architectural
PORTFOLIO AFNA HASEEB COLLEGE OF ARCHITECTURE ,TRIVANDRUM
LANGUAGES KNOWN
DIGITAL SKILLS POOR
HINDI MALAYALAM
AVERAGE
GOOD
VERY GOOD
SOFT SKILLS EXCELLENT
AUTODESK AUTOCAD
TAMIL
GOOGLE SKETCHUP
ENGLISH
INTERACTIVE SKILLS IT ALWAYS IMPROVES THE POSITIVITY OF ANY PERSON. INTERACTION BROADENS THE MINDSET OF PEOPLE.
V-RAY RENDER
AFNA HASEEB afnahaseeb97@gmail.com afz_art_creashcn!! +917902882984 NATIONALITY: INDIAN ADDRESS : KOLLASSERIL HOUSE VADAKUMTHALA P.O KUTTIVATTOM, KARUNAGAPPALLY, KOLLAM, KERALA D.O.B: 25 MAY 1997 COLLEGE: COLLEGE OF ARCHITECTURE TRIVANDRUM, KERALA
ACADEMICS
REVIT
2001-2011 : SREE BUDDHA CENTRAL SCHOOL, KARUNAGAPPALLY
ADOBE ILLUSTRATOR
2011-2013 : ANGELS ARC HIGHER SECONDARY SCHOOL, KAYAMKULAM
ADOBE PHOTOSHOP
2013-2015 : SREE BUDDHA CENTRAL SCHOOL KARUNAGAPPALLY
LUMION
HOBBIES
2015-STILL CONTINUING : COLLEGE
PRESENT ACADEMICS JOINED COLLEGE : 2015
RESEARCH SKILLS I LIKE LEARNING ABOUT ANY TOPIC BEFORE IMPLEMENTING IT INTO MY DESIGN. IT IMPROVES THE QUALITY OF THE DESIGN.
TRAVELLING COOKING
EXPECTED PASS OUT YEAR : 2020 CURRENT SEMESTER : 6 SKETCHING
PHOTOGRAPHY
TEAMSPIRIT I AM VERY ENTHUSIASTIC TO WORK INSIDE A GROUP AND I ALWAYS KEEP UP THE TEAM WITH A POSITIVE SPIRIT.
LISTENING SKILLS ALWAYS EAGER TO HEAR NEW FACTS FROM PEOPLE. I COULD SPEND ALL OF THE TIME TALKING TO SOMEONE.
DESIGN P R O J E C T S
01
02
THE SQUARE (SEM:2 MAJOR)
03
RESIDENCE DESIGN (SEM:3 MAJOR PROJECT)
THE PAVILLION (SEM:3 MINOR PROJECT)
04
TEMPLE DOCUMENTATION (SEM:5 MAJOR PROJECT)
01
THE SQUARE(CAFETERIA AT THINAVILA) CONTEXT
T H E S Q U A R E
COLLEGE OF ARCHITECTRE TRIVANDRUM
CONTEXT: RURAL MAIN USER: STUDENTS
LOCATION : THINAVILA DISTRICT : TRIVANDRUM STATE : KERALA
THE COMMON BUILDING TYPOLOGIES NEAR THE SITE IS RESIDENTIAL BUILDING WITH TWO STOREYS. THEREFORE THE CAFE IS BUILD TO RESPOND WITH THE CONTEXT OF THE SITE BY NOT IMPLEMENTING ANY MASSIVE STRUCTURE BUT RATHER TO CREATE A FORM THAT IS VERY SIMPLE.
CONCEPTUAL EVOLUTION
CAT LADIES HOSTEL PROPOSED SITE
S Q U A R E
ARIEL VIEW FROM SOUTHWEST CORNER THE CAFE WAS DESIGNED ON THE BASIS OF THE SITE CONTEXT. THE MAIN USER GROUPS WERE THE COLLEGE STUDENTS
SEATING ARE ALSO PROVIDED OUTSIDE TO IMPROVE THE AESTHETICS OF THE CAFE BY LOOKING INTO THE NATURE WHILE SIPPING THE COFFEE.
WIDENED VERANDAH FOR PROVIDING SEATINGS FOR VIEW
ALFRESCO TYPE SEATING
SEATINGS FOR FOUR PEOPLE
7.9
STAIRS TO UPPER FLOOR
SEATINGS FOR TWO
COMMON TOILET
8
CASH COUNTER
13.6
T H E
C A F E T E R I A
2.5
17 12
FORM EVOLUTION FOOD COUNTER
SEATINGS FOR TWO SEATINGS FOR FOUR
2.5
ASSUMED PEAK TIME : EVENING
S2 MAJOR PROJECT
ARIEL VIEW FROM NORTH FACE
THE OPENINGS ARE DONE IN SUCH A WAY THAT IT REDUCES THE GLARE OF THE EVENING SUN EFFECTIVELY. AFNA HASEEB S1S2 COLLEGE OF ARCHITECTURE SITE: THINAVILA
SECTIONAL VIEW FROM NORTH EAST CORNER
S Q U A R E
ALFRESCO TYPE SEATING
7.9
STAIRS TO UPPER FLOOR
SEATINGS FOR TWO
COMMON TOILET CASH COUNTER
8
T H E
WIDENED VERANDAH FOR PROVIDING SEATINGS FOR VIEW
SEATINGS FOR FOUR PEOPLE
13.6
C A F E T E R I A
2.5
17 12
PARGOLAS ARE GIVEN IN THE WEST FACE INSTEAD OF LARGE FRENCH WINDOWS TO REDUCE THE GLARE OF THE EVENING SUN. ALSO THEY ARE INSPIRED BY THE VERTICALITY OF RUBBER PLANTATION IN THE SITE.
FOOD COUNTER
SEATINGS FOR TWO SEATINGS FOR FOUR
2.5
S2 MAJOR PROJECT
LARGE DOORS FOR MAIN ENTRANCE SO THAT PEOPLE SITTING INSIDE CAN SEE THE VIEW OUTSIDE AND ALSO THE PEOPLE OUTSIDE WILL GET A FRAMED VIEW OF THE ACTIVITIES HAPPENING INSIDE.
THE INTERIOR IS DONE IN SUCH A WAY THAT IT IS EXPRESSED IN THE MONOCHROMES OF BROWN. THE INTERIOR IS VERY SPACIOUS.
AFNA HASEEB S1S2 COLLEGE OF ARCHITECTURE SITE: THINAVILA
T H E P A V I L L I O N
02 THE PAVILLION AT KOLLAM CONTEXT
GOVT. SERVANTS WORKING GUEST HOUSE.
CONTEXT : URBAN MAIN USERS : LOCALS STUDENTS ARTISTS THE SITE HAS AN URBAN CONTEXT THEREFORE IT REQUIRED A STRICT FORM WHICH WILL BE APPRECIATED MORE IF IT IS MODERN. LOCATION :ASRAMAM DISTRICT :KOLLAM STATE: KERALA
CONCEPTUAL EVOLUTION
8 POINT ART CAFE, ALL TYPES OF USERS EXPECTED AND THEY COULD VISIT THE PAVILLION TOO.
ASRAMAM GROUND CONSISTED OF KIDS PLAYING AROUND.
T H E P A V I L L I O N
LARGER FRENCH WINDOWS TO ALLOW MAXIMUM SUNLIGHT INSIDE THE READING SPACE IT ALSO FRAMES THE ACTIVITY HAPPENING INSIDE THE SPACE. THE PEOPLE COULD SIT INSIDE AS WELL AS OUTSIDE. EXTERIOR PROVIDED WITH TREES TI HAVE SHADE SO THAT PEOPLE COULD SIT AND READ OVER THERE. THE SITE CONTEXT IS ALSO VERY CALM.
THE SOUTH FACE HAS THE MOST INCONVIENIENT SUNLIGHT SUPPLY WHICH HAS TO BE REMOVED. THEREFORE NO WINDOW WAS GIVEN ON THAT SIDE INSTEAD A RIBBON WINDOW WAS INSTALLED TO REDUCE THE AMOUNT OF LIGHT COMING INSIDE. THE BOOK SHELF IS ALSO GIVEN IN THAT SIDE OF THE SPACE.
A RECESSION GIVEN ON THE FRONT FACADE TO CREATE A SUBTRACTIVE FROM. AND ALSO THE HEIGHT OF THE BACK SIDE EMPHASIS THE IRREGULARITY OF THE FORM
THE FORM IS MAINLY DEVELOPED BY THE RESTRICTIONS IN THE SITE BOUNDARY
R E S I D E N C E D E S I G N
03 THE RESIDENCE AT KATTAKADA
CONTEXT
PROPOSED SITE
CONTEXT : URBAN USER : IT PROFESSIONAL(FATHER) FASHION DESIGNER(MOTHER) A FOUR YR OLD KID(DAUGHTER)
CONCEPTUAL EVOLUTION
CONCEPTUAL EVOLUTION
R E S I D E N C E
SEMI PRIVATE SPACES
PUBLIC SPACES
ZONING BASED ON THE USAGE AND FUCNTION OF THE DESIGN.
PUBLIC SPACES
PRIVATE SPACES
SEMI PUBLIC SPACES
SEMI PRIVATE SPACES
D E S I G N
PRIVATE SPACES PUBLIC SPACES
A STRAIGHT CENTRAL AXIS FOR CIRCULATION IN WHICH ALL THE SPACES COULD BE PUBLIC SPACES ACCESSED EASILY.
SEMI PUBLIC SPACES
REQUIREMENTS : THE USER REQUIRED DIFFERENT SPACES DEPENDING UPON THE PRIVACY AND THE FUNCTION. THIS IS MAINLY DUE TO THE DIFFERENT TYPES OF GUESTS. - A SPACE FOR IT PROFESSIONAL - A BOUTIQUE FOR THE DESIGNER - CHILD FRIENDLY SPACES.
2.2
3.4
3.17
DECK 4.2M X 1.5M +60
DINING ROOM 4.2M X 5.5M
READING FOYER GROUN D +0
7.2
KITCHEN 3.8M X 5.5M
LIVING ROOM 4.2M X 4M + 45
13.25
SITOUT + 45
13.25
3.4
13.52
OPEN TO SKY COURTYARD WITH A TREE PLANTED +0 LVL
THE DECK IN THE LIVING ROOM
BOUTIQUE 5.5M X 6M
TOILET 1.8M X 2.1M +40 LVL
COMMON TOILET 1.5M X 2.1M +40 LVL
TOILET 1.8M X 2.1M +40 LVL
BEDROOM 3.2M X 4.2M
3.9
4.5
CORRIDOR ALONG THE COURTYARD GARAGE 6M X 3M
MASTER BEDROOM 5.8M X 4.2M
2.1
D E S I G N
22.72 3.6
2.1
R E S I D E N C E
6.22
12.1
6.8
25.22 N
RESIDENCE DESIGN
SCALE 1:50 ALL DIMENSIONS IN METRE
AFNA HASEEB S3 BATCH:C
THE LIVING ROOM WITH THE VIEW TO THE COURTYARD
R E S I D E N C E D E S I G N
GARAGE
BOTIQUE
PLAN AT 120CM
FOYER
SECTION 1
LIVING ROOM MASTER BEDROOM
SECTIONAL VIEW IT SHOWS THE DECK AND THE LIVING ROOM.
DINING ROOM
SECTIONAL VIEW IT SHOWS THE DECK AND THE LIVING ROOM.
COURTYARD BEDROOM OPEN KITCHEN
SECTION 2
SECTIONAL VIEW IT SHOWS THE DECK AND THE LIVING ROOM.
T E M P L E D O C U M E N T A T I O N
04
TEMPLE DOCUMENTATION (SEM:5 MAJOR PROJECT) Vanamamalai Perumal Temple is a Hindu temple dedicated to the god Vishnu, in Vanamamalai (Nanguneri), Tamil Nadu, India on the banks of Thamiraparani river. Constructed in the Dravidian style of architecture, the temple is glorified in the Divya Prabandha, the early medieval Tamil canon of the Azhwar saints from the 6th–9th centuries AD. It is one of the 108 Divyadesam shrines dedicated to Vishnu. Vishnu is worshipped here as Vanamalai Perumal and his consort Lakshmi as Varamanagi.The temple is believed to have been built by the Pandyas, with later contributions from Vijayanagar kings and Madurai Nayaks. The temple covers an area of 5 acres (20,000 m2) and has a five-tiered temple tower.
DOCUMENTED AREA: GARBHAGRIHA(INNER MOST SHRINE)
T E M P L E D O C U M E N T A T I O N
ARCHITECTURE : The temple has a large five-tiered gopuram (gateway tower) and a large temple compound having two prakarams (closed precincts of a temple).There are various pillared halls in the temple. The presiding deity, Vanamamalai Perumal is seen seated on the Adisesha, the serpent deity. Sridevi and Bhoodevi, the two consorts of Perumal are seen on either sides of the presiding deity.The shrine of the presiding deity is located axial to the gateway tower and approached through Ardhamandapam and Mahamandapam, pillared halls. There are three precincts in the temple, with the shrine of Thayar located in the second precinct. There is a festival hall in the second precinct in the temple facing South that has sculpted pillars indicating various legends of the Puranas. The most notable of them being a legend of Mahabharata where Bhima attacks a lion legged person with his club. The second precinct has pillared halls that has smaller sculpted representation indicating various avatars of Vishnu.
GROUND FLOOR PLAN
REFLECTED CEILING PLAN
A'
A'
MH/02
2758
330
MH/02
21601
330
1720
1720
1720
2050
2050
2050
2050
H
3770
625
I
330 2050
2198
5771
478
614 8
+196lvl
9
10
2050
2198
3793
636
3
1248 D11 1880
D4
1877
3685
1970
1970
1970
+30417lvl
6 +27220lvl
+215lvl
D12
1970
530
D8
D7
6
1970
2050
5 D6 1877
1515
D10
7
7
8
6036
+3220lvl
22845
6036
+44193.3lvl
B' MH/02
1965
1965
1965
1965 1880
D4
9
+27220lvl 1880
1880
1880
5541
9 +15lvl
+16lvl
+30417lvl
LIGHTWELL
+5390lvl
1880
1880
7845 632
11
D2 +366lvl
+216lvl 3
4
2120
D3 D4
2
2432
W2
1644
625
12
2432
1681
LIGHTWELL
10
1248
1693
1880
11
13 788
13
B MH/02
THE INNER MOST SHRINE WAS DOCUMENTED AND THE DRAWING IS PREPARED AS FOLLOWS.
8
W1
10
12
B' MH/02
22844
6036
D1
+65lvl
6036
1
D5
22811
6036
22811
6036
A B MH/02
625 2280
2050
2050
1720
330 1720
1720
330 A
B
2050
2198
478
14
5606
625
2758
5771
2050
D
F
G
H
2050
2050
2050
2050
2198
15830
21601
330 C
2050 5820
330
3793
I
A MH/02
A
PLAN AT +1185lvl
MH/02
355
625
2050
965
2758
315
14
625
D O C U M E N T A T I O N
2050
4
D9 5
2050
1884
7
+196lvl
3666
6
+196lvl
2050
330
5
+196lvl
631 1884
1351
4
2758
1 2
1645
2259
1683
2
3
19623
5606
350
625
1
330 1720
G
2259
2279
F
1884
330 625
E
D
2259
C
B
625
A
1880
T E M P L E
SCALE 1:50
C'
C
KEY PLAN SCALE 1:2000
REFLECTED CEILING PLAN
SECTION AA SCALE 1:50
SCALE 1:50
LABEL 1 2 3 4 5 6 7 8 9 10
DETAIL C SCALE 1:50
PLAN AND REFLECTED CEILING PLAN
LEGEND MAHIMANDAPAM PALLIYARA STORE SAKARATHAL VARSANNATHIR LAKSHMI VARAHAM PERUMAL VISHWA SENAPATHI LAKSHMI NARAYAN THIRUKACHINAMBI SREENIVASA PERUMAL OONCHAL LOCKER
LABEL D1 D2 D3 D4 D5 D6 D7 D8 D9 D10 D11 D12 D13 W1 W2
SCHEDULE OF OPENINGS DIMENSION DESCRIPTION 156 x 12.5 x 210 WOODEN DOOR 72 x 10 x 209 GRILL DOOR 65 x 10 x 209 GRILL DOOR WOODEN DOOR 100 x 10 x 210 152 x 10 x 230 DOOR 65.5 x 10 x 130 DOOR DOOR 85.5 x 10 x 130 DOOR 97 x 10 x 152 160 x 10 x 194 GRILL DOOR 172 x 10 x 215 GRILL DOOR GRILL DOOR 104 x 10 x 163 203 x 17 x 309.1 WOODEN DOOR 154.95 x7 x 239.69 GRILL DOOR WINDOW 96 x 10 x 135 137 x 10 x 130 WINDOW
AFNA HASEEB S5 BATCH:A AR100/ MH/02
14
T E M P L E
12
9
10
7
8
1
3
DWARAPALAKARTHEY ARE THE TWO GUARDS OF LORD VISHNU. THEY BOTH HAVE SEPARATE INTERESTS AND IS SHOWN USING MUDRAS.
VIMANA TOP LEVEL +8396lvl
412
THE LEFT ONE ASKS THE VISITOR TO WAIT A MOMENT SO THAT HE CAN TAKE PERMISSION FROM HIS MASTER, WHILE THE ONE ON THE RIGHT IS SHOWN WITH AN 'ALWAYS WELCOME MUDRA. DETAIL NOT KNOWN
ROOF LEVEL
1538
+4684lvl
YALI OR VYALAS OR SHARDULARS REPRESENT A GENRE CALLED GROTESQUE IN ART. THEY ARE AKIN GARGOYLES IN EUROPEAN ARCHITECTURE OR LEOGRYPH IN ASIAN ARCHITECTURE.
+446lvl
200
CEILING LEVEL
MAHIMANDAPAM
DETAIL NOT KNOWN
DETAIL NOT KNOWN
3242
5392
+3057lvl
SAKARATHAL VARSANNATHIR
VYALAS CAN BE CALLED THE INDIAN DRAGONS. BODY OF THE VYALA IS THAT OF A LION OR A TIGER BUT THE TRUNK OR THE HEAD CAN BE AN ELEPHANT OR A BIRD. A SIMHA-VYALA IS SEEN IN THE MAHIMANDAPA.
SREENIVASA PERUMAL +446lvl
+366lvl G.L
+196lvl
FLOOR LEVEL +16lvl
YALI IS A FAMOUS TEMPLE MOTIF ALONG WITH APASARAS, YAKSHAS, KSHETRAPALA. BUT UNLIKE THEM, VYALA IS USUALLY CARVED ON A BRACKET AND SUPPORTS THE CORNICE.
DETAIL 1 SCALE 1:20 1
THIS MYSTICAL CREATURE IS BELIEVED TO PROTECT THE TEMPLES, ROAMING THE ROCK CONFINES OF DARKNESS AND LIGHT AND IS MORE POWERFUL THAN THE LION / TIGER, OR THE ELEPHANT.
SECTION-AA SCALE 1:50
B
C
D
E
F
H
G
THE INNER MOST SHRINE WAS DOCUMENTED AND THE DRAWING IS PREPARED AS FOLLOWS.
I
ROOF LEVEL 1238
+5914lvl
CEILING LEVEL
1576
5857
INTERIOR INTERIOR VIEW
MAHIMANDAPAM
342
2030
+4484lvl
G.L
FLOOR LEVEL +65lvl
+65lvl
671
D O C U M E N T A T I O N
5
6
SKETCH OF VYALI
+1.5lvl
SECTION-BB SCALE 1:50
INTERIOR INTERIOR VIEW
AFNA HASEEB S5 BATCH:A SECTIONS
AR100/MH/02
200 220 297
TYPE B
TYPE B
TYPE B' (F7)
765
TYPE B' (F7)
2958 lvl 1
290
315 217
490
4435
THE INNER MOST SHRINE WAS DOCUMENTED AND THE DRAWING IS PREPARED AS FOLLOWS.
PLAN B'
PLAN B
2
489
T E M P L E
DETAIL 1 SCALE 1:10
+1946.3 lvl 152
+1917.32lvl
398
+1746.4 lvl
332
2664
+1360.56lvl
+1059.07 lvl 398
1546
+1051.9 lvl
134
103 70 126
37
74
37
325
TYPE A SCALE 1:10
169
67
315
ELEVATION A & C
ELEVATION B 450
403
313
DETAIL 2 SCALE 1:10
150
206
330
200
243
450
450
36 62 160 36
340
150
330
41
228 341
67
TYPE A' (D7)
TYPE A (E8)
PLAN AT +91.22 LVL
RCP AT +1917.32 lvl
PLAN AT +1360.56 lvl
103
1033
169
320
61
450
403
334
124
103
103
488
PLAN AT 1051.9 LVL
169 D
A C
B
160
104 147
450
TYPE A (E8)
PLAN - TYPE B
PLAN AT +1059.07 lvl
PLAN AT +1746.4 LVL
PLAN AT +778.8 LVL
48
457
456
52
172
351
40
103
195
ELEVATION B & D
TYPE B SCALE 1:10
169
62
72
124
71 103
102
126
ELEVATION D
ELEVATION C
ELEVATION A 268
330
+91.22 lvl
236
751
+778.8 lvl
THE TYPE B PILLAR IS THE MOST REPEATED PILLAR IN THE SHRINE. THE ONLY DIFFERENCE IS THE CHANGE IN CAPITAL. ALL COLUMNS HAVE A RECTANGULAR CAPITAL AS SHOWN IN DETAIL 1 ( TYPE B) EXCEPT FOR THE ONE WHICH HAS A RECTANGULAR CAPITAL WITH SLOPED EDGES IN THE FRONT AS SHOWN IN MODULE 1 ( TYPE A').
232
280
D O C U M E N T A T I O N
244
244
IN DETAIL 2 ( TYPE A ), INSTEAD OF A FLOWER, A LION IS CARVED OUT.THE LION IS BELIEVED TO BE THE SYMBOL FOR POWER AND PROTECTION, AND HENCE IT IS SEEN TO BE CARVED OUT IN ALL THE PILLARS. THIS PILLAR IS UNIQUE BECAUSE THE MADATHIPATHI/GEEYARSWAMI/GURU IS WORSHIPED BEFORE THIS PILLAR.
C
TYPE A' (D7)
PLAN - TYPE A
D B
A
AFNA HASEEB S5 BATCH:A
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