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1992, Taipei, Taiwan Freelance designer & Photographer
李宜庭
Akira Lee -
設計作品集
Portfolio
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李宜庭
by Akira Lee
設計作品集
Portfolio of 2017
No.0 / 2014 - 2017 The Journey.
No.1 /
Resumes
No.2 /
About Me 03
No.4 /
Graphic Design Logotype 55 Posters 57 CD - TEMPLES 65 Business card 67
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Visual Identity Circuit - Exhibition Ping-Lin Tea Package Filtre Cafe Brand Design Akira - VI
No.5 /
07 13 21 31
Interactive Design Reflective Paper Clock Mt. Yang-Ming - Web
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Contents // the loop function runs over and over again forever void loop() { }
No.3 /
Book Design Life in a Fishbowl 37 13 Levels - Zine 47
No.6 /
Photography Shapeless Landscape Ruins Diary Daily Way Portrait Photography The Last Summer
83 85 89 91 95
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No.1 /
Resumes -
AKIRA LEE 李宜庭
Graphic designer & Photographer 專長於平面設計、品牌視覺識別、印刷應用、人機互動設計 Graphic design / Visual identity / Print / Interactive design
Education 2016 就讀國立台灣科技大學設計系研究所 Studying at Department of Design, National Taiwan University of Science and Technology
2012-2016 國立政治大學廣告學系畢業 雙主修數位內容與科技學程 Graduated from Department of Advertising (BA) & Program in Digital Content & Technologies (BS), National Chengchi University
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About Me -
Awards
Exhibition
全國學生攝影比賽 - 銀獎
變形蟲世代 : 政大廣告系畢展
Silver Award - National Student Photography Competition (Taiwan) 2016
新光三越青年設計大賽 - 評審獎
Judges' Award - I DESIGN AWARD 2017
藝術與設計菁英培訓計畫 - 視傳組
Educational Scholarship Program in Art and Design (Taiwan) 2017
Experience Red Peak 品牌設計公司 - 設計實習
Graphic Designer (intern) - Red Peak INC. (NYC Branding Design Co.) 2015-2016
Filter Café - 品牌設計 （接案）
Graphic Designer (freelancer) – Filter Café. (Visual Identity & Packaging Design) 2015
台灣電通 - 包裝設計 （接案）
Transformative Generation: Graduation Exhibition,Dpt. of Advertising, NCCU @Venue,Taipei 2016
回圈 : 第四屆政大數位內容畢展
Circuit: 4th DCT Graduation Exhibition, NCCU @Digital Arts Center, Taipei 2015
三校學程 : 腳踏車產品設計展覽 ＠松山文創園區
Bike Product Design Exhibition @Songshan Cultural and Creative Park, Taipei 2015
日常小革命 - 數位藝術展 / 擔任策展人
Daily Revolution - Digital Art Exhibition, NCCU @Digital Arts Center, Taipei / as Curator 2014
台大藝術季 HERE WE ART: 新媒體藝術展
The 20th NTU Art Fest - HERE WE ART @National Taiwan University, Taipei 2014
Art (freelancer) - Dentsu INC. 2017
人機互動工作坊 - 技術組 & 設計 TA
OPEN HCI workshop-Tech & TA 2015,2016
人機互動工作坊 - 總召
OPEN HCI workshop - Coordinator 2017
+ 886 956 801 311 akiraxcc@gmail.com 4
No.2 /
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No.2 /
Visual Identity Circuit - Exhibition Ping-Lin Tea Package Filtre Cafe Brand Design Akira - VI
07 13 21 31
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No.2 /
Motion graphic - Circuit.gif 7
Producer / AKIRA LEE 8
Circuit The Graduation Exhibition of DCT
Visual design, 2015
回圈 | Circuit
Logotype
Exhibition (Visual Design) / Poster / Business Card / Stickers / Handbag
Circuit 是 政 大 數 位 內 容 第
此 次 展 覽， 即 表 現 其 意
有 兩 層 涵 義， 其 一 ， 意 指
程 式， 結 合 AR、 錄 像 藝 術
作品理念 四 屆 畢 業 製 作 展 覽 主 題， 為 電 路、 線 圈， 其 二 則 是
代 表 一 個 循 環 的 圓 圈， 起 始 點 與 終 點 為 相 同 地 方， 可引伸為人生上的旅程。
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象， 利 用 arduino 電 路 板 與
與 Mapping projection 敘事，
以 互 動 投 影 門 的 方 式， 使 觀眾自由穿梭在回憶之 間。
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No.2 /
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What & How: I was in charge of main visual design for the DCT thesis showcase. Our exhibition concept was “Circuit�, a metaphor for a life journey. My inspiration derived from my team project, which used mapping projection and Arduino sensors to display interactive media. For the logo, I designed a door with overlapping circles, intending to invite audiences to step in and create their own unique virtual journeys. I also created an animated logo and advertised it on our Facebook fan-page.
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No.2 /
The Origin of Taiwanese Tea
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The Pinglin Mountain
Photographer / AKIRA LEE 14
Ping-Lin Tea Package Tea Package / / Visual Identity
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Packaging Design, 2016
坪地茶 | Ping-Lin Tea size - 21.3 x 15 (cm)
Ping-Lin Mountain
+
=
Open Book
Logotype 16
No.2 /
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作品理念
將 茶 葉 盒 包 裝， 設 計 成 書 造 型， 是 希 望 品 茶 之 時 能
聯 想 到 悠 閒 的 時 光， 宛 如
打 開 一 本 書 般 細 細 品 味。 logo 設 計 則 結 合 坪 林 的 地
形 與 書 本 打 開 的 剖 面， 凸 顯產地坪林特殊環境塑造 好茶的特色。
I designed the logotype resonating with Ping-Lin Mountain’s topography and the longitudinal shape of an open book. For the tea packaging, I designed the package to look like a book, hoping our customers can enjoy and associate with their leisure time.
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No.2 /
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Logotype
Design Motif
Standard Font
Standard Color
花園明朝 東來去五國 ABCDEFGHIJKLMNOPQRSTUVWXYZ 1234567890
C=50 M=0 Y=100 K=0 C=36 M=0 Y=67 K=0 C=16 M=34 Y=58 K=0
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Filtre Cafe Brand Design Branding / Visual Identity
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Packaging Design, 2015
濾咖啡 | Filtre Cafe Target Audience: 30-somethings base
Client: Filtre Cafe Company http://www.filtrecafe.com/
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No.2 /
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作品理念
Filtre Cafe 的 理 念 是 幫 客 戶
最 後 流 入「 F」 尾 端 的 杯
好 的 帶 給 客 戶， 概 念 發 想
的「C」 倒 寫， 採 取 的 字
層 層 過 濾 咖 啡， 只 留 下 最
來自咖啡濾紙的波浪外 形， 因 此 在「 F」 中 設 計
一 層 又 一 層 的 波 浪 線 條， 代表咖啡由上到下過濾。
子 裡， 杯 子 的 手 把 為 Cafe 體 為 簡 約 而 圓 潤 的 字 體， 呈 現 溫 暖 的 感 覺， 視 覺 上 尋求經典卻又不老氣的感 覺。
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No.2 /
What & How: The Filtre Cafe's goal is to serve our customers with the best cup of coffee. My original design concept came from the coffee filter's wavy appearance,
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therefore I applied the idea to the letter "F" of the Logo, representing the process of coffee filtration from top to bottom.
Logotype
Filtre Café Standard Font
Standard Color
C-76 M-71 Y-68 K-34 C-03 M-29 Y-88 K-00 C-11 M-07 Y-18 K-00
Draft
Filtre Café Fertigo Pro Regular ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#%&()
Beside the cup icon is a smaller letter "C" in a simple font style, expressing warmness and also visualizing a classical aesthetic suitable for 30-somethings.
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No.2 /
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Packaging Design
1 2 3 4
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Hot foil stamping (Drip box cover) Drip box (open) Coffee bean bag and box (with labels) Drip bag (5 flavors)
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No.2 /
Web Design Offical Website: http://www.filtrecafe.com/
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AKIRA - VI Typography
個人識別 | Akira Visual Identity Typography
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Visual Identity, 2014
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No.2 /
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Logotype
Design Motif
3 LINES HORIZONTAL LOGOTYPE
The logotype “AKIRA” derived from the combination of three parallelograms.
Concept
PROGRAMMING
REVERSE LOGOTYPE
GRAPHIC DESIGN PHOTOGRAPHY EXPERIENCE
SKILLS
3 LINES AKIRA (ME)
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No.3 /
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No.3 /
Book Design Life in a Fishbowl 37 13 Levels - Zine 47
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No.3 /
*Silver Award - National Student Photography Competition (Taiwan) 2016 37
Photographer / AKIRA LEE
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Life in a fishbowl Photography Exhibition
Book Design, 2016
生活在魚缸 | Life in a Fishbowl
Logotype
Book Design / Layout Design Size - 16K 25.5 x 17 (cm)
作品理念
「生活在魚缸」這系列是藉
底 片 重 曝 拍 攝 城 市 與 魚 缸， 將攝影作為空間的連結與容
器， 嘗 試 比 喻 人 與 城 市 的 關 係。 城 市 裡 的 每 人 都 仿 佛 活 在魚缸，魚缸是牢也是家。
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This series is shot by the film with doubleexposure of Taipei city and a fishbowl. I used photography as a medium to describe the relationship between people and the city. Everyone in the city seems to live in the fishbowl, which is not only a prison but also a home.
攝影集書設計
這 本 攝 影 集 包 含 了 書 腰、 書
書衣採用厚磅灰色尼斯打
明 的 英 國 描 圖 紙 作 為 書 腰，
為長春紙廠的超感輕塗布
衣、 內 封、 襯 紙， 使 用 半 透 內頁每個章節前都有描圖 紙， 是 為 了 表 達 彷 彿 從 魚 缸 中窺見的感覺。
凹， 質 感 厚 實 硬 挺， 而 內 頁 紙， 保 有 溫 暖 粗 糙 感， 又 使 照片印刷清晰、階調明顯。
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No.3 /
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No.3 /
Merchandise Design
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No.3 /
Calendar, Layout Design 45
Size - A4 21 x 29.7 (cm)
Photographer / Yi-Ting Lee (ME)
2016 MAY to DEC. 46
13 Levels - Zine Photography, Poster
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Book Design, 2017
十三層廢墟 | 13 Levels - Zine Book Design / Poster Design Size - A3 42 x 29.7 (cm)
作品理念
在九份附近有許多廢棄的採 礦 設 施。 雖 然 這 個 城 鎮 不 再
富 有 黃 金， 但 仍 富 有 許 多 文 化 與 歷 史。 為 了 推 廣 這 個 地
方， 我 設 計 這 個 Z ine 為 一 份 寶 藏 地 圖， 介 紹 九 份 的 文 化
與 歷 史， 並 結 合 我 在 13 層 廢 墟 拍 的 照 片， 邀 請 遊 客 去 這 裡一同尋找文化上的寶藏。
A poster. A book. Jiufen is an old town with many a b a n d o n e d m i n i n g fa c i l i t i e s . Although they may no longer be rich in gold, they are still rich in culture and history. In order to promote this site, I made this Zine to introduce the history of 13-Levels in Jiufen. I designed the Zine as a treasure map and combined my photos of 13-Levels, intending to invite viewers to find cultural treasures in Jiufen.
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No.3 /
Front
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Back
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No.3 /
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Photographer: Yi-Ting Lee (ME) Place: Jiufen, Taiwan Target Audience: foreign tourists 52
No.4 /
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No.4 /
Graphic Design Logotype 55 Posters 57 CD - TEMPLES 65 Business card 67
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No.4 / 商標、標準字 | Logotype 2014 - 2017
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No.4 / 台灣 | Signs of Taiwan Poster / Photography / Typography size - A2 42 x 59.4 (cm) 2017
>> 靈感來自於台灣街道上的招牌與燈光的形狀 Inspired by large amounts of signboards in Taiwan
Photographer / AKIRA LEE Place / Taipei, Taiwan
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English & Chinese Characters
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No.4 / 大阪幻覺 | Osaka Maboroshi Poster / Photography size - A2 42 x 59.4 (cm) 2017
>> Title
>> 背景圖片使用底片相機 拍攝正片，再用負沖方式 沖洗出紅色色調，製造迷 幻效果。
拍攝於日本，大阪。
>> Background Photo: I cross-processed my film photos to create psychedelic effects. Photographer / AKIRA LEE Place / OSAKA, JAPAN
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No.4 / 跨性別海報 | Transgender Poster Poster / illustration size - A1 59.4 x 84.1 (cm) 2017
>> 男 與 女 之 間 的 間 隔， 其 實 存 在 許 多 性 別。 這 張 海 報 目 的 是 呈 現 跨 性 別 的 存 在，
以 描 繪 跨 男 FTM (Female to Male) 的 真 實 樣 貌， 除 了 鼓 勵 跨 性 別 展 現 自 我， 也 告 訴 社會大眾世上性別不是只有 二分法。
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The interval between men and women is in fact, more profound than merely two catalogs. The purpose of this poster is to present a transgender presence as I depicted the true appearance of an FTM (Female to Male). I aim to encourage transgenders’ selfexpression and declare to the public that gender is not the only dichotomy.
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No.4 / 工作坊海報 | Workshop Poster Poster / illustration size - A1 59.4 x 84.1 (cm) 2017
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No.4 /
專輯設計 | Volcano - TEMPLES CD / Re-design size - 14.3 x 12.5 (cm) 2017
Back
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Front
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No.4 /
名片設計 | Akira Business card / Laser Cutting size - 90 x 54 (cm) 2017
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No.4 /
名片設計 | Jessie C. (Client) Business card / Letterpress printing size - 90 x 54 (cm) 2016
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No.5 /
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No.5 /
Interactive Design Reflective Paper Clock Mt. Yang-Ming - Web
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Reflective Paper Clock Interactive Design, 2017
Material Exploration
Hour
Minute
Second
紙製時鐘 | Paper Clock
Teamwork / 李宜庭 Akira Lee & 李佳恩 Chia-en Lee Paper, Arduino, Neopixels size - A4 21 x 29.4 (cm) 2017
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>> On the back of paper, we installed the led light (Neopixel) on the edge of crease. Controlled by the Arduino, coding to the led light glowed in a flowing movement.
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>> In order to make the light revel obviously, we printed black ink on the back of paper, whereas only the edge of crease remained white.
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Mt. Yang-Ming - Web Web design / Visual Identity
陽明山美學旅圖網站 | Mt. Yang-Ming Teamwork / UI Designer / illustrator: 李宜庭 Akira Lee Programmer: 朱千慧 Qian-Hui Zhu 2017
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Interactive Design, 2017
Logotype
Design Motif
*Inspired by clouds in Mt. Yang-Ming
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Our Story
Projects
Workshops
Apply Contanct
Anchor Menus To introduce these activities in Mt. Yang-Ming, I designed the web as an experience map, inviting viewers to start their unique journey.
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No.6 /
Photography Shapeless Landscape Ruins Diary Daily Way Portrait Photography The Last Summer
83 85 89 91 95
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No.6 /
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沒有形狀的風景 | Shapeless Landscape Black & White Film size - 16" x 9" * 5 2014
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廢墟誌 | Ruins Diary Black & White Film size - 8 x 10" * 20 2015
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衯 | Daily Way Negative Film size - 2" x 3" 2015
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人像攝影 | Portrait Photography Kodak 50D ( Negative Film ) size - 2 x 3" * 2 2017
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夏末憂傷 | The Last Summer Kodak 500T ( Negative Film ) size - 2 x 3 * 2 2016
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return( );
All Rights Reserved. 2017.05 Printed in Taiwan.
李宜庭
by Akira Lee
設計作品集
Portfolio of 2017
akiraxcc@gmail.com