I N P A SS I N G
CLIFF FRAZIER A MAN FOR ALL SEASONS AND A LIFE OF PURPOSE By Herb Boyd, and Aliya Frazier and Minerva Diaz © 2022 Courtesy Amsterdam News
In a life that was as inexhaustible as it was purposeful, it’s not easy to label Cliff Frazier. Through his commitment to a sundry of organizations and institutions, he touched a multitude and inspired countless number of aspirants in the world of business, community and humanitarian service, and the arts. Cliff, a veritable renaissance man, made his transition on Feb. 3. He was 87.
Photo Credit: Courtesy Dwyer Cultural Center
Cliff was born on Aug 27, 1934 in Detroit, Michigan to Larney Frazier and Willa Mae Revely; and much later attended Wayne State University. Earlier in his life, as an actor, he appeared in numerous theatrical and television productions. His legendary performance in Samuel Beckett’s “Krapp’s Last Tape” was reviewed by one of USA’s most influential Broadway director and drama critic, Harold Clurman, with the following comment: “Frazier’s performance was masterful. He is one of the finest actors in the United States.” “Although Cliff and my life in art was well connected … ,” said Woodie King, Jr. of New Federal Theater, recounting their early years together in Detroit in which they performed separately to rave reviews in a trio of plays “Study in Color” by the late Rev. Malcolm Boyd. Later, after this success they embarked for New York City in 1965. “He was cautious about leaving…he wanted to teach and train young people.” Upon arrival in New York, Cliff landed the lead role in “Lorenzaccio” by Alfred De Musset, King continued. “It was a big hit and I was able to secure a job with the help of Robert Hooks at Mobilization for Youth. Cliff ran the training program for young people of color in acting and theater arts. “Cliff was always looking ahead,” King added. “He hooked up with Voza Rivers and Ademola Olugebefola to start the Dwyer Culture Center in Harlem. We kept up a long and productive friendship and he served as Chairman of the New Federal Theatre’s Board of Directors for 15 years, during which the NFT honored Ossie Davis and Sidney Poitier.” In 1968 after Martin Luther King Jr. was assassinated, Cliff left his acting career and dedicated himself to the fulfillment of Dr. King’s vision of a “Beloved Community” free of the evils of racism, poverty and violence. He created programs and activities specifically aimed at fulfilling this vision. Cliff lived a life devoted to the “Beloved Community.” During the 60s, 70s and 80s, alongside Ossie Davis who was the driving force, Cliff helped change the face of the media industry. Through organizations like Community Film Workshop Council (CFWC), Third World Cinema (TWC) and the Institute of New Cinema Artists (INCA), they were responsible for training and obtaining opportunities of employment for over 2,000 Blacks, Latinos, Asians and individuals from low income communities throughout the United States and Puerto Rico, in the film, television, recording, advertising and allied media industries. In 1983 he won an Emmy for “To Be A Man” along with one of the alumni of CFWC, TWC and INCA, who’s an industry trailblazer; Neema Barnette, a producer/director, the first African American woman to direct a television situation comedy and who has directed numerous
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African Voices
