A. Hadley Milos
ARCHITECTURAL PORTFOLIO 2020
A. Hadley Milos
647-779-9715 hadley.milos@ryerson.ca www.linkedin.com/in/a-hadley-milos/ Toronto, Ontario
EDUCATION
2015 - 2020
Bachelor of Architectural Science, Ryerson University
Graduated June 2020 2019-2020 Honor, Dean’s List - Average GPA of 3.67 or higher, while
carrying a course load of 8.0 units per term.
PROFESSIONAL EXPERIENCE 05/2019 - 08/2019
Architectural Intern, Endri Poletti Architect Inc., London, ON
10/2017 - 02/2019
Completed renderings, drawings, field reviews, site visits, etc. while working closely with the principal architect and project manager.
Host, Jack Astor’s Bar & Grill, Toronto, ON Communicated with guests and co-workers to create a valuable experience.
05/2017 - 08/2017
Underwriting Assistant, Sovereign Insurance, Toronto, ON
Provided administrative support to the auto-underwriting team, including communication with brokers.
PROJECTS 2018
Architectural Designer & Fabricator, Timberfever, Toronto, ON
2016 2
A four day design-build competition working collaboratively with other students from Canadian engineering and architectural university programs. The focus is to build with our hands and use woodworking tools, while gaining exposure working with civil engineers and carpenters as our mentors.
Designer & Fabricator, WWF Pandamonium, Toronto, ON
Designed and created “Beneath Our Shorelines” along with the creative directors from LeuWebb Projects, with recycled materials. The project represents the human impact on aquatic ecosystems.
AFFILIATIONS
2015 - 2017
American Institute of Architecture Students (AIAS), Member
2016 - Present
Affiliated with Ryerson University’s Architectural Science program.
Ontario Collegiate Equestrian Association (OCEA), Member
In coordination with Ryerson University’s Athletic and Recreation Competitive Clubs (Equestrian).
EXTRA CURRICULAR 04/2019 - Present
Supervisor & Captain, Ryerson University Equestrian Team
01/2016 - Present
Member, Ryerson University Equestrian Team
04/2016 - 09/2017
2019-2020 Captain 2020-2021 Supervisor Responsibilities include recruitment, seeking sponsorships, the management of finances, communications, deadlines, etc. as well as planning and hosting an OCEA show.
Club member & team member. 2020 - Awarded 6th place in Entry division.
Orientation Leader, Ryerson University
Ryerson Student Life and Launch Zone volunteer, facilitating a safe environment with a sense of accomplishment and goal setting, for future Ryerson University students.
Revit 2018/2019 & BIM, AutoCAD 2019/2020
TECHNICAL SKILLS Autodesk Adobe CC Suite, 2019
Photoshop, InDesign, Illustrator, Premiere Pro
Render & Modelling
Enscape, Rhinoceros 5.0/6.0 Grasshopper
Physical
Laser Cutting, 3D Printing, KUKA Robot
3
6-11
Mass Timber - Ryerson’s Centre for Architectural Innovation & Entrepreneurship 1
12-17
18-21
22-25
4
2020
Net-Zero Carbon Retrofit - Ryerson’s Architecture Building 2 2019
Performing Arts Theatre & Residence 3 2017
Evergreen Research Cabin 4 2016
5 Digital Fabrication - 3D Printing
26-27
6 Work Experience at EPA Inc.
28-31
2019-2020
2019
7 Beneath Our Shorelines - WWF Pandamonium Project 2016
8 Timberfever Design-Build Competition
32
33
2018
5
Mass Timber - Ryerson’s Centre for Architectural Innovation & Entrepreneurship 1 104 BOND STREET, TORONTO, ON WINTER SEMESTER 2020 Instructor - Veronica Madonna Ryerson University is a unique urban campus in the heart of downtown Toronto, restrained by the surrounding residential and commercial spaces. Ryerson is putting emphasis on revitalizing the urban realm, transforming it into a brighter, animated public walking space, making the campus an entire outdoor classroom. The mass timber Centre for Architectural Innovation and Entrepreneurship, of the Department of Architectural Science (CAIEDAS) responds to this change. It impacts the expression of Ryerson, creating a new iconic landmark to the downtown core. The project highlights sustainability, innovation, originality, and the importance of preservation. A challenge that Ryerson faces is having enough student learning spaces for all. Students often struggle to find a study space in various parts of the campus, and searching for a study space takes away from their valuable time. Vertical growth confronts this issue, providing flexible and useable spaces on each floor, attracting visitors from other departments and allowing them to work alongside entrepreneurs and architecture students. Several interconnected floors allow students to connect with one another, encouraging a positive workflow.
6
The mass-timber building will be a learning tool for students and entrepreneurs, bringing the University’s academic environment to a new level with a focus on high efficiency and sustainability. The mass timber structure itself interacts with the occupied spaces in several areas throughout the building, letting the architectural intent to be understood by the users. The structure and façade elements can be appreciated from the interior and exterior, creating a hub of versatility.
7
east elevation
section
50% glazed
possible future development up to 65m
heritage 104 Bond
110 Bond
112 Bond
The large expansion of the architectural academic program requires a large physical expansion. On 104 Bons St, the site provided would not have been adequate. The project has taken over 110-112 Bond Street, preserving the existing facades and some of the interior existing program, including Ryerson’s recently renovated Fashion Zone. The exterior cladding of vertical terracotta fins maintains the outdoor street level. The fins are dense, closer together on the lower floors to connect with the existing. The fins separate on the higher floors, creating a light gradient effect. The fins add texture to the exterior, paying tribute to the natural texture of trees and timber.
8
natural shading
neighbouring buidlings block excessive solar gains
roof systems
green roof + PV panels, water collection for on-site plumbing systems
shading facade
podium podium
vertical ca
highly active spaces for the spaces with most traffic - the first 4-5 floors. adaptability and flexibility in these key spaces allow for the growth of the program.
efficiency in vertical s maximizing the urban adapting with the exi revitalization and pre
vertical fins allow views out, blocking solar gains
low window-to-wall ratio
less than 50% glazing on all exterior faces
preserve existing
accentuating vertical growth, encorporating existing streetscape into new urban fabric. revitalization in the existing buildings to correct any thermal breaks
podium
vertical campus vertical campus
sustainab
highly active spaces for the spaces with most traffic - the first 4-5 floors. adaptability and flexibility in these key spaces allow for the growth of the program.
efficiency in vertical space, optimizing and maximizing the urban density of Ryerson. adapting with the existing streetspace, striving for revitalization and preservation.
minimizing demoli to the mass timber green roof options amounts of facade
interior & exterior vertical terracotta fins shading & privacy
terracotta fins 400mm spacing
open-desk space
classroom terracotta fins 600mm spacing
work room
sustainability
podium
vertical campus
sustainability
anima
highly active spaces for the spaces with most traffic - the first 4-5 floors. adaptability and flexibility in these key spaces allow for the growth of the program.
efficiency in vertical space, optimizing and maximizing the urban density of Ryerson. adapting with the existing streetspace, striving for revitalization and preservation.
minimizing demolition, connecting existing to the mass timber expansion. green roof options, photovoltaic roof panels, low amounts of facade glazing, and shading devices.
creating an in institutional b will play a pa revitalization
crit & study space terracotta fins 300mm spacing
crit & study space
main entry podium
vertical campus
sustainability
highly active spaces for the spaces with most traffic - the first 4-5 floors. adaptability and flexibility in these key spaces allow for the growth of the program.
efficiency in vertical space, optimizing and maximizing the urban density of Ryerson. adapting with the existing streetspace, striving for revitalization and preservation.
minimizing demolition, connecting existing to the mass timber expansion. green roof options, photovoltaic roof panels, low amounts of facade glazing, and shading devices.
animated atgrade animated at-grade creating an inviting base for a high-rise institutional building brings visitors in. will play a part in Ryerson’s urban revitalization and pedestrianization.
9
activated corridors & transfer floor intigration of the closed studio space to open public workspace, splitting spaces & interaction with structure
The mass timber structure is a simple post and beam connection, with an occupiable truss transfer system to overlay on top of the existing structures without adding loads. The glu-lam transfer truss system defines the spaces on the fourth floor. The structure encourages the users to take advantage and enjoy the qualities of the mass timber construction.
Glu-laminated Columns Glu-Laminated Beams Glu-Laminated Truss
10
Cross-Laminated Timber (CLT) Panels
main entry existing relationship with mass timber at the atrium
gallery robotics creative commons cafe informal PIT existing fashion zone
first floor plan
CAD lab AI & VR lab digital fabrication student lounge work rooms
fourth floor plan - transfer floor floors -1 through to level 5 have a more public oriented program spaces are open and flexible, physically and visually
11
Net-Zero Carbon Retrofit - Ryerson’s Architecture Building 2 325 CHURCH ST, TORONTO, ON FALL SEMESTER 2019 Instructor - Kevin Stelzer The Architecture Building of Ryerson University is a hub for innovation, experimentation, and exploration. The building is meant to be a learning tool for the students within, and Net-Zero Carbon Retrofit of the Architecture Building restores the academic environment to a new level with a focus on high efficiency and sustainability. Passive strategies allow the once dark school to become bright, and active systems let the loud HVAC systems to be removed and replaced with high efficiency active systems - air sourced VRF systems, radiant floor heating, and photovoltaic panels on the roof to generate renewable energy. Any surplus of energy will be shared back to the campus grid to be used by other Ryerson Buildings.
south elevation
12
west elevation
north elevation
13 east elevation
14
existing massing
extrude
activated entry
Witin the interior, the building has been sectioned into zones that can be operated to work actively or passively, depending on the desires of the occupants. By having sections, some parts of the building may be turned off completely while other zones may be actively in use. This saves energy and allows the users to have control of their indoor environment. From the exterior, the building envelope has been completely redone. Any thermal breaks are resolved, the window to wall ratio has been appropriated with regards to the interior program. A new highly developed wall assembly with an effective R35 resolves the thermal performance issues. The Church Street side has been majorly enhanced. The studio spaces are pushed out to cantilever and provide natural shading below. The roof extension creates a beautiful outdoor classroom to the architecture building below. The street side elevation becomes animated with student life as the architecture building Ryerson’s first net-zero carbon retrofit.
15
1
3
4
6
5
7 4
3
6 8 5
9
16
8
2
SECTION
FIRST FLOOR PLAN
SECOND FLOOR PLAN
1. Photovoltaic Panels. 2. Composite roof system, concrete on steel deck. Double layer of 100mm rigid XPS insulation, and lightweight sloped topping. 3. I-beam welded connection to steel angle to existing beam. 4. Intumescent coating, exposed ceiling. 5. Suspended soffit system, solid phenolic panels and spray-foam insulation.
6. 7. 8. 9.
THIRD FLOOR PLAN
Raised floor system. Spandrel panel system. Solid phenolic facade system, mineral wool insulation (175mm) and spray-foam insulation in the 152mm metal stud structure. Radiant floor heating.
17
Performing Arts Theatre & Residence 3 60 SHUTER ST, TORONTO, ON | WINTER SEMESTER 2017 | Instructor - Robert Coelho Artists and performers need spaces that can accommodate their needs, and in Toronto with the affordable housing crisis, it may be impossible. This project allows the performer to have living accommodations as well as rehearsal spaces, access to professional equipment, and a beautiful theatre where productions can be heled for public viewing. By giving the residents access to what they need to achieve their goals, it makes their dream of becoming professional performers and dancers attainable. The site location at Church and Shuter street has been selected to revitalize the streetscape and to bring the public off the busy downtown streets at Yonge and Dundas street, pulling them deeper into the dense mixed-use area. The mid-rise project humbly fits in with the surrounding typology, next to St. Michael’s Cathedral and the Metropolitan United Church. It acts as a vibrant intermediate between the surrounding low-rise buildings and the newly emerging high-rise residential buildings.
Shuter ST
Dalhousie ST
Church ST
main floor
Dalhousie ST
Church ST
1
3
2
Shuter ST
exterior perspective
second floor 4
STAGEE MAIN STAG MAIN
7
6
5
mezzanine residential floor
residential perspective
1. 2. 3. 4. 5. 6. 7.
Residential Entry Theatre Entry & Box Office Gallery & Exhibition Space Performer Rehersal Space Mezzanine Theatre Theatre Control
19
east elevation
south elevation
Night perspective from the south-west
20
practice & performance
circulation
Sectional Perspective There are two main paths of entry – public for the theatre, and private for the residents. The theatre and the gallery space create a mass that links the two ends, bringing living and playing together.
21
Evergreen Research Cabin 4 EVERGREEN BRICKWORKS, TORONTO, ON | WINTER SEMESTER 2016 | Instructor - Masha Etkind Immersed in the steep topography of Toronto’s Evergreen Brickworks, a botanist researcher’s cabin is nestled, resting in the ravine walls. The cabin sits in the unobstructed natural environment, providing optimal working conditions for the researcher. The exterior walls and lifting roofs organically organise the program within, distinguishing working zones and living spaces. From the exterior, the push and pull of the form is an intriguing and pleasant addition to the side of the ravine, and the materiality of the dark wood effortlessly immerses the cabin into the forest, regardless of the season. Within, the botanist feels secluded with uninterrupted panoramic views to nature, inspiring their research. The lifted ceiling brings the natural light in, mysteriously broken up by the trees, casting ever-changing patterns on the walls within. The south side of the cabin is reserved for their living space, giving them a private space to rest and calm their mind.
22
-
-
-
-
-
23
INTERIOR RENDER OF WORK AREA
24
SOUTH ELEVATION
EAST ELEVATION
SECTION & ORGANIZATION
WEST ELEVATION
NORTH ELEVATION
25
Digital Fabrication - 3D Printing 5 FALL SEMESTER 2019 | Instructor - Vincent Hui Vessel (Collaboration with Calvin Liang)
26
Digital Fabrication - 3D Printing 5 WINTER SEMESTER 2020 | Instructor - Mark Tholen Form Exploration
27
Experience At EPA INC. 6 Architectural Summer Student
355 OXFORD ST EAST, LONDON, ONTARIO MAY 13, 2019 - AUGUST 23, 2019 While working at Endri Poletti Architect Inc., I was responsible for working drawings and detailing of both large and small scale projects. My input was taken in design considerations for tennant fit-ups, including decisions for finishes and materials. Other jobs included, but were not limited to, site analysis, checking contractor documents, interior and exterior rendering, doing field review reports, website design, and application of the london zoning by-laws.
Above is the proposed reception for the Middlesex London Health Unit, in downtown London, Ontario. The challenge was creating an appealing reception area, while still accommodating accessibility standards within the structure in place. The renovation had begun its construction already, and the interior finishes were being selected.
28
To the right are the construction drawings produced for the reception desk.
IT IS THE RESPONSIBILITY OF THE OWNER, GENERAL AND/OR TENANT CONTRACTOR AND ALL SUB-TRADES TO BE FAMILIAR WITH THE PROJECT AS A WHOLE. ALL DISCREPANCIES AND DIMENSIONAL ERRORS ON THE PLANS AND RELATED DOCUMENTS MUST BE REPORTED TO THE ARCHITECT PRIOR TO COMMENCING ANY WORK
CLEAR ANODIZED CLAD HSS BEAM
VOID
150
8
6
A810 A817
2
VOID
CONSTRUCTION SET HAVE ORIGINAL CONSULTANTS STAMP AND SIGNATURE THE CONTENTS OF THIS DRAWING REMAIN THE COPYRIGHT PROPERTY OF ENDRI POLETTI ARCHITECT INC.
1
A819 A820
A819 A820
99
FUTURE MLHU LOGO SIGNAGE N. I. C.
A819 A817
KEY PLAN:
S.S. INVERTED SHOE SUPPORTING GLASS PANEL
992
D
DO NOT SCALE DRAWING
CLEAR ANODIZED CLAD HSS BEAM
VOID
3
A819 A820
100 150
MILLWORK NOTES: 1. FOR THIS PIECE OF MILLWORK ONLY: COUNTERTOP (LAM-2) CABNETS (LAM-5) TOE KICK (LAM-5)
P.LAM WRAPPED AROUND CORNER 3050
NORTH ARROW:
VOID
4365
COUNTERTOP (LAM-2)
COUNTERTOP (LAM-2)
LAM-5
P.LAM WRAPPED WALL SUPPORT (LAM-5)
VOID
2
3
MILLWORK ELEVATION - RECEPTION CABINETS - LEVEL 1
A819 A819
Scale:
1 : 25
JC JC
VOID
S.S. BASE WRAPPED AROUND ALL SIDES OF COLUMN
S.S. BASE WRAPPED AROUND ALL SIDES OF KNEE WALL
MILLWORK ELEVATION - RECEPTION DESKS - LEVEL 1
A819 A819
Scale:
1 : 20
1
C
A819 A820
3764
2
CLEAR ANODIZED CLAD HSS BEAM
VOID
3
A819 A820
CLEAR ANODIZED CLAD HSS BEAM
VOID
A819 A820
P.LAM RETURNED INTO GLAZING FRAME
PT-3
150
925
LAM-5
VOID
S.S. BASE WRAPPED CORNER
BY:
ADDENDUM 4 ISSUED FOR CONSTRUCTION
200
920 2 EQ. PANELS
LAM-5
PT-3
2019-06-12 2019-07-08
DESKTOP (LAM-2)
PILASTER SUPPORT (LAM-2)
200
660 CLEAR
PT-3
ITEM DATE: ISSUED FOR: NO. YYYY/MM/DD 10 15
DESKTOP (LAM-2)
SEAMLESS BUTT JOINT
LAM-2
1066
874 CLEAR 2760 6 EQ. PANELS
LAM-5
DESKTOP (LAM-2)
COUNTERTOP (LAM-2), REFER TO DETAIL
LAM-2
PT-3
ISSUED DATES:
VOID
N. I. C. FRIDGE
LAM-5
N
S.S. SHOE SUPPORTING GLASS PANEL IN WALL, REFER TO DETAIL
VOID
735
308
COUNTERTOP, REFER TO DETAILS
99
325
P3.5
MILLWORK WALL SPLIT & OVERLAP, REFER TO ELEVATION S.S. INVERTED SHOE SUPPORTING GLASS PANEL
DESKTOP (LAM-2)
° 55
S.S. INVERTED SHOE SUPPORTING GLASS PANEL
992
1S63
LAM-2
P3.5
P1.1
LAM-5
MILLWORK WALL (BELOW)
7 S.S. SHOE SUPPORTING GLASS PANEL IN WALL, REFER TO DETAIL
2012
COUNTERTOP (LAM-2)
PT-3
VOID
50°
VOID
COUNTERTOP (LAM-2)
LAM-2
VOID
49
2006
50
2012
36°
309
COUNTERTOP (LAM-2)
112
LAM-2
P3.3 635
P.LAM WRAPPED AROUND CORNER
S.S. SHOE SUPPORTING GLASS PANEL IN WALL, REFER TO DETAIL
309
A819
SEAMLESS BUTT JOINT
4019
840 127
4019
4
1351 1065
SEAL:
A819 A820
VOID
127
28
S.S. BASE RETURNED INTO GLAZING FRAME S.S. BASE WRAPPED CORNER
5419 S.S. BASE WRAPPED ALL SIDES OF COLUMN
S.S. BASE WRAPPED ALL SIDES OF KNEE WALL
MILLWORK ELEVATION - RECEPTION COUNTERTOPS - LEVEL 1
A609 A819
Scale:
1 : 20
COUNTERTOP (LAM-2)
2
A819 3
LAM-5
VOID
1638 S.S. BASE WRAPPED ALL SIDES OF KNEE WALL
113
2008
660
A819
MILLWORK WALL (BELOW)
A819
LAM-2 129°
4019
945
127
DESKTOP (LAM-2)
A819 A817
2
LAM-5
VOID
4 SEAMLESS BUTT JOINT
6
LAM-5
SEAMLESS BUTT JOINT
B UNDER COUNTER N. I. C. FRIDGE
LAM-2
LAM-2
LAM-2
20°
GLAZING ABOVE - REFER TO SCHEDULE 23
3
A819 A820
115
4
CLIENT:
CLEAR ANODIZED CLAD HSS BEAM
KNEE WALL, REFER TO DETAILS
S.S. INVERTED SHOE SUPPORTING GLASS PANEL
SEAMLESS BUTT JOINT 477
GLAZING - REFER TO SCHEDULE
GLAZING, REFER TO SCHEDULE
8
114
SHEET NAME:
COUNTERTOP (LAM-2), REFER TO DETAILS
1989
A819
DESKTOP (LAM-2), REFER TO DETAILS
6
KNEE WALL (LAM-2)
1
LAM-5
DESKTOP (LAM-2)
KNEE WALL, REFER TO DETAILS 49 127
200
WALL BASE, REFER TO FINISH PLANS
480
FILE PATH:
1:300 0m
6m
6
1 : 20
15m
30m
1:200 0m
1:100
2m
4m
8m
16m
0m
1:50
1m
2m
4 m
8m
2
0m
Scale:
1 : 25
A819 A819
1:25 0.5m
1m
2 m
4m
0m
3
1:20 0.25m
0.5m
7
MILLWORK ELEVATION - RECEPTION CABINET - LEVEL 1
A819 A819 1
HM
PROJ. MGR/ARCH:
EP
CHECKED BY:
1 m
2m
0m
0.25m
1715-TI
1m
2m
Scale:
1 : 25
4
0.1m
0m
REVISION NO:
MILLWORK ELEVATION - RECEPTION DESK - LEVEL 1
1:10
0.5m
JC
20/08/2019 3:33:29 PM
PROJECT NO:
1207
MILLWORK PLAN - RECEPTION DESKS - LEVEL 1 Scale:
DRAWN BY:
PLOT DATE/TIME:
640
S.S. BASE WRAPPED AROUND CORNER
607
5 A214 A819
MILLWORK PLANS & ELEVATIONS - RECEPTION
APPROVED FOR CONSTRUCTION DATE:
WALL BASE, REFER TO FINISH PLANS
S.S. BASE
124
115 600
127
200
MILLWORK WALL (BELOW)
P.LAM WRAPPED ON ALL SIDES OF WILLWORK SCREEN
PT-3
735
C:\Users\Hadley\Documents\1715-TI-MLHU Main_hadley.rvt
A819 A820
1S64
MLHU - INTERIOR FIT-UP (SUITE 110) CITI PLAZA 355 WELLINGTON STREET, LONDON, ONTARIO
3050
COUNTERTOP (LAM-2)
P3.3
A
PROJECT:
LAM-2 WRAPPED AROUND CORNER
LAM-2
40°
PT-3
A810 A817
865
2775
DESKTOP (LAM-2)
MIDDLESEX LONDON HEALTH UNIT LAM-5 RETURNED INTO GLAZING FRAME 1984
49
100 150
1S-68
2135
4380
A819 A820 RECEPTION
0.5m
1m
SHEET NO:
A819
15 1:5 0m
0.05m
0.25m
0.5m
IT IS THE RESPONSIBILITY OF THE OWNER, GENERAL AND/OR TENANT CONTRACTOR AND ALL SUB-TRADES TO BE FAMILIAR WITH THE PROJECT AS A WHOLE. ALL DISCREPANCIES AND DIMENSIONAL ERRORS ON THE PLANS AND RELATED DOCUMENTS MUST BE REPORTED TO THE ARCHITECT PRIOR TO COMMENCING ANY WORK DO NOT SCALE DRAWING CONSTRUCTION SET HAVE ORIGINAL CONSULTANTS STAMP AND SIGNATURE THE CONTENTS OF THIS DRAWING REMAIN THE COPYRIGHT PROPERTY OF ENDRI POLETTI ARCHITECT INC.
356
CONTINUOUS FLEXIBLE SEALANT
915
FINISHED CEILING, REFER TO RCP`S
ANTI-MICROBIAL COATED ALUM. FRAMED TRANSACTION GLAZING, REFER TO GLAZING SCHEDULE
KEY PLAN:
D
F1.2
CONTINUOUS COUNTERTOP THROUGH WINDOW OPENING, NO BASE TRACK, REFER TO MILLWORK PLANS
F1.2
NORTH ARROW:
N
COUNTERTOP (LAM-2) 50
222
ISSUED DATES:
DESKTOP (LAM-2)
50
10 15
735
915
P.LAM MILLWORK DETAIL, REFER TO MILLWORK ELEVATIONS
LEVEL 1 0
3
WALL SECTION - WINDOW IN LAB Scale:
A811 A820
BY:
ADDENDUM 4 ISSUED FOR CONSTRUCTION
JC JC
P.LAM CLAD PILASTER (LAM-5)
S.S. BASE, WRAPS AT CORNERS
222
6
2019-06-12 2019-07-08
1065
BASE CABINETS
P1.1
ITEM DATE: ISSUED FOR: NO. YYYY/MM/DD
1 : 20
23
514 925
189
MILLWORK SECTION RECEPTION DESK THRU COLUMN
A819 A820
1 : 20
Scale:
C
CLEAR ANODIZED ALUMINUM LAMINATED TO HSS BEAM S.S. INVERTED SHOE SUPPORTING GLASS PANEL
GLAZING - REFER TO SCHEDULE
CONTINUOUS FLEXIBLE SEALANT
CONVEX BEVELED GLAZING EDGE
310
325
COUNTERTOP (LAM-2 )
50
915
ANTI-MICROBIAL COATED ALUM. FRAMED TRANSACTION GLAZING, REFER TO GLAZING SCHEDULE
KNEE WALL BEYOND (LAM-2)
50
KNEE WALL BEYOND (LAM-2)
CONTINUOUS FLEXIBLE SEALANT
BACKING AS REQUIRED
915
P.LAM MILLWORK DETAIL, REFER TO MILLWORK ELEVATIONS
B
WRAP P.LAM AROUND U/S OF MILLWORK SCREEN 198
1 : 20
A819 A820
MILLWORK SECTION RECEPTION DESK 1 : 20
Scale:
CLEAR ANODIZED ALUMINUM LAMINATED TO HSS BEAM
100 150
CLEAR ANODIZED ALUMINUM LAMINATED TO HSS BEAM
600 925
2
WALL SECTION - WINDOW THROUGH LAB Scale:
127
100 150
5
SEAL: KNEE WALL BEYOND (LAM-2)
LEVEL 1 0
A223 A820
DESKTOP (LAM-2)
735
P1.1
BASE CABINET
329
CONTINUOUS COUNTERTOP THROUGH GLAZING OPENING, NO BASE TRACK, REFER TO MILLWORK PLANS
CLIENT:
MIDDLESEX LONDON HEALTH UNIT
GLAZING SYSTEM BEYOND
GLAZING - REFER TO SCHEDULE
ELEMENTS BEYOND
S.S. INVERTED SHOE SUPPORTING GLASS PANEL
S.S. INVERTED SHOE SUPPORTING GLASS PANEL
GLAZING - REFER TO SCHEDULE
GLASS CENTERED ON WALL BELOW, S.S. SHOE IN WALL
MLHU - INTERIOR FIT-UP (SUITE 110)
COUNTERTOP (LAM-2), WRAPPING AT WALL EDGE
CITI PLAZA 355 WELLINGTON STREET, LONDON, ONTARIO
DESKTOP (LAM-2)
MILLWORK SECTIONS LEVEL 1
SHEET NAME:
310
50 105
A
PROJECT:
CONVEX BEVELED GLAZING EDGE
124
50
225
310
COUNTERTOP (LAM-2)
F1.4
COUNTERTOP (LAM-2)
735
840
P.LAM MILLWORK DETAIL, REFER TO MILLWORK ELEVATION
200
C:\Users\Hadley\Documents\1715-TI-MLHU Main_hadley.rvt
845
BACKING AS REQUIRED
127
480
S.S. BASE ON BOTH SIDES
127
FILE PATH:
1
1:300 0m
6m
15m
30m
1:200 0m
1:100
2m
4m
8m
16m
0m
1:50 1m
2m
4 m
8m
0m
2
1:25
Scale:
0.5m
1m
2 m
4m
0m
0.25m
0.5m
1 m
2m
0m
1 : 20
A819 A820
3
1:20 0.25m
0.5m
1
MILLWORK SECTION RECEPTION DESK JOINT
1:10 1m
2m
0m
1 : 20
4 0.1m
0.5m
1m
REVISION NO:
15
1:5 0m
EP
0.05m
0.25m
CHECKED BY:
JC
20/08/2019 3:33:02 PM 1715-TI
PROJECT NO:
MILLWORK SECTION RECEPTION DESK - ACCESSIBLE Scale:
HM
PROJ. MGR/ARCH:
PLOT DATE/TIME:
WRAP P.LAM AROUND U/S OF WILLWORK SCREEN
1207
4 A819 A820
DRAWN BY:
APPROVED FOR CONSTRUCTION DATE:
600
0.5m
SHEET NO:
A820
29
30
Atlas Global Healthcare (Richmond Hill) Renders for the Endri Poletti Architect Inc. website.
https://www.epolettiarc.com/atlas-global-healthcare
Lambeth Village Health and Wellness Centre Renders for the Endri Poletti Architect Inc. website.. https://www.epolettiarc.com/lambeth-village
31
Beneath Our Shorelines WWF Pandamonium Project 7 TORONTO, ON | SUMMER 2016 The installation is a statement of how human’s life on land has extending effects into wildlife under water. In collaboration with LeuWebb projects, architect Christine Leu selected a few of her students to work on this installation for WWF and the Great Canadian Shoreline Cleanup fund. The installation is made entirely of recyclable plastic water bottles and cups. They are cut up and warped into forms resembling jellyfish and starfish trapped in netting hanging throughout the rooms. The viewers walking through the installation are submerged into the sea and look through the eyes of a sea creature surrounded by human’s “recyclable plastic” waste. Aiming to bring the amount of plastic waste into perspective, after the visit through the installation, the viewer will be more conscious in their consumption of plastic. The sea is not home for humans, and we must take responsibility for polluting it, and participate in the Great Canadian Shoreline Cleanup.
32
Timberfever Design-Build Competition 8 TORONTO, ON | FALL 2018 For many architectural and civil engineering students, Timberfever was the first design-build competition I have participated in. The fast-paced competition took place within three days – one day designing, two days building - and pushed us to design and work collaboratively. 110 students from architectural and civil engineering programs across Canada are selected to participate, adding to the challenge and excitement. Presented by Moses Structural Engineers, the 2018 competition concept revolved around climate change and the need to care more for our precious resource: Water. The objective was to build a water refill station that must be wheelchair accessible, with height and width limits. Constrained by limited materials and dimensional lumber, our water refill station design was a minimalist A-frame structure, that allowed for accessibility and was accompanied by a resting place. With the water resting at the peak of the A-frame structure, the peak mimics natural watershed flow. It’s a reminder that water is precious and that humans can easily affect the natural ecosystem.
33
T h a n k Yo u