MAXIME AULIO
THE DAY THE LITTLE GREEN MEN DIDN'T ATTACK EARTH ! (version pour Soprano en ossia de la partie de Theremin) Commande de l’Association des Amis de la Musique des Sapeurs-Pompiers de Paris
Score
Instrumentation Solo Theremin (or Soprano Voice) Flute 1 Flute 2 Flute 3/Piccolo Oboe/English Horn 2 English Horn 1 Bassoon 1 Bassoon 2 Clarinet in Eb Clarinet in Bb1 Clarinet in Bb2 Bass Clarinet in Bb Contrabass Clarinet in Bb Baritone Saxophone/Alto Saxophone Horn in F 1 Horn in F 2 Cornet in Bb 1 Cornet in Bb 2 Trombone 1 Trombone 2 Bass Trombone Tuba Violoncello Contrabass Electric Guitar (Radio Transistor) (Crunch booster overdrive, Leslie, Phaser, wah-wah, 8va pedal optional, 1 drum stick) Harp Celesta Percussion 1 Timpani, Bass Drum, Vibraphone (4 octaves opt.), Drum Set (hit-hat, pedal bass drum, 3 toms, floor tom, snare drum, cymbals – crash, splash, chinese, trashformer, sizzle) *
Percussion 2 Crotales (1 octave), Glockenspiel (with pedal), Thunder Tube (spring drum), 2 Taka-taka (very small friction drum), Rubber Balloon to pop, Rubber Balloon to scrape with fingers, Flexatone, Slapstick (fouet)
Percussion 3 Wine glass to break, Mark tree (metal wind chimes), Suspended Cymbal (from drum set), very high Wood Block, Drum Set (hit-hat, pedal bass drum, 3 toms, floor tom, snare drum, cymbals – crash, splash, chinese, trashformer, sizzle) *
* The 2 drum sets should be on similar configuration, and as possible, with equivalent sounds (except for suspended cymbals, freely chosen)
THE DAY THE LITTLE GREEN MEN DIDN'T ATTACK EARTH ! (version pour Soprano en ossia de la partie de Theremin) MAXIME AULIO (2014-2022) Op. 34
Commande de l’Association des Amis de la Musique des Sapeurs-Pompiers de Paris
à Thorwald Jørgensen
4 4
Senza misura
q = ca. 60
Senza misura
3 8
q = ca. 60
Senza misura ca. 6 s
1 4 4 4 ad lib.
q = ca. 60 molto vib. 3
2 4
(highest note)
Theremin p
mp
f
p
mf
f
pp pp
3
(highest note)
[Version pour Soprano] (œ)
( o)
(ῖ)
flatt.
Flute 1 pp
pp
Flute 2 pp
Picc.
Piccolo (Flute 3) pp Oboe (English Horn 2)
English Horn 1
Bassoon 1,2
Clarinet in Eb
Clarinet in Bb 1
Clarinet in Bb 2
Bass Clarinet in Bb
Contrabass Clarinet in Bb (continuous breathing preferably) long
pp
long
solo
Baritone Saxophone (Alto Saxophone) niente
pp
mp
pp
Horn in F 1,2
Cornet in Bb 1,2
Trombone 1
Trombone 2
Bass Trombone
Tuba in F
Senza misura
4 4
q = ca. 60 au talon
Senza misura
3 8
q = ca. 60
Senza misura ca. 6 s
sim.
1 4 4 4 ad lib.
q = ca. 60
2 4
Violoncello pp
mp
Contrabass
Electric Guitar with fingernail
Harp
Celesta
MNMOMMNN
p
p
5
Percussion 1
Percussion 2 break a wine-glass
Percussion 3 mf
5
2
3 4
9
1 3 8+ 4
(very high short sound)
4 4
(lowest tone)
sub.
s. glis
Th. pp noisy
pp
sub.
pp
mp
pp
mp
(lowest tone)
f molto vib.
s. glis
[S.] (ti pi ti ki ti pi ti...)
f
(mm)
(a)
Fl. 1 p
mf
p
mf
Fl. 2
Picc.
Ob.
Eng. Hn. 1 a2
Bsn. 1,2 ffz Eb Cl.
Cl. 1
Cl. 2 quasi slap
3
B. Cl. f
fz 3
Cb. Cl.
3
f
fz
slap
Bari. Sax. fz
muted
a2 - un peu cuivré 3
open
muted
Hn. 1,2 p
pp
(f)
3
mp
straight mute
mf
6
6
6
6
(mute)
Cor. 1,2 p
3
mp
mf
straight mute
Tbn. 1 pp straight mute
Tbn. 2 pp straight mute
3
open
B. Tbn. pp
mf
mf 3
3
Tba.
3 4
1 3 8+ 4
3
mf
mf
(f)
4 4
(2)
Vc. fz
pp
f (2)
(1) buzz pizz.
Cb. fz
mf
pp
f
Radio
Hp.
mfz
MNMOMLNN
3
as fast as possible
mf
Cel.
Timpani
with thin wooden stick (rattan) 5
3
med. felt stick
Perc. 1 mpz Crotales
mf randomly, slowly, irregularly
Perc. 2 p Mark tree (metal wind chimes)
Perc. 3 p l.v.
(1) buzz pizz. : make the string vibrate against a left-hand fingernail placed directly beside the string ("buzz") (2)
: changez d'archet à volonté, indépendamment l'un de l'autre - violoncelle/contrebasse
13
ord. vib.
molto vib.
(high note)
. gliss
Th.
gli ss. p
ff
ff
ord. vib.
molto vib.
gli ss.
. gliss
[S.]
3
A
(Ra) criez
Fl. 1 p
mf
p
mf
Fl. 2
Picc.
Ob.
Eng. Hn. 1 p
p
f
f
p
f
p
f
p
f
3
p
f
p f
3
3
Bsn. 1,2 p
f
p
p
f
f
3
3
p
f
3
p
f
p
3
f
Eb Cl.
Cl. 1
Cl. 2
3
B. Cl. f
3
ff
Cb. Cl. f
ff
(slap)
Bari. Sax. ffz
ff
Hn. 1,2 mp
3
mf
6
6
6
6
avec tension
Cor. 1,2 mp
3
mf
poco f
mf IV
3
(1)
open - avec tension
I
5
II
Tbn. 1 mf poco a poco cresc.
(cresc.)
[ff]
IV
3
open - avec tension
(1)
5
III
I
Tbn. 2 mf poco a poco cresc.
(cresc.)
[ff] (à peine cuivré)
3
B. Tbn. f
opt.
(légèrement cuivré)
3
Tba.
A
f
Ö (forte pression)
Ö
Vc. ffz
ff
(forte pression)
Ö
Ö
Cb. ffz
ff
Radio
Hp.
MMMOLNML
(3)
ffz sim.
(2)
Cel.
dim. poco a poco (non rall.) Timp. 3
Perc. 1 B.D. (same stick)
B.D.
mf
f
sim.
Perc. 2 dim. poco a poco e rall.
l.v.
Perc. 3 p l.v.
(1) remonter dans les positions au fur et à mesure, très rapidement, afin d'atténuer le plus possible les coupures dans le glissando (2) diminuer tout en gardant la vitesse d'exécution ; il n'est pas grave que certaines notes sonnent et d'autres non, du moment où les mains commencent à quitter le clavier (3) laisser le doigt glisser rapidement et vigoureusement vers la table, afin qu'il tape celle-ci avec bruit, juste après la note jouée
4
poco vib.
19
port.
Th. (poco f)
f
poco f - lyrico
(poco f)
poco f
port.
[S.]
Fl. 1
Fl. 2
Picc.
Ob. (f)
f lyrico Eng. Hn. 1 f lyrico
(f) 3
Bsn. 1,2 mp
mp
3
ff
f
3
3
p
mf
3
pp
p
Eb Cl.
Cl. 1 mp
mp
mp
mp
Cl. 2
B. Cl.
Cb. Cl.
Bari. Sax. open
3
3
3
Hn. 1,2
open
3
3
mp
f
mf
p
mf
p
mp
pp
3
Cor. 1,2 mp
f
mf
p
mf
p
mp pp
Tbn. 1 mp
f
mp
mf
p
mf
p
mp
pp
p
mf
mp
mp
f
mp
mf
p
mf
p
mp
pp
p
mf
mp
Tbn. 2
B. Tbn.
Tba.
Ö
Ö
Ö
Ö
Vc.
Ö
Ö
Ö
Ö
Cb.
Radio
mf
MNLONMLM
Hp.
p
ff
[mf]
mf
Cel.
Perc. 1
Perc. 2
Sus. Cym.
Perc. 3 p
f l.v.
23
5
etherical (flute)
Th. p
poco a poco cresc.
[S.]
Fl. 1 f
f
f
f
Fl. 2
Picc.
Ob.
6
f
Eng. Hn. 1
6
6
f
3
3
3
3
mf
3
3
mf
6
mf 3
a2
Bsn. 1,2 f
3
f
3
5
f
f
Eb Cl. mp
Cl. 1 f
mf
p
mp
f
f
mf
p
mp
f
6
6
6
6
3
3
mf
Cl. 2 mf
B. Cl. mf Cb. Cl. mf Bari. Sax. mp
a2 - soli
3
Hn. 1,2 f 3
3
f
3
3
5
f
3
1.
f
3
5
Cor. 1,2 p
mf
mp
(-2.)
pp
mf 3
mf
3
Tbn. 1 pp p
mf
mf
mf
Tbn. 2 pp p
mf
B. Tbn. mf Tba.
(highest note) au talon
ord.
Ö Vc. 6
f
6
fz
f
mf
f
Ö Cb. f
mf
Radio
mf
MNLOMMMM
Hp.
f
Cel.
mf
3
3 3
3 3
3
f
p
3
l.v.
3
3
3
3
p
Vibraphone (very hard mall.) (1)
Perc. 1 p
f
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
(3) Glock. (rubber hard xylo. mall.) (2)
Perc. 2 p Hit-hat (wooden sticks) - towards the edge E
f
6
6
6
6
Sus. Cym.
Perc. 3 Pedal B.D.
p
5
f
(1) 4 octaves vibraphone preferably (2) pedal glockenspiel preferably
(3) in case you don't have a 3 octaves glockenspiel, play all the sextolets since bar 24, an octave lower
6
27
gliss.
Th. f
3
3
3
3
f s. glis
[S.]
Fl. 1 ff
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
Fl. 2 ff Picc.
3
3
3
3
ff
Ob. ff Eng. Hn. 1 ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 a2
3
Bsn. 1,2
3
5
Eb Cl.
3
f
ff
3
3
3
3
f
ff
Cl. 1 ff Cl. 2 ff 3
3
B. Cl. f
f
Cb. Cl. like a drone in the lowest register 3
3
pp
3
Bari. Sax. f
f
f
5 3
Hn. 1,2
3 3
ff
p
Cor. 1,2 +2.
3
3
3
3
3
Tbn. 1 5
f
poco
f
f 3
3
3
Tbn. 2 f
f
f
3
3
B. Tbn. f
f
3
3
Tba. f col legno - battuto (1)
Vc. 3
– R
3
5
ff
f (2)
– R
– R
– R
arco
p - mp
ff
Cb.
Radio
MLLOMMMM
Hp.
f
ff
Cel.
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
loco
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(preferably)
Perc. 1
Perc. 2
6
6
6
6
6
6
6
6
3
Hit-hat
Perc. 3 mp
(1) arpeggio, on 4 strings, behind the bridge (2) play on the tail piece
ff l.v.
ff
B
31
7 soloist : senza misura (stay background !)
nasal/harsh sound
[ FRENCH NATIONAL ALERT SIGNAL]
Th. mp poco a poco dim.
(5)
mp poco a poco dim.
(background)
w/electric megaphone
[imiter une sirène d'alarme]
[S.]
(ã)
Fl. 1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mp poco a poco dim. Fl. 2
mp poco a poco dim. to Flute
Picc. 3
3
3
Ob. poco a poco cresc. 5
5
f
meno f
3
3
Eng. Hn. 1 5
f
f
poco a poco cresc.
3
Bsn. 1,2
Flatt.
ffz
ffz
ffz
ffz
ffz
3
5
ffz
3
3
Eb Cl. poco a poco cresc. 5
f
meno f
3
3
3 Flatt.
Cl. 1 5
f
poco a poco cresc.
5
meno f
3
3
3 Flatt.
Cl. 2 5
f
poco a poco cresc.
5
meno f
3
B. Cl.
ffz
ffz
ffz
ffz
ffz
ffz
ffz
ffz
stay background
etc.
Cb. Cl.
p-f 3
Bari. Sax. ffz
ffz
ffz
ffz 3
1.
Hn. 1,2 (-2.) f
ff
3
3
3
a2 - broardly
Cor. 1,2 5
f
5
meno f
poco a poco cresc.
3
Tbn. 1 ff
3
Tbn. 2 ff
3
B. Tbn. ff
3
Tba.
ff
B Vc. p - mf
mp - ff
(2)
Cb. p - mp
p - mf
RADIO (3)
Radio
¯¯¯
¯¯¯¯¯¯¯¯¯¯¯¯¯¯
¯¯
mp
¯¯¯
¯¯¯¯¯
¯¯
mf
mp - ff
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ff
strongly strike the soundboard w/ finger 3
Hp.
3
f
¯¯
¯
¯¯¯
¯¯¯¯¯¯¯¯¯¯¯¯
¯
ff
¯¯¯¯
¯¯¯
¯¯¯¯¯¯¯¯
¯¯
¯
ff
¯¯¯
¯¯
3
3
l.v.
Cel.
ff
10
l.v.
(on "black" notes) 3
Perc. 1 B.D. (wooden sticks)
f
l.v.
Perc. 2
eeeeee
f
fz
fz
fz
fz
fz
etc. (ad lib.)
eeeeeeeee
eeeeeeeee
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
stay background
mf - ff
l.v. to Drum Set (6)
Perc. 3
fz
Thunder tube (spring drum) (4)
(on "white" notes)
3
Bass tom
Mark tree
p l.v.
Pedal B.D.
fz
fz
fz
fz
fz
(3) radio transistor tuned between noise and talking (news, debate) broadcast - no music ! Adjust the maximum volume (ff) to stay on the background (4) o ----- + ----- o : keep a hand to open/close the tube as you shake it with the other one ; wah-wah effect
fz
(5) see Appendix (6) see note bar 47
8
39 Th.
[S.]
Fl. 1
Fl. 2
3
Ob. 6
6
3
3
3
3
meno f
f
poco a poco cresc. 3
3
to English Horn 2
3
f 3
3
3
3
Eng. Hn. 1 meno f
6
poco a poco cresc.
f
f
f
f
3
Bsn. 1,2
ffz
3
ffz
ffz
3
3
6
3
6
3
6
3
ffz
3
3
ffz
3
3
Eb Cl. 6
meno f
poco a poco cresc.
3
3
f
3
f 3
f 3
3
3
3
f 3
Cl. 1 6
meno f
poco a poco cresc.
3
3
f
3
f 3
f
f 3
Cl. 2 6
meno f
f
poco a poco cresc.
f
f
f
3
B. Cl.
ffz
ffz
ffz
ffz
ffz
Cb. Cl.
3
Bari. Sax.
ffz
ffz
ffz
f
3
ffz
ffz
6 3
(-1.)
3
3
3
+1. - a2
Hn. 1,2 3
f
3
a2
Cor. 1,2 6
3
3
p
poco a poco cresc. 6
3
2.
f
f
3
f
3
f (-1.)
3
3
3
2.
meno f
poco a poco cresc.
f
f
3
Tbn. 1
f
f
3
Tbn. 2
3
B. Tbn.
3
Tba.
Vc.
Cb.
Radio
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
¯¯
¯¯
ff
3
sim.
¯¯¯¯¯¯¯¯¯ ff
¯
¯¯
¯¯¯¯¯¯¯¯¯¯¯¯¯
¯¯¯
ff
¯
¯¯
¯¯¯
¯¯¯¯¯¯¯¯¯
¯
ff
¯¯
¯¯¯
¯¯¯¯¯¯¯¯¯
¯¯
¯
¯
ff
¯¯ ff
3
f
Hp.
¯¯¯
3
3
l.v.
Cel.
3
Perc. 1 fz Perc. 2
fz
fz
fz
fz
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee 3
(1)
Perc. 3
ROCK
fz
fz
fz
fz (f)
(1) ROCK : play/improvise in a hard rock/metal style, keeping in mind q=60 or 120. It should increase - in force, inspiration, use of different/complicated rhythms,... - from bar 44 to 52
ROCK
fz
19 8
C
48
ca. 20 s Conductor (w/ Megaphone)
to the audience & musicians :
"Your attention please : this is NOT a drill... I repeat... this is NOT a drill..."
Cond.
Th. give the megaphone to the conductor
[S.] perdendosi
Fl. 1
Fl. 2
Fl. 3
Eng. Hn. 2 3
Eng. Hn. 1 f 3
1.
a2
overblown !
3
Bsn. 1,2 2.
f
molto f
3
poco a poco cresc.
(ff)
Eb Cl. 3
3
3
3
f
molto f 3
poco a poco cresc.
(ff)
3
3
3
molto f
overblown !
3
Cl. 2
f
overblown !
3
Cl. 1
poco a poco cresc.
(ff)
overblown !
B. Cl. ffz
ffz
Cb. Cl.
overblown !
Bari. Sax. ffz
3
3
f
molto f
overblown !
3
Hn. 1,2
poco a poco cresc.
ffz
(ff)
3
Cor. 1,2 f
sim. - overblown !
Tbn. 1 ffz
sim. - overblown !
Tbn. 2 ffz
sim. - overblown !
B. Tbn. ffz
ffz
sim. - overblown !
Tba.
ffz
(forte pression)
C
ffz
1 8
ca. 20 s
Vc. f
3
poco a poco cresc.
(ff)
Cb. f (extraits de plus en plus courts, plus espacés, moins sonores)
Radio
¯¯¯
¯
¯¯¯¯¯
¯¯
¯
¯¯¯¯¯
¯¯
¯
¯
ff
( ad lib.) create a larsen effect, progressively
¯¯¯¯¯
¯¯
¯
¯
Electric guitar
+ tremolo poco a poco
¯¯¯¯¯¯¯¯¯¯
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
¯¯¯¯¯¯¯¯¯¯¯¯¯
¯
f
MMLOMMMM
Hp.
Cel.
to Drum Set (1)
Bass tom
Perc. 1
(balance drums & voice)
ROCK Pedal B.D.
Perc. 2
(2)
fz (f)
ROCK
fz
(f) cresc.
fz
(ff)
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
eeeee (balance drums & voice)
Perc. 3
ROCK
fz
ROCK
fz (f) cresc.
(ff)
(1) Drum sets (perc. 1/3) : the 2 drum sets should be on same configuration, and as possible, with equivalent sounds (except for sus. cym., freely chosen) ; hit-hat pedal B.D., 3 toms, floor tom, S.D., crash cym., splash, chinese, trashformer, sizzle (2) see note bar 44
fz
1 8
10
,44
molto rit.
D
4+ 1 48
A tempo q = ca. 60
4 4
nasal
Th. mf mf 5:3
S. (i)
Fl. 1
Fl. 2
Fl. 3
Eng. Hn. 2
Eng. Hn. 1
Bsn. 1,2
Eb Cl.
Cl. 1
Cl. 2
son fendu
B. Cl. ffz son fendu
Cb. Cl. ffz son fendu
to Alto Sax.
Bari. Sax. ffz Alto Sax.
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
1 8
molto rit.
4D 4
4+ 1 48
A tempo q = ca. 60
(gliss.)
sul pont.
4 4
Vc. ff
Cb. (tapped harm.) overdrive
E. Gtr.
ordinario (opt. echo/poco reverb)
add some "crunch" booster poco a poco
crunchy
slide
IV V VI
trem.
ffz
p sub. Dm (1)
Hp.
etc.
B¨
Dm/F
Gm
ffz
Cel.
(étouffez !)
Perc. 1
Perc. 2 (étouffez !)
Perc. 3
(1) Chords are indicated, so your can change the positions, although only high and low voices can't change.
Dm
mf p
64
4E 4
legato
poco a poco vibrato
3
3
3
3
molto vib.
Th. poco f poco f
S. (a)
Fl. 1
Fl. 2
Fl. 3
Eng. Hn. 2
Eng. Hn. 1
Bsn. 1,2
Eb Cl.
Cl. 1
Cl. 2
B. Cl.
Cb. Cl.
Alto Sax.
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
4E 4
ord.
Vc.
[f-ff] (bartok pizz.)
Cb. ffz
E. Gtr. mf (not too loud, give space to cello)
Hp.
Cel.
Perc. 1
Perc. 2
Perc. 3
poco a poco vibrato
11
12 67
ord. vib. ord. sound (plain)
Th. legato
f (large) ord. vib.
3
3
3
3
molto vib.
S. (ae)
(a)
Fl. 1
Fl. 2
Fl. 3
Eng. Hn. 2
Eng. Hn. 1
6
Bsn. 1,2
6
6
3
f Eb Cl.
Cl. 1
Cl. 2
B. Cl.
3
Cb. Cl.
6
6
6
f Alto Sax.
Hn. 1,2 2.
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
(
port. Vc. (legato) Cb.
E. Gtr.
Hp.
(solo)
12
Cel.
11
ff
Perc. 1
Perc. 2
Perc. 3
≥≤ ≥)
70
6
conductor, think :
5+F5+7 16
6
13
6
x
= x (q = ca. 90)
poco a poco vib.
molto vib.
Th. 3
cresc.
3
vib.
sfz !
S.
ù
3
cresc.
3
criez !
Fl. 1
Fl. 2
Eng. Hn. 2
Eng. Hn. 1 ff Bsn. 1,2 6
Eb Cl.
6
3
6
ff
6
6
3
6
6
6
3
6
6
6
3
6
ff
f Cl. 1
ff
f Cl. 2
6
6
6
6
6
6
6
6
6
6
6
6
ff
f B. Cl.
f Cb. Cl.
ff
f
ff
Alto Sax.
Alto Sax. ff (-1.)
6
6
6
6
Hn. 1,2 f
ff
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
F
5+5+7 16
sim.
ff 6
x
= x (q = ca. 90)
Vc. ff
arco
Cb. f
6
6
3
6
ff
E. Gtr. ff
Hp.
Cel.
(toms)
6
6
6
Perc. 1 3
(B.D.)
3
p
f
Perc. 2
(toms)
6
6
Hit-hat (half open)
Perc. 3 3
p
(B.D.)
f
mp sub.
cresc.
14 ossia
2 4
"rock" sound (crunch/distortion) (*)
w/guitar
port.
7 16
Th. f
(ff) ff w/guitar
S. (a)
Fl. 1 ff
f
f
Fl. 2 f Flute
ff
f
f Eng. Hn.
ff
f
Fl. 3
Eng. Hn. 2 f
f Eng. Hn. 1
f Bsn. 1,2 ff Eb Cl. f Cl. 1 f Cl. 2 f B. Cl.
ff Cb. Cl.
ff Alto Sax. f +1. - a2
Hn. 1,2 f cuivré
ff
ff
1.
a2
a2
Cor. 1,2 ff cuivré
f cuivré
ff
f
Tbn. 1 f cuivré
f
f cuivré
f
Tbn. 2
B. Tbn. f cuivré
to the fore
trem. gliss.
f
Tba. ff
f
Bartok pizz. col legno batt.
Bartok pizz.
col legno batt.
f
2 4
7 16
arco
Vc. ff
Bartok pizz. Bartok pizz.
col legno batt.
col legno batt.
arco
Cb. ff (+ reverb) harmonics
sim.
(
pedal opt.)
sim.
port.
E. Gtr. ff
gliss. (fast)
LMMOMLML
Hp.
w/theremin (or soprano)
ff
black keys
ff
Cel.
white keys
Hit-hat (half open) dirty metal
Perc. 1 f Perc. 2 Cym. (crash)
Cym. (chinese)
You can vary ad lib. (cymbals, hit-hat)
(low toms)
Perc. 3 (f)
(*) unisono tuning can be "dirty" ; don't try to make it clean, play "dirty rock"
79
7 16
2 4
7 16
2 4
715 16
2 4
7 16
Th.
S.
Fl. 1
Fl. 2
Fl. 3
Eng. Hn. 2
Eng. Hn. 1
a2
a2
a2
a2
Bsn. 1,2
Eb Cl.
Cl. 1
Cl. 2
B. Cl.
Cb. Cl.
Alto Sax.
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
7 16
2 4
7 16
Vc.
Cb.
E. Gtr.
Hp.
Cel.
Perc. 1 mf
Flexatone
Perc. 2 Cymb. (crach, chinese,...)
Perc. 3 mf
(f)
(f)
16
87
7 16
port.
2 4G
hollow sound
Th. p
mp mp
p S.
(œ)
breath ad lib.
Fl. 1 ff
mp breath ad lib.
Fl. 2 ff
mp
to Piccolo
Fl. 3
Eng. Hn. 2 ff Eng. Hn. 1 ff breath ad lib.
a2
breath ad lib.
Bsn. 1,2 f
p
breath ad lib.
Eb Cl. f
p
breath ad lib.
Cl. 1 f
p
breath ad lib.
Cl. 2 f p
breath ad lib.
B. Cl. p
f breath ad lib.
Cb. Cl. p f breath ad lib. Alto Sax. p
f a2
Hn. 1,2 ff Cor. 1,2 ff Tbn. 1 ff Tbn. 2 ff B. Tbn. ff Tba.
7 16
2 4G
(f)
etc.
col legno batt.
etc.
col legno batt.
Vc. ff
mf
Cb. ff
mf reverb/wah-wah
continue ad lib.
E. Gtr. p
pp cresc.
[mp]
ff
Hp.
l.v.
ff
Cel.
Perc. 1 mf
(f)
mf
mp 2 Taka-taka (very small friction drum) "scrape" (*)
Perc. 2 (p) Perc. 3 mf
mp
p
(*) don't make the taka-taka turn around, instead let them hang, and turn the sticks to make noise from the friction of the lines at the point of attachment to the sticks
H
97
17 poco a poco gliss.
Th.
poco a poco gliss.
S.
Fl. 1 p Fl. 2 p
Picc. (fast)
fast
to Flute
Picc. mp
mp
Eng. Hn. 2 p
p
p
p
Eng. Hn. 1
Bsn. 1,2 pp Eb Cl.
Cl. 1
Cl. 2
B. Cl.
Cb. Cl.
Alto Sax.
muted
Hn. 1,2 pp straight mute
Cor. 1,2 pp straight mute
Tbn. 1 pp straight mute
Tbn. 2 pp straight mute
B. Tbn. pp Tba.
H Vc. mp Cb. mp etc.
echo (solo)
E. Gtr. p
Hp.
MLLOLMLM
MNLOLMLM
mf
Cel.
Perc. 1
Perc. 2
Perc. 3
l.v.
l.v.
mp
l.v.
18
109
I
J
nasal + crunchy sound
(slow gliss.)
gliss.
Th. perdendosi
mp pp
perdendosi S.
mf
mf pp
mp
mf
pp
mf
gliss. (slow gliss.)
(y)
(
) (bouche en canard)
Put your covid mask
Fl. 1 Put your covid mask
Fl. 2
Put your covid mask
Fl. 3 Put your covid mask
Eng. Hn. 2
Put your covid mask
Eng. Hn. 1 Put your covid mask
Bsn. 1,2 Put your covid mask
Eb Cl. segue 3
Cl. 1
Put your covid mask
3
pp
Put your covid mask
Cl. 2 segue 3
3
Put your covid mask
B. Cl. pp
Put your covid mask
Cb. Cl. Put your covid mask
Alto Sax. f open
(breath ad lib.)
1"-3"
Hn. 1,2 1"-3"
non dim. (breath ad lib.)
open
Put your covid mask
open
Put your covid mask
open
Put your covid mask
open
Put your covid mask
f
Cor. 1,2 non dim. (breath ad lib.)
Tbn. 1 non dim. (breath ad lib.)
Tbn. 2 non dim. (breath ad lib.)
B. Tbn. non dim.
solo
3
Put your covid mask
Tba. mf
3
J
f
I
col legno batt. (arp., behind the bridge)
– R
Vc.
1"-3" ad lib.
(f)
– R
col legno batt.(arp., behind the bridge)
Cb. "bow" with a drum stick (opt. : or play with erased attacks, with pedal or effect) "hollow" sound
(f)
1"-3" ad lib.
quick gliss.
etc.
E. Gtr. mp
mp
Hp.
p
l.v.
Cel.
Vibraphone bow + med. mall.
Perc. 1 p (ped. sempre)
l.v.
l.v.
l.v.
l.v.
l.v.(Ped. until the end of sound)
Perc. 2 Very high wood-block - soft mall.
Perc. 3 p Cb radio "help" message
Audio files
1
("is anyone out there ?")
("is anyone out there...")
125
opt.
rt. po mf
Th. p
mp mp
mf
p mp
p f
mp
f
mp
f
mf
K
opt.
f ff
ff
molto vib.
gliss.
mf
por
19 3 3
ff f
ff molto vib.
S.
less vib. molto vib. (legato) ord. 3
less vib. molto vib. 3
3
gliss.
t. ( )
3
(legato - breath ad lib.)
( )
Fl. 1
Fl. 2
Fl. 3
Eng. Hn. 2
Eng. Hn. 1
Bsn. 1,2
Eb Cl.
Cl. 1
Cl. 2
B. Cl.
Cb. Cl.
Alto Sax.
Put your covid mask
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
K Vc. ffz Cb. ffz molto vib.
less vib. molto vib. 3
3
E. Gtr. ord. (legato)
(ff) poco a poco cresc.
Hp.
Cel.
Timp.
Perc. 1 B.D.
ffz rubber balloon to pop !
Perc. 2 fz
(low toms) Drum Set
Perc. 3 (B.D.)
ffz ("hello ? we need help !")
2
Audio files (e)
Screams
3
(*)
20
L
Senza misura
1
3
2
ca. 2 s
ca. 2 s
ca. 2 s
4
5
(**)
ca. 2 s
("upbeat" to M)
ca. 8 s
ca. 8 s
(***)
ca. 7"
Th. ffz secco
4 4
(1)
pp
ffz secco
pp
ca. 7"
S.
(1)
(speaking voice) Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
remove your mask
Fl. 1 pff
pff remove your mask
Fl. 2 pff
pff
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
remove your mask
Fl. 3 pff pff progressively take your instrument to your "mouth", and imitate playing
Cough loudly
Eng. Hn. 2 pff pff Cough loudly
secco
progressively take your instrument to your "mouth", and imitate playing
Eng. Hn. 1 pff
secco
pff
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
Bsn. 1,2 pff
secco
pff
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
remove your mask
Eb Cl. pff
pff remove your mask
Cl. 1 pff
pff
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
remove your mask
Cl. 2 pff pff
B. Cl. pff
secco
pff
Cb. Cl. pff
secco
pff remove your mask
Alto Sax. pff
pff
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Cough loudly
progressively take your instrument to your "mouth", and imitate playing
Hn. 1,2 secco
pff pff
Cor. 1,2 secco
pff pff
Tbn. 1 pff
secco
pff
Tbn. 2 pff
secco
pff
B. Tbn. pff pff
secco
Tba. secco
pff pff
L
1 Senza misura
3
2 ca. 2 s
(*)
ca. 2 s
ca. 2 s
4
ca. 8 s
5
ca. 8 s
4 4
Vc.
Cb.
E. Gtr. ffz secco
Hp.
Cel.
Perc. 1
Perc. 2
Perc. 3
Audio files
(*) percussion and strings can join the coughing at will
(***) musicians stop "secco" right at the moment Audio Files 3 starts
(**) percussion and strings stop coughing progressively
(1) number of notes ad lib.
4M 4
21
lointain, echo, résonnance
Misterioso q = ca. 60
Th. ppp
ppp
ppp
ppp
ppp
ppp
ppp pp
S. (œ)-(a)
Fl. 1 poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
Fl. 2
Flute
Fl. 3 poco mf remove your mask
Eng. Hn. 2
remove your mask
Eng. Hn. 1
remove your mask
Bsn. 1,2
Eb Cl. poco mf
ppp
poco mf
ppp
Cl. 1 poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
poco mf
ppp
Cl. 2
remove your mask
B. Cl.
remove your mask
Cb. Cl. (balance w/clarinets) to Baritone Sax.
Alto Sax. poco mf remove your mask
Hn. 1,2
remove your mask
Cor. 1,2
remove your mask
Tbn. 1
remove your mask
Tbn. 2
remove your mask
B. Tbn.
remove your mask
Tba.
4M 4
Misterioso q = ca. 60
Vc.
Cb. w/fingers Leslie (slow)
E. Gtr. p
MLLOLNMM
Hp.
mp
mp
Cel.
Vib. (soft mall. + bow)
Perc. 1 motor ON (slow)
Perc. 2
Perc. 3
Computer
Audio files
3
mp
ppp
poco mf
ppp
poco mf
ppp
N
22
155 allarg.
lunga meno
short
(a tempo)
rit.
poco affretare
allarg.
avec tension 3
(trio w/English horns)
Th. mf
espress.
f
(vib.)
f
mf
mf mf 3
S. avec tension
espress.
Fl. 1
Fl. 2
to Piccolo
Fl. 3
soli
3
Eng. Hn. 2 mf espress.
mf
f
3
soli
Eng. Hn. 1 mf espress.
f
Bsn. 1,2
Eb Cl.
Cl. 1
Cl. 2
B. Cl.
Cb. Cl.
Bari. Sax.
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
N Vc.
Cb.
E. Gtr.
Hp.
Cel.
Perc. 1 (l.v.)
Perc. 2
Perc. 3
(a tempo)
allarg.
rit.
poco affretare
allarg.
166
a tempo
lunga
poco allarg.
O
23
"Recitativo"
Th. poco dim.
(mp)
mf
f
ff
mf p
mf non dim.
poco dim.
(mp)
mf
f
ff
mf p
mf non dim.
mp p
opt.
S. ( o)
Fl. 1
Fl. 2
Picc.
to Oboe
Eng. Hn. 2 (mp)
poco dim.
mf
f
ff
mf
p
mf
f
ff
mf
p
mf non dim.
Eng. Hn. 1 mf
poco dim.
(mp)
mf non dim.
Bsn. 1,2
Eb Cl.
Cl. 1
Cl. 2
B. Cl.
Cb. Cl.
Bari. Sax.
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
a tempo
O
poco allarg.
"Recitativo"
Vc.
Cb.
(micro manche) trem. slow
fast
E. Gtr. Pad (or reverb) poco crunch p l.v.
C
Hp.
MMLOMNMM
mf l.v.
as fast as possible
Cel.
(p)
l.v.
Perc. 1
Perc. 2
Perc. 3
aliens
Audio files
4
mf
mp
p
mf
p
(p)
poco affretare
24
179
a tempo
allarg.
molto rit. a tempo
poco affretare
lunga 3
Th. mf
mf 3
mf
poco a poco cresc.
(f)
ff
mf
poco a poco cresc.
(f)
ff
S.
Fl. 1
Fl. 2
Picc.
Ob.
Eng. Hn. 1
Bsn. 1,2
Eb Cl.
Cl. 1
Cl. 2
B. Cl.
Cb. Cl.
Bari. Sax.
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
poco affretare
a tempo
allarg.
molto rit. a tempo
poco affretare
Vc.
Cb.
trem.
trem. (sim.)
trem.
trem.
trem.
trem.
trem.
f
poco ff l.v.
E. Gtr. mf l.v.
l.v.
B
poco f
MNMONMNM
Hp.
MLLOLNLM
l.v.
[F#] mf
[C§,E§]
[Bb]
[Eb]
[Cb,F§]
l.v. poco f f
sim.
mf l.v.
Cel.
l.v.
Perc. 1
Perc. 2
Perc. 3
Audio files
ff l.v. sim.
poco f
f
ff l.v.
188
molto vib.
poco a poco ord.
(ord.)
P
full sound
Th. p
(ff)
(q)
molto vib.
gliss.
f S.
25
L'istesso tempo q = ca. 60
p
ss. gli
port.
gliss. mf
mf
mf ( q )
(vib.)
port.
gliss.
perdendosi
poco a poco
molto vib.
(y)
(œ)
Fl. 1
Fl. 2 Piccolo - ad lib.
Picc.
Oboe
f
ad lib.
Ob. f
fz
Eng. Hn. 1
Bsn. 1,2 f Eb Cl.
Cl. 1
Cl. 2
B. Cl.
f Cb. Cl. f Bari. Sax. Baritone Saxophone
f Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
P
L'istesso tempo q = ca. 60
Vc.
Cb.
E. Gtr.
(Buzz) (pédale entre deux crans)
[G§]
Hp.
mf
Cel.
Timp. (w/ thin wooden sticks-rattan) lointain (très précis, peu de résonnance)
Perc. 1 ppp Perc. 2
Perc. 3
lower the volume al niente
Audio files
stop the file, put volume back
Attacca Spaceship + Alarm
5
poco a poco cresc.
26
195 (vib.)
poco a poco
Th. f S.
port.
f
Fl. 1
Fl. 2
continue ad lib.
Picc. fz (multiphonic ad lib.)
son fendu
f
mf continue ad lib.
Ob. ffz
f
Eng. Hn. 1 2.
Bsn. 1,2 1.
mf
bend
Eb Cl. f Cl. 1
Cl. 2
B. Cl. mf Cb. Cl. mf
ad lib.
slap
Bari. Sax. f
(mf)
f
fz
f
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Vc.
Cb.
E. Gtr.
Hp.
Cel.
Perc. 1 pp Perc. 2 low (floor) tom lointain (très précis, peu de résonnance)
Perc. 3 ppp
Audio files
27
198
molto vib. (vib.)
s. glis
Th.
poco accel.
(bang effect) ad lib.
glis s. lowest tone
f
fffz
mf
ff
f
fffz
mf
f
p p
poco accel.
ad lib.
por
S.
port.
t.
gli ss.
Fl. 1
Fl. 2
Picc.
secco
Ob.
secco
Eng. Hn. 1
Bsn. 1,2 mf
son fendu (multiphonic ad lib.)
secco
Eb Cl. continue ad lib.
Cl. 1
Cl. 2
B. Cl. mf Cb. Cl. mf
continue ad lib.
Bari. Sax.
secco
Hn. 1,2
Cor. 1,2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Vc.
Cb.
overdrive phaser
E. Gtr.
Hp.
Cel.
Perc. 1
secco
Perc. 2
Perc. 3
secco
poco a poco cresc.
Audio files
pp
28
204
Q
Doppio tempo q = ca. 120
Th. mf
f f
mf
S.
Fl. 1
Fl. 2
Picc.
Ob.
Eng. Hn. 1
Bsn. 1,2 f Eb Cl. mf Cl. 1 mf Cl. 2 mf B. Cl. f
f
solo
Cb. Cl. f
f
Bari. Sax. f Hn. 1,2 mf
cresc.
Cor. 1,2
Tbn. 1 mf
cresc.
Tbn. 2 mf
cresc.
B. Tbn. mf
cresc.
Tba.
Q
Doppio tempo q = ca. 120
Vc.
Cb.
(You may vary the rhythm at will)
solo
4
8
E. Gtr. poco f
Hp.
NLMOLMML
(Buzz)
mf
cresc.
f
Cel.
(w/ rattan)
Perc. 1 p
cresc.
2 Taka-taka - ord. playing (move in circles)
Perc. 2 (mf) (floor tom)
Perc. 3 p
cresc.
(mp)
29
214 Th.
gliss.
f
mf
f gliss .
glis s.
mf
f
mf
S.
gliss.
gliss.
gliss.
port.
f
vib.
mf
gliss .
gliss.
port.
. gliss
glis s. (Ra)
Fl. 1 f
Fl. 2 f
Picc. f Ob. mf
3
3
3
3
3
3
3
3
3
f
Eng. Hn. 1 mf
f
Bsn. 1,2
Eb Cl. f Cl. 1 f Cl. 2 f B. Cl.
Cb. Cl.
Bari. Sax.
Hn. 1,2 f Cor. 1,2 mf Tbn. 1 f Tbn. 2 f B. Tbn. f 3
Tba. ff
arco
col legno batt.
arco
col legno batt.
3
arco
Vc. f
f ff
arco
arco
ff
f
ff col legno batt.
col legno batt.
3
arco
Cb. f
ff
f
ff
po rt.
E. Gtr.
f
p sub.
Hp.
f
ff
ff
po rt.
f
ff
cresc.
f
ff
Cel.
Perc. 1 (mp)
Perc. 2
Perc. 3 poco mf
(mp)
f
30
220
R (bang)
gli s
ss. gli
Th. ffz fz
mf
cresc.
f
mf
f
vib.
vib.
gliss.
gliss.
S.
port.
s. glis
s.
cresc.
port.
s. glis
(a)
Fl. 1 f
Fl. 2 f
Picc. f Ob. mf
3
3
3
3
3
3
f
Eng. Hn. 1 mf
f
Bsn. 1,2 cresc. Eb Cl. cresc.
Cl. 1 cresc. Cl. 2 cresc.
B. Cl. cresc. Cb. Cl. cresc. Bari. Sax. cresc. Hn. 1,2 cresc. Cor. 1,2 mf
3
3
Tbn. 1 cresc.
Tbn. 2 cresc.
B. Tbn. cresc.
Tba.
R
col legno batt.
Vc. f ff
col legno batt.
Cb. f
ff
po rt.
E. Gtr.
p sub.
f
Hp.
f
ff
(p)
cresc.
f
Cel.
Perc. 1 (mp)
(mp)
Perc. 2
Perc. 3 cresc.
3
f
grab the antenna (scream sound)
226
pull away
(q) s. glis
Th. (fff)
(ff)
mf
(ff)
mf
(ff)
mf
f
mf
(q) s.
fff
cresc. poco vib.
f
cresc.
ff
fff
ff crier
ss. gli
s gli
S.
31
poco vib.
(q) ss. gli
(q)
(x)
Fl. 1 ff
ff
Fl. 2 ff
ff
Picc. ff 3
ff 3
Ob. cresc.
ff
(ff)
f
p
cresc.
3
3 fp
3
3
3
3
ff
3
Eng. Hn. 1 cresc.
ff
(ff)
f
p
cresc.
fp
ff
fp
ff
ff
ff
3
Bsn. 1,2 ff
f
p
cresc.
ff
3
(ff) Eb Cl. ff
(ff) Cl. 1
ff
(ff)
3
Cl. 2 ff (ff) B. Cl. ff (ff)
3
Cb. Cl. ff
(ff)
3
3
Bari. Sax. ff
(ff)
f
p
cresc.
3
3
fp
ff
ff
a2
Hn. 1,2 (ff)
mf
ff
ff
ff
ff
fp
ff
ff
fp
ff
ff
fp
ff
ff
3
f
Cor. 1,2 cresc.
ff
(ff)
f
p
cresc.
3
3 fp
3
3
3
3
3
3
3
Tbn. 1 (ff)
ff
(ff)
ff
f
p
cresc.
3
Tbn. 2 f
p
cresc.
3
B. Tbn. ff
(ff)
f
p
cresc.
Tba. p
cresc.
ff
(ff) Bartok pizz.
arco
Vc. f
(ff)
cresc.
ffz
arco
Bartok pizz.
Cb. f
cresc.
ffz
(ff) (q)
E. Gtr. (ff)
mf
f
f
ff
cresc.
gliss. ad lib. (opt. w/ mediator)
MMMOMMMM
Hp.
mf
ff
(fff) black keys
ff
(ff)
Cel.
(med. mall.)
Perc. 1 ffz
(solo) rubber balloon (scrape the surface w/ fingers)
B.D. slapstick (fouet)
ff
Perc. 2 f
(mp-mf) S.D. 3
poco rim shot
(S.D.) (low tom)
Perc. 3 B.D.
p
mp
mf
f
(f)
ffz
p
3
3
f
(B.D.)
ff