphasis on water and its qualities. The site overall, is divided into two main halves. The top half of the park takes cues from Sheffields wider landscape, and takes on Sheffield’s ‘Upland’ to ‘lowland’ situThis planting areapoint was of chosen because of its centrality the site andThe thelower opportunity to demonstrate the o ation as a key spacial concept, linking the meeting the rivers to their peak district in catchments. arching ‘Confluence’ is based on the meeting of Sheffields rivers on site, producing flowing forms a half of the park has a naturalistic feel and theme. is allowed to flood completely if needed. eddie-like spaces and a emphasis on water and its qualities. The site overall, is divided into two main halve toptogether) half of the takesusing cueslarge from drifts Sheffields wider in landscape, and takes on Sheffield’s ‘Upland’ to ‘lowlan The theme of ‘Confluence’, (flowing is park explored of planting flowing forms. ‘Gradient as atogether key spacial linking pointcreate of thearivers to theirofpeak district catchments. The mixes’ are used, which blend two ation species in theconcept, middle of thier the driftmeeting shape, and confluence half of the parkchosen has a naturalistic feel and is wet allowed to and flooddry completely if needed. texture or colour. With varying conditions in the area such as dry and shade and wet sun, the

Planting strategy

planting is responsive and species selected accordingly. As this area borders a significant stopping place for park theme ‘Confluence’, (flowing together) is explored using large drifts ofone planting in flowing forms. ‘Gra visitors, it will provide year-round The interest andofdiversity of colour to ensure that this space remains a pleasant mixes’ are used, which blend two species together in the middle of thier drift shape, and create a confluenc to be at all times of the year. texture or colour. With varying conditions in the chosen area such as dry and wet shade and dry and wet su planting is responsive and species selected accordingly. As this area borders a significant stopping place fo visitors, it will provide year-round interest and diversity of colour to ensure that this space remains a pleasa to be at all times of the year.

Planting schedule Name

1:50 - Late summer visual.

Trees Betula utilis 'Jacquemontii'

Shrubs Berberis buxifolia 'Nana' Hebe buxifolia 'Champagne' Perovskia 'Blue Spire' Santolina chamaecyparissus

1:50 - Late summer visual. B

1:100

Ornamental Grasses Hakonechloa macra Miscanthus sinensis 'Gracillimus' Pennisetum villosum Groundcovers Galium odoratum Liriope muscari Vinca minor 'La Grave' Waldsteinia ternata

1:100

Herbaceous perennials. Achillea 'Walther Funcke' Agastache 'Blue Fortune' Allium sphaerocephalon Astrantia major subsp involucrata 'Shaggy' Echinacea purpurea 'White Swan' Eryngium giganteum Liatris spicata 'Kobold' Bulbs Galanthus elwessii Hyacinthoides 'Non-scripta' Swale planting Carex elata 'Aurea' Iris sibirica 'Perry's Blue' Matteuccia struthiopteris Primula japonica 'Millers crimson'

Size

Quantity

Supplier

Planting schedule 200/250 M'stem C70

Name

Unit Cost Coles

£63

Size

3L Trees 1.5L Betula utilis 'Jacquemontii' 2L 1.5L Shrubs Berberis buxifolia 'Nana' Hebe buxifolia 'Champagne' 2L Perovskia 'Blue 2L Spire' Santolina chamaecyparissus 9cm Ornamental Grasses Hakonechloa macra 2L Miscanthus sinensis 'Gracillimus' 2L Pennisetum1.5L villosum 2L Groundcovers Galium odoratum Liriope muscari 2L Vinca minor 'La Grave' 2L Waldsteinia ternata 2L

Herbaceous2Lperennials. Achillea 'Walther 1.5L Funcke' Agastache 'Blue 1L Fortune' Allium sphaerocephalon 2L Astrantia major subsp involucrata 'Shaggy' Echinacea purpurea 'White Swan' 5/6 Eryngium giganteum 6/8 Liatris spicata 'Kobold' Bulbs 2L Galanthus elwessii 2L Hyacinthoides 'Non-scripta' 1.5L 9cm Swale planting Carex elata 'Aurea' Iris sibirica 'Perry's Blue' Matteuccia struthiopteris Primula japonica 'Millers crimson'

Total cost £

252.00

Quantity

Supplier

Manor Farm Nursery Crocus 200/250 C70 ManorM'stem Farm Nursery Crocus

£2.60 £9.99 4 £2.75 £8.99

£ £ £ £

49.40 189.81 Coles 52.25 170.81

£63

346 3 101

3L 1.5L Crocus Manor2LFarm Nursery 1.5L Crocus

19 19 £9.99 19 £2.90 19 4.99

Manor Farm Nursery Crocus £ 3,456.54 Farm Nursery £ Manor8.70 Crocus £ 503.99

£2.60 £9.99 £2.75 £8.99

£ £ £ £

93 44 212 162

2L Crocus Manor2LFarm Nursery 9cm Crocus Manor Farm Nursery

346 £7.99 3 £2.60 101 £8.99 £2.40

Crocus £ 743.07 Farm Nursery £ Manor 114.40 Crocus £ 1,905.88 £ 388.80

£9.99 £2.90 4.99

£ £ £

160 102 102

2L Crocus 1.5L Manor Farm Nursery 2L Crocus

93 44 £8.99 212 £2.40 162 £5.99

Crocus Farm Nursery £ Manor 1,438.40 Crocus £ 244.80 Farm Nursery £ Manor 610.98

£7.99 £2.60 £8.99 £2.40

£ £ £ £

132 102 102 58

Crocus 2L Crocus 2L Manor Farm Nursery 2L Crocus

£9.99 160 £8.99 102 £1.95 102 £7.99

£ 1,318.68 Crocus £ 916.98 Manor Farm Nursery £ 198.90 Crocus £ 463.42

£8.99 £2.40 £5.99

£ £ £

£9.99 £8.99 £1.95 £7.99

£ £ £ £

30 for £9.00 30 for £9.98

£ £

£2.40 £2.40 £9.99 3 for £15.00

£ £ £ £

19 19 19 19

300 350 69 14 7 7

2L 1.5L Crocus 1L Crocus 2L Manor Farm Nursery Manor5/6 Farm Nursery 6/8 Crocus Crocus

132

30 for102 £9.00 30 for102 £9.98 58 £2.40 300 £2.40 350 £9.99

3 for £15.00

2L 2L 1.5L 9cm

69 14 7 7

Unit Cost

Crocus

Crocus £ 90.00 Farm Nursery £ Manor 116.00 Crocus £ £ £ £

165.60 Crocus 33.60 Crocus 69.93

Total

45.00

Manor Farm Nursery Manor Farm Nursery Crocus Crocus 13,547.94

Planting area

Mixes Mixes

Planting area

Shrub mix and Swale mix should be planted randomly with avoidance of any pattern Shrub Mix % of mix Berberis buxifolia 'Nana' 20 Hebe buxifolia 'Champagne' 20 Liatris spicata 'Kobold' 20 Perovskia 'Blue Spire' 20

No. of plants 19

Spacing (mm) 500

Conﬂuence mix Achillea 'Walther Funcke'

Shrub mix and Swale mix should be planted randomly with avoidAgastache 'Blue Fortune' ance19of any pattern500 Allium sphaerocephalon 19 Shrub 19 Mix

500 500 % of mix

Astrantia major subsp involucrata No. of plants 'Shaggy' Spacing (mm)

% of mix 12.5 12.5 12.5

No. of plants 44 44 44

12.5Conﬂuence mix 44

Spacing (mm) 400 400 400 400 % of mix

No. of plants

Spacing (mm)

Confluence: Sheffields Riverside park

onstruction detail The center of the site consists of a circular seating area with a central water feature. Here, Autocad and SketchUp were used to show the detail of the seating.

The retaining edge is composed of chunks of concrete from the demolition of the Castlemarket. These will be mortared together with 10mm of mortar and placed close together to prevent soil washing out from behind.

Rough overlapping chuncks of concrete form the retaining edge.

Plan

Axonometric

Plan

Axonometric

1: 20 Location plan @ 1:200

Plan

1: 50

Adrian Scott 110175577

3D study Detail 2

Adrian Scott 110175577

3D visualisation Detail 2

The rough concrete edge is topped with seating edges constructed with Larch planks bolted to Cor-ten steel supports.

Larch planks

Cor-ten steel supports

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The horizontal Cor-ten steel support should be a minimum of 100mm from the surface of the concrete retaining edge.

The top of the surface of the Larch planks will be a maximum height of 700mm and a minimum height of 400mm from the level of the setts.

The Cor-ten supports will be set into concrete trough foundation. A

10-20mm gravel in permeable membrane with 120mm diameter drainage pipe.

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(a) http://www.waxedfloors.co.uk/content_img/LarchWhite.jpg

Adrian Scott 110175577

Seating surface Detail 2

Chunks of concrete mortared together and laid on 200mm of C12/15 concrete. Max height of top chunk to be 700mm from finished level of setts. Minimum height of top chunk to be 400mm from finished level of setts.

Seating composed of planed and untreated larch planks bolted to 10mm thick Cor-ten steel supports. These supports are concreted into a precast concrete trough. Top of Larch to be 100mm above surface of concrete chunks.

Flamed, grey granite setts jointed with Class 2, 3:1 50mm C7.5p cementitous sand/cement mortar with bedding. Styren Butadiene Resin (SBR) strengthening resin and black chemical dye.

Adrian Scott 110175577

100mm Compacted Dot 1 sub-base

Grey granite edging pieces with haunching. 150mm thick C28/35 hollow concrete seating on 200mm of C12/15 concrete. Floating larch and Cor-ten seat surface to be 100mm above finished height of concrete structure.

onstruction drawings

Project name: Western Bank Library Steps Location: Sheffield Date: 2013 Design by: Adrian Scott Project status: 3rd Year Project Design of the library steps took inpiration from one of Sheffieldâ&#x20AC;&#x2122;s rivers, the Porter Brook. The particular way that eddies formed and leaves collected was translated into a masterplan. People are collected in eddy-like seating spaces, and movement down through the space is gradual and flowing.

H Project name: Art and Landscape Location: Crookes Valley Park, Sheffield Date: 2015 Design by: Adrian Scott Project status: Masters Project An entirely hand rendered project that sought to understand the relationship between art and landscape, and how the two influence each other. I found that, when approached as art, my preconceptions of what landscape should be were challenged. The project became more focused conceptually. This was refreshing, as it freed the design process from the constraints of norm.

and drawn Crookes Valley Park was originally part of a network of reservoirs in the Crookes valley and is the only remaining pond of that network. The Old great dam built in 1785 was turned into Crookes Valley Park in the 1900’s. For many years it was used for boating until it was deemed too dangerous and today is only used for fishing. A real sense of nostaligia eminates from the park.

Depth : a new: aexperience of Crookes Valley Park Valley P Depthperception perception new experience of Crookes The site

The site

The idea

Currently in Crookes Valley Park people have a predominantly twodimensional and removed experience of the pond: a flat surface, broken only by the occassional duck or fisherman’s throw. However the largest space in the park is the pond itself which is said to be up to 10mts deep in the center.

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g in t n la A reo by many different artworks, butpone The idea was influenced in k t ir o r particular stands out: James Tapscott’s ‘Photosynthesis’ conF ruo s sists of two lights under water and creates costraight C r la an almost a g alien feel H to the landscape. I started exploringuthe use of lights under water which led to the finished idea. Other Do artists such as Dan Flavin and Olafur Eliasson bolsteredwideas of mystery and Ne depth.

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Crookes Valley Park was originally part of a network of reservoirs in the Crookes valley and is the only remaining pond of that network. The Old great dam built in 1785 was turned into Crookes Valley Park in the 1900’s. For many years it was used for boating until it was deemed too dangerous and today is only used for fishing. A real sense of nostaligia eminates from the park.

The idea

The idea was influenced by many different artworks, but one in particular stands out: James Tapscott’s ‘Photosynthesis’ consists of two straight lights under water and creates an almost alien feel to the landscape. I started exploring the use of lights under water which led to the finished idea. Other artists such as Dan Flavin and Olafur Eliasson bolstered ideas24 of mystery and

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The final idea is about utilising depth as a key design medium. The Dam House Boating will be reinstated, enabling access- and together with a light display- a new experience of the pond. Planting will encircle the pond, increasing water cleanliness and habitats and pushing the focus out towards the depth in the center...

Depth perception : a new experience of Crookes Valley Park M

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Play park

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Bowling Greens

The idea

Swimming pool

The Dam House

Western Park

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1:750 @ A1 The final idea is about utilising depth as a key design medium. Boating will be reinstated, enabling access- and together with a light display- a new experience of the pond. Planting will encircle the pond, increasing water cleanliness and habitats and pushing the focus out towards the depth in the center...

Hand drawn plan with Photoshop trees 25

Adrian Scott. Student ID: 150134088 LSC 6004

ection

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Douglas firs will be planted along 3 sides of the pond to create a darker atmosphere for the light display, as well as framing the pond. The planting will also help in creating a new character to the park which fits with the concept. Two ten meter white acrylic tubes will be lit up and placed 9-10 meters below water level, giving a dim impression of two forms.

Lumishore LED yacht light. -240watt -23,000 lumens -24 volts standard input. 100degree beam angle. -Attached to an underwater electric motor set to swing 50 degrees plus/minus of thier set position. This will give the impression of searchlights under the surface of the pond. -This assembly will be welded to a steel pole and concreted into the pond bed. Three rings of searchlights will be placed at 1m depth, 4m and 7m, becoming dimmer with depth.

Pondside planting

Schematic lighting plan

Sagittaria filiformis

1m depth 4m depth 7m depth

Pond edge

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The boats

Schoenoplectus lacustris Schoenoplectus tabernaemontani

Hessian lined aquatic pots. Depth: 0.5m Length: 1m Width: 1m

5m 20m

20m

20m 5m

Management

Planting depth to be 0.5m for the Schoenoplectus and 0.75m for the Saggittaria.

The pondside planting was designed to enhance the concept by using just three species that would descend into the pond, emphasising a central focus and convenying depth. A huge increase in habitat for pond life will benefit wildlife as well as user interest.

10m depth

Traditionally planked 15.1ft (or 4.6m) rowing boats will be used, supplied by Oughtred boats.

To maximise the experience of the light displays, only one boat will be allowed onto the pond during show times. These will take place after sun down. The lights will respond to the position of the boat in the pond with lights nearest the edge going out when the boat moves toward the middle. This adds an element of insecurity, which is part of the reaction to depth. Participants will be asked to spend no more than 15 mins on the water. During the day the pond will be used for regular boating and fishing with multiple boats on the pond at any one time.

eports

HOWBROOK OPENCAST COAL MINE PROPOSAL

Land Contamination report

Croda site: Kilnhurst

The European Landscape Convention: A new approach for Gondor District Council.

LANDSCAPE AND VISUAL IMPACT ASSESSMENT

Adrian Scott 110175577 LSC 305: Land Contamination, Restoration and Revegetation Prepared by Adrian Scott on behalf of COBEX Ltd. 29.01.14. ID: 110175577

Adrian Scott : 110175577 1

LVIA

Land Contamination Report

European Landscape Convention

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