Adam John Williams Portfolio

Page 1

Adam John Williams


table of contents


YEAR

SKETCHES NOMAD SHELTER PHOTOGRAPHY RESUME

FOUR

THREE

TWO

ONE

democratic theater democratic platform DHS visitor center

artist housing connective tissue

yoga studio

cubist object


democratic theater summer 2012 project duration: 5 weeks Kennedy Center, Washington DC Studio led by Ben Gilmartin,

landscape reflection/absorbtion

The democratic theater, as it exists in its island condition between the Kennedy Center and surrounding highways, cannot hope to become a desirable, visitable space without shaking its identity as “residual space”. Thus, the project identity is one of reconciliation, by simultaneously bringing in, and pushing out towards, the site’s exterior. The site is democratized by reestablishing a meaningful site connection to the public while providing a unique stacked performance space to encourage democratic dialogue.



Pub

Pri

Public Access to Stage

Pub

Pri

Private Access to Stage

The stage, built on hydraulics, is shared between the private/enclosed and public/ exterior. When one stage is in operation, the other is inaccessible.



democratic platform summer 2012 project duration: 1 week Studio led by Ben Gilmartin,

site/platform interaction

To build a siteless platform to support democratic function, it became important to design is executed. This is achieved through perimeter, but allowing organic permutations of the landscape by these elements in response to a variety of site conditions. What results is a mesh of playful, casual volume useful for traditional debate and demonstration.



DHS visitor’s center spring 2013 project duration: 3 months St. Elizabeth’s Campus, Washington DC Final Scheme Combining our two intitial schemes, a path is established tying the building’s security program to the center’s institutional and educational function.

Comprehensive Building Design Studio in conjunction with students Adrian Gittens, Joshua Jacques, Claudia Jean and Sumedha Barua

The Department of Homeland Security’s visitor’s center allows a public glimpse of the walled, high-security institution. Given the

The visitor’s path leads them through security processes before folding back, permitting

An elevated viewing corridor provides access to the 9/11 memorial garden, historic views of St. Elizabeth’s campus and downtown DC.

in a historic neighborhood, and a widespread distaste for DHS security functions, an opportunity presented itself in the center’s obligatory security programming. The process is turned into public spectacle, complete with elevated seating. A freeform path connects this to a garden housing 9/11 artifacts, inspiring meditative, walking contemplation between the two spaces.


Ground level

Mezzanine/walkway level




walkway structure opens to security


Garden focus centers on iconic WTC beam

walkway structure/interaction with building


artist housing spring 2012 project duration: 2 weeks El Born, Barcelona, Spain

spatial compartmentalization

Located in the busy Born district of Gothic Barcelona, the site provides ample privacy. The building’s reaction was to separate program into areas to be “present” and areas to be “absent”, using a spatial membrane. This scheme is repeated within the living quarters to further seclude and



connective tissue spring 2012 project duration: 4 weeks

Arc de Triomf, Barcelona, Spain

fabric reconnection

The site of this mixed-use residential project was a residual plot resting at the seam between the Gothic Quarter and the modern Eixample. The location and boundaries of the site lie along the border of a large public plaza, and at the terminus of two older streets. Thus, this project becomes one of connection and reconcilliation, restoring and adapting the use of these leftover streets while continuing the datum of the public space.


1:200 1m

5m

1:200 1m

5m


public/private spaces, facade study



Sejima Wing summer 2011 project duration: 4 weeks

Gifu Prefecture, Japan 1994-2000 Kazuyo Sejima Public

Public

Private

Private

The Wing was designed with open, townlike circulation in mind, where every resident would have “their own front door�. Thus each apartment consists of a collection of one standard room, repeated

Circulation Public Private

Room Extrusion

Visual/Spatial



multi-unit housing summer 2011 project duration: 2 weeks

14th Street NW, Washington, DC

A mixed-use housing project attempt to take advantage of the relative height uniformity of the surrounding town houses. A modular cube is formed elevations, giving shape to the gallery below while permitting a diverse set of views for the occupants above.


level 3/roof

level 4/roof


yoga studio spring 2010 project duration: 5 weeks H Street, Washington DC

The spatial “wedge” creates a polarity and balance of spaces where, despite their similarity, each volume represents a distinct and opposite relationship to nature and its surroundings. By dividing these spaces, a dialogue is created between the ceiling and the ground of the site, where an intermediary space mitigates and interprets the conversation.

A Bikram, or “hot yoga” studio, the two programmed yoga spaces take advantage of the site’s environmental heating opportunities; one is raised to collect sunlight, the other lowered for thermal mass gains. Personal practice is then made subject to the surroundings, and therefore conscious to an important aspect of yogic practice.


upper studio, summer solstice


basement studio


entrance to basement


Shaw Library

spring 2009 project duration: 3 weeks Shaw, Washington, DC 2009 Davis Brody Bond Aedas

The library makes use of its awkward yet prominent triangular plot by embracing the diagonal. A geometrically standard building, a perforated rain screen divides what would expectedly have been a rectangular form, terminating at a prominent column. The building allows its character to become dominated by the presence of the wide diagonal avenue.



cubist object spring 2009 project duration: 3 weeks Nude Descending a Staircase No. 3, Marcel Duchamps

Study of Marcel Duchamp’s “Nude Descending a Staircase” involving the creation of an analytical model based on the construction of the painting. I found the major elements of the piece to be time and on the depth, fragmentation and position of

time

movement



SKETCHES spring 2012 Barcelona, Spain Berlin, Germany Various 30-60 minute studies of buildings and locations throughout Europe. Emphasis was placed on clarity and composition, given the short amount of time per drawing.



NOMAD SHELTER fall 2012 project duration: 5 weeks Fabrication wood 2x4s (6), 2x2s (3) polyethelene tubing painter’s tarp

With a budget of $75, we were to construct a shelter to be used by a nomadic person. Given this prompt, the design goals became to minimize construction materials and weight, provide a tool-free assembly, remove the occupant from the ground and provide rainwater collection for the inhabitant. The solution was one of North American Native housing, the other from tensegrity structures, and how their combined structural and formal characteristics could achieve the project goals.



PHOTOGRAPHY 2006-recent

Works using 35mm and

“Triptych” September 2007


digital photograph, retouched May 2008





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