AMT Online Catalog 2016 by Advanced Media Trading

Advanced Media Trading LLC is one of the Middle East’s largest suppliers of broadcast, professional video and photography equipment. Headquartered and founded in Dubai, U.A.E in 2002, Advanced Media conducts business all over Middle East and North Africa and is engaged in every aspect of the broadcast, professional video and photography industry including sales, consultancy, installation, training, service and maintenance. Advanced Media’s showroom & offices are conveniently located at 4th floor, Al Khaleej Center, Al Mankhoul Road, Bur Dubai. The showroom provides a ‘hands-on’ experience with the opportunity to test a wide range of products and associates are always on hand to offer professional support and advice. Advanced Media deliver a ‘showroom’ shopping experience through their website, allowing customers to view and purchase a wide selection of products at their own convenience. Moreover, with a dedicated team of professional and certified staff, Advanced Media offers one of the best service centers in the Middle East for broadcast, professional video and photo equipment.

Professional Video

F65

Super 35mm 8K CMOS sensor SRMASTER camera Super 35mm CMOS sensor with 20 Mega pixels Robust upgrade path 20 Megapixel image sensor Anamorphic excellence 14 stops of latitude High sensitivity, low noise Natural color: S-Gamut Taking control Retaining maximum grayscale ACES color management Choice of recording mode 16-bit linear RAW SR File high definition Up to 120 frames per second Rotary shutter option Fast, high-capacity SRMemory® cards PL Lens mount The Sony 4K universe Sony cameras compared

PMW-F5

Super 35mm 4K CMOS sensor compact CineAlta camera records HD/2Kon SxS memory plus 16-bit RAW 2K/4K v Super-sampling: Spectacular HD, 2K or 4K 4K/2K RAW options Vast exposure latitude Retaining maximum grayscale Viewfinders as revolutionary as the camera Modularity and versatility Choice of recording formats High speed: 240 fps More than just a pretty interface The connections you need Long-life Olivine Battery Sony’s 4K universe Sony cameras compared Sony camera accessories Connectivity, flexibility and longer cables

PXW-FS7

XDCAM Super 35 Camera System (Comes in Body only or Kit version)

PMW-F55

Super 35mm 4K CMOS sensor compact CineAlta camera records HD/2K/4K on SxS memory plus 16-bit RAW 2K/4K output Shoot spectacular HD, 2K or 4K 4K on-board recording—and three other formats 4K/2K RAW options Electronic frame image scan Vast exposure latitude S-Gamut color system Retaining maximum grayscale Viewfinders as revolutionary as the camera Modularity and versatility High speed: 240 fps More than just a pretty interface Real-time 4K output and other vital connections Long-life Olivine Battery Sony’s 4K universe Sony cameras compared 4K live production via fiber adapter Sony camera accessories Connectivity, flexibility and longer cables

Super 35 Sized CMOS Sensor Sony E-Mount UHD Up to 60 FPS, HD Up to 180 FPS 4096 x 2160 Via External Recorder XAVC-I, XAVC-L, MPEG-2 XAVC-I Up to 600 Mb/s Dual XQD Memory Card Slots Dual HD/3G-SDI & HDMI Output Ergonomic Handgrip with Camera Controls

PXW-FS5K

Super 35 Camera System with Zoom Lens

PXW-FS5

XDCAM Super 35 Camera System Super 35-Sized CMOS Sensor Sony E-Mount UHD at 24/30 FPS, HD Up to 240 FPS XAVC Long, AVCHD Recording Codecs 2 x SD Media Card Slots HD/3G-SDI & HDMI Output Supports Wi-Fi and NFC

Professional Video

PXW-X500

Three 2/3-inch type PowerHAD FX Full HD CCD sensors XDCAM camcorder with multi-format recordings including XAVC Three 2/3” CCD Sensors Full HD 1920 x 1080 Up to 120 fps XAVC, MPEG SStP, MPEG HD422, MPEG HD420 2 x SxS & 2 x SD Media Card Slots 3G-SDI, HDMI Output, Composite Output Genlock In, Timecode In & Out & GPS Built-In 3.5” LCD Info Screen Slow & Quick Motion

PXW-X200

Three 1/2-type Exmor™ CMOS Full HD sensor XDCAM camcorder with 17x zoom lens and XAVC recordings Three 1/2” Exmor CMOS Sensors Resolutions up to 1080p at 60 fps 10-Bit 4:2:2 XAVC Intra/Long Codecs MPEG HD422, HD420, IMX, & DV Codecs 17x Zoom Lens 29.3-499mm (35mm Equivalent) Dual SxS Memory CARD Slots 3G-SDI Output Genlock In, TIME Code In/Out Wi-Fi Remote Control via Included MODULE

PMW-400K HSC-300RT

Three 2/3-inch Power HAD FX CCD sensors portable HD / SD camera for digital triax operation and large lens options

Three 2/3-inch type Exmor CMOS sensors with 16x zoom HD lens XDCAM camcorder recording Full HD 422 at 50 Mbps

Multi-format operation Sophisticated 2/3-inch CCDs High-quality 16-bit A/D conversion and DSP LSI Digital Extender function Auto Lens Aberration Compensation 2 (ALAC2) function Versatile camera interfaces Digital triax operation Large lens operation Simple and yet versatile system configuration Position-adjustable shoulder pad Two types of Focus Assist functions HD to SD down-converto HyperGamma

High sensitivity Full HD sensors Supports all SD / HD 420 or SD / HD 422 on several types of memory cards XAVC ready The PMW-400K is future-proofed to support XAVC 10-bit HD422 recordings, including XAVC Intra frame 10-bit HD422 100Mbps and XAVC Long GOP 10-bit HD422 (low bit rate). Noise reduction Hardware and software flash band correction Wide gain selection WiFi remote High resolution 960 x 540 colour viewfinder Interfaces include SD / HD-SDI and i.Link Digital triax and fibre optional control Supplied with 2/3-inch 16x zoom lens Low power consumption

HSC-100RT

PXW-X320

Multiformat Camera System The HSC-100R is HD studio and system camera system that is equipped with three 2/3” CCD imagers and offers low-latency digital Triax transmission at 1080 @ 59.94i/50i and 720 @ 59.94P/50P. 2/3” CCD imager 16-bit A/D conversion and DSP LSI 1.5G digital Triax operation Versatile system configuration with HSCU-300R Robust magnesium-alloy casting body Position-adjustable shoulder pad Focus assist functions HyperGamma

Three 1/2-inch type Exmor CMOS sensors XDCAM camcorder with 16x zoom HD lens recording Full HD XAVC 100 Mbps, with wireless options 3 x 1/2” Exmor CMOS Sensors 1920 x 1080 Up to 59.94i/p XAVC Intra/Long, MPEG, DVCAM 23.98p Native Recording Genlock & Timecode XDCAM EX Solid State Workflow SxS & SD Memory Cards 16x Optical Zoom Lens with Servo Control f/1.9 to f/16 and Close Iris Settings

Professional Video

PMW-300K1

NEX-FS700 RH/E

1/2” Exmor Full HD 3CMOS Sensor MPEG HD422 at 50Mbps Interchangeable Lens Mount System 3.5” 960 x 540 Color LCD Viewfinder Dual ExpressCard/34 SxS Memory Slots SD/HD-SDI & HDMI Outputs Four Channels of 24-bit 48kHz Audio Semi-Shoulder Mount Design Timecode, Genlock, USB 2.0 Interfaces

4K Exmor Super 35mm CMOS Sensor Capture 1920 x 1080/60p AVCHD Video 4K/2K 12-Bit RAW to AXS-R5 Recorder 18-200mm f/3.5-6.3 PZ OSS E-mount Lens Up to 960 fps Super Slow Motion CineGamma Curves Including S-Log2 ISO 320 to 64,000 3.5” LCD Screen with VF Attachment Dual XLR, HDMI & 3G/HD-SDI Connectivity SD/SDHC/SDXC and Memory Stick Duo Slots

Three 1/2-inch Exmor™CMOS sensors semi-shoulder XDCAM camcorder with interchangeable 14x zoom HD lens system recording Full HD 422 at 50 Mbps

4K Super 35mm Exmor CMOS sensor NXCAM camcorder with 11x Zoom E-Mount lens and 4K/2K RAW recording options

NEX-EA50EH PXW-X180

Three 1/3-inch type Exmor™ CMOS Full HD sensor XDCAM camcorder with 25x zoom lens and wireless operations, including XAVC recordings Three 1/3” Exmor CMOS Sensors XAVC Intra and Long GOP Codecs MPEG HD 422, AVCHD, & DV Codecs G Lens with 25x Optical Zoom Electronic Variable ND Filter Dual SxS Memory Card Slots 3G/HD-SDI & HDMI Output MP4 Proxy Recording to SD Card 0.5” OLED Viewfinder Wi-Fi Remote Control via Included Module

PXW-X160

Three 1/3-inch type Exmor™ CMOS Full HD sensor XDCAM camcorder with 25x zoom lens and XAVC recordings 25x optical zoom G Lens with 26 mm wide angle Three 1/3-inch type Exmor™ CMOS Full HD sensors High quality XAVC Intra and XAVC Log GOP recordings Switchable recordings for greater flexibility Dual SxS media slots, “Simul” or “Relay” recording, and independent record control Variable dual ND filter control mechanism Multi Interface Shoe (MI Shoe) for flexible connection without XLR cable Viewfinder includes amazing OLED technology Wide choice of connections Lens Remote (LANC)

NXCAM Large Format Sensor camcorder with E-mount lens system Includes 18-200mm Servo Zoom Lens Records Full HD 1080p up to 60 fps Exmor APS-C CMOS Sensor Lossless Digital Zoom Effect Accepts E-mount Lenses Two XLR Audio Inputs SD/MS Memory Card Slot FMU Slot for Flash Memory Unit Still Photographs at 16 Megapixels Hot Shoe for Traditional Flash Units

HXR-NX3E/XLR

NXCAM Professional Handheld Camcorder Sony G Lens with 20x Optical Zoom 40x Clear Image Zoom Wi-Fi Connectivity and Remote Control AVCHD 2.0 Format Network-Friendly MP4 720p, 3 Mbps Format Dual SD Memory Card Slots Uncompressed 8-Bit 4:2:2 via HDMI Out

Professional Video

HXR-MC2500

1/4-inch Exmor R CMOS sensor HD / SD AVCHD camcorder 1/4” Exmor R CMOS Sensor 26.8mm Equivalent Wide-Angle Lens Records SD in DV AVI File OLED Viewfinder with 1.44 Million Dots Flip-Up 3” LCD with 921k Dot Resolution Wi-Fi Connectivity with NFC Internal 32GB Flash Memory Sony Multi-Interface Hot Shoe BNC Connector on Composite Output SDXC/Memory Stick Card Slot

PXW-X70

FDR-AX100 4K Ultra HD Camcorder

4K Ultra HD Video at 30 fps/20MP Stills 1” Exmor R CMOS Sensor Bionz X Processor Zeiss Vario Sonnar T* Lens 12x Optical Zoom & 24x Clear Image Zoom Optical SteadyShot Image Stabilization 0.39” OLED EVF / 3.5” XtraFine LCD High Speed 120 fps Recording Records XAVC S, AVCHD, and MP4 Wi-Fi / NFC Connectivity

1.0 type Exmor™ R CMOS sensor compact XDCAM camcorder with 12x zoom lens recording XAVC, AVCHD and DV 1” Exmor R CMOS Sensor HD Recording Built-In SD Media Card Slots Viewfinder & Flip-Out LCD Screen XAVC, AVCHD, DV File Based Recording Slow & Quick Motion 3G-SDI & HDMI Output Wireless LAN Control Planned Upgrade To UHD 4

HXR-NX100

Full HD NXCAM Camcorder Single 1” Exmor R CMOS Sensor 1920x1080 up to 60p Sony G Lens with 12x Optical Zoom 24x Clear Image Zoom, 48x Digital Zoom Discrete Manual Focus, Zoom, Iris Rings XAVC S, AVCHD 2.0, DV Recording Codecs Create & Share Picture Profiles Slow and Quick Motion Function Dual SD Memory Card Slots 2 x 3-Pin XLR Audio Inputs

FDR-AX1

Digital 4K Video Camera Recorder Features: Record 4K 3840 x 2160p Video at 60 fps 1/2.3” Exmor R 8.3MP CMOS Image Sensor Sony G Lens with 20x Optical Zoom Built-In Microphone & Dual Pro XLR Jacks Dual XQD Card Slots for 4K Recording XAVC-S Format for 150 Mbps 4K Recording Three ND Filters & Five Paint Functions Independent Zoom, Focus & Iris Rings Seven Assignable Buttons & HDMI Output Supports TRILUMINOS Color Technology Tell your story in four times the resolution of Full HD with the 4K camera that’s made for

RED Digital Cinema cameras DSMC² Our newest generation of Digital Stills and Motion Cameras continues the tradition of the original DSMC® line of cameras, while boasting a new intuitive design and the ability to simultaneously record in REDCODE® RAW and Apple ProRes file formats.

WEAPON

SCARLET-W

RAVEN

6K resolution • 1–100 fps

5K resolution • 1–60 fps

4.5K resolution • 1–48 fps

DSMC Our original Digital Stills and Motion Cameras highlighted new groundbreaking modularity and image quality. DSMC cameras are compatible with the REDCAST™ Module, which allows live HDR-2084, 3D LUTs, and simultaneous 4K/HD broadcast.

EPIC

SCARLET

6K resolution • 1–100 fps

5K resolution • 1–48 fps

RED DSMC2 CAMERA LINE-UP ONE SHEET DSMC2 BRAIN SENSOR TECHNOLOGY

WEAPON 8K CF

WEAPON 6K CF

WEAPON 6K MG

SCARLET-W 5K

Raven 4.5K

8K Dragon Sensor

6K Dragon Sensor

5K Dragon Sensor

4.5K Dragon Sensor

MAXIMUM PIXEL RESOLUTION

8192 x 4320 - 35.4 megapixels

6144 x 3160 - 19.4 megapixels

5120 x 2700 - 13.8 megapixels

4608 x 2160 - 9.9 megapixels

SENSOR SIZE

40.96 x 21.60mm - 46.3mm diagonal

30.7 x 15.8mm - 34.5mm diagonal

25.6 x 13.5mm - 28.9mm diagonal

23.04 x 10.8mm - 25.5mm diagonal

FILM FORMAT RELEVANCE*

VISTAVISION+ , S35+, S35, A35, S16

S35+, S35, A35. S16

S35, A35. S16

A35. S16

DATA TRANSFER RATE

300MB/s

225MB/s

140MB/s

DYNAMIC RANGE - S/N RATIO

16.5+ Stops - 80dB

INTERCHANGEABLE LENS MOUNTS INTERCHANGEABLE OLPF

ANAMORPHIC SUPPORT RECORDING FRAME RATES

Fixed Canon EF Mount Only

YES

Fixed Dragon Standard OLPF Only

23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps for all resolutions

PROJECT TIMEBASE & PLAYBACK ACQUSITION FORMATS/ASPECT RATIOS

140MB/s

YES

2.1:1, FF, 2:1, WS, HD, 3:2

FF (1.9:1 DCI), 2:1, WS (2.37:1), HD (1.78:1/16x9), 3:2, 6:5, 4:3, 5:4, 4:1, 8:1 - some Aspect Ratios are Resolution dependent 2X and 1.3X

2X and 1.3X - 4-pert S35+ coverage**

Anamorphic not supported in camera

1-72 fps 8K WS 1 -86 fps @7K WS 1 - 100 fps @ 6K WS

1 - 60 fps @ 5K WS

1 - 120 fps @ 5K WS

1 - 120 fps @ 4.5K WS/ 2.1:1 1 - 150 fps @ 4K WS 1 - 200 fps @ 3K WS 1 - 300 fps @ 2K WS

COMPRESSED RAW RECORDING CODEC

REDCODE RAW (R3D) - Compression Ratios 2:1 - 22:1 (depending on frame rate and resolution)

Apple ProRes Support 2K/HD ProRes***

REDCODE RAW + Quicktime ProRes Simultaneous Recording or Quicktime Only 4444XQ, 4444, 422HQ, 422, 422LT up to 120 fps

4K/UHD ProRes***

422HQ, 422, 422LT ip to 29.97 fps

3D LUT SUPPORT

Support 33x33x33, 32x32x32, 26x26x26, 17x17x17 3D LUTs

RECOMMENDED RECORDING MEDIA CONTRUCTION MATERIAL CAMERA BODY/BRAIN WEIGHT

4444XQ, 4444, 422HQ, 422, 422LT up to 60 fps

CAMERA EXPANSION

Forged or Woven Carbon Fiber, Magnesium, and Aluminum Alloy 3.3lbs (w/ Media Bay)

Magnesium and Aluminum Alloy

Aluminum Alloy

3.35lbs (w/ Media Bay)

3.5lbs (w/ Media Bay)

3.5lbs (w/ Media Bay and Lens Mount)

SCARLET-W 5K Monochrome 2X “cable-free” LCD/EVF Ports (cabled connection available with DSMC2 LEMO Adapter) - 3G-SDI and HDMI via Expander Modules Camera Rear Expansion Support (Expander Modules), Camera Right Side Expansion Support (typically camera control), Camera Top Start/Stop Support

WIRELESS CONNECTIVITY CAMERA CONTROL AUDIO

3D LUTs not supported

120GB, 240GB, 512GB, 1TB MINI-MAG

SPECIALTY CAMERA MODELS MONITORING

422HQ, 422, 42LT up to 60fps

Supports 17x17x17 3D LUTs

512GB, 1TB MINI-MAG ****

3.3lbs (w/ Media Bay)

422HQ, 422, 42LT up to 60fps 4K/UHD ProRes not supported

Built-In Wifi Built-in Wireless - Ethernet, RS232, GPI Trigger w/ Expander Modules - User Customizable Keys Camera Brain, LCD/EVF, Supported Modules Integrated dual channel digital stereo microphones: uncompressed, 24-bit 48 kHz - Optional 2 additional channels with Expander Modules: uncompressed, 24-bit 48 kHz

POWER OPTIONS INERTIAL CAMERA DATA

D/C In, REDVOLT XL, V-Lock, and AB-Lock available via Expander Modules Built-In three-axis gyroscope & three-axis accelerometer - accuracy, 1 sample per frame

OPERATING TEMPERATURE

0oC to 40oC (32oF to 104oF)

STORAGE TEMPERATURE

-20oC to 50oC (-4oF to 122oF)

* - VistaVision+ refers to the 8K Dragon format/resolution as it is a bit wider than the traditionally known VistaVision format. S35+ refers to the 6K Dragon format/resolution as it is wider than what is traditionally known as Super 35mm. A35 = Academy 35mm ** - Weapon 8K Carbon Fiber’s sensor size is larger than full height Super 35mm 4-pert motion picture film, you can achieve full height and a slightly taller format size if desired when shooting with anamorphic lenses. *** - 4K (2160p) and 2K (1080p) resolutions for ProRes are scaled down to the codes resolution if capturing at a higher resolution. **** - To achieve the lowest possible REDCODE RAW Compression Ratios that Weapon Carbon Fiber camera bodies offer the higher speed 512GB and 1TB MINI-MAGs are required.

UPDATED: 12/16/2015 - Specifications are subject to change.

Professional Video

EOS-1D C

High Definition Camcorder

Features: 18.1Mp CMOS Sensor 4K Cinematic Quality Video 1920 x 1080 Full HD Video Dual DIGIC 5+ Image Processors 3.2” LCD Screen Eye-Level Pentaprism Viewfinder Dual CF Card Recording Media Canon EF Lens Mount Magnesium Alloy Body 61-Point High Density Auto Focus

Features: 3 Native 1920 x 1080 CMOS Sensors 50Mbps MPEG-2 Recording 4:2:2 Color Sampling 60p, 60i, 30p, 24p MXF File Format Dual CF Card Slots 18x HD L-Series Zoom Multiple Bit Rates, Resolutions Dual XLR Inputs HD/SD-SDI, SMPTE Time Code, Genlock

C300 Mark II

Cinema EOS Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount) Super 35mm CMOS Sensor 4K,1920x1080 60/50i, 23.98/25p True 24p Canon XF AVC H.264 Codec EF Lens Mount with Dual Pixel CMOS AF Rotating 4” LCD Monitor 2x 3G-SDI Output, 2x SLR Inputs 2x CFast Card Slots Timecode I/O, Genlock In & Sync Out Canon Log 2 Gamma

C100 Mark II

Cinema EOS Camera with Dual Pixel CMOS AF (Body Only) Super 35mm 8.3MP CMOS Sensor + EF Mount 1920x1080p 59.94/50/29.97/25/23.98 Built-In Dual Pixel CMOS AF Hardware AVCHD + MP4 Recording Dual SDHC/SDXC Media Card Slots HDMI Output with Timecode & Canon Log ISO 320 to 102,400 Canon Log and Wide DR Gamma Two XLR Audio Connectors Built-In 2.4 GHz & 5 GHz WiFi Capability

XF305

Cinema EOS Camera

XF105

High Definition Camcorder Features: 1/3” CMOS Sensor 50Mbps MPEG-2 Recording 4:2:2 Color Sampling 60p/60i, 30p, 24p MXF File Format Dual CF Card Slots 10x HD Zoom Lens Multiple Bit Rates & Resolutions Dual XLR Inputs HD/SD-SDI, SMPTE Time Code, Genlock

XA25

Professional HD Camcorder Native 1920 x 1080, 1/2.84” CMOS Sensor 20x HD Zoom Lens Canon Digic DV 4 Image Processor Dynamic Image Stabilization 3.5” OLED Touch Panel View Screen Manual Camera Controls 2 x XLR with Manual/Auto Audio Levels SD/HD-SDI, HDMI, Composite 2 x SD/SDHC/SDXC Media Card Slots Built-in Wi-Fi Connectivity & Control

Professional Video

Blackmagic URSA EF /PL Effective Sensor Size 21.12mm x 11.88mm (Super 35) Effective Resolution 3840 x 2160 Sensor frame rate support Up to 60 fps Dynamic Range 12 stops Screen Type 10.1” - TFT-LCD 5” - Integrated LCD capacitive touchscreen Mounting Options Multiple 1/4”-20 UNC thread mounting on top of camera and on handle bar. Rosette on bottom. Integrated rods mounts compatible with 15mm Light Weight Support standard.

Blackmagic URSA Mini Super-35mm CMOS Sensor 4608 x 2592 Video up to 60p Compressed + Uncompressed Raw Recording Ready-to-Edit ProRes 444 + 422 Recording Dual CFast 2.0 Memory Card Slots 12G-SDI Output, Timecode and REF Input 1080p Flip-Out Screen Touchscreen Interface 2x XLR Audio Inputs with Phantom Power Magnesium Alloy Body

Blackmagic Studio Camera 4K Micro Four Thirds Lens Mount Resolutions up to UHD 3840x2160 10” LCD (1920 x 1200 Resolution) Built-In Talkback Built-In 4 Hour Battery Illuminated Tally 12G-SDI & Optical Fiber Video I/O XLR Audio Connections 4-Pin XLR Power Connector Magnesium Alloy Body

Blackmagic Micro Studio Camera 4K Active Micro Four Thirds Lens Mount Resolutions Up to 3840x2160 at 30 fps 10-Bit 4:2:2 6G-SDI Video I/O Ultra-Compact Design SDI Remote Control Protocols PTZ Serial Output & B4 Data Link Built-In Talkback HDMI Monitor Output, 3.5mm Audio In Built-In Color Corrector Canon LP-E6 Battery Slot

Blackmagic Micro Cinema Camera Super 16mm-Sized Image Sensor Active Micro Four Thirds Lens Mount 13 Stops of Dynamic Range Global and Rolling Shutter Switchable Records Full HD 1920x1080 CinemaDNG RAW Apple ProRes 422 (HQ) at 220 Mbps Ultra-Compact Design Expansion Port with Radio Control Ports SDHC/SDXC Memory Card Slot HDMI & Composite Output, 3.5mm Audio In

AJA CION 4K/UHD and 2K/HD Professional Camera

4K APS-C CMOS Image Sensor Internal DCI 4K/UHD & 2K/HD Recording ProRes 4444 & 422 to AJA Pak Media Cards AJA Raw via 3G-SDI Output up to 4K 120p AJA Raw via Thunderbolt Out up to 4K 30p Electronic Global Shutter PL Lens Mount with Back Focus Adjustment 12 Stops of Dynamic Range Remote Operation over Ethernet Contoured Shoulder Pad & Top Handle

Player / Recorder

PMW-1000

Compact HD/SD SxS memory recording deck Record and playback on SxS memory cards Enhanced XDCAM HD422 workflow even in linear operation Supports network and non-linear operations Records XDCAM HD422 and HD420 at 50/35/25 Mbps XAVC HD recordings support PMW-F55 and PMW-F5 cameras Smooth SD to HD migration Reduction of storage costs

PMW - PZ1 4K SxS Memory Player

Multi-Format Capability in 4K and HD XAVC Intra, XAVC Long 59.94/50/29.97/25/23.98 Progressive FPS Single SxS Media Card Slot HDMI & 3G-SDI Outputs Direct Playback and Viewing Function Simple Copy and Back-Up Process Built-In 3.5” LCD Monitor VTR-Styl;e Front Panel Buttons

PXW-RX50

Sony Lightweight and compact dual SxS field recorder is ideal companion deck for XAVC camcorders SxS recording and playback Simultaneous Recording onto two SxS cards Supports the XAVC Intra 4:2:2 1080/59.94p and XAVC Long 4:2:2 1080/59.94p formats Supports traditional formats such as MPEG HD 4:2:2, 4:2:0, MPEG IMX and DVCAM Great field deck companion for the PXW-X500, especially in applications like field shoots and on-site location shoots Comes with an adapter compatible with XLR Audio DC output for CBK-WA100 Wireless Adapter

Sony AXS-R5 Recorder

Features: Enables 16-bit 4K and 2K RAW Recording “Bolt-Onto” PMW-F55 and F5 Cameras Facilitates “Off-Line/On-Line” Workflows Supports High Speed Frame Rates Uses AXSM Memory Cards

Highly portable tape replacement. ProRes 422 10-Bit Real-Time Up/Down Convert FireWire 800 250GB Capacity

Sony AXS-CR1 Compact card reader for AXS media Reads AXSM Memory Cards Supports 4K and 2K RAW Workflows Compatible with PC and Mac

Compact Field Recorder ProRes 422 QuickTime Files Records to Standard CF Cards Footage Ready to Edit in Final Cut Pro 10-Bit Capture Mounts to Camera or Tripod HD/SD-SDI, HDMI LANC, Timecode XLR Audio Input

SBAC-US30

Sony USB 3.0 SxS Memory Card Reader ExpressCard Slot USB 3.0 Interface Max. Read Speed: 1.3Gb/s USB Bus-Powered PCIe Gen2 Support

SBAC-UT100

Sony Dual slots SxS PRO+ and SxS-1 solid state memory Thunderbolt 2 and USB 3.0 reader/writer Dual slot SxS Thunderbolt 2 Interface for Mac USB3.0 for Mac / Win Daisy Chain (Thunderbolt) connection for up to 6 units (12 SxS cards!) DC power input is needed - not bus powered

The ultimate tape alternative. File-Based Recording / Playback Ready-to-Edit File Capture Records 10-Bit 4:2:2 ProRes / DNxHD Records onto HDD/SSD Storage Modules Hardware Up / Down / Cross Conversion Broad RS-422 Integration IP Assigned Web Control / Configuration Tape Deck Style Panel Controls Fits Standard Cabling / Routing System 1RU Rack Height

Player / Recorder

HyperDeck Studio

Professional broadcast decks that use fast solid state disks 4K/Quad HD/2K/HD Solid State Recorder. Capture & Output 4K / Quad HD / 2K / HD 4K RAW Capture and Transfer 10-Bit 4:4:4 / 4:2:2 Color Depth Support 4K and HD Monitoring on up to 2 Displays Records in 4K, 2K and HD ProRes Formats Debayer Image Processing Display Monitor with Playback SDI / HDMI / Thunderbolt Connectors XLR / Phantom Power Balanced Audio Ports Two SSD Slots

HyperDeck Studio 12G Records Up to 3840 x 2160 at 60 fps Plays Back Up to 3840 x 2160 at 60 fps 12G-SDI and HDMI 2.0 Inputs 1 HDMI and 4 12G-SDI Outputs Records Uncompressed / ProRes / DNxHD Records on Two 2.5” SSDs Front Panel Buttons, Jog Wheel & RS-422 Multi-Display Integrated LCD Blackburst / Tri-Level Sync Input 1RU Rackmountable Form Factor

HyperDeck Studio Pro 2 1RU File-Based Video Recorder Records Uncompressed 10-bit 4:2:2 Records Compressed in ProRes / DNxHD Records on Two 2.5” SSDs 1 x 6G-SDI & 3 x 3G-SDI Inputs / Outputs HDMI 4K In & Out, Analog Component Front Panel Button, Jog Wheel & RS-422 Multi-Display Integrated LCD Thunderbolt

HyperDeck Studio disk recorders let you record the highest quality uncompressed and compressed ProRes and DNxHD video formats using fast 2.5” SSDs. Designed with familiar VTR controls, HyperDeck Studio includes innovative features that extend beyond the capabilities of traditional decks. Dual SSD slots let you record continuously, when one disk is full recording automatically continues on the next SSD. You can mount an SSD recorded using HyperDeck Studio on to any computer to access your files, so you don’t need multiple decks to work with your media! There are two great HyperDeck Studio models to choose from.

HyperDeck Shuttle 2 The world’s smallest uncompressed video recorder!

Odyssey 7Q+

Convergent Design OLED Monitor & Recorder Convergent Design’s Odyssey7Q+ is a monitor/recorder that provides all of the features and functionality of the Odyssey7Q but adds support for 4K recording over HDMI. It features a 7.7”, 1280 x 800, OLED, touchscreen display with a 3400:1 contrast ratio, true blacks, and advanced image analysis tools, including waveform, histogram, false color, and built-in display LUTs. Out-of-the-box, the Odyssey7Q+ can record up to 4K/UHD in the compressed Apple ProRes 422 HQ format or up to 2K/1080p using the uncompressed DPX file format. Additionally, it supports several RAW recording options for ARRI, Canon, Sony, and POV cameras, which are available for purchase or rental from Convergent Design’s website. 7.7” 1280x800 OLED Touchscreen Monitor 2x 256GB Convergent Design SSDs Included HD/2K/UHD/4K Recording over HDMI or SDI ProRes 422 HQ & Uncompressed DPX Formats 4K-Capable HDMI Input, 1080p HDMI Output 3G-SDI Inputs/Outputs Waveform, Histogram, False Color ARRI, Canon, and Sony Display LUTs Micro to Full-Sized HDMI Cable Included Full Size to Mini HDMI Adapter Included

Uses Most 2.5” SATA SSD Drives Records Avid DNxHD 200x 10-Bit Codec Records Uncompressed HD QuickTime Files HD-SDI Input & Output HDMI 1.3 Input & Playback Internal Rechargeable Battery 12V Power Input Simple Front-Panel Playback Controls Machined Aircraft-Grade Aluminum The Blackmagic Design HyperDeck Shuttle 2 SSD Video Recorder records uncompressed 10-bit HD and SD video as QuickTime files from any SDI- or HDMI-enabled camcorder. This updated version of the original HyperDeck Shuttle also records Avid’s DNxHD 220x 10-bit codec. The extremely compact recorder accepts a 2.5” SATA solid state drive (sold separately) for data storage. Simply by bypassing the camera’s compression, this allows you to get the highest-quality output possible from camcorders that typically record video as highly compressed HDV, AVCHD, or another similar codec.

POWER STATION

NINJA ASSASSIN

SHOGUN

SHOGUN STUDIO

CONNECT

SAMURAI BLADE

NINJA 2

NINJA BLADE

RONIN

NINJA STAR

Unleash Your Cameraâ&#x20AC;&#x2122;s Hidden Potential atomos.com

Works with:

Records to:

Edit in:

Player / Recorder

Ronin

Shogun

Samurai Blade

1920x1200 IPS Touchscreen Display Records UHD 4K (3840x2160) up to 30 fps Records 1080p up to 120 fps ProRes and DNxHD 10-Bit, 4:2:2 Encoding Uncompressed Cinema DNG Raw 4K Support UHD 4K-Capable HDMI Input 12G-SDI Input and Loop-Output Stores to Single or Raided HDDs or SDDs Rec. 709 Calibrated with 3D LUT Support XLR Audio LEMO Breakout Cable Included

1280 x 720 On-Camera Monitor & Recorder 325 DPI Records 1080p, 10-bit, 4:2:2 from Sensor ProRes or DNxHD Encoding and Playback 5” IPS Capacitive Touchscreen Display SDI Input and Loop-Output HDMI Input via Optional Atomos Converter Stores to 2.5” HDDs/SSDs Supports ARRI and RED for Monitoring Cut and Tag Editing Tool

Shogun Studio

NINJA-Blade

4K Monitor / Recorder 12G-SDI, HDMI

HDMI On-Camera Monitor & Recorder

Dual 7” Monitors in a Rack Mount Chassis 4K/1080p60 Recording to Multiple Codecs Records 4K (3840x2160) up to 30 fps Records 1080p up to 120 fps ProRes, DNxHD, DNxHR and Encoding SSD, HDD, CFAST in Drive Caddy Supports 4:2:2 at 8/10/12-bit Recording UHD 4K-Capable HDMI Input 12G-SDI Input and Loop-Output Stores to Single or RAID HDDs or SDDs

1280 x 720 On-Camera Monitor & Recorder 5” IPS/325 DPI Touchscreen Display Waveform, Vectorscope, Focus Peaking Records 1080p, 10-bit, 4:2:2 ProRes or DNxHD Encoding and Playback HDMI Input and Loop-Output Records to 2.5” HDDs/SSDs Cut and Tag Editing Tool

Records 1080p 10-Bit, 4:2:2 via HDMI ProRes HQ, 422, and LT Codecs Micro HDMI Input & Loop Output Stores to CFast Cards Audio Line-In Audio Level Indicators Battery Life & Time Remaining Indicators 5 Hour Battery Life Mounting Plate with 1/4”-20 Thread Holes Lightweight at Only 4.6 oz

Ninja 2

ATOMOS - SPYDER

800 x 480 On-Camera Monitor & Recorder Records 1080p, 10-Bit, 4:2:2 ProRes or DNxHD Encoding and Playback 4.3” Touchscreen Display HDMI Input & Output Stores to 2.5” HDDs/SSDs Monitoring & SmartLog Editing Tools

Portable Calibration for Samurai Blade Precise Seven-Sensor Design Calibrate to Rec. 709 & D65 White Point C-Log Profile Support Adjust Gain, Lift, and Gamma Per Channel Can Be Used as Standard Calibration Unit For Mac or Windows Operating Systems

4K HDMI and 12G-SDI Monitor & Recorder

Ninja Assassin

4K HDMI Recorder and 7” Monitor

Camera-Mounted Recorder, Waveform monitor & Deck for HDMI Cameras

Video Recorder 1920 x1200 IPS Touchscreen Display Records 4K (3840x2160) up to 30 fps Records 1080p up to 120 fps ProRes, DNxHD, DNxHR and Encoding UHD 4K-Capable HDMI Input Stores to Single HDDs or SDDs Video Playback and 4K DownConversion Single Master II Drive Caddy Included

Portable Recorder / Player / Monitor Real-time 10-Bit High Quality Recording 800 x 480 Color 16:9 TFT Touch Screen Balanced Audio with XLR Inputs & Outputs 10 / 8-bit 4:2:2 Video Input 2.5” Notebook HDD / SDD Hotswappable Removable Front Panel Drive Access Headphone Jack FireWire 800 / USB 2/3 HDMI Input Using Optional Atomos Connect Fits Optional Atomos Dual Rackmount Kit

NINJA-Star

HDMI On-Camera Monitor & Recorder

World’s first portable calibratable unit

Memory Cards

AXS-A1TS24

Sony A-Series, 1TB capacity, AXS Memory card for use with AXS-R5 RAW recording system

HARD DRIVE DOCK 3.0 Easy to use, easy to install docking station for all internal 2.5” and 3.5” SATA hard drives. Fast and safe way to use your internal drive as an external USB 3.0 hard drive, without having to open your computer or an external enclosure. USB 3.0 interface, providing fast data transfer speeds. Prefectly suited for both professional and home use.

1TB capacity, A-Series AXS Memory card for the AXS Recording System High Data Security and Reliability Exceptional writing speeds – over 2.4 Gbps Compact Removable Media” Smaller size and cooler running than first generation AXS card Given the samller card profile, currently shipping AXS-R5 and AXSCR1 include an AXS-A card adpater PMW-F55 and PMW-F5 camcorders.

G Series XQD Sony Memory Card

64 GB Capacity Max. Read Speed: 400 MB/s Max. Write Speed: 350 MB/s Includes Dedicated USB 3.0 Adapter

QD-G128A/J

Sony XQD G Series 128GB Memory Card Capacity: 128GBRead Speed: 400MB/sWrite Speed: 350MB/s

SBP-64C

Sony C Series Memory Card

SBP-128C

Sony C Series Memory Card 2nd Gen PCIe Interface & New Controller Double the Transfer Speeds of B Series 50% More Optimized for HFR 4K Content Max. Read Speed: 3.5Gbps Max. Write Speed: 2.8Gbps Min. Write Speed: 1.3Gbps Data Refreshing, Data Error Correct Clip Recreation in Case of Power Loss Wear-Leveling Data Defect Minimization Manageable with Memory Media Utility

Sony 32GB QDN32/T XQD N Series Memory Card Also Available 64GB

32GB Storage Capacity Up to 125 MB/s Data Read Speeds 4k Compatible Enhanced File Support Includes File Rescue Software The 32GB QDN32/T XQD N Series Memory Card from Sony features a 32GB storage capacity perfect for recording 4k quality video content, capturing hi-res photos, and more.

2nd Gen PCIe Interface & New Controller Double the Transfer Speeds of B Series 50% More Optimized for HFR 4K Content Max. Read Speed: 3.5Gbps Max. Write Speed: 2.8Gbps Min. Write Speed: 1.3Gbps Data Refreshing, Data Error Correct Clip Recreation in Case of Power Loss Manageable with Memory Media Utility

Memory Cards

Extreme PRO CFast 2.0 Reader/ Writer Supports CFast 2.0 Memory Cards Supports USB 3.0 / USB 2.0 Standards Up to 500MB/s Data Transfer Rate Mac & Windows Compatible

SanDisk C-fast 2.0 Extreme Pro 64GB Memory Card Aslo Available 128GB

64GB Storage Capacity Read Speed up to 515 MB/s Write Speed up to 240 MB/s Full HD & 4K Video Recording Tested Under Extreme Conditions

Extreme PRO® CFast™ 2.0 Memory Card Sandisk Memory Card

For new-generation, high performance cameras and camcorders based on CFast™ 2.0 technology Extreme recording and shot speed up to 440MB/s** for 128GB and 240MB/s** for 64GB Ready to shoot cinema-quality 4K video (4096x2160p)** Built for broadcast, cinema, and photography professionals Unprecedented transfer speeds of up to 515MB/s** Capacity: 128 GB / 64 GB

Extreme Pro CompactFlash Memory Card (160MB/s) 256GB Memory Card Aslo Available 16, 32, 64 & 128

256GB Storage Capacity Optimized for 4K Video Recording Up to 160MB/s Read Speed Up to 150MB/s Write Speed Compatible with RAW & JPEG Formats Includes RTV Silicone Coating

Extreme Pro SDXC UHS-I Card (512GB)

UHS-I SDXC U3 Memory Card (Class 10) Also Available 16, 32, 64 & 256 512GB Data Storage Capacity Class 10 Speed Ultra High Speed Class 3 Max. Read Speed: 95 MB/s Max. Write Speed: 90 MB/s Limited Lifetime Warranty

SanDisk SD Card Extreme Pro 16GB, 280MB/s, UHS-II

Memory Card Aslo Available 32GB & 64GB Storage: 16 GB Read Speed: up to 280 MB/s1 Write Speed: up to 250 MB/s Video Speed: U32 Form Factor: SDHC

ImageMate Allin-One USB 3.0 Reader / Writer USB 3.0: 500 MB/s Data Transfer Rate Backwards Compatible with USB 2.0 Fast Transfer of Photos / Videos 4 Card Slots Supports Most Major Card Formats Detachable Metal Stand Included

Extreme PRO® SSD (960GB) Memory Card Aslo Available 240GB, 480GB

• Innovative SanDisk nCachePro technology delivers sustainable high performance 24 x 7 x 365 • Sequential Read Up To 550 MB/s; Write Up To 515 MB/s • Up to 33% longer laptop life • SanDisk SSD Dashboard includes S.M.A.R.T. support to monitor the health of your SSD in real time to prevent data loss • Endurance: TBW

SanDisk Micro SD Card Extreme Pro 16GB, Class10, 95MB/s with Adapter Memory Card Aslo Available 32GB, 64GB Storage: 32 GB Read Speed: up to 95MB/s3 Write Speed: up to 90MB/s3 Video Speed: C10, U34 Form Factor: microSDHC

Battery / Charger

D-3004S 4-channel V-Mount Charger Swit 4-Channel V-Mount Charger 4 channels simultaneous charge 1 channel discharge 4-level LED charging indicators for each channel Compatible with Li-Ion, Ni-MH and Ni-Cd Self-identify Li-ion, Ni-MH batteries V-Mount plate

S-3602F 1. 2-channel charger: charge two batteries simultaneously. 2. 2-channel adaptor: supply power to camera and focus light simultaneously. 3. One channel charger and the other channel adaptor: charge one battery and supply power to camera simultaneously. Input AC100~240V,50/60Hz Output(charger) DC 8.4V,2A x 2 Output(Adaptor) DC 8.4V,2A x 2 Weight 0.36Kg Dimension 136 x 110 x 47mm Applicable Batteries S-8970/8770;SONY NP- F970/770/550

S-8080 1. Li-ion battery, no memory effect and environmental protection. 2. Indicate the remaining power by LED. 3. Build-in intelligent control circuit, multiple protections of temperature, current and voltage. Voltage 14.4V Capacity 88Wh Dimension 165 x 90 x 51mm Weight approx 0.8 Kg Operation Temperatur 0-40 &degC

S-8U63 SWIT S-8U63 is fully compatible with SONY PMW-EX1, EX1R, EX3, F3, PMW 100/200, without DC cable, and can display remaining power info on cameras. The S-8U63 has 63Wh / 4.4Ah capacity, with a 4-level power indicator, and offers a D-tap DC output socket, a 5V/1A USB power output socket for extension use.

S-8260S 172Wh Heavy Duty V-mount Battery New high power Li-ion cells Max 180W, 15A constant output 14.4V, 172Wh capacity D-tap output socket 4-level LED power indicator V-mount plate Multiple circuit protections

S-8970 Working well on HDV camera. Lithium-ion battery with build-in multiple protective circuit design, without memory effect , accurately calculates remaining power within minutes. Specification Voltage 7.2V / Capacity 47.5Wh / Weight 0.28kg / Dimension 70.5 x 38.5 x 60mm / Applicable SONY HDV-FXIE HVR-Z1C DSR-PD190P DSRPD150P Compatiblity Sony NP-970

S-8160S 190Wh V-mount Battery 14.4V, 190Wh large capacity D-tap output socket 4-level LED power indicator Metal V-mount plate Wireless receiver mount

S-8110S Voltage: 14.4V Capacity: 126Wh Dimensions: 165 x 90 x 51mm Weight: approx. 0.9 Kg Operation Temperatur: 0-40Â°C nt

SC-304S Input: AV 120V-240V,50/60Hz Output: DC 14V-20V,1.9A Appliable Battery: Sony and SWIT V-Mount battery Dimension: 223x230x75mm Net Weight: 1.6Kg

Battery / Charger

SC-3802S 2-channel Portable Charger Portable two-channel sequential charger. With Power Adapter function. Works with SONY V-Lock mount batteries. Available for Ni-Cd, Ni-MH and Li-ion batteries. CE approved.

S-8360S

V-Mount Heavy Duty Digital Li-ion Battery D-tap DC output socket Remaining run time indicators Display power info through viewfinder in Sony cameras Max 200W, 16A high load 2 meters drop off resistance

S-3812S

D-8161R

2-ch V-mount Fast Charger

190Wh RED Digital V-mount Battery

2-ch simultaneous charging Identify battery type and adjust charging method 6A fast charging for SWIT particular batteries 3A charging for normal batteries Support AC to 4-pin XLR output Support battery to 4-pin XLR output LCD display charging/adapting info

Intelligent digital chip Display remaining power percentage on RED Cameras Li-ion, 14.4V, 190Wh capacity Max 100W, 8A load 4-level LED power indicator V-mount connection

S-8121S

92 + 92Wh Split-Style V-Mount Camera Battery Rechargeable Li-ion battery pack Compatible with Sony V-Mount batteries 14.4V, 92 + 92Wh output 4-level LED power indicator D-tap DC output and charging socket Metal V-mount plate Multiple protective circuits Large capacity with split-style design; not restricted by IATA air transportation regulations

S-8972

DV Battery for Sony L Series

S-8192S

92 + 92Wh Split-Style V-Mount Camera Battery

S-8340S

V-Mount Heavy Duty Digital Li-ion Battery D-tap DC output socket Remaining run time indicators Display power info through viewfinder in Sony cameras Max 150W, 12A high load 2 meters drop off resistance

Rechargeable Li-ion battery pack Compatible with Sony V-Mount batteries 14.4V, 92 + 92Wh output 4-level LED power indicator D-tap DC output and charging socket Metal V-mount plate Multiple protective circuits Large capacity with split-style design; not restricted by IATA air transportation regulations

Li-ion battery pack of 7.2V nominal voltage Comparable to SONY L series DV batteries Display remaining power info on camera viewfinder 47Wh / 6.6Ah capacity 4-level LED power indicator 7.2V Pole-tap DC output Multiple circuit protections

On-Camera Light

CM-LBPS1800 MLS900S

Spectra900S-LED Light Manfrotto Spectra 900S is a lightweight and portable LED light, designed for the most demanding videographers and photographers. Despite being very compact, this LED device offers outstanding performance and it is very robust. Thanks to its slim and elegant design, Spectra 900S stands out from the crowd of existing standard LED panels.

MLS500S

Spectra500S-LED Light videographers and photographers. Light is emitted with narrow beam angle (30°) and it has a constant colour temperature of 5600°K (daylight), with an illuminance of more than 300 LUX at a distance of 1m.

CM-LBPS900 LED Light

Professional grade 5-LED light Two intensity levels switch 250g Light weight (excluding battery) Switchable color temperature at 4500K or 3200K using the built-in filter Long life LED light bulb about 10,000 hours usage Built-in top-mount cold shoe adapter

LED Light

Professional grade 10-LED light 420g Light weight (excluding battery) Switchable color temperature at 4500K or 3200K using the built-in filter Long life LED light bulb about 10,000 hours usage Metal shoe.

CN-240CH

Bi-Color LED Video Light Suitable for photo and video cameras White reflector coating 240 super bright LEDs Power consumption: 7.2 watts Voltage: 7.2 to 8.4 volts LED lifetime: 50,000 hours (manufacturer) Integrated dimmer, adjustable from 0-100%

S-2060 Input voltage: DC 6V-17V Power consumption: 30W Halogen equivalent: 110W Beam angle: H60°/ V60° Color temperature: 2700K-5600K continuous adjustment Color rendering index: 97 Illuminance: 1300Lux @ 1m (without lens) 4000Lux @ 1m (with lens) Power connector: D-tap cable

HVL-LBPC

LED Battery Video Light The HVL-LBPC LED battery video light provides a high intensity light (1,800lux at 1m and 2,100lux at 1m with Blight booster mode), extended life (10,000 hours), and low power consumption (16w). he HVL-LBPC is designed to provide the optimum spread for wide-angle shooting with NXCAM and XDCAM camcorders. It illuminates with uniform intensity right across the field of view.

S-2041

Swit Chip Array LED On-camera Light Chip Array LED technology 23W, 1200Lux @ 1 meter, dimmerable 100W equivalent output Single shadow, glareless 60° wide beam angle, equally spread Cool touch 5000K color temperature 5600K and 3200K filter Color rendering index: 85 6-17V wide input voltage Interchangeable DV mount and battery Screw and cold shoe mount

Optics

Compact Prime CP.2 Lenses

Compact and Lightweight lenses with Interchangeable Mount System.

Compact Zoom CZ.2 Lenses

Lightweight and compact zoom lenses featuring the Interchangeable Mount System (PL, EF, F, MFT, E). The new Compact Zoom CZ.2 lenses are as versatile as they are powerful and incorporate features never seen before on lenses of this kind. They are handy, compact, ready for 4k and even offer full-frame coverage. With their zoom lengths of 28-80 and 70-200 mm, they give you a wide range of creative options. Their compact size and light weight make them the ideal companions for even the most ambitious applications, including handheld, Steadicam and projects in confined spaces. And thanks to their robust, cine-style housing (which also allows for the use of a follow-focus system), their full-frame coverage and interchangeable mounts, they will be reliable partners for years to come. Interchangeable mount Full-frame coverage (36 x 24 mm) No focus shift over the zoom range Robust cine-style housing Circular shape of iris Great flare suppression Calibrated focus scale 4K capability Colormatched with all ZEISS Prime lenses.

ZEISS Servo Unit (Prototype) One motor for three Compact Zoom CZ.2 lenses

Application The size and weight of the Compact Zoom CZ.2 make the lens perfect. Both Zoom Lenses are colormatched not just to eachother, they fit perfectly to all ZEISS prime lenses. The Zoom lenses are ideal for top-quality movies, feature films productions and documentaries. With their outstanding color matching, typical for ZEISS, they make an optimal addition Master Prime, Ultra Prime and Compact Prime. Why should I go for the Compact Zoom CZ.2 70-200mm T/2.9 or the CZ.2 28-80mm instead of a photo zoom lens? The Compact Zoom CZ.2 70-200mm T/2.9 comprises all the features of a cine-style lens. Extra-long focus throw, constant T-stop of 2.9 across the entire zoom range and easy-to-read markings. But the main difference to a regular photo zoom lens is a phenomenon called â&#x20AC;&#x153;focus shiftâ&#x20AC;?. When zooming in on an object with a photo zoom lens you always have to adjust focus. As soon as you change the image frame the position of the sharp plane of focus changes as well. In still photography this is not a problem. But in motion picture it is a big issue because your details might be out of focus. Your scene is ruined.

Optics

Compact Prime CP.2 15 mm/T2.9

Compact Prime CP.2 25 mm/T2.9

Compact Prime CP.2 50 mm/T2.1

Aperture range T 2.9 to T 22 Close focus distance 1 0.3 m / 12” Horizontal angle of view Full-Frame 100° APS-H 90° Super 35 79° Normal 35 73° APS-C 73° MFT 60° Length 86 mm / 3.39’’ Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Aperture range T 2.9 to T 22 Close focus distance 0.17 m / 7” Horizontal angle of view Full-Frame 72° APS-H 62° Super 35 53° Normal 35 47° APS-C 48° MFT 38° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Aperture range T 2.1 to T 22 Close focus distance 0.45 m / 18” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT 20° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 18 mm/T3.6

Compact Prime CP.2 28 mm/T2.1

Compact Prime Macro CP.2 50 mm/T2.1

Aperture range T 3.6 to T 22 Close focus distance 1 0.3 m / 12” Horizontal angle of view Full-Frame2 – APS-H 80° Super 35 69° Normal 35 63° APS-C 64° MFT 51° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Aperture range T 2.1 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 65° APS-H 57° Super 35 48° Normal 35 43° APS-C 43° MFT 34° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Aperture range T 2.1 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT7 20° Length 132 mm / 5.19” Front diameter 134 mm / 5.3” Weight 1.35 kg / 3.0 lbs

Compact Prime CP.2 21 mm/T2.9

Compact Prime CP.2 35 mm/T2.1

Compact Prime CP.2 85 mm/T2.1

Aperture range T 2.9 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 81° APS-H 71° Super 35 61° Normal 35 55° APS-C 56° MFT 45° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Aperture range T 2.1 to T 22 Close focus distance 0.3 m / 12” Horizontal angle of view Full-Frame 54° APS-H 47° Super 35 39° Normal 35 35° APS-C 35° MFT 28° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Aperture range T 2.1 to T 22 Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 24° APS-H 20° Super 35 17° Normal 35 15° APS-C 15° MFT7 12° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Optics

Compact Prime CP.2 Lenses Innovative 14 blade aperture construction allow nearly circular shape of iris.

Compact Prime CP.2 100 mm/T2.1 CF Aperture range T 2.1 to T 22 Close focus distance 0.7 m / 2’6” Horizontal angle of view Full-Frame 20° APS-H 17° Super 35 14° Normal 35 13° APS-C 13° MFT7 10° Length 132 mm / 5.19” Front diameter 114 mm / 4.5” Weight 1.49 kg / 3.3 lbs

Compact Prime CP.2 135 mm/T2.1 Aperture range T 2.1 to T 22 Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 15° APS-H 13° Super 35 11° Normal 35 9° APS-C 9° MFT7 7° Length 149 mm / 5.86” Front diameter 114 mm / 4.5” Weight 1.6kg / 3.5 lbs

Compact Prime CP.2 35 mm/T1.5 Super Speed Aperture range T 1.5 to T 22 Close focus distance 0.3 m / 12” Horizontal angle of view Full-Frame 54° APS-H 47° Super 35 39° Normal 35 35° APS-C6 35° MFT7 28° Length8 91 mm / 3.58” Front diameter 114 mm / 4.5” Weight 1.1 kg / 2.4 lbs

Compact Prime CP.2 50 mm/T1.5 Super Speed Aperture range T 1.5 to T 22 Close focus distance 0.45 m / 18” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT7 20° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 85 mm/T1.5 Super Speed

Compact Prime CP.2 Lenses

Compact and Lightweight lenses with Interchangeable Mount System.

The Compact Prime and Zoom lenses are the world‘s first cine lenses designed for all types of cameras (HDSLR to high-end digital movie cameras). The interchangeable mount guarantees high flexibility for present and future use in any situation and for a wide range of camera platforms.

- Interchangeable Mount - Full frame coverage (CP.2 18mm only APS-H) - Robust cine style housing with the ability to utilize follow-focus - Standard focus and iris gear positions - Five different mounts available (PL, EF, F, E and MFT mount) - Conistent front diameter (except of 50 Macro) - Longer focus rotation and a manual focus and iris - Calibrated focus scales Application Switching between traditional film and digital PL cine cameras and HDSLR cameras is no longer an issue. The Compact Prime CP.2 lenses’ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect tool for Independent filmmakers, professional still photographers expanding their services or large studios using HDSLR’s as a second camera for TV and feature film productions.

Aperture range T 1.5 to T 22 Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 24° APS-H 20° Super 3 17° Normal 35 15° APS-C 15° MFT 12° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Optics

Available Accessories

Optimo Style 25-250

Optimo Style 16-40

Aperture: f/3.2 - T3.5 Zoom ratio: 10X Weight (approx.): 16 lbs – 7.3 kg Length: 377.4 mm MOD: 4 ft - 1.22 m Image Coverage: S35+: 31.4mm diagonal

Aperture: Zoom ratio: Weight (approx.): Length: MOD: Image Coverage: S35+:

Optimo 24-290

Optimo 19.5-94

Optimo 45-120

Aperture: f/2.5 - T2.8 Zoom ratio: 12X Weight (approx.): 24.2 lbs - 11kg Length: 440 mm MOD: 4 ft - 1.22 mm Image coverage: 35mm -30mm diagonal* With 1.4 x or 2x extender,image coverage is S35+ (31.4 mm diagonal)

Aperture: f/2.4 - T2.6 Zoom ratio: 4.7X Weight (approx.): 12.3 lbs - 5.6kg Length: 335 mm (PL) 330 mm (Panavision) MOD: 2ft 0.5 in - 0.62 mm& Image coverage: S35 + 31.4mm diagonal

Aperture: Zoom ration: Weight (approx.): Length: MOD: Image coverage:

4th Generation of x10 Zoom

12x zoom

Optimo Style 30-76

Lightweight wide-angle zoom

Lightweight standard zoom

f/2.6 - T2.8 2.5X 4.2 lbs – 1,92 kg 186 mm 2 ft - 0.6 m 31.4mm diagonal

Wide Angle Zoom with Large Imaging Size

Zoom Ratio 2.5X Focal Length 30 - 76 mm Aperture f/2.6 – T2.8 Close Focus 2 ft – 0.6 m Internal Focus Yes Image Coverage S35+: 31.4 mm diagonal Weight (approx.) 4.2 lbs – 1.92 kg

Extender 1.4x & Extender 2x (with or without iris ring)

2.7x Lightweight Telephoto Zoom f/2.6 - T2.8 2.7X 4.3 lbs - 1.95kg 203 mm 3 ft 1 in - 0.94 m S35 + 31.4mm diagonal

DSLR Mounts For Selected models

Optics

The Optimo Anamorphic Series is based on the design of the famous Optimo 28-76 and 15-40. The optical design of the Optimo anamorphic lenses weaves in cylindrical and spherical optical elements in the rear group. This unique design technique yields significantly superior optical performance over the lenses that are simply equipped with rear anamorphic attachment. Additionally, these zoom lenses remain extremely lightweight. There is no equivalent on the market.

Optimo Anamorphic 56-152 mm 2S

Optimo Anamorphic 30-72 mm 2S

Aperture: f/3.6 - T:4 Zoom ratio: 2.7X Weight (approx.): 4.8lb -2.2kg Length: 210 mm Front diameter: 114mm MOD: 2’1’’ – 0.63m Image coverage: 4 perf. scope +: 28.8mm diagonal

Aperture: f / 3.6 – T:4 Zoom ratio: 2.4X Weight (approx.): 5.3 lbs – 2.4 kg Length: 227 mm Front diameter: 114 mm MOD: 2 ft 2 in – 0.65 m Image coverage: 4 perf. scope+ : 28.8 mm diagonal

. Renowned Optimo quality in anamorphic . Anamorphic zoom with 2x squeeze . Fast aperture of T4 with no ramping . 320° focus rotation with over 50 focus marks and no breathing . Superior optical performance with image flatness and low distortion . Available with PL mount. PV mounts available on request . Calibrated focus marks available in feet or meters (easily interchangeable focus ring)

Standard Compact Anamorphic Zoom

Wide Compact Anamorphic Zoom

Optics

14.5–45mm / T2.0 (HK3.1x14.5)

Application: PL Mount HD and Film Cameras Focal length 14.5 - 45 mm Zoom ratio 3.1 × T-No. 2.0 M.O.D. from image plane 0.71 m Object dimensions at M.O.D. 16 : 9 Aspect ratio 14.5 mm 693 × 390 mm 45 mm 215 × 121 mm Angular field of view 16 : 9 Aspect ratio 14.5 mm 79°13’ 45 mm 29°52’ Diameter × Length 136 × 310 mm Weight 6.5 kg

18-85mm / T2.0 (HK4.7x18)

Application: PL Mount HD and Film Cameras Focal length 18 - 85 mm Zoom ratio 4.7 × T-No. 2.0 M.O.D. from image plane 0.82 m Object dimensions at M.O.D. 16 : 9 Aspect ratio 18 mm 656 × 369 mm 85 mm 139 × 78 mm Angular field of view 16 : 9 Aspect ratio 18 mm 67°23’ 85 mm 16°04’ Diameter × Length 136 × 352 mm Weight 6.9 kg

24–180mm / T2.6 (HK7.5x24)

Application: PL Mount HD and Film Cameras Focal length 24 - 180 mm Zoom ratio 7.5 × T-No. 2.6 M.O.D. from image plane 1.24 m Object dimensions at M.O.D. 16 : 9 Aspect ratio 24 mm 924 × 520 mm 180 mm 119 × 67 mm Angular field of view 16 : 9 Aspect ratio 14.5 mm 79°13’ 45 mm 29°52’ Diameter × Length 136 × 405 mm Weight 8.9 kg

75–400mm / T2.8 - T3.8 (HK5.3x75) Application: PL Mount HD and Film Cameras Focal length 75 - 400 mm Zoom ratio 5.3 × T-No. 2.8 (75 - 270 mm) 3.8 (400 mm) M.O.D. from image plane 2.0 m Object dimensions at M.O.D. 16 : 9 Aspect ratio 75 mm 580 × 326 mm 400 mm 113 × 64 mm Angular field of view 16 : 9 Aspect ratio 75 mm 18°11’ 400 mm 3°26’ Diameter × Length 136 × 444 mm Weight 8.9 kg

14-35mm Cabrio / T2.9 (ZK2.5x14) Application: PL Mount Cameras Designed using the latest proprietary optical simulation software, the PL 14-35 mm wide angle lens offers exceptional optical performance in the center of the image and in the corners of the frame. The digital servo’s 16-bit encoding assures operators that all lens data output—including the position of the zoom, iris, and focus—is extremely accurate. The PL 14-35mm lens supports Lens Data System (LDS) and /i metadata formats, and can be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units. The PL 14-35mm Cabrio lens has a detachable digital servo drive. The Cabrio can be used as a self-contained ENG-style lens or cine style lens. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. The 14-35mm lens is lightweight and comfortable to use with today’s smaller 4K cameras. For shooters looking for a lightweight zoom that can be used as a handheld, capturing wide angles in tight spaces, it’s ideal.

19-90mm Cabrio / T2.9 (ZK4.7x19B) Application: PL Mount Cameras The 19-90mm Cabrio (ZK4.7x19B) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19B also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 2.85kg including servo motors, this lens has the longest focal range available in a light weight zoom. Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter.

85-300mm Cabrio / T2.9 -4.0 (ZK3.5x85B) Application: PL Mount Cameras While the PL 85-300 is similar in size and weight as the PL 19-90, its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. The PL 85-300 offers a focal length of 85218mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation. Designed using the latest optical simulation technology, the PL 85-300 Cabrio not only offers exceptional optical performance in the center of the image but in the corners of the frame as well. Like the highly acclaimed PL 19-90 Cabrio, the PL 85-300 is equipped with the same indispensable features including flange focal distance adjustment, a MOD of 1.2m, a macro function for objects as close as 97cm (38-inches), and covers a 31.5mm diagonal sensor size.

Optics

HJ22ex7.6B Series ENG Lenses

The HJ22ex7.6B is the longest focal length portable HDTV production lens offered by Canon (without an image stabilization system). It is a smaller and lighter replacement for the former highly popular HJ21ex7.8B lens. It is a strategic member of the family of HD portable EFP lenses – that collectively offers an unusually broad range of creative options.

KJ17ex7.7B Series

KJ20x8.2B IRSD

The KJ17ex7.7B is specifically designed for users whose foremost priority is a lens that delivers a generous range of focal lengths combined with a wide field of view in a lightweight mobile package. The lens design is a fine compromise between the demands for ruggedness and mobility in a handheld camera system and the high imaging performance requirements for HD News and lower budget HD productions. An important aspect of this lens is the cost optimized design concept.

The KJ20x8.2B is Canon’s widest (8.2 mm) lens in the affordable 20x zoom class, and it covers a generous range of focal lengths, particularly when combined with its built-in 2x extender expanding its 8.2mm164mm focal length to 16.4mm-328mm.

ENG Lenses

HJ17ex7.6B Series

KJ22ex7.6B Series

The HJ17ex7.6B is a cost-effective new 2/3-inch portable HD lens specifically intended to support the emerging industry interest in high definition electronic newsgathering.

The KJ22ex7.6B is part of a new family of second generation 2/3-inch HDgc portable HD lenses. The new design reflects design refinements to the first generation line of HDgc lenses originally introduced in 2006. The HDgc line of lenses had been specifically developed to achieve a price performance ratio that was commensurate with the new line of cost-effective HD camcorders being introduced by all major camera manufacturers in response to the broadcast industry’s rapidly growing interest in transitioning to HDTV newsgathering, HD reality shows, and other lower-budget HD productions.

ENG Lenses

It is a key new member of a family of HD portable lenses intended to support the broadening of HDTV production. This particular lens is intended for producers and broadcasters having as their foremost priority an affordable lens-camera system that offers performance tailored for HDTV newsgathering.

ENG Lenses

Canon first introduced its HDgc series of HD portable lenses five years ago to provide high optical performance at competitive prices for the then-emerging generation of lower-cost portable HD video cameras designed for ENG and other types of programming.

KJ20x8.2B KRSD ENG Lenses

As HD camera equipment continues to spread to all facets of professional video production, Canon has been expanding its HDgc lineup of cost-effective lenses for advanced professionals. To help meet this increasing demand for affordable highquality HD ENG lenses, Canon is proud to introduce the KJ20x8.2B KRSD, achieving outstanding optical performance with a light weight of 1.25 kg and wider-angle focal length of 8.2mm.

HJ14ex4.3B Series

KJ10ex4.5B IRSE

KJ13x6B KRS

The HJ14ex4.3B is the new successor to the long-acclaimed wide angle HJ11ex4.7B portable HDTV production lens offered by Canon. The enthusiastic acceptance of the latter all over the world since its introduction in 2001 encouraged Canon to pursue a further expansion of creative capabilities with a new-generation lens that facilitated an even wider angle of view, while also extending the focal range. Imaging performance has been significantly advanced by mobilizing the most contemporary of optical glasses, optical coating materials and processes, and powerful new optical design tools.

The world’s major professional video manufacturers have introduced a diverse range of low-cost tapeless HD camcorders and tape-based HDV professional camcorders. Various design strategies have been adopted by the manufacturers to decisively drive down the costs of these HD acquisition systems. They include different image format sizes, subsampled imagers, and contemporary digital recording techniques. In support of these products Canon designed an entire family of costeffective HD ENG/EFP lenses that seek to match both the performance and the costs of these diverse and still-emerging HD acquisition systems.

ENG Lenses

Optics

ATX 16-28mm T3

11-16mm T3 Cinema PL Mount

Wideangle Zoom Lens

Cinema Lens

Mount Sony E, PL, Canon EF Focal Distance 16 – 28mm Zoom Ratio 1.75:1 Optical Structure 13 groups /15 elements Sensor Size Full Frame 35mm Minimum Focus Distance 0.28m (0.92 ft) Maximum Macro Magnification 1:5.26 Zoom Mode Rotary Zoom Aperture/Iris Blades 9 Depth of Field T3.0 – T22 (F2.8 – F22) Filter Size 112 mm Overall Length Sony E mount: 166.2mm (from 161mm mount surface) PL Mount: 144mm (from 127mm mount surface) Canon EF Mount: 140.5mm (from 135mm mount surface) Diameter of Front Head 114mm Maximum Diameter 123mm Weight 1.5kg

Cinema ATX Telephoto Zoom Lens

Lens Mount PL/Canon EF/ Micro Four Focal Length 11 to 16 mm Maximum Aperture T3.0 (f/2.8) Minimum Aperture T22 Angle of View 104 to 84° (with APS-C sized image sensor) Minimum Focus Distance 13.78” (35 cm) Zoom Ratio 1.45:1 Zooming Rotary zooming system Optical Construction 13 Elements / 11 Groups Coatings Multi-layer coatings Diaphragm Blades 9 Reproduction Ratio 1:4.94 Filter Thread 82 mm Gear Mod 0.8

Sony E Mount

PL Mount

Cinema ATX

Canon EF Mount

Mount PL, Canon EF Focal Distance 50-135mm Zoom Ratio 2.7:1 Optical Structure 14 groups /18 elements Sensor Size Super 35mm Minimum Focus Distance 1m ( 3.28 ft) Maximum Macro Magnification 1:5.89 Zoom Mode Rotary Zoom Aperture/Iris Blades 9 Depth of Field T3.0 – T22 (F2.8 – F22) Filter Size 112 mm Overall Length PL Mount 159mm (from 142mmmount surface) EF Mount 155.5mm (from 150mm mount surface) Diameter of Front Head 114mm

Canon EF/ MF

100mm T2.9 Macro Lens

PL Mount

ATX 50-135mm T3.0

Mount PL, Canon EF, Sony E, Nikon F, MFT Focal Distance 100mm Optical Structure 8 groups /9 elements Sensor Size Full Frame 35mm Minimum Focus Distance 0.3m (11.8 inches) Maximum Macro Magnification 1:1 Aperture/Iris Blades 9 Depth of Field T2.9 – T32 (F2.8 – F32) Filter Size 82mm Overall Length PL Mount: 148mm(from 133mm mount surface) Canon EF Mount: 146.5mm(from 141mm mount surface) Sony E mount: 172.2mm(from 167mm mount surface) Nikon F mount:143.05mm(from 138.5mm mount surface) MFT Mount:170mm (from 165.8mm mount surface) Diameter of Front Head 85mm Maximum Diameter 88mm

Canon EF Mount

PL Mount

Optics

PL to Sony E mount Adaptor The worlds first Arri PL to Sony E Mount Adaptor

One box, with a choice of 3 mounts: With the introduction of the Sony NEX-FS100 camcorder and working closely with Sony UK we have designed some new products to suit. This Product allows the use of any 35mm format PL mounted lens on the Sony NEX-3, NEX-5 and the new NEX-VG10

B4 2/3” to Sony E-Mount Adaptor The worlds first Arri PL to Sony E Mount Adaptor

The B4 2/3” broadcast lens to Sony E mount adaptor is a useful way of utilizing all of your B4 mounted lenses on the Sony FS7 This adaptor is designed specifically to be used on the FS7 in 2k mode only.

As ever with all MTF products, these are manufactured with extreme precision using HE30 aluminium for the main body, and our own stainless steel E mount.

(Can only be used on B4 2/3” lenses with built in 2X extender engaged, HD lenses recomended)

• Stainless steel E mount • Provision to accept the MTF M/43 & E Mount Support

B4 2/3” to Arri PL Adaptor The World’s First affordable B4 2/3” to PL adaptor

This optical adaptor allows the use of B4 lenses on PL mounted cameras.

Nikon G to Canon EOS Adaptor Designed and built in the UK, this adaptor features aperture control for modern Nikon G type lenses. Original design for intuitive operation Brass/nickel plated Nikon mount Impossible to damage lens during fitting and operation Compatible with DX and 35mm format lenses Compatible with lenses with or without aperture rings

Solid all aluminium construction. Stainless steel PL mount. Multi layer coated optics.

Mamiya M645 to B4 2/3” Adaptor

The World’s First Mamiya M645 to B4 2/3” Adaptor Perfect for shooting macro or telephoto, this adaptor allows the use of the excellent Mamiya M645 range of lenses on any B4 mount 2/3” broadcast camera.

MTF EFFECT Control Unit 3 Kit

With a magnification factor of 6.4x it’s perfect for shooting the flies on the back of a rhinoceros.

One controller, with a choice of 4 mounts: AJA Cion (for the AJA Cion camera) Sony FZ (such as the Sony F3/F5/F55) Sony E (such as the FS100/FS700) Micro Four Thirds (such as the Panasonic AG-AF101 and the Blackmagic Cinema Camera mFT/Pocket Cinema Camera) (Your choice of one of the mounts is included in the kit, the additional mounts are sold separately)

PL 2x Extender

Double the focal length of your PL lens Designed for use with 35mm and Super 35mm PL mount lenses. MTF own stainless steel C mount

Optics

Speed Booster

New Type of Optical Attachement for Increasing the Speed of Photographic Lenses

Illustration of how the reduced image circles fit to the different sensor sizes

Basic function of a focal reducer

Canon EF Lens to Sony E Mount T Smart Adapter (Mark IV)

Nikon F Lens to Sony E-mount T Adapter II

Nikon G to E mount Speed Booster ULTRA

Metabones PL to Sony E-mount T Adapter (Black Matt)

Canon EF to Sony FZ T CINE Smart Adapter

Canon EF Lens to Sony E Mount T Speed Booster ULTRA 0.71x

Speed Booster increases FOV for a given image size

Optics

LAFZB1

FZ to B4 lens adapter for F5 & F55 Compatible with most B4-mount (2/3inch) lenses No loss of angle of view (no croppinng) 12-pin connector provides bidirectional communication between lens and camera. Displays lens data: Focus, Zoom and Iris Lens metadata data is recorded, real time onto compressed and/or RAW digital stream. Lens metadata is simultaneously output via SDI following SMPTE RDD18 specification ALAC-2 (H&V Automatic Chromatic Aberration Compensation) with lenses in camera database. Return video button becomes assignable for calling useful functions such as Expanded Focus, last clip review etc. on the viewfinder.

Optitek

Canon Prolock Mark II for Sony F3, F5, and F55 The Prolock EF has electrical contacts to allow powered control over the iris in 1/3rd stop increments via keys on the mount. The mount adapter also provides power to IS stabilization and internal focus servos. When used with the Optitek Optitron Lens Controller, precision repeatable remote focus control is also available. The Optitek Prolock EF draws its power directly from the camera mount, so no additional cable is required.

The Mark Vb Director’s Viewfinder

The Mark Vb Director’s Viewfinder accurately defines choice of lenses, angles and coverage in a wide variety of formats for both film and video. It enables filmmakers to communicate their visions to each other quickly and with complete accuracy, allowing the time saved to be used on the art of filmmaking. 16mm film: 8.5-100mm Super 16 film: 10.5-125mm 35mm film: 18-200mm 35 Anamorphic film: 35-420mm Video 2/3” video: 8.5-75mm

The Pocket Mini - 11x Telescoping Director’s Viewfinder

The Pocket Mini Director’s Viewfinder is a proven, versatile accessory for directors, cinematographers, production designers, set builders and location scouts in the film and television industry. Used as recommended this instrument will improve creativity and flexibility in defining choices of lenses, angles, and coverage on the set or location.

DENZ OIC 35-A

Director’s Viewfinder for anamorphic or spherical lenses The DENZ OIC 35-A (Optical Image Control) is an indispensable tool for any director, cameraman or gaffer. Sophisticated optics inside dewarp the image of anamorphotic lenses, giving the user a firsthand impression of the Cinema-Format. In order to be able to use spherical lenses with this viewfinder it can be toggled between these 2 modes. - reversible anamorphic / spherical -available with PL- or Panavision-Mount - snapable eyepiece with diopter adjustment ± 5.0 - prepared for ARRIFLEX-Groundglasses 435/535 - ergonomic universal handle made of cherrywood with DENZ-soft-touch coating - integrated pivot-hinge with hirth gearing and eccentric-clamp for an ideal adjustment of the handle - ¼“-thread at the handle’s bottom for monopods - bracket for handle

Mattebox & Follow Focus

RED Epic / Scarlet Accessories Red Epic/Scarlet Basic Kit, MM-5 Mattebox, MCF-1 Follow Focus, 19mm Bridge Plate Kit, Battery Distribution Box, EVF Support Type A

Fs7 15mm Standard kit Custom Rig for the Sony FS7 2-Stage 4x5.65” Matte Box Follow Focus with 0.8 Pitch Drive Gear V-Lock Baseplate with Shoulder Pad ARRI Rosettes & 15mm Rod Clamps Side Bracket with 1/4”-20 Threaded Holes Top 15mm Clamp for Camera’s EVF/ Monitor V-Mount Battery Plate & Distributor Box Universal Lens Support 4x 15mm Rods (8”)

RED Weapon, Raven and Scarlet-W cameras RED Weapon, Raven and Scarlet-W camera kit, RED DSMC² base I/O V-lock expander, Tactical’ top-plate, built-in Lemo adapter, 1/4”-20 threaded mounting points for other accessories, V-mount hot swap adapter (also available to fit Anton Bauer Gold-mount batteries) is compatible with the new RED cameras via the rear-mounted base I/O unit, D-tap port, 15mm rod clamps, 19mm studio baseplates, side bracket, 3.5mm adapter plug

Fs7 Base kit Custom Rig for the Sony FS7 Riser Plate 15mm Rod Baseplate with ARRI Rosettes Integrated Shoulder Pad on Baseplate Compatible with V-Lock Tripod Plates Side Bracket with 1/4”-20 Threaded Holes Top 15mm Clamp for Camera’s EVF/ Monitor V-Mount Battery Plate & Distributor Box 4 x 15mm Rods (8”)

Universal Shoulder Kit The Movcam Universal Shoulder Kit is compatible with the universal LWS base plate system (sold separately) and can be used with the Sony F5 / F55 and FS700 / FS7 and Canon C100 / 300 / 500 cameras. The shoulder kit includes the Movcam 9” universal LWS mini dovetail plate, quick release block, universal shoulder pad, long rosette adapter, and a pair of anti-skid contoured hand grips and rosette offset adapters. When assembled, the kit allows you to carry a compatible camera attached to the universal lightweight baseplate (not included) in a shoulder-mount configuration. Compatibility Arri BP8 and Arri BP9 Bridgeplates Dimensions 10.0 x 2.6 x 0.5” (256 x 68 x 14 mm) Weight 0.5 lb (0.25 kg)

C300/C500 Shoulder kit For Canon C300/C500 Adjustable Shoulder Support Base Plate with Rods Top Handle with Accessory Mounting Holes 2 x Handgrips

Universal BP System Universal Quick Release BP Rossette Bracket Universal LWS Dovetail Plate Riser Plate for C100/C300/C500 Riser Plate for FS700 Riser Plate for F55/F5

Sony A7S II / A7R II Accessories Kit Form-Fitting Camera Cage Removable Top Handle Riser Block for Quick-Release Attachment Baseplate with LWS 15mm Rod Ports 1/4”-20 Threaded Accessory Threads Shoe Mount on Cage and Top Handle Maintains Access to Multi Interface Shoe HDMI Cable Bracket

Mattebox & Follow Focus

MM - 1 Matte Box Kit For Lenses up to 14mm (35mm Academy) 144mm Rear Opening 16:9 Carbon Fiber Housing French Flag and Side Wings One Fixed 4 x 5.65” Filter Holder One Rotating 4 x 5.65” Filter Holder 15mm Mini Swing-Away Bracket 144:114 Rubber Bellows

MM - 5 Matte Box Kit For Lenses up to 14mm (35mm Academy) 156mm Rear Opening 16:9 Carbon Fiber Housing French Flag and Side Wings One Fixed 5.65 x 5.65” Filter Holder Two Rotating 5.65 x 5.65” Filter Holders 15mm Mini Swing-Away Bracket 15:19mm Bridge Plate Adapter 156:114 Rubber Bellows

MM-6 Matte Box Kit Max. Lens diameter: 165mm Filter stage/rotation: 3 /3 Standard filter frame: 6.6x6.6” Optional filter frame: 5.65x5.65”, 4x5.65”, 4x4” Support system: 19mm Material: CF+ Aluminum Alloy Adapter Ring: 114mm

MM-2 Matte Box Kit Max. Lens diameter: 130mm Filter stage/rotation: 2 /1 Standard filter frame: 4x5.65” Optional filter frame: 4x4” Support system: 15mm,19mm(Optional) Material: ABS+ Aluminum Alloy Adapter Ring: 95mm

Movcam Mini Follow Focus MF-1 For DSLRs and Camcorders Start / End Variable Lock System .08 Gear Drive Focus Scale Sliding Base for Various Lens Diameters Mounts 15mm Rods by Tightening Mechanism Standard Flexi-Ring Included

Mini Follow Focus MF-2 For DSLRs and Camcorders .8 Gear Drive Focus Scale Sliding Base for Various Lens Diameters Mounts 15mm Rods by Tightening Mechanism Standard Flexi-Ring Included

Wireless Follow Focus

Movcam 3-Axis Lens Control System

Single--Axis Lens Control System

Movcam 3-Axis Control System Lens 3-axis lens control system is ready wireless solution for setting: focus, iris and zoom. This system includes: hand control, wireless motor controller and motor unit, which fit 19-mm and 15-mm tube. Precise control of the camera lens in any configuration to provide flexibility and ease of use.

Silent motor, precision speed reduction mechanism Modular design and zoom extension module Wireless module with ISM 2.4M frequency range Work with all most cameras’ REC/STOP ‘button 1.56”OLED screen, readable under sunlight Software update via miniSD card Lightweight and compact Calibrating and setting limit on both ends of lens automatically Two control modes: wireless control and cable control Control of ENG lens Compatible with Movcam auto follow focus system-- AcFocus Ergonomical design, easy to operate

Wireless Lens Control System

includes: Movcam MCS-1 Hand Control Unit for 3-axis control system MRS-1 Receiver Box Receiver Module Movcam MD-I Iris Module Movcam MD-Z Zoom Module Movcam UM-1 Motor Module (3x)

Wirelerss Lens Control System

3-Axis Lens Control System

Single--Axis Lens Control System

#501-101

#501-102 Single--Axis Lens Control System

3-Axis Lens Control System

#501-102

#501-101 MRS-1

#501-101-02

MD-I

#501-101-03

MD-Z

#501-101-04

UM-1

#501-101-05

MCS-1

#501-101-01

MRS-1

#501-101-02

MD-I

#501-101-03

MD-Z

#501-101-04

UM-1

#501-101-05

#501-101-02

#501-102-01

#501-101-05

Wireless Follow Focus

ALADIN MKII

8 channel wireless remote control system Cine Lens Focus / Iris Control Wireless Range of 328 Yards 16 RF Channels at 433-434MHz Compatible with All ENG Style Lenses 3D-Capable 2 Heden Motors Work with 15 / 19mm Rods

Magnum 101 Kit Single Chrosziel ergonomic lightweight lens control. Single Channel Transmitter and Receiver Fluid-Drag Control Knob Auto and Manual Calibration OLED Menu Screen Operates on License-Free 2.4 GHz Band Port for Optional Gooseneck Lamps Uses Sony FM50 Batteries

Lens and camera control

compact set 2c (E) handunit with knob, joystick and rocker switch for three motor control, including one motor. Set includes: compact handunit with knob, joystick and rocker switch compact camin 2x cforce motor set (including standart clamp for 19mm rods, 15mm rod adapter, gear set and 1x gear carrier) 1x LCB-1 cable (motor cable 0.8m) 1x LCB-3 cable (motor cable 0.2m) 1x RRS-7 cable (RS cable (Fi f3p, AntB 2p) 0,8m (2’ 7). For power supply with Anton Bauer plug) cfast rod connector (for 19mm rods, including a 15mm rod adapter) 5x marker rings 3x battery battery charger cstrap compact travel case

MicroRemote Wireless Red Rockmicro Wireless Follow Focus

Works with virtually all cameras and lenses Automatic lens calibration (with manual calibration option) All lenses map to an expansive 270 degrees of rotation Left- or right-handed operation Lanyard loop Powerful Redrock Torque motor works with both cinema and still lenses Handwheel with adjustable hard stops Camera run/stop feature (with appropriate cable) Fingerwheel can be added for operator control Handheld can be used in tethered or wireless modes All-digital system

DJI FOCUS

Advanced, Precise Follow Focus System Wireless Follow Focus System DJI’s Focus is a wireless follow focus that integrates natively with the Zenmuse Z5 series of camera/gimbals systems and can be mounted on rigs equipped with 15mm or 19mm rods including the Ronin and Ronin-M gimbals. The Focus features a handheld remote controller (transmitter) with a focus knob to give to the feel of a traditional mechanical follow focus. The wireless system sports a range of up to 330’ line-of-sight with a delay of only 14ms. Control Angle Accuracy:±0.002° Brushless Motor and Receiver in One Unit Up to 330’ Line-of-Sight Range Adjustable Endpoints Works with Ronin and Ronin-M Works with Zenmuse X5 or X5R Cameras Fits Standard 15mm and 19mm Rods Built-In Rosette Mount

Monitors

LMD-941W

LMD-2110W

9” Display 1920x1080, Active Matrix LCD Supports NTSC/PAL & HD Composite, SDI & HDMI Inputs 178° Viewing Angle Top/Bot, L/R Built-In Signal Analyzers Safe Area Markers & Focus Aid Function Timecode & Audio Level Display Display Mode Selection Seven Assignable Preset Buttons 12 VDC & 110/220 AC Power

1920 x 1080 170°/160° Viewing Angles NTSC/PAL 10-bit Signal Processing 109% Peak White ChromaTRU Color Matching Color Temperature & Gamma Mode Settings Composite, Y/C, RGB, Component, HDMI SD-SDI Support via Optional Adapter

9” LCD Monitor

21.5” Professional LCD Monitor

PVM-A170

17” Professional OLED Production Monitor 16.5” Diagonal Screen Size 10-Bit OLED with 1920 x 1080 Resolution 3G-SDI, HDMI and Composite Inputs Loop-Out for Both SDI Inputs 89° Angle of View at > 10:1 Contrast Black Pixels Switch Off Completely OSD Waveform and Vector Scope Recessed Rear Connectors Serial and Parallel Remote Ports Portable Design with Built-In Handle

LMD-1510W

Multi-format LCD Monitor (15.6”) Widescreen LCD Panel Resolution - 1366x768 (WXGA) Aspect Ratio - 4:3 & 16:9 10-bit Signal Processing Engine Safety Area Markers / RGB Color Filter Picture Delay Minimum Mode HDMI Input / Aspect Ratio Settings Blue Only Mode / 3 Color Tally Built-in Mono Speaker VESA (100 x 100mm) Mounting

LMD-1530W 15.3” LCD Monitor

1280 x 768 RS-232C NTSC/PAL 16:9/4:3 Switchable Rack and Vesa Mountable

LMD-A170

17” LCD Production Monitor 16.5” Diagonal Screen Size 1920 x 1080 Native Resolution Supports 1080/60p Video Signals 2x 3G/HD/SD-SDI Inputs SDI Inputs with Active Loop Through HDMI and Composite Inputs 178°/178° H/V Viewing Angle Waveform, Vectorscope, Focus Peaking Embedded Audio Decoding and Display 12V DC Input on 4-Pin XLR network.

LMD-A220

PVM-A250

22” LCD Production Monitor

25-inch TRIMASTER EL™ OLED high grade picture monitor

21.5” Diagonal Screen Size 1920 x 1080 Native Resolution Supports 1080/60p Video Signals 2x 3G/HD/SD-SDI Inputs SDI Inputs with Active Loop Through HDMI and Composite Inputs 178°/178° H/V Viewing Angle Waveform, Vectorscope, Focus Peaking Embedded Audio Decoding and Display 12V DC Input on 4-Pin XLR

24.5” Diagonal Screen Size 10-Bit OLED with 1920 x 1080 Resolution 3G-SDI, HDMI and Composite Inputs Loop-Out for Both SDI Inputs 89° Angle of View at > 10:1 Contrast Black Pixels Switch Off Completely OSD Waveform and Vector Scope Recessed Rear Connectors Serial and Parallel Remote Ports Portable Design with Built-In Handle

LMD-A240

24” LCD Production Monitor 24” Diagonal Screen Size 1920 x 1200 Native Resolution Supports 1080/60p Video Signals 2x 3G/HD/SD-SDI Inputs SDI Inputs with Active Loop Through HDMI and Composite Inputs 178°/178° H/V Viewing Angle Waveform, Vectorscope, Focus Peaking Embedded Audio Decoding and Display 12V DC Input on 4-Pin XLR

PVM-X300

30-inch 4K TRIMASTER™ LCD professional monitor 4K Resolution (4096 x 2160) TRIMASTER and IPS Technology 3G/HD-SDI, HDMI and DisplayPort Suitable for Use in the Field Solid Aluminum Housing Auto White Adjustment Support for Color Analyzers Focus Assist, Markers, Gamma Selection Stereo speakers and Line Out SDI-Embedded 8-ch Audio Level Display

Monitors

S-1092H

S-1222F

Full HD 1920*1200, H170°/ V170°viewing angle, 800:1 contrast Applied LCD protective glass 3G/HD/SD-SDI, HDMI, CVBS, input and loop through output Under SDI or HDMI input, Pic-in-Pic display another channel of CVBS Peaking focus assist (red/blue switch) 2-ch SDI / HDMI embedded audio meter display SDI timecode display Underscan / Overscan, safe area, 4:3 marker Blue Only / Zebra (SDI&HDMI) Front & rear TALLY light V-mount or Snap-on DV mount: F/P/J/C/U/E/B/V/I

21.5-inch LCD Panel with LED backlight 1920x1080 resolution, 1000:1 contrast H/V 178° viewing angle Underscan / Overscan, safe area HD/SD-SDI, HDMI, CVBS input Build-in HDMI to SDI conversion output Waveform (Y/Cb/Cr/R/G/B), with full scale Vector scope, RGB histogram Peaking focus assist (red/blue switch) Embedded audio meter (SDI-16, HDMI-8) TSL UMD and Text-Tally display Real time video zoom-in and flip SDI timecode display False color, Blue only, Zebra, colorbar 3-color TALLY light Customer editable video TITLE Magnetic attached LCD protective glass V-mount / Gold mount battery plate optional

Swit 8.9-inch Full HD 3GSDI&HDMI LCD Monitor

S-1071HF

Swit 21.5” Full HD SDI/HDMI Waveform stadio LCD Monitor

7-inch waveform HDSDI/HDMI monitor 1024×RGB×600 - 16:9 / 4:3 adjustable HD/SD-SDI, HDMI, Composite video inputs HDMI converted to SDI output by a Build-in Converter Waveform (Y/Cb/Cr/R/G/B), with full scale Vector scope - R G B Histogram Peaking focus assist (red/blue switch) False color, Blue only, Zebra Underscan / Overscan switch Canon DLSR scale zoom-in

S-1070C

7-Inch HDMI TFT Monitor 7-inch TFT LCD 800×RGB×480 16:9 / 4:3 adjustable HDMI, Composite video, Stereo audio Underscan / Overscan switch,safety mark, center zoom-in 3-color TALLY light Magnesium alloy shell

S-1161H

Swit 15.6-inch 3GSDI/HDMI studio LCD monitor 15.6-inch 10-bit LCD, Full HD 1920x1080 resolution 178(H)/178(V) viewing angle, 700:1 contrast 3G/HD/SD-SDI, HDMI input and loop through output, CVBS input Peaking focus assist, Red/Blue dual color (SDI&HDMI) 2-ch SDI/HDMI embedded audio meter display SDI time code display Blue only, Zebra stripes (SDI&HDMI) Marker:4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1 Magnetic LCD protective glass, V-mount / Gold mount plate

M-1071A

Rack mount Audio/Video LCD monitor 7-inch LCD, 1024×RGB×600 16:9 / 4:3 adjustable HD/SD-SDI, HDMI, CVBS input 3.0-inch antimagnetic coaxial speaker 16-ch VU/PPM audio meters display Lissajous patterns display Audio peak wave display Pair audio Selectable output 3-color TALLY light Underscan / Overscan switch Customer editable video TITLE Video zoom-in Video flip 19-inch 3RU rack mount

DVFL700

LCD 7” FULL HD Monitor Native 1920 x 1080 Resolution Compatible with PMW-F55 and F5 Cameras Supports 4K and 2K Signals Supplied Flexible positioning arm for most comfortable operation.

DVF-L350

LCD 3.5-inch colour HD digital viewfinder 960 x 540 Resolution 1000:1 Contrast Ratio 270 Nit Brightness Flip-Up Eyecup with Adjustable Diopter Contrast, Image Reversal, Focus Controls Adjustable Mounting Arm Included

Monitors

Gratical X View Finder

DVF-EL100

OLED 0.7-inch colour HD digital viewfinder Self-Emitting OLED Technology 1280 x 720 Resolution 1000:1 Contrast Ratio Displays 13.28 Stops Nearly 14 Stop Exposure Latitude No Smear or Blur 26-Pin Digital Interface Adjustable Mounting Arm Included

MICRO OLED DISPLAY Screen Dimension - 0.61” diagonal Resolution - Full Display 1280x1024, 16x9 1280x720 HD Contrast Ratio- 10,000:1 Refresh Rate - 60Hz Color Depth - 24 bit RGB Luminance - 120-250 cd/m^2 Pixel Info - 2687.21 PPI 5.4 million pixels 16.7 million colors

FS5 Z-Finder View Finder

EVF Flip-Up Electronic View Finder External Monitor for DLSR Video Shoots 3.2” (8cm) High Res Monitor:384,000 Dots Enhances Stability for Shooting Video Scaling Function 2 HDMI Standard Ports 3 Assignable Function Buttons Brightness / Contrast Adjustments Audio Meter Indicator Black Sun Protection Disk Included

Gratical HD

The Zacuto FS5 Z-Finder is specifically designed to suit the shape and size of the monitor included with the Sony FS5. The FS5 Z-Finder comes with a flip up frame designed to slide onto the FS5 LCD. The Zacuto Z-Finder will pop on and off the frame for quick shooting. The red lever at the bottom of the frame allows you to quickly flip the Z-Finder up without removing it from the frame. If a producer/client/ director etc. wants to see into the viewfinder, you can flip it open instead of having to adjust so they can get their eye to the loupe. You can also pop off the Z-Finder and use the FS5 LCD as a monitor.

View Finder

EVF-035W-3G

MICRO OLED DISPLAY Screen Dimension- 0.61” diagonal Resolution - Full Display 1280x1024, 16x9 1280x720 HD Contrast Ratio - 10,000:1 Refresh Rate - 60Hz Color Depth - 24 bit RGB Luminance - 120-250 cd/m^2 Pixel Info - 2687.21 PPI 5.4 million pixels 16.7 million colors

Magnesium Housing-Light Weight Retina LCD Display; 3,54” (960x640, 16:9) 160˚(H) / 160˚(V) HDMI Input & Output Various Scan Mode Lens Shutter for protection of the EVF LCD Monitor Internal Colourbar + Pluge Pattern HDMI~HDMI A. Loop Through SDI~SDI A. Loop Through Phone Jack for Calibration

Monitors

SmartView 4K

Blackmagic Design Smartscope Duo 4K Rack Mounted Dual 6G-SDI Monitors 15.6” 3840x2160 Active-Matrix TFT LCD Supports Up to Ultra HD 2160p60 Two Multi-Rate 12G-SDI Inputs SDI Loop Output Dual 3D LUT Support H/V Delay, Blue Only, & Frame Markers Front Panel & Ethernet Control 6RU Machined Metal Frame VESA Mounting Holes 12VDC & 110/220 VAC Power Inputs

SmartView Duo

Blackmagic Design SmartView Duo Rackmountable Dual 8” LCD Monitors 3G/HD/SD-SDI Inputs, Both with Loop-Out Integrated Tally for Live Broadcast Ethernet Input for Adjustments Upgradeable Firmware via USB 2K, 1080i/p, 720p & 50/60 Hz SD Support 10-Bit Color & 4:2:2 / 4:4:4 Sampling 800 x 480 Resolution

MultiView

Blackmagic Ultra HD monitor or TV

SmartScope Duo 4K

Blackmagic Design Smartscope Duo 4K Rack Mounted Dual 6G-SDI Monitors Supports SD/HD/3G/6G-SDI Auto Format Sensing & Selection 1 x Loop Through SDI I/O per Monitor Select Video, Waveform, Vectorscope RGB Parade, YUV Parade, Histogram Audio Phase & Levels Software Control via Ethernet Industry Compatible Tally System 3 Rack Unit Size for Mounting Auto Orientation Sensing & Image Flip

16x 6G-SDI Inputs with Loop Outputs 4x SDI & 1x HDMI MultiView Outputs Supports SD, HD, Ultra HD 4K, DCI 4K 2x2, 3x3, 4x4 Multi-View Configurations Built-In LCD with Spin Knob Control Push Buttons on Front Panel Ethernet for Remote Control 1RU Machined Aluminum Chassis Built-In Multi-Voltage Power Supply

Video Assist

HDMI/6G-SDI Recorder and 5” Monitor

SmartView HD

Blackmagic Design 17” SmartView HD Studio Monitor Supports SD/HD/3 Gbps SDI Formats Resolution -1920 x 1080 3 Gb/s SDI Video Inputs Integrated Tally for Live Broadcast Fully Digital Adjustments Built-in Ethernet Centralized Network Based Control For Multi-monitor Installations Free Firmware Updates 6 RU Compact Design

1920 x 1080 Touchscreen LCD Records 1080p up to 60 fps ProRes and DNxHD 10-Bit, 4:2:2 Encoding HDMI and 6G-SDI Video Inputs Loop-Through Video Outputs Stores to Single SDHC/SDXC Memory Card On-Screen Histogram and Audio Levels Dual Canon LP-E6 Type Battery Slots AC Adapter Included

Monitors

DP7-Pro LCD

AC7 LCD

7” Pro On-Camera Field Monitor (SDI)

Small HD 7-inch Field Monitor

7” 1280x800 8-bit IPS LCD 24 Quick-access ‘Smart-Keys’ Full-screen Waveform & Scopes 2-way Cross Conversion Custom Look Support (3D-LUTs) 1x SDI 1x HDMI Composite (CVBS)

7” IPS LCD 1280 x 800 Resolution 8-bit color depth HDMI, Component, Composite Inputs Focus, Exposure, and Framing Tools Adjustable Backlight Push-Select Scroll Wheel Menu Control Two Assignable Function Buttons 800:1 Contrast Ratio Weighs Less than 1 lb Supports V-Mount/Gold-Mount/DV Brackets Sophisticated focus, exposure, and framing tools

DP7-Pro OLED

7” Pro On-Camera Field Monitor + Color Reference Monitor 7.7” 1280x800 OLED Display Custom Look Support (3D-LUTs) High Color Gamut via OLED Technology True Black Point / High Contrast 24 Quick-access ‘Smart-Keys’ Full-screen Waveform & Scopes 2-way Cross Conversion (SDI / HDMI) Composite (CVBS) 2x SDI 1x HDMI Composite (CVBS)

DP7-Pro High Bright 7” Pro On-Camera Field Monitor (Daylight Viewable)

7” 1280x800 8-bit IPS LCD Daylight Viewable (1500 nits) 24 Quick-access ‘Smart-Keys’ Full-screen Waveform & Scopes 2-way Cross Conversion (SDI / HDMI) Custom Look Support (3D-LUTs) 2x SDI 1x HDMI Composite (CVBS)

AC7 OLED

Small HD 7-inch Field Monitor Rich-Color 7.7” OLED Display Produces True Blacks, High Color Gamut Gorilla Glass Screen 1280 x 800 Resolution SDI, HDMI, Analog Inputs; SDI Output Focus, Exposure, and Framing Tools Push-In Scroll Wheel Menu Control Two Assignable Function Buttons Weighs Less than 1 lb Supports V-Mount/Gold-Mount/DV Brackets

502

The sharpest and smartest 5-inch Full HD on-camera monitor in the world 5” 1920 x 1080, SDI & HDMI Monitor 441 Pixel Per Inch Display 3 Second Boot Time SDI & HDMI In/Out with Cross Conversion User Definable Presets Discrete Display/Output 3D LUT Support Joystick Menu Navigation

501

HDMI On-Camera Monitor with 3D LUT Support 5” 1920 x 1080, HDMI Monitor 441 Pixel Per Inch Display 3 Second Boot Time HDMI In/Out User Definable Presets Discrete Display/Output 3D LUT Support Joystick Menu Navigation

702

Bright 7” Daylight Viewable Full HD LCD Field Monitor 7” Full HD (1920 x 1080) display Optically bonded LCD panel with antireflective coating 1000 nits brightness Page Builder OS SDI and HDMI in/out Aircraft-grade aluminum construction Sony NPF L Series and Canon LP-E6 battery compatible (no battery plate required) Adjustable backlight Temperature adaptive color Overload protection Smart battery compliant

Sidefinder

The sharpest and smartest 5-inch Full HD on-camera monitor in the world 720p EVF/1080p LCD HDMI/SDI In and out + Cross Conversion Adjustable Field-of-View, Adjustable Diopter 3D LUTs, Scopes, Waveform, Image Capture, and more... Integrated EVF Mounting Bracket (NATO Rail, ARRI Rosette, 15mm Rod, 1/4” 20) Shock-Mounted Display + Circuit Board

Heads

C60S / C40S Payload Capacity : Payload Capacity C60S: Weight : Pan range: Tilt range: Counter balance: Counter balance: Fluid darg: Bowl diameter: temp, range:

40 kg 50 kg 11 kg 360 +/- 65 7 STEPS + 0 4 STEPS + 0 7+7 Flat Mitchell/150 mm -40 /+60 C(-40 /,+158 F)

Maxima Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

52 kg 15 kg 360 +/- 90 Continuous Continuous Mitchell/150 mm -40°/+60°C(-40°/+158°F)

FOCUS HD Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

12 kg 2.5 kg 360 +/- 90 Continuous Continuous 100 mm -40 /+60 C (-40 /,+158 F)

OB OMEGA1 stage OB System

Fluid Head flat base H519 + 2 handles + 1 stage aluminum HD Tripod T625/M + mid level spreader S732/HDML + pivoting feet A865 Payload capacity: Pan range (°): Tilt range (°): Counterbalance: Positioning Fluid drag: Bowl diameter: Encoding transmission direct

(80Kg / 176Lbs) 360° +/-65° Continuous absolute Continuous Flat Mitchell/150 mm

K 435/2 MASTERMK2 2 stage System

Fluid Head flat base H541 + 2 handles + 2 stage aluminum Studio tripod T624/2M + metallic floor spreader S738 Payload capacity: 150 mm (30KG) Weight : 8,5 kg (18.7 lbs) Pan range (°): 360° Tilt range (°): +/-90° Counterbalance: Continuous Fluid drag: Continuous Bowl diameter: Flat Mitchell/150 mm Temp. range: -40°/+60°C (40°/+158°F)/,+158 F)

Heads

The ne w

fOCUS

4 New Fluid Heads for lightweight Camera packages up to 2

range 2 kg (48.50 lbs )

Heads

MVH500AH Fluid Video Head 5 kg Weight Capacity Wide Platform for HDSLRs Side Lock System for Safer Mounting Aluminum Alloy Construction Spring-loaded Counterbalance Includes Long Quick-release Plate 1/4” and 3/8” Camera Attachment Additional 3/8” Accessory Connection

MVH502A PRO VIDEO HEAD 75MM -M SIZE 5.5 kg Weight Capacity Counterbalance Supports 8.8 lb Bridging Technology Spring-Loaded Counter Balance Continuously Adjustable Pan/Tilt Drag Pan Bar & Sliding Plate Included

MVH500A Pro Fluid Video Head Supports 5 kg Wide Platform for Camcorders & HDSLRs 60 mm Half Ball for Leveling Spring-loaded Counterbalance Integrated Bubble Level Side Lock Quick Release System Includes Long Quick-release Plate 1/4” and 3/8” Camera Tie-Down Screws Left and Right Mounting Rosettes Additional 3/8” Accessory Connection

526 504HD SYSTEMS Supports 16.5 lbs (7.5kg) Unique Bridge Architecture 75mm Half Ball 4-step Counterbalance System Illuminated Bubble Level

MVH502AH

PRO VIDEO HEAD FLAT BASE-MSIZE 5.5 kg Weight Capacity Counterbalance Supports 4 kg Bridging Technology Spring-Loaded Counter Balance Continuously Adjustable Pan/Tilt Drag Pan Bar & Sliding Plate Included Full smoothness control while shooting thanks to the variable fluid mechanisms. Ideal for latest camcorder and HDSLR cameras supplied with external accessories (4kg max capacity). The head can be combined with all photo tripods, thanks to the 3/8” female thread.

509HD Load Capacity up to 29 lb (13.1 kg) 100 mm Half Ball 4-Step Counterbalance Mechanism Ergonomic Adjustments Bridging Technology Advance Balancing Recorder

526 Professional Fluid Video Head The 526 Professional Fluid Video Head directly addresses the heavy-duty, high-end ENG and EFP video market by offering a feature-packed fluid video head that borrows all the combined benefits of our 500 series heads with the ability to support top weight loads over 6.8 kg. The 526 features a replaceable and removable pan arm rosette so if any damage occurs to the side castings, only a small part needs to be replaced; large rubber padded knobs for better grip and all the controls (tilt and pan lock, tilt drag) are located on the left side so they can be easily found.

HI HAT 529B Head Fixing 100 mm Maximum Height Minimum Height Weight

7.7” (19.5 cm) 5.7” (14.4 cm) 5.5 lb (2.5 kg)

The Manfrotto 529B facilitates shots from the lowest possible position. The feet are rubber padded to protect delicate surfaces, and have a hole so that it can be screwed down to a ladder, apple box, or sheet of plywood.

Tripod, Dolly, Controllers

MVK500A MVH500A Head

Supports 11 Pounds Wide Platform for Camcorders & HDSLRs 60 mm Half Ball for Leveling Spring-loaded Counterbalance Side Lock Quick Release System Integrated Bubble Level 2 Stage Tripod with Mid Level Spreader 26.57 to 60.63” Height Range Rubber Feet Padded Carry Bag

PORTABLE DOLLY 114MV Diameter weight: load capacity: Height:

FOLDING AUTODOLLY 181B Diameter weight: load capacity: Height:

MVM500A VIDEO MONOPOD Maximum Height: 6.6’ (200 cm) Weighs Just 4.6 lbs Fluid Head Included Long Sliding Plate Side Lock System for Safety 3 Mini Legs at Base for Added Stability Supports up to 11 lb

VIDEO DOLLY 114 Diameter weight: load capacity: Height:

1120 6.1 kg 9 kg 11.5cm

1120 6.1 kg 9 kg 1.5cm

1120 6.1 kg 9 kg 11.5cm

MVR - 901 EPEX

INTELLIGENT ZOOM REMOTE CONTROL FOR ENG LENSES 524CFi LANC Control on Standard Pan Bar For LANC (Sony and Canon) Cameras The Manfrotto RC Pan Bar EX Remote Control for LANC Cameras comes mounted with a standard pan bar and is compatible with LANC (Sony and Canon) cameras.

MVR-901ECEX

REMOTE CONTROL FOR SONY EX1 The 521EX Sony PMW EX1 Remote Control features: Zoom: professional “wheel” zoom for finer adjustments and smoother progressions Zoom Reverse Control - Invertible zoom direction: zoom in/out can be inverted (left to right or right to left) Zoom Speed Control Fast Zoom: preset fast zoom Dedicated plug

MVR - 901 EPLA FOR SONY/CANON

Pan-bar remote control for cameras with Lanc (Sony and Canon). REC/ STOP - Zoom direction switch -Maxspeed zoom potentiometer Stand-by push button - RET push buttons (play back latest 5s) - REC, Zoom and Focus indicator LED’s - Zoom and focus direction knob (by software) - Multispeed Zoom and Focus knob - Focus/ Zoom switch Auto/Man Focus switch

MVR - 901 ECPL FOR SONY/CANON

Remote control can be set-up for Lanc (Canon/Sony) and Panasonic cameras. Lanc/Panasonic switch Stand-by push button (for Lanc only) REC/STOP push button Multi-speed Zoom knob - Zoomdirection switch - REC/STOP LED (for Lanc only) - Zoom direction knob (by software)

MVR - 901 ECLA FOR SONY/CANON

Advanced remote control for Lanc (Canon/Sony) cameras. - Stand-by push button - REC/STOP push button - Zoom and focus direction knob (by software ) - Multispeed Zoom and Focus knob Focus/Zoom knob - Max-speed zoom potentiometer - Rec, Zoom and Focus indicator LED’s

Tripod Kit

526,545GBK KIT Head: 526HD, Tripod: 545GBK maximum height: weight: load capacity: minimum height:

173 cm 7.1 kg 16 kg 47.5 cm

504HD, 546BK KIT Head: 504HD, Tripod: 546BKK maximum height: weight: load capacity: minimum height:

169.4 cm 6.1 kg 7.5 kg 45.5 cm

502A, 546GB-1

502AHD Ball Base Fluid Head / 546GB Tripod 75mm Ball Mount for quick adjustment Ground level spreader for stability Video head gives silky smooth pans and tilts Red & Black Tripod Carrying Bag

MVH 502AM-1 509HD, 545GBK KIT Head: 509HD, Tripod: 545GBK Load Capacity up to 29 lb (13.1 kg) 4-Step Counterbalance Mechanism Ergonomic Adjustments Bridging Technology Advance Balancing Recorder 2-Stage Die-cast Aluminum Legs Advanced Leg Angle Selector Screw-in 75/100mm Ball Adaptor Mid-leg Spreader

504HD,546GBK KIT Head: 504HD, Tripod: 546GBK maximum height: weight: load capacity: minimum height:

161.5 cm 6.4 kg 8 kg 74.5 cm

504HD, 536K KIT Head: 504HD, Tripod: 536K maximum height: weight: load capacity: minimum height:

217.5 cm 6.1 kg 9 kg 40.0 cm

MVH 502A, 546 BK KIT Head: 502HD, Tripod: 564GBK maximum height: weight: load capacity: minimum height:

217.5 cm 6.1 kg 9 kg 40.0 cm

502HD Ball Base Fluid Head / 546GB Tripod 75mm Ball Base Fluid Head 12.2 lb payload Spring-loaded counterbalance supports up to 8.8 lb Patented bridging technology protects the pan friction control from knocks Includes 504PLONG quick release plate and a pan bar Bowl Base Aluminum Tripod Over-the-Shoulder Carrying Bag 504PLONG quick release plate with 1/4” and 3/8” screws Slides 3.27” (8.3 cm) along balance plate

MVH500AH, 755XBK

MVH500AH Fluid Head & 755XB Tripod Flat Base Fluid Head with 11 lb Payload Wide Platform Ideal for DSLRs -70° / +90° Tilt & 360° Pan Accepts Camera Plates from Above 500PLONG Camera Plate Included 2-Stage Aluminum Tripod Flip-Lever Lock Clamps Adjustable and Removable CenterColumn 65” Max Height w/ Center-Column Raised Padded, Zippered Over-the-Shoulder Bag

Tripod Kit

Pedestal P20 Maximum Pressure : 13.0 atm(250 psi) Maximum Capacity : 25 kg Total Weight: 15 kg “Non-shot” Stroke: 40 cm Streeing Wheel Diameter: 26 cm Minimum Hight: 74 cm Maximum Hight: 161 cm Wheels: 3*2 Coupled Wheel Diameter: 100 mm Doorway Tracking Width min: 67 cm Doorway Tracking Width max: 97 cm

Pedestal P70 Maximum Pressure P50: 17.0 atm Maximum Pressure P70: 12.2 atm Maximum Capacity P50: 55 kg Maximum Capacity P70: 65 kg Total Weight: 28 kg Total Weight: 28 kg “Non-shot” Stroke: 50 cm Dolly Leg Radius: 50 cm Streeing Wheel Diameter: 45 cm Minimum Hight: 75 cm Maximum Hight: 140 cm Wheels: 3*2 Coupled Wheel Diameter: 125 mm Doorway Tracking Width: 100 cm

K 529/2 FocusHD System 2 stage aluminum

Fluid head H529 + 1 handle + 3 tube 2 stage aluminum DV tripod Floor spreader S731/SQR + rubber feet A857 Lightweight FocusHD Head 3-Tube 2-Stage Aluminum Alloy Tripod Floor Spreader ±90° Tilt/360° Pan Constant Variable Fluid Damping System Compatible with ENG & HDV Cameras Maximum Capacity - 26 lb (12 kg) Quick Release Sliding Camera Plate Illuminated Spirit Level/Counter Balance Telescopic Pan Bar/Black Soft Case

K 529/2C FocusHD Carbon Fiber Tripod System

Fluid head H529 + 1 handle + 2 stage carbonfibre ENG tripod T622/2C + metallic floor spreader S732 FocusHD Fluid Head 3-Tube Ultra Light 2-Stage CF Tripod metallic floor spreader Constant Variable Fluid-Damping System 90Â° Tilt & 360Â° Compatible with ENG & HDV Cameras Maximum Capacity - 26 lb (12 kg) Quick-Release Sliding Camera Plate Counterbalance System / Spirit Level Telescopic Pan Bar / Black Soft Case

Focus 18 2 System stage aluminum Floor spreader Focus 18 Head, 2-Stage Aluminum Tripod, On-Ground Spreader

Load Capacity 176.4lbs (80Kg) Base 100 mm Pan Range 360° Tilt Range +90°/-70° Fluid Drag Continuous Counterbalance Continuous Material Aluminum Leg Stages/Sections 2/3 Folded Height 33.5” (85cm)

Focus 12 2 System stage aluminum Floor spreader

Focus 18 2 System stage aluminum Floor spreader

Focus 12 Head, 2-Stage Aluminum Tripod, On-Ground Spreader

Focus 22 Head, 2-Stage Aluminum Tripod, On-Ground Spreader

Load Capacity 26 lbs (12Kg) Base 100 mm Pan Range 360° Tilt Range +/-90° Fluid Drag Continuous Counterbalance Continuous Material Aluminum Leg Stages/Sections 2/3 Folded Height 28.3 “ (72cm)

Load Capacity 330.7 lbs (150kg) Base 150 mm Pan Range 360° Tilt Range +/-90° Fluid Drag Continuous Counterbalance Continuous Material Aluminum Leg Stages/Sections 2/3 Folded Height 29.5 “ (75cm)

Camera Support

Universal Dolly for Indie Dolly Tracks Curved and Straight Track Compatibility

“Universal Dolly” is a dolly that works on straight track as well as curved track (without having to add any accessories). This dolly is adjustable to any track width and doesn’t require any tools for set up.

CAMERA SUCTION MOUNT This CAMERA SUCTION MOUNT is ideal to safely attach a camera on a moving vehicle, aircraft, train or boat. This innovative KIT uses three strong suction cups, six universal joint clamps and a set of three 12 inch and three 18 inch rods that connect in seconds to a camera plate to position a camera or light almost anyplace. A lighting spud and stainless steel safety cable are also included. The MOUNT weighs just six pounds. (3.5.kg) Total holding force is 200 pounds. (90kg) Maximum camera weight is 50 pounds. (22.5 kg)

Dolly Track System The portable MICRODOLLY Basic Kit Camera Dolly and Dolly Track System is purpose built for crews that must travel light and set up quick. It weighs only 10 pounds (4.5 kg) and fits into a Soft Case only 34 inches (86 cm) long. The Track is spring loaded and snaps together as it is unfolded. The Dolly with 13 feet (4 m) of Track can be set up in less than two minutes and will carry a video camera or film camera weighing up to 100 pounds (45 kg). Silent, smooth, bump free camera moves can be accomplished much quicker than with conventional dollies and dolly equipment.

CARTONI JIBO The new portable 3 section CARTONI JIBO is designed to be one of the most versatile and cost effective lightweight Jibs, carrying up to 15 kg (33 lbs) and fits into a practical lightweight case on wheels. The JIBO‘s innovative unique feature of the 3 easy mounting sections provides fast and easy operational flexibility and can be assembled or disassembled in less than 3 minutes. JIBO adds the benefit of diagonal tracking and elevation to the traditional pan and tilt movement of a standard Fluid Head. This new lightweight Jib weighs only 12 Kg (25 lbs) and folds down to 1 meter (38”) in length and allows shooting from absolute ground level to 2 meters (78”) in height. JIBO interfaces with any 100mm bowl base tripod and for heavier set-ups a Mitchell base adapter is available for sturdier use.

Camera Support

KC-Lite 8.0 Camera Crane

Kessler Pocket Jib PRO

The Kessler KC-Lite 8.0 has been designed to be the best “economy” crane on the market. For the filmmaker shooting on a tight budget, using a lighter digital video or DSLR camera under 10 pounds, we feel the KC-Lite is the highest quality camera crane / jib in the sub $400 price range.

The Pocket Jib PRO has been designed for a greater weight capacity when larger cameras and rigs are being used. With its heavy duty arms, the PJ PRO can handle up to 50 lbs. in any length configuration. This is perfect for RED’s, ALEXA’s or any other rig weighing up to 50 lbs. (We recommend the regular Pocket Jib for cameras under 20 lbs.)

Technical Specs Camera capacity: Up to 10 lbs. (4.5kg) Unit weight: 11.5 lbs. (5.2 kg) Folded length: 48 inches. (122cm) Extended length: 8 ft. (2.4m) Distance from tripod to camera: 5.5 ft (1.7m) Total vertical movement: 10.5 ft. (3.2m) Counter Weight Required: 7.5 lbs + (1.8 X payload weight) (3.4kg)

Pocket Jib Traveler The Pocket Jib Traveler is Kessler’s newest and most compact Pocket Jib designed for shooters that require an ultraportable jib solution. The Pocket Jib Traveler is 27 inches in length when collapsed and has a circular travel distance of 72 inches when fully extended. It surpasses other ultra-portable jibs through is unique design and light footprint, providing shooters with the perfect travel companion as they trek through extreme environments to capture the perfect shot. Weight: 5.5 lbs. Collapsed Length: 27” Circular Travel: 72” Weight Capacity: 10 lbs. Total Vertical Movement: 62.3”

Technical Specs Unit Weight: 25 lbs. Weight Capacity: 50 lbs. (at any length) Collapsed Length: 46” Fully Extended Length: 83.5” (to end of ball relocator) Fully Extended Length: 76” (to end of platform)

Kessler Multi-Angle Mounting Plate The Kessler Multi-Angle Mounting Plate is designed to work in conjunction with the Kessler Low Profile Ball Head. The mounting plate can be attached in a 45° or 90° configuration and, coupled with the range of movement of the Low Profile Ball Head, will allow for configuring you camera at just about any angle you desire. The ability to mount to the LP Ball Head in a 90° configuration is ideal for doing vertical slider moves. With the optional Multi-Angle Cheese Plate, you can also attach various accessories and mounts; even another Multi-Angle Mount. Weight Capacity: 18 Kg

Camera Support

DollyCrane SD A multi-award winning, counter-balanced, multi-function, multi-angled camera platform combining the function of the slider, camera crane, Mini Jib and tower. Once set up, the system can instantly change its function from slider to dolly crane / Mini Jib and back thanks to its unique construction. The DollyCrane can be assembled quickly by just one operator using standard heavyweight tripod. The DollyCrane will carry payload up to 12kg. Angles DollyCrane supports various angle operations. Uniquely designed counterbalance system ensures smooth and firm camera operation in every angle. Dolly The mobile counterweight allows the camera to reach as far as 160 cm which is much more than in other products. Also the angles of operations are virtually unlimited – up to 60 degrees and 90 degrees vertical. Crane The crane configuration gives such possibilities as the movement of the camera parallel to the ground in 3 axis. Mini Jub The camera crane working as a jib gives the span of operation of 160 cm horizontally plus 360 degree scope of movements of the jib arm. There is also the possibility to tilt or pan the camera. Tower The camera crane jib can also be used as a Tower with the help of the system of two handles which can be simply removed and repositioned. Table Top The DollyCrane has the Table Top configuration as well.

MotionControl MotionControl - Developed specifically for use with the DollyCrane and DollyCrane HD, you’ll enjoy endless possibilities of camera movement and control. MotionControl allows manual and programmed movements. Every movement, manual or programmed, may be recorded and stored for later use. There are nine persistent banks and one volatile bank available. Each movement can be repeated up to 999 times and extended “time extension” up to 99 times, allowing the user more than enough opportunity to get that perfect shot. You’ll really appreciate the wide range of speed settings from 0-20cm/sec. and a speed ramp range from 0.5-2.5 seconds. Due to the patent pending, precision counter balance system on DollyCrane and DollyCrane HD family, only one motor is required for all functions of the motion control. The MotionControl System allows the use of the mutli-angled slider to achieve a wide range of unique shots.

DollyCrane HD The new heavy duty DollyCrane HD features the same revolutionary design features as the standard DC but will accommodate camera and head combinations of up to 32kg, mak ing in an ideal grip companion to more traditional feature, drama and commercial shooting packages. With the increased weight capacity, the DC HD can be used with fully built studio digital cameras such as the Arri Alexa, Sony F35 and Panavision Genesis, as well as traditional 16mm & 35mm film cameras.

Pan & Tilt Head ADAPTER The new, low profile plate for the FloatCam DollyCrane and DollyCrane HD, car mount systems, and many other devices, provides a stable platform when fluid movement is not required. Quite often, when doing timelapse or motion control imaging, it is important to keep the camera steady in a predetermined, locked-down position. The Low Profile Plate allows you to make precise positioning to both pan and tilt functions before securing the camera to begin your shooting sequence. It lowers the center of gravity on the camera package to ensure stable, solid imaging. The Low Profile Tilt Plate can also be used on car mount systems and other applications where camera lock-down is preferred over camera movement.

The unique counterweighted slider can be operated at almost any angle, including vertical, and also doubles as a mini-jib. The DC HD can be ordered with a MOY or 150mm BOWL fitting for use with your existing heavy duty MOY legs or bazooka.

Camera Support

FC Slider

Pan Tilt Head RF

FC Slider boasts a 50Kg (113lbs) weight capacity which means that it can handle almost every camera available on market. To its construction the movement is always stable and ultra-smooth, no matter how heavy camera is.

A lightweight, wireless and remote head perfect for both live action and time lapse. This new 360-degree pan/tilt head is compatible with FloatCam’s DollyCrane, Dolly Crane HD and MoCo Slider as well as compatible camera supports from jib to slider and tripod mounts. Controls are via a multi-axis joystick with a bulit in microprocessor to program, record and playback up to 10 moves.

Our most compact slider

FC slider is our lightest and most compact slider. It can be dropped on the ground, set on a table, center-mounted to a tripod or mounted on both ends. Rail length: 86cm (34”) Tracking length: 68cm (27”) Max payload: 32Kg (70lbs) mounted on center 50Kg (113lbs) mounted on both ends Rail weight: 7Kg (15lbs) Mounting standartss: Flat plat mount (3/8” hole) Tripod attachment: 3/8” hole/ 100mm / 150mm / Mitchell

Wireless Remote Head

360O rotation in each axes Cable and wireless Real time operation Programmable movement Time Lapse and stop motion Full Repeatability for VFX Shutter and exposure control Time extension Nine Persistent Banks High Speed Range Upside Down Operation Minimized cabling Easy to Balance Compact Build

MoCo Slider

Motion Controlled camera Slider MoCo Slider boast a 50Kg (113lbs) weight capacity which means that it can haandle almost every camera available on the market. The movement is always stable and ultrasmooth, no matter how heavy camera is. Its unique construction it can be very easily connected with a MotionControl HD RF system. MoCo Slider is our lightest and most compact slider. It can be dropped on the ground, set on table, centermounted to a tripod or mounted on both ends. Rail length: 86cm (34”) Tracking length: 68cm (27”) Max payload: 32Kg (70lbs) mounted on center 50Kg (113lbs) mounted on both ends Rail weight: 7Kg (15lbs) Mounting standartss: Flat plat mount (3/8” hole) Tripod attachment: 3/8” hole/ 100mm / 150mm / Mitchell

Camera Support

SC-TravelerJIBENG6 Very responsive head with smooth movement, matching the level of famous brand in crane and remote head industry. Slip ring installed for pan movement allows remote head could pan unlimited. The HD signal can go through the slip ring, which means the remote head can output HD signal. Specifications Arm reach: 3.38 m Max. lens height: 4.69 m Min. lens height: -2.69 m Tilt range: -70^ / 60^ Tripod Height Range: 1.47 - 1.75 m

SC-SUPERJIB12

SC-TravelerJIBDV6

Very responsive head with smooth movement, matching the level of famous brand in crane and remote head industry. Slip ring installed for pan movement allows remote head could pan unlimited. Remote head has max payload of 20kg, and it is compatible with most ENG camera with either Canon or Fuji lens.

Very responsive head with smooth movement, matching the level of famous brand in crane and remote head industry. Slip ring installed for pan movement allows remote head could pan unlimited. The HD signal can go through the slip ring, which means the remote head can output HD signal.

Specifications Arm reach: 10 m Distance from the column to end: 2 m Max. lens height: 8.3 m Min. lens height: 6.9 m Height of column (with tripod & dolly): 1.8 m Tilt range: -55^ / 45^ Dolly width: 0.82 m Shipping Weight: 275 kg

Specifications Arm reach: 4.38 m Max. lens height: 4.69 m Min. lens height: -2.69 m Tilt range: -70^ / 60^ Tripod Height Range: 1.47 - 1.75 m

Camera Support

2000 Series Travel Series The world-famous CamMate Travel Series is a more economical version that consists of four-foot sections packed in durable hard cases for frequent location traveling. In addition to our strong aerospace design, the Travel series features 15 minute set up times; configuration changes in 10 minutes and electronic head inversions in less than 30 seconds. All of these design features make your job on location faster and easier.

T 15 CamMate Travel Series Specifications Lens Height: Reach: 9ft - 2.74m Total Length: Ballast Needed: Weight of Crane:

CamMate’s world famous 2000 Series is for applications requiring extended camera height and reach. The NEW CamMate 2000 Series will provide quality, precision moves, and control, allowing you to reach new heights. Constructed with our high strength 6 foot extensions, the CamMate 2000 Series gives you more combinations with greater weight limits. With all the same electronics features as our famous Travel Series, combined with a much greater camera reach, the CamMate 2000 series can’t be beat!

2039 CamMate 2000 Series Lens Height: 34’ 9” - 10.59m Reach: 32’ 11” - 10.03m Total Length: 41’ - 12.50m Ballast Needed: 465 lbs. - 210.92 kilos Weight of Crane: 262 lbs. - 118.84 kilos

15ft - 4.57m 12’5” - 3.78m 61 lbs. - 27.67 kilos 67 lbs - 30.39 kilos

T 25 CamMate Travel Series Specifications Lens Height: 25ft - 7.62m Reach: 21ft - 6.40m Total Length: 25’5” - 7.75m Ballast Needed: 247 lbs. - 112.04 kilos Weight of Crane: 126 lbs - 57.15 kilos17.5ft - 5.31m

2043 CamMate 2000 Series Specifications Lens Height: 40’ 1” - 12.22m Reach: 39’ 4” - 11.99m Total Length: 47’ 5” - 14.45m Ballast Needed: 681 lbs. - 308.90 kilos Weight of Crane: 311 lbs. - 141.41 kilos

Dutch Roll Cradle 360 degree Dutch Roll Head

CamMate Dutch Roll Cradle is the upgrade you need to create more artistic moves that include a variety of Dutch angles. Thanks to our exclusive slipring mechanism, you can now roll your camera 360 degrees and still achieve 360 degree pan moves at the same time. No other system will give you this range of motions with the same smooth results. And the CamMate Dutch Roll Cradle can be added to the Standard L Head or the HD Fiber Optic L Head .

Camera Support

Spreading Wings S1000+ / S900 Your DSLR in Flight

Large Carrying Capacity, Strong and Stable Highly Portable, with Foldable Arms New Power Distribution System Removable Upper Center Board Sparkproof Plug Professional Quality Wide Range of Shooting Angles Retractable Landing Gear Compatible with Zenmuse Gimbals Reduced Vibrations, Clearer Footage Greater Power Innovative Arm Design

ZENMUSE Z15-5D 3-axis stabilization Shutter control Record control The maximum angular velocity: Pan 130°/s Tilt 130°/s Roll 30°/s Supported camera and lens: EOS 5D Mark II + EF 24mm f/2.8 ISUSM EOS 5D Mark III + EF 24mm f/2.8 ISUSM

ZENMUSE Z15-A7 Stabilizes Camera and Keeps Shot Level Control Angle Accuracy:±0.01° Variable Speed 360° Panning Tilts up to +50°:/-140° Rolls up to ±40° Integrated IMU Module Remote Shutter Release Operation Three Selectable Control Modes For A2 and WooKong-M Flight Controllers For Octo-rotor Such as S1000 and S800

Matrice 100

Quadcopter For Developers Customizable Aerial Platform Universal Power and Communication Ports Includes Controller and Flight Battery Dual Battery Compartments Includes Two Expansion Bays Adjustable Arm Angle Foldable GPS Mast Compatible with DJP Pilot Mobile App Works with Zenmuse X3 Camera/Gimbal DJI SDK for Custom Development

ZENMUSE X5 Micro Four Thirds Sensor with MFT Mount DCI 4K (4096 x 2160) Video Capture 16MP Still Photos Over 12 Stops of Dynamic Range Burst and Interval Photos Modes Records to microSD Cards Works with Inspire 1 Quadcopter

ZENMUSE X5R Micro Four Thirds Sensor with MFT Mount DCI 4K (4096 x 2160) Video Capture 16MP Still Photos Over 12 Stops of Dynamic Range RAW Photo and Video Capture Burst and Interval Photos Modes P / S / A / M Exposure Modes 1.7 Gbps Average Bitrate microSD / SSD Recording Works with Inspire 1 Quadcopter

Camera Support

Phantom 3 Professional

Inspire 1 v2.0

Quadcopter with 4K Camera and 3-Axis Gimbal

Gimbal Stabilized 4K Camera Camera Takes 12MP Still Photos App for Monitoring / Camera Operation Gimbal Control Dials on Transmitter GPS for Enhanced Stability and Failsafes Auto-Takeoff / Auto Return Home Vision Sensor for Indoor Flight Up to 23 Minutes Flying Time Intelligent LiPo Flight Battery Mobile Device Holder Included

Capture 4K Video and 12MP Stills 3-Axis Gimbal Stabilizes Camera Up to 1.2 Mile Radio Range GPS-Based Flight Control System Vision Positioning for Indoor Flying Live 720p HD Monitoring with Lightbridge Thrust-Boosted Motors / New Propellers Retractable Carbon Fiber Arms Unobstructed 360° Shooting Dual Transmitter Operation Supported

Phantom 3 4K Integrated 4K Camera

Inspire 1 Pro

24 fps DCI 4K / 30 fps UHD 4K Camera Takes 12MP Still Photos Wi-Fi Extender with 3900’ Range DJI Go App for iOS / Android Home and Course Lock Flight Modes Follow Me / Waypoint Navigation Point of Interest Orbit Mode Vision Sensor for Indoor Flight Up to 25 Minutes Flying Time Mobile Device Holder Included

Quadcopter with Zemuse X5 4K Camera and 3-Axis Gimbal 4K MFT Camera with 3-Axis Gimbal 15mm f/1.7 Lens Included Up to 1.2 Mile Radio Range GPS-Based Stabilization System Optical Flow Sensor for Indoor Flying DJI Lightbridge System Integrated Live 720p HD Monitoring with Lightbridge Retractable Carbon Fiber Arms Unobstructed 360° Shooting Dual Transmitter Operation Supported

ACCESSORIES Inspire 1 RAW

Quadcopter with Zemuse X5R 4K Camera and 3-Axis Gimbal 4K MFT Camera with 3-Axis Gimbal 15mm f/1.7 Lens Included Up to 1.2 Mile Radio Range GPS-Based Stabilization System Optical Flow Sensor for Indoor Flying DJI Lightbridge System Integrated Live 720p HD Monitoring with Lightbridge Retractable Carbon Fiber Arms Unobstructed 360° Shooting Second Transmitter for Gimbal Control Backpack

Sunhood

Propellers

Charging hub

Camera Support

MŌVI M15

ALTA

The Cinema-Ready Stabilizer

The Definitive Aerial Platform

Designed for Hand-Held Use For Cinema Cameras & DSLRs up to 15 lb Keeps Horizon Level & Counteracts Drift Single and Dual Operator Control Modes Supports DSMX and SBUS RC Transmitters Bluetooth Interface for Configuration Software for Android and Windows Shot Recorder Remembers Camera Position Fully Tool-Less Balancing Two Batteries and a Charger Included

The Freefly ALTA multi-rotor unpacks, ready to shoot, in under five minutes. It is easy to fly, powerful, rigid, adaptable, reliable, and is a UAV optimized for up to 15-pound payloads. Confidently fly RED, ARRI and other professional cameras with our drone, guided by our state-of-the-art SYNAPSE Flight Controller. Capture cinematic aerial shots like never before with the option to mount the MōVI on top.

MŌVI M10

The Ultimate Handheld Camera Stabilizer Translation Compensation Remote Firmware Updatable Drift Free Horizon Silent Drive Shot Recorde Custom Direct Drive Motors User Adjustable Shakey Cam

TERO

The New Camera Car Vibration Isolation - Advanced wire rope isolators tuned for this unique application ensure amazing shot stability, even in the most demanding environments. Aluminum mounting Cheeseplate - The TERO features a robust and adaptable cheeseplate to quickly mount your MōVI and all accessories. Incredible perspective - The TERO can move the camera into situations that simply would not be safe for a human. Put the camera in the middle of a stunt scene while maintaining complete control and stability. Brushless Motor - The TERO features a high performance brushless motor which translates to long run times and incredible peak power.

MŌVI XL

The Biggest Best Camera Movement System

MŌVI M5

A Stabilized Gimbal Born inTha Sky Reimagined For The Ground Bring big budget moves to your productions. The compact form factor and lightweight nature of the MōVI M5 continue to push the boundaries of what’s possible with hand-held camera movement. From weddings to indie features, the M5 will raise the production value on any project out there. Majestic Mode (Pan/Tilt) Live Wireless Tuning & Graphing Remote Firmware Updatable Silent Drive Custom Direct Drive Motors User Adjustable Shakey Cam

There is a segment of high-end cameras that we have not tackled until now. The MōVI XL’s design delivers the familiar benefits mobile stabilization and control to cameras such as the Phantom Flex 4K and the ARRI ALEXA for a MōVI with the largest productions in mind.

MIMIC

The Biggest Best Camera Movement System The MIMIC controller for MōVI is moving gimbal operation away from unintuitive controllers with joysticks and knobs, and it’s making the process easy enough for everyone to do it. Essentially, it’s a handheld controller that you can move kinetically, and through some sort of wireless engineering magic, the gimbal follows those movements seamlessly.

Camera Support

DJI Ronin

Ronin Thumb Controller

The DJI Ronin Handheld Gimbal System has been developed for the cinematographer with pro-grade build quality keeping up with the demands of everyday use and aerial film making in professional environments. Just hold it in your hands and you’ll achieve smooth and stable footage with the highest levels of precision. Even when mounted to an aircraft in high-speed flight, precise control can be achieved with the highest level of stability. Along with our attention to detail, custom built super fast processors, sensors, and algorithms offer an extreme precision of control angle within the range of ±0.02°. This puts world class leading technology into your hands offering the highest standards when it comes to picture or video stabilization.

Simple to set up and use, the DJI Ronin Wireless Thumb Controller makes controlling your Ronin or Ronin-M easier and more intuitive, even with only a single operator. Capture shots that are difficult or impossible now, and start using your gimbal to its full potential.

Additional MōVI MR Features: 3-Axis Stabilized Gimbal System Supports A Multitude Of Cameras & Lenses (From Micro Four-Thirds To Red Epic Sized) Simple 5 Minute Setup & Balance Built-In Tool-Less Balance Adjustment System Built-In Receiver & Remote Control Available Mobile Bluetooth Assistant Software Based On Dji Zenmuse Technology

Operate with Just Your Thumb Manually Adjust Camera Angle Clamps Onto Handle for Single-Operator Works Wirelessly Up to 200’ OLED Display for Menu / Status Save Preset Settings Up to 18 Hours Battery Life USB for Charging / Firmware Updates Use Alongside Ronin Controller For Ronin Only

Osmo The Osmo system from DJI combines the Zenmuse X3 camera/gimbal with a detachable handle, bringing the benefits of stabilized 4K shooting to a handheld form factor. The camera features a 1/2.3” CMOS sensor that enables up to full DCI 4K (4096 x 2160) video recording at 24 or 25p as well as 12MP photo capability. Basic controls for the camera and gimbal are provided on the handle itself, including a joystick for manual pan and tilt. For monitoring and more advanced operation, there is a Wi-Fi link allowing Osmo to be tethered to a mobile device running the DJI GO iOS and Android app. An included smartphone holder effectively turns your smartphone into an on-board monitor. The Wi-Fi features a range of up to 85’, so you can operate the camera and gimbal remotely as well.

DJI Ronin-M The Ronin 3-Axis Brushless Gimbal Stabilizer from DJI is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 16 pounds, Ronin uses brushless motors that work on three axes: one for side-to-side “roll” - keeping the horizon level - one for tilt, and one for pan. The system is computer-controlled and boasts a precision of control of ±0.02°. An IMU (inertial measurement movement) detects movement and engages the motors to react, using algorithms to differentiate between intentional movement such as pans and tracking shots from unwanted shake. In addition to handheld shooting, the gimbal can be used in vehicle mounting scenarios and other contexts where vibrations or other abrupt movements would make tripods and rigid camera support systems unsuitable. Supports Cameras up to 16 Pounds Precision of Control: ±0.02° Transmitter for Remote Pan/Tilt Control Tool-Less Balance Adjustment System Assistant Software for iOS and Windows Bluetooth Wireless Interface for Setup 15mm Rods + Mount Points for Accessories USB and PowerTap Power Outputs Gimbal Tuning Stand Included Included Hard Case Holds Gimbal and More

Wire Cam Basic Uses 1:7 Gear Ratio 35mm Ball-Head Wire Safety Loop Bolts 1/4 inch holes Dampeners Universal Dovetail Wireless Controller 6mm Climbing Rope 50M V-Mount Battery Bracket

Camera Support

GF-Primo

As the deluxe model, the GF-Primo Base has a central “one touch” selector allowing for immediate, one handed, switch over to crab, front or rear wheel steering. Its telescopic and inclining steering rod perfects the GF-Primo’s manoeuvrability and puts it in a league of its own.

GF-Slider System

GFM is proud to present the GF-Slider System. It’s available in 4 different lengths but the modular design allows you to swap the precision rails, depending on the size required at the time.

Duration of compl. lift range max speed 2,5 seconds Lift range 70cm / 27” Minimum column height 70cm / 27” Maximum column height 140cm / 54” Lift capacity (extended) 250kg / 550lbs Lift capacity (retracted) 900kg / 1980lbs Number of column lifts 200 (approx.) Transport dimensions 107 x 53 x 70cm Transport weight Base 80kg / 176lbs Transport weight Column w/o batteries 68kg /149lbs Operational weight with batteries 60kg / 352lbs

The rails are drilled with 3/8” threaded holes spaced 1” apart allowing a range of standard industry accessories to be attached. It mounts on either Euro-adapter or Mitchell as well as a number of end mounts to be chosen from. GF-Slider including 2 precision rails, 2 end mounts with 360° “tooth system” and tracking carriage for Mitchell or Bowl mountTÜV Certified Safety Type Tested

AL-2510 GF-Slider 60 cm / 2’

AL-2530 GF-Slider 120cm / 4’

AL-2520 GF-Slider 100cm / 3’ 3”

AL-2540 GF-Slider 200cm / 6’ 6”

The GF-Steel Track GF-Secondo Dolly

The GF-Secondo Dolly’s multifunctional turnstile mount accepts four adapters to provide more seating and camera positions than other central column dolly Duration of compl. lift range max speed 2,5 seconds Lift range 70cm / 27” Minimum column height 72cm / 28 Maximum column height 142cm 55” Lift capacity (extended) 250kg capacity (retracted) 900kg Number of column lifts 200 (approx.) Transport dimensions 79 x 68,5 x 72cm Transport weight Base 69kg Transport weight Column w/o batteries 68kg Operational weight with batteries 149kg

Is the new, high grade, extruded stainless steel track system for dollies and cranes from GFM. Standard widths are 62cm (24,5”) and 100cm (39”). Robust design high grade stainless steel extrusion Stable under heavy loads design and material result in a strong, stable track for dollies and cranes Foldable or fixed The straight track is foldable. Exchangeable end sections high grade stainless steel joints machined for an exact seamless fitting. High precision fully compatible with the GF-Track due to the exact seamless fitting end sections TÜV Certified Safety Type Tested

Camera Support

GF-Quad Dolly

Designed to provide the ultimate in mobilty and versatility. With it’s 3 way steering system the GF-Quad manouvres on small sets like no other platform dolly Front wheel steering Rear wheel steering 4 wheel inverted steering Smallest circle = 80cm / 31”- Straight wheel lock of Quick release pneumatic, track or skateboard wheels Steering transmission lock off Removeable steering rod with angle adjuster Mounts on standard dolly track (62cm / 24,5”) Hard coated aluminium construction

GF-HiLo Swivel Brackets

The new GF-HiLo Swivel Brackets enable a change of camera position from high to low or underslung to overslung within seconds. The speed clamps have an automatic engage and disengage locking mechanism. When released, the bracket can be rotated and fixed at each 10 degree angle allowing 360° rotation. Both brackets have 2 female Euro-mounts for fitting an extension tube or Euro-adapter. GF-Hilo Swivel Clamp with automatic engage and disengage locking mechanism 41cm/16”bracket as off/set arm with Double ended Euroadapter Connect camera mount and rotate as required 41cm/16”bracket with 35cm extension tube 41cm/16”bracket and 23cm/9”bracket with 35cm extension tube With an Off-set Ball Adapter

GF-TELE JIB ARM

lightweight, stable and variable length jib arm It carries camera packages up to 45kg / 99lbs and has the ability to change length via a hand crank system. The advantage here is a very fast resetting of the arm by telescoping in or out and then being locked off at the required working length. It offers smooth, vibration free movements, without the operator having to compromise the designed shot and provides added flexibility when working on tight sets. The counterweight end of the GF-Tele Jib is also telescopic and can be very comfortably hand cranked to the required length, ensuring perfect balance at any angle.

The ISO Dampener Suspension Rigs

The Iso Dampener increases the efficiency of gyro stabilized heads by reducing rotational stress and smoothening out pan starts and stops on telescopic and fixed arm cranes by isolating high frequency vibrations between the mount and head. The Iso Dampener is mounted with a Mitchell connection to the crane or Mini and Maxi Shock Absorber, allowing individual adjustment and tuning, to best suit the choice of stabilized head as well as the shooting environment. Weight: 9.1 kg / 20 lbs Payload: 85 kg / 189 lbs Temperature range: -20° to +50° Celsius -4° to +122° Fahrenheit Dimensions (L x W x H): 42 x 42 x 22 cm 16” x 16” x 8” Mounting: Mitchell to Mitchell

The Maxi Shock Absorber Suspension Rigs

The Maxi Shock Absorber is for use with gyro stabilized heads to reduce high & low frequency vibrations and hard impact shocks during high speed chases on rough and bumpy terrain. It connects to 48mm scaffold tube or 150mm pole system and has a 180° horizontal adjustment range. The front Mitchell mount can be set for top mounting or underslung use of the stabilized head. Weight: 41 kg / 90 lbs Max. Payload: 100 kg / 220 lbs Temperature range: -20° to +50° Celsius -4° to +122° Fahrenheit Dimensions (L x W x H): 42 x 42 x 22 cm 40” x 10” x 15”

The Mini Shock Absorber Suspension Rigs

The Mini Shock Absorber is for use with gyro stabilized heads to reduce high & low frequency vibrations and semi-hard impact shocks during high speed chases and rough crane moves. The best results are achieved when used with the Iso Dampener. It connects to Mitchell plates and can mount either under or over slung as well as allowing the stabilized head to mount under or over slung. Weight: 8.5 kg / 18 lbs Max. Payload: 56 kg / 123 lbs Temperature range: -20° to +50° Celsius -4° to +122° Fahrenheit Dimensions (L x W x H): 54 x 21 x 50 cm 21” x 8” x 19”

Camera Support

GLIDECAM HD-4000 SteadyGim3 EVO 3 Axis GoPro Stabilizer Bestablecam Handheld Gimbal

Compact, light-weight 3-axis handheld gimbal for professionals and videographers. Supports GoPro Hero 3, 3+, and 4 models — which allows for high-definition 1080 video footage. It has three modes of 3-axis functionality - all conveniently controlled with one finger. Modes include heading follow, heading lock, and heading-and-pitch follow. This supports every possible filming situation and makes the transition instantaneously.

SteadyGim3 RIDER 3-axis Stabilizer

Bestable 3-axis GoPro Stabilizer System Lightweight, easy to carry, and simple to use Non-GUI settings,plug and play Electronic slow-down for “follow” mode on both Yaw and Pitch axes. Equipped with two rechargeable batteries and one battery charger. Each battery type is 18350, and rated 3.7 volts @900mAh. Over 5 hours of use time. Compatible with the Lumenier LayerLens protection for GoPro Hero 3.

THE GLIDECAM X-10 Professional Camera Stabilization System

For Use With 2000 Pro and 4000 Pro For HD-2000, HD-4000, XR-2000 & XR-4000

Professional Camera Stabilization System

For 2000 & 4000 Pro Stabilizing Systems For HD-2000, HD-4000, XR-2000 & XR-4000

GLIDECAM X-20

iGlide

Professional Camera Stabilization System

Glidecam Handheld Stabilizer for Cameras Up to 16 oz

For Cameras Between 10 and 20 Pounds Dual-Articulating Support Arm Quick-Release Camera Plate Three-Axis Gimbal Base Platform with L7-Pro 7” LCD Monitor V-Mount Battery Plate Telescoping Center Post Support Vest with Trimming Mechanism Docking Bracket Included

Lightweight Stabilizer for GoPro & More Supports iPhone via Optional Adapter 10 - 13” Telescopic Post 3-Axis Gimbal Handle Camera Mounting Plate with 1/4” Threads Two .9 oz Counterweight Discs

Professional Camera Stabilization System

he Glidecam HD2000 is a lightweight, hand-held camcorder stabilizing system. This system is upgraded from the 2000 Pro and offers fine adjustments and an improved gimbal and balance system. For Small Cameras 2 - 6 lb Capacity

The Glidecam HD4000 is a lightweight, hand-held camcorder stabilizing system. This system is upgraded from the 4000 Pro and offers fine adjustments and an improved gimbal and balance system. For Small Cameras 4-10 lbs Capacity

GLIDECAM HD-2000 SMOOTH SHOOTER

Professional Camera Stabilization System

Devin Graham Signature Series Glidecam Stabilizer

2 to 12 lb Load Capacity Position-Adjustable 3-Axis Gimbal Quick-Release Sliding Camera Plate Fine-Tuning Knobs on Camera Platform Telescopic Center Post with Guide Marks Adjustable Dynamic Balance Base Platform Foam-Padded Handle Grip 12x Counterweights

Camera Support

FS5 EVF Recoil The Sony FS5 Recoil shoulder-mounted rig includes our VCT Universal baseplate, the FS5 Grip Relocator for the Sony FS5 handgrip, the FS5 Top Plate, and our Axis Mini for Sony FS5 which can be used with either the Gratical HD or the Sony LCD monitor with Zacuto Z-Finder.

Marauder For DSLR Cameras or Small Camcorders Foldable Design Adjustable Camera Support Arm Gunstock with Angle Adjustment Articulating Handgrip Zacuto Gorilla Plate V2 Included The Zacuto Marauder Foldable Camera Rig provides stable camera support for run-and-gun, gorilla-style shooting with DSLR cameras or small camcorders. The Marauder was designed to offer the same type of support as Zacutoâ&#x20AC;&#x2122;s Striker model, but in an all-in-one, fold-away design.

FS5 Z-Finder FS5 Z-Finder loupe with 2x magnification and diopter wheel Two (2) Extender Frames FS5 flip up mounting frame FS5 Mounting Bracket Lanyard and Lanyard Hook Lens Cap, Sun Mask, and protective boot Z-Finder Dust Cover One installed and one additional Anti-Fog disc

MVA525WK Sympla Lightweight Shoulder Mounted Rig

FS5 Grip Relocator The FS5 Grip Relocator allows you to relocate the Sony handgrip from the side of the camera to your handgrip. The silver rosette adapter screws onto the Sony grip with 4 included screws. This adapter allows you to attach the handgrip adapter to the Sony handgrip via an M6 male screw. The handgrip fully articulates at a ball joint via the red quick release lever. It also comes with a black 4.5 inch rod and a Z-Mount Zwivel 2 to attach to any 15mm rod. The Zwivel 2 allows you to change the angle between the two 15mm rods at set points turning 365 degrees using a pin locking mechanism. The Zwivel 2 has two levers which control each 15mm hole. In order to change the angle of the rods, just loosen either of the levers and the internal spring separates the parts for you to adjust to the desired angle.

The Manfrotto SYMPLA Lightweight Shoulder Mounted Rig is a ready-to-go solution that includes all the necessary pieces inside one box, even the counterbalance weight. The Lightweight Shoulder Mounted Rig is the Manfrotto lightweight solution that allows support of camera equipment on your shoulder, with swivel-joint handles for control and flexibility . This rig is for use with HDSLRs featuring fast camera connection thanks to the RC2 quickrelease plate.

Camera Support

Aero SD Lite Camera Slider

Portable Mini Dolly / Slider Produce Smooth Tracking Shots Perfect for DSLR Video Self-lubricating 10mm Rails Anodized Aluminum Setup in Less Than 30 Seconds Light and Strong Supports Up to 8.8 lbs (4kg) Lenght 1.0 m / 0.64 m

HD Aero System

Slider 100 100cm Slider Roller Bearing Sliding System 22 lb Load Capacity 34.2” Travel Distance 39.4” Total Track Length Steel Ball Bearings & Polymer Wheels Adjustable Friction System 3/8”-16 and 1/4”-20 Mounting Threads 3/8”-16 Tie-Down Screw Bubble Level

Camera Slider

Incorporates both sliding AND roller bearings Industrial grade rail System Adjustable high grip, non marking rubber feet Can be used for huge variety of shots including; horizontally, vertically, at inclines and even upside down! includes Manfrotto 500AH Video Head Lenght 1.0 m / 1.5 m / 2.0 m

HD AeroPro Camera Slider

Lenght 1.0 m / 0.64 m The Glidetrack HD AeroPro system is perfect for those filming with DSLR’s and camcorders. The Glidetrack Aero Pro carriage is a beautiful CNC machined carriage which runs on 4 precision machined wheels with 8 precision bearings. Two of the wheels are mounted on a custom designed cam system for precise adjustment of the wheels to eliminate any play in the carriage. The carriage also features an adjustable friction screw on the side which can also be used for temporary locking of the carriage to the rail.

Slider 60 60cm Slider Roller Bearing Sliding System 18.4” Travel Distance 23.6” Total Track Length 11 lb Capacity Fluid Head Spring-Loaded 5.3 lb Counterbalance Steel Ball Bearings & Polymer Wheels Adjustable Friction System 3/8”-16 and 1/4”-20 Mounting Threads Bubble Level

Camera Support

Pocket Dolly v2.0 - Traveler (Length - 27.5”)

Kessler CineSlider w/ Soft Case - 5ft The Kessler CineSlider 5ft version, is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds. Weighing in at only 12 pounds, with a length of 60.5 inches, 5 inches wide, and a total camera travel distance or 51 inches, the CineSlider is a very portable solution to get those quick, smooth short-run dolly movements, without having to transport a large dolly system.

The TRAVELER length is a shorter, 27.5” long & 6 lbs version of our standard length Pocket Dolly™. We developed this after feedback from our customers that stated they loved our Pocket Dolly™, but would like to have a shorter version that they could easily throw in a backpack or bag for easier traveling. Cameras weighing up to 15 pounds are supported. Because of the shorter length, the TRAVELER size Pocket Dolly™ can be center mounted to any sturdy tripod fluid head with a quick plate that attaches with a standard 3/8” mount.

REV 2 Pan and Tilt Head

Originally, when we designed version one of this product, it was to be used in the underslung position on cranes. However, because of the ability to use it for shooting a timelapse, people started to use it in the over-slung position. In this position, the centre of gravity is higher. This forces you to ensure your base is secure because as your setup gets higher, the more unstable it becomes.

Kessler Crane Pocket Dolly v2.0 Standard (39.5”) 39.5” Portable Slider Supports up to 15 lb Belt Drive System Removable Weighted Crank Handle Ball Bearing Wheel Design Optional Motorized elektraDRIVE System 1/4”-20 & 3/8”-16 Tripod Mount Threads

ORACLE Control System The ORACLE Control System is the core of our elektraDRIVE line of products. Almost two years in development, we set out to make the ultimate multi-function controller for our line of electronic products. The ORACLE Control System is interchangeable between multiple products, like our REVOLUTION Pan / Tilt System, elektraDRIVE motor pods for the CineSlider & Pocket Dolly, and other products to be released in the future.

Second Shooter (3-Axis) elektraDRIVE BUNDLE PACKAGE with BASIC Controller for CineSlider Items included in bundle: Basic Controller 2.0 Motor Mount ElektraDRIVE Motor Pod Becor 7.2 ah Battery 12v DC Power Adapter

Kessler 3-axis bundle perfect for motion controlled sliding, panning & tilting 3-Axis Control 3 Speed/Torque Options Keyframeable Positions Built-in Intervalometer Built-in Flashlight CANbus Connection Compact Design Micro USB Port Bubble Level Magnalink™ Connection

Camera Support

Cinema Skater Dolly System All CNC made Aircraft Aluminum construction Made with high quality bearing and three adjustable locking skater wheels. Overall length 10.2”

PSL-60 Slider

Tank TK-2 cag with rods support

Quality CNC all Metal Construction Tough built for long last The Tank video cage provides (23) 1/4-20 threaded mounting points on the Top plate along with (2) 3/8” sized female threads The Side handles of the Tank incorporate the P&C Swiss Rod design allowing access to more than 60 possible mounting points

Kamerar camera slider dslr Weight: 2.1Kg Slider Length - 39” (100cm) Optimum Load Capacity - 20 lb (9 kg) Integrated Brake / Damping System Supports Inverted Operation 3 Oil-filled Bearings High-grade Aluminum Construction

47” Video Camera Slider Black Anodized Linear Rail Red Anodized Slider Carrier w/ Bubble Level Compound Friction Bearings for Low Noise Tracking Adjustable Feet for Leveling

P&C Prime Video Shoulder Rig Kamerar Bundle The P&C Prime Video Shoulder Rig Kit (Kamerar Bundle) from PhotographyandCinema.com is a solid foundation for video shooters looking to start out in 15mm Rail systems. The Prime Rig Kit can be configured as a basic lightweight camera stabilizer.

Kamerar FF-3 Follow Focus w/ 15mm Quick Release Rods Clamp

The Kamerar FF-3 Follow Focus mounts with a single 15mm Quick Release Rod Clamp and can be quickly removed from the rail system, making it easier to change lenses and gear positions. The FF-3 has a removable dry erase marking disc to mark your A/B Points for accurate repeating focus pulls.

Matte Box MAX-1 The Kamerar MAX-1 Video Matte Box is constructed from aluminum and molded plastic. It can support a nonrotating single 4x4 Neutral Density Filter through a removable locking tray. The adjustable metal side and top flags shade the camera lens and can be removed easily for easy transporting.

7” Tough Friction Arm The stainless steel accents and black anodized finish provide both a professional aesthetic and an extremely long lasting durable finish. Each side provides 1/4-20 male threaded stud with knurled textured locking discs Center Joint with thrust bearing locking knob Stainless Steel Ball Joints with Micro Textured Surface

11” Tough Friction Arm Each side provides 1/4-20 male threaded stud with knurled textured locking discs Center Joint with thrust bearing locking knob Stainless Steel Ball Joints with Micro Textured Surface

Skater Mini Video Dolly At just 7” long and at just 5” wide, the Skater Mini is our smallest table top rotating camera dolly. It allows small video cameras such as the iPhone or Compact Point and Shoot cameras to create cinematic movements on any smooth surface. The Skater Mini can easily perform side-to-side (tracking), forward/back (push-pull), to unique rotational tracking movements.

Skater Mini Pro Video Dolly The SKATER MINI PRO is a tool for creating fluid and dynamic video footage; compatible with all cameras and affordable to all videographers. This SKATER MINI PRO has a small footprint while still offering the same smooth, fluid tracking, and rotational dolly shots that normally can only be achieved with very large and expensive systems.

Camera Support

Shark Slider S1 iFootage understands the importance of a product’s build so we removed excess mass, dramatically reducing its weight and size. This design tweak makes our product increasingly convenient and less cumbersome to photographers who need to pack and deploy the unit frequently. These so called ‘sharks’ can be separated from each part in 10 seconds, taking only three minutes to complete the entire installation. It is easy to carry around and even easier to clean its components.It also benefits from modular design which means that there is no need to buy another setup for different scenarios. Shark slider comes in a standard package as well as a bundle. If you purchase the extended version or the bundle, your slider can become as long as 1,200mm or 1,800mm (from the original 790mm) with the help of the extension tubes. The bottom plate is equipped with support screws so the structure doesn’t wobble when the slider is mounted on the tripod. If smooth and quiet video shoots are what you’re looking for, then the shark slider offers the perfect solution.

Wireless Motion Controller S1A3 By combining Motion X2 and S1A1 mounted on a Shark slider S1, we managed to get a full motion wireless control system. It allows camera movements on two axis: 360° tilt and 90° pan. The system provides steady and automatic movements for time-lapses and shooting while panning as well as panoramas. Its main components are the wireless shutter controller, the electronic motor section, the wireless motorised controller and the Motion X2. Just like S1A1, S1A3 is completely programmable being able to register up to 9 different tracks with pre-recorded movements. The tracks are easily accessible from the data packet and can be reused as needed. With repeated moves at different lengths of time, a wide range of visual effects can also be achieved easily. In addition, the S1A3 offers ‘Manual Mode’ which is perfect for run-and-gun style without losing precision. Its user friendly interface allows you to grab shots on-the-fly with no preprogrammed motion control.

Motion X2 The Motion X2 allows camera movements on two axis 360° tilt and 90° pan. It’s versatile construction allows the the system to be combined with piece of hear that allows mountable equipment like cranes, dollies and sliders. The system provides steady and automatic movements for time-lapses and shooting while panning as well as panoramas. Motion X2 was perfectly built to be used with the iFootage S1A1 wireless motion control system. Together with it you can get the automatic mode, track recording for pre-recorded movements, and it opens you to a world of flexibility for your cameras. Also you would get the ability for simple parallax adjustments. Motion X2 enables you to easily create beautiful 360° panoramic images, or giving you the ability to shoot videos in any angle . Autopano software is the perfect companion for a videographer that shoots panoramas. Robust and durable it performs flawlessly in extreme environments withstanding even the harshest of conditions. Built with solid aluminium we offer you a sleek and light weight product.

Switchers / Mixers

AWS-750

Anycast Touch portable live content producer All-in-One Live Production Solution Touchscreen Viewing and Control Displays 6 Video and 5 Audio Inputs Outputs to Displays and to the Web Connections Include SDI, XLR, and RJ-45 Audio Mixer with EQ, Limiter, and More Multi-Language Titler Stores Effects and Scene Lists Applies Multiple Effects Simultaneously 192GB Internal SSD

MVS-3000A

Affordable compact SD / HD video switcher 2 M/Es, 4 Keyers per M/E with Chroma Key 32 Inputs and 16 Outputs 2.5D Resizers Color Correction Multi-Viewer Output A choice of 16 or 24 button control panels option OLED Mnemonic Displays Self-Contained 4RU Processor Background Transition Effects MKS-6570 - DME Board ( optional )

MCS-8M

2D / 3D compact SD / HD audio and video switcher 6-Channel Audio Mixer Built-In Frame Synchronizer Integrated Multi-Viewer Single-Channel Frame Memory Output Input Freeze, Snapshot Functions SDI With Embedded Audio, HDMI, DVI 1920 x 1080, 1280 x 1024 Resolution Import Still Images Via USB Port 3D Mode Function, Preset Effects Creative AUX MIX Function

Switchers / Mixers

ATEM Talkback Converter 4K

ATEM 1 M/E Broadcast Panel Ideal for 24/7 Production Environments High Quality Buttons / Knobs / Controls Connection using an Ethernet Cable Loop Thru Connection Rack Mountable

ATEM 2 M/E Broadcast Panel Professional Panel for Live Switcher High-Quality Buttons / Knobs / Controls Ethernet Connection to Switcher Loop Output for Ethernet USB Input for Firmware Updates Aerospace-Certified Embedded OS Tri-Color LED Crosspoint Buttons RGB Bitmap Crosspoint Labels Redundant Power Supply

ATEM Software Control Panel For the ultimate in portability, every ATEM production switcher includes beautifully designed control panel software for Mac and Windows, so you can even use your switcher from your laptop! ATEM software control provides a professional M/E workflow control panel with parameter adjustments in simple to use palettes. You can manage the switcher media pool and set all adjustments, and switcher control includes full keyboard shortcuts! Only ATEM lets you start at a lower cost because youâ&#x20AC;&#x2122;re not forced to buy a hardware control panel!

ATEM 1 M/E Production Studio 4K Supports NTSC/PAL/HD/UltraHD 4K @ 10-bit Supports 4K Resolution Over SDI or HDMI 10 x 6G-SDI & 1 x HDMI Inputs (SD/ HD/4K) Tri-Sync/Blackburst Ref. Sync Input 10 x Built-In Frame Synchronizers Multiview Monitoring in HD

ATEM Production Studio 4K Supports NTSC/PAL/HD/UltraHD 4K @ 10-bit Supports 4K Resolution Over SDI or HDMI 4 x 6G-SDI & 4 x HDMI Inputs (4k/HD/SD) Tri-Sync/Blackburst Ref. Sync Input 8 x Built-in Frame Synchronizers Multiview Monitoring in HD

ATEM 2 M/E Production Studio 4K

ATEM Television Studio

Supports NTSC/PAL/HD/UltraHD 4K @ 10-bit Supports 4K Resolution Over SDI or HDMI 20 x 6G-SDI & 1 x HDMI Inputs Tri-Sync/Blackburst Ref. Sync Input 10 x Built-In Frame Synchronizers Two Independent Multi-View Outputs Program Outputs in SD/HD/4K HD 4 Upstream & 2 Downstream Keyers 22-Input Audio Mixer Hardware or Software Mac/PC Control

(6) Inputs - Multiple HDMI and HD/ SD-SDI Professional M/E-Style Switcher Real-Time H.264 Encoding for Web Output HD/SD-SDI & HDMI Program Outputs (3) Keyers, Including Chroma Key SDI & HDMI Multi-View Output Frame Sync for Each Input ATEM Control Panel Software (Mac/PC)

Communicate with up to 8 Cameras 8 x SDI I/O Camera Talkback via XLR, Mini/ Fits in 1 Standard Rack Unit Supports SDI Tally Output Camera Talkback Upgradeable to Accept 8 x Fiber I/O

ATEM Studio Converter 4 Bi-Directional Converters in 1RU Unit Optical Fiber Signal Range 28 Miles Connects up to 4 ATEM Camera Converters 4 x Fiber to SDI 10 bit Converters 4 x Switchable SD/HD-SDI Outputs Camera Talkback with Select, Vol & Mute Connect to ATEM Switchers/Converters Supports SDI Switcher Tally Output Send PGM Feed to Fiber Connected Cameras

ATEM Camera Converter Enables Extension of SDI/HDMI Cameras Transmission Distance - 28 miles (45km) Internal Battery Talkback Function 12V Power Connection 2 Tally LEDs Integrated Belt Clip / Camera Mount Microphone Inputs Aircraft-grade Aluminum Construction Built-in Button Pad

Switchers / Mixers

Mobile Studio StudiCase is a Compact, Light Weight and carry-on All-in-one solution designed by Advanced Media Engineers to answer the needs of the market. Including the High Quality products from well-known brands. Highlights 8-Channel HD/SD Video Mixer 6-Channel Audio Mixer Built-In Frame Synchronizer Integrated 24” Multi-Viewer SDI With Embedded Audio, HDMI, DVI Import Still Images Via USB Port Digital Hi-Quality Recorder / Player Integrated Intercom and Tally system Light weight and Portable Carry-on The MCS8M Compact Audio Video Mixing Switcher from Sony is an A/V switcher with an integrated audio mixer and frame synchronizer. A user-friendly device, it boasts numerous preset DME wipe patterns, a built-in multi-viewer, single-channel frame memory output, and an Input Freeze function for every source. It also features the ability to import still images using a USB port, plus a 3D Mode function, six-channel audio mixer, AUX MIX and more! Designed for easy, intuitive operation, the MCS8M contains tools ideal for content creation and event programming. Here is a powerful, versatile and affordable switcher, great for small live productions, church presentations, school sports, corporate events, weddings, fly packs, music videos, conferencing and more.

Mobile Studio

Advanced Media is proud to introduce StudiRack as a versatile, flexible and expandable Mobile Studio in a 14RU portable Rack. Up to 16 inputs of HD-SDI, Fibre Optic connectivity, Dual Multiviewer, Built-in Recorder / Player, ability of adding CG and Logo inserter in the same unit are only some of the great features of StudiRack. By adding Teranex to this setup you are free to handle any kind of signals and/or standard formats from or to other devices. Whenever you have 3G/4G signals we can integrate Teradek Bond along with a Cube to go On-Air live through cellular network up to 6Mbps, without a need for a costly satellite uplink. The most advanced broadcast grade production switchers is in heart of StudiRack. Fast and user friendly ATEM switchers include advanced technology with powerful unique features all built into a familiar M/E setup. With an advanced broadcast SDI based design, ATEM also includes bunch of HDMI connections for connecting low cost HDMI consumer cameras! Now with world’s cost effective solution you can start the live production and produce professional video contents in the fastest way!

Switchers / Mixers

Fiber Optic Studio Solution

fiberbrik Panel for Duplex Optical Connector

Blackmagic Design Studio Converter to Duplex optical Connector Features: fiberbrik panel is a robust 19 inch rack mount connector panel, steel with black finish, 1RU height, to be mounted directly above or below Blackmagic Design Studio Converter™ fiberbrik fiberbrik panel features four Rosenberger OSI Duplex™ chassis connectors: now you can connect four Rosenberger OSI Duplex cable connectors to Blackmagic Design Studio Converter

Modern media technology permits high-resolution motion pictures for almost all end devices. And for sport events almost always live and in real-time. Vast amounts of data must be processed on site in the mobile production unit and delivered in the shortest time from the place of origin to the consumer’s screen. The special challenge for optical fiber cabling is to be found in the incredible number of mating cycles, the very complex connectors are subjected to. Above that consider the rough treatment of cables on site. The conditions for which our Heavy Duty Series are predestinated for.

fiberbrik adapter for Duplex Optical Connector Blackmagic Design Camera Converter to Duplex optical Connector

Features: fiberbrik adapter features a custom Rosenberger OSI Duplex™ chassis connector: now you can connect Rosenberger OSI Duplex cable connector straight to Blackmagic Design Camera Converter™ fiberbrik adapter only changes the sensitive LC Duplex connection into a very robust Rosenberger OSI Duplex connection; all features of Camera Converter remain completely unchanged fiberbrik adapter is a robust all aluminum solution, built around a milled out block completely covering and protecting the vulnerable LC connections to the SFP of Camera Converter fiberbrik adapter only covers the LC connectors of Camera Converter, leaving all other Camera Converter connectivity completely free and accessible fiberbrik adapter mounts to the back of Camera Converter using the four taps of its housing; no customizing whatsoever, no drilling, no glueing, and you can use the mounting hole and the belt clip as you did before

fiberbrik panel uses connectors with integrated bendinsensitive LC patch cables that connect straight to the fiber connectors of Studio Converter; they are short length to prevent any cable clutter fiberbrik panel does not change anything to the functionality of Blackmagic Design Studio Converter, it simply bridges from the vulnerable LC standards to the very robust RDC standard!

DUPLEX CONNECTOR (RDC) Robust connector system with screwed coupling mechanism for 2 fibers. It is designed for robust applications and outdoor use. With the use of components of the N-coax connector according to MIL-PRF-39012, the receptacle can easily replace a coax type. Mated or with attached protection cap, plug and receptacle are sealed according to EN 60529 IP67. Captive protection caps are available. multimode or singlemode captive protection caps Applications outdoor use robust applications

Schill HT 380 RM Black Schill HT 380 RM Cable Drum, Steel frame with intergrated handle and brake, Solid PVC Drum with steel sides thomann and steel winding handle, will fit upto 30 meter cable with a maximum of 18mm diameter, Colour Black

Teleprompter

ENT-1717PT

Entry-level VGA Studio Prompter (17”) 17’’ LCD Display with 10’ VGA Cable Wide-angle Trapezoidal Assembly Easy-mount Support System Sliding Rear Counterbalance SXGA resolution - 1280 x 1024 Brightness - 300 cd/m2 Contrast Ratio - 2000:1 Aspect Ratio - 4:3 For over 10 lb (4.5 kg) ENG Cameras Viewing Angle - 160° (H/V)

ENC-1717PT

17” Entry-Level Teleprompter

17’’ LCD VGA/Composite Display Wide-angle Trapezoidal Assembly Camera Riser 5 lb (2.3 kg) Counterbalance SXGA Resolution - up to 1280 x 1024 Brightness - 300 cd/m2 Contrast Ratio - 800:1 Viewing Angle - 160° (H/V) 10’ (3.04 m) VGA Cable

PW-10DVC

Teleprompter for Tablet Computers Features: Works with Most 6.2 - 7.5” Tablets Free PromptWare PLUS Software Download Includes Camera Mounting Hardware Compact Folding Hood with Side Shades Readable From up to 15’ Away Wireless QWERTY Keyboard Controller

Lighting

STUDIO LED X4

Entry-level VGA Studio Prompter (17”) QUARTZCOLOQUARTZCOLOR introduces STUDIO LED X4, finally a high performing professional LED fresnel spotlight for the television and the lighting industry. One-for-one replacement The STUDIO LED X4 light output is equivalent to a traditional halogen source and permits a one-for-one replacement without compromises in the quality of the light: same brightness, same smoothness, same even and shadowless illumination as you expect from a traditional fresnel spotlight. DMX RDM control The STUDIO LED X4 is RDM, providing bi-directional feedback and the possibility to assign and address all fixtures remotely in a DMX network. Electronic dimming 16 bit The STUDIO LED X4 is fully dimmable 0-100, up to 16 bit for a more accurate and precise dimming. On-board control A local potentiometer allows to control light intensity manually with rapidity and precision. The dimming level is shown in the display.

COSMOKIT BASIC WITH 2 COSMOBEAMS 2000W 3200K Includes: (2) Cosmolight RC 200, (2) Cosmolight RC 202C/R, Cosmolight RC 207, Cosmolight RC 201, Cosmolight RC 212B and HARD CASE RK-1/200 Cosmolight COSMOKIT BASIC WITH 2 COSMOBEAMS 2000W - 3200K is the perfect partner for photographers, reporters and video makers that need quick set-up when shooting on location. It is equipped with a wide range of accessories that enable multiple applications but it can also be customized according to operator’s requirements to meet their specific needs. It is offered in a variety of configurations with different sizes and contents. Standard Cosmokits are available with one and two cosmobeams, with basic and full accessories configuration, with hard case, with or without wheels.

COSMOKIT BASIC WITH 3 COSMOBEAMS 800/1000W - 3200K Includes: (3) Cosmolight RC 80F, (3) Cosmolight RC 103C/R, Cosmolight RC 211B, Cosmolight RC 201, Lamps and HARD CASE RK-2 Cosmolight COSMOKIT BASIC WITH 3 COSMOBEAMS 800/1000W - 3200K is the perfect partner for photographers, reporters and video makers that need quick set-up when shooting on location. It is equipped with a wide range of accessories that enable multiple applications but it can also be customized according to operator’s requirements to meet their specific needs. It is offered in a variety of configurations with different sizes and contents.

COSMOKIT BASIC 300/650W - 3200K Includes: Cosmolight RC 1650V, Cosmolight RC 1653, Cosmolight RC 211B and HARD CASE RK-3U Cosmolight COSMOKIT BASIC 300/650W - 3200K is the perfect partner for photographers, reporters and video makers that need quick set-up when shooting on location. It is equipped with a wide range of accessories that enable multiple applications but it can also be customized according to operator’s requirements to meet their specific needs. It is offered in a variety of configurations with different sizes and contents.

RC/BR 255 Features: Compact aluminium housing, robust and lightweight. Highly engineered special reflex optical reflector shape. User-friendly digital display. Metal clamps to prevent loosening due to heat and consequent risk of lamp falling. Built-in power supply system utilizing high frequency flicker free electronic ballast, 40K Hz at 100% luminous flux. Superior CRI (95) levels for excellent color rendering. Dimming 0%-100% @230V. A complete set of accessories available to create effects and control the light. Four configurations: 2 lamps, 4 lamps, 6 lamps, 8 lamps. Available in both manual and pole operated versions.

Lighting

RC/BR 455 MAIN FEATURES Compact aluminium housing, robust and lightweight. Highly engineered special reflex optical reflector shape. User-friendly digital display. Metal clamps to prevent loosening due to heat and consequent risk of lamp falling. Built-in power supply system utilizing high frequency flicker free electronic ballast, 40K Hz at 100% luminous flux. Superior CRI (95) levels for excellent color rendering. Dimming 0%-100% @230V. A complete set of accessories available to create effects and control the light. Four configurations: 2 lamps, 4 lamps, 6 lamps, 8 lamps. Available in both manual and pole operated versions.

RC/BR 655 MAIN FEATURES Compact aluminium housing, robust and lightweight. Highly engineered special reflex optical reflector shape. User-friendly digital display. Metal clamps to prevent loosening due to heat and consequent risk of lamp falling. Built-in power supply system utilizing high frequency flicker free electronic ballast, 40K Hz at 100% luminous flux. Superior CRI (95) levels for excellent color rendering. Dimming 0%-100% @230V. A complete set of accessories available to create effects and control the light. Four configurations: 2 lamps, 4 lamps, 6 lamps, 8 lamps. Available in both manual and pole operated versions.

Flo-Box 4 Bank 4ft Capacity 75Wx4 Input voltage 90-250V weight 4.7kg Bulb type T12-48 in.(1200mm) Color Temp. 5600 K/3200 k Stirrup 16mm(5/8 in.) socket Lamp holder G13

Daylight Fresnel 575W SE Capacity Lamp Bulb Voltage Fresnel Lens Weight (without barndoor) Weight (with barndoor) Lamp Type Lamp Holder Stirrup Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Min. Distance to Illuminated Object Min. Distance to Flammable Object Operating Range

575W 95V Ø130mm (5-1/8 in.) 6.4 kg 7.0 kg 575W SE 5600K G22 Ø28mm (1-1/8 in.) Spigot 1 / 23 160 ºC 45 ºC 1m 0.5 m 45º - 0º - 45º

Daylight Fresnel 1200W SE Flo-Box 4 Bank 2ft Capacity 75Wx4 Input voltage 90-250V weight 3.7kg Bulb type T12-24 in.(590mm) Color Temp. 5600 K/3200 k Stirrup 16mm(5/8 in.) socket Lamp holder G1

Capacity: 1,200W Lamp Bulb Voltage: 100V Fresnel Lens: Ø175mm (6-7/8 in.) Weight (without barndoor): 9.7 kg Weight (with barndoor): 10.7 kg Lamp Type: 1200W SE 5600K Lamp Holder: G38 Stirrup: Ø28mm (1-1/8 in.) Spigot Class / IP Rating: 1 / 23 Max. Surface Temp.: 180 ºC Max. Ambient Temp.: 45 ºC Min. Distance to Illuminated Object: 2 m Min. Distance to Flammable Object: 0.5 m Operating Range: 45º - 0º - 45º

Lighting

Daylight Fresnel 2500W SE Capacity Lamp Bulb Voltage Fresnel Lens Weight (without barndoor) Weight (with barndoor) Lamp Type Lamp Holder Stirrup Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Min. Distance to Illuminated Object Min. Distance to Flammable Object Operating Range

2,500W 115V Ø250mm (9-7/8 in.) 17.1 kg 18.8 kg 2500W SE 5600K G38 Ø28mm (1-1/8 in.) Spigot 1 / IP 23 160 ºC 45 ºC 8m 1m 45º - 0º - 45º

Tungsten Fresnel 150W Junior Capacity Lamp Bulb Voltage Fresnel Lens Weight (without barndoor) Weight (with barndoor) Lamp Type Lamp Holder Stirrup Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Min. Distance to Illuminated Object Min. Distance to Flammable Object Operating Range

150W 220V or 110V Ø50mm (2 in.) 1.4 kg 1.5 kg 150W SE 3200K GX6.35 Ø16mm (5/8 in.) Socket 1 / 23 190 ºC 45 ºC 0.5 m 0.5 m 45º - 0º - 45º

Tungsten Fresnel 650W Junior Capacity Lamp Bulb Voltage Fresnel Lens Weight (without barndoor) Weight (with barndoor) Lamp Type Lamp Holder Stirrup Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Min. Distance to Illuminated Object Min. Distance to Flammable Object Operating Range

650W 220V or 110V Ø112mm (4-3/8 in.) 3.0 kg 3.5 kg 650W SE 3200K GY9.5 Ø16mm (5/8 in.) Socket 1 / 23 190 ºC 45 ºC 1m 0.5 m 45º - 0º - 45º

Tungsten Fresnel 1000W Studio Capacity Lamp Bulb Voltage Fresnel Lens Weight (without barndoor) Weight (with barndoor) Lamp Type Lamp Holder Stirrup Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Min. Distance to Illuminated Object Min. Distance to Flammable Object Operating Range

1,000W 220V or 110V Ø175mm (6-7/8 in.) 6.5 kg 7.5 kg 1000W SE 3200K G22 Ø28mm (1-1/8 in.) Spigot 1 / 23 190 ºC 45 ºC 1.5 m 0.5 m 45º - 0º - 45º

Tungsten Fresnel 300W Junior

Tungsten Fresnel 2000W Studio

Capacity Lamp Bulb Voltage Fresnel Lens Weight (without barndoor) Weight (with barndoor) Lamp Type Lamp Holder Stirrup Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Min. Distance to Illuminated Object Min. Distance to Flammable Object Operating Range

300W 220V or 110V Ø80mm (3-1/8 in.) 2.3 kg 2.6 kg 300W SE 3200K GY9.5 Ø16mm (5/8 in.) Socket 1 / 23 190 ºC 45 ºC 1m 0.5 m 45º - 0º - 45º

2,000W 220V or 110V Ø250mm (9-7/8 in.) 12.2 kg 13.9 kg 2000W SE 3200K G38 Ø28mm (1-1/8 in.) Spigot 1 / 23 190 ºC 45 ºC 2m 1m 45º - 0º - 45º

Lighting

Power LED 240W Capacity Input Voltage Input Current Color Temp. CRI Dimming Range Stirrup Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Weight

240W 220V or 110V 15V - 36V DC 1.2A @220V 50Hz AC 2.4A @110V 60Hz AC 8A @30V DC 3200K / 5600K / Bi-color >90 0 - 100% Ø28mm (1-1/8 in.) Spigot 1 / IP 22 60 ºC (140°F) 45 ºC (113°F) 14.0 kg

Power LED 360W Capacity Input Voltage Input Current Color Temp. CRI Dimming Range Stirrup Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Weight

360W 220V or 110V 15V - 36V DC 1.75A @220V 50Hz AC 3.5A @110V 60Hz AC 12A @30V DC 3200K / 5600K / Bi-color >90 0 - 100% Ø28mm (1-1/8 in.) Spigot 1 / IP 22 70°C (158°F) 45°C (113°F) 16.5 kg

Space Light 2000W Capacity Voltage Lamp Type Lamp Holder Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Min. Distance to Illuminated Object Min. Distance to Flammable Object Weight (Lamphead) Weight (with black & silk skirt and target)

2,000W 220V or 110V 1000W 230V 3200K (P2/20) 800W 230V 3200K (P2/11) R7s 1 / 20 180 ºC 45 ºC 1.5 m 0.5 m 5.0 kg 10.4 kg

Space Light 6000W Capacity Voltage Lamp Type Lamp Holder Class / IP Rating Max. Surface Temp. Max. Ambient Temp. Min. Distance to Illuminated Object Min. Distance to Flammable Object Weight (Lamphead) Weight (with black & silk skirt and target)

6,000W 220V or 110V 1000W 230V 3200K (P2/20) 800W 230V 3200K (P2/11) R7s 1 / 20 220 ºC 45 ºC 5m 1.5 m 9.4 kg 18.3 kg

Daylight Par 400w Mini Par Kit Lamp Head Capacity 400w Voltage Protective Lens Par Lens Weight Lamp Type Lamp Holder Stirrup

(L00400dm) 400w 220-240v 0130mm(5-1/8 In.) 0130mm(5-5/8 In.) 3.2kg 400w Sf 5600k Czz9.5 16mm (5/8 In.) Socket

Daylight Par 200w Mini Par Twins Set Lamp Head Capacity 400w Voltage Protective Lens Par Lens Weight Lamp Type Lamp Holder Stirrup

(L00200dm) 200w 220-240v 0112mm(4-3/8 In.) 0112mm(4-3/8 In.) 1.7kg 200w Se 5600k Gy9.5 16mm (5/8 In.) Socket

Lighting

Flo-box 4b2f Twin Kit Capacity Input voltage weight Bulb type Color Temp. Stirrup Lamp holder

75Wx4 (x2) 90-250V 3.7kg (Each) T12-24 in.(590mm) 5600 K/3200 k 16mm(5/8 in.) socket G13

Flo-box 4b4f Twin Kit Capacity Input voltage weight Bulb type Color Temp. Stirrup Lamp holder

75Wx4 (x2) 90-250V 4.7kg (Each) T12-48 in.(1200mm) 5600 K/3200 k 16mm(5/8 in.) socket G13

Lighting Support

A1045CS

A2030D

Minimum Height: 5.5’ (1.7 m) Maximum Height: 14.76’ (4.5 m) Closed Length: 4.7’ (1.4 m) Footprint Diameter: 1.4’ (1.3 m) Weight: 26.9 lbs (12.2kg) Maximum Load: 40kg @ min height 7kg @ max height Attachment Size: 5/8” (16mm) stud and 1-1/8” (28mm) female receiver Accepts Wheels: Yes- (109, 110, 110G ) Air Cushioned: No

Minimum Height: 4.4’ (1.34 m) Maximum Height: Stand: 9.8’ (3 m) Arm: 40” (1 m) Closed Length: 4.4’ (1.34 m) Footprint Diameter: 37” (94cm) Weight: 13.7 lbs (6.2kg) Maximum Load: 22 lbs (10kg) Attachment Size: 5/8” (1.6cm) stud Accepts Wheels: No Air Cushioned: No

A1035CS

B7035CS

Minimum Height: 5.5’ (1.7 m) Maximum Height: 11.5’ (3.5 m) Closed Length: 4.7’ (1.4 m) Footprint Diameter: 4.4’ (1.4 m) Weight: 26.5 lbs (12kg) Maximum Load: 40kg @ min height Attachment Size: 5/8” (16mm) stud and 1-1/8” (28mm) female receiver Accepts Wheels: Yes- (A9000) for 25mm square legs Air Cushioned: No

Minimum Height: 155.0 cm Maximum Height: 350.0 cm Closed Length: 186.0 cm Footprint Diameter: 182.0 cm Weight: 64 kg Maximum Load: 90 kg Attachment Size: 1 1/8 (28 mm) bushing not threaded

A2030D

B7057

Steel Combo Stand with Leveling Leg

COMBO STEEL STAND 35

Turtle Base Century C Stand with Detachable Base Minimum Height: 4.4’ (1.34 m) Maximum Height: 9.8’ (3 m) Closed Length: 4.4’ (1.32 m) Footprint Diameter: 37” (94cm) Weight: 13.7 lbs (6.2kg) Maximum Load: 22 lbs (10kg) Attachment Size: 5/8” stud Accepts Wheels: No Air Cushioned: No

Turtle Base Century C Stand Grip Arm Kit

B7047CS STRATO SAFE 47

Minimum Height: 172.0 cm Maximum Height: 467.0 cm Closed Length: 209.0 cm Footprint Diameter: 213.0 cm Weight: 62 kg Maximum Load: 70 kg Attachment Size: 1 1/8 (28 mm) bushing not threaded

STARO SAFE STAND 35

425B

MEGA BOOM BLACK

LONG JOHN SILVER 5 SECTIONS Minimum Height: 177.0 cm Maximum Height: 570.0 cm Closed Length: 224.0 cm Footprint Diameter: 240.0 cm Weight: 85 kg Maximum Load: 120 kg Attachment Size: 1 1/8 (28 mm) bushing not threaded

Dimensions Minimum extension: 19.7” (48.25cm) Maximum extension: 12’ (3.7 m) from stand mount Closed: 7.1’ (2.2 m) Tube Diameters: 2.2” (55.45mm) Weight: 33 lbs (15.3kg) Maximum Load: 13 lbs (5.9kg) Attachment Size: 5/8” locking socket with 5/8” double threaded stud 1-1/8” locking female receptor

Lighting Support

MKSTR01 Max. Height: 195cm Min. Height: 49cm Transport length: 49cm Weight: 1kg The width of the legs assembled: 100cm Load capacity: 1.5kg

MS0490A

NANOPOLE stand

Removable Column can be Used as Boom

087NW WIND-UP

1004BAC MASTER STAND

Minimum Height: 42.1” (107cm) Maximum Height: 12’ (3.6 m) Closed Length: 42.1” (106.7cm) Footprint Diameter: 41.7” (106cm) Weight: 6.6 lbs (3kg) Maximum Load: 20 lbs (9kg) Attachment Size: 5/8” (1.6cm) stud with 1/4”-20 and 3/8” threaded top Accepts Wheels: No Air Cushioned: Yes

5001B

Minimum Height: 65.8 in (1.6 M) Maximum Height: 12 ft (3.6 M) Closed Length: 65.8 in (1.6 M) Footprint Diameter: 50.4 in (1.27 M) Weight: 47.2 lbs (21.45 kg) Maximum Load: 66.2 lbs (30 kg) Attachment Size: 1-1/8 in, 5/8 in female socket and 5/8 in male stud Accepts Wheels: Yes (104, 104G) Air Cushioned: No - Safety cable controls rise and fall

025BS

SUPERBOOM BLACK A17+014 W/008 Minimum Height: 46.4” (117.9cm) Maximum Height: 7’ (2.2 m) Boom Length: 8’ (2.5 m) Closed Length: 45.7” (116.1cm) Footprint Diameter: 46.4” (117.9cm) Weight: Stand & Boom: (21kg) Maximum Load: With Boom Extended: 15 lbs (6.8kg) Attachment Size: 5/8” (1.6cm) stud and 1 1/8” (2.8cm) female receiver Accepts Wheels: Yes -- included Air Cushioned: No

C100

JR PIPE CLAMP W/TOMMY BAR &PAD attachment 01: 1 1/8 (28 mm) bushing not threaded load capacity: 250 kg material: aluminum weight: 1.13 kg

850

BACKGROUND ROLL SUPPORTING SPIGOTS

026

Baby female Swivelling multi-Adapter free to rotate Color: black load capacity: 2.5 kg Material: aluminum Weight: 0.38 kg

852

CONTROL BOX - 220V

BLACK ALU NANO STAND Minimum Height: 177.0 cm Maximum Height: 588.0 cm Closed Length: 167.0 cm Footprint Diameter: 129.0 cm Weight: 14 kg Maximum Load: 40 kg Attachment Size: 1 1/8 (28 mm) bushing not threaded

420B

Black Aluminium Combi-Boom Stand with Sandbag load capacity: 9 kg maximum height: 392.0 cm minimum height: 131.0 cm weight: 2.7 kg

FF3054 TOP SYSTEM 54

Complete kit for larg studios composed of 2 fixed rails 5 m long, 3 mobile rails 3m long and supports for 5 light sources (4 top pantographs).

Lighting Support

C337

QUICK ACTION CLAMP Attachment 01: 1 1/8 (28 mm) bushing not threaded Color: black Load capacity: 100 kg Material: aluminum Weight: 1.27 kg

1314B SET Color: black color Material: aluminum Load capacity: 10 kg Weight: 4.2 kg

Attachment 01: 17 mm bushing not threaded Attachment 02: 5/8 (16 mm) Spiggot not threaded Color: black Load capacity: 10 kg Material: aluminum Weight: 1.4 kg

C1575B

AVENGER SUPER CLAMP

143F

FORK FOR STYRENE GOBOS Color: black Weight: 0.14 kg

D200 2 1/2” GRIP HEAD

Attachment 01: 5/8 (16 mm) bushing not threaded Color: black Load capacity: 15 kg Material: aluminum Weight: 0.45 kg

220B

Still Life Table Color: silver color Distance from floor to flat surface: 83.0 cm Height: 193.0 cm Load capacity: 15 kg Material: perspex Panel size: 200x122cm Weight: 28.26 kg

SAND BAG SMALL 6 KG Weight: 6.00 kg

C500

PELICAN GAFFER GRIP

G100

Avenger’s most popular grip accessory. The D200 Grip Head has hundreds of functions. Load capacity: 0.55 kg

D520 40”

241 PUMP CUP W/SWIVEL 5/8 SOCKET

Suction cup for small fixtures and lightweight equipment. 16 mm bushing with safety pin. Load capacity: 1.20 kg

C338 QUICK ACTION BABY CLAMP 5/8pin Works on diameters from 20 mm to 52 mm Load capacity: 50 kg Weight: 0.76 kg

EXTENSION ARM

MN046 Expan Set

Normally used in combination with a Grip head (art. D200) it provides an extended grip point for scrims and flags or small lights. Load capacity: 1.60 kg

Background paper drive set for one roll. Including plastic chain and weight. Expands from: 1.8” to 3”. Load capacity: 10 kg Weight: 1.2 kg

Lighting Support

275

MINI SPRING CLAMP 5/8 F ATTACH Clamps onto bars up to Ø 35mm. It can be mounted also on 16mm extension arms. Weight: 0.11 kg

175

SPRING CLAMP, 5/8 F ATTACHMENT Clamps onto bars up to Ø 40mm Weight: 0.32 kg

013

ADAPTER SPIGOT Universal 16 mm spigot with double male thread 1/4” and Weight: 0.07 kg

E200

Stand Adapter, 1-1/8” to 5/8” Stud Thie E200 Cine Stand Adapter fits into the 1-1/8” female receptor on heavy-duty light stands and grip clamps. Weight: 622 g

D700B 045

BACKGROUND PAPER TRIPLE HOOKS Set of two background paper holders for three Expan 046. Weight: 2.05 kg

386B NANO CLAMP

Works on diameters from 13mm to 35mm. Weight: 110 g load capacity: 4 kg

EXTENSION HOLDER F/OVAL REFL Extension Arm Section centre column: 3 Weight: 0.7 kg

F1000

PUMP CUP W/BABY SWIVEL PIN Ideal for mounting small lights. Load Capacity 4.41 lbs (2kg) Mount 5/8” spigot Weight 2.43 lbs (2.1kg)

244N

VARIABLE FRICTION ARM ALONE Attachment (top): type 17 Color: black color Material: aluminum Load capacity: 3 kg Weight: 1.09 kg

244RC

VARIABLE FRICTION ARM ALONE Locking Knob Requires Super Clamp or Base Length Weight Load Capacity

19.29” (49cm) 2.4 lbs (1.1kg) 8.82 lbs (4kg)

Professional Audio

PRO 31

Cardioid Dynamic Handheld Microphone This affordable cardioid dynamic microphone is designed for close-up vocal performance. The PRO 31 offers a broad frequency response and low handling noise in a tough, durable design that delivers consistent performance on the road. The mic sets price/performance standards for intelligibility, transparent sound quality and noise suppression. Available in two models for easy use with consumer and pro electronics: PRO 31 (XLRF-XLRM cable) and PRO 31QTR (XLRF¼” cable).

AT2020

PRO24-CMF

Product Highlights Side-Address Studio Condenser Cardioid Pattern Rejects Off-Axis Sound Superior Transient Response 144dB SPL Handling Wide, Linear Frequency Response Low-Mass Diaphragm

For Consumer Camcorders, DSLRs Pair of Cardioid Condenser Elements On/Off Switch Rugged Metal Construction Battery Powered Includes Camera Mount Includes Windscreen Includes Battery Includes Soft Pouch

Cardioid Condenser Microphone

The Audio-Technica AT2020 is a cost effective studio condenser microphone intended for vocal and general instrument capturing in project and professional studio environments.

AT8004

AT2020 USB

Product Highlights Ideal for ENG Internal Shock Mount Omnidirectional Polar Pattern

Product Highlights USB Connection for Windows and Mac Crystal-clear, Sound for Podcasting Cardioid Polar Pattern

The Audio-Technica AT8004 Handheld Microphone is a rugged omnidirectional microphone designed for ENG style interviews, speech capturing, etc. The omnidirectional polar pattern is ideal for capturing surrounding ambiance or providing a “forgiving” pick-up area for talkers who tend to move and change positions.

The Audio-Technica AT2020USB is a cost effective condenser microphone with a USB connector for direct integration with Windows and Mac computers. Podcasting, studio recording and other computer recording applications are achieved with superb results, low noise and crystal-clear quality.

Omnidirectional Dynamic Microphone

AT8031

Cardioid Condenser Handheld Microphone The Audio-Technica AT8031 is a widerange condenser mic with a cardioid (uni-dierctional) polar pattern. The AT8031 was designed for professional recording and sound reinforcement applications. Utilizaing the latest low-mass technology, frequency and transient response is improved, while distortion is reduced. Controls feedback and minimizes pickup of unwanted sounds and is enclosed in a rugged housing with a low-reflective matte finish.

USB Cardioid Condenser Microphone

AT2050

Multi-pattern Condenser Microphone Product Highlights Cardioid, Omni and Figure-Eight 80Hz High-Pass Filter -10dB Pad Switch Shock Mount and Protective Pouch The Audio-Technica AT2050 Multi-Pattern Condenser Microphone is a well suited solution for home studios, project recording and live sound reinforcement alike.

Stereo Condenser Microphone

AT 875R

Short Condenser Shotgun Microphone For Video Production and Broadcast Extra Short for Use with Compact Cameras Sound Rejection From Sides and Rear Designed for Minimized Handling Noise

AT897

Line + Gradient Condenser Microphone

The Audio Technica AT897 is a short shotgun condenser microphone designed for audio capturing in video and broadcast applications. The microphone’s unobtrusive length of 11” (279.40mm) ensures that the microphone remains out of the frame when mounted on compact, consumer video cameras.

Professional Audio

ATH-M20x

ATH-M70x

Advanced build quality and engineering 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils Tuned for enhanced low-frequency performance Circumaural design contours around the ears for excellent sound isolation in loud environments Convenient single-side cable exit Designed for studio tracking and mixing

M-Series flagship model, tuned for extremely accurate reproduction and carefully crafted using key metal components for lasting durability Proprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils Extended response accurately reproduces extreme low and high frequencies while maintaining perfect balance Circumaural design contours around the ears for excellent sound isolation in loud environments 90Â° swiveling earcups for easy, one-ear monitoring Professional-grade earpads and headband provide excellent durability and comfort, and detach for easy replacement Perfect for studio mixing and tracking, mastering and audio forensics Fold-flat design for space-saving portability Detachable cables (includes 1.2 m - 3.0 m coiled cable, 3.0 m straight cable and 1.2 m straight cable)

High-fidelity sound with clean, articulate mix allows performers to hear themselves clearly at lower volume 1321 selectable UHF channels with automatic frequency scanning Up to 16 simultaneous systems per frequency band Three receiver modes: Personal Mix, stereo, and mono Personal Mix Control allows volume and mix control of two independent signals at the receiver LCD information display offers stepthrough menus for setting preferences XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation Adjustable squelch eliminates annoying static Pilot tone protects against RF interference when transmitter is turned off Multi-level limiter (defeatable) helps protect hearing from sudden peaks Portable system is quick to load and set up

Professional Monitor Headphones

ATH-M30x

Professional Monitor Headphones The M-Series ATH-M30x professional monitor headphones combine modern engineering and high-quality materials to deliver a comfortable listening experience, with enhanced audio clarity and sound isolation. Tuned for highly detailed audio, with strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations. Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording.

ATH-M50x

Professional Monitor Headphones

As the most critically acclaimed model in the M-Series line, the ATH-M50 is praised by top audio engineers and pro audio reviewers year after year. Now, the ATHM50x professional monitor headphones feature the same coveted sonic signature, with the added feature of detachable cables. From the large aperture drivers, sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

Professional Monitor Headphones

Wireless In-Ear Monitor System

Professional Audio

System 10 Pro

Digital Wireless Receiver and Pocket Transmitter Use AT Mics with 4-pin UniPak Connector Use with AT-GcW Guitar Cable ATW-T1001 UniPak Transmitter ATW-R1100 Digital Receiver Use Up To 8 Systems Simultaneously Digital 24-bit/48 kHz Wireless TV Interference Free 2.4 GHz Range Automatic Frequency Selection Frequency, Time, & Space Diversity Balanced XLR and Unbalanced 1/4â&#x20AC;? Outputs

System 10 Camera-Mount

Portable Camera-Mount Digital Wireless Systems Digital 24-bit/48 kHz wireless operation for ultimate sound quality and dependable performance Operates in the 2.4 GHz range â&#x20AC;&#x201C; completely free from TV interference Ultra compact receiver size with multiple mounting options Selectable balanced and unbalanced output jacks with level control for use with most cameras and recording devices Internal rechargeable 12-hr battery Separate headphone port and volume control for local audio monitoring Multi-pairing function to link a single receiver with up to eight body-pack or handheld transmitters Three levels of diversity assurance: frequency, time & space Automatic frequency selection for seamless, interference free operation Extremely easy operation with instantaneous channel selection, sync and setup Convenient single-side cable exit Designed for studio tracking and mixing

AT2020USBi

Cardioid Condenser USB Microphone Condenser microphone with digital output for convenient, highresolution recording High-quality A/D converter with 24-bit/96 kHz sampling rate for superb, high-resolution audio Mic gain control allows you to adjust input level on the mic itself Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording and voiceover use Compatible with Windows 7 and above, Mac OS 10.6 and above, and iOS 7.02 and above (requires Lightning connector). Tripod desk stand with folding legs for secure and easily portable tabletop use Included USB and Lightning cables provide ready connectivity to computers and iOS devices

Professional Audio

F780/9X

ECM674/9X

Product Highlights 782MHz to 806MHz Range PLL-Synthesized Tunning Dynamic Element 94 Selectable Frequencies

Supercardioid Polar Pattern Battery or Phantom Power 3-pin XLR Output Includes Windscreen and Spacer Fits HDV, DVCAM, XDCAM Camcorders

The Sony WRT-807B is a high-quality handheld dynamic microphone transmitter that operates in the 782MHz to 806MHz UHF band range. It incorporates a PLL synthesized design with 94 user-selectable, UHF frequencies of interference-free operation.

The Sony ECM-674/9X Shotgun Microphone provides professional level signal reproduction while remaining cost effective. The ECM-674/9Xâ&#x20AC;&#x2122;s compact size, audio character and sensitivity result in the level of performance suitable for use with professional and semi-professional video cameras.

Dynamic Handheld Microphone

Shotgun Microphone

UWP-D11

Belt-pack UWP-D wireless microphone package UTX-B03 Bodypack Transmitter URX-P03 Portable True Diversity Receiver ECM-V1BMP Electret Condenser Lavalier Digital Companding Circuitry Selectable Mic/Line Input USB Charging and Power Tone Squelch Suppression Circuitry Automatic Channel Scanning Infrared Synchronization Simultaneous Multi-Channel Operation

UWP-D12 F720

UWP-X8

Quality dynamic hand-held uni-directional microphone. Rugged construction. Built-in LC switch. Efficient one-piece shock mount to protect the capsule from external noise and vibration. Integral double windscreen to prevent pop/wind noise. Reasonably priced to suit both professional and institutional applications.

UTX-H2 Handheld Transmitter Unidirectional Handheld URX-M2 Tuner Module

Dynamic Handheld Microphone

UWP Wireless Microphone package

UWP Series UHF synthesized wireless microphone system. Package includes a handheld microphone and tuner module. Channels 30 to 33. The UWP-X8 includes extremely robust metal construction with a newly designed hand held transmitter. UWP Series transmitters and receivers can also be purchased separately.

UWP-D wireless microphone package with handheld transmitter UTX-M03 Microphone Transmitter Interchangeable Microphone Capsule URX-P03 Portable True Diversity Receiver Digital Companding Circuitry Automatic Channel Scanning Shoe-Mount Adapter for Receiver Selectable Mic/Line Input USB Charging and Power Tone Squelch Suppression Circuitry UWP and WL-800 Series Compatibility

UWP-D16 ECM-678

Shotgun Microphone Features: Supercardioid Polar Pattern Suitable for Sony Pro Cameras High Sensitivity & Low Noise The Sony ECM-678/9X short shotgun microphone delivers professional audio signal reproduction while remaining camera mountable and cost effective.

UWPX7

Lav Mic, Bodypack TX and RX Module Wireless System Features: UT-B2X Bodypack Transmitter Unidirectional Lavalier Microphone URX-M2 Tuner Module The Sony UWP-X7 Wireless Microphone System consists of the UT-B2X bodypack transmitter, unidirectional (cardioid) lavalier microphone and URX-M2 tuner module.

Belt-pack UWP-D wireless microphone package with XLR plug-on transmitter UTX-P03 Plug-on Transmitter with +48V UTX-B03 Bodypack Transmitter URX-P03 Portable True Diversity Receiver ECM-V1BMP Electret Condenser Lavalier Digital Companding Circuitry Selectable Mic/Line Input USB Power and Battery Charging Automatic Channel Scanning Tone Squelch Suppression Circuitry Simultaneous Multi-Channel Operation

Professional Audio

ECM77B

DWZ-B30GB

MDR-7506

Digital wireless set for guitar and bass

Professional Headphones

Perfect for television applications, Sony’s ECM77B Omni-Directional Electret Condenser Microphone is a miniature lavalier microphone designed to be inconspicuous. This tiny mic runs on either phantom power or AA battery operation. The ECM77B comes with an XLR connector

ZTX-B01 Bodypack Transmitter ZRX-C30 Receiver 24-bit Linear PCM Audio Transmission Flexible Powering Options Balanced XLR Output Two 1/4” Unbalanced Outputs

The MDR-7506 is a staple within the recording, film and live arenas. Due to its low impedance and closed ear design, the headphone does an outstanding job of cutting down background noise while providing plenty of volume in the studio or in the field. Additionally, the closed design helps eliminate “headphone bleed” when overdubbing in the studio.

Electret Condenser Lavalier Microphone

The Sony DWZ-B30GB Digital Wireless Guitar/Bass Set features 24-bit linear PCM audio transmission and is ideal for use with both guitar and bass. The set includes both a ZTX-B01 bodypack transmitter and a ZRX-C30 receiver.

ECM44B

Electret Condenser Lavalier Microphone Product Highlights Electret Condenser Wide Frequency Response Battery Powered Only Single AA Battery Provides 5000 Hours For Live Sound and Broadcast The Sony ECM-44B Lavalier Microphone makes the exceptional quality of Sony’s electret condenser microphones available for budget conscious productions, and a variety of sound reinforcement requirements, such as lectures and demonstrations.

DWZ-B70HL Digital wireless lavalier sets

2.4GHz ISM Band Operation 1x ZTX-B02RC Body Pack Transmitter 1x ECM-HZ1UBMP Headset Mic 1x ECM-LZ1UBMP Lavalier Mic 1x ZRX-HR70 Half-Rack Receiver Built-In 5-Band Graphic EQ 24-Bit Linear PCM Digital Audio Intelligent Feedback Reducer Includes Body Pack Belt Clip & Tie Clip Includes 2 Windscreens & 2 Antennas

ECM88B

DWZ-M50

The Sony ECM 88B is a miniature condenser, lavalier microphone. This version includes the DC-78 power supply with XLR output connection. The capsule is 3.5 x 3.5 x 16.8mm, allowing naturallooking concealment on stage or camera. The electret condenser element uses a dual-diaphragm mechanism, resulting in high sensitivity.

Features: For Use in DWZ Wireless Systems 2.4GHz Bandwidth Unidirectional Dynamic Capsule Metal Body 2402.0 to 2478.5MHz Frequency Range Compatible with Sony DWX Capsules

Electret Condenser Lavalier Microphone

Digital wireless vocal set

High quality sound with up to six simultaneous channels and 5-band equalizer

MDR-7510

Sony Professional Studio Headphones 50mm PET Diaphragms Neodymium Magnets Closed-Back Design Around-Ear Cushions Adjustable, Padded Headband Single-Sided OFC Cable Gold-Plated 3.5mm Plug and 1/4” Adapter Soft Case Included

MDR-7520

Professional Headphones The Sony MDR-7520 Professional Studio Headphones provide high-quality audio in a durable design, perfect for use in demanding professional applications such as studio and broadcast monitoring. The headphones feature 50mm drivers with LCP diaphragms and neodymium magnets to deliver highly accurate sound with an extended frequency response that brings out the deepest bass and crisp treble

Professional Audio

AVX ME2 SET

Mountable Lavalier Digital Wireless Set

EW 112-p G3

EKP XLR Receiver SK Bodypack Transmitter ME2 Lavalier Microphone Plug and Record Functionality Automatic Sensitivity Adjustment Receiver Switches On/Off Via 48V AES 256-bit Encryption Metal Housing

Product Highlights: EK 100 G3 Camera Mountable Receiver SK 100 G3 Bodypack Transmitter ME2 Clip-On Lavalier Mic 1680 Tunable Frequencies Across 42 MHz Auto Frequency Scan Finds Open Bands 3 Level Squelch To Block Interference 20 Banks With 12 Channel Presets Each Compander For Clearer Sound Auto-Lock Prevents Accidental Adjustment The Sennheiser ew 112-p G3 Wireless Portable Microphone System is intended for portable wireless operation, such as video and field recording applications.

EW 135-P G3 A handheld system designed for field operation: this system is the perfect choice for ENG professionals. The rugged hand-held cardioid wireless microphone provides professional sound quality for interviews and reporting, even under unfavorable conditions. At the camera end of the wireless signal path is the portable and reliable EK 100 G3 adaptive diversity receiver.

EW 100-ENG G3 Product Highlights: 2 x EK 100 G3 Bodypack Receivers 2 x SK 100 G3 Bodypack Transmitters 2 x ME2 Clip-On Lavalier Mics AT8004L Omni-Directional Handheld Mic Plug-On Transmitter for Handheld Mic Plug-On Transmitter Holster Case V-Bracket Shoe Mount Custom Road Case with Foam Inserts The Sennheiser ew 100 ENG G3 Dual Wireless Basic Kit provides a complete basic solution for camera operators engaged in ENG (Electronic News Gathering) who require professional in-camera audio capture but need to cover dual audio sources, either using two lavalieres, or a lavalier and a handheld microphone.

AVX 835 Set

Mountable Digital Handheld Wireless Microphone Set The AVX-835 SET includes a handheld microphone, the plug on receiver and all accesories to operate out of the box with camcorders as well as DSLR cameras. It features self configuring digital transmission which eliminates time-consuming radio frequency setup. The ultra compact receiver rotates around the XLR connector to avoid collision with other devices mounted on your camera. It switches on and off automatically with your camera - saving battery power. The AVX matches perfectly to your camera’s input sensitivity without having to adjust the audio level on the microphone. From professional wedding video to documentaries, from street interviews to corporate videos, the AVX just works allowing you to concentrate on creativity. Very fast setup Plugs directly into XLR audio input Ultra compact receiver Switches on/off by P48 Phantom power Optimized dynamic range Auto frequency management AES 256 encryption License free Accessories included for DSLR use Metal housing

HD 202

Dynamic hi-fi stereo headphones Product Highlights: Lightweight Closed-Back Construction Lightweight Turbine Diaphragms Neodymium Magnets Special Damping Material Semi-Circumaural Design Detachable Earcups Replaceable Leatherette Ear Cushions Belt Clip with Cord Take-Up 3.5mm Plug with 1/4” Adapter The HD 202-II headphones from Sennheiser provide high-quality audio with exceptional bass response in a lightweight design, ideal for DJ applications and monitoring.

HD 280 PRO Product Highlights: Leatherette Cushions Padded, Adjustable Headband Noise Isolating Standard 3.5mm Plug with 1/4” Adapter The Sennheiser HD 280 Pro Circumaural Closed-Back Monitor Headphones feature a collapsible design with swiveling earcups and extended low end reproduction.

EW 300 IEM G3 Product Highlights: Includes SR 300 G3 Transmitter Includes EK 300 G3 Receiver Metal Construction Selectable Tuning Wireless Syncing The ew 300 IEM G3 Wireless In-Ear Monitoring System from Sennheiser is a wireless stereo audio system that provides terrific versatility in a compact package. The system consists of an SR 300 G3 transmitter and an EK 300 G3 receiver.

Professional Audio

Ear set 1-EW Head Worn Microphone

MKH 416-P48U3 short gun interference tube microphone

Increased directivity due to interference tube principle Very low inherent self-noise High sensitivity Transformerless and fully floating balanced output Rugged, suitable for adverse climatic conditions Matt black all-metal body.

ME 66/K6

Back-Electret Microphone Head Suitable for K6 and K6P Powering Modules

1/8” (3.5mm) Mini Connection Compatible with Sennheiser Transmitters Omnidirectional Polar Pattern 3.3mm Miniature Capsule Adjustable Earloop Impervious to Pop and Wind Noise

HSP 4 EW

Head Worn Microphone 1/8” (3.5mm) Mini Connector Black

Mic

Omnidirectional Mic For iOS Devices 8.0 and Later ME 2 Microphone Capsule Apogee 24-bit/96 kHz Converter Apogee MetaRecorder App Included Includes Mic Clip Foam Windscreen Metal Windscreen Carrying Pouch

Modular Mic and Input System Includes XY Microphone Module Four Simultaneous Inputs Uses SD Memory Cards Compatible with H6 Mic Modules Optional Shotgun Mic and XLR/TRS Inputs Record up to 24-bit/96kHz Audio Doubles as USB Audio Interface Optional Hot Shoe Mount

Handy Recorder with Interchangeable Microphone System Product Highlights: Modular Mic and Input System Includes XY Microphone Module Includes Mid-Side Microphone Module Four XLR/TRS Inputs Record up to 6 Simultaneous Channels Record up to 24-bit/96kHz Audio Doubles as USB Audio Interface Uses SDXC Memory Cards Optional Shotgun Mic and XLR/TRS Inputs Optional Hot Shoe Mount

MKE 1-EW-3

Professional Lavalier Microphone for EW Series Wireless

CLIP-MIC Digital

Zoom Handy Recorder with Interchangeable Microphone System

Features: Super-cardioid/lobar pick-up pattern Highly directional Low inherent self-noise High sensitivity Wide frequency response. The Sennheiser ME66 short shotgun microphone is a popular choice among video, film and ENG / EFP professionals.

Miniature 3.5mm Capsule Omnidirectional Polar Pattern EW Series 1/8” (3.5mm) Connection MZQ222 Mic Clip Included Storage Pouch Included Reduced Sensitivity Moisture Resistant Beige

Invisible wireless earpiece With TX-300N invisity by Phonak is the smallest in-ear radio receiver in the world. This comfortable wireless earpiece offers market-leading sound quality and allows broadcast and stage teams to discreetly prompt any presenter or performer, providing a valuable safety net and ensuring that broadcasts and performances always run smoothly.

Professional Audio

Assistive Listening

TX-300V

Anchor 4-User Wireless Assistive Listening System

PRO-540

TX-300V transmitter The TX-300V is a wide area FM transmitter and perfect for covering large areas such as auditoriums, lecture rooms, houses of worship, town halls, movie theaters, theaters, universities, sports venues, shopping malls, railway stations and other public places.

4-User ProLink Dual-Ear Wireless Beltpack Intercom System

Easy-to-use system includes everything you need to support four wireless users Additional receivers can be purchased separately to support an unlimited number of users Up to 300’ line of sight range between the transmitter and receivers Transmitter has 16 user-selectable channels Slim beltpack receivers operate on a pair of standard “AA” batteries Earbuds are included for use right out of the box Convenient carrying case holds the entire system

Easy connection Automatic synchronization with WallPilot Available with charging suitcas Compatible with all Phonak FM receivers Perfect for any facility with a capacity of over 50 people.

MICC Series MIC. STAND CHROME attachment number attachment type material closed length load capacity maximum height weight

type 36 chrome steel 108.0 cm 2 kg 195.0 cm 1.4 kg

Table Top Tripod

Product Highlights: No Base Station Needed 1 Master and 3 Remote Beltpacks A/B Channel Selection PTT or Always On Modes Dual-Ear Headsets Flexible Boom Mics Bluetooth Capability Uses Rechargeable AA Batteries No FCC License Needed

The PRO-540 4-User ProLink Dual-Ear Wireless Beltpack Intercom System from PortaCom is a complete 4-user wireless intercom system. It includes a master beltpack, 3 remote beltpacks, and 4 dualear headsets. Each beltpack features a compact and portable design and offers full-duplex communication without the need for a base station.

PRO-570

7-User ProLink Dual-Ear Wireless Beltpack Intercom System

attaches by. 3/8’’ screw attachment type Color black color leg angles 75° working height 13.0 cm load capacity 2 kg minimum height 4.5 cm weight 0.094 kg

Telikou 4 channel wireless intercom TELIKOU MDS-400 4 channel wireless intercom main station adopts 2.4GHz frequency. It is full two-way audio transmitter and receiver. MDS-400 is suitable for stage communication, outside broadcast van, show, and other applications where wireless communication is required. 1 x Telikou MDS-400 4-channel Base Station 4 x Telikou BK-2400 Wireless Belt Packs 5 x Telikou HE-121 Headsets 4 x Antennas

Microphone Stand Anodised aluminium microphone stand features a ‘Quick release and lock collar’, allowing the stand to be set at the required height with a single operation. The lightweight rubber base reduces ‘bottomend’ frequencies being trasmitted through the stage floor. Complete with rubber base, 3/8’ top attachment for microphone. Supplied without microphone holder.

MDS-400 Wireless Intercom Kit

Product Highlights: No Base Station Needed 2 Master and 5 Remote Beltpacks A/B Channel Selection PTT or Always On Modes Dual-Ear Headsets Flexible Boom Mics Bluetooth Capability Uses Rechargeable AA Batteries No FCC License Needed

The PRO-570 7-User ProLink Dual-Ear Wireless Beltpack Intercom System from PortaCom is a complete 7-user wireless intercom system. It includes a pair of master beltpacks, 5 remote beltpacks, and 7 dual-ear headsets.ks, and 4 dual-ear headsets. Each beltpack features a compact and portable design and offers full-duplex communication without the need for a base station.

Professional Audio

DHY-03

DM1000VCM

The digital DHY-03 telephone hybrid is probably the best performing digital hybrid in the world, with simply stunning line balance rejection figures.

Precise 24-bit/96-kHz Audio and Highperformance Head Amps 48-input 18-bus Mix Capacity at 96 kHz Powerful Channel Functions with Flexible Control and Patching Versatile Connectivity for a Wide Range of Applications

Digital Telephone Hybrid

Phone In 6 The Phone In 6 is a telephone switching system for radio talkshows. It consists of one or more desktop Remote Control Panels for call control, and a rackmount Base Console which contains all of the audio and telephony connections, including two superb quality digital telephone hybrids.

PI-6R Remote Control Unit Simple installation using CAT5 Ethernet connection to the remote control panels. Automatic call answering. Automatic call disconnection. Self-op or call screening modes. Caller conferencing. Headset included with all systems.

Digital Production Console

01V96V2

Digital Recording Mixer 24-bit/96-kHz Performance 24 Analog & Digital Channel Inputs ... Expandable to 40 20-bus Configuration Surround Panning Channel Strips With Precision 100-mm Motor Faders

MG82CX

8-Input Stereo Mixer with Digital Effects 8-input, 2-bus design 2 channels of single-knob compression 3-band EQ on inputs SPX quality digital effects

DMXP01 24 Bit Converters 32 Bit Processing 48kHz & 96kHz Sampling Frequencies 4 Balanced XLR Inputs Set Up Recall & Storage Programmable Metering AES/EBU & S/PDIF Output Flexible Monitoring

EPM 6 Low-cost high-performance mixers Frame sizes 6+2, 8+2 and 12+2 2 configurable auxiliary buses XLR-type and ¼” metal jack connector sockets RCA phono stereo playback inputs and record outputs

RMX42

Stereo Mini Mixer The MX42 is a four channel stereo mixer. The unit mixes up to four stereo RCA signals such as CD or cassette players with VCR units, even computer sound cards or MP3 players. All signals are mixed via stereo 100K ohm potentiometers to stereo RCA output connectors.

MX422 The Rolls MX422 is a 4-channel professional field mixer designed for Electronic Field Production (EFP), Electronic News Gathering (ENG), video, and more. The mixer includes a feature set that meets the demands of the professional field audio engineer while remaining at a modest price point.

Blackmagic Audio Monitor

Incredible quality audio monitoring with Ultra HD 4K technology 2 x Channel AES/EBU Digital Audio Input L/R Balanced & Unbalanced Analog Input 2 x 27-Segment LED VU Meters Front Panel Illuminated Keypad Front Panel 1/4” Headphone Jack Supports SD/HD/Ultra HD @ 10-bit via SDI 16 x Channels Audio Output via SDI Out 2 x Channels Embedded Audio via HDMI Out Available Dolby Decoder Upgrade Card 1RU-Sized Unit with Class A/B Amplifier

Professional Boom Poles The Cavision SGP535R 5-Section Microphone Boom Pole is made of durable, lightweight mixed fiber, features concentric locking collars and features a 3/8” thread at the top. The primary tube is specially coated to minimize handling noise and the concentric collars provide perfect microphone positioning from any point within the section. The removable top enables users to internally thread the boom pole with a microphone cable.

Rycote Full Windshield System The full windshield system is made up of the following elements: Modular Suspension (shock mount) Modular Windshield (windscreen, blimp or zeppelin) Windjammer (furry cover).

Interfaces

5600MSC DVI 201 / DVI Extender The Extron DVI 201 is a transmitter and receiver set that enables DVI - Digital Visual Interface or HDMI - High Definition Multimedia Interface signals to be carried over distances significantly greater than the specified 5 meter (15 foot) limitation for standard DVI cables. Linked together using two economical and integration friendly CAT 5, CAT 5e, CAT 6, or CAT 7 cables, the DVI 201 transmitter and receiver work together to send single link DVI-D or HDMI signals over 200 feet (60 meters) for HDTV and XGA (1024x768).

Master SPG / Master Clock Combo The 5600MSC Master Sync and Clock Generator, is both a broadcast quality master sync pulse generator (SPG) and a master clock. It provides all of the synchronizing signals needed in a 21st century TV station at the same time as solving the problem of locking the inhouse master clock system to the master video sync pulse generator.

1200DD & 1201DD Data Digital Display

Pro Patch™

Programmable Audio Patchbay • Unprecedented reliability and flexibility in a convenient, space-saving size and lightweight package. • High density 2x48 WECO-compliant bantam jacks on 0.312-inch centers • DIP switch selectable circuits normals and grounds • Ultra-shallow five-inch depth • Modular design allows individual jack access/configuration without affecting other circuits • Largest designations on the market, 0.410-inch top and bottom for 1 rack unit, 0.680-inch top and bottom for 1.5 rack unit.

MonitorScope MS9000

Worlds first modular 3G,HD,SD SDI and composite capable 3U rack measuring instrumentr The MonitorScope MS9000 is a compact ½ rack 3RU high, low power rasterizer for measurement and monitoring of video and audio in all areas of production and engineering. The MS9000 is a modular instrument so it is easy for the user to upgrade at any time. With a user friendly interface and ease of use top of the agenda the MS9000 comes with a built in XVGA display. Applications include: EFP, OB vehicles, pre and post production, editing and graphics suites, tele-cine, colouring... Indeed anywhere serial digital signals or multi-format measurement are required. The MS9000 is capable of measurement, monitoring and error detection of 3G, HD, SD and composite video signals and audio in its embedded, or AES/EBU formats, depending on the module options selected. Generator and EYE modules covering 3G, HD, SD and composite video and audio signals complete the range. With waveform, vector, multiple linear audio peak bar graphs and phase displays with program picture available for display as required the MS9000 fulfils operational and front line engineering requirements.

Kaleido-X 1212 & 1216 Remote Time Display

PKG9625SW

SDI Mini Master Control Switcher Package

7767VIP4-HSN & 7767VIP4-SN The 5600MSC Master Sync and Clock Generator, is both a broadcast quality master sync pulse generator (SPG) and a master clock. It provides all of the synchronizing signals needed in a 21st century TV station at the same time as solving the problem of locking the inhouse master clock system to the master video sync pulse generator.

The Kaleido-X multi-viewers offer the highest picture quality, along with unmatched flexibility in display configuration, and exceptional resilience. Two frames are available with up to 96 inputs and 8 multi-viewer outputs (7RU), or with up to 32 inputs and 4 multi-viewer outputs (4RU), making it ideal for applications demanding high picture counts per display. Kaleido-X’s advanced Metadata extraction, signal probing, and alarming capabilities make it highly suitable for master control and head-end environments. It also offers triple rate 3Gbps/HD/SD performance, with Stereoscopic 3D support. The multi-viewer can be tightly integrated with routers to create very large and versatile monitoring systems. Features: Unmatched image quality Highly resilient Advanced Metadata extraction, probing and alarming Layout flexibility Multi-room oriented Triple rate performance with Stereoscopic 3D support Router integration

Video Routers

several units. One module can be hot-swapped without affecting other modules in the cascade. A non-looped version, the DA-3GHD-8, is also available with improved cable equalization. Key Features: 1 x 8 distribution amplifier ASI support on all outputs Passive loop-through on backplane On board LED for status On board DIP for configuration

AAV-HD-XMUX

HD-SDI audio embedder for analog and digital audio

SL-16XY-CP Programmable multibus X-Y control panel series

robust buttons designed to handle everyday use. Key Features: Ranges from 8x8 in 1RU to 64x64 in 4RU Ethernet/RS-232/NCB control Programmable Full button flexilbility Robust buttons Live button status feedback Size: 19inch - 1RU, 2RU or 4RU - depth 5cm Low power

DA-3GHD-8 Nevion series of Sublime control panels provides powerful control features to a large range of routing application with their high flexibility thru their programmability, multi-router/ multi vendor support and multiple control interfaces. Sublime control panels support both serial and IP-based control. The panels are compact and lightweight, easily mounted in desks or racks. They are all 19â&#x20AC;? wide, and ranges from 1RU 8x8 single bus to 4RU 64x64 CY multibus. They are equipped with

1x8 3G/HD/SD-SDI and DVB-ASI distribution amplifier The Flashlink DA-3GHD-8/DA-3GHD8-PL is a multi bit-rate distribution amplifier that provides high performance media distribution for signal formats from 19.4Mbps to 2970Mbps in studio and broadcast applications. This unit is automatically configurable for cable equalizing and reclocking of DVB-ASI, SD/HD/3G-SDI signal formats. The DA-3GHD-8-PL module features a passive loop-thru function that enables cascading of

The AAV-HD-XMUX is a multi-rate highly integrated audio embedding module in the Flashlink range, offering simultaneous embedding and deembedding of audio from a digital HD or SD serial video signal. The AAV-HD-XMUXâ&#x20AC;&#x2122;s small footprint, low power and Nevion panel control support are ideal for outside broadcast applications.The extensive manual control thru DIP switches enables the module to be efficiently used as a stand-alone unit enclosed in the small Flashlink N-box enclosure. The built-in de-glitcher makes the AAV-HD-XMUX the preferred choice for analog audio embedding applications since any switching is presented seemlessly at the AAV-HD-MUX output.

Digital video cable

success. VikinX Sublime is ideal for general purpose facilities, on-air routing, mobile outside broadcast applications and sophisticated A/V applications. By providing critical 3rd party control interfaces through 3rd party management software Sublime enables the utilization of existing routers and management systems from other manufacturers and maintains the advantages of implementing VikinX Sublime in routing applications. With the ultra-slim, multi-format and flexible product range, Sublime fulfils the most demanding requirements from the professional broadcast market.

HDTV/SDI video cables usually have solid center conductors and dual shields. The dielectrics can either be foamed PE or for better crush resistance foamed HDPE insulation. Tighter impedance and attenuation tolerances, superior Return Loss (RL) specifications and improved shielding give precision video cables their nocompromise performance

Flashlink Micro

SL-3GHD1616-N-CP

3G-SDI router range with control panel and redundant system controller support The SL-3GHDXXXX-CP is a router series supporting 3G/HD/SD-SDI and DVB-ASI, providing reclocking to all its outputs. An XY control panel is making this router series ideal for small studio applications. VikinX Sublime provides many of the powerful control features that drove the VikinX Modular range to

Modules for desktop and standalone applications have until now been associated with medium-low to medium-high performance with little or no reconfiguration possibilities. With Flashlink Micro, those days are gone. Flashlink Micro, your ideal choice for desktop applications Interchangeable modules Minimum setup time Monitoring and configuration Flexible mounting Maximum functionality Low power consumption Ruggedised enclosure design Future-proofed upgrade path

Video Routers

Smart Videohub 12G 40x40

Videohub Smart Control

Routing Switcher 40 x 12G-SDI Inputs / 40 x 12G-SDI Outputs Supports SD, HD, Ultra HD 4K, DCI 4K 4:2:2 and 4:4:4 Sampling 10-Bit Processing SDI Reclocking Built-In LCD with Spin Knob Control Push Buttons on Front Panel Ethernet for Remote Control Videohub Control Software Included

Controls the Router from the Desktop 40 YRGB Illuminated Buttons Buttons Can Be Backlit USB Connection Windows & Mac Software Single & Multiple Destination Options Take Button Compact - 1U Rack Size Power over Ethernet (PoE) Power Fail Protection

Smart Videohub 20x20 Routing Switcher 20 x 6G-SDI Inputs / 20 x 6G-SDI Outputs Supports SD, HD, Ultra HD 4K, DCI 4K 4:2:2 and 4:4:4 Sampling 10-Bit Processing SDI Reclocking Built-In LCD with Spin Knob Control Push Buttons on Front Panel Ethernet for Remote Control Videohub Control Software Included

Smart Videohub 12x12 Routing Switcher 12 x 6G-SDI Inputs / 12 x 6G-SDI Outputs Supports SD, HD, Ultra HD 4K, DCI 4K 4:2:2 and 4:4:4 Sampling 10-Bit Processing SDI Reclocking Built-In LCD with Spin Knob Control Push Buttons on Front Panel Ethernet for Remote Control Videohub Control Software Included

Videohub Master Control FEATURES: Controls All Videohubs Small to Large Cycles Through, Selects, Routes Inputs Locks and Unlocks Routes Labels Routes and Searches by Label Connects by Ethernet

Studio Videohub Router FEATURES: Eliminates Manual Patching Software-Controlled Routing Multiple Input, Output & Control Ports Supports SD, HD & 3Gbps SDI Rackmountable Slimline Profile

Broadcast Videohub FEATURES: Broadcast Routing Switcher Computer Control Rackmount Design

Smart Videohub CleanSwitch Routing Switcher with Frame Syncing 12 x 6G-SDI Inputs / 12 x 6G-SDI Outputs Supports SD, HD, Ultra HD 4K, DCI 4K 4:2:2 and 4:4:4 Sampling 10-Bit Processing SDI Reclocking Built-In LCD with Spin Knob Control Push Buttons on Front Panel Ethernet for Remote Control Videohub Control Software Included

Video Hub Software / Ipad Available free from the App Store, the Videohub Pushbutton View looks stunning on your Apple iPad. That means you can use an iPad over your wireless network to change routing from any room in your studio, all without using dedicated panels or computers!

Converters

Teranex 3D Processor Standards/Format Converter & I/O Device Advanced 3D Tools Simultaneously Converts and Captures Up/Down/Cross Format Conversions Aspect Ratio Conversion Adjustable Scaling 16 Channel Audio Conversion Teranex-Patented SIMD Technology Instant Sophisticated Calculations High-Quality De-Interlacing

Teranex 2D Processor MAIN FEATURES Standards/Format Converter & I/O Device Simultaneously Converts and Captures Up/Down/Cross Format Conversions Aspect Ratio Conversion Adjustable Scaling 16 Channel Audio Conversion Teranex-Patented SIMD Technology Instant Sophisticated Calculations High-Quality De-Interlacing Converts Indistinguishably from Master

Teranex Mini Models: HDMI to SDI 4K, SDI to HDMI 4K, SDI to Analog 4K, Analog to SDI, Audio to SDI 4K, SDI to Audio 4K. All models available SDI or optical fiber.

Mini Converters Models: Mini Converter SDI to HDMI 4K, Mini Converter HDMI to SDI 4K Mini Converter SDI to Analog 4K, Mini Converter Analog to SDI Mini Converter SDI to Audio 4K, Mini Converter Audio to SDI 4K Mini Converter Optical Fiber 4K, Mini Converter Optical Fiber Mini Converter SDI Multiplex 4K, Mini Converter SDI Distribution 4K Mini Converter UpDownCross, Mini Converter Sync Generator Mini Converter Quad SDI to HDMI 4K

Battery Converters

Tough machined metal converters with built in battery for live events. Models: Battery Converter SDI to HDMI Battery Converter HDMI to SDI

Mini Converter Heavy Duty

Super strong machined metal mini converters for live production. Models: Analog to SDI SDI to Analog HDMI to SDI SDI to HDMI

OpenGear Converters

Broadcast quality industry standard rack converters.

Teranex Express Teranex Express, is the worldâ&#x20AC;&#x2122;s first real time SD, HD and Ultra HD broadcast up and down converter! Featuring advanced patented algorithms, Teranex Express gives you the visually transparent quality conversions and are mandated by major broadcasters and studios worldwide! You get an incredible 178 SD, HD and Ultra HD up and down conversions in full 10bit quality complete with embedded audio, closed captions, timecode and more

Models: OpenGear Converter SDI to Analog OpenGear Converter Analog to SDI OpenGear Converter SDI to HDMI OpenGear Converter HDMI to SDI OpenGear Converter SDI to Audio OpenGear Converter Audio to SDI OpenGear Converter Optical Fiber OpenGear Converter UpDownross OpenGear Converter Sync Generator OpenGear Converter SDI Distribution

Converters

Atomos Connect H2S

Atomos Connect-AC H2S

The Atomos Connect H2S Converter with 2600mAh Battery converts a single HDMI input to two SDI outputs in resolutions up to 1080i60/50.

The Atomos Connect-AC H2S Converter with AC Cable converts an HDMI signal to two SDI outputs, supporting resolutions up to 1080i60/50, including 1080p30/25. The device also features a test pattern generator, audio test tone, flashlight mode for use in dark locations, and performs pulldown removal and insertion.

Connect H2S is battery-powered -- it features an internal one-hour battery and comes with a 10-hour external NPseries battery. It also supports higher capacity 7.4V NP-series batteries for up to 32 hours of power. Multiple Connect H2S and Connect S2H units can be vertically stacked together and powered by one battery attached to the topmost unit. Connects are designed for a perfect fit with Atomos Recorders but can fit any device that has a NP-series battery plate. An AC power supply is included for charging the internal battery and can charge up to three Connect units simultaneously. Converts HDMI Input to 2 SDI Outputs Supports Resolutions Up to 1080i60/50 1-Hour Internal Battery 10-Hour External Battery Included Stackable with Additional Units Performs 3:2 / 2:2 Pulldown Removal Test Pattern Generator / Audio Test Tone Perfect Fit with Atomos Recorders Fits Any Device with NP-Series Plate

Converts HDMI Input to 2x SDI Outputs Supports 1080p30/25 & 1080i60/50 Test Pattern Generator Audio Test Tone Flashlight Mode Pulldown Removal / Insertion Powers by Included Figure-of-8 Cable

Atomos Connect S2H

Atomos Connect-AC S2H

The Atomos Connect S2H Converter with 2600mAh Battery converts an SDI input to an HDMI output and SDI loop output in resolutions up to 1080i60/50.

Connect S2H is battery-powered -- it features an internal one-hour battery and comes with a 10-hour external NPseries battery. It also supports higher capacity 7.4V NP-series batteries for up to 32 hours of power. Multiple Connect S2H and Connect H2S units can be vertically stacked together and powered by one battery attached to the topmost unit. Connects are designed for a perfect fit with Atomos Recorders but can fit any device that has a NP-series battery plate. An AC power supply is included for charging the internal battery and can charge up to three Connect units simultaneously. Converts SDI Input to HDMI Output SDI Loop Output Supports Resolutions Up to 1080i60/50 1-Hour Internal Battery 10-Hour External Battery Included Stackable with Additional Units Performs 3:2 / 2:2 Pulldown Removal Test Pattern Generator / Audio Test Tone Perfect Fit with Atomos Recorders Fits Any Device with NP-Series Plate

A figure-of-8 AC cable is included for power. You can use the converter table-top or rack-mounted in an optional Atomos Connect-AC Rack-Mount Kit, which can hold four units.

A figure-of-8 AC cable is included for power. You can use the converter table-top or rack-mounted in an optional Atomos Connect-AC Rack-Mount Kit, which can hold four units. Converts HDMI Input to 2x SDI Outputs Supports 1080p30/25 & 1080i60/50 Test Pattern Generator Audio Test Tone Flashlight Mode Pulldown Removal / Insertion Powers by Included Figure-of-8 Cable

Media Storage

or Rugged, All-Terrain Drive Solution Shock Resistant up to 6.6’ / 2.0m Water, Pressure, and Dust Resistant Floats In Water 1TB Capacity 7200 rpm Case Interface: Thunderbolt 10 Gb/s Drive Interface: USB 3.0 and SATA Formatted for Mac Windows and Mac Compatible

1TB Capacity USB 3.0 and SATA Interfaces 7200 rpm Shock Resistant up to 4.9' / 1.5m Data Transfer Speeds up to 5 Gb/s Rugged and Lightweight Includes a Removable Bumper Designed for On-the-Go Access Formatted for Mac Windows and Mac Compatible

Professional External Hard Drive 4TB Storage Capacity 7200 rpm Speed 64MB Cache USB 3.0 and FireWire Connectivity USB/FireWire Cables Included Integrated Heat Sink Preformatted HFS+ for Mac Time Machine Compatible Mac and Windows Compatible

High-performance dual-drive RAID storage system 8TB, 7200RPM Dual Thunderbolt Ports RAID 0 Data Transfer Rate of up to 327 MB/s 2 SATA III Drive Bays Time Machine Ready Daisy-Chain up to 6 Thunderbolt Devices Plug-and-Play Setup for Mac OS X 10.6+

12TB Total Storage Capacity Contains Two 6TB Drives 360 MB/s Transfer Rate 7200rpm Drive Speed Supports RAID 0, 1, and JBOD 2 x Thunderbolt 2 Ports Supports 2K and Compressed 4K Video Preformatted for Mac Windows Compatible with Reformatting Thunderbolt 2 Cable Included

64TB Total Storage Capacity 8 x 8TB Hard Drives 2 x Thunderbolt 2 Ports Pre-Configured in RAID 5 Mode Selectable RAID Modes Supports RAID 0, 1, 5, 6, 10, 50 and 60 RAID 0 Transfer Rates up to 1350 MB/s Power Cord & Thunderbolt Cable Included Mac Compatible

8 x 3TB 7200 rpm 3.5” Hard Drives 8 x 3.5” SATA Drive Bays 2 x Thunderbolt 2 Ports Supports RAID 0, 1, 5, 6, 10, and 50 Pre-Configured in RAID 5 Data Transfer Rates: up to 1,350 MB/s Designed for Use in the Field Operates Vertically or Horizontally Thunderbolt Cable Included Windows & Mac Compatible

24TB Storage Capacity 4 x 6TB 3.5” Enterprise Class Drives 2 x Thunderbolt 2 Ports (up to 20 Gb/s) RAID 0, 1, 5, and 10 Compatibility Pre-Configured in RAID 5 700 MB/s RAID 0 Transfer Speed Preformatted for Mac Windows Compatible with Reformatting

Media Storage

A08S3-PS

The ExaSAN PCIe 3.0 RAID System For Your Desktop The next-generation 8 bay storage tower with more depth and faster performance. The first PCIe 3.0 desktop model of the ExaSAN family, this 8-bay RAID system will support SAS and SATA drives(4TB and above). It retains the style and professional design of its predecessor but has had a major upgrade to its central core. It now uses PCIe 3.0 technology with throughput of up to 1200 MB/s. Expansion is easy – double up performance with a Dual Port 3.0 HBA Card. The Feature Supports RAID Level 0, 1, 5, 6, 10, JBOD PCIe 3.0, 32 Gb bandwidth Compatible with 3.5” and 2.5” SATA/SAS enterprise hard disks PCIe SAN ready Redundant power supply (Optional)

SWF16 V2

The Perfect integration for SANit file system. Since 2008, Accusys has designed and developed an entirely new out-of-the-box family of high performance storage and switch products based on using PCIexpress as the core technology for data transport. Beginning with DAS (Direct Attached Storage) products based on PCIe1.1, to switch products that allowed 12 client workstations to share storage at speeds exceeding Fibrechannel storage capabilities at the time, Accusys is an innovator of the first order. Initial products transferred data at 10Gb/s based on PCIe1.1 technology. The 10Gb/s data pipe is available to each client workstation as well as to/from PCIe RAID storage. Currently Accusys is shipping a broad line of high speed, expandable family of PCIe2.0 storage and switch products called ExaSAN. PCIe2.0 protocol supports 20Gb/s speeds allowing a single ExaSAN 12bay RAID to provide 1200MB/s data rate to connected client workstations in a PCIe SAN (Storage Area Network) or in DAS.

SW04/08 series A16S3-PS

The Ultimate ExaSAN 16 Bay Rackmount RAID Storage 16 Bay, maximum 3 JBOD Compatible with C1M, PCIe to Thunderbolt convertor. Supports RAID Level 0, 1, 5, 6, 10, JBOD PCIe 3.0 32 Gb bandwidth Compatible with 3.5” and 2.5” SATA/SAS enterprise hard disks PCIe SAN ready Redundant power supply (Optional)

B08S3-PS

The Just the right size for high speed data transfer Focus on Content Creation, Not on Storage Speed Limitations B08S3-PS Bundle for 4K DPX Workflow Performance optimization Set it up and ready to go

The ExaSAN Compact Solution Switch The ExaSAN Compact Solution Switch (SW04/08) is an innovative member of the ExaSAN storage solution family. An increase in editing workstations brings an increase in accessible storage capacity. The ExaSAN Compact Solution Switch satisfies all your requirements for complete 2 to 8 workstation SAN Switch solutions that provides full scalability options and shared workflow speeds all in a small size. Feature Highlights Delivers up to 20Gb per client & 40Gb combined storage bandwidth. Designed for small workgroup collaborative workflows Supports multiple uncompressed HD, 2K, 4K DPX streams All storage components from one vendor for shorter setup time

SANit 2 File system

Post production groups need storage with high bandwidth, low latency and more extension flexibility. In order to increase the efficiency of HD video editing, user purchase work environments that provide more efficiency and data editing security. In the past, video editing groups were unable to enter SAN environments because of its special technical maintenance requirements and high cost, although, SAN provides the best efficiency for them, SOHOs were limited in their ability to have such SAN systems. Thus, people expect lower construction costs to easily upgrade to SAN.

Software

Adobe Creative Cloud All-new desktop versions of your favorite creative tools and services, check. Immediate access to new features and updates, check. And that’s just the beginning. With Creative Cloud™, everything you need to create intuitively and collaboratively is included.

Photoshop CC

Adobe Lightroom 5

Just about every creative digital project has Photoshop CC at its core. The world’s most advanced image editing app lets you enhance, retouch, and manipulate photographs and other images in any way you can imagine. And because it’s part of Creative Cloud, you can save, share and access your work from anywhere — all with just a few clicks.

From first look to final image, Adobe Photoshop Lightroom 5 makes everything about digital photography easier, faster, and more amazing. Perfect your shots with powerful new adjustment tools like the Advanced Healing Brush. Efficiently organize all your photos and share them almost anywhere. And now that Lightroom is also available in Adobe Creative Cloud, making good shots great is only the beginning.

Image editing and compositing.

Adobe Premiere Pro CC

SpeedGrade CC Color grading.

Vector graphics and illustration.

Edit video faster and more fluidly with Adobe Premiere Pro CC. Brandnew features include an integrated color grading pipeline with Adobe SpeedGrade CC, expanded native format support, improved multicam editing, and more. With Creative Cloud, it’s easy to download the latest features and sync your settings and shortcuts to any computer in any edit bay in the world.

Deliver balanced color and distinctive, vibrant looks for any type of video production. Grade faster with more connected tools, over a dozen powerful new features, a redesigned interface, and Direct Link integration with Adobe Premiere Pro users. SpeedGrade CC gives you access to ongoing updates as soon as they’re released, and integrates with other Adobe video tools for smooth start-to-finish video production.

Create vector art and illustrations using advanced, precise drawing and typography tools. Work quickly and intuitively on everything from brand identities and marketing materials to graphics for the web, video, and film. Illustrator CC is part of Creative Cloud, so you can sync color themes, workspaces, and projects — all with just a few clicks.

After Effects CC

Adobe Audition CC

Flash Professional CC

Video production and editing.

Cinematic visual effects and motion graphics. Make the impossible possible with the new, more connected After Effects CC. Get powerful timesaving features like a Live 3D Pipeline with Maxon Cinema4D software and new Mask Tracker, which lets you apply a mask and effect that travel frame by frame throughout your composite. Share work from within the application, sync your settings across machines, and get access to new features as soon as they’re released.

Erase, repair, and create sounds with powerful new features. Create and deliver beautiful audio using more connected tools and dozens of new features, including Sound Remover, which can eliminate unwanted sounds from an entire file just by analyzing a small selection. Adobe® Audition® CC gives you access to new features as soon as they’re released and is integrated with other Adobe video tools for smooth start-to-finish audio and video production.

Illustrator CC

Work faster than ever before with a 64-bit architecture, a new streamlined user interface, and more connected tools. Create native HTML5 content and export high-definition video and audio. Flash Professional CC lets you share work directly from within the application and sync your settings across machines, and get access to new features the moment they’re released.

Color Grading

Control Panel

DaVinci Resolve12

DaVinci Control Surface

The world’s most advanced color grading tools. DaVinci Resolve 12 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

The full DaVinci Resolve includes the amazing DaVinci control surface. Buttons can be set to any custom color, and with a huge 38 independent soft knobs with automatic LCD labels, you’ll never have to page through multiple menus for common adjustments. Full deck control buttons with jog and shuttle are builtin and all grade memories and gallery still frames can be recalled with a simple press of a button. With the DaVinci Resolve control surface, you can keep grading at full speed!

With today’s multi-purposing work stations, where desk space is at a premium, having a fully featured panel that is compact, fully featured and stylish enough to match its surroundings is a must. But, you’d expect that having a compact design means having to compromise ergonomics, features and control size. With the Element range, there is no compromise! Compatible software: Apple Color Assimilate SCRATCH Autodesk Lustre & Flame Premium Colorfront On-Set Dailies DaVinci Resolve FilmLight FLIP FireFly FireCube and FireCloud Marquise OCEAN, RAIN & MIST Pixel Farm PF Clean Pomfort LiveGrade RED REDCineX-Pro SGO Mistika YoYotta YoYo

The Wave brings a new level of affordability and quality to control surfaces. Superbly designed Sofware that supports the Wave Apple - Color (v1.5 or later) (See color support page for more details) DaVinci - Resolve Assimilate - SCRATCH ( v4.0 or later) Iridas - SpeedGrade & FrameCycler RED - REDcineX ( OSX & Windows) Synthetic Aperture - Color Finesse ( v3.0.2 or later) Digital Film Technology - FLEXXITY Interactive Effects - Piranha & IFX Ant film MTI Film - Control Dailies and Remote Control Dailies ( v8.0 or later) Cineform - Neo4K & Neo3D The Pixel Farm - PF Clean Pomfort - SilverStack Marquise Technologies - MIST & OCEAN Sondor - ALTRA Snell - Archangel Ph.C-HD (Version 3 or later) Colorfront - On Set Dailies Cintel - FLOW & COLORFLOW YoYotta - YoYo Gamma&Density - 3CP (Version 5.0 or later)

Artist Color Control Surface

Wave

Affordable technology

Compatible software: Avid Media Composer Avid DS Assimilate SCRATCH Blackmagic Design DaVinci Resolve Digital Vision Phoenix Image Systems Nucoda Fuse Pomfort Silverstack SET The Foundry STORM Avid Symphony Apple Color Autodesk Smoke for Mac Colorfront On-set Dailies FilmLight Baselight Pomfort LiveGrade RED REDCINE-X

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Workstation

HP Z840 Workstation More power to you

Push your computing boundaries with the HP Z840 Workstation and keep up with your biggest projects. Built for high-end computing and visualization, the HP Z840 delivers outstanding performance in one of the industry’s most expandable chassis. Primed to perform, the HP Z840 allows you to achieve the performance you need with the ability to support two next generation Intel® Xeon® processors for up to 36 total processor cores in one system.3

HP Z440 Workstation Expand your power

Take your business to the next level of performance, expandability, and no compromise reliability in one complete package. The HP Z440 features a perfect mix of HP Z DNA in a performance workstation with up to 8 discrete processor cores, up to 128 GB of RAM, and multiple storage and PCIe configuration options. Here’s to more power to you with the HP Z440 Workstation.

HP ZBook Mobile Workstation Expand your creative capabilities

Creativity without limits. Showcase your best work in the office or on the go, using a vivid 17.3 / 15 / 14-inch diagonal optional HP DreamColor display on the new ZBook workstation. Take advantage of HP’s most powerful processing and graphics, consistent color throughout your workflow, simple scalability, and the blazing-fast connectivity your team needs to perform and collaborate at the speed of creativity.

HP Z1 WORKSTATION Workstation Performance Without Compromise.

Bring your ideas to life faster with the accelerated performance of the HP Z1 Workstation. The only all-in-one workstation with quad-core Intel® Xeon® processors2, 3. Make renders faster and crashes a thing of the past with professional graphics and ECC memory. Experience the HP Z1 Workstation and stay one step ahead of your imagination.

PERFORMANCE DISPLAYS VISUAL POWER TO OVERACHIEVE

With stunning IPS panels, 178-degree viewing and up to 10x the contrast ratio of mainstream Twisted Nematic displays, HP Performance Displays are designed to deliver outstanding image performance and accuracy. Realize the advantages of ultra-fast response times and smooth color transitions — so the work you see can be as great as the work you do.

101

Editing Solutions

DeckLink 4K Extreme 12G 8-Lane PCIe Gen2 I/O Card Multi-Rate 12G-SDI and HDMI Connections Supports UHD 4K and DCI 4K Up to 60 fps Single & Dual Link 4:4:4:4/4:2:2 Signals 3D Stereoscopic SDI Output at 4:4:4:4 Up/Down/Cross Conversion Optional Optical Fiber I/O Modules Breakout Cable for Analog / RS-422 Genlock & Deck Control Compatible with Mac, Windows, and Linux

UltraStudio 4K

The ultimate break out box capture and playback solution for Thunderboltâ&#x201E;¢ Product Highlights: 1RU Rack Mount & Table-Top I/O Device 2x 20Gb/s Thunderbolt 2 Ports DCI/UHD 4K 4:2:2 Up to 30p by 1x 6G-SDI DCI/UHD 4K 4:2:2 50p-60p by 2x 6G-SDI DCI/UHD 4K 4:2:2 by HDMI 1080p RGB 4:4:4 by Single-Link 3G-SDI 1080p 4:2:2 by Single-Link HD-SDI 1080p 4:4:4 by Dual-Link HD-SDI

UltraStudio Express

Ultra Studio 4K Extreme 12G-SDI and 6G-SDI Inputs and Outputs HDMI 2.0 Input and Output XLR and RCA Analog Audio Input AES/EBU Audio In and Out Support Dual Channel 3D Over SDI Cages for Fiber Optic Connectors Up/Down/Cross Conversion Thunderbolt Interface with Loop-Through Supports Optional PCIe Host 2RU Form Factor with Front-Panel Display

DeckLink Studio 4K

Affordable cards for SDI, HDMI and analog in SD and HD. If you work with a wide range of analog video and audio gear, and need to move seamlessly between SD, HD, 2K and Ultra HD, then DeckLink Studio 4K is perfect! DeckLink Studio 4K includes a massive number of analog and digital video connections including SD/HD/Ultra HD 6G-SDI, HDMI 1.4b, SD/HD component, composite, S-video, 4 ch balanced analog audio, 2 ch AES/EBU switchable to 6 ch out, black burst and tri-sync reference input, RS-422 deck control connections, keying in SD and a hardware down converter. Perform editing, paint and broadcast design and more with the ultimate future proof design Supports: AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes (LT), Apple ProRes 422 (Proxy), Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2, Uncompressed 10 bit 4:4:4.

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Thunderbolt powered capture and playback with SDI, HDMI, analog, with pro and consumer cables. Product Highlights Thunderbolt Powered I/O Device SD/HD SDI Input and Output HDMI Input and Output 2 Breakout Cables (RCA vs. BNCs / XLRs) Component / Composite / S-Video Sync / Genlock / RS422 Captures in DPX and QuickTime

Intensity Extreme

HDMI and Analog Capture & Playback Device - Thunderbolt Product Highlights For Thunderbolt-Enabled Computers 10-Bit Editing Solution HDMI Input / Output Analog Video / Audio by Breakout Cable 1080p24, 1080i60/50, 720p60/50 NTSC & PAL Real-Time Final Cut & Premiere Effects Machined Aluminum Body

UltraStudio Mini Monitor / Recorder Recorder Capture Device

Product Highlights Capture Aspect of Capture/Playback Card Transfers Video from Camera to Computer SDI, HDMI, Thunderbolt / Embedded Audio Captures Live Feeds and Playback Feeds Supports Resolutions up to 1080i60 10-Bit Color Precision / 4:2:2 Sampling Real Time Colorspace Conversion Software Based Down Conversion

Editing Solutions

Io 4K

4K and HD I/O for Thunderboltâ&#x201E;¢ 2 Product Highlights: Supports 4K via HDMI & Quad Link SDI Simultaneous SDI and HDMI Outputs Dual Thunderbolt 2 Ports Real-Time 4K to HD Down-Conversion 10-bit 4:2:2 and 4:4:4 Support 16-Channel Embedded Audio on SDI 8-Channel Embedded Audio on HDMI DB-25 Analog Audio Output Connector RS-422 VTR Control, Reference, LTC Input Headphone Jack and Level Control

KONA 4

Powerful integration. Professional connectivity Supports 4K Video up to 60 fps 4K I/O Via SDI or HDMI Uncompressed 4:4:4/4:2:2 1080p I/O Input/Output 1080p Video Simultaneously Hardware Up/Down/Cross-Conversion 60-Pin Breakout Cable Included 4-BNC to mini-BNC Cable Included Works with Optional K3G Rack I/O Unit

The AJA Io 4K I/O for Thunderbolt 2 is a portable capture and output device that offers professional video and audio connectivity with support for 4K and UltraHD workflows.

Io XT

Professional Capture & Playback Device with Thunderbolt Product Highlights: For Macs with Thunderbolt Ports Dual 3G/HD/SD-SDI Inputs & Outputs 4:4:4 RGB via Single- & Dual-Link SDI HDMI 1.4a I/O with 3D Support Analog Video & Audio Output RS-422 Control Reference In & Linear Time Code I/O Hardware 10-Bit Up/Down/Cross Conversion 2x Thunderbolt for Daisy-Chaining Lightweight with Portable Form Factor

Breakout Boxes All KONA cards feature an optional Breakout Box with supplied cables that enable extended I/O and the ability to easily connect to KONA without having to access the rear of the computer tower.

The Io XT from AJA is a professional 3G-SDI/HDMI capture & playback device that serves as an editing solution for Macs equipped with Thunderbolt ports.

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On-Air

Channel in a Box

Channel in a Box from PlayBox Technology is a turnkey playout solution for broadcasting a single TV channel. It integrates all the elements needed to keep a channel on-air by combining automation, playout and interactive graphics within one box. It can provide SDI or IP streaming connectivity for applications including broadcast and cable TV as well as other applications. The major functions of PlayBox Technology Channel in a Box offer video and audio ingest, storage and playout. Playlists can be prepared, interactive graphics and text presentation can be added and keyed internally or externally using a separate DSK. The operation of all modules is monitored and alarms are generated.

TV Automation AirBox

running of two or more outputs so that broadcasters can easily provide parallel outputs in any combination needed to deliver the content. HD SDI, SD SDI (with realtime rescaling) and IP streaming, or for example, output in H.264 (MPEG-4) and MPEG-2 at the same time. AirBox supports MPEG1/2/H.264, HDV and DV streams from virtually every known production platform providing AVI, MPEG, WMV, Quick Time or MXF content. Files from third-party servers such as Leitch or Seachange are natively supported. For live productions, any changes to the playlist during on-air session are possible! There are no qued or locked clips. Every clip in the playlist, except the one which is currently playing, can be trimmed, edited or repositioned. Moreover, playlist order can be changed on-the-fly with commands like skip to next or jump. Such order changes are performed seamlessly without stopping current playout session. Live productions are facilitated by the powerful Live Show Clipboard which allows insertion and/or execution of various events or live streams.

Any changes to the playlist during playback are possible! There are no locked clips. Every clip in the playlist can be trimmed or repositioned. Moreover, playout position can be changed on-the-fly with commands like next, jump or shuttle. Such changes are performed seamlessly without stopping current playout session. Multichannel audio output with up to 16 SDI channels are also available. Convenient content management with the build-in Media browser. Media is accessible on Local or Network storage. Single Screen

Powerful Interactive ON-AIR Graphics Generator

PlayBox MAM

Media Assset Management.

Scalable – From a Single Channel to a Multi-Channel TurnKey Broadcast Centre PlayBox MAM organises your digital library. Content can be searched, browsed and distributed easily anywhere within your broadcast workflow. Cost effective – End to end digital tapeless workflow. Unlimited metadata – Add metadata at the point of ingest. User configurable metadata fields let you choose a flexible way of assets management. User Security – Sophisticated security features prevent unauthorized access to the media files. Active directory integration provides added security, different user group access rights can be assigned to ensure the correct use of media assets.

TitleBox

Universal Playout & Streaming Automation Server with Optional Router / Switcher Control, GPI, RS-422 available in SD & HD

Universal SD/HD content playout and streaming. 24/7 unattended operation, MPEG2, AVC/H.264, HDV and DV compression scalability, large variety of sources supported, hardware Independence are the typical highlights of AirBox. Ideally suited for time-critical live operations. Professional device support through GPI, RS232, VDCP is also available. Redundant playout makes it perfect for fail-safe environments.

requirements of broadcast playout.

Multi Screen

Transcoding Engine – Built-in multi profile transcode engine provides ability to create automatic Proxy files and various other formats suitable for broadcast requirements. User friendly – Personalised workspace layouts, familiar folder structures and search functions provide fast and easy access to your assets.

TitleBox is an interactive graphics manager which creates, displays and controls fascinating multi-zone screens with rolls, crawls, animations, clocks, station logos, 3D objects and more. It is suitable for broadcast and cable TV channels, digital signage applications and hospitality channels of hotels, schools, corporations, retail businesses, shopping malls, churches, airports, holiday resorts, theme parks, etc. Its unprecedented level of interactive control over the on-air CG objects turns TitleBox into a powerful tool, ideally suited for music shows, live entertainment programs and presentations, sports events titling.

Web interface – Access your content anytime anywhere from a PC or MAC. Upload media remotely and edit metadata via simple user interface.

CaptureBox

Post production integration – Your library is accessible in your editing suites with Integration for your editing software such as Final Cut, Sony Vegas, Edius (optional).

Manual Capture, Time Scheduled Capture and Tape Capture (inc. T/C Batch Capture) Ingest Server with optional Router Control available in SD & HD

ProductionAirBox

AirBox Multi Parallel Output - AirBox MPO enables the

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ProductionAirBox provides content playout for News, Live shows, Studio screens and video walls, live production broadcasts and other places where video/audio content have to be displayed. It is designed to meet the high reliability

Manual, automatic, batch and scheduled capturing. The first software of its kind to enable MPEG2 and AVC/H.264 capturing on a wide array of hardware platforms with plenty of capturing facilities such as RS422 or DV deck control, VU/ peak audio meter and volume control. Native IEEE-1394 HDV or ASI MPEG2 TS (SD/HD) capturing and real-time UDP streaming.

Advanced Media viewer – A multifunctional viewer allowing users to edit metadata, set markers and add notes. Audio and video censorship. Story board and clip creation all from within the viewer window. LTO Tape Archive (optional) – For secure backup protection of your content.

On-Air

Multi Playout Manager

SocialMediaBox

Monitoring and Control of Single and Multiple Channels Locally or Via Internet Timeline View, View Groups and Control Groups User-Friendly Web-Based Interface with Channel Preview Offline Playlist Creation and Editing Clip Trimmer to assign In/Out points, Clip Properties Editing etc. Manual Triggering of Events - Preset Buttons (Logo, Router Control, CG Control, etc.) Web User Interface Custom Branding (Banner with Logo of the Organization) Media Upload via Web Browser interface Library Module (MAM, Storage connection) Multiple media folders with custom metadata settings (Category and Color) Drag and drop media files from library to playlist Different Levels of Rights Management Assignment from Viewer to Administrator On the Fly Change of Playlists

SocialMediaBox is a powerful addition to the PlayBox Technology range of broadcast TV and Channel branding systems. Accessed via standard web browser, SocialMediaBox enables programme production and presentation creators to incorporate comments from multiple social network feeds quickly and efficiently into a single ready-for-broadcast stream.

Remote Control and Monitoring

All Social Media on a Single Screen

SocialMediaBox is client/server application using SQL-based data storage and supporting multi-user access as well as multiple outputs. A single application can be used across several television shows and channels. Multiple user accounts may be assigned, each account then being able to create customised feeds. Access to each feed can also be configured as private, accessible by designated users or available to all users. Facebook, Twitter and RSS feed integration on a single screen Multi-user access Multiple outputs – more than one customized feed can be created Moderated Publish Mode, where items have to be marked as approved before they are published Instant Publish Mode, where items are published as soon as they are selected Output to CG engine for On Air presentation RSS feed output SQL-based storage Google+, LinkedIn - coming soon

Broadcast The group has widely based expertise and offers a broad range of services that includes: • Project consultation – working with you to take your ideas from concept to reality • Workflow and system design – technical drawings and documentation • Equipment manufacture – with a full catalogue of integrated broadcast products PlayBox Technology can supply the primary systems that build your complete workflow • Third-party equipment supply – live studio equipment, cameras, routers and glue, through our trusted partners we can ‘join the dots’ to deliver the complete end-to-end package. • Project management – dedicated project managers take your project from its conception, plan and work with you to achieve your final goal and deliver on time and on budget. • Installation services – by trained PlayBox Technology and specialist installation engineers • User and technical training – PlayBox Technology Broadcast Training courses provided onsite and at our country offices. • Technical support and monitoring – three levels of support range from Free Standard Support to 24/7 Technical Support and Monitoring.

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Media Asset Management/ Archiving

Proxsys PX-50/150 LTO-Edition Media Asset Management Systems

modification, preview and selection. Files are loaded to the LTO drive for restoration only when high resolution content is needed, and high restoration speeds of 160MB/ sec minimize delay.

PRODUCT HIGHLIGHTS Low total cost of ownership LTO tape systems with long life cycle and high MTBF Up to 240TB of storage H.264/WebM preview clips for instant preview, modification and selection Low power requirements Hi speed restoration of hi-res content Proxsys PX-50 LTO and PX-150 Media Server LTO Edition hierarchical storage management systems provide secure media archiving with near real-time access and exceptionally low total cost of ownership (TCO). The systems utilize costeffective LTO tapes with life cycles of up to 30 years, high mean time between failures (MTBF) and substantially lower power consumption than constantly spinning RAID hard disk arrays. The Proxsys PX-50 LTO and PX-150 Media Server LTO Editionâ&#x20AC;&#x2122;s 96 slot LTO-6 libraries provide up to 240 TB of storage. Preview clips are transcoded as H.264/WebM as content is loaded and are available online at all times for review, ensuring no-delay

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Proxsys iPad App

Proxsy Android App

Wireless Camera System

Pro Integrated Camera-Back H.264 Cellular Bonding Solution

Wireless Camera-Top H.264 Encoder Teradek Cube and Cube Pro encoders provide a powerful, compact wireless solution for local monitoring and proxy recording. Both devices utilize high profile H.264 compression and support resolutions up to 1080p over 2.4/5Ghz WiFi, Ethernet, and 3G/4G/ LTE cellular networks via a USB modem. The Teradek Cube comes in HD-SDI or HDMI varieties, whereas the cameraback Cube Pro offers an HD-SDI input in V- or AB Gold-mount versions. Each encoder has an easy to use OLED display for rapid configuration and a rechargeable Li-Ion battery, which enables users to swap external power sources without powering the unit down.

On-Camera Wireless Streaming Encoder Stream 1080p from a Camera to the Web Live Streaming by WiFi & Ethernet HDMI Input H.264 Encoding & AAC Audio Encoding Ustream & Livestream Native Integration RTMP Interface 60 Minute Internal Battery Streams to iOS Devices for Monitoring

Mini Ultra-Portable Wi-Fi Live Streaming Stream HDMI Signal to Web Destinations Livestream, Ustream, YouTube Integration Manual RTMP with Other Platforms Transmit Wirelessly to Live:Air iPad App Resolutions from 360x200 to 1080p30/25 Bluetooth Connectivity to Tablet/ Phone Built-In 3 Hour Lithium-Ion Battery

Stream Broadcast Quality HD Video Deliver to Platforms and RTMP Addresses Accepts Any HDMI Camera Source Bluetooth Configuration via Tablet/ Phone Two Hour Internal Lithium-Ion Battery Record to SD Card via Built-In SD Port Get Max Bandwidth via Teradek ShareLink

II Integrated Camera-Top H.264 Cellular Bonding Solution Bond II is an exciting addition to the award-winning Bond cameratop cellular mux family. Bond II was designed to function as an efficient and portable bonding solution that excels in time sensitive situations and challenging environments with minimal maneuverability. Its compact size, light weight, and low power consumption combined with its cost-effective price make Bond II an unbeatable value for broadcasters. Bond II comes with a built-in HD H.264 encoder, HD-SDI input, 6 USB slots for 3G/4G/LTE modems, and requires fewer cables than the original Cube + Bond system. Additionally, Bond II offers a flexible new modem mounting option that ensures your cellular dongles are protected from aggressive movement.

ond Pro is a new integrated cameraback HD H.264 bonded cellular solution designed specifically for broadcast cameras with Gold-mount or V-mount power systems. Bond Proâ&#x20AC;&#x2122;s modular design and ease of use make it a simple addition to any broadcast rig. Its light weight and low power consumption allows cameramen to quickly maneuver within tight spaces and broadcast live for long periods without interruption or fatigue. The device comes with an HD-SDI input and HDSDI loop. This new design also provides support for up to 6 simultaneous cellular network connections via USB dongles. Additionally, Bond Pro offers the same updated modem mounting option as Bond II, which ensures your cellular dongles are protected from aggressive handling. When the situation calls for nimble movement and extended broadcast times, Bond Pro delivers the most empowering bonding solution for ENG professionals.

Turnkey Sputnik Server Base is an integrated link aggregation and H.264 decoding solution for video broadcasts transmitted over the Teradek Link or Bond. As an alternative to an Amazon EC2 instance or building your own Linux server, Base de-bonds and decodes your video feed from a single rack mount server with an HDSDI output.

Dashboard The Teradek Dashboard is a web GUI for monitoring the performance of your Bond system. Dashboard displays the bit rate and latency per modem, total data usage, modem status, buffer length, and many other statistics to help you keep track of your streaming performance in real time.

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Wireless Camera System

Bolt Pro 600

Video SDI and / or HDMI Transceiver Set Half the size and weight of the previous long range receiver HDMI and 3G-SDI outputs Multiple RP-SMA antenna connections for increasing range and resiliency LCD - check the status of your wireless link and pair additional Bolt systems when youâ&#x20AC;&#x2122;re out in the field

Bolt Pro 2000

Professional SDI and / or HDMI Wireless Video TX/RX Transmit HD Video/ Audio Up to 2000 ft Supports Formats Up to 1080p60 Zero Frame Display Transmitter Features Loop Through SDI Suitable for Outdoor or Indoor Use Dynamic Frequency Selection Two Channels of Audio

Bolt Sidekick

3G-SDI Video Receiver for Bolt Pro 300, 600 and 2000 Systems 1080p: 60/59.94/50/30/29.97/25/24/23.98 1080psF: 30/29.97/25/24/23.98 1080i: 60/59.94/50 720p: 60/59.94/50 480i (NTSC) / 576i (PAL)

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Bolt Pro 300

3G-SDI and / or HDMI Video Transceiver Set Offers a fan-less design that runs absolutely silent while remaining cooler than previous Bolt systems Both an HDMI and 3G-SDI output LEMO power connector Internal antennas Use up-to HDMI and 3G-SDI 4 receivers simultaneously Output to field monitors, video swithers, encoders or recorders

Beam

Transmitter & Receiver Set with V-Mount Wireless Video & Audio Transmission Supports Resolutions Up to 1080p60 2500 ft Distance with 70ms-80ms Latency Uses License-Free 5 GHz Frequency 3G-SDI Input & Loop; 3G-SDI Output H.264 Encoding RTSP and MPEG-TS Streaming RJ45 Ports for Wired LAN Transfer 30 Mbps Bit Rate; 50 Mbps over LAN Mic & Headphone Communication I/O

Wireless Camera System

T-RAX

Slice

This is Teradek’s base frame for the T-RAX encoder/decoder card system. It’s compatible with 19” racks and supports eight cards in total — a controller card and any combination of seven encoder and decoder cards. A controller card and 550W power supply unit are included.

Rack Mount H.264 Encoder Comprehensive Protocol Support Slice supports all standard resolutions up to 1080p at 10mbps Sputnik 2.0 VIDEO INPUTS: HD-SDI, SD-SDI: BNCs Looping VIDEO OUTPUTS: HD-SDI, SD-SDI: BNC SUPPORTED RESOLUTIONS: 1080i 50/59.94/60 1080p 23.98/24/25/30 1080PsF 23.98/24/25 720p 50/59.94/60 576i 480i

Base Rack System

Base Frame for T-RAX Card System Supports Controller Card + 7 Cards Controller Card and PSU Included

Rack Mount HD-SDI H.264 Encoder (includes MPEG-TS) Make the Grade COLR features a built-in video scaler, deinterlacer, frame rate converter, and custom OSD tools. It also has a test pattern generator for calibration, and allows you to save and load screen images. It also offers a WebUI for look management, camera control, and network configuration. It has an OLED LCD that displays pertinent information, and is designed with convenient joystick navigation buttons. LUT Box (CDL 1D and 33-Point 3D LUTs) HDMI/SDI Cross-Converter Wireless Controller for Ethernet Cameras Supports 10-Bit Color Simultaneous HDMI and SDI Outputs Integrates with Pomfort LiveGrade Pro Supports Virtually Every Camera Signal Compatible with Virtually All Monitors Convert RAW & LOG Signals for Monitoring Part of Teradek Connected Set Workflow

S-4914

CONNEX

CONNEX - Mini

1080p60 Video Monitoring from the Air HDMI Input and Output Up to 3300’ Line-of-Sight Range Less Than 1 ms Latency 5.8G Operation To Avoid Interference Relays S.BUS-Based Gimbal Controls Supports OSD for MAVLINK Telemetry AES128/RSA1024 Video Encryption Includes Mounting Hardware and Cables Supports Up to Four Receivers

1080p60 Video Monitoring from the Air HDMI Input and Output 3 Ground Antennas - Up to 1600’ Range Less Than 1 ms Latency 5.8G Operation To Avoid Interference Relays S.Bus / PPM Gimbal Controls Supports OSD for MAVLink Telemetry AES128 / RSA1024 Video Encryption Compact - Air Unit Weighs 2.1 oz Supports Up to Four Receivers

Wireless HD Video Link for UAVs

Swit SDI/HDMI 700m Wireless Transmission System Professional WHDI (MIMO/OFDM technology Uncompressed 3G/HD-SDI and HDMI wireless 2-ch SDI/HDMI embedded audio transmission 700 meters (LOS) transmission distance Less than 1ms latency 5.1-5.9GHz license-free operation frequency User configurable frequency bands Multicast – 1 transmitter to multi receivers Less than 63mW radio power AES 256bit encryption

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Up-Link / Wireless Video System

Advent FlyDrive Motorised Flyaway Antenna

The ADVENT FlyDrive Antenna is the newest in the range of antenna solutions on offer. The FlyDrive is designed to function as a traditional flyaway as well as a semi-permanent vehicle mounted system. The FlyDrive draws on technology and design innovations of the well known and field proven Mantis Flyaway and NewSwift antennas.

NewSwift LT 1.2m Ku Band Antenna High Performance Integrated Satellite Terminal

Advent has made its FlyDrive as easy as possible to operate. It offers full 3-axis motorised control with manual backup, satellite auto acquisition and tracking, with GPS if required. The FlyDrive can be fitted easily to most vehicle roof racks using standard fittings. The FlyDrive is easily transported in IATA weight compliant flight cases so that it can be taken on a commercial airline, for quick deployment by a single user anywhere in the world. ADVENT’s FlyDrive is fully adjustable, to +/- 200º azimuth, elevation 6º to 92º and polarisation adjustment +/- 95º. The drive control unit (DCU5000) is housed within the main antenna case, which makes this antenna very compact for operation in the field. The electronics for ADVENT FlyDrive’s are available in single thread, power combined or 1:1 redundant configurations. Advent’s 5000 range of electronics package compliments the FlyDrive perfectly. The 5000 series are half the width of a standard 19” rack mounted unit, a major advantage where space and weight are critical. For further information on the 5000 series of electronics please see separate datasheet. Features • Available with 1:2m or 1.5m relfector • Bands available 1.2m - X, Ku, DBS & Ka 1.5m - C, X, Ku, DBS & Ka • IATA weight compliant 1.2m - two cases 1.5m - three cases • Satellite auto acquistion & tracking packages available • Easily deployed by a single user • Can be used as a flyaway or semipermanent vehicle mounted antenna system

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• Drive control housed within main antenna case • Combines with half rack 5000 series system electronics • Software upgradeable for Auto-Acquire (ACU5216) and integral ASI Demod • Option for multi-band capability by feed cartridge exchange • Option for integral BUC with antenna for single thread operation enabling HPA FSK control via TX L-Band

The NewSwift LT 120 motorised antenna system is a highly compact, lightweight, integrated vehicle mountable satellite terminal designed for rapid deployment. Featuring a double pressed aircraft grade alloy reflector with low RMS surface error which, when used with the 35dB X-Polar isolation offset feed, enables low sidelobe, high EIRP transmissions that are commonly required for higher data rate services (both for mobile internet and DSNG purposes). The NewSwift’s unique design can also house a redundant or phase combined RF package, mounted within the antenna pod. The compact design minimises vehicle roof real-estate requirements. Also, since the whole antenna (including the equipment housing or Pod) rotates the need for an Azimuth waveguide rotary joint is eliminated. This minimises post HPA waveguide loss which in turn maximises TX EIRP. The Ku feed has full +/-90° of polarisation travel making it especially suited for use with the ACU5000 series Auto Acquisition Antenna Controller enabling eliminating the requirement for a Spectrum Analyser.

Up-Link / Wireless Video System

L3211 Barrel Booster

Mantis 120 Antenna Our Mantis 120 1.2m antenna is constructed entirely from carbon fibre. It folds down into a IATA compliant sub 32kg configuration consisting of just two cases and a hold-all or optionally into a single box package of less than 41kg. In either format the Mantis 120 can be deployed by one man in less than 15 minutes. The rugged, weatherproof construction and easy integration with Vislink 5000 series electronics and HPAs up to 400W in size makes for a compact, sub 32kg IATA packaged solution for deployment worldwide. The Mantis 120 is available in X, Ku and DBS bands and in X-Ku or Ku-DBS dual band configurations achieved by feed cartridge substitution.

The L3211 Barrel Booster has been specifically tailored for wireless camera back applications. Designed to fit directly onto the RF output from the Link range of transmitters, this unit is small, lightweight and easy to use. This amplifier includes ALC (Automatic Level Control) in order to provide a constant RF output power for all transmitter power level settings. The L3211 has a wide DC operating range (9-28V) and can be powered via the RF input connector* or using the Lemo power cables supplied with the unit. These power cables allow the option to connect to the Lemo power socket on the wireless transmitter or to the D-Tap adaptor from an IDX or Anton Bauer battery plate.

L1700 Wireless Transmitter

Mantis MSAT The ADVENT Mantis MSAT Man Portable Data Terminal is a highly portable tri-band satellite antenna system designed for rapid deployment in hostile environments. At 12.5KGs it is ideal for secure and non-secure satellite communications for a variety of applications.

DVE5100 Exciter Compact 1/2 width 19” x 1U rack mountable units 1/4 of the size and 1/6th of the weight of competitors equivalent products Designed for contribution flyaway and DSNG vehicle applications where space and weight are critical Full range of units available: SD and HD Digital Video Exciter IP Modem Multiplexer Router BUCS Antenna and Drive Control units System IRD / Redundancy controllers Protection Switches L Band over fibre modems All units field upgradeable All units have integral web browser facility (where applicable) for RC&M applications A comprehensive range of flight case solutions for 1/2 rack and 19” rack units to suit system configuration, i.e. 3U, 4U, 5U All units can also be fixed together and mounted in a standard 19” flight case or rack within a vehicle.

The L1700 range of wireless transmitters represent the next generation of flexible wireless systems from Link. Now even more powerful this new range is the most compact and versatile available. With multiple inputs and mounting options this unit can be mounted to full broadcast camera for sports broadcasters or ENG camera for news or even a prosumer camera to broaden the market reach further. With user interchangeable RF modules and a range of software options the Link L1700 continues the line of innovative, high performance RF transmitters.

tolerance MPEG-2 4:2:0 & 4:2:2 SD & HD MPEG-4 AVC (H.264) Main Profile, High-profile and High 422 profile, SD & HD decoding including 10-bit ASI over IP input and output ASI input and output Web browser and SNMP control Dual SDI / HD-SDI / CVBS outputs with independently selectable status overlay Field upgradeable.

Parabolic Antenna

Gigawave designs and manufactures a wide range of antennas to suit all microwave transmission requirements. The antennas are designed to perform in all conditions, and are used everyday throught the world in a variety of broadcast and security applications. Feeds are available from 0.8 to 24GHz with spun aluminium reflectors from 0.3 to 1.2m. These are ideal for portable point-topoint and long distance outside broadcast applications.

MVL-HD2 Digital Receiver (5U) Weatherproof

L9274 Portable Receive Case Direct conversion RF architecture for exceptional adjacent channel performance and excellent sensitivity 4 input RF diversity with maximum ratio combining (MaxRC) DVB-T: QPSK, 16QAM & 64QAM;6, 7, & 8MHz LMS-T: QPSK & 16QAM;10 & 20MHz Diversity chaining ASI input for packet diversity Deep interleaving for DVB-T & LMS-T to give exceptional dropout

The MVL-HD2 is a portable, two box, digital microwave link with exceptional RF performance, offering the convenience of Triax remoting. With automatic selection between SD and HD, the receiver provides comprehensive signal outputs including SD/ HD SDI, Analogue Composite and Component video, ASI, 4 digital and analogue audios and SDI embedded audio.

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Up-Link / Wireless Video System

1.2m Rapid Deploy light weight KU Band Antenna System

1.2m Vehicle Mount Auto deploy KU Band Antenna System

Economically priced, fly-away communications satellite antennas 4 piece segmented 1.2 m .8 F/D Glass Fiber Reinforced Polyester SMC Set-up Time Less than 15 minutes Fully-integrated two-way controller features single-button operation without requiring an external PC. Antenna is capable of pointing at any satellite with an accuracy of 0.1 degrees in less than 2 minutes

Ideal for low cost SNG application Heavy duty construction to withstand extreme environment Built in DVBS/S2 receiver, GPS, compass and tilt sensors Little or no periodic maintenance Rapid deployment with fast auto satellite acquisition

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Digital Camera

H5D-200MSC

Hasselblad Medium Format DSLR Camera 50MP 43.8 x 32.9mm CMOS Sensor Multi-Shot Capture Mode: 4-Shot & 6-Shot 3.0â&#x20AC;? 24-Bit Color LCD w/ 460,320 Dots True Focus and Absolute Position Lock 16-Bit Color Definition Hasselblad RAW 3FR File Format Compatible with H-System Components DAC Automated Lens Correction System Phocus and Lightroom Software Included

H5D-50c

Medium Format DSLR Camera 50 Megapixels CMOS RAW 3FR capture 65MB on average. TIFF 8 bit: 154MB Lossless compressed Hasselblad 3FR 16-bit Color Definition Hasselblad H System lens line (12 lenses from 24 to 300mm) with integral central lens shutter 1.5 captures per second. 35 captures per minute (based on a SanDisk Extreme UDMA7 120 MB/s) Autofocus metering with passive central cross-type sensor. True Focus with Immediate Focus Confirm (IFC). Instant manual focus override. Metering range EV1 to 19 at ISO 100 8GB CF card holds 120 images on average

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CFV-50c

Hasselblad Digital Back (50 MP) The CFV-50c comes with a cutting edge CMOS sensor (just like its H5D-50c sibling) offering photographers outstanding performance at all ISO settings. 50MP 43.8 x 32.9mm CMOS Sensor V System Camera & Lens Compatibility ISO Range: 100-6400 16 Bit Color Depth 3.0â&#x20AC;? TFT Color LCD Display Hasselblad Natural Color Solution Compact Flash and Tethered Storage Compatible with Large Format Cameras Classic Design Recalls Film Magazine Phocus & Lightroom Software Included

Digital Camera

Sony Alpha a7 II

Sony Alpha a7s II

Mirrorless Digital Camera

24.3MP Full-Frame Exmor CMOS Sensor BIONZ X Image Processor 5-Axis SteadyShot INSIDE Stabilization Enhanced Fast Hybrid AF and 5 fps Burst Full HD XAVC S Video and S-Log2 Gamma 3.0” 1,228.8k-Dot Tilting LCD Monitor XGA 2.36M-Dot OLED Electronic Viewfinder Weather-Resistant Magnesium Alloy Body Refined Grip & Robust Lens Mount Built-In Wi-Fi Connectivity with NFC

12.2MP Full-Frame Exmor CMOS Sensor BIONZ X Image Processor Internal UHD 4K30 & 1080p120 Recording S-Log3 Gamma and Display Assist Function 5-Axis SteadyShot INSIDE Stabilization 0.5” 2.36m-Dot XGA OLED Tru-Finder EVF 3.0” 1,228,800-Dot Tilting LCD Monitor Up to 5 fps Shooting and ISO 409600 Fast Intelligent AF, 169 AF Points Built-In Wi-Fi with NFC

Alpha a7s Mirrorless

Sony Alpha a7r II

Sony Mirrorless Digital Camera with 16-50mm Zoom Lens

Mirrorless Digital Camera

12.2MP Full-Frame Exmor CMOS Sensor BIONZ X Image Processor Gapless On-Chip Lens Design 3.0” 921.6k-Dot Tilting LCD Monitor XGA 2.36M-Dot OLED Electronic Viewfinder Full HD Recording in XAVC S 4:2:2 UHD 4K Output via HDMI Full Pixel Read-Out, S-Log2 Gamma Expandable Sensitivity: ISO 50-409600 Fast Intelligent 25-Point AF System

42MP Full-Frame Exmor R BSI CMOS Sensor BIONZ X Image Processor Internal UHD 4K Video & S-Log2 Gamma 5-Axis SteadyShot INSIDE Stabilization 399 Phase-Detect AF Points & 5 fps Burst 0.5” 2.36M-Dot XGA OLED Tru-Finder EVF 3.0” 1,228.8k-Dot Tilting LCD Monitor ISO 102,400 and Silent Shutter Mode Durable Reduced-Vibration Shutter Design Built-In Wi-Fi Connectivity with NFC

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Digital Camera

EOS 5D Mark III Digital SLR Camera 22.3MP Full-Frame CMOS Sensor 3.2” Clear View High Resolution LCD DIGIC 5+ Image Processor 61-Point High Density AF Full HD 1080/30p and 720/60p Formats Built-In HDR and Multiple Exposure Modes Extended ISO Range (50-102400) Up to 6.0 FPS Continuous Mode Dual CF and SD Memory Card Slots Durable Magnesium-Alloy Construction

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EOS 6D

Digital SLR Camera 20.2MP Full-Frame CMOS Sensor 3.0” Clear View High Resolution LCD DIGIC 5+ Image Processor Built-In Wi-Fi and GPS Connectivity Full HD 1080p with Manual Controls 11-Point AF with Center Cross-Type Point 63-Zone Dual Layer Metering Sensor Extended ISO Range of 50-102400 Up to 4.5 Full Resolution FPS Built-In HDR and Multiple Exposure Modes

Lens

HC 4,5/300 mm Focal length 292.0 mm Aperture range 4.5 - 45 Angle of view diag/hor/vert 13°/11°/8° Length/diameter 198mm/100 mm w. tripod mount 198mm/139 mm Weight 2120 g Filter diameter 95 mm Minimum distance object to film 2.45 m Maximum image scale 1:7.5 Corresponding area of coverage 41 x 31cm Corresponding exposure reduction 0 f-stop

HC 4/210 mm Focal length 211.1 mm Aperture range 4 - 45 Angle of view diag/hor/vert 19°/15°/11° Length/diameter 165mm/85 mm Weight 1320 g Filter diameter 77 mm Minimum distance object to film 1.8 m Maximum image scale 1:7.0 Corresponding area of coverage 39 x 29cm Corresponding exposure reduction 0 f-stop

HC 3,2/150 mm Focal length 150.2 mm Aperture range 3.2 - 45 Angle of view diag/hor/vert 26°/21°/16° Length/diameter 124mm/86 mm Weight 970 g Filter diameter 77 mm Minimum distance object to film 1.30 m Maximum image scale 1:6.8 Corresponding area of coverage 38 x 28cm Corresponding exposure reduction 0 f-stop

HC Macro 4/120 mmII

Focal length 118.7 mm Equivalent focal length with 36x48 format 135.0 mm Equivalent 35mm focal length 73.5 mm Aperture range 4 - 45 Angle of view diag/hor/vert 645 format 33°/26°/21° Length/diameter 166mm/96 mm Weight 1410 g Filter diameter 67 mm Minimum distance object to film 0.39 m Maximum image scale 1:1 Corresponding area of coverage 56 x 41.5 mm Corresponding exposure reduction 1.3 f-stop

HC 3,5-4,5/50-110 Focal length 51.5 (108.3) mm Aperture range 3.5 (4.5)- 32 Angle of view diag/hor/vert 69°/58°/46° (35°/29°/22°) Length/diameter 152mm/103 mm Weight 1650 g Filter diameter 95 mm Minimum distance object to film 0.70 m Maximum image scale 1:10.8(1:5.2) Corresponding area of coverage 60 x 45(29 x 21) cm Corresponding exposure reduction 0 f-stop

HC 2,2/100 mm Focal length 100.0 mm Aperture range 2.2 - 32 Angle of view diag/hor/vert 38°/31°/24° Length/diameter 80.5mm/87.5 mm Weight 780 g Filter diameter 77 mm Minimum distance object to film 0.90 m Maximum image scale 1:7.2 Corresponding area of coverage 39 x 29 cm Corresponding exposure reduction 0.4 f-stop

HCD 4-5,6/35-90 mm Focal length 36,3 (87) mm Aperture range 4,0 (5,6) -32 Angle of view diag/hor/vert 83°/70°/55° (39°/31°/24°) Length/diameter 167mm/102,5 mm Weight 1410 g Filter diameter 95 mm Minimum distance object to image plane 0.65 m Maximum image scale 1:13 (1:5,4) Corresponding area of coverage 64 x 48 (26x 20) cm Corresponding exposure reduction 0 f-stop

HC 2,8/80 mm Focal length 82.3 mm Aperture range 2.8 - 32 Angle of view diag/hor/vert 46°/38°/29° Length/diameter 70mm/84 mm Weight 475 g Filter diameter 67 mm Minimum distance object to film 0.70 m Maximum image scale 1:6.5 Corresponding area of coverage 36 x 27cm Corresponding exposure reduction 0.3f-stop

HC 3,5/50 mm-II Focal length 50.7 mm Equivalent focal length with 36×48 format 57.6 mm Equivalent 35mm focal length 31.4 mm Aperture range 3.5 - 32 Angle of view diag/hor/vert 645 format 70°/59°/46° Length/diameter 116 mm/85 mm Weight 975 g Filter diameter 77 mm Minimum distance object to film 0.6 m Maximum image scale 1:8.8 Corresponding area of coverage 49 × 37 cm Corresponding exposure reduction 0 f-stop

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Lens

HC 3,5/35 mm Focal length 35.8 mm Aperture range 3.5 - 32 Angle of view diag/hor/vert 89°/7 8°/63° Length/diameter `124mm/100 mm Weight 975 g Filter diameter 95 mm Minimum distance object to film 0.50 m Maximum image scale 1:9.6 Corresponding area of coverage 54 x 40 cm

HCD 4/28 mm lens Focal length 28.9 mm Aperture range 4 - 32 Angle of view diag/hor/vert 95°/83°/66° Length/diameter 102mm/100 mm Weight 850 g Filter diameter 95 mm Minimum distance object to film 0.35 m Maximum image scale 1:7.3 Corresponding area of coverage 36 x 27 cm

HCD 4.8/24mm Focal Length 24.3 mm Aperture Maximum: f/4.8 Minimum: f/32 Angle of View @ Infinity 92° Minimum Focus Distance 1.25’ (0.38 m) Area of coverage 48 x 36 cm Filter Thread Front: 95 mm Weight 1.78 lb (810 g) Dimensions Approx. 10 x 9.9 cm

Macro Converter H Lenses

Close-up Macro Lens Converter Fits Hasselblad H Series Lenses Optimized to Work with HC-50II 50mm Lens

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Converter H 1.7x H Series Cameras ONLY

CF lens adapter

The Hasselblad 1.7x Converter attaches between the lens and body to increase the focal length by a factor of 1.7.

HTS 1.5 tilt and shift adapter

This provides a convenient way to expand your range of lenses The Converter 1.7x features the same outstanding optical and mechanical quality as all the elements in the Hasselblad H system.

Extension tube H 13 mm Shortens Minimum Focus Distance of Lens Increases Magnification Maintains AF and Auto Exposure Functions For H-Series Cameras and HC Lenses Can Use with Other Tubes/1.7x Converter

Extension tube H 26 mm Shortens Minimum Focus Distance of Lens Increases Magnification Maintains AF and Auto Exposure Functions For H-Series Cameras and HC Lenses Can Use with Other Tubes/1.7x Converter

Extension tube H 52 mm Shortens Minimum Focus Distance of Lens Increases Magnification Maintains AF and Auto Exposure Functions For H-Series Cameras and HC Lenses Can Use with Other Tubes/1.7x Converter

The CF adapter allows all lenses from the V system to be used on H system camera bodies. This automatically expands the potential lens range for H cameras by more than a dozen different focal lengths.

This is a truly useful accessory for professional photographers who need occasional access to specific lenses not used in their everyday work. The automatic focusing system in the H camera can be used as a guide for manual focus setting. Light is measured at full aperture with all lenses which produces aperture and shutter speed information display in the camera for manual setting. With CFE lenses, however, a preset aperture is automatically transferred to the camera. Shutter cocking is manual with all lenses and is swiftly carried out by an easily accessible lever.

The revolutionary HTS 1.5 is a tilt and shift adapter provides a powerful new focusing and creative tool that can help you take your photographic expression to entirely new levels.

Technical Compatible with all H system cameras Compatible lenses: HCD 28, HC 35, HC 50, HC80 and HC 100 Focus range: close range to infinity Focal length conversion factor: 1.5x Aperture reduction: -1.3 Stops Width/Height/Depth: 140/146/77 mm Weight: 750g Shift range: +/- 18mm Tilt range: +/- 10 degrees Rotation: +/- 90 degrees Optical design: 6 elements in 5 groups

Lens

Batis 25mm f/2 Lens Wide-angle lens for a new era

Focal length 25 mm Aperture range f/2 – f/22 Focusing range 0,2 m (7.9 “) – ∞ Number of elements/groups 10/8 Angular field, diag./horiz./vert. 82° / 72° / 51° Coverage at close range 124 x 187 mm (4.9 x 7.4”) Filter thread M67 x 0,75 Dimensions (with caps) 92 mm (3.6”) Diameter of focusing ring 78 mm (3.1”) Weight 335 g (0.74 lbs) Camera mounts E-Mount

Batis 85mm f/1.8 lens The telephoto lens for a new era

Focal length 85 mm Aperture range f/1.8 – f/22 Focusing range 0,80 m (2.6 ft) – ∞ Number of elements/groups 11/8 Angular field, diag./horiz./vert. 29° / 24° / 16° Coverage at close range 189 x 283 mm (7.4 x 11.1”) Filter thread M67 x 0,75 Dimensions (with caps) 105 mm (4.1”) Diameter of focusing ring 78 mm (3.1”) Weight 475 g (1.0 lbs) Camera mounts E-Mount

Milvus 2/35mm Versatile reporter

Focal length 35 mm Aperture range f/2.0 – f/22 Focusing range 0,30 m (0.98 ft) - ∞ Number of elements/groups 9 / 7 Angular field, diag./horiz./vert. 62° / 53° / 37° Coverage at close range 128 mm x 191 mm (5.04‘‘ x 7.52‘‘) Filter thread M58 x 0.75 Dimensions (with caps) ZF.2: 97,1 mm (3.82‘‘) ZE: 99,5 mm (3.92‘‘) Weight ZF.2: 649 g (22.89 oz) ZE: 702 g (24.76 oz) Camera mounts F Mount (ZF.2) EF Mount (ZE)

Milvus 1.4/50mm More than a standard lens

Focal length 50 mm Aperture range f/1.4 – f/16 Focusing range 0,45 m (1.48 ft) - ∞ Number of elements/groups 10 / 8 Angular field, diag./horiz./vert. 46° / 39° / 26° Coverage at close range 245 mm x 162 mm(9.65‘‘ x 6.38‘‘) Filter thread M67 x 0.75 Dimensions (with caps) ZF.2: 106,4 mm (4.19‘‘) ZE: 109,0 mm (4.29‘‘) Weight ZF.2: 875 g (30.86 oz) ZE: 922 g (32.52 oz) Camera mounts F Mount (ZF.2) EF Mount (ZE)

Milvus 2.8/21mm

Milvus 2/50mm

Master of horizons

Big meets small

Focal length 21 mm Aperture range f/2.8 – f/22 Focusing range 0,22 m (0.72ft) - ∞ Number of elements/groups 16 / 13 Angular field, diag./horiz./vert. 90° / 81° / 59° Coverage at close range 120 mm x 180 mm (4.72‘‘ x 7.09‘‘) Filter thread M82 x 0.75 Dimensions (with caps) ZF.2: 109,50 mm (4.31‘‘) ZE: 111,80 mm (4.40‘‘) Weight ZF.2: 735 g (25.93 oz) ZE: 851 g (30.02 oz) Camera mounts F Mount (ZF.2) EF Mount (ZE)

Focal length 50 mm Aperture range f/2.0 – f/22 Focusing range 0,24 m (0.79 ft) - ∞ Number of elements/groups 8 / 6 Angular field, diag./horiz./vert. 45° / 38° / 26° Coverage at close range 48 mm x 72 mm(1.89‘‘ x 2.83‘‘) Image ratio at close range 1 : 2 Filter thread M67 x 0.75 Dimensions (with caps) ZF.2: 87,7 mm (3.45‘‘) ZE: 89,9 mm (3.54‘‘) Weight ZF.2: 660 g (23.28 oz) ZE: 730 g (25.75 oz) Camera mounts F Mount (ZF.2) EF Mount (ZE)

Milvus 1.4/85mm The champion of bokeh

Focal length 85 mm Aperture range f/1.4 – f/16 Focusing range 0,80 m (2.62 ft) - ∞ Number of elements/groups 11 / 9 Angular field, diag./horiz./vert. 29° / 24° / 16° Coverage at close range 303 mm x 201 mm(11.93‘‘ x 7,91‘‘) Filter thread M77 x 0.75 Dimensions (with caps) ZF.2: 119,0 mm (4.69‘‘) ZE: 121,0 mm (4.76‘‘) Weight ZF.2: 1.210 g (42.68 oz) ZE: 1.280 g (45.15 oz) Camera mounts F Mount (ZF.2) EF Mount (ZE)

Milvus 2/100mm Bridging the gap

Focal length 100 mm Aperture range f/2.0 – f/22 Focusing range 0,44 m (1.44 ft) - ∞ Number of elements/groups 9/8 Angular field, diag./horiz./vert. 25° / 21° / 14° Coverage at close range 48 mm x 72 mm(1.89‘‘ x 2.83‘‘) Image ratio at close range 1 : 2 Filter thread M67 x 0.75 Dimensions (with caps) ZF.2: 117,5 mm (4.63‘‘) ZE: 119,5 mm (4.70‘‘) Weight ZF.2: 807 g (28.47 oz) ZE: 843 g (29.74 oz) Camera mounts F Mount (ZF.2) EF Mount (ZE)

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Lens

Otus 1.4/85

Otus 1.4/55

Otus 1.4/28mm ZF.2

Focal length 85 mm Aperture range f/1.4 – f/16 Focusing range 0,8 m (31.50’’) - ∞ Number of elements/groups 11 / 9 Angular field, diag./horiz./vert. 28.24° / 23.71° / 15.97° Coverage at close range 278,85 mm x 185,61mm (10.97‘‘ x 7.31‘‘) Filter thread M86 x 1.00 Dimensions (with caps) ZF.2: 138 mm (5.43‘‘) ZE: 141 mm (5.55‘‘) Diameter of focusing ring ZF.2: 101 mm (3.98‘‘) ZE: 101 mm (3.98‘‘) Weight ZF.2: 1140g ZE: 1200g Camera mounts F Mount (ZF.2) EF Mount (ZE)

Focal length 55 mm Aperture range f/1.4 – f/16 Focusing range 0,5 m (19.68”) – ∞ Number of elements/groups 12/10 Angular field, diag./horiz./vert. 43,7° / 36,7° / 24,9° Coverage at close range 246 x 163 mm (9.69 x 6.42”) Filter thread M77 x 0.75 Dimensions (with caps) ZF.2: 141 mm (5.55”) ZE: 144 mm (5.66”)Diameter of focusing ring ZF.2: 83 mm (3.27”) ZE: 83 mm (3.27”) Weight ZF.2: 970 g (2.22 lbs) ZE: 1030 g (2.43 lbs) Camera mounts F Mount (ZF.2) EF Mount (ZE)

Focal length 28 mm Aperture range f/1.4 – f/16 Focusing range 0,30 m (11.81”) – ∞ Number of elements/groups 16 / 13 Angular field, diag./horiz./vert. 75° / 65° / 46° Coverage at close range 225 x 150 mm (8.89 x 5.91”) Filter thread M95 x 1,00 Dimensions (with caps) ZF.2: 152,0 mm (5.98‘‘) ZE: 154,0 mm (6.06‘‘) Weight ZF.2: 1350 g (47.62 oz) ZE: 1390 g (49.03 oz) Camera mounts F Mount (ZF.2) EF Mount (ZE)

The best short tele lens in the world

ZF.2

The best standard lens in the world

ZF.2

Loxia 2/50

Loxia 2/35 E

Loxia 2.8/21 E

Focal length 50 mm Aperture range f/2.0 – f/22 Focusing range 0.45 m (17,72‘‘) -∞ Number of elements/groups 6/4 Angular field, diag./horiz./vert. 46.78° / 39.38° / 26.70° Coverage at close range 255.1 mm x 168.3 mm (10,04‘‘ x 6,63‘‘) Filter thread M52 x 0.75 Dimensions (with caps) 66,0 mm (2,60‘‘) Diameter of focusing ring 62,1 mm (2.44‘‘) Weight 340 g Camera mounts E-Mount

Focal length 35 mm Aperture range f/2.0 – f/22 Focusing range 00,30 m (11.81‘‘) - ∞ Number of elements/group 9/6 Angular field, diag./horiz./vert. 63,02° / 54,06° / 37,57° Coverage at close range 210,2 mm x 139,4 mm (8.28‘‘ x 5.49‘‘) Filter thread M52 x 0.75 Dimensions (with caps) 66,0 mm (2,60‘‘) Diameter of focusing ring 62,1 mm (2.44‘‘) Weight 340 g Camera mounts E-Mount

Focal length 21 mm Aperture range f/2.8 – f/22 Focusing range 0,25 m (9.84”) – ∞ Number of elements/groups 11 / 9 Angular field, diag./horiz./vert. 91° / 81° / 59° Coverage at close range 281 x 187 mm(11.06 x 7.36”) Filter thread M52 x 0,75 Dimensions (with caps) 85 mm (3.35”) Weight 394 g (0.87 lbs) Camera mounts E-Mount

The subtle reporter

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The world’s best wide-angle lens

The subtle reporter

Compact and wide-angle in one

Lens

Distagon T*2.8/15 Focal length 15 mm Aperture range f/2.8 – f/22 Focusing range 0.25 m – ∞ Number of elements/groups 15/12 Angular field, diag./horiz./vert. 110°/100°/76° Coverage at close range 340 x 221 mm Filter thread M 95 x 1.0 Dimensions (with caps) ø 103 mm, length 132-135 mm Weight 730g - 820g Camera mounts F Mount (ZF.2) EF Mount (ZE)

Distagon T* 3.5/18 Focal length 18 mm Aperture range f/3.5 – f/22 Focusing range 0.3 m – infinity Number of elements/groups 13/11 Angular field, diag./horiz./vert. 99°/90°/67° Coverage at close range 44 x 29 cm Filter thread M 82 x 0.75 Dimensions (with caps) ø 87 mm, length 84 mm Weight 510 g (ZE) Camera mounts F Mount (ZF.2) EF Mount (ZE)

Distagon T* 2.8/25 Technical specifications: Focal length 25 mm Aperture range f/2.8 – f/22 Focusing range 0.17 m – ∞ Number of elements/groups 10/8 Angular field, diag./horiz./vert. 80°/70°/50° Coverage at close range 83 x 55 mm Filter thread M 58 x 0.75 Dimensions (with caps) ø 64 mm, length 90 mm Weight 460g Camera mounts F Mount (ZF.2) EF Mount (ZE)

Distagon T* 2/28

Apo Sonnar T* 2/135 Focal length 135 mm Aperture range f/2,0 – f/22 Focusing range 0,80 m (2.62 ft) – ∞ Number of elements/groups 11/8 Angular field, diag./horiz./vert. 18,7° / 15,6° / 10,5° Coverage at close range 145 x 96 mm Image ratio at close range 1:4 Filter thread M77 x 0,75 Dimensions (with caps) ZF.2: 128 mm ZE: 130 mm Weight ZF.2: 920g ZE: 930 g Camera mounts F Mount (ZF.2) EF Mount (ZE)

Focal length 28 mm Aperture range f/2 – f/22 Focusing range 0.24 m – ∞ Number of elements/groups 10/8 Angular field, diag./horiz./vert. 74°/65°/45° Coverage at close range 18 x 12 cm Filter thread M 58 x 0.75 Dimensions (with caps) ø 64-72 mm, length 93-96 mm Weight 500g - 580g Camera mounts F Mount (ZF.2) EF Mount (ZE)

Distagon T* 2/25

Distagon T* 1.4/35

Focal length 25 mm Aperture range f/2.0 – f/22 Focusing range 0.25 m – ∞ Number of elements/groups 11/10 Angular field, diag./horiz./vert. 81°/71°/51° Coverage at close range 219 x 144 mm Filter thread M 67 x 0.75 Dimensions (with caps) ø 71-73 mm, length 95-98 mm Weight 570g - 600g Camera mounts EF mount (ZE), F Mount (ZF.2)

Focal length 35 mm Aperture range f/1.4 – f/16 Focusing range 0.3 m – ∞ Number of elements/groups 11/9 Angular field, diag./horiz./vert. 63°/54°/37° Coverage at close range 18 x 12 cm Filter thread M 72 x 0.75 Dimensions (with caps) ø 78 mm, length 120- 122 mm Weight 830 g - 850 g Camera mounts EF Mount (ZE) F Mount (ZF.2)

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Lens

EF 8-15mm f/4L Fisheye USM Ultra-Wide Zoom

Standard Zoom

Focal Length & Maximum Aperture 15mm 4.0 Lens Construction 14 elements in 11 groups Diagonal Angle of View 180° Focus Adjustment Lens extension via inner focusing and focus cam plus floating mechanism Closest Focusing Distance 0.16m Filter Size Rear Gel Holder (accepts up to 3 pre-cut gel filters) Max. Diameter x Length, Weight 3.1 x 3.7 in, 19.1 oz. / 78.5 x 83.0mm, 540g

Focal Length & Maximum Aperture 24-70mm, 1:2.8 Lens Construction 18 elements in 13 groups Diagonal Angle of View 84° - 34° Focus Adjustment Inner-focusing with USM Closest Focusing Distance 0.38m Zoom System Rotating Type Filter Size 82mm Max. Diameter x Length, Weight 3.5 x 4.4 in., 28.4 oz. / 88.5 x 113mm, 805g

EF 16-35mm f/2.8L II USM Ultra-Wide Zoom

Focal Length & Maximum Aperture 16-35mm f/2.8 Lens Construction 16 elements in 12 groups Diagonal Angle of View 108°10’-63° Focus Adjustment AF with full-time manual Closest Focusing Distance 0.28m Filter Size 82mm, P=0.75mm/1 filter Max. Diameter x Length, Weight 3.5 in. x 4.4 in./88.5mm x 111.6mm, 640g

EF 17-40mm f/4L USM Ultra-Wide Zoom

Focal Length & Maximum Aperture 17 - 40mm; 1:4 Lens Construction 12 elements in 9 groups Diagonal Angle of View 104° - 57° 30’ Focus Adjustment Inner focusing system with USM Closest Focusing Distance 0.28m Zoom System Rotating type Filter Size 77mm Max. Diameter x Length, Weight 3.3” x 3.8”, 1.1 lb. / 83.5 x 96.8mm, 500g

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EF 24-70mm f/2.8L II USM

EF 24-105mm f/4L IS USM Standard Zoom

Focal Length & Maximum Aperture 24-105mm f/4 Lens Construction 18 elements in 13 groups Diagonal Angle of View 84° - 23° 20’ (with fullframe camera) Focus Adjustment Inner focusing system with focusing cam Closest Focusing Distance 0.45m Zoom System 5-group helical zoom (front group moves: 32.5mm) Filter Size 77mm Max. Diameter x Length, Weight 3.3 in. x 4.2 in., 23.6 oz. / 83.5mm x 107mm, 670g (lens only)

EF 70-200mm f/2.8L IS II USM

EF 100-400mm f/4.55.6L IS USM Telephoto Zoom

Focal Length & Maximum Aperture 100-400mm 1:4.5-5.6 Lens Construction 17 elements in 14 groups Diagonal Angle of View 24° - 6° 10’ Focus Adjustment Rear focusing system with USM Closest Focusing Distance 1.8m/ 5.9 ft. Zoom System Linear extension Type Filter Size 77mm Max. Diameter x Length, Weight 3.6” x 7.4”, 3.1 lbs. / 92mm x 189mm, 1,380g

EF 14mm f/2.8L II USM Wide-Angle

Focal Length & Maximum Aperture 14mm f/2.8 Lens Construction 14 elements in 11 groups Diagonal Angle of View 114° (on fullframe cameras) Focus Adjustment AF with fulltime manual Closest Focusing Distance 0.2m

Filter Size Gel filter holder at rear of lens Max. Diameter x Length, Weight 3.2 in. x 3.7 in. / 80mm x 94mm 22.8 oz./645g (lens only)

EF 24mm f/1.4L II

Telephoto Zoom

USM Wide-Angle

Focal Length & Maximum Aperture 70-200mm 1:2.8 Lens Construction 23 elements in 19 groups (1 Fluorite and 5 UD elements) Diagonal Angle of View 34° - 12° Focus Adjustment Inner focusing system with USM. Full-time manual focus available Closest Focusing Distance 1.2m/3.94 ft. (maximum close-up magnification: 0.21x) Filter Size 77mm Max. Diame ter x Length, Weight 3.5 x 7.8 in./88.8 x 199mm; 52.6 oz./1490g

Focal Length & Maximum Aperture 24mm 1:1.4 Lens Construction13 elements in 10 groups Diagonal Angle of View 84° Focus Adjustment Rear focusing system with USM Closest Focusing Distance 77mm Filter Size 77mm Max. Diameter x Length, Weight 3.4 in./86.9mm; 22.9 oz./650g

Lens

EF 135mm f/2L USM Telephoto

Focal Length & Maximum Aperture 135mm 1:2.0 Lens Construction 10 elements in 8 groups Diagonal Angle of View 18° Focus Adjustment Rear focusing system with USM Closest Focusing Distance 0.9m / 3 ft. Filter Size 72mm Max. Diameter x Length, Weight 3.2” x 4.4”, 1.7 lbs. / 82.5 x 112.0mm, 750g

EF 35mm f/1.4L USM Wide-Angle

EF 85mm f/1.2L II USM

TS-E 17mm f/4L Tilt-Shift

ocal Length & Maximum Aperture 85mm 1:1.2 Lens Construction 8 elements in 7 groups Diagonal Angle of View 28°30’ Focus Adjustment AF with fulltime manual Closest Focusing Distance 3.2 ft. / 0.95m Filter Size 72mm Max. Diameter x Length, Weight 3.6 in. x 3.3 in., 36.2 oz. / 91.5mm x 84mm, 1,025g (lens only)

Focal Length & Maximum Aperture 17mm 1:4 Minimum Aperture f/22 Lens Construction 18 elements in 12 groups Diagonal Angle of View 104° (without tilt or shift) Image circle diameter 67.2mm Focus Adjustment Manual focus, rear focusing system with focusing cam (with floating system) Closest Focusing Distance 0.82 ft./0.25m (maximum close-up magnification: 0.14x) Aperture Control EMD with 8 blade iris diaphragm, circular aperture

Standard & Medium Telephoto

EF 100mm f/2.8

TS-E 24mm f/3.5L II

ocal Length & Maximum Aperture 50mm f/1.2 Lens Construction 8 elements in 6 groups Diagonal Angle of View 46° (with fullframe cameras) Focus Adjustment AF with fulltime manual Closest Focusing Distance 1.48 ft. / 0.45m Filter Size 72mm Max. Diameter x Length, Weight 3.4 in. x 2.6 in./85.4mm x 65.5mm 19.2 oz./545g (lens only)

Focal Length & Maximum Aperture 100mm 1:2.8 Lens Construction 12 elements in 8 groups Diagonal Angle of View 24° Focus Adjustment Inner focusing system with USM Closest Focusing Distance 0.31m / 1 ft. (film plane to subject) Filter Size 58mm Max. Diameter x Length, Weight 3.1” x 4.7”, 21.1 oz. / 79.0 x 119.0mm, 600g

Focal Length & Maximum Aperture 35mm 1:1.4 Lens Construction 11 elements in 9 groups Diagonal Angle of View 63° Focus Adjustment Rear focusing system with USM Closest Focusing Distance 0.3m Filter Size 72mm Max. Diameter x Length, Weight 3.1” x 3.4”, 20.5 oz. / 79.0 x 86.0mm, 580g

EF 50mm f/1.2L USM

Standard & Medium Telephoto

Macro USM

Tilt-Shift Focal Length & Maximum Aperture 24mm 1:3.5 Minimum Aperture f/22 Lens Construction 16 elements in 11 groups Diagonal Angle of View 84° (without tilt or shift) Image circle diameter 67.2mm Focus Adjustment Manual focus, rear focusing system Closest Focusing Distance 0.69 ft./0.21m Aperture Control EMD with 8 blade iris Filter Size 82mm

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Lens

AT-X 17-35 F4 PRO FX Wide Angle Zoom

Focal Length 17 - 35mm Maximum Aperture f/4.0 Minimum Aperture f/22 Construction E/G 13 Elements in 12 Groups Coatings Multi-layer Angle of View 103.96 - 64.74° Minimum Focus Distance 0.279 m Macro Ratio 1:4.82 Aperture Blades 9 Filter Size 82mm Maximum Outer Diameter 88.90mm Lens Width 88.90mm Lens Length 93.98mm Weight 600g Mounts FE, F, Canon APS-C, Nikon APS-C

AT-X 24-70mm F2.8 PRO FX F Mount Lens/FX Format

Canon Mount Nikon Mount

Optical structure (Elements/Groups): 15E / 11G Angle of view:84.20O ~ 34.49O Minimum focus distance (m): 0.38 Maximum macro magnication: 1 : 4.73 Minimum aperture: 22 Number of aperture diaphragms: 9 Filter size (mm): 82 Overall length (mm): 107.5 Maximum diameter (mm): 89.6 Weight (g): 1,010 Lens hood: BH-822

AT-X 16-28 F2.8 PRO FX Canon Mount

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AT-X M100 AF PRO D Macro

Focal Length 100mm Maximum Aperture f/2.8 Minimum Aperture f/32 Construction E/G 9 Elements in 8 Groups Minimum Focus Distance 0.3 m Macro Ratio 1:1 Focus Limiter 1.28 - ∞ Zoom Range 100 Aperture Blades 9 Filter Size 55mm Lens Width 73.66mm Lens Length 95.00mm Weight 540g Mounts EF, F, Canon APS-C, Nikon APS-C

Wide Angle Zoom

AT-X 116 PRO DX II

Focal Length 16 - 28mm Magnification 1:5.26 Maximum Aperture f/2.8 Minimum Aperture f/22 Construction E/G 15 Elements in 13 Groups Coatings Multi-layer Angle of View 107.11 - 76.87° Minimum Focus Distance 0.28 m Macro Ratio 1:5.26 Focusing Mode Internal Focusing Aperture Blades 9 Lens Width 89.92mm Lens Length 133.35mm Weight 950g Mounts FE, F, Canon APS-C, Nikon APS-C

Focal Length 11 - 16mm Maximum Aperture f/2.8 Minimum Aperture f/22 Construction E/G 13 Elements in 11 Groups Coatings Multi-layer Angle of View 104 - 84° Minimum Focus Distance 0.3 m Macro Ratio 1:11.6 Focusing Mode Internal Focusing Aperture Blades 9 Filter Size 77mm Lens Width 84mm Lens Length 89.2mm Weight 550g Mounts Canon APS-C, Nikon APS-C

Wide Angle Zoom

AT-X10-17mm Canon CEF-F F/3.54.5 W/Hood Photo Len for Canon EF

Focal Length 10 - 17mm Comparable APS-C 1.6x Focal Length: 16 - 27.2 mm Aperture Maximum: f/3.5 - 4.5 Minimum: f/22 Camera Mount Type Canon EF Format Compatibility Canon (APS-C) Angle of View 180° - 100° Minimum Focus Distance 5.5” (13.97 cm) Maximum Reproduction Ratio 1:3 Elements/Groups 10/8 Diaphragm Blades 6

AT-X 12-28 PRO DX Wide Angle Zoom

Focal Length 12-28mm Maximum Aperture F/4 Minimum Aperture F/22 Construction E/G 14 Elements / 12 Groups Coatings Multi-layer Angle of View 99.37 to 54.73° Minimum Focus Distance 0.25 m Macro Ratio 1:4.94 Aperture Blades 9 Filter Size 77mm Maximum Outer Diameter 84mm Lens Length 90.2mm Weight 530g Mounts Canon APS-C, Nikon APS-C

Lens

AT-X 116 PRO DX V

AT-X17-35 F4.0 PRO FX V CEF

Photo Lens for Canon EF/ Nikon F

Optical structure elements/group 13-11 Angle of View 104° ~ 82° Minimum focus distance (m) 0.3 Maximum macro magnification 1:11.6 Minimum aperture 22 Number of aperture diaphragms 9 Filter size (mm) 77 Overall length (mm) 89.2 Maximum diameter (mm) 84.0 Weight 550 Lens hood BH-77B

AT-X 11-20mm f/2.8 PRO DX Photo Lens for Nikon F/ Canon EF

Focal Length 11 - 20mm Comparable 35mm Focal Length 16.5 - 30 mm Aperture Maximum f/2.8 Minimum f/22 Camera Mount Type Nikon F Format Compatibility Nikon DX Angle of View 104.34° - 72.42° Minimum Focus Distance 11.02” (28 cm) Maximum Reproduction Ratio 1:8.62 Elements/Groups 14/12 Diaphragm Blades 9 Filter Thread Front 82 mm Dimensions (DxL) Approx. 3.50 x 3.62” (89 x 92 mm) Weight 1.23 lb (560 g)

AT-X 70-200MM F/4 FX VCM-S Photo Lens for Canon EF / Nikon F

Focal Length 70-200mm Maximum Aperture F/4 Minimum Aperture F/32 Construction E/G 19 Elements / 14 Groups Coatings Multi-layer coatings Angle of View 34.45 – 12.42° Minimum Focus Distance 3.3 ft (1.0 m) Macro Ratio 1:3.57 Zooming System Rotary Zoom Aperture Blades 9 Filter Size 67mm Accessor TM-705 Removable Tripod Collar Lens Hood BH-672 (included with lens) Mounts Nikon Full Frame

AF 14-20mm F2

Photo Len for Canon EF/ Nikon F Focal Length 14-20mm Maximum Aperture F2 Minimum Aperture 22 Construction E/G 13/11 Coatings Multi-layer Angle of View 91.68 – 71.78° Minimum Focus Distance 0.9 ft (0.28 m) Macro Ratio 1:8.36 Focusing Mode Auto Focus Zooming System rotary Aperture Blades 9 SD Glass 4 Filter Size 82mm Filter Thread 0.5 Sensor Size APS-C/DX Weight 1.6 lbs (725g) Lens Hood BH-823 Mounts Canon, Nikon

AT-X12-28 F4.0 PRO DX V CEF Equiped With An Interlocking Follow Focus Gear

Focal Length 12-28mm Maximum Aperture F4 Minimum Aperture F22 Construction E/G 14 Elements / 12 Groups Coatings Multi-layer Angle of View 99 to 61° Minimum Focus Distance 1.0 ft (0.3 m) Macro Ratio 1:8 Zooming System Rotary Type Aperture Blades 9 Filter Size 77mm Lens Width 3.5 in (89.5mm) Lens Length 3.6 in (90.2mm) Weight 1.2 lbs (540g) Lens Hood BH-77 Mounts Canon APS-C

Superb Operation in a Compact Body

Focal Length 17 - 35mm Maximum Aperture F4.0 Minimum Aperture F22 Construction E/G 13 Elements in 12 Groups Coatings Multi-layer Angle of View 103.96 - 64.74° Minimum Focus Distance 0.9 ft (0.279 m) Macro Ratio 1:4.82 Zooming System Rotary Type Aperture Blades 9 Filter Size 82mm Maximum Outer Diameter 3.5 in (88.90mm) Lens Width 3.5 in (88.90mm) Lens Length 3.7 in (93.98mm) Weight 1.3 lbs (600g) Lens Hood BH-821 Mounts Canon Full Frame

AT-X107 F3.5-4.5 DX V Fish Eye NH CEF More Round Your World

Focal Length 10 - 17mm Maximum Aperture F3.5 - 4.5 Minimum Aperture F22 Construction E/G 10 Elements in 8 Groups Coatings Multi-layer Angle of View 180 - 100° Minimum Focus Distance 0.5 ft (0.14 m) Macro Ratio 1:2.56 Zooming System Rotary Type Aperture Blades Aperture Blades Maximum Outer Diameter 2.7 in (69.85mm) Lens Width 2.7 in (69.85mm) Lens Length 2.8 in (70.88mm) Weight 12.3 oz (350g) Mounts Canon APS-C

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Studio Lighting

ProHead Plus

ProRing 2 Plus

Pro-B Head Plus

4,800W/s Capacity 500W Modeling Lamp Improved Head Connector Beefed up Stand Adapter Patent Pending “Perfect Arc” Flash Tube Thicker Glass Dome Uses over 120 Light Shaping Tools Includes Zoom 2 Reflector 13.2’ (4.0 m) Head Cable Removable Handle

Compatible With Pro Series and D4 Packs Optional Reflectors 200W Modeling Light Fan Cooled Optional Reflectors 4.0” Internal Diameter camera and Stand Mount

For Pro-B Battery Generators 1,200W/s Capacity 100W Modeling Lamp Improved Head Connector Improved Stand Adapter Patent Pending “Perfect Arc” Flash Tube Thicker Glass Dome Uses over 120 Light Shaping Tools Includes Disc Reflector 13.2’ (4.0 m) Head Cable

ProTwin Superior performance in a tough and compact casing. Dual heavy-duty quartz flashtube delivers up to 9,600 Ws of light. Compatible with the entire range of Light Shaping Tools. Very safe to use thanks to the UV reducing glass cover and arc-proof connector. Temperature controlled fan will keep head and accessories cool even during excessive use. Profoto Magnum Reflector included – a clever tool that maximizes the light output while maintaining a smooth light spread and limiting the spot effect.

Acute/D4 Twin Made for tough and demanding work with D4 or Acute2 generators. Dual heavy-duty quartz flash tubes deliver up to 9,600 Ws of light. Compatible with the entire range of Light Shaping Tools. Very safe to use thanks to the UV reducing glass cover and arc-proof connector. Temperature controlled fan will keep head and accessories cool even during excessive use. Profoto Magnum Reflector included – a clever tool that maximizes the light output while maintaining a smooth light spread and limiting the spot effect.

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ProRing Plus Compatible With Pro Series and D4 Packs Optional Reflectors Lightweight Version, No Modeling Light

Acute/D4 Ringflash Compatible With Acute and D4 Packs Optional Reflectors 4.0” Internal Diameter Camera and Stand Mount Soft, Shadowless Light Signature Catchlights

Acute/D4 Head Made for tough and demanding work with D4 or Acute2 generators. Compatible with the entire range of Light Shaping Tools. Very safe to use thanks to the UV reducing glass cover and arc-proof connector. Temperature controlled fan will keep head and accessories cool even during excessive use. Profoto Zoom Reflector included – a classic and highly versatile tool that has served photographers all over the world for more than four decades.

AcuteB Head Small and lightweight (1.8 kg/4 lbs) Compatible with the entire range of Light Shaping Tools. Designed to withstand years of everyday use. Power-efficient, high-performance 65 W Halostar lamp is equivalent of a 90 W halogen lamp. Fan-free cooling system saves batteries.

ProTungsten Air Continuous Light

1000W Max. Fan Cooled Remote Control of Output Uses Most Profoto Accessories Multi-voltage 3200K Only 6.0 lb (2.7 kg)

ProDaylight 800 Air Continuous Light

800W HMI Fan Cooled Remote Control of Output Uses Most Profoto Accessories Multi-voltage 5600K Includes Ballast, Lamp, Cable

Studio Lighting

ProDaylight 400 Air Continuous Light

400W HMI 5,900K Uses Most Profoto Accessories Passive Cooling Optional Remote Control of Output Includes ProBallast 200/400 Auto-sensing Multi-voltage

D1 Air

Super performance in a small, affordable package Compact and lightweight Integrated reflector 7 f-stop power range Short flash duration and fast recycling times Accepting the Profoto light shaping tools system Connect to your PC or Mac with Profoto Studio Air software

Remote control and sync without cables Profoto Air Sync Syncs flash generators or groups of Profoto D1 Air with the same high performance as Profoto Air Remote. The Profoto Air Sync provides a simple solution when you do not need to control the power of your flash and only need to trigger it with your camera.

Profoto Air Remote Our specially designed digital radio system. Complete flash control at your camera or in your hand, including trigger, flash energy control and modeling light control.

D1 Studio Kits A complete, portable studio solution.

Compatible with a wide assortment of Light Shaping Tools. Compact and lightweight. Built-in reflector makes it safe and easy to use. Wide 7 f-stop power range in 0.1 f-stop increments. Short flash duration even on the high power settings. Fast recycling times. Available with Air – the world’s fastest system for remote radio sync and control. Designed to withstand years of everyday use.

D1 Studio Kit

A complete, portable studio solution. Off-camera flashes are not speedlights and they are not monolights. They are a new kind of flash, combining the best of both worlds. Profoto’s off-camera flashes are distinguished by their revolutionizing TTL technology, cordless convenience and powerful light. Put together, these features bring a whole new way of shooting. Off-camera flashes are not stay-athome flashes. Their TTL function shines the brightest in challenging lighting conditions. Their cordless operation unleashes your creativity and makes it want to run free in the wild. Our comfy and portable off-camera kits are designed with this in mind.

2 x D1 monolights 2 x Umbrella White S 2 x D1 kit stands 1 x Air Remote Bag M Power cables D1 Studio Kit 250/250 Air D1 Studio Kit 250/500 Air D1 Studio Kit 500/500 Air D1 Studio Kit 500/1000 Air D1 Studio Kit 1000/1000 Air

D1 Studio Kit 3 Heads 3 x D1 monolights 1 x Softbox RFi 1,3x2’ 1 x Softbox RFi 2x3’ 2 x RFi speedrings 1 x D1 Grid 10° 3 x D1 kit stands 1 x Air Remote Trolley bag L Power cables D1 Studio Kit 250/500/500 Air D1 Studio Kit 500/500/1000 Air D1 Studio Kit 500/1000/1000 Air

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Studio Lighting

Pro-B4 1000 Air

Pro-8a 2400 Air

11 Stop Power Range: 1-1,000W/s Up to 220 Full Power Flashes Short Recycling Time 0.03-0.99s Symmetrical/Asymmetrical Distribution High Capacity LiFe Battery Flash Duration: 1/25,000 - 1/2200 Sec. 45 Minute Quick Charge Multi-voltage Charger Built-In Profoto Air Remote Sync System Computer Control Optiont.

Up to 20 Frames/Second Auto Multi-Voltage Operation Worldwide Fast Recycling Time 0.05 - 0.9 Sec Ultra Short Flash Duration 1/12000 Sec 10 F-Stop Power Range 40Â°K +/- Stability Flash to Flash Built-In Profoto Air Transceiver for RC Built-in PocketWizard Receiver Compatible With All Current ProHeads Designed for Use w/Portable Generators

The fastest, toughest, most precise battery generator on the market.

A workhorse with digital precision

Pro-B3 1200 AirS

The Pro-B3 AirS battery generators is characterized by extremely fast recycling and short flash duration.

D4 2400 Air

Lithium Ion Iron Phosphate Battery Weighs Only 19 Lbs Inc. LiFe Battery Up to 300 Flashes at Maximum Power Up to 4x Longer Battery Lifetime Built-In Profoto AirS Radio Sync System Wide Power Range of 8 F-Stops, 9-1200 Ws Recycling Time 0.06-1.8 s Short Flash Duration, 1/7400 - 1/2200 s Tested and Certified/Licensed to Travel Automatic, Multivoltage Charger

Built-in Radio Slave Receiver Power Variable Over 8 F-Stops Short Flash Duration 1/4500s-1/600s Fast Recycling Times 0.09 to 2.2 Seconds 4 Head Outlets for Asymmetrical Contro Multi-Power Pack Control Via 1 Computer Multi-Voltage 90-240VAC

Pro-8a 1200 Air

A workhorse with digital precision Fast Recycling Time 0.05-0.5 Sec Ultra Short Flash Duration 1/12000 Sec 9 f-Stop Power Range +/- 40 K Stability for Full Power Range Exposure Stability +/- 1/50 F-Stop Built-In Profoto Air Transceiver for RC Compatible With All Current ProHeads Designed for Use W/Portable Generators Auto Multi-Voltage Operation Worldwide Up to 20 Frames per Sec. @ Minimum Power

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D4 4800 Air

Perfect performance, advanced functions - full direct control Built-in Radio Receiver Range: Up to 984â&#x20AC;&#x2122; (300 m) 4 Channel Asymmetrical Distribution Auto-seek 90 - 240V AC For All Heads Except Pro-B & Acute-B Computer Interface 1/10 Stop Power Adjustment 0.12 to 4.4 sec. Recycling Flash Duration t 0.5: 1/2700-1/350s Ergonomic design

Perfect performance, advanced functions - full direct control

D4 1200 Air

Perfect performance, advanced functions - full direct control Built-in Radio Slave Receiver Power Variable Over 8 F-Stops Short Flash Duration 1/7500s-1/1000s Fast Recycling Times 0.07 to 1.2 Seconds 4 Head Outlets for Asymmetrical Control Multi-Power Pack Control Via 1 Computer Multi-Voltage 90-240VAC

BatPac

Portable Power Source Safe & Reliable Use With Strobes & Other Elec. Devices Drives Up to 4-1000W or 1-2400Ws Flashes Up to 10,000 Flashes With D1 500Ws Flash Under 25 Lbs Integrated Protective Circuits Heavy Duty Transport Bag Included here is an alternative to a bringing a battery-powered flash to your onlocation shoot: bring a mains-powered flash and connect it to our portable power supply the BatPac.

Studio Lighting

Zoom Reflector

Zoom Reflector Grids

The classic Profoto Zoom Reflector has served photographers all over the world for more than three decades. It was time to look it over, and our technicians actually managed to improve it in a number of areas: – even better light distribution: smoother, stronger, more accurate – integrated grid holder: grids now fit directly into the reflector – a new protection cap, the Zoom Cap, that fits onto and over the reflector (and the grid), securing transportation and storage as well as enabling the photographer to leave the grid on. Existing accessories still fit as before.

Grids can be used to narrow the light angle or to prevent unwanted stray light. They can be used directly on the Zoom Reflector or with the Grid and Filter Holder on the Standard Zoom Reflector. Grid size: 180 mm (7 in)

Snoot For Grid- & Filterholder. Cannot be used with ProDaylight and ProTungsten. 10 06 51 Snoot

Reflector Barn Doors 4-sided rigid barndoors for Standard Zoom Reflector and Zoom Reflector. 10 06 71 Reflector Barn Door 10 04 63 Barndoor, for Cine Reflector and Zoom reflector

Zoom Cap A protection cap for the Zoom Reflector have several advantages. It lets you keep the reflector on, including a grid, while still protecting the flash head. 10 07 86 Zoom Cap

Metal Protection Cap An extra strong metal protection cap with clasp. The perfect transportation protection or protection of the flash tube in rough conditions. 10 06 38 Metal Protection Cap

Grid size: 180 mm (7 in) 90 06 49 Grid and Filter Holder

The Narrow Beam Reflector gives the highest light output of all Profoto reflectors. It creates a hot spot with a harsh light fall-off. To achieve precise control over the direction of the light, the reflector can be extended with the ProTube and equipped with a Honeycomb Grid or a Barn Door. Light spread angle: 10–70° Guide number (At 2 m/2400 Ws/ ISO 100/21°): f/180.0–f/45.0 Grid size: 337 mm (13 in) 10 06 17 Narrow Beam Reflector

TeleZoom Reflector Sharing its lighting characteristics with the Standard Zoom Reflector, this reflector is unique because the angle of light varies from 20 degrees at head position 5, to 30 degrees at head position 10. The TeleZoom reflector has a high output, zoomable even distrubuted light with a rapid fall-off. The TeleZoom accepts the same accessories like the Magnum and Narrow Beam Reflector. Light spread angle: 25–50° Guide number (At 2 m/2400 Ws/ ISO 100/21°): f/90.3–f/64.0 Grid size: 337 mm (13 in) 10 07 12 TeleZoom Reflector

Magnum Reflector

Grid and Filter Holder It prevents blocking of fan cooling and overheating when a filter need to be used. The Filter Holder is positioned behind the mounted Grid to allow you to use a diffusion filter for increased efficiency.Fits the Zoom Reflector and the Classic Zoom Reflector.

Narrow Beam Reflector

Transportation Cap A light weight, easy to use transportation protection of the glass cover, flash tube and modeling lamp. 10 07 08 Transport Protective Cap for flash heads

For maximum output with a normal beam spread. The Magnum Reflector provides strong, smooth light. Although this is not a true focusing reflector, zooming it across the focal point does create interesting lighting effects. To achieve precise control over the direction of the light, the Magnum can be supplemented by the ProTube, Honeycomb Grid or Barn Doors. Light spread angle: 25–60° Guide number (At 2 m/2400 Ws/ ISO 100/21°): f/180.0–f/90.0 Grid size: 337 mm (13 in) 10 06 24 Magnum Reflector

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Studio Lighting

Narrow Beam Travel Reflector The Narrow Beam Travel Reflector gives one of the highest light outputs of all Profoto reflectors, similar to the Narrow Beam Reflector. Light spread angle: 20° Guide number (At 2 m/2400 Ws/ ISO 100/21°): f/45.7 10 06 13 Narrow Beam Travel Reflector

Wide Zoom Reflector The Wide Zoom Reflector is very versatile with a very even illumination when used at short distances. Excellent choice when you need to light the background evenly. Light spread angle: 40–70° Guide number (At 2 m/2400 Ws/ ISO 100/21°): f/64.0–f/45.0 Grid size: 280 mm (11 in) 10 07 11 Wide Zoom Reflector

Wide Zoom Reflector Grid Fits the Wide Zoom Reflector. Grid size: 280 mm (11 in) 10 06 36 10° Honeycomb Grid

Magnum-, TeleZoomand Narrow Beam Reflectors Grid Fits the Magnum Reflector, TeleZoom Reflector or Narrow Beam Reflector. Grid size: 337 mm (13 in) 10 06 18 10° Honeycomb Grid

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ProTube The ProTube accessory extends the Magnum Reflector, TeleZoom Reflector or Narrow Beam Reflector for tighter, hotter light pattern. It can be supplemented with a grid. Grid size: 337 mm (13 in) 10 06 70 ProTube

25 degree Grid

Reflector Barn Doors

7” Grid Reflector

4-sided rigid barn doors for Magnum Reflector, TeleZoom Reflector or Narrow Beam Reflector. Includes clips for filters and/or diffusers. 10 07 15 Reflector Barn Doors

Allows direct use of 7” grids. Light spread: 40–90° Guide number (At 2 m/2400 Ws/ ISO 100/21°): f/90.3–f/32.5 Grid size: 170 mm (6.7 in) 10 06 54 7” Grid Reflector

Softlight Reflector Silver

7” Grid Reﬂector Grids

The silver-coloured Softlight Reflector with gives focused light, while at the same time providing soft shadow definition, thanks to its large reflecting area. It is especially suitable for lighting materials or subjects in which the structure should be emphasized. Can be equipped with a glass deflector, 10° grid and a front diffuser. Diameter: 60 cm

Grid size: 170 mm (6.7 in) 10 06 34 10° Honeycomb Grid 10 06 35 5° Honeycomb Grid

Softlight Reflector White The White Softlight Reflector (diameter 60 cm) also known as “The Beauty Dish” gives a soft, yet directional light. Meant to provide character lighting in portrait photography, the Softlight is superb for a wide variety of uses from product photography to architectural or environmental studies. Also, a distinctive alternative to the widely used softboxes. Character lighting refers to a source of light that is placed close to the subject.

Creates a soft, toned-down edge-lighting for increased control. Grid size: 515 mm (20 in) 10 06 09 Grid Honeycomb 25° (10° if used with the Softlight Silver)

Glass Disc The Softlight standard has a direct light blocking metal deflector. It can make a center black dot in an close up eye reflection. By exchanging to this opal glass plate the dot is eliminated. 10 07 04 Glass Disc

Disc Reflector Designed for use with an umbrella. It keeps light from spilling off the edges of the umbrella. Very compact design for easy carrying. 10 07 12 Disc Reflector

Studio Lighting

Cine Reflector The Cine Reflector combines the film industry’s popular Parabolic reflector (PAR) with the classic Profoto Zoom reflector – a long time favorite among our users. The Profoto Zoom reflector is a textured “Open face type” reflector that produces a crisp, even light. The unique Zoom function lets you adjust the beam angle in the range of 35–105° without changing lens. In addition, five different lenses provide a great array of light shaping possibilities. This, in combination with scrims, color filters and barn doors, grants hotographers an unparalleled artistic freedom. Naturally, all accessories can be used with both ProDaylight models as well as with each other. The Cine Reflector has a double layer housing to protect users from burns and increase robustness. The housing also provides an umbrella attachment, which is favored by many photographers. A metal stirrup bracket is provided for overhead mounting. 90 11 75 Cine Reflector

Barndoor, for Cine Reflector and Zoom reflector The Barndoor, for Cine reflector, is also designed to fit and work with the Zoom Reflector. The Barndoor does have the possibility to attach filters.

Lenses for Cine Reﬂector Lenses for Cine Reflector 10 04 65 Fresnel Lens, Cine Reflector 10 04 66 Super Wide Lens, Cine Reflector 10 04 67 Narrow Spot Lens, Cine Reflector 10 04 68 Medium Flood Lens, Cine Reflector 10 04 69 Wide Flood Lens, Cine Reflector 10 04 75 Diffusion filter, Cine Reflector

Scrim Kit

RingFlash Softlight Reflector Achieves a softer, shadow-free “beauty effect” by enlarging the ringflash area. Ideal for lighting people with a direct, yet soft light from the lens position, creating a unique omnidirectional illumination. Light spread: 30° Guide number (At 2 m/2400 Ws/ISO 100/21°): f/64.5 10 06 42 RingFlash Softlight Reflector

Get the right balance of shadow softness and sharpness with our range of reflectors, zoomable in different constellations from 20–100°. Additional grids and umbrellas can be fitted easily.

RingFlash Close-Up Reflector Concentrates the ringfash into a smaller area some 50 cm in front of the flash for close-up and macro applications. This provides a higher concentration of light when photographing smaller objects, while still maintaining a perfect shadeless illumination. When it is used at greater distances it can create an aura-like shadow surrounding an object.

RingFlash Widesoft Reflector Like the Softlight, but with extra softness and a wider spread of the light, perfect for evenly illuminated pack shots and natural looking fill-in flash. The reflector has a white coating. Light spread: 100° Guide number (At 2 m/2400 Ws/ ISO 100/21°): f/32.5 10 07 17 RingFlash Widesoft Reflector

ProRing Diffuser Puts extra softness to the ringflash. The reflector has a white coating. Easy and fast to use, simply clips on front of the Profoto ringflashes. 10 07 84 ProRing Diffusor

90 11 78 Scrim Kit

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Studio Lighting

Profoto Giant Reﬂector 300

Profoto Giant Silver 210

The Profoto Giant Reflector 300 cm with 20 sectors, a truly parabolic silver reflector, for optimum light output and precision. Features, among other things, the unique Powerfold technology for easy assembly, and a foldable center bar for free positioning of the unit. The reflector can be focused in four steps by using the included poles of different length. Light spread: 55–100° Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.7–f/22.3 10 03 20 Profoto Giant Reflector 300

The Profoto Giant Silvers 210 cm with silver reflectors for a high light output and crispy highlights, in the studio or on location. Comparable with former 7-foot reflector. Light spread: 90–105° Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.0–f/16.8 10 03 16 Profoto Giant Silver 210

Profoto Giant Reflector 240 The Profoto Giant Reflector 240 cm with 20 sectors, a truly parabolic silver reflector, for optimum light output and precision. Features, among other things, the unique Powerfold technology for easy assembly, and a foldable center bar for free positioning of the unit. The reflector can be focused in four steps by using the included poles of different length. Light spread: 70–105° Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.6–f/22.0 10 03 19 Profoto Giant Reflector 240

Profoto Giant White 150 Profoto Giant Silver 150 The Profoto Giant Silver 150 cm with silver reflectors for a high light output and crisp highlights, in the studio or on location. Comparable with former 5-foot reflector. Light spread: 85–120° Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.0–f/11.8 10 03 17 Profoto Giant Silver 150

Profoto Giant Reflector 180 The Profoto Giant Reflector 180 cm with 20 sectors, a truly parabolic silver reflector, for optimum light output and precision. Features, among other things, the unique Powerfold technology for easy assembly, and a foldable center bar for free positioning of the unit. The reflector can be focused in four steps by using the included poles of different length. Light spread: 65–110° Guide number (At 4 m/2400 Ws/ISO 100/21°): f/32.6–f/16.2 10 03 18 Profoto Giant Reflector 180

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All Profoto Giants are powerful tools that allow you to create outstanding pictures in an uncomplicated, direct way. Our multi-purpose Giant Reflector range starts at a modest 1.5 m in diameter and ends with a 20-sector, 3 m model. Our unique powerfold technology makes for easy assembly and disassembly. An ordinary umbrella attached to the lamp head in the center of a Giant reflector blocking more or less of the center light offers more creative combinations.

Profoto Giant White 210 The Profoto Giant White 210 cm with white reflectors for a smooth effect, in the studio or on location. Light spread: 105° Guide number (At 4 m/2400 Ws/ISO 100/21°): f/16.8 10 03 15 Profoto Giant White 210

The Profoto Giant White 150 cm with white reflectors for a smooth effect, in the studio or on location. Light spread: 105° Guide number (At 4 m/2400 Ws/ISO 100/21°): f/16.8 10 03 14 Profoto Giant White 150

Front Diffuser 25 45 18 Diffusor for Profoto Giant 150 (-1 f-stop) 25 45 22 Diffusor for Profoto Giant 150 (-1/3 f-stop) 25 45 19 Diffusor for Profoto Giant 210 (-1 f-stop) 25 45 23 Diffusor for Profoto Giant 210 (-1/3 f-stop) 25 45 85 Diffusor for Profoto Giant Reflector 180 (-1 f-stop) 25 45 86 Diffusor for Profoto Giant Reflector 180 (-1/3 f-stop) 25 45 31 Diffusor for Profoto Giant Reflector 240 (-1 f-stop) 25 45 33 Diffusor for Profoto Giant Reflector 240 (-1/3 f-stop) 25 45 87 Diffusor for Profoto Giant Reflector 300 (-1 f-stop) 25 35 88 Diffusor for Profoto Giant Reflector 300 (-1/3 f-stop)

Studio Lighting

Softbox 1x1.3’ RF

Softbox 4x6’ RF

30x40x47 cm, internal silver coating with steel rods, inner and front diffuser. 25 45 76 Softbox 1x1.3’ RF

Softbox 2.3’ Octa Gold Octalight 60x47 cm, internal gold coating with steel rods, inner and front diffuser. Gives a warmer light that is preferred by many portrait photographers. 25 45 79 Softbox 2.3’ Octa Gold

120x180x57 cm, internal silver coating with removable inner and front diffuser and steel rods. 25 45 35 Softbox 4x6’ RF

Softbox 5’ Octa Octalight 150x47 cm, internal silver coating with steel rods, inner and front diffuser. 25 45 29 Softbox 5’ Octa

Softbox 3x3’ RF 90x90x47 cm, internal silver coating with steel rods, inner and front diffuser. 25 45 77 Softbox 3x3’ RF

Softbox 3x4’ RF 90x120x47 cm, internal silver coating with steel rods, inner and front diffuser. 25 45 27 Softbox 3x4’ RF

Softbox 2x3’ RF 90x120x47 cm, internal silver coating with steel rods, inner and front diffuser. 25 45 26 Softbox 2x3’ RF

Softbox 3’ Octa

Softbox 2x2’ RF

Octalight 90x47 cm, internal silver coating with steel rods, inner and front diffuser. 25 45 28 Softbox 3’ Octa

60x60x47 cm, internal silver coating with removable inner and front diffuser and steel rods. 25 45 36 Softbox 2x2’ RF

Softbox 2.3’ Octa

Softbox 1x3’ RF

Octalight 60x47 cm, internal silver coating with steel rods, inner and front diffuser. 25 45 78 Softbox 2.3’ Octa

Striplight 30x90x47 cm, internal silver coating with removable inner and front diffuser and steel rods. 25 45 36 Softbox 1x3’ RF

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Studio Lighting

Softbox 1x4’ RF This 30x120 cm striplight softbox is ideal for a lot of situations, among others welldirected lighting in people photography or lateral fill-in at product shots. The exchangeable internal diffusor ensures an extremely low light fall-off, even for such a large construction. 25 45 24 Softbox 1x4’ RF

Profoto softboxes are made of durable light efficient materials that stand the daily use, even under the toughest conditions. Removable fronts and inner diffusors, plus a series of grids and masks make light adjustments easy. The evenness of the light output from the whole surface is virtually perfect. The approximate center Guide number (at 2 m/2400 Ws/ISO 100/21°) for all Profoto Softboxes is f/32.0. All Profoto softboxes fit all Profoto lamp heads, of course. But did you know that by using our adapter speedrings, your Profoto softboxes will fit virtually any other manufacturer’s lamp heads as well?

HR Softbox’

Softbox 1x6’ RF Striplight 30x180x57 cm, internal silver coating with removable inner and front diffuser and steel rods. 25 45 34 Softbox 1x6’ RF

Softgrids Reduce straylight and give greater control of the light direction. 25 45 54 Softgrid 40° for 1x4’ 25 45 55 Softgrid 40° for 2x3’ 25 45 56 Softgrid 40° for 3x4’ 25 45 57 Softgrid 40° for 4x6’ 25 45 58 Softgrid 40° for 1x6’ 25 45 59 Softgrid 30° for 1x3’ 25 45 60 Softgrid 30° for 2x3’ 25 45 64 Softgrid 30° for 2x2’

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A new line of Profoto Softboxes made for both flash and continuous light. Available in 6 RF sizes to accomidate all needs. Ideal for ProDaylight and ProTungsten to provide maximum protection against excessive heat . Fully compatible with Acute and Pro Heads as well as Monolights. 10 04 81 HR Softbox 1.3 x 1.8’ (40 x 55 cm) 10 04 82 HR Softbox 2 x 3’ (60 x 90 cm) 10 04 83 HR Softbox 1.5 x 4’ (45 x 120 cm) 10 04 84 HR Softbox 3 x 4’ (90 x 120 cm) 10 04 85 HR Softbox 2.7 x 2.7’ (80 x 80 cm) 10 04 86 HR Softbox 4 x 6’ (120 x 180 cm)

HR Lantern A new Light Shaping tool that can be used with both flash and continuous light. Available in 3 FF sizes .Ideal to create a natural, easy to use “Overhead” light that illuminate even larger areas evenly. Perfect for moving subjects and handheld/steady-cam operated cameras. Built-in heat protection. 10 04 87 HR Lantern 1,7’ FLAT (51 x 30 cm) 10 04 88 HR Lantern 3’ FLAT (89 x 43 cm) 10 04 89 HR Lantern 4’ FLAT (122 x 48 cm)

Studio Lighting

RFi SOFTBOXES IN ALL SIZES AND SHAPES FOR ALL MAJOR FLASH BRANDS

SHAPE SUNLIGHT OR BOUNCE FLASH LIGHT WITH THE PROFOTO REFLECTORS

Choose the tool you need, create the light you want: RFi softboxes come in twelve models and four shapes: rectangular, square, octagonal and strip.

Working with Profoto Reflectors is light shaping in its most uncomplicated form. They are easy to use, easy to carry and can be used for bouncing or diffusing sunlight as well as flash light. The sturdy yet collapsible metal frame is equipped with two ergonomically shaped handles, which make the Reflectors easy to fold and hold in various positions. Shape sunlight or bounce flash light. Ergonomically shaped handles make the reflectors easy to fold and hold.

Use your old flash brand in a brand new way: The speedring makes the RFi softboxes compatible with well over 20 different flash brands, including speedlights. Shape the light with precision: Optional Adaptor accessories, such as Softgrids, Flat Front Diffusers and StripMasks, allow for even more precise light shaping. Focus your energy where it is needed: Color-coded speedrings and Velcro attachments result in hassle-free assembly and disassembly. No tools or pre-assembly needed. Experience the quality of light that Profoto is famous for: Double-layered diffusers create a softer, more even light spread. The silver interior provides a higher output and a crisper character. Stop worrying about your equipment: Each unit is handsewn with heat resistant, highquality fabrics. Seam lines, edges and corner pockets are reinforced.

THE RFi SPEEDLIGHT SPEEDRING:

THE SPEEDLIGHT USER’S KEY TO THE WORLD OF LIGHT SHAPING

Unique squircle-shape. Sturdy yet easily foldable metal frame. High-quality fabrics. Available in five versions: Silver/White, SunSilver/White, Gold/White, Black/White and Translucent. Available two sizes: Medium (33”/80 cm) and Large (47”/120 cm).

Speedlights are great for many reasons, but being able to create a soft and shapeable light is not one of them. Profoto offers a simple solution to this problem: a speedring that makes the RFi softboxes compatible with speedlights of most brands. Get access to the entire range of RFi softboxes. Mount a softbox on your speedlight and create a soft and flattering light. Attach two speedlights and light up an even larger softbox. Slide and tilt the speedlights inside the softbox to eliminate hotspots. Tilt, rotate 360° and adjust the softbox heightwise on the fly.

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LIGHT SHAPING TOOLS

ProTungsten Air, 500 W and 1000 W

ProFresnel Spotlight 10 07 06

Hardbox 10 07 18 max 500 W

Narrow Beam Travel Reflector 10 07 13

ProDaylight 800 Air

Narrow Beam Reflector 10 06 17

ProBallast 800

Cine Reflector 90 11 75

TeleZoom Reflector 10 07 12

magnum Reflector 10 06 24

Pro Tube 10 06 70

ProDaylight 200 Air

Barndoor for Cine Reflector and Zoom Reflector 10 04 63

Cine Reflector LITe 90 11 70

10° Grid 10 06 18

ProDaylight 400 Air

Barndoor 10 07 15

Wide Zoom Reflector 10 07 11

Scrim kit for Cine Reflector 90 11 78

10˚ WideZoom Grid 10 06 36

ProBallast 200/400

Lenses for Cine Reflector Fresnel 10 04 65, Super Wide 10 04 66 Narrow Spot 10 04 67, medium Flood 10 04 68 Wide Flood 10 04 69, Diffusion filter 10 04 75

Zoom Reflector 10 07 85 Barndoor 10 06 71

Speedrings, Softgrids, masks and Diffusers available for softboxes

WIReLeSS SySTem

CONTINuOuS LIGHTS

Profoto – The Light Shaping System for Continuous Light Air uSB 90 10 34

Air Remote 90 10 31

Filters for Cine Reflector 5500K Dichroic Color Filter 10 04 74 3200K Dichroic Color Filter 10 04 73

Softlight Reflector White 10 06 08 Softlight Reflector Silver 10 06 07 Grid for Softlight Reflector 10 06 09

Translucent umbrella Small 10 06 13 med 10 06 14 To be use with Cine Reflector or stand adapter Silver umbrella med 10 06 16 Large 10 07 20

HR Softbox Rectangular 1.3 x 1.8’ (40 x 55 cm) 10 04 81 2 x 3’ (60 x 90 cm) 10 04 82 1.5 x 4’ (45 x 120 cm) 10 04 83 3 x 4’ (90 x 120 cm) 10 04 84 2.7 x 2.7’ (80 x 80 cm) 10 04 85 4 x 6’ (120 x 180 cm) 10 04 86

HR Softbox Asymmetric 1.5 x 3.5’ (45 x 107 cm) RF-a 10 04 90 2.3 x 5’ (70 x 150 cm) RF-a 10 04 91

HR Softbox Octa 3’ (90 cm) 10 04 92 5’ (150 cm) 10 04 93 7’ (214 cm) 10 04 94

HR Lantern 1.7’ FLAT (51 x 30 cm) 10 04 87 3’ FLAT (89 x 43 cm) 10 04 88 4’ FLAT (122 x 48 cm) 10 04 89

The line of Profoto Giant Reflectors consists of the the parabolic Giant Reflectors Giant Reflector 180 (180 cm) 10 03 18 Giant reflector 240 (240 cm) 10 03 19 Giant reflector 300 (300 cm) 10 03 20 plus the Giant Silver 150 cm – 10 03 16, and Giant Silver 210 cm – 10 03 17. Optional front diffusers are available for all Giants.

umbrella XL 165 cm White 10 03 26 Silver 10 03 27 Translucent 10 03 28

Studio Lighting

AD600 TTL Wistro battery flash

AD600 TTL All-in-One Outdoor Flash is powerful and portable with professional lithium battery pack. Built-in Godox 2.4G wireless X system, it supports Canon E-TTL II, Nikon-iTTL and SONY systems with great compatibility. With the AD600 flash, your shoooting will become simpler. You can easily achieve a correct flash exposure even in complex light-changing environments. Power: 600w Flash duration: 1/220s -1/10000s Full power flash times: 500 times Flash sync: HSS (1/8000s), first curtain sync, (second curtain sync) Modeling lamp: LED 10W Power: Lithium (11.1V/8700mAH) Power control: 9 steps: 1/256~1/1 Weight: 2.66 Kg

SK 400

400WS Smart Photography Strobe Flash Studio Light Lamp Head 110/220V Max Power (WS) 400WS Guide Number(m ISO 100) 65 Color Temperature 5600±200K Operating Voltage AC100~120V/60Hz or AC200240V/50Hz Power Output Control OFF, 1.0~3.0 (1/8~1/1) Modeling Lamp (W) 150W Modeling Lamp Level 9 Levels (L1 to L9) Recycle Time 0.4~3s Triggering Method Sync cord, Test button, Slave triggering, Wireless control port

Quicker Flash Kit QT600-2L-G Kit inculeds: GODOX 220V QT600 Godox Quicker Flash Kit 3 Heads 2 * stand 2 * softbox trigger 1 * receiver bag

TC400

400Ws Studio Strobe Flash Light Lamp Head 200V~240V Max Power(ws) 400 Guide Number(ISO100) 65 Flash Power Variation stepless 1/16~1 Recycle Time 0.4~2s Modelling Lamp(w) 150w Color Temperature 5600K±200K Trigger Mode Test button, Sync cord, Flash trigger, Slave Operating voltage AC200~240V / 50Hz or AC100~120V /60Hz

300SDI-D-G Studio Flash ×3 Light stand 303 ×3 Softbox SB-BW 70X100cm ×1 Umbrella UB-004 40” ×1 Barndoor Kit BD-04 ×1 Remote Trigger DM-16 Carrying Bag CB-01 ×1 Sycn Line ×1 Standard Reflector ×1

SS-350H Power Range: 350Ws Modeling: 50W Power Control: 1/16 - Full Guide no.: 42 (ISO 100/m) Recycling Time: 0.8-2s Color Temperature: 5300K-5700K Operating Voltage: AC 110-120V 60Hz , 220-240V 50Hz Triggering: Photo Sensor, Sync Cord, Test Button Weight: 1.3kg Dimension: 25x18x21cm

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Camera Flash

V860

VING TTL Lithium-Ion Flash for Canon & Nikon Features: HSS to 1/8000s Optic Wireless Master & Slave Function E-TTL II Auto Flash Full TTL Functions Powerful Li-ion Battery 58 Guide Number USB Port The V860 feature the same Lithium-Ion battery, with huge 650 full power pop capacity and 1.5 second recyclable time, all conveniently built-in.

TT685 GN 60 (m ISO 100) Powered by 4 x AA batteries HSS to 1/8000th Flash Mode – ETTL /M / Multi 1st Curtain Sync / 2nd Curtain Sync FEC / FEB – 1/3rd Increments (±3 stops) Manual Flash – 1/128 – 1/1 output control (1/3rd increments) Flash Zoom 20 – 200mm Radio Master and Slave Modes for the Godox 2.4GHz TTL Radio System Compatible with Godox X1 TTL Transmitter and Receivers S1 and S2 Optic Slave Modes Compatible with Godox FTR-16s RadioReceivers Compatible with Godox FT-16 and Cells IIc Transmitters

X1C Also available for Nikon Godox 2.4GHz RF Radio System Range – 100m + Flash Modes – ETTL / M / OFF HSS to 1/8000th Second Curtain Sync FEC / FEB – 1/3rd Increments (±3 Stops) FEL (Flash Exposure Lock) Manual Flash – 1/128 – 1/1 Output (1/3rd Increments) Remote Flash Zoom GR Group Mode – A / B / C / D / E (5 Groups) Ratio Group Mode – A / B / C 32 Channels Large LCD Display Back Light On-Off Switch Release Port – Output

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Portable Lithium Ion Pure Sine Wave Inverter Specification: Number of Outlets 3.0 AC outlets, 3 USB ports Battery Lithium-ion Battery Capacity 12,000mAh Output Power 750 – 1,400W Peak Input Voltage 110VAC, 60Hz Output Voltage 110VAC, 60Hz Charge Time Approximately 3.0 hours to full charge Operating Temperature (0-40°C) Weight 15 lb (6.8 kg)

AD360-KIT II Max. Power: 360WS Guide No. (m ISO 100, with standard reflector):Standard reflector on WITSTRO flash offer approx. 28mm coverage. Vertical Rotation Angle: -15° to 90° Horizontal Rotation Angle: 0 to 270° Power Supply: GODOX PB960 lithium power pack Full Power Flashes (with PB960 power pack): 450 Recycle Time (with PB960 power pack): Approx. 0.05-4.5s Color Temperature: 5600±200K Flash Duration: 1/300 - 1/10000s

RS600 Max Power - 600WS (true – 500WS) Recycle Time – Aprox 2 – 2.5 seconds at full power Flashes Per Battery Charge – Aprox 450 full power flashes Guide No - 68m ISO 100 Battery - LiFePO4 (12.8V / 8000mAh) Flash Duration - 1/800 to 1/2000 second Modeling Lamp - 12W 12V LED Color Temperature - 5600K ± 200K Voltage of Charger - AC 100 – 240V / 50-60Hz Battery Pack Size - 17 x 8 x 26 cm Pack Net Weight - Approx. 3.9 kg

LP-800X

Propac PB960-G Battery pack - Lithium battery (11.1V/4500mAH) Battery charging time - Approx. 3 hours Flash charging time - Approx. 1 second (full power) Flash time - Approx. 1800 times (full power) Overall dimension - 159 x 133.5 x 49.2mm Weight - 510g

Orbis ring flash The orbis™ transforms the harsh light from your SLR flash gun to create beautiful, shadowless photos quickly and easily. You don’t need any specialised knowledge or technique.

Orbis Arm for Orbis Ring Flash The Orbis Arm provides a solid mount for photographers who want to use their Orbis in its primary ‘ring flash’ position for extended shoots. With the arm you can also easily mount the system on a tripod without using an extra light stand.

FRIO Coldshoe™ The frio™ is the essential adaptor to connect all your favourite hotshoe gear to anything with a 1/4”-20 tripod stud, giving you the freedom to Connect, Combine, Create™.

Light Meters

L-478DR LiteMaster Pro

L-758DR DigitalMaster

Color Touch Screen Interface Still, Cine, Incident, Reflected, Flash Exposure Meter Wireless Flash Power Control Custom Exposure Profiles and Calibration Flash Exposure Analyzing Function Adjustable Menu Navigation Retractable and Removable Lumisphere AAA Battery Power Source

Flash,Ambient,Incident, Reflected Light All-Weather Design Radio Triggering / Includes RT-32CTL Module 14 Custom Settings 1° Spot Measuring Digital Display Pre-Exposure Warning Retractable Lumisphere Analyzing Function With Data Transfer Software

Light Meter

Sekonic’s new LITEMASTER PRO L-478DR meter is the world’s first touchscreen-operated light meter. It has an array of unique, must-have features for both still and motion story tellers.

The Sekonic L-758DR DigitalMaster is the world’s first multi-function light meter that can be programmed to match and be calibrated to the sensitivity of your digital camera sensor or type of film for perfect exposure control.

L-478D LiteMaster Pro

L-758Cine DigitalMaster

Light Meter

Color Touch Screen Interface Still, Cine, Incident, Reflected, Flash Exposure Meter Custom Exposure Profiles and Calibration Flash Exposure Analyzing Function Adjustable Menu Navigation Retractable and Removable Lumisphere AAA Battery Power Source The Sekonic Litemaster Pro L-478D Light Meter is an incident and flash meter featuring a color touch screen interface. The touch screen-based navigation lends itself to a highly intuitive and efficient workflow, allowing you to quickly modify exposure settings and navigate menus. This meter is also highly versatile and capable of measuring flash, incident and reflected light for still, HD video, or cine applications.

The Sekonic L-758Cine DigitalMaster is the ultimate light-measuring tool for cinematographers and videographers as well as digital still shooters. Offering the most extensive range of fps (framesper-second), cine shutter speeds, and shutter angle settings, it meets and exceeds the demands of Professional Cinematographers and Professional Still Photographers. The key to precise lighting and great exposures is understanding the dynamic range of your camera and calibrating your meter to work with it. Long a time-consuming necessity, Sekonic has automated the process to one that takes just minutes. Sekonic’s DTS Version 3.0 enables measuring the dynamic range of your HDSLR or Digital Video Camera and calibrating a Sekonic L-758Cine DigitalMaster meter to that specific data. Precise metering has moved to a new level of excellence.

L-308S Flashmate The pocket-sized Sekonic L-308S Flashmate is the smallest and lightest digital light meter in the Sekonic line-up. It is designed to read ambient or flash exposures in either reflected or incident modes, and it displays accurate exposure readings in full, half, or third-stop increments to mirror the exposure settings of today’s DSLR and film cameras.

C-500 ProDigi Color Serious photographers and cinematographers know that good lighting and proper exposure are more important now than ever. With the higher demands of today’s digital medium, “garbage in” can mean hours of postproduction. They know that color is a critical factor when multiple light sources are involved. Changing reflectors, adding diffusion or adjusting power levels will result in a color temperature change that needs to be corrected. They know that taking the time to do it right is always a good investment because “perfect in” always looks better than an image that has been adjusted.

RT-32CTL

Radio Transmitter Module Compatible with L-358 and L-758 Meters Works with PocketWizard Radio Slaves Supports ControlTL and Standard Channels Selective Quad-Triggering Capable FCC and CE Compliant The Sekonic RT-32CTL Radio Transmitter Module provides wireless triggering capabilities of PocketWizard radios and enabled devices to the Sekonic L-358 and L-758 series light meters. This module installs easily into the rear of the meter to aid in a streamlined flash metering workflow.

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Transceiver

PlusX Transceiver Combination Transmitter and Receiver Combination Transmitter and Receiver 10 Channels with Backlit Channel Dial Auto-Sensing Transceiver Auto-Relay and Transmit Only Modes Side View Design and Internal Antenna Full PocketWizard Compatibility Made in the USA

Combination Transmitter/Receiver High Speed Sync up to 1/8000th Sec. On-Camera Hot Shoe Triggers Flash or Camera 32 Channels, Multi-Zone Triggers All Pocket Wizards Standard Triggering with Most Cameras USB Upgradeable

PLUS III Transceiver

AC9 AlienBees Adapter

Combination Transmitter and Receiver Long Range of 1640’ Frequency: 340-354 MHz (FCC/IC) 32 Channels and Quad-Zone Triggering Auto-Sensing and Auto-Relay Up to 14.5 fps Shooting Side-View Design and LCD Monitor Full Compatibility with Previous Models Runs on Two AA Batteries

Power Control for AlienBees and White Lightning Flashes The AC9 AlienBees Adapter paired with a FlexTT5™ Transceiver enables remote power control of AlienBees or White Lightning flash. With a MiniTT1™ Transmitter or FlexTT5™ Transceiver on your camera, you can now adjust the power settings on your AlienBees or White Lightning flashes from the camera’s position.

MiniTT1 Canon / NIKON On-Camera Hot Shoe 32 Channels, Multi-Zone High Speed Sync up to 1/8000th Sec. Triggers all PocketWizards USB Upgradeable

FlexTT5 Canon / NIKON Combination Transmitter/Receiver High Speed Sync up to 1/8000th Sec. On-Camera Hot Shoe Triggers Flash or Camera 32 Channels, Multi-Zone Triggers All Pocket Wizards Standard Triggering with Most Cameras USB Upgradeable

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AC3 ZoneController for Canon

Power ST4 for Elinchrom RX Receiver Adjust Settings From Camera Position Auto or Manual ISO & Aperture Control Up to 20 ControlTL Channels Possible Compatible With Any PocketWizard Radio Plug Into Elinchrom Flash Remote Socket Programmable and Upgradeable No Batteries Required HyperSync Up to 1/8000s Possible MiniTT1 Trans or FlexTT5 Trans Required

G-Wiz Trunk

Case for Transceiver Protects Radios During Travel For MiniTT1, FlexTT5 & Accessories Customizable Padded Interior Dividers Rip-Stop Nylon Construction Zippered Inside Pocket

G-Wiz Squared Gear Case (Black) Case for Transceiver

Holds 4 Plus III Transceivers Holds Cables Touch Fastened Padded Interior Dividers Inside Zippered Accessory Pocket Three-Sided Top Zipper Opening Snap Closure Attachment Straps Ripstop Nylon Material

C-700 SpectroMaster

Sekonic Spectrometer for Photo/ Video/Cine Measures LED, HMI, and Fluorescent Measures Tungsten, Natural Light, and Flash 4.3” Touchscreen with 9 Display Modes Displays Rosco, Lee, Fuji, Wratten Names Displays CRI, White Balance Compensation Multiple Light Comparison CMOS Sensor and Linear Variable Filter

C-700R SpectroMaster

Tripods

458B NEOTEC PRO Maximum Height Maximum Height w/o Extended Minimum Height Folded Length Load Capacity Weight

156 cm Column 131 cm 10 cm 64 cm 8 kg 2.4 kg

475B DIGITAL PRO Maximum Height Minimum Height Folded Length Load Capacity Weight

188.0 cm 43.2 cm 80.0 cm 12 kg 4.3 kg

MK055XPRO3-3W 055 Alu 3-S Kit 3W Head Maximum Height Minimum Height Folded Length Load Capacity Weight

183.0 cm 9.0 cm 74.0 cm 8 kg 3.5 kg

MK055XPRO3-BH 055 Alu 3-S Kit Ball Head Maximum Height Minimum Height Folded Length Load Capacity Weight

MK190XPRO4-3W

MT055XPRO3

Maximum Height Minimum Height Folded Length Load Capacity Weight

190 Alu 3 Section Kit 3W Head

160 cm 9.0 cm 74.0 cm 7 kg 2.5 kg

MT055CXPRO3 055 Carbon Fibre 3-S Tripod Maximum Height Minimum Height Folded Length Load Capacity Weight

170.0 cm 9.0 cm 61.0 cm 9 kg 2 kg

MK190XPRO3-3W 190 Alu 3 Section Kit 3W Head Maximum Height Minimum Height Folded Length Load Capacity Weight

164 cm 46.5 cm 80 cm 4 kg 2.5 kg

MT055CXPRO4 055 Carbon Fibre 4-S Tripod

183.0 cm 9.0 cm 74.0 cm 8 kg 3.5 kg

Maximum Height Minimum Height Folded Length Load Capacity Weight

170.0 cm 9.0 cm 54.0 cm 9 kg 2.1 kg

055 Alu 3-S Tripod

170.0 cm 9.0 cm 61.0 cm 9 kg 2.5 kg

MT055XPRO3 055 Alu 3-S Tripod

Maximum Height Minimum Height Folded Length Load Capacity Weight

170.0 cm 9.0 cm 61.0 cm 9 kg 2.5 kg

MT190CXPRO3 190 Cf Tripod 3-S Horiz. Col Maximum Height Minimum Height Folded Length Load Capacity Weight

160.0 cm 9.0 cm 61.0 cm 7 kg 1.6 kg

MT190CXPRO4 190 Cf Tripod 4-S Horiz. Col Maximum Height Minimum Height Folded Length Load Capacity Weight

160.0 cm 9.0 cm 52.5 cm 7 kg 1.65 kg

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Tripods

MT190XPRO3

MKCOMPACTACN-BK

Maximum Height Minimum Height Folded Length Load Capacity Weight

Maximum Height maximum height (with centre column down) Minimum Height Closed length Weight

190 Alu Tripod 3-S Horiz. Col

160.0 cm 9.0 cm 59.0 cm 7 kg 2 kg

155 cm 133 cm 44.0 cm 45.3 cm 1.16 kg

MKBFRA4D-BH

Befree Alu GRAY Tripod +Ball head Load Capacity Maximum Height Min Height Folded Length Leg Sections Weight

8.8 lb 56.7” 13.4” 15.75” 4 3 lb

Also Available in Red and White Color

MT190XPRO4 190 Alu Tripod 4-S Horiz. Col Maximum Height Minimum Height Folded Length Load Capacity Weight

160.0 cm 8.0 cm 49.0 cm 7 kg 2.1 kg

MK190XPRO3-BH 190 Kit Alu 3-S Tripod + Ball Maximum Height Minimum Height Folded Length Load Capacity Weight

170.0 cm 9.0 cm 69.0 cm 6 kg 2.4 kg

MK190XPRO4-BH 190 Kit Alu 4-S Tripod + Ball Maximum Height Minimum Height Folded Length Load Capacity Weight

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170.0 cm 8.0 cm 59.0 cm 6 kg 2.5 kg

MKCOMPACTADV-BK

MKBFRA4L-BH

Maximum Height 165 cm maximum height (with centre column down) 140.3 cm Minimum Height 44.5 cm Closed length 44 cm Weight 1.42 kg

Load Capacity Maximum Height Min Height Folded Length Leg Sections Weight

Befree Alu BLUE Tripod +Ball head 8.8 lb 56.7” 13.4” 15.75” 4 3 lb

Also Available in White Color

MKCOMPACTLT-BK

MKBFRA4R-BH

Maximum Height 131 cm maximum height (with centre column down) 103 cm Minimum Height 39 cm Closed length 39.8 cm Weight 0.816 kg

Load Capacity Maximum Height Min Height Folded Length Leg Sections Weight

Befree Alu RED Tripod +Ball head 8.8 lb 56.7” 13.4” 15.75” 4 3 lb

Also Available in Pink, Red and White Color

MKBFRA4-BH

MKBFRA4G-BH

Load Capacity Maximum Height Min Height Folded Length Leg Sections Weight

BeFree Ball Heat Kit

8.8 lb 56.7” 13.4” 15.75” 4 3 lb

Befree Alu GREEN Tripod +Ball head 8.8 lb 56.7” 13.4” 15.75” 4 3 lb

Tripods

MK290LTA3-BH

Alu 3 sec. tripod with ball head Leg Lock Type Flip Lock Closed Length 56 cm Max Height 144 cm Min Height 41 cm Head Type Ball Head Base Type Flat Safety Payload 4 kg

MK290XTA3-2W

MK290DUA3-3W

Leg Lock Type Flip Lock Closed Length 69 cm Max Height 169 cm Min Height 40 cm Head Type Video/Fluid Head Base Type Flat Safety Payload 4 kg Maximum Height (with Center Column Down) 146 cm Weight 2560 g

Leg Lock Type Flip Lock Closed Length 74 cm Max Height 175 cm Min Height 5 cm Head Type 3 Way Head Base Type Flat Safety Payload 4 kg Weight 2590 g

Alu 3 sec. tripod with fluid head

Alu 3 sec. tripod w/ 90°column and 3W head

MK290LTA3-3W

Alu 3 sec. tripod with foldable 3W head Leg Lock Type Flip Lock Closed Length 55 cm Max Height 144 cm Min Height 41 cm Head Type 3 Way Head Base Type Flat Safety Payload 4 kg

MK290XTA3-BH

Alu 3 sec. tripod with ball head Leg Lock Type Flip Lock Closed Length 65 cm Max Height 170 cm Min Height 40 cm Head Type Ball Head Base Type Flat Safety Payload 5 kg Weight 2200 g

MK290XTA3-3W

luminum Tripod with 804 3-Way Pan/ Tilt Head Load Capacity: 8.8 lb Max Height: 67.5” Min Height: 16.5” Folded Length: 27.8” Leg Sections: 3 Weight: 5.6 lb Four Leg Angle Positions RC2 Quick-Release System Pan/Tilt Head with Retractable Handles Shoulder Carrying Bag Included

MK290DUA3-BH MK290XTC3-3W

CARBON Kit, CF 3 sec. tripod with 3W head Leg Lock Type Flip Lock Closed Length 74 cm Max Height 179 cm Min Height 35 cm Head Type 3 Way Head Base Type Flat Safety Payload 4 kg Maximum Height (with Center Column Down) 155,5 cm Weight 2300 g

Aluminum Tripod with Ball Head Load Capacity: 11 lb Max Height: 68.1” Min Height: 2.4” Folded Length: 27” Leg Sections: 3 Weight: 4.1 lb 90° Center Column Tension-Adjustable Flip Locks Rubber Leg Grip Ball Head with Friction Control

MK190GOC4TB-3W CF black 4 Sec w/ Twist Locks & 3 way head

MK290XTC3-BH

CARBON Kit, CF 3 sec. tripod with ball head attachment number 1/4 attachment type centre column rapid closed length 69.5 cm column tube diameter 25mm leg angles 25°.46°.66°.88° leg sections 3 number legs tube diameter 25.3 - 21.7 18.2mm Maximum Height 179.5 cm maximum height (with centre column down) 155.5 cm

Leg Lock Type Twist Lock Closed Length 57 cm Max Height 158 cm Min Height 8 cm Head Type 3 Way Head Base Type Flat Colour Black Safety Payload 4 kg Maximum Height (with Center Column Down) 134,5 cm Weight 2100 g

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Tripods

MK190GOC4TB-BH

CF black 4 Sec w/ Twist Locks & ball head Leg Type Single Leg Lock Type Twist Lock Closed Length 56 cm Max Height 157 cm Head Type Ball Head Base Type Flat Colour Black Safety Payload 6 kg Maximum Height (with Center Column Down) 133 cm Weight 1800 g

MK190GOA4TB-BH Alu black 4 Sec w/ Twist Locks & ball head

Leg Type Single Leg Lock Type Twist Lock Closed Length 55 cm Max Height 156 cm Min Height 7 cm Head Type Ball Head Base Type Flat Safety Payload 6 kg Maximum Height (with Center Column Down) 132 cm Weight 2100 g

MK190GOA4TB-3W Alu black 4 Sec w/ Twist Locks & 3 way head

Leg Type Single Leg Lock Type Twist Lock Closed Length 56 cm Max Height 158 cm Min Height 7 cm Head Type 3 Way Head Base Type Flat Colour Black Safety Payload 4 kg Maximum Height (with Center Column Down) 134 cm Weight 2420 g

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MK190XPRO4-BHQ2

MK190X3-2W

Leg Lock Type Flip Lock Closed Length 60 cm Max Height 171 cm Min Height 8 cm Head Type Ball Head Base Type Flat Colour Black Safety Payload 7 kg Maximum Height (with Center Column Down) 146,5 cm Weight 2550 g

Load Capacity: 8.8 lb Height: 3.9” Weight: 5.8 Pounds Two Tilt Drag Settings Fixed Pan Drag Separate Pan and Tilt Locks QR Plate 3 Section, 2 Stage Aluminum Legs Four Pre-Set Locking Positions Easy Link Accessory Port

Alu 4 Sec Tripod with XPRO Ball Head + 200PL plate

MK190XPRO3-BHQ2 Alu 3 Sec Tripod with XPRO Ball Head + 200PL plate

Leg Lock Type Flip Lock Closed Length 70 cm Max Height 171 cm Min Height 9 cm Head Type Ball Head Base Type Flat Colour Black Safety Payload 7 kg Maximum Height (with Center Column Down) 146,5 cm Weight 2500 g

MK190X3-3W1

Aluminum Tripod with 804 MK II 3-Way Pan/Tilt Head Load Capacity: 8.8 lb Max Height: 67.7” Min Height: 8.27” Folded Length: 27.9” Leg Sections: 3 Weight: 6.2 lb Ground Level Adapter Quick Power Leg Locks Easy Link Attachment 3-Way Pan Tilt Head with QR Plate

Three Section Tripod with MHXPRO-2W Fluid Head

MK055XPRO3-BHQ2 Alu 3 Sec Tripod with XPRO Ball Head + 200PL plate

Leg Lock Type Flip Lock Closed Length 72 cm Max Height 181 cm Min Height 9 cm Head Type Ball Head Base Type Flat Colour Black Safety Payload 8 kg Maximum Height (with Center Column Down) 151,5 cm Weight 3000 g

MT290DUA3

Alu 3 section tripod with 90° column Leg Lock Type Flip Lock Closed Length 62 cm Max Height 165 cm Min Height 6 cm Base Type Flat Colour Black Safety Payload 5 kg Maximum Height (with Center Column Down) 139 cm Weight 1840 g

Tripods

MT290XTC3

CARBON Carbon fiber 3 section tripod Leg Lock Type Flip Lock Closed Length 62 cm Max Height 165 cm Min Height 30 cm Base Type Flat Colour Black Safety Payload 5 kg Maximum Height (with Center Column Down) 142 cm Weight 1540 g

MT190GOC4TB-BH Alu black 4 Sec w/ Twist Locks & ball head

Leg Lock Type Twist Lock Closed Length 55 cm Max Height 156 cm Min Height 7 cm Head Type Ball Head Base Type Flat Colour Black Safety Payload 6 kg Maximum Height (with Center Column Down) 132 cm Weight 2100 g

MKBFRC4-BH

MT290XTA3 Alu 3 section tripod

Leg Lock Type Flip Lock Closed Length 59 cm Max Height 160 cm Min Height 30 cm Base Type Flat Colour Black Safety Payload 5 kg Maximum Height (with Center Column Down) 137 cm Weight 1780 g

MT190X3

Befree One Alu Kit BH Red

Load Capacity: 5.5 lb Max Height: 51.2” Min Height: 19.3” Folded Length: 12.6” Leg Sections: 4 Weight: 2.9 lb Aluminum Construction Flip Locks Single Action Ball Head 200PL Quick Release Plate Included

MT190GOA4TB

190 Go! Alu 4 Sec Tripod Black

Befree CF Tripod+ Ball Head Load Capacity Maximum Height Min Height Folded Length Leg Sections Weight

MKBFR1A4D-BH

8.8 lb 56.7” 13.4” 15.75” 4 2.4 lb

MKBFR1A4B-BH

Load Capacity Max Height Min Height Folded Length Leg Sections Weight 90° Center Column

15.4 lb 57.5” 2.75” 17.7” 4 3.7 lb

Befree One Alu Kit BH Black

MK293C4-D3Q2

Load Capacity 8.82 lb Max Height 58.27” Min Height 15.16” Folded Length 21” Leg Sections 4 Weighs 4 lb Technopolymer Pan/Tilt Head Spirit Levels x3

MKBFR1A4D-BH

MK293A3-D3Q2

Load Capacity: 8.8 lb Max Height: 62.1” Min Height: 17.9” Folded Length: 25.4” Leg Sections: 3 Weight: 4.4 lb 3-Way Quick Release Head Folding Handles for Compact Packing

Kit 293 Carbon + 3Way Qr Head

Aluminum Tripod

Load Capacity: 15.4 lb Max Height: 63” Min Height: 3.5” Folded Length: 23.2” Leg Sections: 3 Weight: 4.4 lb Ground-Level Adapter Quick Power Leg Locks Easy Link Attachment

Befree One Alu Kit BH Grey

Aluminum Tripod with 3-Way Pan/Tilt Head

147

Tripods

058 TRIAUT

MTPIXI-RD

Camera Tripod

Maximum Height 85.4” (217cm) Folded Length 37” (94cm) Load Capacity 26.5 lbs (12kg) Leg Sections 2 Leg Lock Type Quick action triggers Center Brace Yes Level Bubble Spiked Feet Yes Head Type None Head Mount Thread Size 3/8” Weight 13.5 lbs (6.1kg)

MTPIXI-B

Pixi Mini Tripod Black Maximum Height Minimum Height Folded Length Load Capacity Weight

MKPIXIEX-BK

Pixi Mini Tripod Red

13.5 cm 13.5 cm 18.5 cm 1 kg 0.19 kg

Maximum Height Minimum Height Folded Length Load Capacity Weight

13.5 cm 13.5 cm 18.5 cm 1 kg 0.19 kg

Maximum Height Minimum Height Folded Length Load Capacity Weight

13.5 cm 13.5 cm 18.5 cm 1 kg 0.19 kg

Load Capacity: 5.5 lb Max Height: 7.7” Min Height: 2.4” Leg Sections: 2 Weight: 9.4 oz Integrated Ball Head Two Leg Angles 90° Notch

MTPIXIEVO-WH Mini Tripod (White)

MTPIXI-WH

Pixi Mini Tripod White Maximum Height Minimum Height Folded Length Load Capacity Weight

148

13.5 cm 13.5 cm 18.5 cm 1 kg 0.19 kg

Material Adapto, Aluminium Weight 197 g Safety Payload 1 kg Max Height 16 cm

Mini Tripod (Black)

Mini Tripod (Red)

Pixi Mini Tripod Pink

MTPIXIEVO-BK

MTPIXIEVO-RD MTPIXI-PK

Mini Tripod Black with tripod mount adaptor for GoPro

Load Capacity: 5.5 lb Max Height: 7.7” Min Height: 2.4” Leg Sections: 2 Weight: 9.4 oz Integrated Ball Head Two Leg Angles 90° Notch

MKPIXICLAMP-BK Mini Tripod Black with Universal Smartphone Clamp

Material Aluminium Collection/Series Pixi Colour Black Weight 215 g Safety Payload 1 kg Max Height 208 cm lateral tilt -35° / +35° Panoramic Rotation 360 Front Tilt -35° / +35°

MCLAMP

Universal Smartphone Clamp with ¼ thread connections

Material Technopolymer Collection/Series Pixi Colour Black Weight 27 g Safety Payload 1 kg Max Height 10 cm

Tripods

685B NEOTEC

Maximum Height 57.2” (145.5 cm) Minimum Height 15.35” (39 cm) Folded Length 15.35” (39 cm) Load Capacity 3.31 lb (1.5 kg) Weight 0.64 lb (0.29 kg)

Maximum Height 66.9” (169.9 cm) Folded Length 29.3” (74.4 cm) Load Capacity 17.6 lbs (8 kg) Weight 2.4 lbs (1.1 kg)

MMXPROA3

MMXPROA5

Load Capacity: 22.05 lb Max Height: 62.99” Closed Length: 24.8” Sections: 3 Weight: 1.54 lb Aluminum Construction Rubber Grip, Wrist Strap Flip-Lock Leg Sections

Load Capacity: 13.2 lb Max Height: 55.5” Closed Length: 16.3” Sections: 5 Weight: 1.5 lb Aluminum Construction Rubber Grip, Wrist Strap Flip-Lock Leg Sections

Compact Monopod Grey

MM290A4 Alu Monopod

Leg Lock Type Closed Length Max Height 151 cm Min Height 49 cm Base Type Flat Colour Black Safety Payload Weight 540 g

MMC3-02

Flip Lock 49 cm

5 kg

Aluminum Monopod

MM290C4 Carbon Monopod

Leg Lock Type Closed Length Max Height 151 cm Min Height 49 cm Base Type Flat Colour Black Safety Payload Weight 500 g

Flip Lock 49 cm

5-Section Aluminum Monopod

MMXPROC4 MMXPROA3B Aluminum Monopod

5 kg

Monopod W/Safety Lock

4-Section Carbon Fiber Monopod

Aluminum Construction 22.05 lb Load Capacity 26.2” - 66.14” Extension Integrated Free-Standing Base Rubber Grip, Wrist Strap Flip-Lock Leg Sections

Load Capacity: 11 lb Max Height: 64.6” Closed Length: 21.06” Sections: 4 Weight: 1.3 lb Carbon Fiber Construction Rubber Grip, Wrist Strap Flip-Lock Leg Sections

MMXPROA4

MMXPROC5

MPCOMPACT-BK Black 2-in-1 (monopod+pole)

Material Technopolymer, Aluminium Collection/Series Compact Xtreme Colour Black Weight 322 g Safety Payload 1 kg Max Height 131 cm

Aluminum Monopod

Load Capacity: 17.6 lb Max Height: 70.87” Closed Length: 22.4” Sections: 4 Weight: 1.65 lb Aluminum Construction Rubber Grip, Wrist Strap Flip-Lock Leg Sections

5-Section Carbon Fiber Monopod Load Capacity: 11 lb Max Height: 69.2” Closed Length: 19.4” Sections: 5 Weight: 1.4 lb Carbon Fiber Construction Rubber Grip, Wrist Strap Flip-Lock Leg Sections

149

Tripods

244MICRO

244MICRO FRICTION ARM 15CM

345 TABLE TOP KIT Maximum Height 17.4” (44.3cm) Folded Length 7.48” (190mm) Load Capacity 4.4 lbs (2kg) Weight 10.6 oz (300g)

432-3.7 AUTOPOLE 2

Two position variable thrust. Extends from 210cm to 370cm

Versatile 15cm (5.9”) friction arm with interchangeable 1 /4” attachments and additional 3/8’’ adapter included. Attachments can easily be replaced by using the included hex key included and are compatible with a range of different adapters.

244MICROKIT

Friction arm with Anti-rotation attachment and Nano Clamp

Attachment 3/8” thread female Top Attachment 3/8” thread female with AR Max Length 15 Max Diameter 35 Min Diameter 13 Weight 315 g Material Steel, Aluminium

MMCOMPACT-BK Closed length Maximum Height Minimum height Weight

39.0 cm 145.5 cm 39.0 cm 0.33 kg

Also Available in Red, White and Pink Color

143S FLASH SHOE, 1/4” MALE ATTCHMNT

244MINI

244MINI FRICTION ARM 24CM

Versatile 24cm (9.4 “) friction arm with 1 /4” attachments on both ends and additional 3/8’’ adapter included. Attachments can easily be replaced by using the included hex key and are compatible with a range of different adapters.

MMCOMPACTADV-BK Closed length Maximum Height Minimum height Weight

41.5 cm 155.6cm 41.5cm 0.35 kg

Also Available in White Color

150

244ADPT-HS 244ADPT HOTSHOE

Hot shoe adapter compatible with the following friction arms: 244Mini Friction Arm, 244 Micro Friction Arm, 244 Micro Friction Arm with Anti-rotation. The adapter can be replaced using included the hex key.

244ADPT3814 244ADPT 3/8 1/4

3/8’’ & ¼’’ adapters compatible with the following friction arms: 244Mini Friction Arm, 244 Micro Friction Arm, 244 Micro Friction Arm with Anti-rotation. The adapter can be replaced using the included hex key.

Tripods

MB MBAG70N

Tripod Bag Unpadded 70cm Internal Base Diameter 13.5 cm Internal Head Diameter 13.5 cm Internal main compartment length(L) 68 cm Weight 0.270 kg External Length(L) 70 cm External Base Diameter 15.5 cm External Head Diameter 15.5 cm weight 0.3 kg

MB MBAG80N

Tripod Bag Unpaded 80cm Internal Base Diameter 12 cm Internal Head Diameter 21 cm Internal main compartment length(L) 77 cm Weight 0.500 kg External Length(L) 80 cm External Base Diameter 15 cm External Head Diameter 23 cm weight 0.475 kg

MB MBAG90PN

Tripod Bag Padded 90cm Internal Base Diameter 18 cm Internal Head Diameter 23 cm Internal main compartment length(L) 85 cm Weight 1.500 kg External Length(L) 90 cm External Base Diameter 20 cm External Head Diameter 25 cm weight 0.97 kg

MB MBAG120PN Bag Padded 120CM

Internal Base Diameter 18 cm Internal Head Diameter 23 cm Internal main compartment length(L) 115 cm Weight 1.150 kg External Length(L) 120 cm External Base Diameter 20 cm External Head Diameter 25 cm weight 1.17 kg

MB MBAG100PN Tripod Bag Padded 100CM

Internal Base Diameter 18 cm Internal Head Diameter 23 cm Internal main compartment length(L) 95 cm Weight 0.900 kg External Length(L) 100 cm External Base Diameter 20 cm External Head Diameter 25 cm weight 0.97 kg

MB MBAG100PNHD MB MBAG80PN

Tripod Bag Padded 80cm Internal Base Diameter 15 cm Internal Head Diameter 21 cm Internal main compartment length(L) 76 cm Weight 0.500 kg External Length(L) 80 cm External Base Diameter 17 cm External Head Diameter 23 cm weight 0.63 kg

TRIPOD BAG PADDED 100CM

Internal Base Diameter 22 cm Internal Head Diameter 25 cm Internal main compartment length(L) 98 cm Weight 1.130 kg External Length(L) 102 cm External Base Diameter 24 cm External Head Diameter 27 cm weight 1.08 kg

151

Heads

MHXPRO-3WG 3-Way Pan/Tilt Head Load Capacity: 8.8 lb Max Height: 5.1” Weight: 1.7 lb Micrometric Knobs Front Tilt: -20° / +90° Lateral Tilt: -90° / +30° Panning Range: 360° 200PL Plate Included

804RC2 plate type quick release - with 1/4-20” screw quick release yes secondary safety system yes load capacity 4 kg weight 0.75 kg working height 12.0

322RC2

MLBALL

Lumie Series Ball Head Mount Secures Lumie LED to a Camera Shoe 360° Pan, 35° Tilt Friction Dampened Mechanism 1/4”-20 Tapped for Alternate Mounting

plate type 200PL-14 quick release yes secondary safety system yes load capacity 5 kg weight 0.7 kg working height 10.3

496RC2

Compact Ball Head plate type quick release load capacity weight working height

200PL-14 yes 6 kg 0.42 kg 10.0 cm

405 GEARED HEAD plate type 410PL quick release yes secondary safety system yes load capacity 7.5 kg weight 1.6 kg working height 16.0

Grip Action Ball Head

460MG

MH055M8-Q5

Magnesium Photo-Movie Head with Q5 Quick Release front tilt -90° / +90° head bowl 60mm lateral tilt +90° / -20° tilt range material magnesium panoramic rotation 360 degrees load capacity 7 kg weight 1280 g working height 135.0 mm

Magnesium Camera Head plate type 200PL-14 quick release yes secondary safety system yes load capacity 3 kg weight 0.43 kg working height 10.5

494RC2

Mini Ball Head

468MGRC4 Hydrostatic Ball Head Rel.rc4 plate type 410PL quick release yes secondary safety system yes load capacity 16 kg weight 0.73 kg working height 12.0

152

492 MICRO BALL HEAD plate type fixed - with 1/4-20” screw quick release no load capacity 2 kg weight 0.14 kg working height 6.0 cm

plate type quick release load capacity weight working height

200PL-14 yes 4 kg 0.32 kg 8.5 cm

Heads

303SPH

MH057M0

plate type 375PLV quick release yes secondary safety system yes load capacity 4 kg weight 2.43 kg working height 32.0

Load Capacity: 33 lb Quick Release with Camera Plate Working Height: 6” Weight: 3 lb Adjustable Tension 360° Pan with Independent Pan Lock 3 Spirit Levels Portrait Angle Selector

MH057A5

MHXPRO-2W

Virtual Reality Sph/Cubic Head

Virtual Reality and Panoramic Head (Sliding) Sliding Panoramic Head Includes 300N Panoramic Unit Sequential Shots Around Single Axis Sliding Horizontal/Vertical Plates Engraved Index Rules for Repositioning Quick-Release Elbow Bracket Works With Most 35mm Film/Digital Lenses

MHXPRO-3W X-Pro 3-Way Head

lateral tilt -30° / +90° tilt range head tilt material magnesium panoramic rotation 360 ° plate type quick release - with 1/4-20” screw quick release yes load capacity 8 kg weight 1 kg working height 13.0 cm

Ball Head with Q5 Quick Release

MHXPRO-BHQ6

Ball Head with Top Lock Quick-Release System Load Capacity: 33 lb Quick Release with Camera Plate Working Height: 6” Weight: 3 lb Adjustable Tension 360° Pan with Independent Pan Lock 3 Spirit Levels Portrait Angle Selector

2-Way Pan/Tilt Head

Load Capacity: 8.8 lb Height: 3.9” Weight: 1.7 lb Hard and Soft Fluidity Tilt Levels Separate Pan and Tilt Locks QR Plate

MHXPRO-BHQ2

Ball Head with 200PL Quick-Release System Load Capacity: 22 lb Max Height: 4.5” Weight: 1.1 lb 360° Pan with Independent Pan Lock Friction Control Two Bubble Levels Numbered Panning Scale

153

Camera Cases

MB MA-BP-A2 ACTIVE BACKPACK II

Holds DSLR, 3 Lenses, Flash Fits 15” Laptop or Select 17” Models Removable Camera Insert Red Rigid Interior Dividers External Tripod Connection Water-Repellent Materials Rear Trolley Strap Removable Rain Cover

MB MA-BP-A1 ACTIVE BACKPACK I

Holds DSLR, 3 Lenses, Flash Accommodates 15” Laptop Removable Camera Insert Red Rigid Interior Dividers External Tripod Connection Water-Repellent Materials Rear Trolley Strap Removable Rain Cover

MB MA-BP-GPL GEAR BACKPACK L

A compact camera backpack that opens fully to reveal your protected kit Padded compartment totally dedicated to camera gear, adjustable shoulder straps Space on the flap for accessories and day essentials. Suitable for DSLR, lenses and accessories, depending on the size Front organized pocket for smartphone, wallet, etc

Holds Pro DSLR Attached Lens, 2 Lenses Front Pouch with Organizer Rigid Interior Dividers Side Tripod Attachment Water-Repellent Nylon Rear Trolley Strap Removable Rain Cover

MB MA-BP-GPM GEAR BACKPACK M

Holds DSLR, 70-200 Lens, 3 Lenses, Flash Front Pouch with Organizer Rigid Interior Dividers Side Tripod Attachment Water-Repellent Nylon Rear Trolley Strap Removable Rain Cover

154

Holds DSLR with Lens & Accessories Padded Interior Dividers Dual Exterior Side Zip Pockets Front Interior Pocket Two Interior Memory Card Pockets Water-Repellent Materials Detachable Shoulder Strap Removable Rain Cover

TRI BACKPACK S

Holds DSLR, 3 Lenses, Flash Interchangeable Shoulder Straps Reversible Quick-Access Panel Rigid Interior Dividers Front Tripod Attachment Water-Repellent Materials Detachable Rain Cover

Active Shoulder Bag I GEAR BACKPACK S

Active Shoulder Bag V

MB MA-BP-TS

MB MA SB-A1 MB MA-BP-GPS

MB MA SB-A5

Holds Mirrorless & 2 Lenses Access Flap Opens Away From Wearer Zipper Closure Padded Top Handle Detachable Shoulder Strap Nylon Construction

MB MA SB-A3 Active Shoulder Bag II

Holds Small DSLR & 2 Lenses Access Flap Opens Away From Wearer Zipper Closure Padded Top Handle Detachable Shoulder Strap Nylon Construction

MB MA SB-A6 Active Shoulder Bag VI

Holds DSLR, up to 3 Lenses & Accessories Padded Touch-Fastening Dividers Lightweight 10.2 oz Top Access Flap Opens Away from Wearer Zippered Closure Zippered, Exterior Side Pockets Accessory Pocket Underneath Top Lid Padded Top Handle Removable Shoulder Strap Rain Cover

MB MA SB-A7 Active Shoulder Bag III

Holds Medium DSLR & 2 Lenses Access Flap Opens Away From Wearer Zipper Closure & 2 Side Pockets Padded Top Handle Detachable Shoulder Strap Nylon Construction

Camera Cases

MB MA-BP-TL Tri Backpack L

Holds DSLR/Grip, 70-200, 5 Lenses, Flash Accommodates 15” Laptop Interchangeable Shoulder Straps Reversible Quick-Access Panel Rigid Interior Dividers Front Tripod Attachment Water-Repellent Materials Detachable Rain Cover

MB MA-H-S Holster S

Holds DSLR & Attached Kit Lens Dual Interior Memory Card Pockets Two Exterior Zippered Side Pockets Water-Repellent Nylon Removable Shoulder Strap Detachable Rain Cover Rear Belt Strap

MB MA-BP-TM Tri Backpack M

Holds DSLR, Grip, 5 Lenses, Flash Accommodates 11” Laptop Interchangeable Shoulder Straps Reversible Quick-Access Panel Rigid Interior Dividers Front Tripod Attachment Water-Repellent Materials Detachable Rain Cover

MB MA-H-L Holster L

Holds DSLR & Attached 70-200mm Lens Dual Interior Memory Card Pockets Two Exterior Zippered Side Pockets Water-Repellent Nylon Removable Shoulder Strap Detachable Rain Cover Rear Belt Strap

MB MA-H-M Holster M

Holds DSLR & Attached Wide-Angle Lens Dual Interior Memory Card Pockets Two Exterior Zippered Side Pockets Water-Repellent Nylon Removable Shoulder Strap Detachable Rain Cover Rear Belt Strap

MB MP-BP-30BB

MB MP-BP-50BB Backpack 50

For 2 DSLRs,Grip,70-200, 5 Lenses, Flash Accommodates 15” Laptop & Tablet Multi-Layered Impact Protection Rigid Padded Interior Dividers Water-Repellent Cordura Nylon Front & Side Tripod Attachments Two QR Belts for Securing Tripods Rear Trolley Sleeve Removable Rain Cover

MB MP-H-20BB Holster Plus 20

Holds DSLR, 24-70 f/2.8 Lens, Flash Multi-Layered Impact Protection Red Rigid Dividers Provide Structure Two Exterior Side Zip Pockets Water-Repellent Materials Detachable Adjustable Shoulder Strap Removable Rain Cover

Backpack 30

MB MP-H-30BB

For 2 DSLRs,Grip,70-200, 3 Lenses, Flash Accommodates 13” Laptop & Tablet Multi-Layered Impact Protection Rigid Padded Interior Dividers Water-Repellent Cordura Nylon Front & Side Tripod Attachments Two QR Belts for Securing Tripods Rear Trolley Sleeve Removable Rain Cover

Fits DSLR, Grip, 24-70 f/2.8 Lens, Flash Multi-Layered Impact Protection Red Rigid Dividers Provide Structure Two Exterior Side Zip Pockets Water-Repellent Materials Detachable Adjustable Shoulder Strap Removable Rain Cover

Holster Plus 30

155

Camera Cases

MB MP-RL-50BB Roller Bag 50

Holds 2 DSLRs, 7 Lenses, 2 Flashes Accommodates 15” Laptop & Tablet Multi-Layered Impact Protection Red Rigid Dividers Provide Structure Side Zippered Pouch & Pocket External Tripod Connection Rain Cover Fits Attached Tripod Water-Repellent Cordura Nylon Retractable Trolley Handle Top, Side & Base Grip Handles

MB MP-RL-70BB ROLLER BAG 70

Holds 2 DSLRs, 8 Lenses, 2 Flashes Accommodates 17” Laptop & Tablet Multi-Layered Impact Protection Red Rigid Dividers Provide Structure Side Zippered Pouch & Pocket External Tripod Connection Rain Cover Fits Attached Tripod Water-Repellent Cordura Nylon Retractable Trolley Handle Top, Side & Base Grip Handles

156

MB MP-S-30BB

MB MP-SB-10BB

Sling 30

Shoulder Bag 10

Fabric/Nylon Designed for Pro DSLR with battery grip and 70-200 F/2.8 lens attached, additional camera body, 3 extra lenses, flash, 13” laptop and accessories. Padded compartment for 13” laptop. CPS - Camera Protection System Removable rain cover Exo-tough multi-layered construction for higher protection

Holds DSLR, 2 Lenses, Flash Accommodates Tablet Expandable Side Pouch Holds DSLR Body Quick-Access Top Zipper Multi-Layered Impact Protection Rigid Padded Interior Dividers Water-Repellent Cordura Nylon Rear Trolley Strap Removable Shoulder & Hand Straps Detachable Rain Cover

MB MP-S-50BB

MB MP-SB-20BB

Sling 50

Shoulder Bag 20

The Sling Bag 50 is a professional sling designed to hold a pro DSLR with battery grip and 70-200 F/2.8 lens attached, 2-3 extra lenses, a tablet, tripod and more. It features the CPS Camera protection System - and the Exo-tough multi-layered construction to give the maximum protection.

For DSLR, 70-200 Lens, 3 Lenses, Flash Accommodates Tablet Expandable Side Pouch Holds DSLR Body Quick-Access Top Zipper Multi-Layered Impact Protection Rigid Padded Interior Dividers Water-Repellent Cordura Nylon Rear Trolley Strap Removable Shoulder & Hand Straps Detachable Rain Cover

Pro - Light Collection

Camera Cases

Whenever your passion leads you far, travel light.

MB PL-CC-193

Pro Light Video Camera Case Color Black Type of Closure Zippers Carrying/Transport Options Shoulder strap Top handle Bottom trolley straps Exterior Dimensions 22.44 x 10.24 x 12.20” (57 x 26 x 31 cm) Interior Dimensions 20.47 x 8.66 x 8.66” (52 x 22 x 22 cm) Weight 3.77 lb (1.71 kg)

MB PL-CC-195

Pro Light Video Camera Case Color Black Type of Closure Zippers Carrying/Transport Options Shoulder strap Top handle Bottom trolley straps Exterior Dimensions 25.20 x 12.20 x 13.39” (64 x 31 x 34 cm) Interior Dimensions 22.83 x 10.63 x 9.45” (58 x 27 x 24 cm) Weight 4.74 lb (2.15 kg)

MB PL-CC-197

Pro Light Video Camera Case Color Black Type of Closure Zippers Carrying/Transport Options Shoulder strap Top handle Bottom trolley straps Exterior Dimensions 27.56 x 14.17 x 13.39” (70 x 36 x 34 cm) Interior Dimensions 25.98 x 11.42 x 10.24” (66 x 29 x 26 cm) Weight 5.67 lb (2.57 kg)

MB PL-3N1-35

MB PL-MTP-120

Pro Light Camera Backpack

Internal laptop compartment height 40 cm Internal laptop compartment length 27 cm Internal laptop compartment width 4 cm Internal main compartment height(H) 32 cm Internal main compartment length(L) 28 cm Internal main compartment width(W) 16 cm weight 1.970 kg External Height(H) 46 cm External Length(L) 33 cm External Width(W) 27 cm weight 1.99 kg Color black

Internal laptop compartment height 40 cm Internal laptop compartment length 29 cm Internal laptop compartment width 3.5 cm Internal main compartment height(H) 40 cm Internal main compartment length(L) 29 cm Internal main compartment width(W) 17 cm weight 1.780 kg External Height(H) 44 cm External Length(L) 33 cm External Width(W) 27 cm weight 1.87 kg Color black

MB PL-B-220

Pro Light Camera Backpack Internal laptop compartment height 48 cm Internal laptop compartment length 32 cm Internal laptop compartment width 4 cm Internal main compartment height(H) 50 cm Internal main compartment length(L) 32 cm Internal main compartment width(W) 18 cm weight 2.940 kg External Height(H) 52 cm External Length(L) 34 cm External Width(W) 28 cm weight 2.97 kg Color black

CRC-15

Pro Light Video Camera Raincover for Small Camcorder / DSLR Rig (Black) Waterproof RipStop Fabric Fits Sony PXW-Z100 or Similar Size Model Fits DSLRs with Small Video Rig Clear TPU Vinyl Windows Microphone & Viewfinder Sleeves Full Bottom Opening Drawstring Closures

157

Camera Cases

Pro - Light Collection

Whenever your passion leads you far, travel light.

MB PL-MB-120

MB PL-AH-16

Pro Light Camera Backpack Internal laptop compartment height 34 cm Internal laptop compartment length 26 cm Internal laptop compartment width 4 cm Internal main compartment height(H) 43 cm weight 2.050 kg External Height(H) 46.5 cm External Length(L) 32 cm External Width(W) 28 cm weight 2.08 kg Color black

Pro Light Access Camera Holster

MB PL-R-8

Pro Light Camera Backpack Internal laptop compartment height 38 cm Internal laptop compartment length 28 cm Internal laptop compartment width 3 cm Internal main compartment height(H) 28 cm Internal main compartment length(L) 28 cm Internal main compartment width(W) 11 cm weight 1.780 kg External Height(H) 49 cm External Length(L) 33 cm External Width(W) 25 cm weight 1.79 kg Color black

MB PL-PV-610

Pro Light Video Backpack Internal laptop compartment height 46 cm Internal laptop compartment length 32 cm Internal laptop compartment width 4 cm Internal main compartment height(H) 60 cm Internal main compartment length(L) 31 cm Internal main compartment width(W) 23 cm weight 3.700 kg External Height(H) 64 cm External Length(L) 34.5 cm External Width(W) 31 cm weight 3.75 kg Color black

158

MB PL-AH-14

Pro Light Access Camera Holster Color black External Height(H) 28 cm External Length(L) 21 cm External Width(W) 13.5 cm Internal main compartment height(H) 26 cm Internal main compartment length(L) 19 cm Internal main compartment width(W) 11.5 cm weight 0.470 kg weight 0.47 kg

Color black External Height(H) 28 cm External Length(L) 25 cm External Width(W) 18 cm Internal main compartment height(H) 27 cm Internal main compartment length(L) 23 cm Internal main compartment width(W) 16 cm weight 0.570 kg weight 0.58 kg

MB PL-LW-97W

Pro Light Rolling Camera Organizer Color black External Height(H) 100 cm External Length(L) 44 cm External Width(W) 30 cm Internal main compartment height(H) 94 cm Internal main compartment length(L) 40 cm Internal main compartment width(W) 24 cm weight 5.870 kg weight 5.9 kg

MB PL-LW-99

Pro Light Rolling Camera Organizer Color black External Height(H) 114 cm External Length(L) 45 cm External Width(W) 30 cm Internal main compartment height(H) 108 cm weight 6.430 kg weight 6.52 kg

Camera Cases

MB SV-SB-10BB Amica 10 Shoulder Blk. Stile P

The Amica-10 is a stylish shoulder bag for everyday use, which is extra padded to offer superior protection for your Mirrorless camera with attached zoom lens and additional pancake lens.

MB SV-SB-30BB Amica 30 Shoulder Blk. Stile P

The Amica-30 is a stylish shoulder bag for everyday use, which is extra padded to offer superior protection for your compact DSLR with kit lens and additional standard zoom lens. Easily accessible pockets – inside and out help organize photographic accessories, as well as smartphone, keys, pens etc.

MB SV-SB-50BB

MB MS-BP-IGR

Manfrotto Protection System Perfect for DSLR and 2 additional lenses Extra pockets for accessories Top opening for fast access Adjustable Shoulder Strap

Holds DSLR body, 3 Lenses, & Accessories Dedicated Compartment for 15” Laptop Removable Camera Compartment Multiple Zippered Pockets Exterior Tripod Hanging Solution Padded Back Panel & Adjustable Straps Top Grab Handle Smart Sleeve Acts as Trolley Transport

Amica 50 Shoulder Blk. Stile P

MB H-M-E Essential Holster

Colour Device Material Water resistant Storage pockets Closure

Black DSLR Nylon Yes 1 Zip

MB SB-M-E

Essential Shoulder bag

MB SV-SB-20BB

Amica 20 Shoulder Blk. Stile P The Amica-20 is a stylish shoulder bag for everyday use, which is extra padded to offer superior protection for your Mirrorless camera with attached zoom lens and additional lens, or compact DSLR with kit lens.

MB SV-SB-10BI

Manfrotto Amica 10 Shoulder Blue Stile Plus The Amica-10 shoulder bag is a stylish camera bag, extra padded to protect a Mirrorless camera with attached zoom lens and additional pancake lens. The Amica has easily accessible pockets – inside and out - in which to organize photographic accessories, as well as smartphone, keys, pens etc.

Street Backpack

Compatible products DSLR Material Nylon Colour Black Camera / lens compartments 1 Closure mechanism Zip Carry handle Yes Shoulder strap Yes Other features Weather resistant Accessories included Shoulder strap Weight 320 g

MB MS-M-IGR Street Messenger

Holds DSLR, 2 Lenses, Accessories Dedicated Compartment for 13” Laptop Removable Camera compartment Top Quick Zippered Opening Multiple Zippered Pockets Adjustable, Padded Shoulder Strap Back Grab Handle

MB MS-SB-IGR Street Shoulder Bag

Holds DSLR Camera & Two Lenses Rigid Padded Interior Divider Quick Access Top Zipper Adjustable, Detachable Shoulder Strap Back Carry Handle

MB BP-E

Essential Backpack Compatible products - DSLR - Compact system camera - Bridge camera - Camcorder - Accessories Camera / lens compartments 2 Closure mechanism Zip Carry handle Yes Shoulder strap Yes Other features Weather resistant

MB MS-H-IGR Street Holster

Fits DSLR & Attached Standard Zoom Lens Multi-Layered Impact Protection Interior Slip Pocket for Memory Cards Detachable, Adjustable Shoulder Strap Top Carry Handle Rear Secure Belt Loop Connection

159

Camera Cases

Stylish. Every day.

MB NX-P-IGY Next Pouch Grey

Manfrotto Protection System Perfect for Compact System Camera Quick access Easy carrying Compact size *Also Available Blue & Bordeaux

MB NX-SB-IGY

Next Grey Shoulder Bag for CSC with additional lens Manfrotto Protection System Perfect for CSC and additional lens Back pocket for accessories Easy access Back handle for easy carrying *Also Available Blue & Bordeaux

MB NX-BB-IGY

Next Grey Bodypack for Compact System Camera and personals Manfrotto Protection System Removable padded compartment for CSC and additional lens Multiple access point Extra rooms for personals Quick access to all compartments *Also Available Blue & Bordeaux

MB NX-P-IGY

MB NX-SB-IIBU

MB NX-S-IBU

Manfrotto Protection System Perfect for Compact System Camera Top fast opening for easy access Extra pockets for accessories Back handle for easy carrying

Manfrotto Protection System Perfect for DSLR and additional lens Back pocket for accessories Easy access Back handle for easy carrying

*Also Available Grey & Bordeaux

Manfrotto Protection System Removable padded compartment for DSLR and additional lens Extra rooms for personals Easy carrying Dedicated laptop compartment

*Also Available Grey & Bordeaux

Next Blue Holster for Compact System Camera

MB NX-H-IIBX

Next Bordeaux Holster for DSLR camera Manfrotto Protection System Perfect for DSLR Top fast opening for easy access Extra pockets for accessories Back handle for easy carrying *Also Available Grey & Blue

Next Blue Shoulder Bag for DSLR camera with additional lens

MB NX-M-IBX

Next Bordeaux Messenger Bag for DSLR with add. lens and personals Manfrotto Protection System Removable padded compartment for DSLR and additional lens Extra rooms for personals Top opening for fast access Dedicated laptop compartment *Also Available Grey & Blue

160

Next Blue Blue Sling for DSLR camera and personals

*Also Available Grey & Bordeaux

MB NX-BP-VBX

Next Bordeaux Backpack for DSLR camera, laptop and personal gear Manfrotto Protection System Perfect for DSLR with kit lens plus 2 additional lens and accessories External Tripod Connection Dedicated laptop Compartment Extra rooms for personals *Also Available Grey & Blue

Off Road

Camera Cases

A World of Solutions for the Outdoors

MKOFFROADB

Off Road Tripod Blue *Also Available Green & Red Load Capacity: 5.5 lb Max Height: 40” Min Height: 21.5” Folded Length: 24” Leg Sections: 3 Weight: 1.4 lb Ball Head with Single Locking Knob Bubble Level

MMOFFROADG

Off Road Walking Stick Green *Also Available Blue & Red Load Capacity: 5.5 lb Max Height: 52.1” Min Height: 23.4” Leg Sections: 3 Weight: 12.8 oz One Stick Doubles as Monopod Spikes, Rubber Feet, and Baskets

MB OR-BP-30GY

Hiker 30L Grey *Also Available Green & Blue

Holds DSLR, 70-200 Zoom and Extra Lens Removable Photo Insert with Zipper Movable Touch-Fastening Dividers Large Top-Flap for Weather Protection Protective Rain Cover Included Two Adjustable Shoulder Straps Padded Adjustable Waistband for Comfort Waist Band Pocket for Smartphone Padded Nylon Mesh to Reduce Moisture

MB OR-BP-20RD HIKER 20L RED

The new Off road Hiker 20L has been specifically designed for hiking and photography with quick side- access to your camera. Thanks to the Manfrotto Protection System, the removable camera case is highly protective. It holds a midsize DSLR with kit lens and an additional lens. The backpack converts into a total hiking backpack by unzipping the internal divider and removing the camera bag. The innovative camera strap featured on the front of the backpack allows the camera to be kept secure on the chest when it is carried, avoiding neck strain. The bag has been designed with high-quality premium materials and careful attention to ergonomics and comfort.

MPOFFROADS-GP

Off Road Pole Small With Gopro® Mount *Also Available Green Material Glass Fiber Weight 70 g Safety Payload 1 kg Max Height 58 cm

MLOFFROAD

Off road Led Light & Bracket

Material Aluminium Collection/Series Offroad ThrilLED Weight 120 g Battery Type Built in Lithium Battery Life 35 minutes at max brightness Beam Angle 60 Mounting Method 1/4’’

MPOFFROADM-BH

Off Road Pole Medium With Ball Head *Also Available Blue Material Glass Fiber Weight 120 g Safety Payload 1 kg Max Height 90 cm

161

Camera Cases

NG A5270 Designed to carry and protect a D-SLR camera or camcorder with media and accessories. A padded rear compartment can hold a laptop computer with a screen up to 15.4”. A lower padded compartment holds the camera or camcorder gear.

NG A2210 Designed to quickly draw various types of cameras at any time. There are 2 halfway (half-size) modular dividers that can be used to customize the interior.

Designed to carry and protect a D-SLR camera or camcorder with media accessories in a removable padded insert. It also holds a netbook computer with a screen up to 9.0” in a padded compartment.

162

DSLR camera or camcorder Medium Handle, thick shoulder strap or rear trolley strap

NG A1212

NG A4470

Designed to carry and protect a small point-and-shoot camera or micro camcorder with accessories and media. The gear is carried in a padded main compartment.

External dimensions: width 25 × depth 7 × height 15cm Inside dimension: Width 14 × depth 5 × height 13cm Weight: 0.42kg Accessory functions, features water-repellent Color Brown Shape West Size 0.9L Capacity 0.9L

NG A5250 NG A2540

NG A2560

Designed to carry and protect professional or amateur camera gear and accessories. There is a rear padded compartment that can hold a laptop with a screen up to 15.4”. A front compartment holds pockets for accessories.

NG 4475 External dimensions: width 25 × depth 7 × height 15cm Inside dimension: Width 14 × depth 5 × height 13cm Weight: 0.42kg Accessory functions, features water-repellent Color Brown Shape West Size 0.9L Capacity 0.9L

Camera Cases

Discover the new Africa Bags NG A2140

NG A4567

The Midi Satchel Bag has a big dedicated photographic compartment to hold your DSLR camera, additional lenses, accessories and also a tablet.

The Sling Bag will protect your pointand-shoot or compact system camera, with small accessories. This bag is very small and comfortable for everyday use: it has two small pockets on the strap and an additional front pocket to hold your smartphone and personal belongings.

MIDI SATCHEL

NG A8121 TOTE BAG

The Medium Tote Bag has a lot of space for personal belongings and small photographic equipment such as pointand-shoot and compact system cameras and small accessories as well as tablet and laptop.

SMALL SLING BAG

NG A4569

BACKPACK/SLING BAG The Backpack and Sling Bag will protect your point-and-shoot or compact system camera, with small accessories. This bag is very comfortable for everyday use: can be worn either as a backpack or a sling bag depending on the occasion and preference.

NG A5280 SMALL BACKPACK The Small Backpack will carry all your essentials in the upper part thanks to a removable and hidden pocket that divides the bag in two. Your photographic or video equipment, such as DSLR, additional lenses and accessories, will be safely protected in a dedicated compartment, easily accessible via the front pocket. You can also find room for your tripod and laptop. Moreover, you will find a lot of hidden pockets both outside and inside your bag.

NG A5290

Medium Backpack The Medium Backpack will carry all your essentials in the upper part thanks to a removable and hidden pocket that divides the bag in two. Your photographic or video equipment, such as DSLR, additional lenses and accessories, will be safely protected in a dedicated compartment, easily accessible via the front pocket. You can also find room for your tripod and laptop. Moreover, you will find a lot of hidden pockets both outside and inside your bag.

163

Camera Cases

NG 1146

Camera pouch

NG 1153

NG 5160 NG 2476

Medium Backpack

The Earth Explorer NG 2476 Medium Messenger is an everyday, functional shoulder bag that holds all of your personal gear, along with a laptop computer, camera or camcorder.

The pack is rated to hold your DSLR or camcorder, about three lenses as well as a 15.4â&#x20AC;? laptop that is nested within its own padded compartment. The bottom half contains movable dividers that can be used to configure the compartment to suit your gear.

NG 2346

NG 4475

Medium Camera Pouch The Earth Explorer Medium Camera Pouch is designed to hold and protect a small point-and-shoot camera or camcorder with media accessories.

Earth Explorer National Geographic 2346 Midi Messenger Bag (Khaki)

NG 2342 Shoulder Bag

The Earth Explorer Midi Messenger Bag (NG 2346) holds all your personal gear, along with a tablet. Includes a padded removable insert for a compact DSLR or mirrorless camera, with media accessories.

Sling

Perfect for mirrorless camera Removable padded insert for additional lens Extra pockets for personals Adjustable shoulder strap High quality materials

The Earth Explorer NG 2342 Small Holster protects a mirrorless camera with an extra lens, an advanced pointand-shoot camera, a small DSLR camera, or a camcorder, with media accessories.

NG 5158 NG 2344 The Earth Explorer NG 2344 Small Shoulder Bag protects an advanced point-and-shoot camera, a small DSLR camera or a camcorder, with media accessories.

164

NG 3030

Camera Strap The Earth Explorer Travel Camera Strap (3020) is designed to hold a digital or SLR camera comfortably and securely while providing excellent balance for your camera.

Small Backpack Laptop compartment Allows you to carry all of your essentials Ample room for personal effects

Camera Cases

NG W8240

NG W5051

The Walkabout Large Tote Bag allows you to pack for a day trip while keeping your DSLR camera with lens attached, kit lens, and laptop computer neatly arranged inside.

The Walkabout Small Rucksack enables you to travel freely, knowing you always have your essentials with you -personal items, photographic gear, and a laptop computer up to 12’’ (or a 13’’ Mac), safe and secure.

NG W2026

NG W5071

The Walkabout Medium Holster allows you to capture life’s moments effortlessly, while holding and protecting a small DSLR camera with lens attached and kit lens, or a mirrorless camera with accessories and personal items.

The Walkabout Medium Rucksack enables you to travel freely, knowing you always have your essentials with you -- personal items, photographic gear, and a laptop computer up to 15.4’’ , safe and secure.

165

Camera Cases

Mediterranean Collection NG MC4550

Medium Holster for DSLR

NG MC 2250

Medium Holster for DSLR The Mediterranean Medium Holster (NG MC2250) protects a mirrorless camera or entry-level DSLR camera, with an extra lens. An additional front pocket can carry small accessories. The Medium Holster includes a shoulder strap and an ergonomic handle for comfortable carrying.

NG MC2350

Shoulder Bag for DSLR The Mediterranean Shoulder Bag (NG MC2350) protects a DSLR camera with lens attached and an extra lens or flash. Organise your belongings with a padded tablet compartment and numerous pockets useful for holding a smartphone, small accessories and other personal belongings. The removable protective camera insert can be left open for quick access to your camera or can be closed for extra protection.

166

NG MC2450

Medium Messenger for Personal Gear, Laptop and DSLR The Mediterranean Medium Messenger Bag (NG MC2450) protects a DSLR camera with lens attached and an extra lens or flash. It also has sufficient room for other accessories, a laptop computer and personal belongings. Further storage space is provided in the extra zip pocket on the back. The Medium Messenger Bag includes a removable protective camera insert and shoulder strap, and it can be left open for quick access to your camera or can be closed for extra protection.

The Mediterranean Medium Sling Bag (NG MC4550) is designed for carrying everyday personal gear along with a DSLR camera, smartphone and other small accessories. The bag features a designated protective zone that safeguards the delicate equipment within. The main compartment holds a tablet, small accessories and other personal belongings. A removable, padded insert protects a DSLR camera with lens attached and extra lens or flash.

NG MC5320

Small Backpack for Personal Gear, Laptop and DSLR The Mediterranean Small Backpack (NG MC5320) allows you to easily carry all your essentials. It is divided into upper and lower sections by a hidden, removable pocket. Photographic equipment can be safely stored in the lower compartment, which is easily accessible from the front pocket. The backpack also provides a simple solution for carrying both your laptop and your tripod. The lower compartment holds a DSLR camera with an additional lens and some accessories, such as flash, cables and batteries.

NG MC2550

Medium Tote Bag for Personal Gear, CSC/Entry level DSLR The Mediterranean Medium Tote (NG MC2550) allows you to pack for a day trip, comfortably accommodating and protecting your personal items, photographic gear and media accessories. A zipped main compartment keeps all your contents safe inside. It holds an entry-level camera with a lens attached or a mirrorless camera with an extra lens. The Medium Tote includes a removable protective camera insert and a shoulder strap, and it can be left open for quick access to your camera or can be closed for extra protection.

NG MC5350

Medium Backpack fo Personal gear, Laptop, DSLR, acc., The Mediterranean Medium Backpack (NG MC5350) allows you to easily carry all your essentials. It is divided into upper and lower sections by a hidden, removable pocket. Photographic equipment can be safely stored in the lower compartment, which is easily accessible from the front pocket. The backpack also provides a simple solution for carrying both your laptop and your tripod. The lower compartment holds a DSLR camera with two additional lenses and some accessories, such as flash, cables and batteries.

Rainforest Collection

NG RF 5350

NG RF 2350

IInternal camera compartment with Manfrotto Protection System Perfect for DSLR with additional lenses and accessories External tripod connection Dedicated laptop compartment Also converts into a 100% everyday bag

The Rain Forest Shoulder Bag (NG RF 2350) protects a CSC camera with kit lens attached and an extra lens. It also has enough room for other accessories, a tablet and personal belongings. The extra zip pockets on the front and back provide further storage space. The removable protective camera insert is equipped with the Manfrotto Protection System and a practical buckle that locks it securely inside the bag. The camera insert can be left open for quick access to your camera or closed for extra protection.

Medium backpack

shoulder bag

NG RF 2450

Medium messenger The Rain Forest Medium Messenger Bag (NG RF 2450) protects a DSLR camera with lens attached and an extra lens. It also has enough room for other accessories, a 13â&#x20AC;? laptop and personal belongings. The extra zip pockets on the front and back provide further storage space. The removable protective camera insert is equipped with the Manfrotto Protection System and a practical buckle that locks it securely inside the bag. The camera insert can be left open for quick access to your camera or closed for extra protection.

Camera Cases

NG RF 4474 Waist pack

Rainforest chump Bag NG 4474 RF is designed for everyday use and designed mainly for personal items, equipped with a replaceable cartridge system that guarantees security Protection Manfrotto compact system camera. Internal pockets allow you to organize small accessories like smartphone, keys or wallet. The outer zipper pocket can accommodate small accessories such as filters or cables

NG RF 4550

Sling bag (bodyback) Accommodate camera and accessories or personal items -the removable hardware -the ability to change with the backpack on a bag sling

167

Camera Cases

HPRCLGTGRAF

HPRC Light Grande Case w/ Foam33.5x22x6.2 cm Can Hold Action Camera & Accessories Fits Tablets or Small Laptops Polyester Material Semi-Rigid Clamshell Design Interior Dimensions: 13.2 x 8.7 x 2.4” Quick Opening System with Magnets External Fabric Band Smart Band Crossing System

HPRCLGTGRAIC

HPRC Light Grande Case w/ 2 pouches- 33.5x22x6.2 cm Can Hold Action Camera & Accessories Fits Tablets or Small Laptops Polyester Material Semi-Rigid Clamshell Design Interior Dimensions: 13.2 x 8.7 x 2.4” Quick Opening System with Magnets External Fabric Band Smart Band Crossing System

HPRCLGTMEDF

HPRC Light Media Case w/ Foam23x18x6 cm Can Hold Action Camera & Accessories Fits Tablets or Small Laptops Polyester Material Semi-Rigid Clamshell Design Interior Dimensions: 9.1 x 7.1 x 2.4” Quick Opening System with Magnets External Fabric Band Smart Band Crossing System

168

HPRCLGTMEDIC

HPRC Light Media Case w/ 1 pouch23x18x6 cm Can Hold Action Camera & Accessories Fits Tablets or Small Laptops Polyester Material Semi-Rigid Clamshell Design Interior Dimensions: 9.1 x 7.1 x 2.4” Quick Opening System with Magnets External Fabric Band Smart Band Crossing System

HPRC 2730CW For Video, Audio and Photo Equipment TTX01 High-strength Resin Case Hard Rigid Grip Handles Retractable Handle Built-in Wheels Unbreakable, waterproof, resin case with a cubed foam interior made to carry audio, photo or video equipment and accessories. Neoprene O-rings keep the cases airtight and watertight.

HPRC 4400 Dimension: internal dimension 420x420x420(mm) 16,53x16,53x16,53(in) external dimension 479x481x437(mm) 18,86x18,94x17,20(in) lid: 65(mm) - 2,56(in) bottom: 355(mm) 13,97(in) Weight: empty: 6,70 - 14,77 lbs with cubed foam: 8,90 – 19,62 lbs Temperature rating: Minimun Maximun -40°C -40°F +80°C +176°F Colors: Black

HPRC 4300CW Material TTX01, PA66, SEBS, PA66GF30, ALU, Stainless Steel Interior: Neoprene O-ring; Cubed foam Reinforced hinges and corners Interior Cubed Foam Type of Closure Double-hinged locking system Exterior Dimensions 27.2 x 14.1 x 15.0” (69.1 x 35.8 x 38.1 cm) Interior Dimensions 23.0 x 11.8 x 12.6” (58.4 x 30.0 x 32.0 cm) Carrying/Transport Options Built-in wheels Padded carry handles Retractable tow handle Weight 19.3 lb (8.8 k

HPRC 5400W Dimension: internal dimension 1140x350x160(mm) 44,90x13,78x6,30(in) external dimension 1187x410x181(mm) 46,73x16,07x7,12(in) lid: 45(mm) - 1,77(in) bottom: 115(mm) 4,52(in) Weight: empty: 7,70kg - 16,94lbs with cubed foam: 8,80kg - 19,40lbs Temperature rating: Minimun Maximun -40°C -40°F +80°C +176°F Colors: Black

HPRC 3500 Dimension: internal dimension 430x320x160(mm) 16.92x12.59x6.29(in) external dimension 500x370x185(mm) 16.98x14.56x7.28(in) lid: 72 (mm) – 2,83 (in) bottom: 88(mm) 3,46(in) Weight: empty: 3,00kg - 6,61lbs with cubed foam: 3,55kg - 7,82lbs Temperature rating: Minimun Maximun -40°C -40°F +80°C +176°F Colors: Black

Camera Cases

HPRC 2550W For Video, Audio, Photo Equipment Built-in Smooth Rolling Wheels ATA 300 Rated/Watertight/O-Ring Sealed Acid,Corrosion Proof, Crush Proof TTX01 High-Strength Resin Case Reinforced Corners and Hinges Pressure Adjustment Valve Padded Rigid Grip Handle Retractable Handle / Stainless Hardware

HPRC 2600CW

HPRC 6300TRIB Air and Waterproof / Unbreakable Meets ATA 300 Specifications Hard Resin Shell Interior Neoprene O-Rings Smooth Gliding Wheels Central Carry Handle Four Opening Latches Air Pressure Release Valve Double-Hinged Locking System

Lightweight, watertight and unbreakable case. With smooth rolling wheels. Internal dimension(mm) 484x360x218 Available in black,orange,red and blue. With Cubed Foam

HPRC 2700WPHA3 For Video, Audio, Photo Equipment Built-in Smooth Rolling Wheels ATA 300 Rated/Watertight/O-Ring Sealed Acid,Corrosion Proof, Crush Proof TTX01 High-Strength Resin Case Reinforced Corners and Hinges Pressure Adjustment Valve Padded Rigid Grip Handle Retractable Handle / Stainless Hardware

HPRC INS2780W-01 Hold Inspire 1 Pro with Gimbal Hold Two Transmitters Hold Six Flight Batteries Hold iPad Air / Up to 10” Tablet Three Accessory Layouts Impact Resistant and Watertight Pressure Release Valve Soft Handgrip Plus Side Handle

Retrospective 5 Black The exterior of each Retrospective shoulder bag is purposefully simple, allowing photographers to inconspicuously blend into their shooting environment.

Retrospective® 7 (Blue Slate) Remain inconspicuous with this soft-sided shooter’s bag. It’s simple exterior blends into the environment for carrying photo gear discretely. The rear pocket fits an iPad or an 11” MacBook Air.

Pixel Pocket Rocket Store 10 memory cards in a small, compact package that fits easily in your pocket or attaches to your belt or bags. Business card holder for easy identification!

Pee Wee Pixel Pocket Rocket Stores four Compact Flash cards and three Secure Digital cards in an even smaller, more compact package.

Retrospective 10 Pinestone The exterior of each Retrospective shoulder bag is purposefully simple, allowing photographers to inconspicuously blend into their shooting environment.

Retrospective 20 - Pinestone The exterior of each Retrospective shoulder bag is purposefully simple, allowing photographers to inconspicuously blend into their shooting environment.

169

Camera Cases

Retrospective 30 - Black The Retrospective series is comprised of four shoulder bags and two lens changer bags. Created for the professional photographer that wants to blend in with the crowd and remain inconspicuous in any situation.

Speed Demon-V2.0 Carries one standard size DSLR plus 2–3 small zoom or prime lenses.

Speed-Freak-V2.0 Carries a standard size DSLR with 2–3 zoom lenses. Fits a 70–200 f2.8 detached from camera, lens hood reversed.

Speed-Racer-V2.0 Carries a pro size DSLR with 2–3 zoom lenses or accessories. Fits a 70-200 f2.8 attached to camera (except Nikon VR1), lens hood reversed.

SubUrban Disguise 5 This compact, full featured shoulder bag is great for small standard-sized DSLR kits. Also works great for mirrorless systems.

170

SubUrban Disguise 10

Urban Disguise 50 V2.0

The SubUrban Disguise 10 is a fullfeatured shoulder bag specifically designed to accommodate standardsize DSLR systems.

The briefcase size Urban Disguise 50 V2.0 fits more gear that it appears, and a 15.4” laptop! A wide angle lens with hood in position, 24-70 f2.8 with hood in position and 70-200 f2.8 with hood reversed all fit vertically into the main compartment.

SubUrban Disguise 20 This compact, full-featured shoulder bag holds a standard-size DSLR with 3 4 small zoom or prime lenses.

SubUrban Disguise 30 When discretion is needed, this shoulder bag’s classic look and urban style doesn’t give you away. It fits a standard-size DSLR, 2 - 4 zoom lenses, and a regular iPad. Also fits a 70 - 200 f/2.8 unattached.

Urban Disguise 35 V2.0 A perfect size working bag for photographers on the go who use a compact laptop. The Urban Disguise 35 V2.0 holds up to a 13.3” laptop with a standard size DSLR or a 10” netbook with a pro size DSLR. A 70-200 f2.8 lens can remain attached to any size DSLR, inside the bag.

Urban Disguise 40 V2.0 The briefcase size Urban Disguise 40 V2.0 fits more gear that it appears! A wide angle lens with hood in position, 24-70 f2.8 with hood in position and 70-200 f2.8 with hood reversed all fit vertically into this slim shoulder bag.

Urban Disguise 60 V2.0 The briefcase sized camera bag Urban Disguise 60 V2.0 fits more gear that it appears, and a 17” laptop! A wide angle lens with hood in position, 24-70 f2.8 with hood in position and 70-200 f2.8 with hood reversed all fit vertically into the main compartment. A separate, padded compartment fits most 17” laptops.

Shape-Shifter This revolutionary breakthrough in backpack design expands and contracts to fit your equipment.

StreetWalker Designed for use in urban and crowded environments, this slim, lightweight backpack is sized as an international travel carry-on. It holds a DSLR and a 70-200 2.8 with hood attached and multiple DSLR cameras and lenses.

Camera Cases

StreetWalkerHardDrive-4 Designed for use in urban and crowded environments, this slim, lightweight backpack also holds a 15” laptop, as well as a pro-size DSLR and a 70-200 2.8 with hood attached.

StreetWalker-Pro-5 Designed for use in urban and crowded environments, this slim, lightweight backpack is sized as an international travel carry-on. It will hold most 400 f2.8 lenses with a pro size DSLR camera body attached.

Digital Holster 30 V2.0 The Digital Holster 30 V2.0 is designed for regular size DSLRs such as the Canon 5D Mark II, 7D, and 60D or Nikon D700, D300s, and D7000 This is the only top loading bag for a DSLR that can carry a 70-200 f2.8 with the lens hood either reversed or in position, ready to shoot.

Digital Holster 50 V2.0

Airport Security V2.0

The Digital Holster 50 V2.0 is designed for pro size DSLRs such as the Nikon D3/D4 series or the Canon 1D and 1Ds series. Also accommodates standard size camera bodies with add-on vertical battery grips. This is the only top loading bag for a pro size DSLR that can carry a 70-200 f2.8 with the lens hood either reversed or in position, ready to shoot.

Designed to meet USA domestic carry-on size standards, this roller provides advanced security features for traveling with the maximum amount of equipment.

Airport-TakeOff-10

Rolling camera bag with convenient top and front zippered pockets provide unobstructed rapid access to gear. Meets most INTERNATIONAL and USA domestic airline carry-on size requirements.

The Airport Takeoff™ bag is the new standard in a rolling camera backpack. Think Tank Photo has designed a transportation solution that combines the portability of a backpack with the ease of a rolling suitcase.

Airport-AirStreamRolling-Camera-Bag The perfect small roller for traveling with a selected amount of gear; meets international carry-on size limits.ease of a rolling suitcase.

Airport 4-Sight Rolling Camera Bag 4-wheeled Rolling Camera Bag that meets INTERNATIONAL and USA domestic airline carry-on luggage size requirements.

Logistics Manager 30

Digital Holster 40 V2.0 The Digital Holster 40 V2.0 is designed for pro size DSLRs such as the Nikon D3/D4 series or the Canon 1D/1Ds series. Also accommodates standard size camera bodies with add-on vertical battery grips. The shape of the bag conforms to the camera itself, with one straight side and one curved side. It can actually stand up by itself!

Airport Navigator Rolling Camera Bag

Airport International V2.0 Designed for INTERNATIONAL carry-on, this roller provides advanced security features and peace of mind.

The Logistics Manager 30™ is our largest capacity rolling gear bag. Designed for transporting massive amounts of camera equipment or lighting gear.

Airport International™ Low Divider Optional set of dividers allows the Artificial Intelligence 15 laptop case or the Cable Management 50 to lie on top inside of the Airport International V2.0 rolling camera case

171

Studio Accessories

6-in-1 Reflector Kit

Apollo Speedlite Kit

Available in 20, 30, 40 inches

4-in-1 Reflector Kit

Octabank

Available in 30, 42, 52 inches, Gold and silver textures.

7’ Octabank 5’ Octabank

10’ x 12’ Chroma Key Blue / Green Sheet

Ice Light

Apollo Orb Speedlite Kit

32” Optical White Satin Umbrella with Removable Black Cover

172

32” Optical White Satin Umbrella

Soft Box 24” x 32” Silver Soft Box 54” x 72” Silver Soft Box 36” x 48” White Soft Box

50,000 Hour LEDs 150W Tungsten Equivalent 100-240V AC Only 1.3 lb Dimmable Built-in 60 Minute Battery 72.6° Beam Angle The Westcott Ice Light is a dimmable, 5,200-5,400K LED source unlike any you’ve ever seen. The first thing that occurs to you as work with it is that it resembles a 20.25” baton or perhaps wand is more appropriate given the soft light magic that the Ice Light conjures. Hold it as close as you want to your subject; the closer you get the more Ice Light’s wrap-around quality of light becomes evident. Since it’s virtually heat-free you never have to worry about injuring the talent or damaging the set.

Studio Accessories

Backgrounds and Expendables for Photography & Display Background Paper The BD Company Offers high quality, non[ferlectiong background paper in an arry of vibrant colors, and sizes, All 50 BD Colors Avalable In the Following sizes: A1 = 2.72 m * 11 m A2 = 1.35 m * 11 m A4 = 2.72 m * 45.72 m EX-TRA Wide available in Four Colors: (Black, Storm Gray, Super White, and Veri Green B3 = 3.56 m * 30 m

Red 124

Ruby 156

Hot Pink 163

Violet 133

Purple 154

Foto Green 162

Veri Green 132

Ermin Gray 110

Gray 153

Silver Gray 127

Stone Gray 170

Photographers White 134

Super White 129

Creme 106

Pastel Pink 117

Daf-Fo-Dil 107

Marigold 169

Sunflower 139

Foto Blue 136

Deep Blue 109

Regatta Blue 126

Blue-Gray 102

Soft Gray 116

Pursuit Gray 123

Almond 135

Ivory 155

Straw 128

Patriot Blue 161

Regal Blue 126

Blue Heven 103

Steel Gray 150

Plaza Gray 119

Graystone 112

Tangerine 152

Flame-Tone 111

Terracotta 139

Cortez Blue 173

Misti Blue 115

Alaska Blue 100

Dark Gray 172

Dove Gray 109

159 Storm Gray

Pongee 121

Natural 116

Hickory 113

Aqua 165

Teal 157

Jade 137

Thunder Gray 131

Black 101

173

Professional Photo Supports

MLSPECTRA2

SPECTRA2 LED Light up to 650lux@1m, CRI>93, 5600K, Dim Lux@1m 650 Weight 225 g Battery life - NiMh (1000mAh) 110 Battery Type Li-ion L-Type Colour Temperature 5600 CRI (Colour Rendition Index) >93 Dimmable 1-100% without flickering Mounting Method Ball-head

MLMICROPRO2

MICROPRO2 LED Light up to 940lux@1m, CRI>93, 5600K, Dim Lux@1m 940 Weight 290 g Battery life - NiMh (1000mAh) 40 Battery Type Li-ion L-Type Colour Temperature 5600 CRI (Colour Rendition Index) >93 Dimmable 1-100% without flickering Mounting Method Ball-head

MLCROMA2

CROMA2 LED Light 900lux@1m, CRI>93, 5600K/3100K, Dim Lux@1m 900 Weight 300 g Battery life - NiMh (1000mAh) 40 Battery Type Li-ion L-Type Colour Temperature 3100-5600 CRI (Colour Rendition Index) >93 Dimmable 1-100% without flickering Mounting Method Ball-head

174

MLBATTADT-L7.2V

MLLBTDONGLE

Adapter for Li-ion LPS batteries (Sony L Type standard). Weight 45 g

Wireless bluetooth connectivity Compatible with iPhone and Manfrotto Digital Director Apps Easy and instant connection Weight 14 g

L7.2V-Battery Adapter

MLL1500-D

LYKOS daylight LED Light 1600lux@1m, CRI>93, 5600K, Dim Lux@1m 1600 Collection/Series Lykos Weight 460 g Battery Type Li-ion L-Type Colour Temperature 5600 CRI (Colour Rendition Index) >93 Dimmable 0-100% without flickering Mounting Method Hot-shoe

MLL1300-BI

LYKOS bicolor LED Light 1500lux@1m, CRI>93, 5600K/3000K, Dim Lux@1m 1500 Collection/Series Lykos Weight 470 g Battery Type Li-ion L-Type Colour Temperature 3000-5600 CRI (Colour Rendition Index) >93 Dimmable 0-100% without flickering Mounting Method Ball-head

LYKOS Bluetooth Dongle

MLSBOXL

LYKOS LED Softbox Compact and collapsible: it can be stored in the fabric pouch provided. Diffuser film specifically designed for LED Compatible with LYKOS LED Light Weight 65 g

Professional Photo Supports

MLFILTERCLS

LUMIE SERIES CLASSIC FILTERS The LUMIE Series Classic filters are a set of accessory filters that are designed to augment the flexibility and usability of the LUMIE Muse and LUMIE Art LED lights. The Classic series of 8 filters include a number of common lighting filters that have been used in photography & videography for many years to create various effects and corrections. Included in the kit are the following filters: ¾ CTO ¾ CTB Primary Green Primary Red Primary Blue Heavy Diffusor Medium Diffusor Soft Diffusor

MLFILTERCOL

LUMIE SERIES MULTICOLOUR FILTER The LUMIE Series Multicolour filters are a set of accessory filters that are designed to augment the flexibility and usability of the LUMIE Muse and LUMIE Art LED lights. The Multicolour kit provides 8 beautiful vibrant colours to help you create unique and interesting photos and videos. Included in the kit are the following filters: Deep Ocean Deep Purple Blue Jeans Azalea Pink Berry Pink Bright Orange Canary Yellow Grass Greenlight in a simple, rapid way.

MLFILTERPRT

LUMIE SERIES PORTRAIT FILTERS The LUMIE Series Portrait filters are a set of accessory filters that are designed to augment the flexibility and usability of the LUMIE Muse and LUMIE Art LED lights when conducting portraiture. The kit includes 8 filters and diffusors to help mimic certain types of lighting that compliment various skin types. Included in the kit are the following filters: Pink Rose Peach Tuscan Sunset Summer Tan Amber Sunrise Blush Soft Diffusor Silk Diffusor

MLUMIEMU-BK

LUMIE SERIES MUSE LED LIGHT The LUMIE Art comes with a hot shoe mount, also provided with a standard ¼’’ thread to enable you to attach it directly to a tripod or alternative supports. Also included in each kit a set of snap-fit filter mount and filters which modify the colour temperature and diffusion of the light; you can simultaneously use up to 2 to achieve various effects. The filters and filter mount are all supplied with they own carrying case. Better yet, you can also buy accessory filter kits with additional filter colours to create even more unique images.

MLUMIEART-BK

MLUMIEPL-BK

LUMIE SERIES ART LED LIGHT - BK

LUMIE SERIES PLAY LED LIGHT

The LUMIE Art is the middle LED in the LUMIE range. With such highly portable dimensions and robust aluminium construction, the Art is perfect for keeping in your kit bag to help you get extra creative with your lighting. The LUMIE Art is great in many situations for example in portrait and still life photography as well as for situations like interviews or video blogs. Using more than one together will really expand the flexibility of your lighting.

The LUMIE Art comes with a hot shoe mount, also provided with a standard ¼’’ thread to enable you to attach it directly to a tripod or alternative supports. Also included in each kit is a snap-fit filter mount and filters, which modify the colour temperature and diffusion of the light; you can simultaneously use up to 2 to achieve various effects. The filters and filter mount are all supplied with they own carrying case.

The USB rechargeable Li-Pol batteries provide superb battery life allowing you to make the most of the photo/video shoot.

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Professional Photo Supports

MFADVCPL-52

Advanced Circular Polarizer Filter Multi coated Water Repellant superior protection against dust, moisture and scratches *Also available in 52mm, 58mm, 62mm, 67mm, 72mm, 77mm, & 82mm

MFPROCPL-52

MFPROPTT-52

Professional Circular Polarizing Filter Anti-reflective Coating Antistatic Coating 12 Coating Layers, Water Repellent

Protects the lens from any damages Can permanently remains on the lens without affecting image quality Anti static filter repels dust Reusable case included This filter allows 99.3% light transmission

Professional Circular Polarising Filter

*Also available in 52mm, 58mm, 62mm, 67mm, 72mm, 77mm & 82mm

MFADVUV-52 Advanced UV Filter

Advanced UV Filter 12 Coating Layers Anti-reflective Coating Water Repellent *Also available in 52mm, 58mm, 62mm, 67mm, 72mm, 77mm & 82mm

MFND500-52

Circular Lens Filter with 9 Stop of Light Loss 52mm (Grey) 16 layer multicoating 9 stop compensation Constructed with optical glass *Also available in 58mm, 62mm, 67mm, 72mm, 77mm & 82mm

MFESSUV-52 Essential UV Filter

Antireflective Coating Water Repellent Light Transmission: 99% Number Of Coating Layers: 8 *Also available in 52mm, 58mm, 62mm, 67mm, 72mm, 77mm & 82mm

MFESSCPL-52

Essential Circular Polarizing Filter Essential Circular Polarizing Filter Anti-reflective Coating 2 Coating Layers Water Repellent *Also available in 52mm, 58mm, 62mm, 67mm, 72mm, 77mm & 82mm

MFND64-52

Circular Lens Filter with 6 Stop of Light Loss 52mm (Grey) 16 layer multicoating 9 stop compensation Constructed with optical glass

*Also available in 58mm, 62mm, 67mm, 72mm, 77mm & 82mm

MFND8-52 Manfrotto ND8 filters reduce the light hitting the camera sensor by 3 stops without altering the colour of the scene. Manfrotto ND Filters are manufactured from optical glass with a 16 layer multicoating with water and oil repellence for easy cleaning. Each filter comes with its own carry case. *Also available in 58mm, 62mm, 67mm, 72mm, 77mm & 82mm

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Professional Protection Filter

*Also available in 52mm, 58mm, 62mm, 67mm, 72mm, 77mm & 82mm

Professional Photo Supports

Filters 4x6” Sunset Resin Filter Set

Filters 4x6” Mist Resin Filter Set

Filters 4x6” Twilight Resin Filter Set

The popular three-colour sunset filter is now available as a set of three separate filters. This offers the photographer the flexibility and control they need to achieve the result they want, adding warmth and definition to both sky and landscape.

Often it is desirable to modify one part of a scene. This Lee Mist filter set allows for partial diffusion of the image.

This kit consists of the following three filters: Graduated Twilight, Graduated Mahogony #3, and Pale Coral Stripe.

This kit consists of the following three filters: Graduated Mist, Mist Stripe, and Mist Clear Spot.

Lee graduated resin filters are 4 x 6” (100 x 150mm) x 2mm thick. The 6” length allows for adjustment of the filter within the holder.

Filters 4x6” Sky Grad filter set

Filters 4x6” Coral Graduated Resin Filter Set

(Graduated - Soft Edge Sunset Red, Sunset Orange & Sunset Yellow)

(Sunset 2, Sky Blue 3 , Coral Strip)

This filters in this set may be used individually or in combinations to enhance sky tones in landscapes, seascapes, and general outdoor photography. The Coral Stripe is ideal for creating a warm glow on the horizon, and can be placed strategically in the frame, creating an effect across a particular object or section of the image. The sunset filter can be used to create or enhance morning and evening skies.

(Graduated - Hard Edge Mist, Mist Stripe & Mist Clear Spot)

The filters in this set measure 4 x 6” (100 x 150mm) x 2mm thick. The 6” length allows for adjustment of the filter within the holder.

(2, 4 & 6) Hard Edge

Lee Coral Filter Color Temperature Conversion Chart These color temperature filters convert 5500 degrees Kelvin to the value shown below: Coral 2: 4255 degrees (Kelvin)

(Graduated - Hard Edge Twilight, Mahogany 3, Pale Coral S Stripe)

Filters 4x6” Autumn Tint Resin Filter Set

(Graduated - Hard Edge Chocolate 2, Tobacco 2, and Coral 6) This kit consists of the following three graduated filters: Chocolate #2, Tobacco #2, and Coral #6. Lee graduated resin filters are 4 x 6” (100 x 150mm) x 2mm thick. The 6” length allows for adjustment of the filter within the holder.

Coral 4: 3774 degrees (Kelvin) Coral 6: 3390 degrees (Kelvin

Filters 4x6” Sunrise Resin Filter Set

Filters 4x6” Pop Resin Filter Set

Filters 4x6” Sky Blue Resin Filter Set

(Graduated - Hard Edge Pop Blue, Pop Green & Pop Red)

(Graduated - Hard Edge Sky Blue 1, 2, & 3)

This kit consists of the following three filters: Graduated Mahogany #1, Graduated Straw #2, and Straw Stripe.

This kit consists of the following three graduated filters: Pop Red, Pop Blue, and Pop Green.

This kit consists of the following three graduated filters: Sky Blue 1, 2 and 3.

Lee graduated resin filters are 4 x 6” (100 x 150mm) x 2mm thick. The 6” length allows for adjustment of the filter within the holder.

(Graduated - Hard Edge Mahogany 1, Straw 2 & Straw Stripe)

Lee graduated resin filters are 4 x 6” (100 x 150mm) x 2mm thick. The 6” length allows for adjustment of the filter within the holder.

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Professional Photo Supports

Filters 4x6” Landscape Resin Filter Set

(Graduated - Hard Edge Real Blue 2, Straw 3, & Sepia 2) This is especially true in situations where you don’t have total light control, as in bright contrasty landscapes. Sometimes it is also desireable to add color to part of the photograph. For example, to add blue to only the sky. Lee color graduated filters are color toned in one half of the filter and are smoothly graduated into the clear portion.

Filters Graduated Neutral Density Soft Filter Set 4 x 6” - Consists of Three Graduated ND

(Consists of Three Graduated ND) Lee Grad ND filters are part clear, part neutral density (available in grades of .3 (1 stop), .6 (2 stops), .9 (3 stops)). They allow the transition to be blended into the scene, often imperceptibly. A neutral density .6-to-clear, with a two stop differential, will generally compensate the average bright skyto-foreground situation and is also the most popular density of the series.

1-Stop Graduated ND Filter Reduce Exposure in Selective Areas High Quality Optical Resin Compatible with LEE Standard Holder

Filters Adapter Ring - 82mm - for Wide Angle Lenses Also available 67mm, 72mm & 77mm

Filters 100 x 150mm 0.6 Soft-Edge Graduated Neutral Density Filter 2-Stop Graduated ND Filter Reduce Exposure in Selective Areas High Quality Optical Resin Compatible with LEE Standard Holder

Filters 4x6” HardEdge Graduated ND Resin Filter Set (0.3, 0.6, 0.9)

Filters 100 x 150mm 0.3 Hard-Edge Graduated Neutral Density Filter

Soft Edge represents a gradual transition from one end of the filter to the other while Hard Edge contains a firm “line of demarcation”

1-Stop Graduated ND Filter Reduce Exposure in Selective Areas High Quality Optical Resin Compatible with LEE Standard Holder

Neutral Density Factors ND.3 (exposure adjustment = 1 stop) ND.6 (exposure adjustment = 2 stops) ND.9 (exposure adjustment = 3 stops)

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Filters 100 x 150mm 0.3 Soft-Edge Graduated Neutral Density Filter

This adapter ring fits the Lee 4” (100mm) filter holders. This adapter ring places the filter holder somewhat closer to the lens than the standard adapter ring. This is necessary for certain wide angle lenses to avoid vignetting.

Professional Photo Supports

SpyderCheckr Software CD SpyderCube™ Protective Pouch for SpyderCube Lanyard for SpyderCube Quick Start Guides

Datacolor SpyderCheckr Pro™ The smarter focus tool SpyderLensCal™ provides a fast, reliable method of measuring the focus performance on your camera and lens combinations. It allows photographers to obtain razor-sharp focusing or check to see that their lenses are working at their peak performance. This device is compact, lightweight and durable, with integrated level and tri-pod mount With the ever increasing choice in monitors, the Spyder5ELITE Display Calibration System from Datacolor helps you maintain consistency from production through post and delivery. Designed to provide professional photographers, colorists, and calibration perfectionists with the tools for complete control of their color workflow, the Spyder5ELITE allows you to match multiple monitors, from laptops to desktop monitors, front projectors, and even matching multiple studio monitors to a single standard. The ELITE software incorporates advanced calibration features for setting gamma, white point, and gray balance, and allows you unlimited choices for calibration settings. Calibrate Monitors, Projectors & Laptops Studio Match Assistant Includes Color Probe Unlimited Calibration Settings User Defined and REC. 709 Settings 5 Ambient Light Settings Before and After Evaluation Video and Print Standards Advanced Display Analysis Comes in a Reusable Box / Case

You asked and we’re delivering some hot new features just for you, with the richest feature set we have ever offered! New 4.0 features include monitor quality analyzer, display graphing compared to sRGB & Adobe RGB, enhanced iterative gray balancing and automated brightness adjustment. Benefit: SpyderCheckr helps capture consistent color from day to day and camera to camera and apply these results easily in your workflow with RAW import software such as, Adobe Photoshop and Lightroom. The sturdy, eco-friendly design has 48 spectrally engineered color patches and easy to use calibration software, making post production faster by getting consistent, predictable color right from the start. The SpyderCheckr Pro™ includes: • SpyderCheckr™

The RAW-Processing Accelerator Shooting in RAW mode gives you creative freedom but processing a RAW file is often a long, trial-and-error operation. SpyderCube accelerates RAW processing in providing references to set the white balance, exposure, black level and brightness right from the start. Simply take one reference shot with SpyderCube under the same light condition, adjust, save as preset and apply to the entire series.

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Professional Photo Supports

GigaPan EPIC Pro Robotic Camera Mount

Automatically Captures Panoramic Images Gigapixel Panoramas with Amazing Detail For Camera & Lenses up to 10 lb (4.5 kg) Free GigaPan Stitch Software Download Rechargeable Battery Pack and Charger Digital Trigger Cables Included

Radian

A motion time-lapse device for everyone. Features: Ultra-affordable Ultra-portable design Easy-to-use & fully-functional No phone tethering required Infinitely expandable battery life Eco-friendly Plays nice with others Ultra-simple and ultra-affordable. Feature rich. Pans AND tilts. The best way to create beautiful time lapses with your camera.

GigaPan EPIC 100 Robotic Camera Mount

Automatically Captures Panoramic Images For Larger Point & Shoot and Small DSLRs Includes GigaPan Stitch Software Powered by Six AA Batteries

GigaPan EPIC

Robotic Camera Mount Automatically Captures Panoramic Images Works with Most Compact Digital Cameras Includes GigaPan Stitch Software Powered by Six AA Batteries Share Your Panoramas via the Internet The EPIC is ideally suited for compact digital cameras.

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Radian is a remarkably powerful, yet wonderfully simple solution that lets you take incredible moving time-lapses with just a few swipes of your iOS or Android device. It’s small, rugged, and can handle anything you throw at it. It can rotate side-to-side. It can tilt up and down. It can dynamically speed up and slow down. And if you have a Canon dSLR, you can change exposure to capture sunrise to sunset. You name it. With our app, the sky is the limit. Specs: Dimensions: 4.57 x 1.77” (116mm x 45mm) Weight: 8oz. (225g) Panning Load: 15lbs (7kg) Tilt load: 4+ lbs., so far tested with the following setup: Canon 5D Mark III with Canon EF 16-35mm f/2.8 LII with heavy duty L-bracket Angular Resolution: 0.0124° (over 29,000 discrete positions per 360°). This allows for a shot every 6 seconds for a full revolution over 24hrs with actual movement between each shot Power Source: Li-ion rechargeable batteries (infinitely expandable battery life through outside charging port and environmentally friendly) We worked closely with professional time-lapsers to design a product that met exacting needs, and then radically innovated to make it ultra-affordable, extremely versatile, and unbelievably easy to use.

DXA-SLR Pure

Passive Audio Adapter for DSLR Cameras 2-Channel Audio Adapter Individual Channel Level Controls 2x Neutrik Combo XLR/TRS Inputs Built-In Stereo VU Meter 1x 1/8” Headphone Jack Camera & Tripod Mountable Adds No Gain to Signals The Beacktek DXA-SLR Pure Passive Audio Adapter for DSLR Cameras is designed for connecting amplified signals from wireless mics or a mixing board to a DSLR camera or camcorder with a mic jack input.

DXA-SLR MINI PRO HDSLR Audio Adapter

For HDSLR Cameras AGC Disabling Feature Left & Right 1/8” (3.5 mm) Mono Inputs Stereo 1/8” (3.5 mm) Input Jack Mic / Line Switchable Built-in Limiter Headphone Monitor Output Mono / Stereo Output Switch Low Noise Preamps with Gain Settings

DXA-SLR PRO PRO HDSLR Audio Adapter

For HDSLR Cameras AGC Disabling Feature Transformer Balanced Inputs 2 Balanced XLR Inputs Mic / Line Switchable Built-in Limiter Switchable 12 and 48V Phantom Power Headphone Monitor Output Mono / Stereo Output Switch Low Noise Preamps with Gain Settings

Professional Photo Supports

PT Hub & Motorized Tripod Head (MP-360) Camranger Pan/Tilt Head

The MP-360 Motorized Pan/Tilt Tripod Head from Cam Ranger allows you to control its movement with the included Power Panner wired remote control. The MP-360 is 4.5” high, attaches to a tripod with a 1/4”-20 screw, and has a load capacity of 6 lb. It can tilt +/- 15°, pan 360°, and has diagonal motion and speed control. Load Capacity: 6 lb Height: 4.5” Tilt Range: +/- 15° Panning Range: 360° Power Panner Remote Control Bubble Level customization

Wireless Transmitter Camranger Select Canon and Nikon DSLR Cameras

Digital Director

The CamRanger creates an ad-hoc Wi-Fi network to which an iOS or Android device or a Mac or Windows computer can connect. The free CamRanger iOS app then enables camera control without the need for a computer or existing Internet connection. The effective wireless range is 150’. The device is compatible with iOS 4.3 or later.

Control your Nikon or Canon DSLR from the Digital Director for iPad Air from Manfrotto. The Digital Director is an advanced tether solution comprised of three main components: a user-supplied iPad, an Apple Certified Digital Director iPad holder with a built-in micro processor, and the Digital Director App. These three components work together seamlessly to provide you with control over your camera’s still and video functions right from the iPad.

Control DSLR Remotely via iOS Device Photo/ Video Capture, Live View, HDR Intervalometer, Bulb, Focus Stacking Control Shutter Speed, Aperture, WB, ISO Metering, Drive/Shooting Mode, and More Creates Ad Hoc Wi-Fi Network Effective Range: 150’ Works with iOS 4.3, Android 3.2 or Later Mac and Windows Compatible USB and Ethernet Cables Supplied

for iPad Air and Nikon and Canon DSLR Cameras

Real-Time Live View Monitoring Controls Camera Functions from iPad Interactive Focus and Digital Zoom Remote Shooting Control In-App Image Editing Job Organization Simple Image Sharing ARM Cortex A8 600MHz Micro Processor

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Professional Photo Supports

UN4AA2700

ULBC001

UH4AA2500

ULBS021

UCW004UK

ULBS031

Uniross BP AA 2700 NiMH

Uniross BP4 AA 2500 NiMH Hybrio

Uniross LCD 1-2h charger + 4x 2700mAh (UK plug)

Uniross Canon replacement Digital Battery LPE6

Uniross Sony FV100 battery replacement 3900mAh, 7.2V

Uniross Sony FW50 battery replacement 750mAh SONY NEX-5 NEX3 sony NEX-3 NEX-3A NEX-3D NEX-3DW NEX-3K NEX-3KS NEX-5 NEX-5A NEX-5C NEX-5D NEX-5DB NEX-5HB NEX-5K NEX-5KS SLT-A33 SLT-A55 NEX-5 NEX-3 NEX3 NEX5 Alpha 7 Alpha a7 Alpha 7R Alpha a7R Alpha a7R II Alpha a7II Alpha a7S Alpha a7S II Alpha a3000 Alpha a5000 Alpha a6000 Cyber-shot DSC-RX10

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ULBG001

Uniross Go pro battery replacement AHDBT201 900mAh, 3.7V

Professional Photo Supports

FastenR-T1 for Manfrotto 200PL-14 QR Plate For Manfrotto 200PL-14 QR Plate For Use With R-Strap Stainless Steel Construction 1/4”-20 Bolt and D-Ring

RRS-1CO

BlackRapid RS-Sport Extreme Sport Strap (Camo) Holds SLR Camera with Lens Attached Worn Under Right Arm Under Arm Safety Tether 1/4”-20 Fastener Ballistic Nylon with Cordura Nylon 1.0” Nylon Webbing

Kick Camera Strap (Black)

Curved Shoulder Pad Designed for Women Sizing Adjustment Customizable

RS16SC10-O FastenR-3 Third Generation for R-Strap Fits All R-Straps Stainless Steel and Rubber

RMA-10B

BlackRapid BRAD (Black Rapid Arm Defense) Fits RS-7 Strap Secure Fit During Action Shots Two Strap Hooks and a Q.R. Buckle

Bryce 1 Large Pocket for Phones, Memory Cards (Limited Edition: Camo)

Holds Smart Phone / Memory Cards Connects to Any 2.5” Wide Strap Can Also Connect to Backpack,Waist Belt Touch Fastened Closure Zipper Opening Also Useful for Holding Business Cards

BlackRapid 63” Cross-Shot Sling Camera Strap (Orange) Cross-Torso Right or Left-Side Strap Non-Slip Molded Rubber Shoulder Pad Durable Polypropylene Webbing 63” Long, 1.0” Wide Strap 10.5” Long, 1.5” Wide Shoulder Pad FastenR, ConnectR, Lock Star Included

YETI Dual Camera Harness Holds 2 Cameras with Attached Lenses Use as Double Strap or Single R-Strap Screws to Camera’s 1/4-20 Tripod Socket Non-slip Grip on Shoulder Pad Has Cross-Body Detachable Stabilizer Stabilizer for Right/Left Arm Use Includes BRAD (BlackRapid Arm Defense) Includes FastenR and ConnectR2 Compatible with BlackRapid MOD Items

RS2SW1S

BlackRapid Kick Camera Strap (Cobalt) Curved Shoulder Pad Designed for Women Sizing Adjustment Customizable

RS-7 Curve Designed for Right-Handed Shooters Carries a Camera or Lens Worn Diagonally / Shoulder to Hip 60” of Adjustment Accepts Black Rapid’s BERT-12” Extension Ballistic/Cordura Nylon Size Adjustment in Rear of Shoulder Pad Includes ConnectR-2 and FastenR3

YETI Slim Dual Camera Harness

RS10SC-1A0

Holds 2 Cameras with Attached Lenses Screws to Camera’s 1/4-20 Tripod Socket Use as Double Strap or Single R-Strap Non-slip Grip on Shoulder Pad Has Cross-Body Detachable Stabilizer Stabilizer for Right/Left Arm Use Includes BRAD (BlackRapid Arm Defense) Includes FastenR and ConnectR2 Compatible with BlackRapid MOD Items

Made for Micro 4/3, Mirrorless Cameras Smaller Version of Black Rapid R-Strap Use with Some Interchangeable Lens DSLRs 63” Long with its Pad Use for Left or Right Shoulder Lightweight Foam Padding Uses FastenR (FR-3),ConnectR (CR-2) Top of Strap is Ballistic Nylon Bottom is Foam Pad with Knitted Mesh 1, Carabiner Protector Included

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Professional Photo Supports

RS7SC-1BO

Curve Moss Camera Strap (Moss Green/Gray) Designed for Right-Handed Shooters Carries a Camera or Lens Worn Diagonally / Shoulder to Hip 60” of Adjustment Accepts Black Rapid’s BERT-12” Extension Ballistic/Cordura Nylon Size Adjustment in Rear of Shoulder Pad Includes ConnectR-2 and FastenR3

WRIST STRAP Tether-Style Strap for Your Camera Includes Corrosion-Resistant ConnectR Compatible with All BlackRapid FastenR 9.4” Long Designed as an Add-on for R-Straps Carabiner-Style Lock on Gate of ConnectR Soft, Comfortable Nylon Webbing

MW GW-CSC BR 30

Grip and Wrap for Mirrorless and Compact System Cameras (Red and Black) Combo Wrist Strap & Camera Wrap

MW GW-SLR PS 70 MW SR-SLR BB 90 RSD-1BB

BlackRapid RS DR-1 Double Strap Carries 2 Cameras or Lenses Vertically Ballistic Nylon R-Strap Bomb-proof Webbing Includes ConnectR-2 and FastenR

Strap and Wrap for DSLR Cameras (Black and Blue) Combination Strap and Camera Wrap Protects Against Scratches and Damage

Strap and Wrap for Mirrorless and Compact System Cameras (Royal Wings)

Grip and Wrap for Mirrorless and Compact System Cameras (Blue and Black) Combo Wrist Strap & Camera Wrap

Carries 2 Cameras or Lenses Vertically Ballistic Nylon R-Strap Bomb-proof Webbing Includes 2 FastenR3 Fits Men and Women

MW GW-SLR BR 70

Grip and Wrap for DSLR Cameras (Black and Red) Fits Small and Medium Sized DSLR Cameras Combo Wrist Strap & Camera Wrap

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Fits Small and Medium Sized DSLR Cameras Combo Wrist Strap & Camera Wrap

MW SR-CSC RW 50

MW GW-CSC BB 30 DR-2 Slim Double Strap

Grip and Wrap for DSLR Cameras (Space Zoo)

Combination Strap and Camera Wrap Protects Against Scratches and Damage

Professional Photo Supports

UltraBounce (LQ-116)

UltraStrap (LQ-126)

The LumiQuest® UltraBounce distributes the light over approximately 180 degrees so that it can bounce off walls and ceilings to evenly illuminate a scene. The opaque sensor screen keeps the light from affecting the automatic sensor on most flash units.

The UltraStrap is the most secure, nonadhesive flash attachment mounting strap available. The patented marriage of neoprene and Velcro® loop results in a strap that applies a constant 3 lb. tension to the flash with a non skid surface.

Ready for anything kit (LQ-135) Light Modifier Kit ProMax System 80-20 Bounce and Inserts FXtra Gel Holder and Gel Set UltraStrap Neoprene Mounting Strap Fits All Standard Hot Shoe Mount Flashes Storage Pouches

Softbox (LQ-107) The Softbox enlarges and diffuses the light with the flash in the direct flash position. The light is softened and more evenly distributed as it passes through a center-weighted frosted diffuser.

FX (LQ-111)

The LumiQuest® FX is a colored gel system that includes an assortment of five colored gels - blue, green, red, yellow and amber. The FX filter holder, designed to fit most flash models, enables the photographer to quickly and conveniently colorize the light for a variety of special effect applications. The system folds flat and comes with a convenient storage pouch. Application: Colorize the light for a variety of special effects. Light Loss: 1 stop. Dimensions: 3 3/8” x 4 3/4”.

Mini Softbox (LQ-108) The Mini SoftBox enlarges and diffuses the light with the flash in the direct flash position. Unobtrusive and low profile, the Mini SoftBox is ideal for press and other fast-moving situations. Application: To soften shadows and eliminate unpleasant red eye. Light Loss: Approximately 1 stop. Dimensions: Folds flat to 3 1/4” x 4 1/2”.

MidiBouncer (LQ-110) The MidiBouncer, designed for use with large professional flashes such as Metz, Sunpak, etc., enlarges and redirects the light at a 90° angle from the flash to soften the quality of light and distribute it over a wider area. Horizontal coverage is approximately 80°. While no exposure compensation is necessary when using the automatic features of the flash, operating distances are somewhat reduced. Direct Flash SoftBox

Snoot (LQ-114) The Snoot isolates the light to a very specific area. Automatic operation may be affected as illuminated area is limited. Bracketing and/or testing is recommended. Application: To illuminate a specific area of a scene with little or no effect on the surrounding area. Dimensions: Folds flat to 5 3/4” x 7 1/4”

Location/Portrait Kit (LQ-136) Includes Pro Max Softbox III FXtra Has Gel Holder, 8 Color Gels XTR Snoot Gives Narrow Beam of Light Two UltraStraps to Attach Accessories Softbox Softens Shadows Accessories Fit Most Current Flashes

Softbox LTP (LQ-124) Large Softbox for Speedlight Designed for Off-Camera Use 10x14” (25.4x35.5cm)

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Professional Photo Supports

1/4 Speed Grid for Portable Flash The HonlPhoto 1/4” Speed Grid is part of the Honl Speed System, which allows you to add a line of different light modifiers to your flash unit. The 1/4” Speed Grid attaches to the Speed Strap (offered separately), and dramatically narrows the beam of light that’s put out by your shoe mount or handle mount flash. The effect is a small circle of light, with the size depending on flash-tosubject distance. For Shoe Mount or Handle Mount Tightens Light Beam

1/8 Speed Grid for Portable Flash The HonlPhoto 1/8” Speed Grid is part of the Honl Speed System, which allows you to add a line of different light modifiers to your flash unit. The 1/8” Speed Grid attaches to the Speed Strap (offered separately), and dramatically narrows the beam of light that’s put out by your shoe mount or handle mount flash. The effect is a small circle of light, with the size depending on flash-tosubject distance. For Shoe Mount or Handle Mount Tightens Light Beam

Filter Kit: Color Effects The Honl Photo Color Effects Filter Kit adds a creative touch to your Honl Photo Speed System light modifiers. It allows you to add various colors to your lighting source, from high-quality polyester gels from Lee, a leading manufacturer. The gels are durable and fitted with hook-and-loop adhesive upon the edges to quickly attach to Honl Photo’s Speed Straps Includes Blue, Frosted, Green, Red, & Yellow Gels

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Filter Kit: Autumn The HonlPhoto Filter Kit: Autumn is a set of filters that attach to the front of your flash’s lens, adding color to your photos. These filters attach to the HonlPhoto Speed Strap (sold separately) and can be used in tandem with other HonlPhoto flash accessories. The usable filter area is 2.5 x 4” (6.35 x 10.2cm) and can be trimmed with scissors to fit your individual strobe unit.

Filter Kit: Hollywood The HonlPhoto Filter Kit: Hollywood is a set of filters that attach to the front of your flash’s lens, adding color to your photos whether lighting a subject or a background. These filters attach to the HhonlPhoto Speed Strap (sold separately) and can be used in tandem with other HonlPhoto flash accessories. The usable filter area is 2.5 x 4” (6.35 x 10.2cm) and can be trimmed with scissors to fit your individual strobe unit.

Filter Kit: Color Correction Includes CTB, CTO, & Green Filters Adj. Flash to Tungsten Room Light Adj. Flash to Fluorescent Lights Adjust a Tungsten Light to Daylight

Speed Gobo /Bounce Card The HonlPhoto Gobo Bounce Card is a 4 x 7.5” two-sided bounce card, made of a tough black ballistic nylon on one side and a white polymer on the other. The white side can be used as a standard bounce card, to bounce and scatter the light output of the flash. The black side can be used to keep light from flaring into your lens when using a flash as a background or hair light. The Gobo Bounce Card connects directly to Speed Strap (sold separately). Two-side bounce card Combine two for a “barn door” setup

Speed Snoot, 5” / 8” Shorty The HonlPhoto 8” Speed Snoot/ Reflector is part of the Honl Speed System, which allows you to add a line of different light modifiers to your flash unit. This 8” long Speed Snoot/Reflector attaches to the Speed Strap (offered separately), and can be used either as a snoot or a reflector.

Speed Strap One strap that works with a line of various HonlPhoto accessories Eliminates rubber bands, tape or sticky residue from gluing attachment strips to the flash head

System Carrying Bag Holds Honl Speed Flash Tools Water-resistant Nylon Snap-hook on End Nylon Loop on End

Filter Roll-Up Carry Up to 30 Honl Photo filters Easy to Identify Filter Colors Takes Up Minimal Space in Camera Bag

Traveller8 Softbox For Shoe-Mounted Flash Units Create Beautiful Soft Light on the Go Compact 11 x 9” Softbox Circular Catchlights in Subject’s eyes Folds Flat for Transport

Professional Photo Supports

Instant Lab Universal

COLOR FILM FOR 600

The Instant Lab Universal is compatible with most mobile devices featuring a 4” screen and a resolution of approximately 300 ppi. Devices must be running version 3.0 or higher of the Impossible Project app, iOS devices must be operating on iOS 7 or higher, and Android devices must be operating on version 4.0.3 (Ice Cream Sandwich) or higher. The following devices have been tested with the Universal Cradle: Apple: iPhone 4 and later; iPad Mini 2 and later; iPad 3 and later; iPad Air 1 and later; and iPod Touch 5th generation Samsung: Galaxy S3 and later; Galaxy Note II and later; and Galaxy Tab Pro 8.4 HTC: One M7 and One M8 Google: Nexus 5 and 7 Sony: Xperia Z3 Instant Prints of Your Mobile Photos Holds iOS and Android Phones or Tablets For Devices with ≥ 4” Displays Works with Impossible Project App Support Film Types: 600 and SX-70-Series Four Coated Glass Element Optical Design Micro-Processor-Control Film Processor Internal Rechargeable Li-Ion Battery

For Polaroid 600 Type Cameras White Frame & Square Image Image Area: 3.1 x 3.1” Glossy Surface Type Color Protection Formula High Color Saturation, Fine Detail

Black & White Instant Film 2.0 for Polaroid SX-70 Type Cameras White colored frames Generation 2.0 film Fully developed pictures ready in five minutes Each pack contains 8 exposures Glossy finish

Impossible Instant Film Starter Pack (3-Pack, 24 Exposures)

For Polaroid 600 Cameras Three 8-Exposure Packs of Film Shooting Tips in Each Pack Color Film, White Frames Glossy Surface Type

Color Instant Film for Polaroid SX-70 Cameras (White Frame, 8 Exposures) For Polaroid SX-70 Type Cameras White Frame & Square Image Image Area: 3.1 x 3.1” Glossy Surface Type Color Protection Formula High Color Saturation, Fine Detail

Black & White 2.0 Instant Film for Polaroid 600 Cameras

Skateistan Edition B&W 2.0 Film for Polaroid 600 Camera

(White Frame, 8 Exposures)

(Single Pack)

For Polaroid 600 Type Cameras White Frame & Square Image Image Area: 3.1 x 3.1” Glossy Surface Type Enhanced Tonal Range, Vivid Saturation Very Fine Detail, Quick Development

For Polaroid 600 Type Cameras White Frame with Skateistan Design Image Area: 3.1 x 3.1” Glossy Surface Type

Black & White 2.0 Instant Film for Polaroid 600 Cameras (Black Frame, 8 Exposures) For Polaroid 600 Type Cameras Black Frame & Square Image Image Area: 3.1 x 3.1” Glossy Surface Type Enhanced Tonal Range, Vivid Saturation Very Fine Detail, Quick Development

COLOR FILM FOR 600 SILVER FRAME Silver Frames Color Protection Formula Color Saturation High Detail and Sharpness

Black & White 2.0 Instant Film for Polaroid 600 Cameras (White Round Frame, 8 Exposures)

For Polaroid 600 Type Cameras White Round Frame & Circular Image Image Area: 7.1 in² Glossy Surface Type Enhanced Tonal Range, Vivid Saturation Very Fine Detail, Quick Development

COLOR FILM FOR 600 COLOR FRAMES Color Frames Color Protection Formula Color Saturation High Detail and Sharpness

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Professional Photo Supports

HERO4 Silver

Battery BacPac

Composite Cable

Supports 2.7K30, 1080p, 1440p, Video Capture 12MP Photos at 30 fps Ultra Wide Angle Glass Lens + SuperView Camera Housing Waterproof to 131’ Wi-Fi and Bluetooth Connectivity Video and Photo Time-Lapse Protune Mode for Video and Photo One-Button Operation with QuikCapture Auto Low Light and Night Photo Modes Flat and Curved Adhesive Mounts Included

Extends GoPro HERO Battery Life Flush Mounting to Back of Camera LCD Window Shows Remaining Capacity LED Recording Status Indicator Works with GoPro and other USB Chargers Standard and Skeleton Backdoors Included For HERO3, HERO3+, and HERO4

Compatible with All GoPro Camera Models Clamp to Objects with 0.25 - 2” Diameter Clamp Features Quick-Release Connector Neck Features Quick-Release Connector

Hero 4 Black Edition Supports 4K30, 2.7K60, and 1080p Video Capture 12MP Photos at 30 fps Ultra Wide Angle Glass Lens + SuperView Camera Housing Waterproof to 131’ Wi-Fi and Bluetooth Connectivity Video and Photo Time-Lapse Protune Mode for Video and Photo One-Button Operation with QuikCapture Auto Low Light and Night Photo Modes Flat and Curved Adhesive Mounts Included

Curved & Flat Adhesive Mounts Compatible with GoPro HERO3 Three Flat Adhesive Mounts Three Curved Adhesive Mounts Industrial-Strength, Waterproof Adhesive Easy Removal with Heat from a Hairdryer

Bag pack Includes Five Drawstring Bags Use to Protect Your GoPro Cameras Use to Organize Your GoPro Accessories Works with Any GoPro HERO Model

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Auto Charger with Dual USB Ports DC Car Charger for All HERO Models Dual USB Ports for Simultaneous Charging Each Port Delivers 1 Amp Quick Charge Record or Shoot Photos While Charging Works with Most USB Powered Devices

Head Strap + QuickClip Compatible with All GoPro Camera Models Capture Headlamp-Like POV Footage Supports Multiple Head-Mounting Options Fully Adjustable to Fit All Sizes Fits on Your Head or Over Your Helmet QuickClip Enables Low-Profile Mounting

Grab Bag of Mounts Flat 3M Adhesive Mount Curved 3M Adhesive Mount Horizontal Surface Quick-Release Buckle Vertical Surface J-Hook Buckle Thumb Knob with Nut and Bolt Pivot Arm Assembly Quick-Release Vibration Plug Leash Tether

HERO3 Anti-Fog Inserts Prevents Fogging in Cold Weather Prevents Fogging in Humid Conditions Each Insert Will Last Approx. 4 Uses Compatible with All GoPro Cameras Package Includes 12 Anti-Fog Inserts

Rechargeable Battery Jaws Clamp Mount Compatible with All GoPro Camera Models Clamp to Objects with 0.25 - 2” Diameter Clamp Features Quick-Release Connector Neck Features Quick-Release Connector

Use as Spare or Replacement For HERO4 Black or Silver

Hero3 Micro HDMI Cable Micro-HDMI to HDMI Connectivity Provides Full HD Video & Audio Playback Compatible with GoPro HERO3, 3+, 4

Professional Photo Supports

Side Mount

Surfboard Mounts

Wi-Fi Remote Mountin

Works With All GoPro Housings / Frames Works on Helmets, Vehicles, Gear & More Three-way Pivot Adjustability for Aiming

Features Two Surfboard Mounts Perfect for Mounting to Boards & Boats Great for Kayaks & Other Water Gear Includes Camera Anchors & Tethers Includes FCS Plug & Rubber Locking Ring For All GoPro HERO Housings

Attachments for Your Wi-Fi Remote Attach to Clothing, Wrist, Neck & More Also Includes Remote Adhesive Mounts

GoPro Helmet Front Mount Low Profile Mounting Turns Camera on You for Self-Portraits

Hero3 3.5mm Mic Adapt Compatible with HERO3 / HERO3+ / HERO4 Connect Any 3.5mm Microphone to Camera

Hero3 Combo Cable Compatible with HERO3 / HERO3+ / HERO4 Supports USB to USB Connectivity Supports USB to Composite Video Out Supports USB to 1/8” (3.5mm) Mic Input

Hero 3 USB Charger Suction Cup mount Compatible with All GoPro Camera Models Works on Cars, Boats, Motorcycles & More Adjustable Arms for Compact Mounting Mount Proven at Speeds of 150+ mph Includes Standard & Quick Release Bases 3.4” Diameter Suction Cup

Hero 4 Session

WiFi Attachment key

Supports 1080p60 / 1440p30 (4:3) Video Capture 8MP Still Photos Ultra Wide Angle Glass Lens + SuperView Integrated Housing Waterproof to 33’ Control with GoPro App or SmartRemote Time-Lapse and Photo Burst Modes Auto Low Light + Protune Mode for Video One-Button Operation Low-Profile and Standard Frames Flat and Curved Adhesive Mounts Included

Compatible with GoPro Wi-Fi Remote Attach Remote to Your Clothing & Gear

Body Board Mount

Wall Charger Charge Up to Two GoPro Cameras Dual USB Ports for Simultaneous Charging Each Port Delivers 1 Amp Quick Charge Record or Shoot Photos While Charging Works with Most USB Powered Devices Includes AC Plugs for US, EU, UK & AU Compatible with All GoPro Cameras

Wi-Fi Remote Controls Camera from up to 600’ Away Access to All Camera Settings Waterproof to 32’ Record Start/Stop, Power On/Off HiLight Tag Button for HERO4 Control up to 50 Camera at Once Built-In LCD Status Display Includes Key Ring and Wrist Strap For Wi-Fi Enabled GoPro HEROs

Simultaneously Charge Two Batteries USB Powered For GoPro HERO3 / HERO3+ Batteries

Wi-Fi Remote Charging Cable

Mount Camera to 1.5 to 3.5” Thick Boards For Bodyboards, Surfboards, and SUPS Capture POV Action Shots or Selfies Tether Cord Included for Added Security Mounting Arrow Helps During Installation Installs Using a Screwdriver

Charges Your GoPro Wi-Fi Remote Plugs Into Any USB Charging Device

189

Professional Photo Supports

Tripod mount Compatible with All GoPro Camera Models Includes Tripod Mount for GoPro Housing Also Includes Quick Release Tripod Mount Both Attach GoPro to a Standard Tripod

Dual Battery Charger with Battery f

Standard Housing BacPac Backdoor Kit

Charge Two Batteries Simultaneously Power from Nearly Any USB Source Dual Charge Status Indicator LEDs Includes Spare HERO4 Battery

Fit LCD Touch BacPac in Standard Housing Fit Battery BacPac in Standard Housing For AHSRH-301 Standard Housing

3 Way Tripod mounts 3-in-1 Mount: Grip / Extension / Tripod Expands From 7.5 to 20” Use Extension to Capture Selfies Follow the Action with Hand Grip Mini Tripod Works with/without Extension Mini Tripods Stores In Hand Grip Waterproof Construction

3 Way Grip Arm Tripod 3-in-1 Mount: Grip / Extension / Tripod Expands From 7.5 to 20” Use Extension to Capture Selfies Follow the Action with Hand Grip Mini Tripod Works with/without Extension Mini Tripods Stores In Hand Grip Waterproof Construction

Floating Hand Grip Helps Stabilize Hand-Held Shots Keeps HERO and BacPac Afloat Non-Slip Construction for a Secure Grip Adjustable Wrist Strap Included Includes The Tool - Wrench/Bottle Opener

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3D Hero System 3D System for (2) 1080p HD HERO Cameras Underwater Housing Rated to 180’ (60 m) Capture 2D/3D Video and Stills at Once Includes Easy to Use 3D Editing Software Anaglyph, Active & Passive 3D Output Synchronization Cable Various Mounts & Mounting Hardware

LCD Touch BacPac Compose Shots and Review Footage Touchscreen Controls Camera Settings Instant Slow-Motion Playback Speaker and 3.5mm Headphone Jack Adjustable Brightness Touch, Skeleton, and Standard Backdoors For HERO3, HERO3+, and HERO4

Chesty Chest Harness Mount One Size Fits All For GoPro Quick-Release Cameras Works with HERO, HERO3, HERO3+, HERO4

Head Strap Mount Fully adjustable to fit all sizes, the Head Strap is compatible with all GoPro cameras and great for keeping the footage clear while you shred. Compatible with all hero 3, hero 2, and hd hero cameras Head Belt only , not include the GoPro cam and Screw

Roll Bar Mount Mounts the HERO camera to Cars, Boats, ATVs and more

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