Agathe Ceccaldi Portfolio 2019 by Agathe Ceccaldi

Agathe Ceccaldi

P o r t f o l i o Professional Work & Competitions 2016 - 2019

SUMMARY PROFESSIONAL WORK

Upper East Side Townhouse

Gramercy Park Townhouse

Small lots NYC

Mall Redevelopment Research

Mexico City Airport

Willow

Echo Eco

Single Family Historical Renovation & Extension

Multi Family Historical Gut Renovation

NYC Tiny Lots Redevelopment

From Mall to City

Santa Lucia International Terminal

Geneva Town, NY - Lake front Park Public Art Shade

Bird Tower Observation

COMPETITIONS

Carnival Confessional

Logun Ljoss

Afrofuturist Artist Stadium

Human Trafficking

Iceland - Northern Lights Cabins

Waste Multi-Purpose Stadium

UES Historical Townhouse Renovation PROFESSIONAL WORK

Single-Family - SD through CA, DOB, LPC

04 -

The Fractal Group, 2018-19 - Project Designer & Manager Upper East Side private street townhouse for a family of four. Area: 1,869 SF. Floors: Basement, 3 floors & penthouse. Construction: on going. Renovation of a three stories Queen Anne style rowhouse, built around 1880, designed by Lamb & Rich, and part of the Henderson Place Historic District. Historically one-family house transformed to two families, the scope of work includes the transformation of the kitchen on the third floor to a bathroom, demolition on walls between the hallway and living and library on the first floor with addition of built-in cabinets. All the existing bathrooms are renovated with new fixtures. New stairs are created to access the new penthouse. The garden floor is fully remodel with new equipment in the boiler room, a fully new kitchen and open ceiling to uncover the historical joists. A new terrace is created on the 1 st floor over the roof of the garden level office. A new air handling units HVAC system is installed for a better comfort and energy efficiency.

Zoning & FAR Analysis

- 05

Upper East Side Single-Family

Basement Floor Plan

06 -

First Floor Plan

Third Floor Plan

Penthouse Floor Plan

- 07

Upper East Side Single-Family

Front Facade Elevation

08 -

Back Facade Elevation

AT BOTTOM NEW CLOSET (2) 94" X 14" X 2" (HEIGHT TO VIF)

KEEP

GARDEN FLOOR EXTRA FIRST FLOOR KEEP & ADD 4" AT BOTTOM KEEP KEEP

KEEP & ADD 4" AT BOTTOM KEEP KEEP

GARDEN FLOOREXTRA

KEEP

EXTRA KEEP & ADD KEEP & ADD 4" 4"

KEEP & ADD 4"

KEEP

TO ORDER

TO ORDER KEEP

KEEP & ADD 4" KEEP

FLUSH SMOOTH DOORS MATCHING ENTRY DOOR HEIGHT

ON SITE

FLUSH FLUSH SMOOTH SMOOTH DOORS DOORS MATCHING MATCHING ENTRY DOOR ENTRY DOOR HEIGHT HEIGHT

FLUSHMARVIN SMOOTH DOORS MATCHING ENTRY DOOR HEIGHT

BOILER ROOM --

(2) 89" X 33-1/2" X 2" (1) 88" X(1) 27"-- X 1-1/2"

(1) 26" (1) X -- 88"? X 1-1/2"

(1) 26" X 88"? X 1-1/2"

KEEP & ADD 4" AT BOTTOM

REMOVE

MARVIN

KEEP & FIND KEPT? MOULDING/PANEL SYSTEM KEEPREMOVE & ADD&4"ADD 4" KEEP GET SAMPLES AT BOTTOM AT BOTTOM

REMOVE KEEP & ADD 4" KEEP & FIND KEEP TO ORDERKEEP & ADDKEEP 4"TO TO KEEPAT & BOTTOM ADDKEEP 4" TO ORDER KEEPMOULDING/PANEL ADD 4" ORDER ORDER ON SITE ON SYSTEM SITE KEEP & REMOVE GET SAMPLES AT BOTTOM AT BOTTOM AT BOTTOM

(1) -- STAIRS (1) 26" X 88"?BOILER ROOM NEW CLOSET OFFICE NEW CLOSET STAIRS NEW FRENCH BOILER ROOM NEW CLOSET OFFICE NEW CLOSET NEW FRENCH X 1-1/2" (2) 94" X 14" X 2"77" X 32" X 1-3/4" (4) 94" X 18" 79-1/2" X 2" (2) 94" X 14" X 2" 77" X 32" X(4) 94" X 18" X 2" X 32" X 1-1/2" DOOR (1) -1-3/4" 79-1/2" X 32" XDOOR 1-1/2" (1) -(HEIGHT TO VIF) (HEIGHT TO VIF) (HEIGHT TO VIF) (HEIGHT TO VIF)

NEW FRENCH DOOR (1)

KEEP

MARVIN

TO ORDER TO ORDER ON SITE KEEP KEEP KEEP & ADD 4"KEEP KEEP & ADD 4" KEEP AT BOTTOM AT BOTTOM

KEEP

NEW CLOSET (4) 94" X 18" X 2" (HEIGHT TO VIF)

FLUSH SMOOTH DOORS MATCHING ENTRY DOOR HEIGHT

(1) 26" X 88"? X 1-1/2"

(1) --

BOILER ROOM --

AT BOTTOM BOTTOM AT AT BOTTOM AT BOTTOM FLUSH SMOOTH MARVIN (1) -(1) 26" X 88"? NEW CLOSET NEW CLOSET NEW FRENCH OFFICE STAIRS BOILER ROOM DOORS CLOSET ENTRY ENTRY BATHROOM CLOSET FRENCH DOOR ENTRY ENTRY BATHROOM (2) 89" XBATHROOM 33-1/2" X 2" CLOSET FRENCH DOOR ENTRY (2) 89" X 33-1/2" X 2" FRENCH DOOR BATHROOM BATHROOM X 1-1/2" 94" 18" X 2" (1) 77" X 32" XX 1-3/4" X -NEW CLOSET NEW NEW CLOSET FRENCH NEW FRENCH-OFFICE OFFICE BOILER ROOM 80" X 28" X 1-1/2" -X 32"XX32" 1-1/2" -94"X (2) 94" X 14" -- X 2" 79" X(4) 24" XX 1-1/4" 80" XDOOR 28" X 1-1/2" -94"X NEW CLOSET 79"NEW 24" (1)CLOSET X88" 1-1/4" X79-1/2" 27" 79-1/2" X 1-1/2" 80" X 1-1/2" 28" X 1-1/2" (1) 88" X 27"STAIRS 1-1/2" -- STAIRS 79-1/2" X 32" X 1-1/2" 79-1/2" X 32" X 1-1/2" MATCHING (HEIGHT TO VIF) (HEIGHT TO VIF) (2) 94" X 14" X 2" (2) 94" (4) 94" X 14" X 18" X 2"X 2" (4) 94" X 18" 77" X 32" X 1-3/4" 79-1/2" X 32" X 1-1/2" -- X 32" X 1-1/2" DOOR (1)X 2" DOOR (1) 77" X 32" X 1-3/4" 79-1/2" (HEIGHT TO VIF) (HEIGHT (HEIGHT TO TO VIF)VIF) (HEIGHT TO VIF) ENTRY DOOR HEIGHT

FLUSH SMOOTH DOORS MATCHING ENTRY DOOR HEIGHT

NEW CLOSET (2) 94" X 14" X 2" (HEIGHT TO VIF)

STAIRS 79-1/2" X 32" X 1-1/2"

Door & Lighting Schedules KEEP

FLUSH SMOOTH DOORS BATHROOM MATCHING 79" X 24" X 1-1/4" ENTRY DOOR HEIGHT

KEEP

OFFICE 77" X 32" X 1-3/4"

GARDEN FLOOR FIRST FLOOR KEEP KEEP

FIRST FLOOR

ENTRY 94"X

NEW FRENCH DOOR (1)

NEW CLOSET (4) 94" X 18" X 2" (HEIGHT TO VIF)

AT BOTTOM

OFFICE 77" X 32" X 1-3/4"

KEPT? KEPT? KEEP KEEP KEEP&&ADD FIND4" KEEP & FIND MOULDING/PANEL SYSTEM MOULDING/PANEL SYSTEM AT BOTTOM GET SAMPLES GETSK-9.1 SAMPLES

DOOR SCHEDULE (1) --STAIRS (1) 26" X 88"? BOILER ROOM GARDEN & 1ST FL. X 1-1/2" 79-1/2" X 32" X 1-1/2" --

(1) --

12/21/2018

KEPT?

SK-9.1SK-9.1 SK-9.1 SCHEDULE DOOR SCHEDULE DOOR SCHEDULE GARDEN & 1ST FL. GARDEN & 1ST FL. GARDEN & 1ST FL.12/21/2018 12/21/2018

(1) 26" X 88"? DOOR X 1-1/2"

12/21/2018 FLUSH SMOOTH DOORS MATCHING ENTRY DOOR HEIGHT

FLUSH SMOOTH DOORS MATCHING ENTRY DOOR HEIGHT

MARVIN

FLUSH SMOOTH DOORS MATCHING ENTRY DOOR HEIGHT

MARVIN

FLUSH SMOOTH DOORS MATCHING ENTRY DOOR HEIGHT

MARVIN

Lighting Fixture Schedule Finishes Type Mark Type TO ORDER 00 BASEMENT L2 Wall Sconce

Wall Mounted

L2.3 L3

Mount Type

Manufacturer

TO ORDER

Watta Cou ge nt

Model

ON SITE

TO ORDER

REMOVE

TO ORDER

Brass & Mirror Fixture

Description

KEEP & ADD 4" AT BOTTOM

ON SITEKEEP & FIND TO ORDER MOULDING/PANEL SYSTEM GET SAMPLES

Type Mark

Type

Mount Type

Manufacturer KEEP HykolityKEPT? 12W 4 & ADD 4" AT BOTTOM Inch LE

Model KEEP & FIND MOULDING/PANEL SYSTEM GET SAMPLES

Watta Cou ge nt Description KEPT? 12 W 1 Waterproof

Room BATH. 02

Wall Mounted Wall Mounted

0W 0W

2 2

OFFICE GARDEN

Wall Sconce

Wall Mounted

Brass & Mirror Fixture

Ceiling Mounted Wall Mounted

60 W 0W

1 1

VESTIBULE BATH. 01

L2.1

Wall Sconce 2

Wall Mounted

Glass

L6.1

Pendant Light 2

Ceiling Mounted

Barbara Barry All BBL5026SS-WG - 6 Light 28 inch 60 W Aglow Soft Silver Chandelier

Primary Bulb(s): 6 x 60 watts Candelabra B

BEDROOM 01

L6.2

Pendant Light 3

Ceiling Mounted

DAVID TRUBRIDGE Kina Pendant

60 W

1 x E26 100W Bulb - Hardwired

BEDROOM 02

L6.4

Pendant Light 5

Ceiling Mounted

60 W

BATH. 02

Vanity Wall Light Wall Mounted

BATH. 02

4" Hykolity LED

LED Slim Recessed Ceiling Light

12 W

16 W

11 Installed

HALLWAY & BEDROOMS

12 W

MASTER BATH

2 1

4" Hykolity LED

Hykolity

LED Slim Recessed Ceiling Light

12 W

720lm, CRI90, 3000K Warm White, Low Profile Downlight Dimmable

L9W

4" Hykolity LED Wet Location

Recessed Ceiling Hykolity Light Slim

LED Slim Recessed Ceiling Light

12 W

720lm, CRI90, 3000K Warm White, Low Profile Downlight Dimmable

Brass Holder w/ Ceiling Mounted Edison LED Bulb

Location SK-9.1 DOOR SCHEDULE GARDEN & 1ST FL.

SK-9.1 DOOR SCHEDULE GARDEN & 1ST FL.

12/21/2018

Bamboo Lattice

Image

SK-9.1 DOOR SCHEDULE GARDEN & 1ST FL.

HALLWAY

12/21/2018

HALLWAY

STUDY

Recessed Ceiling Light

16 W

13 Installed

LIVING & DINING RM

4" Recessed Downlight 2

Recessed Ceiling Light

12 W

LIVING & DINING RM

Wall Sconce

Wall Mounted

Brass & Mirror Fixture

STAIRCASE

Wall Mounted

TERRACE

Exterior Wall Sconce Chandelier 2

Ceiling Mounted

Corona Large Pendant Light

Style # AC10771LMP

switch: direct wire - bulbs: (3)150w max - Voltage: 120V, 60Hz

DINING RM

Chandelier 1

Ceiling Mounted

Corona Large Pendant Light

Style # AC10771LMP

switch: direct wire - bulbs: (3)150w max - Voltage: 120V, 60Hz

LIVING RM

Pendant Light 1

Ceiling Mounted

MYTZS Rose Gold Glass Chandelier

Color Copper

60 W

110 volts, Hardwired

STAIRCASE & PWD RM

L6.5

Pendant Light 7

Ceiling Mounted

150 W

VESTIBULE

L6.6

Pendant Light 6

Ceiling Mounted

Waterworks

Old Bronze

Entry HALLWAY

16 W

10 Installed

BEDROOMS

Recessed Ceiling Light

12/21/2018

KITCHEN

L1B

02 SECOND FLOOR L1 4" Recessed Downlight

Image

L6.3 L8

01 FIRST FLOOR L1 4" Recessed Downlight

Room

KEPT? KEEP & ADD 4" ON SITE KEEP & FIND REMOVE TO ORDER L1W 4" Trimless Recessed REMOVE Ceiling MOULDING/PANEL SYSTEM AT BOTTOM Downlight Wet Light GET SAMPLES STAIRCASE

Wall Sconce 4 Exterior Wall Sconce Pendant Light 4 Vanity Wall Light

L10

- 09

Lighting Fixture Schedule Finishes

03 THIRD FLOOR L1 4" Recessed Downlight

Hykolity

Recessed Ceiling Light

L1W

4" Trimless Downlight Wet Location

Recessed Ceiling Hykolity 12W 4 Light Inch LE

Wall Sconce

Wall Mounted

L2.2 L5.1

Wall Sconce 3 Chandelier 3

Wall Mounted Ceiling Mounted

Vanity Wall Light Ceiling Mounted

Brass & Mirror Fixture

Jonathan Adler

MEURICE CHANDELIER

720lm, CRI90, 3000K Warm White, Low Profile Downlight Dimmable

Waterproof

HALLWAY

STAIRCASE

Thirty 25-watt max candelabra bulb - dimmer compatibility

BEDROOM 03 MASTER BED

MASTER BATH

04 ROOF L1 4" Recessed Downlight

Recessed Ceiling Light

16 W

Wall Sconce

Wall Mounted

Brass & Mirror Fixture

PENTHOUSE

L3 Exterior Wall Sconce Grand total: 112

Wall Mounted

TERRACE

Installed

NOTE: DOOR LIGHT SWITCH FOR LED STRIPS TO BE INSTALLED IN ALL CLOSETS. INSTALL WIFI EXTENDERS IN UPPER ROOMS. INSTALL HEATING FLOOR THERMOSTATS IN ALL BATHROOMS AND GARDEN FL.

PENTHOUSE

SK-15 LIGHT FIXTURES SCHEDULE

11/08/18

10 -

Upper East Side Single-Family

NEW SOFFIT

3 1/2"

Construction Sketches CL. 02 CL. 01

NEW SOFFIT

4'-7"

2'-7 1/2"

4'-1 1/2"

CL. 03 6 SF

1'-6"

1'-10"

HALLWAY 76 SF

ENTRY BRASS LIGHT

4 SF 1'-6"

1'-6"

3/8" = 1'-0"

NEW MECH. SHAFT

8'-8 3/4"

01 FIRST FL- BUILT-IN CLOSET PLAN

3 1'-6"

1'-6"

ACCESS PANEL TO HVAC UNIT DIMENSION TBD

NEW MECH. SHAFT 3 1/2" 2'-7 1/2"

2'-10"

4'-1 1/2"

3'-0"

HALLWAY 76 SF

3/8" = 1'-0"

4'-7"

2'-6"

NEW HVAC UNIT

01 FIRST FL- BUILT-IN CLOSET PLAN 3/8" = 1'-0"

NEW HVAC UNIT

NEW MOLDING AT 4' MATCHING EXISTING

SK-20 1ST FL CLOSET 3/8" = 1'-0"

12/21/18

SK-20 1ST FL CLOSET 3/8" = 1'-0"

- 11

CL. 01 4 SF NEW MOLDING AT 4' MATCHING EXISTING

EXISTING MOLDING AT 4'

2'-6"

CL. 01 4 SF

NEW DOOR ACCESS PANEL

CL. 02 8 SF 3'-0"

3'-0"

3/8" = 1'-0"

12/21/18

NEW SOFFIT

CL. 03 6 SF

01 FIRST FL- BUILT-IN CLOSET PLAN 01 FIRST FL-3 CLOSET 01 & 02 SECTION C 3/8" = 1'-0"

CL. 02 8 SF

EXISTING MOLDING AT 4'

3'-0"

3/8" = 1'-0"

4'-11 1/2"

HALLWAY 76 SF

1'-6"

01 FIRST FL- BUILT-IN CLOSETS ELEVATION

3'-0"

3/8" = 1'-0"

1'-6" 3'-0"

CL. 03 6 SF

01 FIRST FL- CLOSET 01 & 02 SECTION C

NEW DOOR ACCESS PANEL 4'-7"

EXISTING MOLDING AT 4'

4'-1 1/2"

2'-7 1/2"

NEW MOLDING MATCHING EXISTING

NEW SOFFIT

3 1/2"

LIGHT SWITCHES

NEW MOLDING AT 4' MATCHING EXISTING

4'-11 1/2"

2'-10"

OPEN TO LIVING-ROOM

1'-6"

01 FIRST FL- BUILT-IN CLOSETS ELEVATION

DROPPED CEILING 6"

ACCESS PANEL TO HVAC UNIT DIMENSION TBD

3'-0"

8X4 BG 50 CFM

NEW MOLDING MATCHING EXISTING

NEW HVAC UNIT

2'-6"

8 SF

CROWN MOLDING

3'-0"

LIGHT SWITCHES

NEW DOOR ACCESS PANEL

4'-11 1/2"

2'-10"

CROWN MOLDING

LIVING-ROOM

8'-8

NEW MECH. SHAFT

SK-20 1ST FL CLOSET 3/8" = 1'-0"

12/21/18

PROFESSIONAL WORK

Gramercy Historical Townhouse Renovation

12 -

Multi-Family - SD through CA, DOB, LPC The Fractal Group, 2017-19 - Project Designer & Manager

Gramercy Park multi-family building. Units: 6 + Doctor Office Area: 6,964 SF. Floors: Cellar, basement, first to third floor & bulkhead. Construction: on going. This three stories Greek Revival style townhouse built c. 1850-1851 with later alterations is located in Stuyvesant Square Historic District. Left in poor condition a gut renovation is performed to revive its historical features but also reinforce the exiting structure, and create an accessible entry. The renovation of cellar level includes a new slab to welcome mechanical, storage, and a laundry room. The creation of a new medical office on the basement floor is possible thanks to the new accessible entry, and the upper floors area renovated to five apartments. A new HVAC system, new plumbing, and extensive structural reinforcement of existing structure are planned on the overall building.

- 13

Gramercy Park Multi-Family

Bulkhead Design: Drawings, Mock-up and Visibility Study

14 -

- 15

16 -

Gramercy Park Multi-Family

Construction Details

- 17

Small Lots NYC PROFESSIONAL WORK

Affordable Housing - RFP NYC

18 -

The Fractal Group 2019 - Studio Project As a result of previous development and irregularities in zoning and parcels, small and odd lots are a common thread in every neighborhood of New York City. The research for each community district provided some distinct demographics numbers to inform various city typologies for each lot, ranging from multi-family townhouses to single family houses. Versa Wall is a project serving the versatility of the various small lots in NYC. The 3 typologies are grouped by neighborhoods and based on our analysis, we found similarities between the five boroughs. By dividing the lots in three categories we propose to address housing needs in each community district as they best fit in each specific environment. The three typologies: detached 2 families houses, Multifamily townhouses and Shared Living, allowed us to keep a similar construction method but with the flexibility to adapt the layout needed for the different communities. Replicability for all typologies and on all lots is based on a common simple concept: the living wall. This interior organization allows us address each lot in a similar manner by adapting to the type of units required and the core location. All utilities - gas, electricity and plumbing - related spaces are located within this wall with a minimum thickness to allow for comfortable but efficient spaces. The living wall can extend, depending on the length of the lot size and typology needs and is linked to a passive space (bedroom, living room...).

0' 0'

Lots Classification & Buildings Typolo-

- 19

Concept

3 30'

30'

30' 30'

10.00

30' 30'

14.00

12.50 12.00

16.50

10.00

16.50

12.50

16.67

12.00

Base grid 10'

16.67

Base grid 12'

Base grid 14'

Base grid 10' Base grid 12'

Base grid 14'

Small Lots NYC Affordable Housing

Demographics Analysis

20 -

Resulting Typologies

- 21

Small Lots NYC Affordable Housing

Construction Assembly Axonometric & Wall Section

22 -

METAL RAILING METAL CAP FLASHING

EXTERIOR STUCCO ASSEMBLY

12 1/4” THICK ROOF SIP 8X20’ STRYROFOAM WEDGE WITH THIN RUBBER MEMBRANE LINING WITH COUNTERFLASHING (R-51)

TOP PLATE/ BOTTOM PLATE GYPSUM BOARD/ MGO BOARD

DOUBLE HUNG WITH LOW E WINDOWS

8” CMU WALL

WINDOW SILL (SHEET) LAMINATE FLOORING, UNDERLAYMENT, & SUBFLOORING METALLIC CONNECTION ANGLE (FOR BEAMS)

24” O.C. 2X12X20 LVL WOOD FRAMING

WALL PANEL (4 1/2” SIP PANELS)

EXTERIOR FACING (4” BRICK VENEER)

LAMINATE FLOORING, UNDERLAYMENT, & SUBFLOORING

RACEWAY BEHIND BASEBOARD

6” SLAB ON GRADE

WIRING CHASES

2” RIGID INSULATION VAPOR BARRIER 4” CRUSHED STONE

REINFORCED CONCRETE FOUNDATION

Multi-Family Townhouse Scheme Third Floor Plan

- 23

Second Floor Plan

Ground Floor Plan

Small Lots NYC Affordable Housing

Front Facade Elevation

24 -

Brick Facade options

- 25

Mall Redevelopment Research PROFESSIONAL WORK

From Mall to City - Research & Schematic Design The Fractal Group 2018-19 - Studio Project A proposal to redevelop mall facilities into mixed-use complex. Traditional mall shopping is in decline resulting many mall facilities to be abandoned. Our research tends to understand how to redevelop mall facilities by adding residential towers on top of the traditional mall. By extending the anchor stores to towers the mall is transformed to a small city were inhabitants can find all they need within the same facility. Danbury mall, CT, is chosen to develop a typical project. The site is thought for future transportation, including driverless and electric cars as well as more public transportation access. Green space is brought back to the site and a sustainable strategy is developed for water management, passive heating and cooling, as well as renewable energy.

26 -

The program is in development but is thought to bring back recreational space, green spaces but also vertical farming and shared work space. This project is an on going research, in discussion with developers.

Existing Mall Axonometric

Proposed Mall Axonometric

Mall Classification Analysis

- 27

Residential Tower Schematic Design

Mall Redevelopment

View From the Proposed Park

28 -

Sustainability Strategy

- 29

Mall Redevelopment

View From the Public Upper Terrace

30 -

Mall Program Breakdown

- 31

Mall Redevelopment

Ground Floor Plan

32 -

Danbury Mall Roof Plan

- 33

PROFESSIONAL WORK

Mexico City Airport Schematic Design -Santa Lucia International Terminal The Fractal Group 2019 Mexico City is developing a masterplan for its new airport located north of the city. Paired with the existing army terminal, the existing proposed masterplan was given to have a extended design study utilizing concrete prefabricated structure and panels. The design aims to blend in with the landscape and imitate local fauna such as the cactus by creating a gradient of different shaded panels.

Existing Masterplan Not To Scale

34 -

First Floor Plan Not To Scale

Axonometric

- 35

Roof Plan Not To Scale

Santa Lucia Airport

Concrete Panels Color Study

36 -

- 37

Willow

Geneva Town, NY - Lakefront Park Public Art Shade - Runner Up

COMPETITION

Group project with The Fractal Group Role: Conceptual Design, 3D Modeling, Graphic Design and Details The more than one-hundred weeping willow trees that have lined the northern end of Seneca Lake since the 1800â&#x20AC;&#x2122;s stand as symbols in the lake-front park. Their growth naturally shades people out for a stroll as well as those pausing to sit on the benches beneath their branches. The willow trees natural shade, from their movement, density and beauty are translated through fabric. Flowing from a steel structure, the fabric embodies the leaved branches that fall down from the tree by swaying in response to the wind, providing protection from the sun with its multiple layers, and falling to various lengths. The metal structure supports the shading fabric standing strong, tall, and in branching multiples like a tree. Clusters of structure are connected to further clusters, similar to tree relationships within a forest.

38 -

Atlantic Ocean Geneva, NY

Concept Lake Reflected Lights

Willow Trees

Nature Seasons Colors

- 39

Lakefront Art Shade Pavilion

Shade Study

40 -

Site Plan & Elevation

- 41

42 -

Lakefront Art Shade Pavilion

Seasons Transformation Study

- 43

Lakefront Art Shade Pavilion

Typical Tree

44 -

The structural construction method is derived from details of wine barrels made in Geneva. The clusters of our narrow, metal tubes define the perimeter of a circle on the ground and are wrapped with wooden supporting members. The long tubes supported by the wooden circles mimic the oak staves being wrapped by the hoops in wine barrel construction.

Metal ‘Branch’ Details Modules elements 4“ Steel Pipe

- 45

Assembly Details

PROFESSIONAL WORK

Echo Eco

46 -

Bird Tower Observation Bee Breeders - Pape Nature Reserve, Latvia Group project with Mark Berlinrut & Jonathan Vega Role: Coordination, Conceptual Design, Graphic Design and Renders Auroxen

In this tower, we do not observe nature from above, we experience nature within. The Pape Nature Reserve is a sensible environment developed to enhance the relationship between people and the natural splendor of the Latvian landscape. The observation tower is imagined as a point of intensity, amplifying the sensuality of the environment for human perception, between the flora, the birds but also the wild horses and cattle.

Great Birttens

By supplementing the observation towerâ&#x20AC;&#x2122;s primary role of seeing with a secondary program for listening the visit transcends the senses. Dishes are placed throughout the tower and offer a chance to pause and listen, using amplified acoustics materialized by dishes of locally-crafted ceramic tiles arranged in parabolic arrays. The bird observation tower becomes an full sensory experience.

Lake Pape

Wild Horses Habitat Aquatic Warbler

Pape Nature Reserve,Latvia

Bird Observation Tower

Atlantic Ocean

Pape Koni Fishing Village

Geese of Nida Bog

Environment Sound Study

Sound Study Site Sections

Tower & Bridge

Landscape

Tower & Bridge

Lake & Landscape

Tower & Bridge

Lake & Landscape

Pape Koni Fishing Village

Wild Horses Habitat

Aquatic Warbler

- 47

48 -

Bird Observation Tower

Dish Sound Study

Tower Wall Section

In order to perfectly capture the sounds of Pape Nature Park’s abundant wildlife, we analyzed a series of parabolic shapes. Sound travels in waves, which means it must be focused in a specific point in order to maximize the clarity and amplification of distant sounds. They provide an important acoustical link to the nature park as a visitor climbs to the rooftop observation deck. 1

1. 30 MM MANILA ROPE 2. 100 MM DIAMETER PRESSURE TREATED POST 3. 1/2-13, 5 CM SHANK LENGTH,40 MM EYE INSIDE DIA. WITHOUT SHOULDER STEEL EYEBOLT, GALVANIZED FINISH

45• Edge No Focus

Too Deep Amplification In Wrong Spot

Too Flat Echo Results Poor Amplification

Ideal Parabola Focused Sound No Echo

- 49

Bird Observation Tower

Roof Plan

50 -

First Floor Plan

Second Floor Plan

1,00

EQ Level 1 7m2 2,67 1,00

1,00 EQ

3,67 Level 2 11m2

4,50

3,50

2,75

1,50

UP EQ

EQ 1,00

Tower & Bridge Details & Section

3 1

1 2

1. 12 MM THICK STEEL FLITCH PLATE

1. PLATE 80 MM X 150 MM PT PINE TIMBER 12 MM PLATE THICK STEEL FLITCH 1. 12 MM THICK STEEL 1. FLITCH

7 6 2

4 3

4 4

4 2

5 4

1. 80 MM X 150 MM 1. PT PINE 80 MM TIMBER X 150 MM PT PINE MM THICK STEEL FLITCH PLATE 1. TIMBER 1. 12 1. 100 MM PRESSURE TREATED ROUND POST 100 MM PRESSURE1.TREATED 100 MM ROUND PRESSURE POSTTREATED ROUND POST 1. 80 MM X 150 MM PT PINE TIMBER

2. WOOD TWO 12BRACE MM X 160 MM HOT DIPPED 2. GALV. TWO THROUGH12 MM X 160 BOLTS 2.MM TWO HOT12DIPPED MM X GALV. 160 MM THROUGHHOT DIPPED BOLTS GALV. THROUGHTWO 12 MM X 160 MM HOT DIPPED GALV. THROUGH- BOLTS 2.MM 2. TWO 2. 12 MM X 110 MMMM HOTBOLTS GALV. THROUGH12 MM XBRACE 110 BOLTS TWO HOT12DIPPED MM X GALV. 110 MM THROUGHHOT DIPPED BOLTS GALV.2.THROUGHBOLTS 2. 150 MM X 150 MM PT PINE WOOD BRACE 2. 150 MM X 150 MM2.PT150 2. PINEMM WOOD X 150BRACE MM PT PINE 150 XDIPPED 150 MM PTTWO PINE WOOD (WASHERS BOTH ENDS) (WASHERS BOTH ENDS) (WASHERS BOTH ENDS) (WASHERS BOTH ENDS) (WASHERS BOTH BOTH ENDS) (WASHERS BOTH ENDS) 3. 200 MM X 200 MM PT WOOD PINE POST 3. 200 MM X 200 MM3.PT200 3. ENDS) WOOD MM PINE X 200POST MM PT WOOD PINE POST 200 MM X 200 MM PT(WASHERS WOOD PINE POST PT LUMBER 50 MM XRIM 250JOIST MM PT LUMBER RIM JOIST 3. 50 MM X 250 MM PT LUMBER RIM JOIST 3. 50 MM X 250 MM 3. 3. 50 MM X 250 MM PT LUMBER RIM JOIST 3. XJOIST 3. 2X DOUBLE 40 MM 3.HOT X 250 MM DOUBLE SHEAR 2XDIPPED DOUBLE FACE 40 MOUNT MM 250 2XSTEEL DOUBLE MM HANGER DOUBLE 40 MM SHEAR X 250FACE MM DOUBLE MOUNT JOIST SHEARHANGER FACE MOUNT JOIST HANGER 4. 20 MM X 200 MM HOT DIPPED GALVANIZED 4. 20 MM 4. STEEL X 200 STRUCTURAL MM 4. HOT20DIPPED MM X GALVANIZED 200 MM HOT STEEL DIPPED STRUCTURAL GALVANIZED STEEL STRUCTURAL 20 MM X 200 MM GALVANIZED STRUCTURAL 4. (2) 5 MM X 250 MM PT LUMBER 4. (2) 5 MM X 250 MM 4. PT(2) LUMBER 5 MM X 250 MM PT LUMBER 4. (2) 5 MM X 250 MM PT LUMBER INSTALL WITH 16D COMMON NAILS WITH 16D COMMON INSTALL WITH NAILS16D COMMON NAILS BOLT W/A563 DH NUT & WASHERS BOTHBOLT ENDS) W/A563 DH NUTBOLT & WASHERS W/A563BOTH DH NUT ENDS) & WASHERS BOTH ENDS) BOLT W/A563 DH NUTINSTALL & WASHERS BOTH ENDS) 5. 2X DOUBLE 40 MM X 250 MM DOUBLE 5. SHEAR 2X DOUBLE FACE 40 MOUNT MM5.X 250 2X DOUBLE MM DOUBLE 40 MM SHEAR X 2504. FACE MM MOUNT SHEAR MOUNT 4. 50 MM X 250 MM4. 50DOUBLE MM X 250 MM FACE PT LUMBER RIM JOIST PT LUMBER 50 MM XRIM 250JOIST MM PT LUMBER RIM JOIST 5. 2X DOUBLE 40 MM X 250 MM DOUBLE SHEAR FACE MOUNT JOIST HANGER INSTALL WITH 16D COMMON JOIST NAILS HANGER INSTALL JOIST WITHHANGER 16D COMMON INSTALL WITH NAILS16D COMMON NAILS JOIST HANGER INSTALL WITH 16D COMMON NAILS 5. PT 5. (2) 50 MM X 250 MM PT LUMBER 5. (2) 50 MM X 250 MM (2)LUMBER 50 MM X 250 MM PT LUMBER 6. 25 MM X 200 MM ASTM F3125 GRADE 6. A325 6. 6. 25 MM X 200 MM ASTM F3125 GRADE A325 HOT DIPPED GALV 25 MM HOT X 200 DIPPED MMGALVANIZED ASTM 25 F3125 MM X GRADE 200 MMA325 ASTMHOT F3125 DIPPED GRADE GALVANIZED A325 HOT DIPPED GALVANIZED STEEL STRUCTURAL BOLT W/A563 DH NUT STEEL & WASHERS STRUCTURAL BOTHBOLT ENDS) STEEL W/A563 STRUCTURAL DH NUTBOLT & WASHERS W/A563BOTH DH NUT ENDS) & WASHERS BOTH ENDS) STEEL STRUCTURAL BOLT W/A563 DH NUT & WASHERS BOTH EN 12 MM PLATE THICK STEEL FLITCH PLATE 7. 12 MM THICK STEEL FLITCH PLATE 7. 12 MM THICK STEEL 7. FLITCH 7. 12 MM THICK STEEL FLITCH PLATE

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Tower Axonometric

Bird Observation Tower

SUPPORT ROPES SUPPORT ROPES

CONNECTIONS WOOD FRAME

52 1 MAIN DISH

CONNECTIONS BACKBOARD WOOD FRAME TILES BACKBOARD TILES

DIAMETER: 2M 1 MAIN DISH TILE COUNT: 248 units DIAMETER: 2M TILE SIZE: 20 cm TILE COUNT: 248 units TILE SIZE: 20 cm 2 SMALL DISH

DIAMETER: 2 SMALL DISH TILE COUNT: DIAMETER: 1M TILE SIZE: 37 units TILE COUNT: TILE SIZE: 20 cm 3 SMALL DISH 3 SMALL DISH DIAMETER: DIAMETER: 1M TILE COUNT: TILE COUNT: TILE SIZE: 37 units TILE SIZE: 20 cm

4 SMALL DISH 4 SMALL DISH DIAMETER: DIAMETER: 1M TILE COUNT: TILE COUNT: TILE SIZE: 37 units TILE SIZE: 20 cm 5 BRIDGE POST 5 BRIDGE POST UNITS: UNITS: 34 6 CROSS BEAM 6 CROSS BEAM UNITS: UNITS: 34

1M 37 units 20 cm

LENGTH:

10 BRIDGE 10 STRINGERS BRIDGE STRINGERS UNITS: UNITS: 48 48 LENGTH:LENGTH: 3 M 3M

13 WALKWAY POSTS 13 WALKWAY POSTS UNITS: 39

13 3

8 ROPE8 ROPE LENGTH:LENGTH: 1500 M 1500 8 M 9 PLANKS BRIDGE PLANKS 9 BRIDGE 382 UNITS: UNITS: 382

12 FLOOR BEAMS 12 FLOOR BEAMS UNITS: 170 UNITS: LENGTH: 3.5 M

1M 37 units 20 cm

7 CONCRETE 7 CONCRETE FOOTINGFOOTING 34 UNITS: UNITS: 34

11 STAIR11 STRINGERS STAIR STRINGERS UNITS: UNITS: 40 LENGTH:LENGTH: 3 M

5 8

40 3M 10

170 3.5 M

UNITS: 39 14 STRAW THATCHING 14 STRAW THATCHING 2 SURFACE: 80 M 2 SURFACE: 80 M 15 COMPACTED GRAVEL 3 15AREA: COMPACTED GRAVEL CUBIC 68 M 3 CUBIC AREA: 68 M 16 TOWER COLUMNS 16 TOWER COLUMNS UNITS: 4 UNITS: 4

15 16

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CARNIVAL CONFESSIONAL Carnival Confessional The challenge of media is to break the boundary of the screen. The limitations of traditional digital media is that it has only image and sound (think of an iPad screen). Instead of walling in what a mediascape could be within the limits of visual/auditory media, we attempted to open a new door in Tenancingo, a door that that opens into an exploration in a multi-sensory experiment embedded deep within the local culture.

COMPETITION

Human Trafficking Sensibilization Arch out loud Competition - Director â&#x20AC;&#x2DC;s Choice Award

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Group project with Mark Berlinrut & Jonathan Vega While the residents of Tenancingo are often very Role: Conceptual Design, Graphic and Details suspicious Design of outsiders, offering aggressive resistance

to journalists documenting the trafficking crisis, paying off local police to look the other way, and even The limitations of traditional digital is thattoitmaintain has only infiltrating themedia local church their trafficking entrenched culturein is outwardly image and sound (think of an iPadnetwork, screen).this Instead of walling what proud of its unique Carnival tradition. Locals are always happy a mediascape could be within the limits ofpeople visual/auditory media,and thisproudly share to have visit for the Carnival, project attempts to open a new doortheir in festival Tenancingo, that opens season a to door outsiders.

into an exploration in a multi-sensory experiment embedded deep Carnival is the chance to open a dialogue between within the local culture. outsiders and locals for mutual communication and positive change. We propose an installation of dancing

feathers, inspired by the traditional Carnival huehue While the residents of Tenancingo are often very suspicious dancer costumes, which are laced with media. The of outsiders, this entrenched culture is outwardly proud its unique feathers have motion and of sound sensors, and dance in reaction activity the city plaza. When someone Carnival tradition. Locals are always happyto to havein people visit for approaches a feather can bow down the Carnival, and proudly share their festivalunderneath season to them, outsiders.

Moving Bowing Feathers

and surround a person, offering a lush and soft private enclosure perfect for a brief moment of privacy.

The Carnival is the chance to open a dialogue between In order to emphasize the site condition without outsiders and locals for mutual communication and positive change. disrupting any daily life and organization, the project We propose an installation of dancing by Itthe is focusedfeathers, around the inspired existing fence. tends to create a more inviting which relationship between the church and traditional Carnival huehue dancer costumes, are laced with plaza. Creatingand a private space media. The feathers have motion the andpublic sound sensors, dance in around the church also invites people to be in a set of mind for reaction to activity in the city plaza. being in a sort of confessional and be able to release what they want to say and potentially contact help. Inside this feathered enclosure is a series of hidden sensors and a media screen. During normal operation, the screen serves merely as a selfie booth, offering a unique room for capturing and sharing selfies with friends. However, if the hidden sensors detect an inability to maintain eye contact on the screen, a raised heart beat, nervous sweaty skin, or any of the other outward signs of enslavement, a secret dialogue is activated, reminding the person of their human rights and then offers a private call directly to the local Red Atlantic Ocean Cross.

Tenancingo, Mexico

Tenancingo Carnival Huehue Costumes

Existing Plaza Frightened Victim

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Enclosed Bowed Private Feather Existing Church Plaza Entry

Existing Fence

Human Trafficking Sensibilization

is focused around the existing fence. It tends to create a more inviting relationship between the church and the public plaza. Creating a private space around the church also invites people to be in a set of mind for being in a sort of confessional and be able to release what they want to say and potentially contact help. Inside this feathered enclosure is a series of hidden sensors and a media screen. During normal operation, the screen serves merely as a selfie booth, offering a unique room for capturing and sharing selfies with friends. However, if the hidden sensors detect an inability to maintain eye contact on the screen, a raised heart beat, nervous sweaty skin, or any of the other outward signs of enslavement, a secret dialogue is activated, reminding the person of their human rights and then offers a private call directly to the local Red Cross.

Storyboard

Existing Church Plaza Entry

! Feather Sensors Actvited to Bow

Confessional Detects Signs of Trouble

Existing Plaza Frightened Victim

Enclosed Bow Existing Church Plaza Entry

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Carnival Selfie Booth Feather Sensors Actvited to Bow

Confessional Detects Signs of Trouble Existing Plaza

Frightened Victim

NYC Queens Satellite Connection Booth

Carnival Selfie Booth

Confessional Detects Signs of Trouble

Feather Sensors Actvited to Bow

Connected Satellites Around the World

Carnival Selfie Booth

Confessional Detects Signs of Trouble

NYC Queens Satellite Connection Booth Halo Light Projected

Site Plan & Section

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Church

Public Plaza & Market

Human Trafficking Sensibilization

Halo Light Projected

58 -

Moving Bowing Feathers

Carnival Huehue Hat

Existing Fence

Feather Mechanism

Emphasizing the site condition without disrupting any daily life and organization, the project is focused around the existing fence. Inside this feathered enclosure is a series of hidden sensors and a media screen. The screen serves merely as a selfie booth, offering a unique room for capturing and sharing selfies with friends. However, if the hidden sensors detect an inability to maintain eye contact on the screen, or any of the other outward signs of enslavement, a secret dialogue is activated, reminding the person of their human rights and then offers a private call directly to the local Red Cross.

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Logun Ljoss

Bee Breeders - Iceland - Northern Lights Cabins

COMPETITION

Group project with Selma Sbai Role: Conceptual Design, 3D Modelling, Renderings

60 -

#SENSATIONS Observing the northern light is an experience. Visitors travel from around the world looking forward to seeing this extraordinary natural phenomenon surrounded by a vast and wild landscape. #MEDITATION The project focuses on enhancing the senses and observation by making the visitors wander through the landscape and feel the environment. The wander brings the visitor to enter their mindscape before getting to their cabins to observe the Aurora Borealis and the vast icelandic landscape.

Iceland

Atlantic Ocean

#SKY EXPERIENCE The buildings face such an incredible scenery, hiding and merging themselves with the landscape only to emerge as they are approached. The visitors discover the different spaces through the journey to his cabin. Separated programmatically, the buildings disappear during the day under the vegetation and glow at night resembling a volcano crater in eruption. A depression shapes the craters creating different views focused on the sky and hides them within the scenery of the landscape.

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Iceland Northern Lights Cabins 62 -

#LIGHTPATH The journey brings the visitors to observe the lights in different spaces, states of mind, angles and environments. The entry is located on the lowest point of the site where visitors park to then rise through a path towards the highest point. They then get a better sight of the beautiful land before entering their cabins to observe the lights privately.

#CRATER The cabins stand out from this curved landscape architecture as rock formations creating a dialogue with the existing volcanic rocks. Organized around the bed,lights embrace the visitors as a cloud, enhancing the observation within the cabin. The reflection allows the visitors to forget their environment and enter their mindscape within the northern lights.

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Afrofuturist Artist Stadium Waste Multi-Purpose Stadium - Arch out loud Competition

COMPETITION

Group project with Mark Berlinrut & Jonathan Vega Role: Conceptual Design, Graphic Design & Renderings

64 -

Waste is the inescapable byproduct of capitalism, and capitalism is as inescapable as its waste. This stadium functions both as a monument to Lagosâ&#x20AC;&#x2122;s economic past, and a locus for its economic growth. It seeks to preserve the memory of trash by using it as a cast to create an amphitheater emphasizing nature and inspiring artists showcasing underneath the field of 3D-printed stadium columns. After the big game, the stadium transforms into rolling grass fields above, and vibrant art and music market below. The stadium becomes the point tying the cityâ&#x20AC;&#x2122;s past with its future. In Lagos, waste creates its own growth.

Lagos

Nigeria

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66 -

Afrofuturistic Stadium

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