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Contents Resume Projects Drawings
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Resume Personal statement I am a student looking to gain experience of working at a professional architecture company and hoping to make valuable input in it’s work while aiming for self-development through learning from group members. Feb 2016-present Relevant courses: 2013-present Relevant courses:
AGNIESZKA PANASIUK Date of Birth: Place of Birth: Place of residence: Phone number: Email:
12 of May 1994 Bielsk Podlaski, Poland Kollegievaenget 22, 2, 351 8700, Horsens, Denmark +48 666 325 033 agnieszkapanasiuk.bp@gmail. com
Oct-Nov 2015 Aug 2015 July 2015 July 2014
2013-2015
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Education Erasmus+ student exchange VIA University College Architectural Technology & Construction Management Exchange programme, Horsens, Denmark Refurbishment/ conversion of older multi-storey city house. Carpenter - Roof construction. Bachelor of Architecture Faculty of Architecture, Warsaw University of Technology, Poland Architectural Design 3 Multi-Family Housing (10), Architectural De sign 2 Single-Family Housing (10), Interior Design (10), Landscape Architecture (10), Construction Technology (10), Structural Design ( 10), Computer Modelling (9), Building Physics (8). Experience Visualization and graphics design traineeship, FAMA Advertising Agency, Warsaw, Poland Preparing two-dimensional graphics to be used in advertising. Architecture traineeship, Szcześniak Denier Architekci architectural studio, Warsaw, Poland Working on large-scale projects documentation. Construction Training at a building site. Supervised by the Faculty of Architecture, WUT Cognition of the nature of works performed on a building site. Architectonic Inventory Training in Przydrujsk, Latvia. Supervised by the Faculty of Architecture, WUT. Registration of the Katholic Church of the Assumption of the Bles sed Virgin Mary. It involved preparing hand-made and AutoCAD drawings of the facades. Drawing and painting tutor of architecture candidates in Pracownia Rysunku Domin in Warsaw, Poland. Preparing drawings and watercolour paintings which served as instruction materials. Carrying out lessons, leading a large group of students.
Feb - Apr 2016 Nov 2015
Sep 2015
2014-2015 2012-2013
2011- 2012
Achievements and extra-curricular activities Autodesk Revit Architecture 2016 - Essentials, Horsens, Denmark Athens Programme Course, Delft, The Netherlands. -Topic of the course: Earthquakes in Holland, opportunities for the integral transformation of an entire region. Participance in WWU2 urban workshops held by Warsaw department of SARP - Polish association of architects, Park Morskie Oko, Warsaw, Poland The objective was to make urgent and real changes that ought to change the life of the users of the facility as well as initiating a pro cess of a bigger change. Rector scholarship for the best students for performance in science, Warsaw University of Technology, Poland Drawing and painting course in Pracownia Rysunku Domin in Warsaw, Poland Developing the skill of architectural hand drafting and watercolour painting. Drawing course Kuba-studio in Białystok, Poland Other skills Computer model making. Physical model making - laser cutting, casting and molding. Parametric modelling. Digital painting. Watercolour painting. Drawing and sketching. Photography. Sewing.
Archicad
Software skills
AutoCAD Adobe Photoshop Adobe Illustrator Revit Rhino VRay 3ds Max Grasshopper SketchUp Artlantis Studio Adobe Lightroom Adobe Indesign
Polish - native speaker
Language skills
English Belorussian Russian Spanish Dutch
learning
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Projects
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Mimersgade social housing estate renovation Horsens, Denmark 2016
House next to a wall Czersk near Warsaw 2015
Multistorey residential building Madalińskiego Street, Warsaw 2015 16
8
Storytelling theatre Ĺťabieniec near Warsaw 2014
Falconry Modlin Airport near Warsaw 2014 34
26
Observation tower Vistula shore, Warsaw 2015 40
44
Mimetism Chmielna Street, Warsaw 2014 48
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Idea: mirroring Gained skills: revit, project process management, work in a group
Mimersgade social housing estate renovation
MIMERSGADE RENOVATION
Horsens, Denmark February - June 2016 6th semester prof. Erik Toft - sip:et@via.dk Student Project - awarded first prize Group Project The assignment The project was performed during my exchange studies at the VIA University College which I attended as part of the Erasmus+ programme. The main objective was to propose refurbisment of a single unit as well as the whole Mimersgade neighbourhood. There was emphasis on providing realistic and economic solution. This was a group project done in stages. The first was registration, second was outline proposal, the third - scheme design. At the time this publication was assembled, the remaining parts were still being realized. The second part formed the major chunk of the whole project and hence will be discussed in greater detail. Work division and planning During outline proposal, my task in the bigger scheme was the redesign of the whole neighbourhood and also the renovation conception of a single unit. Individually, I worked on comliling the plans of all the floorsand collaborated with my team members to design the outlook of the building.
Social structure observations Mimersgade is an area inhabited by the part of the society, which has low income. The group of it’s inhabitants is shrinking rapidly. The condition of the place of their inhabitance is deteriorating and needs renovation. Therefore a chance to raise the quality of their living conditions has occured. Requirements Keep the changes to a minimum.
Create versatile outdoor spaces.
Meet the expectations of various groups of society.
Adjust the building to account for reduced number of
Give each dwelling its’ personal identity
2016
inhabitants.
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Our actions Preserve the red-brick outlo- Each building is designed to have a private and a puok of the facade. blic side. By mirroring every second building, different spaces between the objects could be created.
Two types of building planes., Removal of one of the outer Diversifying the facades by responding to the needs of walls as well as joining and creating recessions in them people of different age and enlarging apartments. lifestyle.
SHAPE FORMATION
MIRRORING PRINCIPLE AND IT’S APPLICATION CURRENT SHAPE Pitched roof building with six oriels on one side.
SIX ORIELS ONE IN EACH APARTMENT
NIGHT ZONE
STEP 1 Due to demolition of one of the western external walls a symetrical shape was obtained. The lack of oriels is consistent with the reduced amount of apartments.
DAY ZONE
NIGHT ZONE STEP 2
MIMERSGADE RENOVATION
THE RESULT
Sun in the living room in the morning. Suitable for retired people.
Sun in the living room in the evening. Suitable for employed people. Results of applying the mirroring principle A clear distribution of different character spaces was acquired. We got the chance to adapt the building to the requirements of two age groups. The proposition A responds to the needs of the professionally active group. The proposition B responds to the needs of the retired group of people. The entrances to the staircases remain on the eastern facades.
2016
Mirroring principle and it’s application The arrangement of rooms is subject to, what was called by us, a mirroring principle. All buildings have night spaces and day spaces placed on separate sides of an axis, which runs along the load-bearing wall in the middle of the building’s width. The planes of two example buildings are proposed. Work on the functional plan of one of them was continued. While the other remains an idea to be developed.
OUTLINE PROPOSAL
NO ORIELS - 4 APARTMENTS
PLAN DESIGN PRINCIPLE
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FLOOR PLANS DRAWN FOR OUTLINE SCALE 1:400
First floor plan
Type B - Groundfloor plan
Second floor plan
2016
MIMERSGADE RENOVATION
OUTLINE PROPOSAL
Type A - Groundfloor plan
10
.
APARTMENT PLANS
FLOOR PLANS DRAWN FOR SCHEME DESIGN SECOND FLOOR PLAN 1
2
3
5
4
A
6
7
8
9
A
A
B 190
B
7
4
3
2
13
2200
14
1000
B
1000 2200
new
new
2100
900
900
2100
C
Living r oom and kitchenette 28.17 m²
Living r oom and kitchenette 33.02 m²
new
1400 1400
new 1900
1900
ex
new new
Sta irca se 18.93 m²
B athr oom 5.52 m²
900
1800
1900
1800
2100
B edroom 12.08 m²
2200
2100
2100
new
new
214
B edr oom 11.98 m²
1000
1400 1400
1800
Living room and kitchenette 28 m²
900 2100
new
1800
Living r oom and kitchenette 32.91 m²
new
900 2100
new
2200
900
1000
2100
Sta irca se 21.88 m²
new
new 900
1000 2200
new 2100
2200
new
B edroom 11.92 m²
new
900
new
332
14
900
ex
5
12
2100
140
9
10
11
13
2100
C
1400 1400
B edroom 9.59 m²
B a throom 5.75 m²
B edro om 14.52 m²
11
12
4
900
B edr oom 14.41 m²
B athro om 5. 85 m²
3
new
B athr oom 5. 52 m²
B edroom 9.67 m²
9
10
6
1000
5
8
2
new
ex
B edro om 11.81 m²
140
1400 1400
B
8
new
6
ex
7
D
E
E
650
1
2
428
3
342
355
851
4
370
5
A
340
426
6
655
7
8
9
SECTION A-A
MEZZANINE FLOOR PLAN 2
B
3
5
4
A
6
7
8
9
A
A
B
B
455
54
1
SCHEME DEISGN
D
B
B
C
D
11,81
E
MIMERSGADE RENOVATION
C D
240
455
C D
A
E
E
F
F
132
251
54
25
591
8,66
54
2
560
3
500
4
1092
5
4419
1095
A
6
499
7
567
8
54
5,9
9
5,85
260
38 216
254
80
139
35
Idea: intensify the idea by the technology choice. Gained skills: work planning, work in a group, drafting in Rhino.
38
41
1
2,95
260
38 216
254
80
139
35
35
41
2,90
+/- 0,0
- 1,01 - 1,31
217
99
35
41
- 0,05
2016
In scheme design phase we used the ideas, we came up with during the outline proposal to make all the major decisions, including the materials and components choice. Following this comparisons or potencial building solutions were made. Finally we prepared all the drawings needed by the municipality and various details’ drawings meant to be consulted with the subcontractors.
- 2,58 - 2,95 67
- 3,25
A
B
C
D
E
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OUTLINE PROPOSAL
SITE DEVELOPMENT STRATEGY DESIGN PRINCIPLE Upon a closer look it was seen that the spaces around the buildings were all arranged in a similar fashion with a clear lack of personal character which we thought could diversify the range of outdoor activities. Hence we divided the space into more „private” and more „public” spaces. On that principle we developed the site plan for the whole neighbourhood. COMMERCIAL AND COMMON AREAS We placed the comercial and common areas along the Mimersvej in the squares, which we classified as public. Also we located them on the crossing of Aegirsgade Vej and the long pedestrian path.
PRIVATE SQUARES The paths run along curves. Soft lines are also visible in the idea to locate little hills there. Entances to the staircases can be accessed from the private squares. Most of the private squares are coveres with greenery.
2016
MIMERSGADE RENOVATION
PUBLIC SQUARES While planning them we payed attention to the needs of visitors of commercial services. Entances to them the can be accessed from the public squares. They are preceded by paved areas, which can serve as commercial service extension. Pavement covering predominates on those yards.
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PEDESTRIAN AND BIKING PATHS We increased the lenght and amount of routes designed for pedestrians and cyclists. We closed part of the Mimersgade Vej for car movement. It is narrower and can only be accessed by four-wheeled vehicles in case of emergency such as conflagration. CAR ACCESS AND PARKING SPACES We closed part of the Mimersgade Vej for car movement. Parking spaces are located partly along Mimersgade Vej, Sonderbrogade Vej, Lindvigsvej. We placed the biggest concrentration in the south-western corner of the neighbourhood covered by our site plan.
SITE PLAN PUBLIC SQUARES
COMMERCIAL AND COMMON AREAS
PLAYGROUNDS AND OUTDOOR ACTIVITIES
PEDESTRIAN AND BIKE PATHS
CAR ACCESS AND PARKINGS
OUTLINE PROPOSAL
PRIVATE SQUARES
MIMERSGADE RENOVATION 2016
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<Brick cladding, continous seams.
Wood-benches> <Washed gravel-public areas
Road tile> <Titanium zinc roof covering Grass-private areas>
EASTERN ELEVATION
2016
MIMERSGADE RENOVATION
ELEVATIONS. DRAWINGS PREPARED DURING OUTLINE PROPOSAL PHASE WESTERN ELEVATION
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<Asphalt -parking Steel-balcony railing>
SOUTHERN ELEVATION
EXISTING ROOF CONSTRUCTION ANALYSIS
CHANGES TO THE ROOF STRUCTURE
EXISTING ROOF CONSTRUCTION ANALYSIS
ROOF CONSTRUCTION REFURBISHMENT
PILLARS COMPRESSIVE FORCE
CLAMPS BEAMS
CEILING JOIST TENSILE FORCE
WALL TOP PLATES
CURRENT STRUCTURE
NEW CEILING BEAMS
SHORTENED RAFTERS
UNDERPURLIN BEAM
SHORTENED TOP PLATE BEAM
ADDITIONAL RAFTER
MIMERSGADE RENOVATION
DIAGONAL BEAMS TENSILE FORCE
SCHEME DESIGN
CHANGES TO THE ROOF STRUCTURE
RAFTERS COMPRESSIVE FORCE
2016
THREE TYPES OF FRAMES
THE FINAL RESULT
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Idea: line and surface, outer skin, easy flow of movement Gained skills: archicad, laser cutting, functional building planning, V-ray rendering
Multistorey residential building
01
Mokotów neoplasticism. Lines and surfaces.
Madalińskiego Street, Mokotów, Warsaw October - January 2015 5th semester prof. Stefan Wrona arch. Sławomir Kowal - slawek@kowalstudio.pl Student Project Individual Project
02
Varying shape squares and rectangles. .
03
Vertical and horizontal lines. Wooden battens.
04
Vertical and horizontal lines. Main construction.
05
Repeatable floor on top of separate volumes.
Location Warsaw district of Mokotów is a lively place. It’s architecture is a mixture of components, the history of which reaches the enlightenment era, interwar or the post-war years. The richness of the styles and patterns forms a collection of inspirations. From this set I derived numerous examples alluding to neoplasticism. Their propinquity to this style is comprised in angular shapes, resignation from using the ornament and the aim to obtain open space. Analysys and idea I started work with attempts of transfering a play of lines and surfaces from a leaf of paper to a three-dimmensional form.
2015
MULTISTOREY RESIDENTIAL BUILDING
The assignment The assigned task was to propose a design of a residential building in the imposed area. I was expected to prepare a scheme solving the relation with the surroudings and functional problems, appearance and structural issues. The project work was preceded with analysis of the location.
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MULTISTOREY RESIDENTIAL BUILDING
2015
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MULTISTOREY RESIDENTIAL BUILDING 2015
18
Building relation to the surroundings The residential unit is located at the back of a bustling street - Madalińskiego. It is facing a tranquil lane. The starting point of the concept was an easy flow of pedestian movement across the plot. Therefore I placed the continous living floors on the ground floor - an assembly of three volumes. The gaps between them enable movement thorugh the plot in many directions and ensure lively atmosphere around the building. The building is placed as close to the South-Eastern corner of the plot as it can be in order to extend it’s distance to neighbouring edifices. The higher part of it is a height dominant. Public areas which have commercial premises are focused in proximity of the corner of Różyckiego and Kielecka streets. A small paved squre was created there. It is suitable for enlargement of the area of cafes around it. There are two entrances to the building. One of them imposes going through the square.
MULTISTOREY RESIDENTIAL BUILDING
2015
19
BASEMENT PLAN SCALE 1:800
1
2
3
4
5
9
6
7
8
12
13
14
15
18
19
20
GROUNDFLOOR PLAN SCALE 1:200
10
11
01.7
34
K-2 33
32
31
28
29
30
21 x 16,67 = 350
16
01.6
K-1 17
2015
MULTISTOREY RESIDENTIAL BUILDING
01.1
20
21
22
23
24
25
26
27
A large part of the time spent on working on the project was consumed by compiling the repetitive floor plan. I located the smaller dwelling nearby the square and the bigger ones either above the slope leading to the garage or in the western part where the light can access the interior through windows on three walls.
01
West staircase distributes movement to three apartemnts per floor, the Eastern one to five.
02
Loggias on the street side. Balconies on the backyard side.
03
The bathrooms strung on two lines
1-room dwelling 2-room dwelling 3-room dwelling 4- and 5-room dwellings common spaces
FIRST FLOOR PLAN SCALE 1:200
MULTISTOREY RESIDENTIAL BUILDING
2015
21
The shape The building seems to consist of two shapes. A glazed reccession between them deliberately substracts some of the building’s mass. Thanks to it it is possible to „look through” it.
2015
MULTISTOREY RESIDENTIAL BUILDING
SECTION A-A SCALE 1:200
22
SECTION B-B SCALE 1:400
MULTISTOREY RESIDENTIAL BUILDING
2015
23
The facade I chose fiber cement as a wall covering - a darker shade on the base. The battens grid density is changing. It blends loggias with flat walls. The railings are manufactured in a similair manner. Thin battens are attached to the load bearing part of the wall with
2015
MULTISTOREY RESIDENTIAL BUILDING
WESTERN ELEVATION SCALE 1:400
24
SOUTHERN ELEVATION SCALE 1:400
FACADE DETAIL PERSPECTIVE VIEW
BALCONY DETAIL AXONOMETRIC VIEW
5-ROOM DWELLING AXONOMETRIC VIEW
MULTISTOREY RESIDENTIAL BUILDING
2-ROOM DWELLING AXONOMETRIC VIEW
2015
25
Idea: thread in the landscape and volumes strung on it Gained skills: model making, Illustrator, relation of a building and it’s surroundings
House next to a wall
The project is an assignment we were given during architectural design classes on detached housing. We were told to choose an inspiring family, which we were able to find in our surroundings. The living and working spaces should have been fitted into the design. We were expected to rethink the layout of the house and the plot and establish a dialog between the new component and the existing elements. Plenty of consideration was given to the choice of materials, appropriate scale, visibility and hiding the building and exhibiting beautiful views. Localization The project site was allocated in Czersk. It was one of the most imortant Mazovian cities in the medieval times. The settlement hosts famous ruins of a castle. We could choose one of the plots on the sloping surface in valley of one of Vistula’s tributaries’ - Cedron. The vast choice The family As the extensive, natural spaces in Czersk seemed very insipiring for me, I chose a family interested in paragliding, hang gliding and plane modelling. The family consists of parents and their adolescent son. I also predicted space for the family the son might set up in the future.
2015
House next to a wall
Czersk near Warsaw February - June 2015 4th semester prof Konrad Kucza-Kuczyński dr Piotr Trębacz - pt@ati.waw.pl arch Witold Orzechowski Student Project - awarded with distinction Individual Project
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LOCALIZATION PLAN SCALE 1:2000
01
Tight bound to the castled surfaces.
06
Large openings almost in all of the rooms.faces.
02
The shape of the plot recreated in the trace of the wall .
07
The gradation of the lightness of the interiors urfaces.
03
The sloping terrain. Wall situated longways the slope.
08
The roof leveling is parallel to the terrain.aces.
04
Communication. A corridor runs along the wall and distributes the movement in the house.
05
Parts of the house separated and following the wall. The wall surrounds the entire plot.
House next to a wall
The place. Observations and fascinations. One of my first presumtions was to initiate a tight connection between the house and the castle. Therefore I decided to place it just underneath the ruins on the other side of a trodden trail. The route sets of from the town market, bends round the castle hill and leads outside the town. It seamed reasonable to create a barrier shielding the inhabitants of the house from unwanted eyes while intruducing them as many sights of the landscape as possible . In spite of that, I made an attempt oto avoid turning my project into a screening structure. At that time my interest in the wall structure occured. I was fascinated with its’ solidity, mass and secular character. It melted with the landscape, giving an impression of existing in it’s place for ever. Then I began analysing the castle structure. I noticed that the huts, bastion and the towers seem to be attached to the wall - following it and dependent. The castle reminded me of a thread in the landscape and the buildings of volumes strung on it. Demands I decided to check if the principle governing the castle structure would also work fine when applied to a one-family house. Therefore I formed the following set of demands: - giving the inhibitants privacy, - forming the plan in respect of the family members’ different interests and activities, Idea A parallel to the castle structure is repeating the wall and the division of the house into three volumes. The first one is a garage, workshop and auxiliary rooms. The second one hosts the living areas and the third one hosts the inmate’s bedrooms. Moreover I higlighted the contrast between the massive wall and light, openwork buildings.
2015
27
EASTERN ELEVATION SCALE 1:800
SECTION A-A SCALE 1:800
2015
House next to a wall
WESTERN ELEVATION SCALE 1:400
28
SITE PLAN SCALE 1:800
The terrain is sloping towards the South and the valley of Cedron. An overwhelming part of the plot is surrounded with the wall. Only the northern triangle is not enclosed like the rest of the plot. The plot can only be entered by crossing the wall. There are three entrances. The one on the Northern wall and the one in the South -Eastern corner of the area are designed for the pedestrians. The doorway in the North-Eastern Corner is suitable for vehicles. The paved areas The western part is covered with greenery, whereas the eastern piece is mostly paved. Clinker was used to cover the surfaces of the courtyard, the terraces and the paths. The route cutting the loan in two is unpaved. Greenery High-rise plants were rejected in order to avoid veiling the view. The wall The wall is 100 cm higher than the building. In other places it is as high as a fence.
House next to a wall 2015
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2015
House next to a wall
The plan The house has a longitudunal shape. A corridor runs along the wall. That is also where the view axis runs. The corridor is not interrupted with any rooms or walls in order to preserve the clarity of view. The house has a very long contour what gives majority of the rooms an access to windows. The prevailing part of the house is situated on the ground level. Therefore, the bedrooms and the living room have their own exits to the garden. The complicated landform enforced the use of stairs. One of them lead from the courtyard to the main entrance, The other ones bond the living and the sleeping part of the house. The third ones are situated in front of the parentsâ&#x20AC;&#x2122; bedroom.
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FIRST FLOOR PLAN SCALE 1:200
GROUND FLOOR PLAN SCALE 1:200
Garage, workshop and auxiliary rooms
Living zone
Living zone The living zone consists of a northern part of closed rooms such as boiler room, storage room and a toilet. The rest of it is a large open space with a second exit to the small yard in between both parts of the house. The staircase It is a thin passage. One of the walls surrounding the yard.
The sleeping zone The gradation of the lightness of the interiors is most vivid here. All bedrooms have doors leading to terraces. The biggest one is the parents belonging. The wet rooms are focused close to each other.
House next to a wall
Workshop Working spaces are situated in a double height space. The entire southern wall is glazed and shielded with moveable blinds. Two doors lead to the workshops from different area elevations.
Night zone
1555 plot
4 wardrobe
30.7 workshop
15 21 corridor WC and laundry
56 92 garage
9 10.5 storage rooms anteroom
67 107 bedrooms
15 kitchen
66 100.5 living room with dining space
2015
5.3 auxiliary rooms
6.4 staircase
Program (sg meters)
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Structure The load bearing structure constists of a airbrick wall and a timber frame. The rafters transfer the loads both to wooden columns and to the brickwork. The contrast between the massive wall and lightweight timber frame is higlihted by exposing the wooden skeleton inside and outside the building.
2015
House next to a wall
Window openings I predicted low and longtitudional windows in the brick wall. They are placed on various heights depending on the ground level outside the window. The openings in the timber frame wall extend from the floor to the ceiling. Thereby some of the wall top plate beam is visible through the glass.
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SECTION B-B SCALE 1:100
DETAIL SCALE 1:80
The brick wall determines the design of the interiors. Visible battens serve creating rhythm. House next to a wall 2015
33
Idea: propagation of literature Gained skills: project management
Storytelling theatre
2014
Storytelling theatre
Żabieniec near Warsaw November - January 2014 3th semester prof. Stefan Westrych prof. Anna Dybczyńska dr Anita Orzechowska Student Project Individual Project
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Project was performed during architectural design course on small public utility building. The building site is allocated in Żabieniec neighbouring with Chojnowski Landscape Park - place where natural environment is being protected. It is a glade next to river Jeziorka. Żabieniec lays in close proximity to Warsaw and Piaseczno and thereby is a frequent destination of weekend family trips. Choice of function Choosing the building function was a major part of the assignment. Reflections about it consumed about a quater of the semester. We were to think of a building destination that suits the place best. I thought about the mute nature and that it might be worthwhile to let it speak. I decided to create a place of storage, passing and promoting the immaterial heritage. I fought that due to the locatization, the resources should comprise stories and legends about nature. The facility will host a theatre, playground, library of audiobooks, cafe and a store
01
Spaces inside a space.
02
„Dark” and „bright” spaces.
03
Hidden in the grass
04
Hide and seek structure all over the walls
Storytelling theatre 2014
Users The storytelling theatre is dedicated to children of different age and parents accompaning them. The way of functioning The building is comprised of an internal „dark” part and a „bright” part”, „wrapped” around the first one. The outer part is a place, where the users may read, listen to stories, play and prepare plays of their own. The inner part is a theater hall. Due to the flat leveling of the floor and the possibility of changing of seats arrangement, the traditional division to scene and audience disappears. The outer room might function twofold. After being separated from the restaurant, it can serve as a backstage. Not having done so it can be incorporated into the restaurant space. A buffet has been planned, where snaks may be served. An emphasis is put on exposing plays which do not require many decorations and actors. The viewers are most of all impressed with creations of their imagination. Educational features The storytelling theatre impoves childrens’ imagiantion. It imposes them to study theatre and literature. It prepares children to understand the works of art, teaches them the ability to concentrate. The way spectacles are being played is adjusted to childrens’ perception. Children may participate in art workshops. Adults can go to storytelling performances.
LOCALIZATION PLAN SCALE 1:1000
35
SITE PLAN SCALE 1:400
A-A
High grasses, perennials and a flower meadow are to be planted on the Western, South-Western and South -Western side of the theatre. Narrow paths are writhing in between them. Paths are covered with short, pressure resistant grass. Locally the strips of short grass are widened, making room for benches, tables and book shelves, where visitors may exchange books with each other.
GROUNFLOOR PLAN SCALE 1:200 A
C
B
1
1
decorations storage room 21.8m2
costumes storage room 11.2m2
WC 10m2
actors’ changing room 6.7m2 corridor 5m2
actresses’ changing room 6.7m2
boiler 5.2m2
WC 10m2
WC 4m2
WC 4m2
changing room 16m2
D
2
F
F
2 WM
storage room 5.3m2
F
washing room 5.6m2 theater hall 49m2
shop and cafe 40.7m2
F
backstage 61m2
Storytelling theatre
kitchen 13.4m2
LEGENDA wysokie trawy-rośliny charakterystyczne dla łąki kwiatowej Gatunki roślin: goździk piaskowy, rozchodnik ościsty, rumianek
K macierzanka,K jarzębiec, koniczyna biała, barwinek, bluszcz, konwalia.
3
3
koszone regularnie trawiaste ścieżki Gatunki roślin: mietlica pospolita
WC 2.2m2
A
office room 8.4m2
bory mieszane z przewagą sosny i udziałem dębu, brzozy i lipy
dębowy okrąglak w połowie zagłębiony w ziemi
żwirowa opaska
płyty betonowe formowane w kształt desek drewnianych
main hall 103m2
office room 12m2
4
2014
A-A
4
36
B
C
D
01 The space division during the shadow theatre performance. The audience stays inside the theater hall. Actors play outside it and are visible through holes in the theater hall walls. The moveable walls are shut. 02 The space division during play workshops and storytelling performances. The storyteller and the audience are together in the theater hall. 03 The space division during puppet show. Spontaneus arrangement of seats in the theater hall. Actor perform outside the theater hall. The moveable walls are shut.
01
02
03
Storytelling theatre
SECTION B-B
2014
37
Inspirations of the building form The considerations about the shape of the building are based on an assumption that it should be suitable for the way children cognite the world. The partitions, separating the backstage and the main hall, are moveable. Thereby they enable frequent rearrangement of the room. Hence building can be used for many activities and types of performance. The cubes Wooden cubes are loosely placed around the building main hall. They form maze-type playground and restaurant and reading seats. The facades appearance is greatly influenced by the cubes as they are visible through the glass. Load-bearing structure Load-bearing structure is a canadian timber frame. It is covered with wooden trusses.
2014
Storytelling theatre
SECTION C-C
38
ELEVATIONS
ROOF CONSTRUCTION PLAN SCALE 1:400 A
B
C
1
1
D
2
2
3
3
A
4
4
SECTION A-A
D
2014
GSEducationalVersion
C
Storytelling theatre
B
PRZEKRÓJ A-A SKALA 1:100
39
2 - 4o
Idea: denying the force of gravity Gained skills: combining everyday observations into architecture form as a strict consequence of idea
Falconry
2014
Falconry
Modlin Airport near Warsaw March-June 2014 2nd semester prof. Ewa Kuryłowicz arch. Michał Adamczyk - michał.adamczyk@mimika.com.pl arch. Mikołaj Kwieciński Student Project Individual Project
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Assignment This assignment was performed for architectural design course. We were told to prepare a draft of a settlement of a falconer and his pupil birds. Site and functional programme A newly open airport a bit outside Warsaw was chosen to become the localization of falconry. The foundation consists of a dwelling of the falconer - suitable both for a permanent and a temporary stay, constant stay aviaries and reproduction aviaries, sheds, a subsidiary building.
Idea The falconry proposal, which I present here, is supposed to comply with the spirit of the airport and the spirit of nature. During the work on the draft of the design I was guided by the fascination of flying. All of the decsions, I took, were determined by the will to create objects, which would give the impression that they are about to take of the ground.
Idea implementation I come with a proposal of a group of objects, resting on many thin and undersized abutments, which enlace the solids. The posts bring to mind ropes helding a ballon and preventing it from flying away into skies. Due to their proportions anddeflection, the abutments seem to be under the action of tensile force while they are under compressive force. Thereby the buildings represent light masses unconnected to the ground.
The buildings have a “box” - an internal constructionbuilt of a steel skeleton filled with insulation. The internal construction is suspended to steel frames, which are visible from the outside. A thin membrane of fiberglass is stretched on the frames. The water and thermal insulation is constituted of the membrane and the cavity underneath it. It calls to mind a chinese lantern and escalates the impression of lightness.
the “box” with short rods The supports were attached to in the membrane. The s cture passing through the pun inclination of the exteran ting crea was step ing succeed inclined by 2 to 4 deare y The . ings nal layer of the build result they lose touch a grees to the ground surface. As amic outlook due dyn a form s port sup he with ground.T of the buildinside the g alon to their denser spacement h. eart ve abo r lowe ted loca is h gs, whic
functions in s of diffrent ute the area aviaries, a rib e st re di th to e ar d I decide efore there er p and a Th . ho gs ks in or ild w separate bu a kichten, a g in ld th he - e falcoom est lodging subsidiary ro l as the bigg el w as om storage ro eds. serving his ne ner’s house
Falconry 2014
41
DETAIL SCALE 1:20
2014
Falconry
WAX MODELS
42
EASTERN ELEVATION SCALE 1:100
LOCALIZATION PLAN SCALE 1:800
SMALLER AVIARY SOUTHERN ELEVATION - SCALE 1:100
SHED’S ELEVATION SCALE 1:100
FALCONER’S HOUSE SECTION SCALE 1:100
FALCONER’S HOUSE PLAN SCALE 1:50
SITE PLAN SCALE 1:400
Falconry
90 240
D2 90 220
821
748
±0
-140
D1
1 Falconer’s house 2 Reproduction aviary 3 Constant stay aviary 4 Subsidiary room 5 Food storage room 6 Shed
L
ZM
2014
444 478
43
Idea: the trick behind the balance Gained skills: Rhinoceros, matematical equation determining the shape of architecture
Observation tower The mystery of balance
Vistula shore, Warsaw October - November 2015 5th semester prof. Hanna Michalak dr Paweł Przybysz Student Project Individual Project
2015
Observiation tower
The project was done as an assignment for construction design course. Inspirations and idea I reached out to structures which do not loose their balance although the majority of their mass is located outside the contour of support area. I created an idea of construction, mass of which is located as far from it’s middle axis as possible. I studied various examples from nature and existing buildings and I came to a conslusion that this problem might be solved by placing the center of gravity inside the contour of support.
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LOCALIZATION Idea development A vast amount of volume is located outside the contour of the support. This effect was achieved by replacing the middle axis of the tower with a curve and placing structural circles’ midpoints on the curve.
TERRACE CONSTRUCTION PLAN SCALE 1:200
352
704
352
GROUNDFLOOR PLAN SCALE 1:100
34
393
69
232
69
69
69
472 704
FOUNDATION PLAN SCALE 1:100
306
Observation tower 2015
618
SECTION A-A SCALE 1:200
618
306 924
45
2015
Observation tower
DETAIL OF PIPES JOINT SCALE 1:40
46
DETAIL OF THE TERRACE FASTENING TO THE PIPES SCALE 1:20
FOUNDATION DETAIL SCALE 1:40
THE RESULTS OF THE CALCULATIONS STRESSES AND DISPLACEMENTS WARIANT 1
SGN MAX
SGN MIN
SGU MAX
SGU MIN
DEFORMACJE SGN MAX
DEFORMACJE SGU MAX
STAL - S355 - RO244.5X17.5mm
ruszt pod pomostami - RP160X80X12mm podpora - utwierdzenie
max przemieszczenie=9.5cm
max przemieszczenie=6.5cm
max przemieszczenie=9.5cm
max przemieszczenie=6.5cm
STAL - S275
ruszt pod pomostami - RP160X80X12mm podpora - utwierdzenie
Observation tower
WARIANT 4 NAJKORZYSTNIEJSZY WARIANT
stopniu niewykorzystane
GRASSHOOPER DEFINITION
2015
47
Idea: invisibility in a crowd Gained skills: photoshop, incorporating observations of everyday life into architecture
Mimetism
The project was done as one of my first assignments at Warsaw University of Technology for the Elements of Design course, It took place at one of hub streets of Warsaw. We spent half of the semester gathering knowlegde about and trying to understand the place chosen for us by the teachers. Our final design task was to propose a hideaway spot which would allow it’s user to feel incarnated into his surroundings at the same time remaining invisible himself. The idea I decided to place the hideaway in the most bustling part of the street. I took advantage of the shape of crossroads and the natural tendency of the stream of passersby to spread there. Thereby they behaviour as is the hideaway was not there. It’s key feature is a vertical slit which provokes users to „spy” on the passersby. The form Designing the shape was comprised as a second part of the exercise. I proposed a longtitudional wedge. The form is made of a double layer of a steel net held by steel rods construction. The partition tends to change it’s transparency depending on the localization of the observer.
2014
Mimetism
Chmielna Street, Warsaw December 2013 - January 2014 1st semester prof. Ewa Kuryłowicz arch. Michał Adamczyk - michał.adamczyk@mimika.com.pl arch. Mikołaj Kwieciński Student Project Individual Project
48
Mimetism 2014
49
50 2014
Mimetism
Mimetism 2014
51
Drawings and paintings
52
I always showed interest in draftsmanship. In order to become enrolled as a student of architecture, I had to develop my drawing skills. For this purpose, I attended drawing courses. During that time my passion for drawing and painting deepened. Shortly after being accepted as a student, I was employed as a drawing and watercolour painting tutor of architecture candidates in Pracownia Rysunku Domin in Warsaw, the school, where I had studied. There, I learned to communicate with my pupils by presenting my thoughts in a clear manner. My passion for art exceeds beyond creating paintings of my own. I canâ&#x20AC;&#x2122;t imagine a trip to a city, I have never been to, without visiting itâ&#x20AC;&#x2122;s art gallery. I love digging into the history of art and architecture by reading literature about them.
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