1 minute read

Haward Harris

Next Article
Sabine Bachem

Sabine Bachem

Howard Harris is an American Techspressionist artist who skillfully combines technology and aesthetics to expand the viewer’s experience of photographic art. He explores dimensional photography, influenced by quantum physics, chaos theory, and op art. Blending media, color, and abstraction, his work attempts to recreate the dynamic perceptual experience with all its hidden complexities. In his patented process, the Denver-based artist uses a single, often abstracted, image layered over itself with a subtle grid printed on a clear acrylic surface and superimposed over the base image. The resulting visual phenomenon infuses the image with dimensionality and fluidity. The combined image is affected by such changes as the viewing angle and light. Perceptual mechanics are only part of the equation. Equally essential are universal principles of design that produce qualities we perceive as beauty. The artist says, “In any given moment, what we see reflects both our inner state and a synthesis of outer qualities—light, color, movement, space.”

Harris graduated from the Kansas City Art Institute and the Pratt Institute, earning a master’s degree in industrial design. Harris has spent his career negotiating between art and design, creating within others’ parameters, as his desire to create for others often overpowered his desire to create for himself. He now has shifted his motivation to create for himself first. Deeply interested in the principles of design that produce beauty and aesthetics, Harris’s work elevates the art of photography and displays a deep understanding of abstraction.

Advertisement

Digital

Sarah Shinhyo Kim is a Korean-American artist currently living and working in the United States. She studied Fine Arts at Cornell University and earned her BFA in Fashion Design from Parsons School of Design.

As a way to explore human communication and relationships, Kim’s work focuses on the increasing popularization of ‘emoticon’ pop-imagery in the past decade. While these images, known colloquially as ‘emojis,’ are vehicles of individual emotional expression, their universal and semantically rich nature allows us to transcend cultural and linguistic barriers. In her work she aims for the harmonious consolidation of various emotions and expressions. She begins by drawing clusters of emoticons portraying different states of mind. She then overlaps and connects them to form a unified larger image. Her message is simple; despite everyone’s uniqueness and differences, balance and harmony can be achieved in human relationships.

All of Us are Eggs, 2023

This article is from: